Podcasts about third kind

THE RIP writer/director Joe Carnahan returns to our podcast The Movies That Made Me. This time, Joe takes hosts Josh Olson and Joe Dante on a sonic journey to unpack the John Williams scores that made him! Check out Joe's first appearance on the podcast here. Show Notes: Movies Referenced In This Episode The Rip (2026) The Man Who Would Be King (1975) Butch Cassidy and the Sundance Kid (1969) Cool Hand Luke (1967) Fiddler on the Roof (1971) The Poseidon Adventure (1972) The Towering Inferno (1974) Earthquake (1974) Jaws (1975) Images (1972) The Cowboys (1972) Shaft (1971) Shaft's Big Score! (1972) Close Encounters of the Third Kind (1977) Superman: The Movie (1978) The Empire Strikes Back (1980) Raiders of the Lost Ark (1981) Indiana Jones and the Temple of Doom (1984) Gremlins (1984) Poltergeist (1982) Cobra (1986) JFK (1991) The Usual Suspects (1995) Munich (2005) The Great Escape (1968) Stripes (1980) 1941 (1979) Animal House (1978) The A-Team (2010) The Howling (1981) The Trouble with Harry (1955) Maestro (2024) Not Without Hope (2025) Shadow Force (2025) ET the Extra-Terrestrial (1982) Always (1989) Empire of the Sun (1987) The Last Emperor (1987) Last Tango in Paris (1973) Other Notable Items Our Patreon!  The Hollywood Food Coalition Orson Welles Matt Damon Ben Affleck Brad Pitt “Debbie Downer” on Saturday Night Live Netflix John Huston Paul Newman Robert Redford Humphrey Bogart Clark Gable Sean Connery Michael Caine The Aero Theatre in Santa Monica, CA John Williams “The Sabbath Prayer” song from Fiddler on the Roof Irwin Allen Steven Spielberg Robert Altman John Wayne Dede Allen Bruce Dern Jason Patrick Roscoe Lee Brown The Smokehouse Restaurant Richard Roundtree “Theme From Shaft” song by Isaac Hayes (1971) Glen Ford Glen Campbell Frank Oz Sylvester Stallone John Ottman Donald Surherland Jerry Goldsmith David Mamet Elmer Bernstein Dick Miller Nancy Allen Tim Matheson Robert Zemeckis Bob Gale Our Stephen Bissette podcast episode Swamp Thing comic books Pino Donaggio Bernard Hermann The Twilight Zone TV series (1959-64) Bradley Cooper Clinton Shorter Kerry Washington James Cameron Christopher Nolan Omar Sy The Hollywood Bowl Bernardo Bertolucci Maria Schneider Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we discuss CLOSE ENCOUNTERS OF THE THIRD KINDS (on streaming rental). We deep dive into the movie, discuss listener feedback, review previous ladder connections and decide on our next connected cinematic rung (1:09:11). Submit your comments, rating and suggested connections for next week's movie to themovieladder@gmail.com.Connect with us on Letterboxd (@TheMovieLadder), Twitter (@LadderMovie) and Instagram (@laddermovie). Check out our Letterboxd watchlist to see all the movies suggested on this podcast. You can find us individually on Twitter (@FitzyBrendan and @brooksza) and Letterboxd (@FitzyBrendan and @brooksza). And join us for the Ladder Library Movie Challenge in 2026.

THE SECRET AGENT director Kleber Mendonça Filho joins hosts Josh Olson and Joe Dante to break down the movies that made him! Kleber is fresh off winning this year's Golden Globe for Best Foreign Language Film for THE SECRET AGENT this weekend. His film's star, Wagner Moura, also took home a Globe for Best Actor in a Motion Picture – Drama. Show Notes: Movies Referenced In This Episode Small Change (1976) The Secret Agent (2025) Bacurau (2019) *Walkabout (1973) *Wake in Fright (1971) The Right Stuff (1983) Don't Look Now (1973) Performance (1970) The Witches (1990) Close Encounters of the Third Kind (1977) Superman (1978) Star Wars (1977) Piranha (1978) *Fitzcarraldo (1982) Burden of Dreams (1982) Apocalypse Now (1979) The Blues Brothers (1980) Bad Lieutenant: Port of Call New Orleans (2009) Paris, Texas (1984) *The Beguiled (1971) The Beguiled (2017) Escape From Alcatraz (1979) *The Long Goodbye (1973) *Punch-Drunk Love (2002) McCabe and Mrs. Miller (1971) MASH (1970) Chinatown (1974) Boogie Nights (1997) Magnolia (1999) The Wedding Singer (1998) Happy Gilmore (1995) Assault on Precinct 13 (1975) Escape to Witch Mountain (1975) LA Plays Itself (2003) Pictures of Ghosts (2023) *Twenty Years Later (1984) The Big Shave (1967) The Longest Day (1962) Cleopatra (1963) Halloween (1978) La Jetée (1962) Green Vinyl (2004) *Gremlins (1984) *The Host (2006) E.T. The Extra-terrestrial (1982) Poltergeist (1982) The Texas Chainsaw Massacre (1974) Indiana Jones and the Temple of Doom (1984) *The Fly (1986) *Do The Right Thing (1989) Jungle Fever (1991) Other Notable Items Our Patreon! The Hollywood Food Coalition Francois Truffaut Wagner Moura Udo Kier The Lord of the Rings franchise Pedro Pascal Enzo Nunes Nicholas Roeg Ted Kotcheff Philip Kaufman The Criterion Collection TFH Guru Roger Corman Klaus Kinski Werner Herzog Nicolas Cage The Cologne Film Festival The French new wave Don Siegel Sofia Coppola Clint Eastwood Geraldine Page Paul Thomas Anderson Robert Altman Elliott Gould Jack Davis Mad Magazine Mark Rydell Roman Polanski Adam Sandler The Cannes Film Festival Columbia Pictures Philip Seymour Hoffman Robert Elswitt Emily Watson John Carpenter Kim Richards Scream franchise Eduardo Coutinho  João Pedro Teixeira Martin Scorsese The Vietnam War Bong Joon Ho Jerry Goldsmith Steven Spielberg Tobe Hooper Dick Miller Polly Holliday Phoebe Cates David Cronenberg Spike LeeThis list is also available on Movies Unlimited. Learn more about your ad choices. Visit megaphone.fm/adchoices

