Podcasts about early modern china

More Swindles from the Late Ming is the companion piece to the Book of Swindles, a translation of a Late Ming text by Zhang Yingyu (fl. 1612–1617) which details various types of scams and swindles and how to guard against them. More Swindles from the Late Ming "presents sensational stories of scams that range from the ingenious to the absurd to the lurid, many featuring sorcery, sex, and extreme violence. Together, the two volumes represent the first complete translation into any language of a landmark Chinese anthology, making an essential contribution to the global literature of trickery and fraud." Bruce Rusk and Christopher Rea, the translators, joins us to talk about these two books and their experience with the translatino. More information on More Swindles from the Late Ming available on the publisher's website here. Contributors: Bruce Rusk Bruce Rusk is an Associate Professor of Pre-modern and Early Modern China in the Department of Asian Studies at the University of British Columbia. His main areas of research and teaching are the cultural history of China, especially the Ming (1368–1644) through mid-Qing (1644–1911) periods. Additionally, he also works on the history of textual studies, literary culture, writing systems, and connoisseurship. He has published widely and was the past present of the Society for Ming Studies. Christopher Rea Christopher Rea is a Professor of Modern Chinese Literature in the Department of Asian Studies at the University of British Columbia. His research focuses on the modern Chinese-speaking world and his recent publications concern research methodology, cinema, comedy, celebrities, swindlers, cultural entrepreneurs, and the scholar-writers Qian Zhongshu and Yang Jiang. He has published several books and numerous articles, and also hosts a free online course on Chinese novels. Yiming Ha Yiming Ha is the Rand Postdoctoral Fellow in Asian Studies at Pomona College. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA, his MPhil from the Hong Kong University of Science and Technology, and his PhD from UCLA. He is also the book review editor for Ming Studies. Credits: Episode no. 21 Release date: March 1, 2025 Recording date: January 9, 2025 Recording location: Vancouver, Canada/Los Angeles, CA  

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Why would an inkstone have a poem inscribed on it? Early modern Chinese writers did not limit themselves to working with brushes and ink, and their texts were not confined to woodblock-printed books or the boundaries of the paper page. Poets carved lines of verse onto cups, ladles, animal horns, seashells, walking sticks, boxes, fans, daggers, teapots, and musical instruments. Calligraphers left messages on the implements ordinarily used for writing on paper. These inscriptions—terse compositions in verse or epigrammatic prose—relate in complex ways to the objects on which they are written.  Thomas Kelly develops a new account of the relationship between Chinese literature and material culture by examining inscribed objects from the late Ming and early to mid-Qing dynasties. He considers how the literary qualities of inscriptions interact with the visual and physical properties of the things that bear them. Kelly argues that inscribing an object became a means for authors to grapple with the materiality and technologies of writing. Facing profound social upheavals, from volatility in the marketplace to the violence of dynastic transition, writers turned to inscriptions to reflect on their investments in and dependence on the permanence of the written word. Shedding new light on cultures of writing in early modern China, The Inscription of Things: Writing and Materiality in Early Modern China (Columbia UP, 2023) broadens understandings of the links between the literary and the material. Huijun Mai is an Assistant Professor in Medieval Chinese Studies at the University of California, Los Angeles.

The second installment of our live taping at the British International Studies Association annual convention in Glasgow is a "Whisky Optional" roundtable on status and international-relations theory. Our guests are: Ali Bilgic of Loughborough University, Michelle Murray of Bard College, Rohan Mukherjee of the London School of Economics, and Steven Ward of the University of Cambridge. The taping was sponsored by the Clydeside Distillery.Related readings:  Ali Bilgic, Turkey, Power and the West: Gendered International Relations and Foreign Policy; Michelle Murray, The Struggle for Recognition in International Relations: Status, Revisionism, and Rising Powers; Rohan Mukherjee, Ascending Order: Rising Powers and the Politics of Status in International Institutions; and Steven Ward, Status and the Challenge of Rising Powers. Some articles mentioned include (implicitly or explicitly) include: Ward, "Lost in Translation: Social Identity Theory and the Study of Status in World Politics," Larson and Shevchenko, "Status seekers: Chinese and Russian responses to US primacy," and Musgrave and Nexon, "Defending Hierarchy from the Moon to the Indian Ocean: Symbolic Capital and Political Dominance in Early Modern China and the Cold War." An important edited collection on status and international politics is Status and World Politics, eds. Paul, Larson, and Wohlforth.The classic "chickens" article is Ivan D. Chase, "Social Process and Hierarchy Formation in Small Groups: A Comparative Perspective."

