Podcast appearances and mentions of charles dixon

On this episode of Coffee, Country & Cody, we welcome  Moe Bandy & Charles Dixon from Bluebird at the Symphony!   0:00 - Welcome / What’s Coming Up 2:18 - Interview with Moe Bandy 17:27 - Entertainment with Kelly Sutton 24:30 Interview with Charles Bluebird at the Symphony 42:45 - Entertainment with Kelly Sutton      Connect with WSM Radio: Visit the WSM Radio WEBSITE: http://bit.ly/650AMWSM Follow WSM Radio on TikTok:  https://www.tiktok.com/@wsmradio Like WSM Radio on FACEBOOK: http://bit.ly/WSMRadioFB Check out WSM Radio on INSTAGRAM: http://bit.ly/WSMRadioInsta Follow WSM Radio on X: http://bit.ly/WSMRadioTweets Listen to WSM Radio LIVE: http://bit.ly/WSMListenLive Listen to WSM on iHeartRadio: https://www.iheart.com/live/wsm-radio...  

ACTIVITY TROUSERSThis week (ahem), the Drifting Reviewniverse takes Gary Lactus and TT into everyone's least favourite Chuck D, Charles Dixon's Marc Spector: Moon Knight #12.CURSE YOU, FATE! Your hosts do their best to choke it down and describe the experience. It's a fun chat about a comic that wasn't enjoyed by either of them. Hosted on Acast. See acast.com/privacy for more information.

How do birds build their nests? By instinct, of course—at least that's what the conventional wisdom tells us. A swallow builds a swallow's nest; a robin builds a robin's nest. Every bird just follows the rigid template set down its genes. But over the course of the last couple decades, scientists have begun to take a closer look at nests—they've weighed and measured them, they've filmed the building process. And the conventional wisdom just doesn't hold up. These structures vary in all kinds of ways, even within a species. They're shaped by experience, by learning, by cultural tradition. When we look at a bird's nest, we're looking at the product of a flexible mind.   My guest today is Dr. Susan Healy. Sue is a Professor in the School of Biology at the University of St Andrews and an expert in birds—their behavior, their cognition, and their evolution. For more than a decade now, Sue has been pioneering a new chapter in the study of birds' nests.    Here, Sue and I talk about some of the most impressive nests (as well as some of the least impressive). We do a bit of Birds' Nests 101—the different forms they take, the functions they serve, which sex does the building, how these structures evolved, and more. We dig into the mounting evidence that birds are in fact quite flexible in their building practices, that they learn from others and from their own experience. We discuss recent evidence from Sue's team that cultural traditions shape the weaver nests of the Kalahari. And we talk about what nests might have in common with songs and tools. Along the way, we touch on: pigeon nests and hummingbird nests, dinosaur nests and chimpanzee nests; Alfred Russel Wallace; commonalities in the techniques of human weavers and weaver birds; whether bird personality might be reflected in nest style; the brain basis of nest-building; and a whole lot else.    Hope you enjoy this one, friends. On to my conversation with Dr. Sue Healy.    A transcript of this episode will be available soon.   Notes and links 2:30 – An example of a post on the (seemingly inadequate) nests of pigeons.  7:30 – An article featuring a variety of weaverbird nests. 10:30 – Alfred Russel Wallace's essay on birds' nests is available here.  15:00 – A paper from another branch of Dr. Healy's work, on hummingbirds.  16:00 – The 1902 book by Charles Dixon on the science “caliology.” 17:00 – An example of research done by the Colliases on weavers.  19:00 – For an up-to-date primer on birds' nests—covering a number of the questions we discuss here—see Dr. Healy's recent primer. 22:30 – An article about hummingbird eggs.  28:30 – A paper by Dr. Healy and colleagues on the use of human materials in birds' nests. Our episode on animal medication is here.  31:30 – An article about bowerbirds and how they decorate their bowers. 35:00 – An article on the evolution of birds' nests, covering the question of what dinosaur nests were like.  43:00 – A paper by Dr. Healy and colleagues on the impact of temperature and earlier breeding success on nest size. 51:00 ­– For more discussion of personality in animals, including in clonal fish, see our episode with Kate Laskowski.  55:00 – A study by Dr. Healy and colleagues showing that zebra finches build nests that match the color of the walls.  58:00 – A study by Dr. Healy and colleagues looking at how zebra finches learn aspects of nest-building from familiar individuals. 59:00 – A study by Dr. Healy and colleagues, led by Maria Tello-Ramos, about architectural traditions in an African sociable weaver species.   1:07:00 – An article by Michael Arbib, Dr. Healy, and colleagues on connections between tool use, language, and nest-building.  1:11:00 – An initial study on the brain basis of nest-building in zebra finches. A further study on the same topic.  1:12:30 – A paper by Hopi E. Hoekstra and colleagues on the genetics of burrow-building in deer mice.   1:14:00 – An exploration of the idea that humans initially learned their weaving skills from weaver birds.    Recommendations Books by Mike Hansell (see here, here, and here) Birds' nests, Charles Dixon Avian architecture, Peter Goodfellow Animal architects, James Gould & Carol Gould   Many Minds is a project of the Diverse Intelligences Summer Institute, which is made possible by a generous grant from the John Templeton Foundation to Indiana University. The show is hosted and produced by Kensy Cooperrider, with help from Assistant Producer Urte Laukaityte and with creative support from DISI Directors Erica Cartmill and Jacob Foster. Our artwork is by Ben Oldroyd. Our transcripts are created by Sarah Dopierala.  Subscribe to Many Minds on Apple, Stitcher, Spotify, Pocket Casts, Google Play, or wherever you listen to podcasts. You can also now subscribe to the Many Minds newsletter here! We welcome your comments, questions, and suggestions. Feel free to email us at: manymindspodcast@gmail.com.    For updates about the show, visit our website or follow us on Bluesky (@manymindspod.bsky.social).

