Podcasts about calligraphers

Text us a question to answer on a future episode!We're back from summer break and kicking off the fall season with a special collaboration episode featuring Cat and Alex from Keeping Up with the Calligraphers podcast! We're honored to have them on the show to chat about the diverse, in-demand live event calligraphy industry.Join us for this exciting conversation where Cat Brown of Cat Lauren Calligraphy and Alex Hirsch of Signs of Our Lives share their experiences of growing their calligraphy businesses, niching down within the live event space, and the importance of staying authentic in business. We chat about essential marketing and pricing strategies for live events, the value of community connections, and the necessity of having a contract in place, whether it's your first or your hundredth job. From corporate events to private parties, Cat and Alex have a wealth of knowledge when in comes to standing out as live event artists. After getting their start by creating signs and paper goods for weddings, they expanded their services to provide live calligraphy at corporate events and activations for brands like Prada, Makers Mark, LA Magazine, Netflix, and more.Whether you're looking to partner with luxury and corporate clients, provide on-site activations for local businesses, or even break into the world of flash tattoos, this episode has all the tips you need to create personalized, Insta-worthy experiences for guests of all kinds. Tune in for an insightful conversation packed with actionable tips as we head into busy season for live events!Please note, if you're listening around littles, you might want to put headphones in for this one!

So you want to start a calligraphy business – that's awesome! But wait… are there too many calligraphers out there already that it's going to be impossible to create your own space and stand out in this industry?This was an actual (and legitimate) question I got in my Instagram DM's by a follower a few weeks ago. She was wondering if the market was too saturated for new calligraphers to make it – and let me tell you, this is NOT the first time I've heard this concern. With so many established calligraphers out there already in such a niche industry, it can feel like you won't be able to get your foot in the door (much less make money!). But in reality, this industry (and many others like it) is ever-changing – and there IS a seat at the table for you!In this week's episode of The Shinah Show, I'm going to pop the ‘calligraphy bubble' you've been living inside and show you:Why there is more room in this industry than you thinkHow being a “beginner” can work to your advantageWhy getting over your ‘imposter syndrome' is absolutely necessary in order to make itThere are SO many ways for you to profit from calligraphy, and so many different pockets of customers out there you probably haven't thought of that never knew they needed you - you just have to get out there and be brave!See “Episode 52. The Easiest Way to Start a Calligraphy Business” for even more on why the market always NEEDS new businesses.--FREE CALLIGRAPHY BIZ SUMMER SCHOOL - Three weeks of foundational business lessons, resources and mindset reframes, to help you get closer to your calligraphy dreamsRegister right HERE--FOLLOW SHINAH: Join our community of creativity-seeking souls over on Instagram:  @crookedcalligraphySUBSCRIBE:Love podcasts? Listen to The Shinah Show wherever you get your podcasts, and leave us a review on Apple Podcasts!

Text us a question to answer on a future episode!In this week's episode of Calligraphy Biz Corner, we dive deep into advanced pricing strategies for calligraphers! These are strategies that we believe aren't talked about enough, so we're bringing them to light!We cover the importance of investment minimums, the added value of design and project management fees, and discuss when and how to do work for free. Learn how to confidently set your prices, boost your business profitability, and avoid common pricing pitfalls!

Personalized Moments: Creating Unique Event Activations Hey, did you know that event activation experiences can lead to some pretty wild and unexpected guest interactions? From outrageous requests to surprising celebrity encounters, event producers and planners are in for a wild ride. Find out how these unique and personalized interactions can enhance guest engagement and create memorable event experiences. Stay tuned to uncover the untold stories of event activation experiences. You won't want to miss this. My special guests are Alex Hirsch & Cat Brown Alex Hirsch of Signs of Our Lives and Cat Brown of Cat Lauren Calligraphy are two event calligraphers bringing a fresh perspective to guest favors and client gifting. After starting in the wedding industry, they expanded their services to provide live calligraphy at corporate events and activations for brands like Prada, Makers Mark, LA Magazine, Netflix, and more. Now they're back in the wedding industry with their decade of combined experience in providing personalized, Insta-worthy guest experiences. Alex and Cat specialize in customizing favors on-site using their artistry to hand engrave, hot foil, or paint while entertaining and engaging guests. They also host the Keeping Up with the Calligraphers podcast, where they share their knowledge and insights to educate event artists and industry professionals with the overall goal of elevating guest experience. In this episode, you will have fresh insight into: Create unforgettable event experiences with interactive activations that captivate your guests and leave a lasting impression. Elevate your events with personalized favors and engaging experiences tailored to each guest, making them feel truly special. Implement brand activation strategies that resonate with your audience and leave a lasting impact on their perception of your brand. Foster creativity and connection among your guests with innovative ideas for interactive experiences that will set your event apart. Master the art of planning and executing live event activations, ensuring seamless logistics and a memorable guest experience. Go grab your coffee or your tea, and let's get creative!