The eight-legged essay (bagu wen) was the one genre of writing that dominated in late imperial China. As the primary mode of expression in which men were schooled, writing and reading shiwen (modern or contemporary prose) epitomized literary production in Ming-Qing China, and it was vitally important for every  student, examination candidate, and examiner to master and know the genre intimately — but this genre hasn't yet been approached from a literary perspective.  Alexander Des Forges' new book Testing the Literary: Prose and the Aesthetic in Early Modern China (Harvard UP, 2021) does just that. Focusing on literary practice (the work of writing, reading, and commenting), this book explores how features such as literary voice, parallelism, subjectivity, and aesthetic originality were constructed in a genre not typically thought of as literature. Through careful reading, rich analysis, and the deft translation of eight-legged essays, Alex looks at prose aesthetics not as settled conclusions, but as features that prose writers developed, adhered to, and/or contested, all while they developed as a social class of literary producers.    Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The eight-legged essay (bagu wen) was the one genre of writing that dominated in late imperial China. As the primary mode of expression in which men were schooled, writing and reading shiwen (modern or contemporary prose) epitomized literary production in Ming-Qing China, and it was vitally important for every  student, examination candidate, and examiner to master and know the genre intimately — but this genre hasn't yet been approached from a literary perspective.  Alexander Des Forges' new book Testing the Literary: Prose and the Aesthetic in Early Modern China (Harvard UP, 2021) does just that. Focusing on literary practice (the work of writing, reading, and commenting), this book explores how features such as literary voice, parallelism, subjectivity, and aesthetic originality were constructed in a genre not typically thought of as literature. Through careful reading, rich analysis, and the deft translation of eight-legged essays, Alex looks at prose aesthetics not as settled conclusions, but as features that prose writers developed, adhered to, and/or contested, all while they developed as a social class of literary producers.    Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The eight-legged essay (bagu wen) was the one genre of writing that dominated in late imperial China. As the primary mode of expression in which men were schooled, writing and reading shiwen (modern or contemporary prose) epitomized literary production in Ming-Qing China, and it was vitally important for every  student, examination candidate, and examiner to master and know the genre intimately — but this genre hasn't yet been approached from a literary perspective.  Alexander Des Forges' new book Testing the Literary: Prose and the Aesthetic in Early Modern China (Harvard UP, 2021) does just that. Focusing on literary practice (the work of writing, reading, and commenting), this book explores how features such as literary voice, parallelism, subjectivity, and aesthetic originality were constructed in a genre not typically thought of as literature. Through careful reading, rich analysis, and the deft translation of eight-legged essays, Alex looks at prose aesthetics not as settled conclusions, but as features that prose writers developed, adhered to, and/or contested, all while they developed as a social class of literary producers.    Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies

The eight-legged essay (bagu wen) was the one genre of writing that dominated in late imperial China. As the primary mode of expression in which men were schooled, writing and reading shiwen (modern or contemporary prose) epitomized literary production in Ming-Qing China, and it was vitally important for every  student, examination candidate, and examiner to master and know the genre intimately — but this genre hasn't yet been approached from a literary perspective.  Alexander Des Forges' new book Testing the Literary: Prose and the Aesthetic in Early Modern China (Harvard UP, 2021) does just that. Focusing on literary practice (the work of writing, reading, and commenting), this book explores how features such as literary voice, parallelism, subjectivity, and aesthetic originality were constructed in a genre not typically thought of as literature. Through careful reading, rich analysis, and the deft translation of eight-legged essays, Alex looks at prose aesthetics not as settled conclusions, but as features that prose writers developed, adhered to, and/or contested, all while they developed as a social class of literary producers.    Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

The eight-legged essay (bagu wen) was the one genre of writing that dominated in late imperial China. As the primary mode of expression in which men were schooled, writing and reading shiwen (modern or contemporary prose) epitomized literary production in Ming-Qing China, and it was vitally important for every  student, examination candidate, and examiner to master and know the genre intimately — but this genre hasn't yet been approached from a literary perspective.  Alexander Des Forges' new book Testing the Literary: Prose and the Aesthetic in Early Modern China (Harvard UP, 2021) does just that. Focusing on literary practice (the work of writing, reading, and commenting), this book explores how features such as literary voice, parallelism, subjectivity, and aesthetic originality were constructed in a genre not typically thought of as literature. Through careful reading, rich analysis, and the deft translation of eight-legged essays, Alex looks at prose aesthetics not as settled conclusions, but as features that prose writers developed, adhered to, and/or contested, all while they developed as a social class of literary producers.    Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