Episode 329: DJ SIR CHARLES DIXON “The Unsung Pioneer Of The Record Industry” On this week's episode of the @RoadPodcast, the fellas welcome legendary Syndicated Mixer, Radio Programmer and Record Promoter @DJSirCharles. Charles speaks on his DJ crew “Technicians” (04:11), recalls creating the first version of open format radio mixing (35:55), and remembers conference calls that had 400 plus DJs to make a record hot (42:01). He talks about pushing @Amerie's first record “Why Don't We Fall in Love” with #RichHarrison (44:01), describes sending @Beyonce the “Crazy In Love” demo (59:01) and explains why #Amerie wasn't given the beat (1:13:00). Charles describes discovering his talent of pushing records with his first label position at Tommy Boy Records (1:30:00), talks Pioneer (@pioneerdjglobal) Vs. Numark (@numark_dj) (2:01:20) and speaks on how impactful DC's sound has been in the music business (2:35:01). Finally, he recalls a conversation with Matthew Knowles that planted a seed for a @DestinyChild's reunion in the mid-00s (2:45:10).

What is the role of public art in our communities? And how has it changed across the timespan of human history? From the mysterious construction of Stonehenge in Scotland to Anish Kapoor's Cloud Gate (affectionately called ‘The Bean') in Chicago, public art has always served a purpose. Whether it provides a space for sacred rituals or acts as a monument to a bustling metropolis, public art has the power to spark conversations and deepen our sense of community. Today, we are honored to welcome back Badir McCleary, whose passion and commitment to public art has led him across the country for Remote, an exclusive video series in partnership with NOT REAL ART! exploring and documenting public art in all its glorious complexity. Tuning in you'll hear us catch up with Badir, as we chat about the episodes he's done for Remote thus far, the fascinating artworks and artists he's come across, and what he's uncovered about the ever-evolving role of public art. Discover key lessons from his two-part series in Washington DC about the government's role in public art, how his eye-opening conversation with Charles Dixon deepened his knowledge of producing these types of artworks, along with a whole host of insights from other fascinating cities he's covered like Los Angeles and San Antonio. Our conversation also unpacks key themes in public art, such as the role of technology in contemporary pieces, why allocating resources to marketing and storytelling is essential, how public art can foster community engagement, plus a whole lot more. Join us today as we delve into the multi-faceted nature of public art and the immense sense of wonder it can instill in all of us!Key Points From This Episode:Catching up with Badir on the work he's been doing for Remote, his series on public art.Public art in San Antonio and how it has grown and flourished over the last decade.Insights into his two-part series on Washington DC for Remote.Key differences in how people engage with public art versus art in a gallery or museum.Chicago's thriving public art scene and why Badir would love to do a Remote episode on it.Unpacking the role of scale in public art, especially for contemporary pieces.How technology can be used to educate and provide information on public art pieces.The importance of allocating resources to marketing and storytelling for public artworks.Reflecting on Desert X, the first installation of his Remote series, and why it's worth watching.How the function of public art has evolved over centuries.Why Badir's Remote episode set in Philadelphia is so special to him.Philadelphia's beautiful use of markers sharing the cultural history of public spaces.Inspirational lessons from Badir's interview with Charles Dixon.Insight into Badir's upcoming episode on Austin and other parts of Texas.Unpacking the significance of public art in our nation's capital, Washington DC.For more information, please visit http://notrealart.com/badir-mcCleary