https://bbvproductions.co.uk/products/Faction-Paradox-The-Confession-of-Brother-Signet-AUDIO-DOWNLOAD-p389922366 The first season of the American science fiction horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen. This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things received critical acclaim, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and performances (particularly those of Ryder, Harbour, Wolfhard, Brown, Heaton and Modine). Premise The first season begins on November 6, 1983, in a small town called Hawkins. Researchers at Hawkins National Laboratory open a rift to the "Upside Down," an alternate dimension that reflects the real world. A monstrous humanoid creature escapes and abducts a boy named Will Byers and a teenage girl. Will's mother, Joyce, and the town's police chief, Jim Hopper, search for Will. At the same time, a young psychokinetic girl who goes by the name "Eleven" escapes from the laboratory and assists Will's friends, Mike Wheeler, Dustin Henderson, and Lucas Sinclair, in their efforts to find Will.[1] Cast and characters See also: List of Stranger Things characters Main cast Winona Ryder as Joyce Byers[2] David Harbour as Jim Hopper[2] Finn Wolfhard as Mike Wheeler[3] Millie Bobby Brown[3] as Eleven ("El") Gaten Matarazzo as Dustin Henderson[3] Caleb McLaughlin as Lucas Sinclair[3] Natalia Dyer as Nancy Wheeler[3] Charlie Heaton as Jonathan Byers[3][4][5] Cara Buono as Karen Wheeler[6] Matthew Modine as Martin Brenner[7] Recurring Noah Schnapp as Will Byers Joe Keery as Steve Harrington Shannon Purser as Barbara "Barb" Holland[8] Joe Chrest as Ted Wheeler Ross Partridge as Lonnie Byers[9] Rob Morgan as Officer Powell John Paul Reynolds as Officer Callahan Randy Havens as Scott Clarke Catherine Dyer as Connie Frazier Aimee Mullins as Terry Ives[10] Amy Seimetz as Becky Ives Peyton Wich as Troy[11] Tony Vaughn as Principal Coleman Charles Lawlor as Mr. Melvald Tinsley and Anniston Price as Holly Wheeler Cade Jones as James Chester Rushing as Tommy H. Chelsea Talmadge as Carol Glennellen Anderson as Nicole Cynthia Barrett as Marsha Holland Jerri Tubbs as Diane Hopper Elle Graham as Sara Hopper Chris Sullivan as Benny Hammond Tobias Jelinek as lead agent Robert Walker-Branchaud as repairman agent Susan Shalhoub Larkin as Florence ("Flo") Episodes See also: List of Stranger Things episodes No. overall No. in season Title Directed by Written by Original release date 1 1 "Chapter One: The Vanishing of Will Byers" The Duffer Brothers The Duffer Brothers July 15, 2016 On November 6, 1983, in Hawkins, Indiana, a scientist is attacked by an unseen creature at a U.S. government laboratory. 12-year-old Will Byers encounters the creature and mysteriously vanishes while cycling home from a Dungeons & Dragons session with his friends Mike Wheeler, Dustin Henderson and Lucas Sinclair. The following day, Will's single mother Joyce Byers reports his disappearance to the police chief Jim Hopper, who starts a search but assures Joyce that almost all missing children are quickly found. The lab's director, Dr. Martin Brenner, investigates an organic substance oozing from the lab's basement, claiming that "the girl" cannot have gone far. A nervous young girl wearing a hospital gown wanders into a local diner. The owner, Benny, finds a tattoo of "011" on her arm and learns that her name is Eleven. Brenner, monitoring the phone lines, sends agents to the diner after Benny calls social services. The agents kill Benny, but Eleven manages to escape using telekinetic abilities. Joyce's phone short circuits after receiving a mysterious phone call that she believes is from Will. While searching for Will in the woods, Mike, Dustin, and Lucas come across Eleven. 2 2 "Chapter Two: The Weirdo on Maple Street" The Duffer Brothers The Duffer Brothers July 15, 2016 The boys bring Eleven to Mike's house, where they disagree on what to do. Mike formulates a plan for Eleven to pretend to be a runaway and seek help from his mother, Karen. Eleven refuses, however, revealing that "bad men" are after her. Will's brother Jonathan visits his estranged father Lonnie in Indianapolis to search for Will, but Lonnie rebuffs him. Hopper's search party discovers a scrap of hospital gown near the lab. After recognizing Will in a photograph and demonstrating her telekinesis, Eleven convinces the boys to trust her, as they believe she can find Will. Using the Dungeons & Dragons board, Eleven indicates that Will is on the "Upside Down" side of the board and is being hunted by the "Demogorgon" (the creature). Mike's sister Nancy and her friend Barbara 'Barb' Holland go to a party with Nancy's boyfriend Steve Harrington. Searching for Will near Steve's house, Jonathan secretly photographs the party. Joyce receives another call from Will, hears music playing from his stereo, and sees a creature coming through the wall. Left alone by the swimming pool, Barb is attacked by the Demogorgon and vanishes. 3 3 "Chapter Three: Holly, Jolly" Shawn Levy Jessica Mecklenburg July 15, 2016 Barb awakens in the Upside Down: a decaying, overgrown alternate dimension. She attempts to escape but is attacked by the Demogorgon. Joyce believes Will is communicating through pulses in light bulbs. Hopper visits Hawkins Lab, and the staff permits him to view doctored security footage from the night Will vanished, leading Hopper to investigate Brenner and discover his involvement with Project MKUltra and that a woman named Terry Ives alleged years earlier that Brenner took her daughter. Eleven recalls Brenner, whom she calls "Papa," punishing her for refusing to hurt a cat telekinetically. Steve destroys Jonathan's camera after discovering the photos from the party. Nancy later recovers a photo of Barb, simultaneously realizing that Barb is missing. Returning to Steve's house to investigate, Nancy finds Barb's untouched Volkswagen and encounters the Demogorgon but manages to escape. Joyce paints an alphabetic board on her wall with Christmas lights, allowing Will to sign to her that he is "RIGHT HERE" and that she needs to "RUN" as the Demogorgon comes through the wall. Believing Eleven knows where Will is, the boys ask her to lead them to him. Eleven leads them, to their frustration, to Will's house. From there they follow emergency vehicles to a nearby quarry just as Will's body is recovered from the water. 4 4 "Chapter Four: The Body" Shawn Levy Justin Doble July 15, 2016 Joyce refuses to believe that the body found at the quarry is Will's. Mike feels betrayed by Eleven until she proves that Will is still alive, channeling his voice through Mike's walkie-talkie. The boys theorize that Eleven could use a ham radio at their school to communicate with Will. Nancy notices a figure behind Barb in Jonathan's photo, which Jonathan realizes matches his mother's description of the Demogorgon. Nancy tells the police about Barb's disappearance. She later fights with Steve, who only cares about not getting in trouble with his father. Hopper has suspicions regarding the authenticity of the body found in the quarry when he learns that the usual coroner was sent home. Hopper confronts the state trooper who found it and beats him until he admits he was ordered to lie. The boys sneak Eleven into their school to use the radio, while Joyce hears Will's voice through her living room wall. Tearing away the wallpaper, she sees him. Eleven uses the radio to channel Will talking to his mother. Hopper goes to the morgue and finds that the body is a fake, and, suspecting that Brenner is responsible, breaks into the lab. 5 5 "Chapter Five: The Flea and the Acrobat" The Duffer Brothers Alison Tatlock July 15, 2016 Hopper searches the lab before being knocked out by the lab's guards. The boys ask their science teacher, Mr. Clarke, if it would be possible to travel between alternate dimensions, to which he answers that there could be a theoretical "gate" between dimensions. Hopper awakens at his house and finds a hidden microphone, realizing that Joyce was right the whole time. The boys follow their compasses, searching for a gate that could disrupt the Earth's electromagnetic field. Eleven recalls memories of being placed in a sensory-deprivation tank to telepathically eavesdrop on a man speaking Russian; while listening, she came across the Demogorgon. Fearing another encounter with the Demogorgon, Eleven redirects the compasses. Lucas misinterprets this as an act of betrayal, leading Mike and Lucas to fight and Eleven to telekinetically fling Lucas away from Mike. While Dustin and Mike tend to the unconscious Lucas, Eleven runs off. Nancy and Jonathan formulate a plan to kill the Demogorgon. While searching in the woods, they come across a small gate to the Upside Down. Nancy crawls through it but inadvertently draws the Demogorgon's attention. Jonathan unsuccessfully tries to look for Nancy, as the gate to the Upside Down begins to close. 6 6 "Chapter Six: The Monster" The Duffer Brothers Jessie Nickson-Lopez July 15, 2016 Jonathan pulls Nancy back through the gate. That night, Nancy is afraid to be alone and asks Jonathan to stay in her bedroom. Steve, attempting to reconcile with Nancy, sees them together through her bedroom window and assumes they are dating. Joyce and Hopper track down Terry Ives, who is catatonic and tended by her sister Becky. Becky explains that Terry was a Project MKUltra participant while unknowingly pregnant and that Terry believes Brenner kidnapped her daughter Jane at birth due to her supposed telekinetic and telepathic abilities. Nancy and Jonathan stockpile weapons to kill the Demogorgon, theorizing that it is attracted by blood. Steve is brutally beaten up in a fistfight with Jonathan after he insults Will and calls Nancy a slut. Jonathan is arrested and held at the police station for beating up Steve and inadvertently punching one of the responding officers in the face. Eleven walks into a grocery store and shoplifts several boxes of Eggo waffles. Searching for Eleven, Mike and Dustin are ambushed by two bullies but are rescued by her, as she uses her powers to break one bully's arm after he attempts to kill Mike. Eleven collapses and recalls being asked by Brenner to contact the Demogorgon and, in her terror, inadvertently opening the gate. She tearfully admits to Mike that she is responsible for allowing the Demogorgon to enter this dimension. Lucas sees agents, who have tracked down Eleven, preparing to ambush Mike's house. 7 7 "Chapter Seven: The Bathtub" The Duffer Brothers Justin Doble July 15, 2016 Lucas warns Mike that agents are searching for Eleven. Mike, Dustin, and Eleven flee the house. Eleven telekinetically flips one of the vans that block their path as the kids escape. Lucas reconciles with Mike and Eleven, and the kids hide in the junkyard. Nancy and Jonathan reveal their knowledge of the Demogorgon to Joyce and Hopper. Hopper also learns that Eleven is with the kids. The group contacts the kids, and everyone meets at the Byers' house. Joyce and Hopper realize that Eleven is Jane Ives. The group asks Eleven to search for Will and Barb telepathically, but her earlier feats have weakened her. They break into the middle school and build a makeshift sensory deprivation tank to amplify Eleven's powers. After telepathically entering the Upside Down again, Eleven finds Barb dead and Will alive, hiding in the Upside Down version of his backyard fort. Realizing that the gate is in the basement of the lab, Hopper and Joyce break into the lab and are apprehended by security guards. Nancy and Jonathan sneak into the police station to retrieve the weapons they purchased previously, planning to lure and kill the Demogorgon. In the Upside Down, the Demogorgon breaks into Will's fort. 8 8 "Chapter Eight: The Upside Down" The Duffer Brothers Story by : Paul Dichter Teleplay by : The Duffer Brothers July 15, 2016 Hopper, haunted by the death of his daughter Sara from cancer years earlier, gives up Eleven's location to Brenner, who in exchange allows Hopper and Joyce to enter the Upside Down to rescue Will. Nancy and Jonathan cut their hands to attract the Demogorgon at the Byers' house. Steve, intending to apologize to Jonathan about their fight, arrives just as the Demogorgon appears. Steve, Nancy, and Jonathan fight the Demogorgon and light it on fire, forcing it to retreat to the Upside Down. Meanwhile, Eleven and the boys hide in the middle school when Brenner and his agents arrive to kidnap Eleven; she kills most of them before collapsing from exhaustion. As Brenner and his remaining agents pin Eleven and the boys down, the Demogorgon appears, attracted by the dead agents' blood, and attacks Brenner and the remaining agents as the boys escape with Eleven. Hopper and Joyce enter the Upside Down's version of the Hawkins library, where they encounter several corpses of the Demogorgon's victims, including Barb, and find Will unconscious with a tendril down his throat. Hopper revives him using CPR after removing the tendril. The Demogorgon corners the kids, but Eleven recovers from her exhaustion and disintegrates it, causing them both to disappear. Will recovers in the hospital, reuniting with his family and friends. One month later, it is Christmas and Nancy is back together with Steve, and both are friends with Jonathan. Will coughs up a slug-like creature and has a vision of the Upside Down, but hides this from his family. Production Development Ross (left) and Matt Duffer, the creators of the series Stranger Things was created by Matt and Ross Duffer, known professionally as the Duffer Brothers.[12] The two had completed writing and producing their 2015 film Hidden, which they had tried to emulate the style of M. Night Shyamalan, however, due to changes at Warner Bros., its distributor, the film did not see a wide release and the Duffers were unsure of their future.[13] To their surprise, television producer Donald De Line approached them, impressed with Hidden's script, and offered them the opportunity to work on episodes of Wayward Pines alongside Shyamalan. The brothers were mentored by Shyamalan during the episode's production so that when they finished, they felt they were ready to produce their own television series.[14] The Duffer Brothers prepared a script that would essentially be similar to the series' actual pilot episode, along with a 20-page pitch book to help shop the series around for a network.[15] They pitched the story to a number of cable networks, all of which rejected the script on the basis that they felt a plot centered around children as leading characters would not work, asking them to make it a children's show or to drop the children and focus on Hopper's investigation in the paranormal.[14] In early 2015, Dan Cohen, the VP of 21 Laps Entertainment, brought the script to his colleague Shawn Levy. They subsequently invited The Duffer Brothers to their office and purchased the rights for the series, giving full authorship of it to the brothers. After reading the pilot, the streaming service Netflix purchased the whole season for an undisclosed amount;[16] the show was subsequently announced for a planned 2016 release by Netflix in early April 2015.[17] The Duffer Brothers stated that at the time they had pitched to Netflix, the service had already been recognized for its original programming, such as House of Cards and Orange Is the New Black, with well-recognized producers behind them, and were ready to start giving upcoming producers like them a chance.[15] The brothers started to write out the series and brought Levy and Cohen in as executive producers to start casting and filming.[18] The series was originally known as Montauk, as the setting of the script was in Montauk, New York and nearby Long Beach locations.[17][19] The brothers had chosen Montauk as it had further Spielberg ties with the film Jaws, where Montauk was used for the fictional setting of Amity Island.[20] After deciding to change the narrative of the series to take place in the fictional town of Hawkins instead, the brothers felt they could now do things to the town, such as placing it under quarantine, that they really could not envision with a real location.