The eight-legged essay (bagu wen) was the one genre of writing that dominated in late imperial China. As the primary mode of expression in which men were schooled, writing and reading shiwen (modern or contemporary prose) epitomized literary production in Ming-Qing China, and it was vitally important for every  student, examination candidate, and examiner to master and know the genre intimately — but this genre hasn't yet been approached from a literary perspective.  Alexander Des Forges' new book Testing the Literary: Prose and the Aesthetic in Early Modern China (Harvard UP, 2021) does just that. Focusing on literary practice (the work of writing, reading, and commenting), this book explores how features such as literary voice, parallelism, subjectivity, and aesthetic originality were constructed in a genre not typically thought of as literature. Through careful reading, rich analysis, and the deft translation of eight-legged essays, Alex looks at prose aesthetics not as settled conclusions, but as features that prose writers developed, adhered to, and/or contested, all while they developed as a social class of literary producers.    Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. She can be reached at sbramaoramos@g.harvard.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Professor Maura Dykstra of Caltech joins us today to talk about her new book titled Uncertainty in the Empire of Routine: The Administrative Revolution of the Eighteenth-Century Qing State. According to the publisher, the book "investigates the administrative revolution of China's eighteenth-century Qing state. It begins in the mid-seventeenth century with what seemed, at the time, to be straightforward policies to clean up the bureaucracy: a regulation about deadlines here, a requirement about reporting standards there. Over the course of a hundred years, the central court continued to demand more information from the provinces about local administrative activities. By the middle of the eighteenth century, unprecedented amounts of data about local offices throughout the empire existed. The result of this information coup was a growing discourse of crisis and decline. Gathering data to ensure that officials were doing their jobs properly, it turned out, repeatedly exposed new issues requiring new forms of scrutiny. Slowly but surely, the thicket of imperial routines and standards binding together local offices, provincial superiors, and central ministries shifted the very epistemological foundations of the state. A vicious cycle arose whereby reporting protocols implemented to solve problems uncovered more problems, necessitating the collection of more information. At the very moment that the Qing knew more about itself than ever before, the central court became certain that it had entered an age of decline." Contributors Maura Dykstra Professor Maura Dykstra is an Assistant Professor of History at Caltech. As a historian of Late Imperial China, her research interests are on bureaucratic, economic, and legal institutions of empire and their implications for political and social interactions in quotidian contexts. Professor Dykstra received her PhD from UCLA and was a postdoctoral fellow at Harvard's Fairbank Center for Chinese Studies. In addition, she has held numerous residential fellowships and visiting positions in Europe and Asia. Starting in Fall of 2023, Professor Dykstra will begin a new position as Assistant Professor of Chinese History at Yale University. Yiming Ha Yiming Ha is a Ph.D. candidate in the Department of History at the University of California, Los Angeles. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA and his MPhil from the Hong Kong University of Science and Technology. Credits Episode No. 15 Release date: September 20, 2022 Recording location: Los Angeles, CA Transcript Bibliography courtesy of Professor Dykstra Images Cover Image: Cover of Professor Dykstra's book, which can be purchased directly from the publisher or from Amazon. A 1771 prisoner's register from Ba County. Fig. 6 in the book with the following description: "Draft of a 1771 prisoner register produced by the Ba County magistrate." It is document 清 006-01-03710 in the Sichuan Provincial Archives' Ba County collection. Photo provided by Professor Dykstra.   References Bartlett, Beatrice S. Monarchs and Ministers: The Grand Council in Mid-Ch'ing China,1723–1820. Berkeley: University of California Press, 1991.   Fitzgerald, Devin T. "The Ming Open Archive and the Global Reading of Early Modern China." Ph. D. diss. Harvard University, 2020.   Hucker, Charles O. The Censorial System of Ming China. Stanford, CA: Stanford University Press, 1966.   Kuhn, Philip A. Origins of the Modern Chinese State. Stanford, CA: Stanford University Press, 2003.   Mokros, Emily.  The Peking gazette in late imperial China: state news and political authority in late imperial China. University of Washington Press, 2020.   Wu, Silas H. L. Communication and Imperial Control in China: The Evolution of the Palace Memorial System 1693–1735. Cambridge, MA: Harvard University Press, 1970.   ———. “Transmission of Ming Memorials and the Evolution of the Transmission Network, 1368-1627.” T'oung Pao 54, no. 4–5 (January 1968): 275–87.   Will, Pierre-Étienne. Official Handbooks and Anthologies for Officials in Imperial China: A Descriptive and Critical Bibliography. Brill, 2020.   Zhang, Ting. Circulating the Code: print media and legal knowledge in Qing China. University of Washington Press, 2020.