At least ten thousand people missing in floods in Libya; A new law to target defence personnel spilling Australia's state secrets; Port Adelaide unsure if Charles Dixon will play in their semi-final against G-W-S.

Charles "Sir Charles Mixin" Dixon has long been a force behind radio programming and promotions for over four decades. In this exclusive interview, we go back in time to his roots in Baltimore at the famous Odells nightclub, and how technology changed the music landscape forever creating a symbiotic House Music relationship between Chicago, New York, New Jersey, Baltimore and the UK. Listen to his show on Sirius XM Channel 54 https://www.siriusxm.com/channels/studio-54-radio --- Send in a voice message: https://podcasters.spotify.com/pod/show/blackhouseblackjoy/message

The second episode of "Season 3" of the Men & Marriage Podcast. Three (3) new questions. All new guests! The Ups and Downs, the Good and Bad. What lead you to your spouse and how are you staying together? My guest on this episode is Mr. Charles Dixon. 

The second episode of "Season 3" of the Men & Marriage Podcast. Three (3) new questions.  All new guests!  The Ups and Downs, the Good and Bad. What lead you to your spouse and how are you staying together? My guest on this episode is Mr. Charles Dixon. 

Hoy compartimos el programa dedicado al cómic de "El Hobbit" de Charles Dixon y David Wenzel basado en la obra de J.R.R. Tolkien. Aprovechando para invitar a que escuchéis los programas precedentes vinculados a El Hobbit que realizamos en el entorno de la Primera Temporada. Tenemos algunas noticias vinculadas a clubes de lectura y alguna cosa más junto a las recomendaciones de libros. DIRECTOR y LOCUTOR: Miguel A. Mateos Carreira MUSICA: GarageBand GUION: Roberto López , Maite Fernández y Hinoko.

  | When We Make Love (Remix)  | 07:41  | Cardell  | 2015 | Doing It For Us  | 03:28  | The Majestic Arrows  | 1973 | Stay With Me  | 03:34  | Norman Brown  | 2007 | It Hurts So Good  | 03:30  | Katie Love & The Four Shades Of Black  | 1971 | Love And Understanding  | 02:36  | The Elements Of Love  | ? | Deja Vu  | 03:11  | Ju-Lia  | 2022 | I'm Gonna Win  | 04:00  | T.K. Soul  | 2021 | On Everything  | 03:50  | Latoya London feat. Anthony Hamilton  | 2022 | Keeping You To Your Promise  | 04:04  | The Stylistics  | 1996 | Never Felt So Good  | 03:47  | Derek Damian  | 2011 | Love Ballad  | 03:55  | D'mott  | 2022 | Love Don't Hurt Me  | 04:35  | Willie Clayton  | 2020 | Waistline (Gedi Clean Edit)  | 03:37  | Whodini & Arieleno  | 2022 | You Were Heaven Blessed  | 03:45  | Brother Wheeler Jr.  | 1975 | Something's Missing  | 04:51  | Bloodstone  | 1973 | Don't Fight It  | 03:50  | Spice  | 1976 | I Love U So Much  | 04:26  | Greg Ware  | 2022 | I'll Always Love You  | 05:50  | Lyde, Fisher & Giles  | 1977 | Everything  | 03:18  | Keedron Bryant  | 2022 | Love Me  | 03:14  | Tax Free  | 1972 | Tears  | 04:17  | Force M.D.'s  | 1984 | I'll Wait For You  | 02:23  | Alfreda Brockington  | 1969 | Let Us Pray  | 03:37  | G.C.'s (Gospel Clouds) feat. Hymes Hollis  | 2022 | There You Are  | 04:02  | Millie Jackson  | 1976 | I Shed A Tear  | 02:37  | Don Hart & James Shorter  | 1966 | Gone Bad  | 03:38  | Father's Children  | 1979 | Her Pain  | 06:00  | Da Liberal Soul aka Charles Dixon  | 2011 | Give Me One More Chance (Gedi Edit)  | 06:50  | Blue Mist Band  | 2011

Always felt like you are destined for great things and so you fall in love with a journey that leads you to “untouchable” manifestation desires. Join us on the P. E. G podcast and discover the world you create.

