Podcasts about flute concerto

Atlanta Symphony Orchestra and principal flutist Christina Smith details her upcoming performance of C.P.E. Bach's Flute Concerto in D Minor on November 14 and November 16 at Atlanta Symphony Hall. Plus, “Resident Alien” star Sara Tomko discusses Indigenous representation alongside ethnic ambiguity, and artist Melvin Toledo and curator Madeline Beck detail “The Stars of America,” which is on view through December 3 at the Mezzanine Galleries at the Marietta Cobb Museum of Art.See omnystudio.com/listener for privacy information.

It's the piece every flutist dreads; and I'm here to change the narrative. So grab your copy of Ibert's Flute Concerto, pour yourself something tropical and join me as we analyse everything that makes this concerto a damn good time. From Ibert's potential links to Elvis and 101 Dalmatians, to n analysis of the structure and practice tips; this episode will cover everything you might need to know about the flute repertoire's crown jewel (certainly enough to impress your teacher or any juries you come up against.) If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xChapters:0:00 - A Guinness Driven Intro2:39 - Jacques Ibert: A History of11:27 - Ibert's Unique Style and The Structure15:22 - 1st Movement Analysis22:42 - Patreon Read24:17 - 2nd Movement Analysis29:21 - 3rd Movement Analysis37:20 - Goodbye with Petri Hosted on Acast. See acast.com/privacy for more information.

I know I say this every week, but this episode was legitimately one of my favourite Inline G episodes. My guest is American flutist, professor, academic AND friend of the podcast; Dr Brianne Little. Brianne came on at my request to chat about one thing; her Doctoral Thesis on the flute concerto “To Notice Such Things” by Rock and Roll Hall of Famer and founding member of Deep Purple; Jon Lord. The piece itself is a stunning, cinematic masterpiece and Brianne has been working tirelessly for years to get it the recognition in the flute repertoire it deserves; and now I (and hopefully all of you) will join her in the good fight. This episode also features the first EVER time I've had to beep out a swear word on Inline G; a landmark moment. If you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xChapters: 0:00 - An Excitable Intro2:57 - Inline vs Offset and some background9:55 - Who is Jon Lord?13:28 - Concerto for Deep Purple (THAT Bleep)21:00 - Who is John Mortimer?25:25 - To Notice Such Things50:29 - Quick Fire (ish) Questions Hosted on Acast. See acast.com/privacy for more information.

SynopsisIn recounting the life story of many composers, it's a familiar and perhaps romantic cliché that their work will be — as a matter of course — not appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences.In reality, we're happy to report, that isn't always the case.Consider, for example, American composer Lowell Liebermann, who was born in New York on today's date in 1961. When he was 16, his Piano Sonata No. 1 premiered at Carnegie Hall, resulting in a number of prizes and awards. By his 30s, Liebermann was being commissioned and championed by some of the leading performers of our time.For James Galway, Liebermann composed a flute concerto, and Liebermann's two-act opera The Picture of Dorian Gray was the first work the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February 2000, and, in a symbolic millennium gesture, simulcast their performance on the new-fangled worldwide web.Music Played in Today's ProgramLowell Liebermann (b. 1961) Flute Concerto; James Galway, flute; London Mozart Players; Lowell Liebermann, cond. BMG 63235Symphony No. 2; Dallas Symphony and Chorus; Andrew Litton, cond. Delos 3256

Música

Frederick the Great - Flute Concerto: 1st movement Manfred Friedrich, flute Carl Philipp Emanuel Bach Chamber Orchestra Hartmut Haenchen, conductor More info about today's track: Capriccio C10064 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Música