In our first-ever guest interview episode, we're highlighting the unique journeys of three successful calligraphers as they transformed their calligraphy hobbies or side hustles into full-time businesses! We chat with Hannah of Tally Mark Calligraphy, Dani of Paper Cliché, and Alice of Penned by Alice about what prompted them to take their businesses full-time, the challenges they faced, and their advice for anyone considering making calligraphy their sole source of income. From Hannah's transition from an athletic trainer to a wedding and live-event calligrapher, to Dani's shift from bartending to running an intentional stationery business, and Alice's move from a finance career to balancing calligraphy with motherhood, these stories emphasize the importance of passion, community support, strategic planning, and showcase how different each of our journeys are. We hope this episode encourages you to take things one step at a time, focus on your specific goals, and trust the process to achieve your dreams!

Buckle up for a spicy episode!

Having a creative outlet is such an important clutch for so many of us who are still working in the corporate environment. Eventually, if you exercise your creative outlet long enough, it can turn into a side hustle and even a thriving business!I spoke with Amanda Reid in this episode, and she shared about her career as a physical therapist as well as how she found her creative outlet through the lens of calligraphy. Her creative outlet turned into a fun side hustle that gave her the courage to step away from a very stressful job in a clinic. She shifted to working a part-time role at a different clinic, allowing her to commit time to her own calligraphy business.Amanda is also the founder of the Calligraphers of Color, which started with her exploring the industry for other calligraphers who shared the minority demographic with her. She began with an Instagram page that she posted to regularly, and it has grown to over 13,000 members. She transitioned to a private FB group to encourage collaboration and promotion of minority calligraphers. While it's easy to monetize a creative outlet and a passion, it doesn't always have to be that way. If you have a creative outlet or a talent that keeps you sane, and that is a means of caring for yourself, you absolutely do not have to make it a business. You are allowed to enjoy creating without the pressure of monetization. Self-care is the underlying message of finding a creative outlet, and Amanda shares a handful of other tactics that she uses to prioritize her mental health, such as taking breaks from social media and focusing on her physical health. This episode is such a good reminder to us, as creatives and entrepreneurs, that you have to prioritize yourself. Tune in today to hear more about Amanda's creative outlet that turned into a successful business and about the creative outlets that she keeps to herself for her own enjoyment. I know you're going to love this episode and the actionable advice it offers! Links and Resources:Use this link to get 50% off your first year of HoneyBook https://share.honeybook.com/jennbaysva Connect with Amanda:Amanda Reid DesignsInstagram | YouTube Connect with Success Beyond:Success Beyond@successbeyondInstagram@successbeyondpodcastFacebook | PicbabunGrab your Boundaries ResourcesEditable Welcome Packet TemplatePinterest Freebies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles.