Since the 1990s, the New Qing History school has loomed large in the study of the Qing dynasty. It has greatly informed not only the study of the Qing but study of other dynasties as well. Yet what exactly is New Qing History? What is "new" about it? How did it come into being? How was it received in China and the West? To answer these questions, we talked to Professor Joanna Waley-Cohen of NYU, one of the leading scholars of the Qing dynasty. Contributors Joanna Waley-Cohen Professor Joanna Waley-Cohen is the Provost for NYU Shanghai and Julius Silver Professor of History at New York University. Her research interests include early modern Chinese history, especially the Qing dynasty; China and the West; and Chinese imperial culture, particularly in the Qianlong era; warfare in China and Inner Asia; and Chinese culinary history, and she has authored several books and articles on these topics. In addition, Professor Waley-Cohen has received many honors, including archival and postdoctoral fellowships from the American Council of Learned Societies, Goddard and Presidential Fellowships from NYU, and an Olin Fellowship in Military and Strategic History from Yale.  Yiming Ha Yiming Ha is a Ph.D. candidate in the Department of History at the University of California, Los Angeles. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA and his MPhil from the Hong Kong University of Science and Technology. Credits Episode no. 12 Release date: June 25, 2022 Recording location: Los Angeles, CA/New York, NY Transcript Bibliography courtesy of Professor Waley-Cohen Images Cover Image: The Qianlong Emperor, who reigned from 1735 to 1796. After he abdicated, he continued to retain power as retired emperor until his death in 1799. He is the longest-reigning monarch in Chinese history and one of the longest in the world (Image Source). The headquarters of the First Historical Archives in Beijing, which houses documents from the Qing. The opening of this archive and access to the Manchu-language documents held within helped give birth to New Qing History. (Image Source) A copy of a Qing-era civil service examination answer sheet. Note the Manchu script on the seal. Currently held in UCLA Library Special Collections (Photo by Yiming). The Putuo Zongcheng Temple, a Buddhist temple in the Qing's Rehe Summer Resort (in today's Chengde, Hebei province). The temple was built between 1767 and 1771 by the Qianlong Emperor and was a replica of the Potala Palace in Lhasa. It is a fusion of Tibetan and Chinese architectural styles and is one of the most famous landmarks in the Chengde Summer Resort. (Image Source) A painting of a European-style palace constructed by the Jesuits for the Qing emperors in the Old Summer Palace (Yuanmingyuan). Note the fusion of Chinese and European styles. The Old Summer Palace was looted and burned by Anglo-French forces in 1860. The twelve bronze head statutes in front of the building have mostly been repatriated back to China, although some are in the hands of private collectors. (Image Source) The Qianlong Emperor commissioned a series of artwork commemorating the "Ten Great Campaigns" of his reign. This particular piece of artwork depicts the Battle of Thọ Xương River in 1788, when the Qing invaded Vietnam. These artworks were collaborative pieces between Chinese and Jesuit painters. (Image Source) References Patricia Berger, Empire of Emptiness: Buddhist Art and Political Authority in Qing China. Honolulu: University of Hawaii Press, 2003. Pamela K. Crossley, A Translucent Mirror:  History and Identity in Qing Imperial Ideology.  Berkeley:  University of California Press, 1999. Mark C. Elliott, The Manchu Way:  The Eight Banners and Ethnic Identity in Late Imperial China.  Stanford, CA:  Stanford University Press, 2001. Johan Elverskog, Our Great Qing: The Mongols, Buddhists, and the State in Late Imperial China. Honolulu: University of  Hawaii Press, 2006. Philippe Foret, Mapping Chengde:  The Qing Landscape Enterprise.  Honolulu:  University of Hawaii Press, 2000. Jonathan S. Hay, Shitao:  Painting and Modernity in Early Qing China.  Cambridge:  Cambridge University Press, 2001. Ho Ping-ti, “The Significance of the Ch'ing Period in Chinese History,” Journal of Asian Studies 26.2 (1967):  189-95 Ho Ping-ti, “In Defense of Sinicization: A Rebuttal of Evelyn Rawski's `Reenvisioning the Qing,'” Journal of Asian Studies 57.1 (1998):  123-55. Laura Hostetler, Qing Colonial Enterprise:  Ethnography and Cartography in Early Modern China.  Chicago:  University of Chicago Press, 2001. Susan Mann, Precious Records:  Women in China's Long Eighteenth Century.  Stanford, CA:  Stanford University Press, 1997. James P. Millward, Beyond the Pass:  Economy, Ethnicity, and Empire in Qing Central Asia, 1759-1864.  Stanford, CA:  Stanford University Press, 1998. Ronald C. Po, The Blue Frontier: Maritime Vision and Power in the Qing Empire. Cambridge: Cambridge University Press, 2018. Evelyn S. Rawski, The Last Emperors:  A Social History of Qing Imperial Institutions.  Berkeley:  University of California Press, 1998. Evelyn S. Rawski, “Presidential Address: Reenvisioning the Qing: The Significance of the Qing Period in Chinese History,” Journal of Asian Studies 55.4 (1996):  829-50.