Mirga Gražinyte-Tyla launched her Deutsche Grammophon recording career in 2019 with an album devoted to Mieczyslaw Weinberg's Symphonies Nos. 2 and 21, released to tie in with the centenary of this neglected composer. Among its many accolades, it was named Gramophone's Recording of the Year and won Gražinyte-Tyla the Opus Klassik Conductor of the Year award. Now she continues her mission to broaden awareness of the Warsaw-born composer's music with Weinberg: Symphonies Nos. 3 & 7 and Flute Concerto No. 1. She is joined by The Deutsche Kammerphilharmonie Bremen and soloist Kirill Gerstein for Symphony No. 7, and by the City of Birmingham Symphony Orchestra for the Flute Concerto – with soloist Marie-Christine Zupancic – and Symphony No. 3. Purchase the music (without talk) at:Weinberg: Symphonies 3 and 7 - Flute Concerto No. 1 (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Synopsis On this day in 1900, the world first heard the Requiem of Gabriel Fauré in its full orchestral version at a concert at the Paris World Exhibition. Faure's Requiem ranks today among his best-known and best-loved compositions, and omits all reference to the terrors of the Last Judgment which appear in the traditional liturgical text, concentrating instead on comforting the bereaved. The Requiem was originally written for chorus and a more intimate chamber ensemble, and was occasioned by Fauré's sorrow at the death of his own father. The American composer Christopher Rouse has written a number of works dealing with the passing of friends and colleagues – works half-seriously, half-jokingly referred to as Rouse's “Death Cycle.” Rouse's Pulitzer Prize-winning Trombone Concerto from 1991 is dedicated to the memory of Leonard Bernstein; his Symphony No. 2, from 1994, contains a tribute to the young composer Stephen Albert, who died in a car crash; and a section of his Flute Concerto from 1993 reflects the composer's shock upon reading an account of the senseless tragedy of a two-year-old child, abducted from an English shopping mall and killed by two ten-year-olds. Los Angeles Times critic Mark Swed has noted that much of Rouse's work is “music of leave-taking… but it is also a music of catharsis, survival and a celebration of being alive.” Music Played in Today's Program Gabriel Fauré (1845-1924) – Requiem (The Cambridge Singers; John Rutter, cond.) Collegium 101 Christopher Rouse (b. 1949) – Symphony No. 2 and Flute Concerto (Carol Wincenc, flute; Houston Symphony; Christoph Eschenbach, cond.) Telarc 80452

This episode begins with a Vivaldi concerto and ends with a seasonal favorite: “Sleigh Ride,” by Leroy Anderson. In between, there is music by Bruch, Grieg, Stephen Foster, and others. In the mix is a spiritual, “Hold Out Your Light.” An eclectic, refreshing, and interesting program of music. Vivaldi, Flute Concerto in D, Op. 10, No. 3 Bruch, Violin Concerto No. 1 in G minor Bell, Joshua, cadenza for first movement of Beethoven's Violin Concerto Grieg, Finale from String Quartet in G minor Bristow, Symphony No. 4, “Arcadian” Trad., “Blow the Wind Southerly” Trad., “Hold Out Your Light” Foster, “Jeanie with the Light Brown Hair” Anderson, “Sleigh Ride”

This episode begins with a Vivaldi concerto and ends with a seasonal favorite: “Sleigh Ride,” by Leroy Anderson. In between, there is music by Bruch, Grieg, Stephen Foster, and others. In the mix is a spiritual, “Hold Out Your Light.” An eclectic, refreshing, and interesting program of music. Vivaldi, Flute Concerto in D, Op. 10, […]

This episode begins with a Vivaldi concerto and ends with a seasonal favorite: “Sleigh Ride,” by Leroy Anderson. In between, there is music by Bruch, Grieg, Stephen Foster, and others. In the mix is a spiritual, “Hold Out Your Light.” An eclectic, refreshing, and interesting program of music. Vivaldi, Flute Concerto in D, Op. 10, No. 3 Bruch, Violin Concerto No. 1 in G minor Bell, Joshua, cadenza for first movement of Beethoven's Violin Concerto Grieg, Finale from String Quartet in G minor Bristow, Symphony No. 4, “Arcadian” Trad., “Blow the Wind Southerly” Trad., “Hold Out Your Light” Foster, “Jeanie with the Light Brown Hair” Anderson, “Sleigh Ride”