[20] With the change in location, they had to come up with a new title for the series under the direction from Netflix's Ted Sarandos so that they could start marketing it to the public. The brothers started by using a copy of Stephen King's Firestarter novel to consider the title's font and appearance and came up with a long list of potential alternatives. Stranger Things came about as it sounded similar to another King novel, Needful Things, though Matt noted they still had a "lot of heated arguments" over this final title.[21] Writing The idea of Stranger Things started with how the brothers felt they could take the concept of the 2013 film Prisoners, detailing the moral struggles a father goes through when his daughter is kidnapped, and expand it out over eight or so hours in a serialized television approach. As they focused on the missing child aspect of the story, they wanted to introduce the idea of "childlike sensibilities" they could offer and toyed around with the idea of a monster that could consume humans. The brothers thought the combination of these things "was the best thing ever". To introduce this monster into the narrative, they considered "bizarre experiments we had read about taking place in the Cold War" such as Project MKUltra, which gave a way to ground the monster's existence in science rather than something spiritual. This also helped them to decide on using 1983 as the time period, as it was a year before the film Red Dawn came out, which focused on Cold War paranoia.[14] Subsequently, they were able to use all their own personal inspirations from the 1980s, the decade they were born, as elements of the series,[14][22] crafting it in the realm of science fiction and horror.[23] The Duffer Brothers have cited as influence for the show (among others): Stephen King novels; films produced by Steven Spielberg, John Carpenter, Wes Craven, Robert Zemeckis, George Lucas and Guillermo del Toro; films such as Alien and Stand by Me; Japanese anime such as Akira and Elfen Lied; and video games such as Silent Hill and The Last of Us.[21][24][25][26][27][28][29][30][31] With Netflix as the platform, The Duffer Brothers were not limited to a typical 22-episode format, opting for the eight-episode approach. They had been concerned that a 22-episode season on broadcast television would be difficult to "tell a cinematic story" with that many episodes. Eight episodes allowed them to give time to characterization in addition to narrative development; if they had less time available, they would have had to remain committed to telling a horror film as soon as the monster was introduced and abandon the characterization.[15] Within the eight episodes, the brothers aimed to make the first season "feel like a big movie" with all the major plot lines completed so that "the audience feels satisfied", but left enough unresolved to indicate "there's a bigger mythology, and there's a lot of dangling threads at the end", something that could be explored in further seasons if Netflix opted to create more.[32] While explaining their intentions for the show, the Duffers adamantly stated their intentions to not explain the mythology in the show so they could leave a mystery and lot for the audience to speculate over their lack of understanding by the season finale, which they accepted but asked to be explained about at the very least, which they found like a really good exercise as they spent quite a bit of time with their writers' room figuring out exactly what the Upside Down would actually consist for, writing a 20-page mythology document whose details wouldn't be clarified for the audience until the show's fifth and final season.[33] Regarding writing for the children characters of the series, The Duffer Brothers considered themselves as outcasts from other students while in high school and thus found it easy to write for Mike Wheeler and his friends, and particularly for Barbara "Barb" Holland.[21] Joyce Byers was fashioned after Richard Dreyfuss's character Roy Neary in Close Encounters of the Third Kind, as she appears "absolutely bonkers" to everyone else as she tries to find her son Will Byers.[34] Other characters, such as Billy in the second season, have more villainous attributes that are not necessarily obvious from the onset; Matt explained that they took further inspiration from Stephen King for these characters, as King "always has really great human villains" that may be more malicious than the supernatural evil.[35] Casting The Duffers cast David Harbour as Sheriff Hopper believing this was his opportunity to play a lead character in a work. In June 2015, it was announced that Winona Ryder and David Harbour had joined the series as Joyce and as the unnamed chief of police, respectively.[2] The brothers' casting director Carmen Cuba had suggested Ryder for the role of Joyce, which the two were immediately drawn to because of her prominence in 1980s films.[14] Levy believed Ryder could "wretch up the emotional urgency and yet find layers and nuance and different sides of [Joyce]". Ryder praised that the show's multiple storylines required her to act for Joyce as "she's out of her mind, but she's actually kind of onto something", and that the producers had faith she could pull off the difficult role.[36] Upon being offered the role, Ryder felt intrigued at being given the pilot's script due to know knowing what streaming was and finding it "terrifying", with her sole condition to the Duffers for accepting the role being that, if a Beetlejuice sequel ever materialized as she and Tim Burton had been discussing since 2000, they had to let her take a break to shoot it, a condition the Duffers agreed and ultimately proved to work out when Beetlejuice Beetlejuice was greenlighted years later.[37] The Duffer Brothers had been interested in Harbour before, who until Stranger Things primarily had smaller roles as villainous characters, and they felt that he had been "waiting too long for this opportunity" to play a lead, while Harbour himself was thrilled by the script and the chance to play "a broken, flawed, anti-hero character".[21][38] Additional casting followed two months later with Finn Wolfhard as Mike, Millie Bobby Brown in an undisclosed role, Gaten Matarazzo as Dustin Henderson, Caleb McLaughlin as Lucas Sinclair, Natalia Dyer as Nancy Wheeler, and Charlie Heaton as Jonathan Byers]].[3] In September 2015, Cara Buono joined the cast as Karen Wheeler,[6] followed by Matthew Modine as Martin Brenner a month later.[7] Additional cast who recur for the first season include Noah Schnapp as Will,[3][5] Shannon Purser as Barbara "Barb" Holland,[8] Joe Keery as Steve Harrington,[39][5] and Ross Partridge as Lonnie Byers,[9] among others. Actors auditioning for the children's roles read lines from Stand By Me.[14] The Duffer Brothers estimated they went through about a thousand different child actors for the roles. They noted that Wolfhard was already "a movie buff" of the films from the 1980s period and easily filled the role, while they found Matarazzo's audition to be much more authentic than most of the other audition tapes, and selected him after a single viewing of his audition tape.[15] As casting was started immediately after Netflix greenlit the show, and prior to the scripts being fully completed, this allowed some of the actors' takes on the roles to reflect into the script. The casting of the young actors for Will and his friends had been done just after the first script was completed, and subsequent scripts incorporated aspects from these actors.[32] The brothers said Modine provided significant input on the character of Dr. Brenner, whom they had not really fleshed out before as they considered him the hardest character to write for given his limited appearances within the narrative.[34] Filming The brothers had desired to film the series around the Long Island area to match the initial Montauk concept. However, with filming scheduled to take place in November 2015, it was difficult to shoot in Long Island in the cold weather, and the production started scouting locations in and around the Atlanta, Georgia area. The brothers, who grew up in North Carolina, found many places that reminded them of their own childhoods in that area, and felt the area would work well with the narrative shift to the fictional town of Hawkins, Indiana.[20] The filming of the first season began on September 25, 2015, and was extensively done in Atlanta, Georgia, with The Duffer Brothers and Levy handling the direction of individual episodes.[40] Jackson served as the basis of the fictional town of Hawkins, Indiana.[41][42] Other shooting locations included the Georgia Mental Health Institute as the Hawkins National Laboratory site, Bellwood Quarry, Patrick Henry High School in Stockbridge, Georgia, for the middle and high school scenes,[43] Emory University's Continuing Education Department, the former city hall in Douglasville, Georgia, Georgia International Horse Park, the probate court in Butts County, Georgia, Old East Point Library and East Point First Baptist Church in East Point, Georgia, Fayetteville, Georgia, Stone Mountain Park, Palmetto, Georgia, and Winston, Georgia.[44] Set work was done at Screen Gem Studios in Atlanta.[44] The series was filmed with a Red Dragon digital camera.[34] Filming for the first season concluded in early 2016.[41] While filming, the brothers tried to capture shots that could be seen as homages to many of the 1980s references they recalled. Their goal was not necessarily to fill the work with these references, but instead to make the series seem to the viewer like a 1980s film.[21] They spent little time reviewing those works and instead went by memory. Matt further recognized that some of their filming homages were not purposely done but were found to be very comparable, as highlighted by a fan-made video comparing the show to several 1980s works side by side.[14][45] Matt commented on the video that "Some were deliberate and some were subconscious."[14] The brothers recognized that many of the iconic scenes from these 1980s films, such as with Poltergeist, was about "taking a very ordinary object that people deal with every day, their television set, and imbuing it with something otherworldly", leading to the idea of using the Christmas light strings for Will to communicate with Joyce.[21] The brothers attributed much of the 1980s feel to set and costume designers and the soundtrack composers that helped to recreate the era for them.[14] Lynda Reiss, the head of props, had about a $220,000 budget, similar to most films, to acquire artifacts of the 1980s, using eBay and searching through flea markets and estate sales around the Atlanta area. The bulk of the props were original items from the 1980s with only a few pieces, such as the Dungeons & Dragons books made as replicas.[46] Visual effects To create the aged effect for the series, a film grain was added over the footage, which was captured by scanning in film stock from the 1980s.[34] The Duffers wanted to scare the audience, but not to necessarily make the show violent or gory, following in line with how the 1980s Amblin Entertainment films drove the creation of the PG-13 movie rating. It was "much more about mood and atmosphere and suspense and dread than they are about gore", though they were not afraid to push into more scary elements, particularly towards the end of the first season.[34] The brothers had wanted to avoid any computer-generated effects for the monster and other parts of the series and stay with practical effects. However, the six-month filming time left them little time to plan out and test practical effects rigs for some of the shots. They went with a middle ground of using constructed props including one for the monster whenever they could, but for other shots, such as when the monster bursts through a wall, they opted to use digital effects. Post-production on the first season was completed the week before it was released on Netflix.[14] The title sequence uses closeups of the letters in the Stranger Things title with a red tint against a black background as they slide into place within the title. The sequence was created by the studio Imaginary Forces, formerly part of R/GA, led by creative director Michelle Doughtey.[47] Levy introduced the studio to The Duffer Brothers, who explained their vision of the 1980s-inspired show, which helped the studio to fix the concept the producers wanted. Later, but prior to filming, the producers sent Imaginary Forces the pilot script, the synth-heavy background music for the titles, as well as the various book covers from King and other authors that they had used to establish the title and imagery, and were looking for a similar approach for the show's titles, primarily using a typographical sequence. They took inspiration from several title sequences of works from the 1980s that were previously designed by Richard Greenberg under R/GA, such as Altered States and The Dead Zone. They also got input from Dan Perri, who worked on the title credits of several 1980s films. Various iterations included having letters vanish, to reflect the "missing" theme of the show, and having letters cast shadows on others, alluding to the mysteries, before settling into the sliding letters. The studio began working on the title sequence before filming and took about a month off during the filming process to let the producers get immersed in the show and come back with more input. Initially, they had been working with various fonts for the title and used close-ups of the best features of these fonts, but near the end the producers wanted to work with ITC Benguiat, requiring them to rework those shots. The final sequence is fully computer-generated, but they took inspiration from testing some practical effects, such as using Kodalith masks as would have been done in the 1980s, to develop the appropriate filters for the rendering software. The individual episode title cards used a "fly-through" approach, similar to the film Bullitt, which the producers had suggested to the studio.[48] Music Main articles: Music of Stranger Things and Stranger Things (soundtrack) The Stranger Things original soundtrack was composed by Michael Stein and Kyle Dixon of the electronic band Survive.[49] It makes extensive use of synthesizers in homage to 1980s artists and film composers including Jean-Michel Jarre, Tangerine Dream, Vangelis, Goblin, John Carpenter, Giorgio Moroder, and Fabio Frizzi.[50] According to Stein and Dixon, The Duffer Brothers had been fans of Survive's music, and used their song "Dirge" for the mock trailer that was used to sell the show to Netflix.[49][51] Once the show was green-lit, the Duffers contacted Survive around July 2015 to ask if they were still doing music; the two provided the production team with dozens of songs from their band's past to gain their interest, helping to land them the role.[49] Once aboard, the two worked with producers to select some of their older music to rework for the show, while developing new music, principally with character motifs.[51] The two had been hired before the casting process, so their motif demos were used and played over the actors' audition tapes, aiding in the casting selection.[51][52] The show's theme is based on an unused work Stein composed much earlier that ended up in the library of work they shared with the production staff, who thought that with some reworking would be good for the opening credits.[49] The first season's original soundtrack, consisting of 75 songs from Dixon and Stein split across two volumes, was released by Lakeshore Records. Digital release and streaming options were released on August 10 and 19, 2016 for the two volumes, respectively, while retail versions were available on September 16 and 23, 2016.[53][54] In addition to original music, Stranger Things features period music from artists including The Clash, Toto, New Order, The Bangles, Foreigner, Echo and the Bunnymen, Peter Gabriel and Corey Hart, as well as excerpts from Tangerine Dream, John Carpenter and Vangelis.[54][55] In particular, The Clash's "Should I Stay or Should I Go" was specifically picked to play at pivotal moments of the story, such as when Will is trying to communicate with Joyce from the Upside Down.[54] Music supervisor Nora Felder felt the song "furthered the story" and called it an additional, unseen, main character of the season.[56]