We hope everyone had a good Christmas! In this episode, Yiming Ha will give an introduction to the forty-four year war between the Mongol-Yuan and the Southern Song. This was one of the longest wars the Mongols had to fight against an adversary and the Southern Song was among the states that put up the longest resistance against the Mongols. This topic is covered very extensively in Chinese language scholarship, but has not received too much detailed attention in English language scholarship. Yiming will talk about the general course of the war, some of the major engagements, the kind of weapons that were used, and some of the implications that this war had on other Mongol conquests and campaigns in Eurasia. Note: There is a mistake at 12:09 - when Yiming said November, it should actually be December. Contributors Yiming Ha Yiming Ha is a Ph.D. candidate in the Department of History at the University of California, Los Angeles. His current research is on military mobilization and state-building in China between the thirteenth and seventeenth centuries, focusing on how military institutions changed over time, how the state responded to these changes, the disconnect between the center and localities, and the broader implications that the military had on the state. His project highlights in particular the role of the Mongol Yuan in introducing an alternative form of military mobilization that radically transformed the Chinese state. He is also interested in military history, nomadic history, comparative Eurasian state-building, and the history of maritime interactions in early modern East Asia. He received his BA from UCLA and his MPhil from the Hong Kong University of Science and Technology. Greg Sattler Gregory Sattler is a Ph.D. student in the Department of History at the University of California, Los Angeles. His research focuses on sea merchants in East Asia from the ninth to thirteenth centuries, with a particular consideration of their place in society, their trade networks, and their relationships with government officials. Gregory has recently published an article titled “The Ideological Underpinnings of Private Trade in East Asia, ca. 800–1127” (Journal of Asian Humanities at Kyushu University 6) and he is currently working on two additional manuscripts. He has received degrees in Taiwan and Japan, and is a proficient speaker of both Chinese and Japanese. Credits Episode No. 5 Release date: December 26, 2021 Recording location: Los Angeles, CA Transcript Bibliography courtesy of Yiming Ha Images Cover Image: Song Wong Tai 宋王臺, or Terrace of the Song King, was a memorial carved on a large rock in Hong Kong after the Yuan conquest to honor the child Song emperors who died. This picture was taken before it was demolished by Japanese forces occupying Hong Kong for an extension of Kai Tak airport. (Image Source) Map of the Mongol invasions of the Southern Song, 1234-1279 (Image Source) Mongol siege fortifications during the Siege of Xiangyang, 1268-1273 (Image Source: Li, Song Yuan zhan shi) Song attempts at reinforcing Xiangyang in 1271 (Image Source: Li, Song Yuan zhan shi) Battle of Ezhou, 1274 (Image Source: Li, Song Yuan zhan shi) Select Bibliography Davis, Richard L. “The Reigns of Tu-Tsung (1264-274) and His Successors to 1279.” In The Cambridge History of China, Vol. 5, Part 1: The Sung and Its Precursors, 907-1279, edited by Denis Twitchett and Paul Jakov Smith, 913-962. Cambridge: Cambridge University Press, 2009. Li Tianming 李天鳴. Song Yuan zhan shi 宋元戰史 [History of the Song-Yuan War]. Taipei: Shihuo chubanshe, 1988. Li Zhi'an 李治安. Hubilie zhuan 忽必烈傳 [Biography of Khubilai Khan]. Beijing: Renmin chubanshe, 2004. Lorge, Peter. War, Politics and Society in Early Modern China, 900-1795. London: Routledge, 2005. Needham, Joseph and Robin D.S. Yates. Science and Civilisation in China: Volume 5, Chemistry and Chemical Technology; Part 6, Military Technology: Missiles and Sieges. Cambridge: Cambridge University Press, 1995. Sugiyama Masaaki 杉山正明. Kubirai no chōsen: Mongoru ni yoru seikaishi no daitenkai クビライの挑戦 モンゴルによる世界史の大転回 [Khubilai's Challenge: The Mongols and World Revolution]. Tokyo: Kodansha, 2010. Wu Guoqing 武國卿. Zhongguo zhanzheng shi, diliu juan: Yuanchao shiqi, Mingchao shiqi 中國戰爭史，第六卷：元朝時期，明朝時期 [History of Warfare in China, Vol. 6: Yuan Dynasty Period and Ming Dynasty Period]. Beijing: Renmin chubanshe, 2016. Yamauchi Shinji 山内晋次. Nissō bōeki to “iō no michi” 日宋貿易と『硫黄の道』 [The Japan-Song Trade and “The Sulfur Route”]. Tokyo: Yamakawa shuppansha, 2009.

To both the north and south, the armies of Great Ming continue to achieve order from chaos and stability across the realm, in the imperial palace at Nanjing, the Hongwu Emperor sits the Dragon Throne - as mercurial and temperamental as its very namesake... and woe betide anyone who stokes the dragon's wrath. Still, in the name of greater peace (and fewer mass slaughters), many a brave (and often fatally foolish)scholar will tempt fate by trying to tell Hongwu what he's doing wrong.Time Period Covered:1379-1389 CEMajor Historical Figures:Ming:The Hongwu Emperor (Zhu Yuanzhang) [r.1368-1398]Duke Li Wenzhong [d. 1384]General Fu Youde [d. 1394]General Feng Sheng [?]General Lan Yu [d. 1393]General Mu Ying [d. 1392]Scholar Chen Wenhui [d. 1381]Scholar Li Shilu [d. 1381]Scholar Xie Jin [1369-1415]Yuan/Yunnanese:Toghus Temür Khan [d. 1388]Basalawarmi, the Prince of Liang [d. 1382]General Naghachu [d. 1388]Si Lunfa, Chieftain of Shan [d. 1386?]Major Works Cited:Crossley, Pamela Kyle, et al. Empire at the Margins: Culture, Ethnicity and Frontier in Early Modern China.Dillon, Michael. China’s Muslim Hui Community: Migration, Settlements and Sects.Langlois, John D., Jr. “The Hung-Wu-Reign” in The Cambridge History of China, Vol. 7: The Ming Dynasty, 13698-1644m Part I.Tsai, Shi-shan Henry. The Eunuchs in the Ming Dynasty.g.  See acast.com/privacy for privacy and opt-out information.