Synopsis If imitation is the sincerest form of flattery, then composers must really have a thing about birds. For centuries, composers have imitated bird song. Vivaldi's “Goldfinch” concerto for flute is one of the best-known examples from the 18th century, and there are a flock of other examples. On today's date in 1953, at the Donaueschingen Music Festival in Germany, one of the most famous 20th century examples of “music for the birds” had its premiere performance. This was a piece by the French composer Olivier Messiaen for piano and orchestra, entitled “Le Réveil des Oiseaux,” or “The Awakening of the Birds.” The musical themes for this work were all based on Messiaen's precise notation of the songs of 38 different French birds. The piece's structure progresses from midnight to midday, with the birds' actual “awakening” occurring precisely at 4 a.m. at the first light of a spring day. Messiaen's interest in bird songs and nature was as deep as his religious faith. As he put it:  “I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colors for those who see none." Music Played in Today's Program Antonio Vivaldi (1678 - 1741) — Flute Concerto, R. 428 (Goldfinch) (Patrick Gallois, flute; Orpheus Orchestra) DG 437 839 Olivier Messiaen (1908 – 1992) — Le Reveil des oiseaux (Pierre-Laurent Aimard, piano; Cleveland Orchestra; Pierre Boulez, cond.) DG 453 478

Minnesota Orchestra Music Director Osmo Vanska returns to Heinz Hall as a guest with Pittsburgh Symphony Principal Flute Lorna McGhee in Kaija Saariaho's new Flute Concerto "Wing of a Dream" with bird song, extended technique, poetry, exclamations, smiles, guttural sounds and general delight. Jim Cunningham joins the duo masked in the Guest Conductor's Dressing Room sitting as far apart as possible discussing how the concerto was a hit in its out of town try out in Minnesota. In Pittsburgh, it will appear with Beethoven's Egmont Overture and the Scottish Symphony by Mendelssohn. Soloist and conductor talk about the premiere in detail and Maestro Vanska accepts congratulations for presiding over the designation as Orchestra of the Year in Minnesota as voted by the readers of England's Grammophon magazine. He suggests that unlike Mick Jagger budgeting an extra day to visit the Phipps Conservatory, he is all about the music when he's in Pittsburgh. His last season includes a Sibelius party on New Year's Eve and after 19 years, he goes out on a high note but promises to return. The Minnesota performance can be seen on Youtube. Pittsburgh will hear the concert October 8th and 10th at Heinz Hall.

In recounting the life story of many composers, it’s a familiar and perhaps Romantic cliché that their work will be—as a matter of course—NOT appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences. In reality, we’re happy to report, that isn’t always the case. Consider, for example, the American composer Lowell Liebermann, who was born in New York on today’s date in 1961. At the age of sixteen, the premiere of his Piano Sonata No. 1 at Carnegie Hall resulted in a number of prizes and awards. By his thirties, Liebermann was being commissioned and championed by some of the leading performers of our time. For James Galway, Liebermann composed a Flute Concerto and Liebermann’s two-act opera “The Picture of Dorian Gray” was the first work that the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February of the year 2000, and, in a symbolic Millennium gesture, simulcast their performance new-fangled World Wide Web.

In recounting the life story of many composers, it’s a familiar and perhaps Romantic cliché that their work will be—as a matter of course—NOT appreciated by their contemporaries, and that the composer in question will have to toil for years in obscurity before his or her music is appreciated by performers and audiences. In reality, we’re happy to report, that isn’t always the case. Consider, for example, the American composer Lowell Liebermann, who was born in New York on today’s date in 1961. At the age of sixteen, the premiere of his Piano Sonata No. 1 at Carnegie Hall resulted in a number of prizes and awards. By his thirties, Liebermann was being commissioned and championed by some of the leading performers of our time. For James Galway, Liebermann composed a Flute Concerto and Liebermann’s two-act opera “The Picture of Dorian Gray” was the first work that the Monte Carlo Opera commissioned from an American composer. In 1998, Liebermann was appointed composer-in-residence with the Dallas Symphony, and that orchestra premiered his Symphony No. 2 in February of the year 2000, and, in a symbolic Millennium gesture, simulcast their performance new-fangled World Wide Web.