WHAT DO YOU DO WHEN A CLIENT REFUSES TO PAY YOU?“Looking back, the money was not that big a deal. It was the mental anguish that was the most painful part.” - ShinahToday, I'm telling the dramatic story of how I worked my butt off as a new calligraphy business owner… and an unscrupulous client took advantage of my naïveté and REFUSED TO PAY ME. The FOUR CRUCIAL LESSONS I learned from the whole, gut-wrenching experience?Always get a CONTRACT signed: Here's a great CONTRACT TEMPLATE just for CALLIGRAPHERS (and it's 40% off from 6/29/2023 to 7/5/2023)Always get at least 50% PAYMENT in advance Put a SYSTEM in place so you can deal with stuff like non-payment with less emotionIt's NOT PERSONAL when it comes to business-------THE SOLUTION: AFFORDABLE CONTRACT TEMPLATES The Contract Shop gives creative business owners access to quality contracts without having to hire an expensive attorney. Each contract template is drafted and reviewed by several attorneys to make sure they're airtight. They're easy to use;  you just plug in the information for your particular client and project and - voila! - you have a thorough, professional contract in place.They cost hundreds of dollars, NOT THOUSANDSCLICK HERE TO PURCHASE A CONTRACT TEMPLATE JUST FOR CALLIGRAPHERS Psst...this is an affiliate link, so I get a small commission when you purchase through me.—————WANT SHINAH AS A BUSINESS MENTOR?Limited one-on-one coaching spots are now openFOLLOW: Follow along with my Radical Business Experiment of 2023 over on Instagram:  @crookedcalligraphySUBSCRIBE:Love podcasts? Listen to The Shinah Show wherever you get your podcasts, and leave us a review on Apple Podcasts!

Daniele Reeve is the Calligraphers behind the Calligraphy in the movies Lord of the Rings, The Hobbit, Narnia, and some others. A super interesting episode about the process of working and making calligraphy for a movie of this level. 00:00 Review 00:12 Daniel Reeve Episode #022 00:15 Meeting Denil Reeve 01:51 Daniel Reeve telling his background story 06:20 Reading LOTR for the first time 10:40 Reaching out to be the calligrapher for LOTR 16:10 Work done for the movies 25:14 The writing on the ring 30:45 The publicity of the movie and all the props 36:50 About the maps in the movies 54:40 Teaching Calligraphy 59:00 The contract 60:05 Other projects and movies 77:00 Calligraphy groups and more Follow on Instagram: Daniel Reeve - https://www.instagram.com/reevedf/ Milen Nelim - https://www.instagram.com/milennel.im/ CM Podcast - https://www.instagram.com/calligraphymasterspodcast/ Listen to the podcast on: Apple Podcasts: https://apple.co/3xSbKerSpotify: #CalligraphyMastersPodcast #CalligraphyMasters #Podcast

John Stevens is the 21st guest on the podcast. This episode was recorded back in 2020, but still, everything said inside is pretty interesting and helpful. 2 hours of John Stevens sharing the story of his journey in Calligraphy. 00:00 Teasers 00:11 Intro 00:14 Prestory 01:00 Meeting John Stevens 06:58 The beginning of John Stevens Journey with Calligraphy 17:00 Calligraphy and the technology 20:00 John Benson 25:28 Form, rhythm, and movement 32:31 The scripts and struggles in the beginning 42:07 Working on a new book 43:33 Calligraphy, Lettering, Sign Painting, or Typography? 50:00 Mastering Calligraphy scripts 60:00 Always following your interest 64:00 The artist proccess 69:00 Learning new things in Calligraphy 71:00 Calligraphy - the love of his life 72:00 Teaching workshops around the world 83:20 The renaissance of Calligraphy 98:30 Calligraphers and using paper 106:00 Students that made an impression 110:00 Luca Barcellona, Pokras Lampas, Vika and Vita 115:00 Best advice received 118:50 Closing words 120:00 Why is the podcast coming out now

Is your life zany enough? Surely not! Spark your imagination (and laugh your socks off) as fantasy and dreampunk author Anna Tizard creates stories using the surrealist word game of Exquisite Corpse. Send words to annatizard.com/play and hear what happens when your entries are mixed with other people's and pulled out of… The Socks of Destiny! Creative writing prompts have never been this unique - or challenging. Listen with pen and paper to see if you can come up with new story ideas and take your writer's imagination to the next level. Episode 19 showcases the last 3 rounds of Exquisite Corpse game play for 2022, but never fear, this isn't (quite) the last show of the year.

Lexman interviews Ray Dalio, the founder of investment firm Bridgewater Associates. Topics discussed include Ray Dalio's philosophy on risk, Colomboing, and more.