To both the north and south, the armies of Great Ming continue to achieve order from chaos and stability across the realm, in the imperial palace at Nanjing, the Hongwu Emperor sits the Dragon Throne - as mercurial and temperamental as its very namesake... and woe betide anyone who stokes the dragon's wrath. Still, in the name of greater peace (and fewer mass slaughters), many a brave (and often fatally foolish)scholar will tempt fate by trying to tell Hongwu what he's doing wrong. Time Period Covered: 1379-1389 CE Major Historical Figures: Ming: The Hongwu Emperor (Zhu Yuanzhang) [r.1368-1398] Duke Li Wenzhong [d. 1384] General Fu Youde [d. 1394] General Feng Sheng [?] General Lan Yu [d. 1393] General Mu Ying [d. 1392] Scholar Chen Wenhui [d. 1381] Scholar Li Shilu [d. 1381] Scholar Xie Jin [1369-1415] Yuan/Yunnanese: Toghus Temür Khan [d. 1388] Basalawarmi, the Prince of Liang [d. 1382] General Naghachu [d. 1388] Si Lunfa, Chieftain of Shan [d. 1386?] Major Works Cited: Crossley, Pamela Kyle, et al. Empire at the Margins: Culture, Ethnicity and Frontier in Early Modern China. Dillon, Michael. China's Muslim Hui Community: Migration, Settlements and Sects. Langlois, John D., Jr. “The Hung-Wu-Reign” in The Cambridge History of China, Vol. 7: The Ming Dynasty, 13698-1644m Part I. Tsai, Shi-shan Henry. The Eunuchs in the Ming Dynasty.

Ian M. Miller's book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China's early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China's forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China's distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China's early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China's forest management system looked like to those trying to operate and profit from it. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China’s forest management system looked like to those trying to operate and profit from it. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China’s forest management system looked like to those trying to operate and profit from it. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China’s forest management system looked like to those trying to operate and profit from it. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China’s forest management system looked like to those trying to operate and profit from it. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian M. Miller’s book Fir and Empire: The Transformation of Forests in Early Modern China (University of Washington Press, 2020) offers a transformation of our understanding of China’s early modern environmental history. Using a wide range of archival materials, including tax, deed, and timber market records, Miller presents a picture of China’s forestry regime, something that, while not centralized—as in European states—was highly effective. Though China never adopted a forest bureau system, Miller shows how China managed, through fiscal policies alone, to engender a remarkably productive commerce in timber and other forest products. Revising the narrative of deforestation, this history of China’s distinct form of forest oversight is sure to be a must-read for anyone interested in the history of China, or environmental history more broadly. Though this is a sweeping book—beginning in China’s early empires and stretching through the Song, Yuan, and Ming to end in the nineteenth century—it is also filled with a number of much more local case studies. With chapters on forest deeds, fleet construction, and the logging of the last old-growth forests for palace construction, this book not only tells a story that will have wide impacts for the field, but manages to create an intimate look at what China’s forest management system looked like to those trying to operate and profit from it. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard. She works on Manchu language books and is interested in anything with a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

He Bian's new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

He Bian's new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

He Bian's new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

He Bian’s new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

He Bian's new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

He Bian's new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/drugs-addiction-and-recovery

He Bian’s new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations...

He Bian’s new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

He Bian’s new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

He Bian’s new book Know Your Remedies: Pharmacy and Culture in Early Modern China (Princeton University Press, 2020) is a beautiful cultural history of pharmacy in early modern China. This trans-dynastic book looks at how Chinese approaches to knowledge changed during the Ming and Qing as state-commissioned pharmacopeias dwindled, amateur investigations into the knowledge of things soared, and, ultimately, as natural history was de-medicalized, all while commercialization, monetization, long-distance trade, and empire flourished. This exceptionally rich and intimately text-based study introduces readers to a number of fascinating bencao (materia media), makes a compelling case for studying Chinese history through the lens of pharmacy, and demonstrates that Chinese pharmacy itself has a rich and vibrant history—all with stunning ease. This is both an essential and a joyful read for China historians, while still accessible for non-specialists interested in reading about the early modern world, medicine, the history of knowledge, and stories of strange drugs and the even stranger men who dispensed them. Sarah Bramao-Ramos is a PhD candidate in History and East Asian Languages at Harvard University. She is interested in book history, early modern translation, and anything involving a kesike. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this first of a two-part look into the life and legend of this epic Chinese hero, we chronicle Yue Fei's early life and education, his induction into the military to serve his nation with utmost loyalty, his meteoric rise through the ranks, and his stalwart resolve in facing the greatest crisis his country his known in centuries, all while garnering a cult-like following of soldiers, and the panicked attention of the imperial court. Time Period Covered: 1103-1137 CE Major Works Cited: Foster, Robert W. The Human Condition in Premodern China. Jenne, Jeremiah. “The Execution of Yue Fei: 875 Years of Patriotic Myth” from radiichina.com Li, Xiaobi. China at War. Lorge, Peter. War, Politics and Society in Early Modern China, 900-1795. Mote, Fredrick W. “Ch. 13: The Southern Song and Chinese Survival” in Imperial China 900-1800. Tao, Jing-shen. “The Move to the South and the Reign of Kao-tsung” in The Cambridge History of China, Vol. 05: The Sung Dynasty and Its Precursors, 907-1279. Wills, Jr., John E. E. Mountain of Fame: Portraits in Chinese History. Zhou, Zuoren, trans. Tim Cronen. “A View of the Hero Yue Fei and the Traitor Qin Hui” in The China Heritage Quarterly No. 28, December 2011.