Dr. Jacques Vallée seems to have a talent for being in the right place at the right time. He was a newcomer at a French observatory when he saw evidence of a UFO incident being tossed aside, and it ignited a lifelong interest in the phenomenon. He was at Northwestern University working on a precursor version of what evolved into the internet, earned his PhD in what we now know as artificial intelligence. And he was on the ground in Silicon Valley, guiding investments in companies and ideas that revolutionized modern technology. Throughout the different phases of his life, he's maintained an abiding interest in the UFO mystery. His work inspired the Lacombe character in Steven Spielberg's monumental film Close Encounters of the Third Kind. Vallée worked hand in hand with Dr. J. Allen Hynek during and after the infamous Project Blue Book program, has written the most influential books in the history of the UFO subject, was directly involved with research that led to classified projects to train remote viewers, and later had an essential role in Robert Bigelow's groundbreaking organization (NIDS) as well as the DIA's classified investigation AAWSAP. So, what is he focusing on these days? Is a form of disclosure on the way? Can Congress force the secret keepers to divulge what they know? Vallée has acknowledged that UFO crashes are real, as are crash retrieval operations, but where are the retrieved articles stored and studied, including the Trinity craft he spent years investigating? In this wide-ranging interview, Jeremy and George ask Ufology's most serious thinker and writer to address the thorniest issues now facing Congress, the public, and science itself in trying to understand the multiple layers of secrecy and confusion that continue to befuddle scientists, governments, and everyone with a serious interest in figuring out the truth. Dr. Vallée also describes the most significant roadblocks that remain today, and offers advice on how we might move forward. The conversation is long, complex, and serious, much like Vallée himself. GOT A TIP? Reach out to us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WeaponizedPodcast@Proton.me⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ••• Watch Corbell's six-part UFO docuseries titled UFO REVOLUTION on TUBI here : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tubitv.com/series/300002259/tmz-presents-ufo-revolution/season-2⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch Knapp's six-part UFO docuseries titled INVESTIGATION ALIEN on NETFLIX here : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://netflix.com/title/81674441⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ••• You can now watch all of Corbell's movies for free on YouTube here : BOB LAZAR : AREA 51 & FLYING SAUCERS https://youtu.be/sZaE5rIavVA HUNT FOR THE SKINWALKER https://youtu.be/TczkJ6UAQ8A PATIENT SEVENTEEN https://youtu.be/gDVX0kRqXxE ••• For breaking news, follow Corbell & Knapp on all social media. Extras and bonuses from the episode can be found at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠WeaponizedPodcast.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Table of Contents: STRATEGIC WARFARE PRAYER Listener Comment: You were right about the “Alien Agenda” Lie Steven Spielberg drops trailer for UFO thriller ‘Disclosure Day’ revealing humanity’s first contact with aliens–Director Steven Spielberg, the visionary behind ‘E.T.’ and ‘Close Encounters of the Third Kind,’ has returned to the big screen with his latest project, ‘Disclosure Day’  Disclosure Day Movie: Predictive Programming or Preparation for What’s Coming? The Truth Is Out There! Trump Knows About Extraterrestrial Life Forms … Says ‘The Age of Disclosure’ Director  Trump UFO Bombshell Incoming? Documentary filmmaker Dan Farah has boldly predicted that President Trump could be the first world leader to spill the beans on UFOs, dropping a “major announcement” about non-human tech and extraterrestrial intel—Farah made the claim on Joe Rogan's podcast while promoting his new documentary titled The Age of Disclosure Trump Predicted to Reveal FULL DISCLOSURE! The Great Deception and Big Show Goes Into Motion–That’s coming from Dan Farah, who directed the newly released documentary “The Age Of Disclosure,” which deals with what he views as a wide-ranging government cover-up of the existence of aliens … or to reveal, The Fallen Have Been Here The Entire Time! Trump UFO disclosure predicted to come in just DAYS after mysterious ‘insider’ tip: 3I ATLAS TO MAKE ITS CLOSEST APPROACH TO EARTH ON THURSDAY, COINCIDENCE?  President George HW Bush ‘knew' of 1964 alien contact with humans in New Mexico: documentary “We’ve found massive underwater UFO bases and I want answers” Congressman Tim Burchette The “Strong Delusion” is Here!–This information is becoming more mainstream by the day: JP says “We Are Not Alone”: The Files of a US Army UFO Discloser on Redacted w Clayton Morris—JP is coming forward for the time to a national audience. He claims to have been involved in some of America’s most covert UFO Secret Space Programs including classified under water alien bases, America’s deep collaboration with aliens, med beds, stargates, the moon base, and much more. 3I/ATLAS Sparks Largest Planetary Defense Drill in History as It Approaches Earth Anything But God?: Scientists ‘Seriously Asking' If Life On Earth Was ‘Seeded By Aliens': MAKE NO MISTAKE, VERY SOON THERE WILL BE A CHALLENGE TO EVERYTHING WE BELIEVE, THE DEVIL MUST CORRUPT THE TRUTH  See Scott Johnson's Teachings: Emergency Freedom Alerts: 11-16-20-Part 2 Table of Contents: …Great Reset Exposed & the Coming Alien & Panspermia / Ancient Astronaut Theory Deception–Listen to Scott Johnson's Teachings: The “Ancient Astronaut” Lie: The Shocking Origin of the “Intelligent Design” Theory & The Intelligent Design LIE & The “Ancient Astronaut” Lie: The Shocking Origin of the “Intelligent Design” Theory December 28, 2007 PDF: Emergency Freedom Alerts 12-22-25 Click Here To Play The Audio Source