Herzlich willkommen beim Federverliebt-Podcast, dem ersten deutschsprachigen Podcast für alle Themen rund um's schöne Schreiben. Mein Name ist Sabine Tack und ich bin seit einigen Jahren begeisterte Kalligraphin. Da ich liebend gerne Podcasts höre, habe ich irgendwann festgestellt, dass ich zu diesem einen Thema, dem Schönschreiben nämlich, keinen einzigen finden konnte – und so mache ich meinen Podcast eben selbst. Hier gibt es jede Woche eine neue Folge für alle Kalligraphen, BrushPenverrückten und Schönschreiber. Von handfesten Anleitungen und How To's über geteilte Gedanken und meine Learnings finden sich bunt gemischte Themen für Anfänger und Fortgeschrittene – Hauptsache, Du liebst das Handlettering! Heute gibt es eine neue Ausgabe unseres Buchclubs, in der wir ein bisschen über den Tellerrand schauen und hier und da auch experimentieren. Wir schauen, was eine Spitzfeder neben dem Schreiben noch alles kann, wechseln dann das Schreibgerät, wir reisen in die Vergangenheit und greifen tief in den Farbtopf. Schön, dass Du da bist und viel Spaß bei der neuen Folge! Die in der Episode vorgestellten Bücher sind: E.A. Lupfer: Ornate Pictorial Calligraphy, Dover Publications Inc. Karl Klimsch: Florid Victorian Ornament, Dover Publications Inc. Marie Angel: Painting for Calligraphers, Overlook Books – nur antiquarisch erhältlich! Ann Camp: Pen Lettering, A & C Black Publishers Ltd - nur antiquarisch erhältlich!

This episode of the Korea Now podcast features an interview that Jed Lea-Henry conducted with Ksenia Chizhova. They speak about the practice of calligraphy in late Choson Korea, the highly aestheticized craft and the social importance attached to it, the differences between traditionally male and female calligraphy, the meticulous training processes involved, the different moral and character insights that the practice was said to offer unto their authors, the male domination of the practice in terms of public presence and prestige, and the niche that women calligraphers claimed for themselves often within the private domain. Ksenia Chizhova is Assistant Professor of East Asian Studies Director of Undergraduate Studies at Princeton University.  Her areas of interest are history of emotions, family, and scriptural practices in Korea, from the late eighteenth to the twentieth century. Her first manuscript, Kinship Novels of Early Modern Korea: Between Genealogical Time and the Domestic Everyday, published by Columbia University Press, looks into the rise and fall of the lineage novel (kamun sosŏl), which narrated the interstices of Korea's kinship system and foregrounded the genealogical subject—a structure of identity defined by kinship obligation and understood as socialization of the emotional self. Lineage novels, which constituted the core of elite vernacular Korean literature and circulated between the late 17th and early 20thcenturies, configure Korean kinship as a series of clashes between genders and generations, which produce unruly, violent emotions. *** Kinship Novels of Early Modern Korea : Between Genealogical Time and the Domestic Everyday Kinship Novels of Early Modern Korea : Ksenia Chizhova : 9780231187817 (bookdepository.com) *** Bodies of Texts: Women Calligraphers and the Elite Vernacular Culture in Late Choso˘n Korea (1392–1910) Bodies of Texts: Women Calligraphers and the Elite Vernacular Culture in Late Chosŏn Korea (1392–1910) | The Journal of Asian Studies | Cambridge Core Support via Patreon – https://www.patreon.com/jedleahenry Support via PayPal – https://www.paypal.me/jrleahenry Shop – https://shop.spreadshirt.com.au/JLH-shop/ Support via Bitcoin - 31wQMYixAJ7Tisp773cSvpUuzr2rmRhjaW Website – http://www.jedleahenry.org Libsyn – http://korea-now-podcast.libsyn.com Youtube – https://www.youtube.com/channel/UC_qg6g1KyHaRXi193XqF6GA Twitter – https://twitter.com/jedleahenry Academia.edu – http://university.academia.edu/JedLeaHenry Research Gate – https://www.researchgate.net/profile/Jed_Lea-Henry

Did you know that one of the world's greatest calligraphers is an American? Mohamed Zakariya became a Muslim in 1961 when he was only 19 years old after he traveled to Morocco to learn more about calligraphy. He's best known as the artist of the Eid Stamps.