In this first of a two-part look into the life and legend of this epic Chinese hero, we chronicle Yue Fei's early life and education, his induction into the military to serve his nation with utmost loyalty, his meteoric rise through the ranks, and his stalwart resolve in facing the greatest crisis his country his known in centuries, all while garnering a cult-like following of soldiers, and the panicked attention of the imperial court.Time Period Covered:1103-1137 CEMajor Works Cited:Foster, Robert W. The Human Condition in Premodern China.Jenne, Jeremiah. “The Execution of Yue Fei: 875 Years of Patriotic Myth” from radiichina.comLi, Xiaobi. China at War.Lorge, Peter. War, Politics and Society in Early Modern China, 900-1795.Mote, Fredrick W. “Ch. 13: The Southern Song and Chinese Survival” inImperial China 900-1800.Tao, Jing-shen. “The Move to the South and the Reign of Kao-tsung” in The Cambridge History of China, Vol. 05: The Sung Dynasty and Its Precursors, 907-1279.Wills, Jr., John E. E. Mountain of Fame: Portraits in Chinese History.Zhou, Zuoren, trans. Tim Cronen. “A View of the Hero Yue Fei and the Traitor Qin Hui” in The China Heritage Quarterly No. 28, December 2011.  See acast.com/privacy for privacy and opt-out information.

The Song Dynasty manages to epically pull defeat from the jaws of victory when it manages to twice goad its nominal ally, the Jurchen Jin, into a border war. The first time, it’s beaten so badly that it has to give up almost half of its northern holdings. But when even that’s not enough to quench Emperor Qinzong’s delusions of grandeur, he and his regime will pay with everything they have…Time Period Covered: 1125-1127 CEMajor Historical Figures:Northern Song:Emperor Huizong of Song (Zhao Ji) [r. 1100-1126, ret. Emperor 1126-1127]Emperor Qinzong of Song (Zhao Huan) [r. 1126-1127]General Tong Guan [1054–1126]General Wang Bing [d. 1126]Jurchen Jin:Emperor Taizong of Jin (Wuqimai) [r. 1123-1135] Prince Wanyan Zonghan (Nianhan) [1080-1136]Prince Wanyan Zongwang (Wolibu) [c. 1073-1133?]Zhang Bangchang, Puppet Emperor of Chu [1081–1127]Major Works Cited:Levine, Ari Daniel. “The Reigns of Hui-Tsung and Ch-in-Tsung” in The Cambridge History of China, Vol.05: The Sung Dynasty and Its Precursors, 907–1279. Part 1.Lorge, Peter Allen. War, Politics, and Society in Early Modern China, 900-1795Tao, Jing-shen. “The Move to the South and the Reign of Kao-Tsung (1127–1162)” in The Cambridge History of China, Vol.05: The Sung Dynasty and Its Precursors, 907–1279. Part 1.Various. the Accounts of Jingkang  See acast.com/privacy for privacy and opt-out information.

The Song Dynasty manages to epically pull defeat from the jaws of victory when it manages to twice goad its nominal ally, the Jurchen Jin, into a border war. The first time, it's beaten so badly that it has to give up almost half of its northern holdings. But when even that's not enough to quench Emperor Qinzong's delusions of grandeur, he and his regime will pay with everything they have… Time Period Covered: 1125-1127 CE Major Historical Figures: Northern Song: Emperor Huizong of Song (Zhao Ji) [r. 1100-1126, ret. Emperor 1126-1127] Emperor Qinzong of Song (Zhao Huan) [r. 1126-1127] General Tong Guan [1054–1126] General Wang Bing [d. 1126] Jurchen Jin: Emperor Taizong of Jin (Wuqimai) [r. 1123-1135] Prince Wanyan Zonghan (Nianhan) [1080-1136] Prince Wanyan Zongwang (Wolibu) [c. 1073-1133?] Zhang Bangchang, Puppet Emperor of Chu [1081–1127] Major Works Cited: Levine, Ari Daniel. “The Reigns of Hui-Tsung and Ch-in-Tsung” in The Cambridge History of China, Vol.05: The Sung Dynasty and Its Precursors, 907–1279. Part 1. Lorge, Peter Allen. War, Politics, and Society in Early Modern China, 900-1795 Tao, Jing-shen. “The Move to the South and the Reign of Kao-Tsung (1127–1162)” in The Cambridge History of China, Vol.05: The Sung Dynasty and Its Precursors, 907–1279. Part 1. Various. the Accounts of Jingkang

Talk by Yuming He, UC Davis

Sensuous Surfaces: The Decorative Object in Early Modern China  (University of Hawai'i Press, 2010) is a study of domestically produced, portable decorative arts in early modern China. Decorative objects connect us, visually and physically, to the world around us. In many ways they think with us, and an experience of pleasure... Learn more about your ad choices. Visit megaphone.fm/adchoices