This week on the Exciting & New podcast, Andy and Dana welcome Connor back to the show to discuss the 1977 sci-fi masterpiece Close Encounters of the Third Kind.  Jason couldn't make this one due to Covid (remember Covid?) but wanted us to carry on without him.  In this Speilberg classic, the dude from Jaws sees UFOs and totally goes off the deep in in pursuit of them.  Mrs Mr Mom is his not very understand wife and Ralphie's mom is there to pick up the pieces.  We all know the music, and you probably already know if you like this one or not, but we dive deep into all the fun facts that made this movie a blockbuster in 1977 and allowed a directors cut in 1980 which cut out the famous scene of Roy collecting material to build his own Devil's Tower.   Bad cut Steven!  Enjoy the pod.Jason, Andy and Dana will discuss a 1985 movie weekly, breaking down all the nonsense there within. The 3 hosts all work together and everyone else around them was getting really annoyed at all the movie talk, so they decided to annoy the world in podcast form.Check out previous seasons to hear them discuss 1982, 1983 & 1984 movies, as well as a full season of Love Boat episodes (if that is your thing). Plus one-off specials and a weekly mini "what are we watching" podcast.#jezoo74 #aegonzo1 #danacapoferri #exciting_new

Andy, Dana and Connor discuss what they were up to this week.  Close Encounters of the Third Kind is coming this Sunday.Jason, Andy and Dana will discuss a 1985 movie weekly, breaking down all the nonsense there within. The 3 hosts all work together and everyone else around them was getting really annoyed at all the movie talk, so they decided to annoy the world in podcast form.Check out previous seasons to hear them discuss 1982, 1983 & 1984 movies, as well as a full season of Love Boat episodes (if that is your thing). Plus one-off specials and a weekly mini "what are we watching" podcast.#jezoo74 #aegonzo1 #danacapoferri #exciting_new