6 Vivaldi - Flute Concerto In D Major, 2nd Movement - Cantabile by Ruach Breath of Life

7 Pergolesi - Flute Concerto In G Major - Adagio by Ruach Breath of Life

Legendary flutist talks his distinguished career as studio musician in Hollywood, from his early days performing under Alfred Newman at 20th Century Fox to his many collaborations with John Williams as first chair flute, including his solos in such scores as Jaws, E.T. The Extra-Terrestrial and The Witches of Eastwick, as well as the premiere of the Flute Concerto   Flutist Sheridon Stokes is one of the true all-time greats among Hollywood studio musicians. In a career spanning six decades, Sheridon Stokes became one of the most heard flute artists in the world mostly thanks to his impressive career in the film and television industry in Los Angeles. He has performed as principal flute on dozens of classic film scores including many by John Williams. For the Maestro, he performed solos on Jaws, Close Encounters of the Third Kind, E.T. The Extra-Terrestrial and The Witches of Eastwick. It's his beautiful, crystalline tone that accompanies some of the most iconic scenes in those films. But, as you'll hear in the episode, Sheridon and John Williams met long before the Maestro would become the most famous and celebrated film composer in history.   In this conversation, Sheridon talks about his illustrious life and career as one of the most venerable studio musicians in Hollywood, from his early days performing in the 20th Century Fox Orchestra under Alfred Newman to his meeting with a young John Williams in 1957. He talks at length about his first works with Williams in the early 1970s and the world concert premiere of the composer's Flute Concerto with the UCLA orchestra in 1973. He also reminisces his flute solos on Jaws, E.T. and The Witches of Eastwick, and the work with composer Lalo Schifrin, offering his own unique insight into the great history of Hollywood's film music.   For more information, visit https://thelegacyofjohnwilliams.com/2021/01/18/sheridon-stokes-podcast/

We take on your question LIVE! Be sure to leave a written review and rate us over on Apple Podcasts. It helps so much! THE BOOK IS OUT! Find the course at https://musogy.com Learn the Flute with The Flute Channel's Amelie Brodeur. If you're a beginner these courses will help you master Tone, Breathing, Posture, Sight-Reading, Rhythm and more. This 15 lesson course will start any new flutist on the right track, even if you're starting up from a long hiatus it can be a good refresher. Find our channel useful. Come to our Patreon page and be a Patreon! It's only 2$ a month! https://www.patreon.com/join/theflutechannel ALSO if you're looking for a new flute or piccolo consider using FCNY, use the code TFC to get special perks like: 1. Free shipping 2. 10-day trial 3. 18-month warranty (new flutes) 4. Try 3 instruments per trial Be sure to contact http://flutes4sale.com for all the info. Using the code helps us make even more great content and help all our community! Be sure to like and comment if you want us to review other flutes or piccolos! #flutetalk #flutetalkpodcast #patreon The Flute Channel Online: ✩ MERCH - https://store.theflutechannel.com ✩ Twitter - http://twitter.com/theflutechannel ✩ Instagram - http://instagram.com/theflutechannel ✩ Blog/Website - http://www.theflutechannel.com ✩ Facebook - http://facebook.com/flutechannel/ --- Send in a voice message: https://anchor.fm/flute/message

Episode 5, 2020: Ibert’s Flute Concerto Wednesday 1 July 2020 ANAM Music Librarian, Phil Lambert thinks French composer Jacques Ibert’s most popular compositions sparkle like French champagne. First coming to public attention in the early 1920s, Ibert’s oeuvre is known for being polished and entertaining, never driven by any theory, agenda or the desire to gain attention through shock value. But lest you think that his range is limited, try tracking down Orson Welles’ 1948 film, Macbeth, which owes its ominous and oppressive atmosphere to Ibert’s excellent score. Ibert wrote his Flute Concerto between 1932 and 1934 for his contemporary flautist Marcel Moyse, who is probably considered the greatest flautist of his time. Knowing that he was writing for a virtuoso, Ibert did not spare this composition from any technical difficulty. This is the challenge ANAM alumna Cassandra Slater (flute 2019) had to overcome when mastering this piece for the Grand Final of the 2019 ANAM Concerto Competition . In this episode of ANAM Radio, Cassandra shares with us how she trained “almost like an athlete” to make sure she had the stamina to perform this rather demanding piece with the Tasmania Symphony Orchestra. She also shares some insightful anecdotes about the piece’s second movement, written after Ibert’s father passed away. Cassandra was one of three finalists to perform in the Grand Final of the 2019 ANAM Concerto Competition with the Tasmanian Symphony Orchestra in Hobart. The music you will hear is from her Melbourne performance where she performed the piece with Louisa Breen on piano. To watch Cassie's recorded performance of Ibert's Flute Concerto in Melbourne, visit https://youtu.be/RWKwgCdD4Dc