This week, meet my talented and Master of Musicalligraphy guest sitting in Paris, France. We talked about his love for calligraphy and the musicality of calligraphy. Let me know what you think. To learn about him, you must listen or watch this episode and part 2 coming next week. A sensitive and bold soul. Bahman Panahi was born in Iran in 1967. Youngest son of a large artistic and cultivated family he was born into the milieu of the arts and came into contact with music, painting, theater and calligraphy through the work of his brothers. From these arts he chose music and calligraphy for himself. In his opinion the former stands for the Iranian history, its culture and its civilization, the latter gives a spontaneous image of the Iranian creativity and its taste. His constant preoccupation is the relation between these two artistic domains. He has obtained the Master certificate from the “Institute of Calligraphers of Iran” under great masters of calligraphy: "Amirkhany , Foradi and Kaboli" and started teaching in different cultural, artistic and academic centers from a very young age. In parallel he learned to play the “Tar” and “Setar” and deepened his musical knowledge with great masters of Persian classical music like Houshang Zarif, Mohamad Reza Lotfi, Ataolah Zahed Shirazi. Bahman Panahi graduated from the Faculty of Fine Arts at Tehran University and continued his studies at Ecole des Beaux-arts, in Valanciennes and then Sorbonne in France toward a Ph.D. in visual arts. Since 1990 he has been involved with teaching courses, lectures, workshops, conferences, concerts and exhibitions in five continents. In addition, he has been invited as a guest professor and distinguished artist to noted institutions such as Harvard University and Northeastern University in Boston, Science Po. in Paris and other institutions. Bahman Panahi lives in Paris since 2002 and is actively engaged in his artwork globally. http://www.bahmanpanahi.com/about-me.... Thank you, Shua - شعا ع www.lightupwithshua.com - Podcast http://bit.ly/2nc9tZM - Youtube channel https://goo.gl/rf3HQ9 - The Groton Channel http://apple.co/2BteyA3 - iTunes https://goo.gl/dWpvLF - Instagram

This week, meet my talented and Master of Musicalligraphy guest sitting in Paris, France.  We talked about his love for calligraphy and the musicality of calligraphy. Let me know what you think. To learn about him, you must listen or watch this episode and part 2 coming next week. A sensitive and bold soul.  Bahman Panahi was born in Iran in 1967. Youngest son of a large artistic and cultivated family he was born into the milieu of the arts and came into contact with music, painting, theater and calligraphy through the work of his brothers.   From these arts he chose music and calligraphy for himself. In his opinion the former stands for the Iranian history, its culture and its civilization, the latter gives a spontaneous image of the Iranian creativity and its taste.  His constant preoccupation is the relation between these two artistic domains.   He has obtained the Master certificate from the “Institute of Calligraphers of Iran” under great masters of calligraphy: "Amirkhany , Foradi and Kaboli" and started  teaching in different cultural, artistic and academic centers from a very young age.   In parallel he learned to play the “Tar” and “Setar” and deepened his musical knowledge with great masters of Persian classical music like Houshang Zarif, Mohamad Reza Lotfi, Ataolah Zahed Shirazi.   Bahman Panahi graduated from the Faculty of Fine Arts at Tehran University and continued his studies at Ecole des Beaux-arts, in Valanciennes and then Sorbonne in France toward a Ph.D. in visual arts.   Since 1990 he has been involved with teaching courses, lectures, workshops, conferences, concerts and exhibitions in five continents. In addition, he has been invited as a guest professor and distinguished artist to noted institutions such as Harvard University and Northeastern University in Boston, Science Po. in Paris and other institutions.   Bahman Panahi lives in Paris since 2002 and is actively engaged in his artwork globally. http://www.bahmanpanahi.com/about-me.html Thank you, Shua - شعا ع  www.lightupwithshua.com - Podcast http://bit.ly/2nc9tZM - Youtube channel https://goo.gl/rf3HQ9 - The Groton Channel http://apple.co/2BteyA3 - iTunes https://goo.gl/dWpvLF - Instagram  