What if the Grey aliens abducting humans aren't exploring our world, but desperately parasitizing our species in a failed attempt to steal the one thing their advanced technology can never replicate—an immortal soul?IN THIS EPISODE: We've all been exposed to the concept of the grey aliens – made popular in numerous TV shows and films. From Steven Spielberg's “Close Encounters of the Third Kind”, to TV's “Stargate SG-1” they are seen as harmless, even friendly. But then there are the darker stories such as the true account of the abduction of Barney and Betty Hill, or the film “Fire In The Sky” telling of the true kidnapping of Travis Walton into a strange spacecraft – with both stories telling of strange and terrifying experiments being done to the abductees by the grey humanoids. But could that latter category of stories be even more sinister? Could the Greys be, in fact, harvesting our humanity… and possibly even our souls? (The Parasitic Greys) *** Over the years, hundreds of people online have shared memories of a cheesy Nineties movie called “Shazaam”. There is no evidence that such a film was ever made. What does this tell us about the quirks of collective memory? (The Non-Existent Film The Internet Insists Is Real) *** While the Loch Ness Monster, or “Nessie” is a worldwide celebrity, she has a distant cousin in America that doesn't get the same kind of press – although she probably should. Have you heard of Lake Erie's “Bessie”? (The Legendary Leviathan of Lake Erie)CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = The Abduction of Travis Walton00:03:30.325 = Show Open00:05:48.594 = The Parasitic Greys00:36:24.119 = ***The Non-Existent Film The Internet Insists Is Real00:51:26.241 = ***The Legendary Leviathan of Lake Erie00:57:03.719 = Show Close*** = Begins immediately after inserted ad breakSOURCES and RESOURCES:“The Abduction of Travis Walton” by Lee Speigel for the Huffington Post: https://weirddarkness.tiny.us/vd7v6xp3“The Parasitic Greys” from New Dawn Magazine: https://weirddarkness.tiny.us/3auj26fa (© Copyright New Dawn Magazine, www.newdawnmagazine.com. Permission granted to freely distribute this article for non-commercial purposes if unedited and copied in full, including this notice.)“The Non-Existent Film The Internet Insists Is Real” by Amelia Tait for New Statesman: https://weirddarkness.tiny.us/phpf3tcz“The Legendary Leviathan of Lake Erie” by Molly Fosco for Ozy: https://weirddarkness.tiny.us/bu7bj4e8=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: March 27, 2021EPISODE PAGE (includes sources): https://weirddarkness.com/GreyAlienAgendaABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#WeirdDarkness #TravisWalton #AlienAbduction #GreyAliens #UFOEncounters #AlienConspiracy #ParanormalPodcast #FireInTheSky #UnexplainedMysteries #AlienExperiments