Flute 360 | Episode 106: “An Interview with Beatriz Macías” (45:09) In today’s episode, Heidi talks with Beatriz Macías who is the artistic director of the Tampere Flute Fest on April 25-26, 2020 in Finland! In this inspiriting conversation, Beatriz shares with us what it takes to be an artistic director, the lessons she’s learned along the way, and much more! Check-out today’s episode to be encouraged as you organize your next music event! Episode 106 – Main Points: 0:50– Gold Sponsor: Carolyn Nussbaum Music Company 2:01 – Welcome & Introduction! 2:35 – Flute 360’s Episode 15 4:23 – Question: Please share, with the listeners, who you are and your musical background! 4:27 – Beatriz’s Answer 5:00 – Music & Music Education in Texas 5:53 – Reinecke’s Flute Concerto 5:57 – Boston Conservatory at Berklee 6:21 – Yamaha Young Performing Artists 8:35 – Texas Flute Society 11:18 – Question: You are the artistic director of the Tampere Flute Festival, which will be held on April 25-26, 2020. Is this the first time that you’ve held such a position? 11:30 – Beatriz’s Answer 11:45 – Question: What inspired you to launch this flute festival? 11:50 – Beatriz’s Answer 13:50 – National Flute Association 13:54 – Houston Flute Club 14:24 – Question: Through this position, what lessons have you learned along the way? 14:30 – Answer: Communication, Prioritization & Build Community Support 16:15 – Question: What responsibilities does the artistic director have? 16:35 – Beatriz’s Answer 20:55 – Beatriz lists her three goals for this Tampere Flute Festival (2020). 22:55 – Alexis Roman, flutist (E101) 23:14 – Tip: Write-out your mission statement before heading into a new role! 23:57 – Marketing & Visibility 25:25 – Question: In regards to the sponsors, please feel free to share who they are, and what tricks of the trade did you utilize to obtain these corporate sponsorships? 25:39 – Beatriz mentions the festival’s corporate sponsors – listen here! 28:20 – Flute 360’s Episode 100 30:29 – Question: Please share with us the design of the festival’s website. 30:37 – Beatriz’s Answer 33:25 – Question: Do you have any advice for the students who will be competing and, or performing at the festival? 33:45 – Beatriz’s Answer 34:43 – Learn the art of resilience like nylon! 35:53 – Hélène Boulègue, flutist 37:38 – Question: Any last sentiments that you’d like to share? 37:45 – Beatriz’s Answer 39:27 – PICKS! 43:28 – Conclusion 43:56 – Bronze Sponsor: J&K Productions PICKS! Beatriz Sauna Capital – Tampere, Finland Finnish Language Heidi: Navajo Turquoise and Coral Jewelry for both Men & Women! The Diné People & Language Episode 106 – Resources Mentioned: Heidi Kay Begay’s Website Tampere Flute Festival’s Website Tampere Flute Festival’s Guest Artists Tampere Flute Festival’s Masterclass Application – Due 03/01/2020 Tampere Flute Festival’s Young Artist Competition – Due 03/15/2020 Flute 360’s Interview with Beatriz Macías – Episode 15 Flute 360’s Episode 100 Flute 360’s Episode 101 Episode 106 – Sponsors: Gold Level: Carolyn Nussbaum Music Company Silver & Bronze Level: J&K Productions

In this episode I discuss with composer Douglas Knehans the process and form of writing the exciting concluding movement to his Tempest Flute Concerto. The solo playing in this movement has been called "highly virtuosic" and "breathtaking." Tune in to listen to the composer discuss the work and hear some terrific excerpts from the sizzling conclusion of this concerto.