Always felt like you are destined for great things and so you fall in love with a journey that leads you to “untouchable” manifestation desires. Join us on the P. E. G podcast and discover the world you create.

Special Comic Book Movie Trailer Debut of the Indie Comic Book Internal Fury by creator Charles Dixon of Vexed Comics. www.vexedcomics.com Previous Episode: https://youtu.be/7CsmvmrAHrw Support Our KickStarter: https://www.kickstarter.com/projects/...

CHECK OUT THIS PODCAST AND JOURNEY THE ROAD TO SUCCESS WITH DJ SIR CHARLES DIXON - THE SMOOTH BLEND MIXHER AND PRODUCER OF MANY GREAT HOUSE SINGLES

CHECK OUT THIS PODCAST AND JOURNEY THE ROAD TO SUCCESS WITH DJ SIR CHARLES DIXON - THE SMOOTH BLEND MIXHER AND PRODUCER OF MANY GREAT HOUSE SINGLES

Guest: As we celebrate our 200th episode milestone, we were honored with 17 testimonials from creators, artists, musicians, and more: Watch on Youtube https://youtu.be/z1ZmCQWp50Q  Daphne Lage https://www.youtube.com/channel/UCZtH... John Kotsis of enemi entertainment https://instagram.com/enemientertainment Nerds of the Round https://www.youtube.com/channel/UCBEE... Jake Estrada https://www.facebook.com/spacecoastco... Anibal Arroyo https://www.instagram.com/arroyocus/ Adeli Brito https://www.foureyesedit.com Josh https://www.instagram.com/selftaughts... Venessa Valduga http://vanessaverduga.com/ Charles Dixon https://www.vexedcomics.com/ Michael Grassia https://www.youtube.com/channel/UC4N5... Christian Aluas https://csa1.ca/ Michelle St Martin https://www.instagram.com/michelestma... Luis M Cruz https://npccomics.com/creators/luis-m... Eric Hutchinson https://www.inbeon.com Ray Felix https://www.bxhcc.com/ Jerre Winsborrow https://www.facebook.com/PYRAMIDGRAPH... Jun Nunez https://www.instagram.com/junnunezart... Tracy Alford https://alfordworld.com/?fbclid=IwAR0q3p5u3gvKmfT3hg3NGih4_Bqvsp5_Z0wXfRPGaX8Qw0LfvYpJvFI2FzY  Raffle winners Tommy Kotsis, Belkis Marketing, John Andrew Polychronopoulos

Whether you have trauma or drama in your life, faith-based counseling will reconnect you with God and point you on a path of healing. In this episode, Aimee talks with guest Charles Dixon about his work as a faith-based counselor. THE CURE Live streamed podcast is hosted by Aimee Cabo and offers a platform of hope to anyone who has experienced domestic violence, abuse, mental illness, any trauma or is experiencing problems now in their lives. It's a place to find comfort, knowledge, strategies, answers, hope and love while healing the wounds and 'affirming' that you are not alone.  Join Aimee and her professional guests on The Cure with Aimee Cabo podcast  every Saturday at 1 PM EST as it is recorded during the live radio show. You can find information about the show and past guests by visiting the RADIO SHOW PAGE. You can also view the weekly Video podcasts on Apple Podcasts.  Aimee hopes that anyone who has suffered abuse of any kind, or walked a moment in similar shoes, will find inspiration in these pages, and hope that love and truth will ultimately prevail. Please subscribe and share this podcast. HOSTS: Aimee Cabo Nikolov is a Cuban American who has lived most of her life in Miami. After many years of healing, finding love, raising a family and evolving her relationship with God, Aimee's true grit and courage led her to pen an honest, thought-provoking memoir. Years of abuse became overshadowed with years of happiness and unconditional love. Now Aimee is the president of IMIC Research, a medical research company, a speaker, radio host and focused on helping others. You can read more about Aimee by visiting her website. Dr. Boris Nikolov is the CEO of Neuroscience Clinic. You can read more about Dr. Nikolov and the work he is doing by visiting his website. GUESTS: Charles Dixon is a licensed counselor working with men and women from diverse cultural backgrounds and ages. His experience with different organizations within the Human Service field has provided a backdrop for his counseling. Charles currently works for a non-profit in North Carolina as a counselor and Critical Time Intervention team lead. You can read more about Charles by visiting his Linkedin Profile. 