Discover how Dolby Stereo revolutionised film sound. This episode explores its origins, its breakthrough films, and the hidden matrix magic that reshaped Hollywood and home cinema alike.Recommended films to listen too:Early & Landmark 70mm Six-Track Dolby Stereo:A Star Is Born (1976) – first commercial six-track Dolby releaseLogan's Run (1976)Star Wars (1977) – legendary 70mm mixClose Encounters of the Third Kind (1977)Superman: The Movie (1978)Apocalypse Now (1979) – groundbreaking, experimental sound designClassic 35mm Dolby Stereo (Matrix Lt/Rt):Alien (1979) – atmospheric, tense use of surroundsThe Empire Strikes Back (1980)Raiders of the Lost Ark (1981)Blade Runner (1982)E.T. the Extra-Terrestrial (1982)Ghostbusters (1984)Back to the Future (1985)Late-Era Dolby Stereo Highlights:The Fugitive (1993)The Lion King (1994) – superb theatrical mixToy Story (1995) – one of the final major Dolby Stereo flagships

Vince Gilligan's new show, “Pluribus,” opens with an unconventional apocalypse. A benevolent alien hive mind descends on Earth, commandeering the bodies of all but a handful of people who appear to be immune, including a curmudgeonly writer named Carol Sturka. Though the world that the “joined” are building seems ideal—no more crime, efficient resource distribution, an end to discrimination—it doesn't leave much room for Carol's messy humanity. Is it worth it? On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss “Pluribus” and other perfect societies imagined and enacted by artists and thinkers, from Thomas More's 1516 satire, “Utopia,” to the Shaker movement and beyond. They reflect on why these experiments have rarely held up to scrutiny or benefitted more than a select few, and why we keep coming back to them anyway. “I'm not the most optimistic person,” Fry says. “But if you're stuck in pessimistic, dystopic thinking, are you foreclosing on greater promise or greater potential of imagination?” Read, watch, and listen with the critics:“Pluribus” (2025–)“Breaking Bad” (2008-13)“Better Call Saul” (2015-22)“The X-Files” (1993-2002)“The Giver,” by Lois Lowry“Utopia,” by Thomas More“Les Guérillères,” by Monique Wittig “Close Encounters of the Third Kind” (1977)“The Testament of Ann Lee” (2025)“The Hunger Games,” by Suzanne Collins“Utopia for Realists,” by Rutger Bregman“Ragtime” (1996)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Please help us improve New Yorker podcasts by filling out our listener survey: https://panel2058.na2.panelpulse.com/c/a/661hs4tSRdw2yB2dvjFyyw Learn about your ad choices: dovetail.prx.org/ad-choices

Today we mark the anniversary of one of cinema's most iconic journeys beyond the stars. Stephen Spielberg's "Close Encounters of the Third Kind" was released this week in 1977. A film that didn't just entertain, it inspired. It made us look up at the night sky a little differently, and wonder what, or who, might be out there. But for some, the encounter wasn't just on the big screen. Our guest today is a witness. Years ago in a quiet corner of America, she saw something in the sky that changed her life. Lights, silence, a presence, a real close encounter. And she's sharing her story for the first time in a long time. So dim the lights.  Keep your eyes on the stars and prepare to listen with more than just your ears.