In this episode I discuss the slow movement of the new flute concerto TEMPEST by Douglas Knehans with the composer. We also hear excerpts of this powerfully expressive slow movement as played by flute soloist Gareth Davies, of the London Symphony Orchestra, accompanied by the Brno Philharmonic Orchestra under the direction of Mikel Toms.

In this episode I discuss Douglas Knehans' TEMPEST—Concerto for Flute and Orchestra focusing on the first movement OSTRO. Tune in to hear some AMAZING flute playing as well as the composer discuss the ideas and inspiration behind this ear-catching and dramatic new work.

Flute 360 | Episode 9: “An Interview with Carol Wincenc” (25:44) In September of 2017, Carol Wincenc visited the Texas Tech University’s School of Music. During her residency, Heidi interviewed the “Queen of the flute” (New York Magazine) and asked her questions about artistry, flute tone, and much more! Episode 9 – Main Points: Introduction Question 1 (1:07) Carol’s fine arts background: ballet & theater Pursue your dream! (2:23) Family’s musical background (2:54) Giving back to the community (3:21) Finding your niche (3:51) Inner calling (4:07) Carol’s son, Nicola Wincenc (5:28) Carol’s father was a violinist (6:14) Core of the sound (7:34) Flute sonorities (8:41) Visual art (9:54) Performing on stage (10:32) We are always learning! (11:54) Christopher Rouse’s Flute Concerto (12:59) Joan Tower’s Rising (15:16) Lukas Foss’ Renaissance Concerto (16:28) Living in Rome, 1966-1967 (18:16) Final question (21:22) Being of service (22:55) Episode 9 – Resources Mentioned: Carol Wincenc’s Website Christopher Rouse’s Flute Concerto Joan Tower’s Rising Lukas Foss’ Renaissance Concerto Heidi Kay Begay’s Information: Website: https://heidikaybegay.com E-mail: heidikaybegay@gmail.com Flute 360's Sponsor: J&K Productions

Principal players from the Nashville Symphony Orchestra step up to the solo spotlight in world premiere recordings of 3 wind concertos. Frank Ticheli’s Clarinet Concerto pays homage to a different American composer in each of its three movements; Brad Warnaar’s Horn Concerto attests to the composer’s own professional mastery of the instrument; while Behzad Ranjbaran’s Flute Concerto is imbued with the rhythms, melodies and instrumental colours of his native Iran. Raymond Bisha introduces this latest release in the American Classics series.

This week, COMPOSER Kevin Puts talks about his 1 Track, the third movement from his FLUTE CONCERTO.

선곡표 1.J.S. Bach - 바흐 칸타타 BWV 202 Cantata BWV 202 (Weichet nur, betrubte Schatten) - 1. Aria. Weichet nur, betrübte Schatten 2.A. Vivaldi -플루트 협주곡 Flute Concerto in c minor RV 441 1악장, 2악장, 3악장 3.C. Saint-Saens -바이올린 소나타 1번 Violin Sonata No.1 in d minor Op.75 - 1. Allegro agitato - 4.L.V. Beethoven -피아노 트리오 6번 E플랫 장조 Op.70-2 中 3악장Allegro ma non troppo 5.G. Faure -로망스 Romance in A Major Op.69 6.J. Brahms -피아노 트리오 1번 op.8 3악장 7.Friedrich Flotow -마르타(Martha) 中 꿈과 같이 (M'appari, Tutt' Amor) 8.J. Strauss II -박쥐(Die Fledermaus) 서곡 9. 영화 (나, 다니엘 블레이크 OST)Sailing By - Ronald Binge