Are you ready for growth? The team discussed the mindset needed to take your career to the next level. Also on Catch Da Craze —> In death Interview with Writer, and Independent Publisher Charles Dixon.    Vexed Comics® was created in 2005 by Power Couple CEOs Mr. Charles Dixon and Mrs. De Dixon who are based out of West New York / New Jersey area USA.  Long before then Charles began creating a whole universe full of very unique comic book characters such as “X-Con®” in 1990.  We are a small Independent Publisher currently specializing in all things Comic Books. Our first title “Internal Fury®” Issue #1 was published in 2003, since then we have written, created, designed, produced and published over eight books plus acquired distribution for both print and digital. Join our community today Subscribe to our Youtube channel today and ring the bell www.youtube.com/catchdacraze 

This Episode : ROCK & ROLL HALL OF FAME PRODUCER KEITH SHOCKLEEKeith Shocklee or Wizard K-Jee, is an American hip hop producer and DJ. He was an original member of Public Enemy and The Bomb Squad. He has contributed his talent to several albums including It Takes A Nation Of Millions To Hold Us Back and Fear of a Black Planet. Shocklee also co-produced the singles "Bring the Noise” and "Fight The Power," which were included on Rolling Stone's list of the “500 Greatest Songs Of All Time.Shocklee began his career DJing at various parks, house parties and clubs in New York City during the early 1980s. His style was inspired by several Brooklyn-based DJs including Grandmaster Flowers and DJ Plumber. He also cites Fatback Band's ""King Tim III (Personality Jock)" as the pioneering rap song that triggered his interest in recording. The Bomb Squad's first songs were produced in Shocklee's mother's basement and recorded on tape and acetate. He has since gone on to work with the following recording artists: LL Cool J, Ice Cube, Janet Jackson, Sinéad O'Connor and many other big-name acts.https://content.uplynk.com/player5/4xLG9XBQ8VtTWUCbsfO3Sisa.htmlLink To The Broadcast Television Episode.Producer Chronicles can be watched on The Urban Music Report Channel Available on Apple TV, Roku and Verizon ConnectedTv Platforms. 

Episode #24 of “Handle Your High with Tadayoshi.” In this episode I speak with Charles Dixon and Trey Hodge. We discuss the Arnold open division, Charles future competitions, Trey’s coaching style and the friendship that comes from this sport! Listen, watch and subscribe on iTunes, PodBean, Spotify or my youtube channel “HYH with Tadayoshi”!   HYH #24 Trey Hodges and Charles Dixon Arnold 212 to Open  Chiropractor to coaching History of coaching and athletics Nigel and his help retiring vs no mindset being a friend and coach strategy for Arnold and open class Opportunity IFBB Indy  doing more open shows posing  family issues in the past Coaching bond Being bald Nashville therapies mindfulness First Hugs   Please support the my show at: https://patron.podbean.com/tadayoshi (be a patron and get advertising each episode!)   On iTunes: https://itunes.apple.com/us/podcast/id1445947402   On Youtube: https://goo.gl/RAJYDd   On Podbean: https://hyh.podbean.com   On Spotify: https://goo.gl/S1QSoX   *If I can be of service please DM me!  tad@tadthedietcoach.com   If anyone knows someone that can help me get my next cool guest for my podcast “Handle Your High with Tadayoshi” please DM me! I am always on the lookout for great guests for my show!   #podcast #HYH #realtalk #Tadayoshi #podcasting #mindset #attitude #tadthedietcoach #positivemuscle #bodybuilding #mindset #ifbb #womensphysique #bodybuilding #charlestankdixon #treyhodge #arnoldclassic #chiropractor 

Host Charles Dixon Engages in Discussions From A Wide Spectrum Of Entertainment Associated Industries.Urban Music Report Television Series is Available On The Urban Music Report Channel. Available on AppleTV Roku Verizon ConnectedTV Platforms.The Urban Music Report Channel Is Available on AppleTV, and Roku ConnectedTV Platforms.You Can Also Watch The 24/7 Live Urban Music Report Channel On Verizon and All Digital Platforms At https://content.uplynk.com/player5/2siKM0H4Vh94sc0CgJqLptsc.htmlFollow The Urban Music Report on IG at @theurbanmusicreport

Prophet Charles Dixon shares a message titled, "The Purpose of the Prophetic" where He shares some very important information that will help you to gain a better understanding of this spiritual gift.