Sensuous Surfaces: The Decorative Object in Early Modern China  (University of Hawai’i Press, 2010) is a study of domestically produced, portable decorative arts in early modern China. Decorative objects connect us, visually and physically, to the world around us. In many ways they think with us, and an experience of pleasure emerges from this mutual relationship. This was as true in late Ming and early-to-mid Qing China as it is today, and Jonathan Hay‘s careful study of decorative objects functions as a toolkit for experiencing the surfaces of decorative Ming-Qing objects and understanding the pleasures of a relationship with those surfaces. Part I introduces the context of production and consumption of Ming-Qing decorative objects and argues for the importance of sensuous surface to the experience of them. It also sets out a history of the transformations of urban taste in early modern China, and offers some methodological tools for helping us think about the relationships of objects, movement, and bodies that are inspired by the work of a range of authors including Brian Massumi. Part II is a rich, detailed guide to the surfacescape of decorative objects in Ming-Qing China. Part III moves from the surfaces of individual objects to the landscapes they collectively create, offering a language for understanding, experiencing, and describing the objectscapes of urban interiors. Together, these parts of the book cooperate to change not only how we understand and articulate the experiences and pleasures of early modern interiors, but also how to perceive and give voice to our own constructed environments with a re-energized sensory language. This is one of my very favorite recent books, and I hope you enjoy it as much as I have. At the end of the conversation, Hay mentioned two books that are worth checking out: * Muriel Combes (Tr., Thomas LaMarre), Gilbert Simondon and the Philosophy of the Transindividual (MIT Press, 2012) * Alexander Nagel and Christopher S. Wood, Anachronic Renaissance (Zone Books, 2010) Learn more about your ad choices. Visit megaphone.fm/adchoices

Sensuous Surfaces: The Decorative Object in Early Modern China  (University of Hawai’i Press, 2010) is a study of domestically produced, portable decorative arts in early modern China. Decorative objects connect us, visually and physically, to the world around us. In many ways they think with us, and an experience of pleasure... Learn more about your ad choices. Visit megaphone.fm/adchoices

Sensuous Surfaces: The Decorative Object in Early Modern China  (University of Hawai’i Press, 2010) is a study of domestically produced, portable decorative arts in early modern China. Decorative objects connect us, visually and physically, to the world around us. In many ways they think with us, and an experience of pleasure... Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies

Sensuous Surfaces: The Decorative Object in Early Modern China  (University of Hawai’i Press, 2010) is a study of domestically produced, portable decorative arts in early modern China. Decorative objects connect us, visually and physically, to the world around us. In many ways they think with us, and an experience of pleasure emerges from this mutual relationship. This was as true in late Ming and early-to-mid Qing China as it is today, and Jonathan Hay‘s careful study of decorative objects functions as a toolkit for experiencing the surfaces of decorative Ming-Qing objects and understanding the pleasures of a relationship with those surfaces. Part I introduces the context of production and consumption of Ming-Qing decorative objects and argues for the importance of sensuous surface to the experience of them. It also sets out a history of the transformations of urban taste in early modern China, and offers some methodological tools for helping us think about the relationships of objects, movement, and bodies that are inspired by the work of a range of authors including Brian Massumi. Part II is a rich, detailed guide to the surfacescape of decorative objects in Ming-Qing China. Part III moves from the surfaces of individual objects to the landscapes they collectively create, offering a language for understanding, experiencing, and describing the objectscapes of urban interiors. Together, these parts of the book cooperate to change not only how we understand and articulate the experiences and pleasures of early modern interiors, but also how to perceive and give voice to our own constructed environments with a re-energized sensory language. This is one of my very favorite recent books, and I hope you enjoy it as much as I have. At the end of the conversation, Hay mentioned two books that are worth checking out: * Muriel Combes (Tr., Thomas LaMarre), Gilbert Simondon and the Philosophy of the Transindividual (MIT Press, 2012) * Alexander Nagel and Christopher S. Wood, Anachronic Renaissance (Zone Books, 2010) Learn more about your ad choices. Visit megaphone.fm/adchoices

Sensuous Surfaces: The Decorative Object in Early Modern China  (University of Hawai’i Press, 2010) is a study of domestically produced, portable decorative arts in early modern China. Decorative objects connect us, visually and physically, to the world around us. In many ways they think with us, and an experience of pleasure emerges from this mutual relationship. This was as true in late Ming and early-to-mid Qing China as it is today, and Jonathan Hay‘s careful study of decorative objects functions as a toolkit for experiencing the surfaces of decorative Ming-Qing objects and understanding the pleasures of a relationship with those surfaces. Part I introduces the context of production and consumption of Ming-Qing decorative objects and argues for the importance of sensuous surface to the experience of them. It also sets out a history of the transformations of urban taste in early modern China, and offers some methodological tools for helping us think about the relationships of objects, movement, and bodies that are inspired by the work of a range of authors including Brian Massumi. Part II is a rich, detailed guide to the surfacescape of decorative objects in Ming-Qing China. Part III moves from the surfaces of individual objects to the landscapes they collectively create, offering a language for understanding, experiencing, and describing the objectscapes of urban interiors. Together, these parts of the book cooperate to change not only how we understand and articulate the experiences and pleasures of early modern interiors, but also how to perceive and give voice to our own constructed environments with a re-energized sensory language. This is one of my very favorite recent books, and I hope you enjoy it as much as I have. At the end of the conversation, Hay mentioned two books that are worth checking out: * Muriel Combes (Tr., Thomas LaMarre), Gilbert Simondon and the Philosophy of the Transindividual (MIT Press, 2012) * Alexander Nagel and Christopher S. Wood, Anachronic Renaissance (Zone Books, 2010) Learn more about your ad choices. Visit megaphone.fm/adchoices