EMMANUEL PAHUD Mozart Flute Concerto in G | ♫ Analyse mains ♫ | Trois points d'appui sur la flute, un trio fondamental à ne pas manquer : Le pouce est souvent souteneur alors que le pouce pousse ! Pour aller encore plus loin, abonne-toi à la chaine YOUTUBE ►► www.youtube.com/user/AArtistesPerformance ☞ Et clique sur le pouce ! Fais passer à tes amis musiciens, chaque jour je te partage de nouvelles infos sur ton quotidien, ta pratique, ton organisation de travail, et le plaisir de jouer longtemps et sans douleur ! O▽ Les infos de ma liste personnelle : https://thejoyofplaying.com/present ➞ Toute l'actu sur Facebook https://www.facebook.com/TheJoyOfPlaying/ ➞ Mon Podcast sur Sondcloud https://soundcloud.com/marcpapillon * Cette vidéo est purement fan-made, si vous musiciens (les propriétaires) souhaitez supprimer cette vidéo, s'il vous plaît CONTACTEZ-NOUS DIRECTEMENT. Nous la supprimerons avec respect. Email : marc@artistesperformance.com

Kevin Puts is one of today’s leading American composers. His persuasive music, colourfully orchestrated and emotionally charged, is well showcased on this month’s new release of three of his highly engaging symphonic works. Raymond Bisha guides us from the adventurous harmonic combinations of River’s Rush to the elegant transparency of the Flute Concerto and the arresting atmospheric shifts of Symphony No. 2. The latter was written in response to the events of 9/11. It moves from unsuspecting bliss to rhapsodic patriotism before hurtling into violent upheaval, and culminating in a coda of uncertainty and hope.

선곡표 Albinoni - Adagio Piazzolla, Astor Pantaleon - Oblivion 무소르그스키 눈물 Une larme Rossini- La Cenerentola 중 Nacqui all'affanno - Non più mesta 고통과 눈물속에 태어나 Mozart- 교향곡 41번 C장조 Jupiter K551 중4. Molto allegro 수사네 룬뎅 - 당신의 소중한 사람 보로딘 - Petite Suite - 2. Intermezzo 메르카단테 - Flute Concerto in E Major - 2. Largo Dvorak- 피아노협주곡 G단조 op.33 중 3. Allegro con fuoco Liszt - Liebestraüme 사랑의 꿈 3번 엘가 - 수수께끼 변주곡 중 님로드

Invisible Landscapes 001 - Mixed by Jester ॐ Shpongle - Grand Piano and Flute Concerto in E minor [TIP World] Cold Womb Descent - Solace Within the Cold Steel [Cold Womb Descent] Jaja - Special [Cyan Music] Astropilot Feat. Chronos - Expectations [Altar Records] Tara Putra - Channel Dub Sumatra [Gliese 581C] Marsen Jules - Sunrise on 3rd Avenue [Oktaf] Akasha - Out Back [Dubmission Records] E-Mantra - Silence (Dense Atmo Remix) [Altar Records] Androcell - Vital Signs [Celestial Dragon Records] Proton Kinoun - Silver Satellite [Omnitropic] ॐ Intended For Promo Use Only. Please support the artists, labels and festivals. Subscribe: iTunes: https://itunes.apple.com/nz/podcast/temple-of-boom-podcast/id1020624145 Stitcher: http://stitcher.com/podcast/rubix-vs-jester/temple-of-boom-podcast Tunein: https://tunein.com/radio/Temple-Of-Boom-Podcast-p768224/ Patreon: https://www.patreon.com/RvJ

Composer Kevin Puts returns to this year's Cabrillo Festival of Contemporary Music with his new Flute Concerto and a Pulitzer Prize on his credit. Kevin and I talked about the new work and its charming backstory; about his love of heartfelt music, whatever proponents of modernist abstraction may say; and about his choice of a contemplative composing career over the athletic rigors of concert piano. In the second part of the show, globe-trotting composer/clarinetist Derek Bermel describes Dust Dances, an orchestral piece based on his studies of the West African xylophone known as the gyil. Both Dust Dances and the Flute Concerto will be performed on opening night of the Cabrillo Festival.

[Clever teaser or hook]

Can you guess this piece? Here's a hint: It's all in the family

Can you guess this piece? Here’s a hint: It’s all in the family

Listener Line: 206-339-5028 **** Flute Concerto in D minor, 2nd movement with an introduction by Jesse. This is another classical piece that works wonders for me when I need to relax and melt away stress like a spring thaw in the Rockies. Save this file and play it anytime you feel the need to relax. Also works wonderful for those romantic, candlelight dinners with that significant other.