In 1915, the passenger liner RMS Lusitania was sunk by a German submarine off the coast of Ireland with the loss of 1,200 lives. The liner had been travelling from New York to Liverpool. It was one of the most controversial incidents in WW1 and helped turn American opinion against Germany. (Photo: Illustration from The Graphic - A Crime That Has Staggered Humanity: The Torpedoing Of The Lusitania, 15 March 1915, drawn by Charles Dixon. Credit: Hulton Archive/Getty Images)

On 25 April 1915 Australian and New Zealand troops landed on Gallipoli at dawn. It was one of two main assaults on the Gallipoli peninsula. The Anzacs were to land near the promontory of Gaba Tepe, about halfway up the peninsula, while British forces landed at Cape Helles, at its southern tip. The two forces were to converge on the central mass of the Kilid Bahr Plateau, which dominated the Dardanelles Strait. The Anzac troops had expected open country, but instead were confronted with steep, scrub-covered heights, and climbed the precipitous cliffs under Turkish gunfire. Lambert depicted the landing at the moment when the Australian troops were climbing the steep, rocky hillside. He showed the hugeness of the landscape and the smallness of the men. He portrayed many of the soldiers as dead, or falling, with puffs of smoke in the sky. He wrote: visitors to the Museum ... complain there is a lack of fire, a lack of action and of the terror of war, but on the facts ... we must accept that men equipped as these men were, moving upwards on this particular place, without any idea of where the enemy was, what they had to do, would look just like this small swarm of ants climbing, no matter how rapidly, climbing painfully and laboriously upward through the uneven ground and spiky uncomfortable shrubs (ML MSS A1811, p.75). Lambert portrayed the scene looking up at the cliffs and the mass of soldiers clambering up them, a different perspective from the majority of interpretations of this event, such as Charles Dixon’s The landing at Anzac, 25 April 1915 (Archives, New Zealand) which showed the scene from above with the men climbing out of boats and wading ashore. By adopting this viewpoint Lambert made the seemingly inaccessible heights seem as much the enemy as the Turkish forces. Through his massive canvas, the harsh jagged outline of the cliff and the dark brown mass of the terrain silhouetted against a strident yellowed sky, Lambert conveyed the psychological impact of climbing these slopes. He helped viewers realise the endurance of the soldiers clambering upwards. Through his use of colour and abstract forms, he evoked the emotion of the occasion. And he showed the soldiers as small, faceless figures to create a visual metaphor for the scant regard in which these Australians’ lives were held by those in charge of the campaign. Lambert obtained facts about the landing from the Australian official historian C.E.W. Bean and other members of the Australian Historical Mission during his visit to Gallipoli in February–March 1919. At that time he painted oil sketches of the terrain at Gallipoli. Back in his London studio he made pencil studies of his models, dressed in uniform, as if climbing a steep cliff. From these, and from his oil sketches made on site, Lambert prepared a pencil design of the composition and a rough oil sketch. His son Maurice, an aspiring sculpture student, assisted his father by preparing the canvas and transferring the design onto it from Lambert’s composition drawing. The canvas, advanced this far, was rolled up and shipped out to Australia in February 1921. In Australia, Lambert was assisted by Louis McCubbin, who helped by under-painting the sky, which Lambert worked over afterwards. McCubbin’s assistance was of a mechanical kind, and not visible on the surface of the painting. Alexander Colquhoun reviewed the painting in the Melbourne Herald on 4 May 1922. He wrote: This is not a pretty picture, nor a cheerful one, and there is an uncanny lack of anything individual or personal in the scrambling, crawling, khaki figures scarcely discernible against the rocky precipitous ground. It speaks, however, as a declaration of sacrifice and achievement in a way that no other war picture has done. Colquhoun understood that by representing these Australians climbing this specific cliff, Lambert conveyed the universal experience of people overcoming obstacles. The painting was commissioned by the Australian government through the Australian High Commission in London in 1919, for £500, as part of the official war art scheme. Lambert began the painting in London and completed it in Sydney for the opening exhibition of the Australian War Museum, Melbourne, on Anzac Day 25 April 1922.