In today's Q & Cake (our own fancy version of Q & A) Elisabeth and Cami discuss several questions from listeners regarding client inspiration for wedding invitations, when to share sneak peeks of wedding invitations on social media, how to plan for working with multiple clients each year (plus how many clients we work with per year), and whether or not you should list your prices on your website. These are questions from fellow artists, calligraphers, designers, stationers, etc. that will hopefully help you in your own biz journey as a creativepreneur! Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

If you're considering partnering with a company, this episode is for you! Elisabeth shares her experiences on collaborating with companies (both paid and unpaid), the benefits these can add to your creative business and how to perfect your pitch. Cami & Elisabeth also brainstorm how to develop a media kit that will make you look hashtag boss and get you on companies' radars for influencer and affiliate marketing. Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Want to DIY your website but have no idea where to begin? In this episode, Cami & Elisabeth walk you through every step of Website Building 101, from hosting platforms to site design for creative businesses. We share what website builders and templates we recommend, plus SUPER practical tips for a professional yet easy approach to your new site! Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Guest: Tarika Cefkin, the Executive Director of the Nathan Yip Foundation  Celebrate the 2019 Lunar New Year at Denver's Biggest Chinese New Year Party Nathan Yip Foundation's The Year of the Pig on Saturday, February 9, 2019 beginning at 5:30 p.m. at the Grand Hyatt in downtown Denver Full Chinese Dinner, Spectacular Performances, Silent Disco, Karaoke, Fortune Tellers, Calligraphers, Chinese “Night Market” and More! www.nathanyipfoundation.org See omnystudio.com/listener for privacy information.

Sometimes we can think of failure as defeat but as a small biz owner, you're going to need these failures in order to grow. Failure SUCKS but it teaches too. When we fail, we're able to make better decisions, tweak and refine our processes, change our offerings, and pivot. In this episode, we're embarrassingly sharing some of our "oh crap" moments and lessons learned, so we can help you can tackle similar challenges instead of backing down. Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

In today's Q & Cake (our own fancy version of Q & A) Elisabeth and Cami discuss several questions from listeners regarding social media for business, how to build a portfolio for the work you want to be hired for, our proudest/worst moments in business, finding your own style, and branding your work. These are questions from fellow artists, calligraphers, designers, stationers, etc. that will hopefully help you in your own biz journey as a creativepreneur!  Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Louder for the people in the back: say YES to saying NO! In this episode, we dive into the opportunity cost when it comes to saying yes to the projects you aren't 100% excited about and why they need to be "see ya nevers" to make room for your "together forevers". Setting boundaries as your business grows allows you to expand into a profitable creative business that you actually love — which is what we're all about! Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Feeling haunted in your biz? Elisabeth and Cami share strategies on how to take your leads from boo to booked with tips on perfecting your follow-up emails and streamlining your on-boarding process. Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Consider this your not-so-official guidelines for making the most of Instagram. We get REAL honest about the tactics that aren't productive and why sending DMs might be wasting your time when it comes to looking for answers. Elisabeth tells her story about her own mistake and why we should all support each other when it come to proprietary information. Let's be friends! Find us on Instagram http://instagram.com/bizbirthdaybash @bizbirthdaybash. For all show notes please visit http://www.bizbirthdaybash.com/podcast Grab your FREE Training -- 4 Essentials You Need to Turn Your Biz into a Profit Party: https://bizbirthdaybash.com/free-training

Get the top tips for working with calligraphers for your next special event! Join guest Alane Gianetti from Write Pretty For Me as she shares with us what you need to know about hiring a calligrapher. Alane also tells listeners how to get started, which tools to purchase - and the most unique writing surface she's ever encountered! For information on hiring and/or connecting with Alane Gianetti, visit her on Instagram: @writeprettyforme The House of Lee NYC is now available at iHeartRadio, Apple Casts/iTunes, Google Play, Stitcher, Spotify, and your favorite podcast app. Also, if Lee has made your day a little better, please leave a review at iTunes - you know, when you have a moment. (Just click on the Apple Casts link above.) Please subscribe - and if you have a question or comment either for lee or the show, email it to: lee @ wleefm.com or call at (212) 6 5 5 - 9 8 4 0. Lee can also be found on Facebook and Instagram.