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score. Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, SupermanJoin host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time.For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, ⁠become a Patreon supporter of the podcast⁠ today.Episode CreditsHost: ⁠Eric Rezsnyak⁠Panelists: ⁠Amma Marfo⁠, ⁠Derek Mekita⁠, ⁠Kate Racculia⁠ Producer: ⁠Bob Erlenback⁠ Editor: John HigginsTheme Music: “Dance to My Tune” by Marc Torch#johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenaceIG: https://www.instagram.com/greatpopculturedebate/Bluesky: https://bsky.app/profile/gpcd.bsky.socialWebsite: https://www.greatpopculturedebate.com/Patreon: https://www.patreon.com/greatpopculturedebateSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

For the past 50 years, composer John Williams has arguably been the defining sound of cinema. Although he began composing music for TV and film in the 1950s, it wouldn't be until the 1970s that he broke big, thanks to that iconic soundtrack to Stephen Spielberg's Jaws. From there he would go on to provide the music for a slew of Hollywood's biggest blockbusters, and most poignant films, as well as recognizable anthems for pop-culture mainstays like the Olympic Games and NBC Nightly News. John Williams is an American icon, and a definitive creator in film and music. So join the Great Pop Culture Debate as we attempt to name the Best John Williams Film Score.  Scores discussed: Jaws, Saving Private Ryan, Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, Raiders of the Lost Ark, Hook, Return of the Jedi, The Empire Strikes Back, Jurassic Park, Star Wars Episode I: The Phantom Menace, Harry Potter and the Sorcerer's Stone, Home Alone, Star Wars, Indiana Jones and the Last Crusade, Schindler's List, Superman Join host Eric Rezsnyak and panelists Amma Marfo, Derek Mekita, and Kate Racculia as they discuss and debate 16 of the most recognizable film scores of all time. Play along at home by finding the listener bracket here. Make a copy for yourself, fill it out, and see if your picks match up with ours! For the warm-up to this episode, in which we discuss even more compositions from John Williams that didn't make the bracket, become a Patreon supporter of the podcast today. Looking for more reasons to become a Patreon supporter? Check out our Top 10 Patreon Perks. Want to watch the episode instead? As of Season 12, we now have full video episodes up on YouTube. Subscribe to our channel for even more original, exclusive episodes! Sign up for our weekly newsletter! Subscribe to find out what's new in pop culture each week right in your inbox! Vote in more pop culture polls! Check out our Open Polls. Your votes determine our future debates! Then, vote in our Future Topic Polls to have a say in what episodes we tackle next. Episode Credits Host: Eric Rezsnyak Panelists: Amma Marfo, Derek Mekita, Kate Racculia Producer: Bob Erlenback Editor: John Higgins Theme Music: “Dance to My Tune” by Marc Torch #johnwilliams #film #filmscores #composer #composers #orchestralmusic #orchestral #starwars #indianajones #harrypotter #superman #jurassicpark #jaws #homealone #hook #schindlerslist #savingprivateryan #empirestrikesback #imperialmarch #returnofthejedi #phantommenace Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textEpisode 240 of the Hey You Guys Podcast is ready to download, and this week, Liam and Rob look back at.....what? Steven Spielberg's masterpiece? A slow and ultimately boring UFO drama with too many plates spinning? A bit of both, perhaps? Listen in via the links in the bio to find out if 1977's, Close Encounters of the Third Kind has aged like a fine wine or a warm glass of milk. Link in the bio. 

Is an alien encounter coming soon? Fr. Dan Reehil gives his opinion on what is really going on and what we should do about it.Radio Maria is a 100% listener supported radio station. If this broadcast has touched your life, please consider donating at https://rmusa.civi-go.net/donateStream live episodes of Battle Ready with Fr. Dan Reehil at https://radiomaria.us/ at 9:00 am cst or tune in on radio in Louisiana (580 AM Alexandria, 1360 AM New Iberia, 89.7 FM Natchitoches, 91.1 FM Lake Charles) in Ohio (1600 AM Springfield, 88.7 FM Anna, 103.3 Enon/Dayton) in Mississippi (88.1 FM D'Iberville/Biloxi) in Florida (91.9 Hammocks/Miami) in Pennsylvania (88.1 FM Hollidaysburg/Altoona) in Texas (1250 AM Port Arthur) in Wisconsin (91.3 FM Peshtigo), 1280 AM Columbia, TN (98.9 FM Columbia, TN)Download the Radio Maria Play app to any smart device:Android: https://play.google.com/store/apps/details?id=com.radiomaria.v3&hl=en_US&gl=US&pli=1iOS: https://apps.apple.com/us/app/radio-maria-play/id848153139 

Have you been abducted? Do you have information regarding Top Secret Programs or Technology? Do Ghosts or Paranormal Spirits Haunt You? 707-390-0655. Tell us your Story! Leave your Voicemail to be played in Next Month's Voicemail Episode. We want to hear from you! To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TheoriesOfTheThirdKindYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Get instant access to 200+ bonus Audio episodes - Sign up here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://theoriesofthethirdkind.supercast.com⁠⁠⁠⁠⁠⁠ To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jed Duseler is here to talk about Close Encounters of the Third Kind.

EP 110: THE FIELDS SPEAK: CITIZEN D ON CONSCIOUSNESS AND CROP CIRCLESIn this mind-bending episode, host Mark Anthony Peterson welcomes an anonymous guest known only as Citizen D, a researcher who has spent years investigating man-made crop circles. But this isn't your typical debunking exposé.Citizen D shares a provocative theory: that some crop circle creators aren't hoaxers at all—but vessels. Much like Roy Neary in Close Encounters of the Third Kind, these individuals feel an inexplicable compulsion to create, driven by visions, dreams, and an internal force they can't fully explain. The patterns they etch into fields may be less about deception and more about transmission—messages from somewhere else, or perhaps from deep within.

GEEKY CROSSROADS 35 Dave talks David Lynch, sorry about audio quality, Farmer Dave is still getting a hang of his new computer. FInd us on... Ko-Fi(DAMN! RPG) INSTAGRAM Apple Stitcher Facebook Our Patreon

GEEKY CROSSROADS 35 Dave talks David Lynch, sorry about audio quality, Farmer Dave is still getting a hang of his new computer. FInd us on... Ko-Fi(DAMN! RPG) INSTAGRAM Apple Stitcher Facebook Our Patreon

Matthew Rolston describes his big break into editorial photography, which came through Andy Warhol and *Interview* magazine. His first significant assignment was photographing Steven Spielberg, who was a rising director at the time, having just completed *Jaws* and with *Close Encounters of the Third Kind* about to be released. Rolston also reflects on the decline of print magazines and the shift towards digital and experiential media.Show Clip from The Paris Chong Show with Matthew Rolstonhttps://youtu.be/SGbg4x9LIG8https://www.theparischongshow.com

Blink of an Eye (Star Trek: Voyager, S6 E12) was recommended by Sandy Cleary, she/her who said: I've always loved "Blink of an Eye." I like stories about history, and stories that feel epic by having some mechanism to take the reader from the present to the past, or by exposing them to a sense of scale that really captures the grand sweep of human history. The "where we've come from tells us why we wanted to come from there" narrative. Walter Miller's Canticle for Leibowitz, say, or the Babylon 5 episode "The Deconstruction of Falling Stars" that IMO transparently draws from it.In that same way, "Blink of an Eye" is the Voyager writers having used the main deflector to remodulate Robert Forward's 1980 novel Dragon's Egg. But here, I love how the framing device captures both the scale of capital-p Progress and the desire to explore and understand the universe—the kind of optimism that, on its best days, Trek has always been good at embodying. And I love seeing the evolution from making offerings to this strange new apparition, to making efforts to communicate, to the inevitable first contact.It is a story about well-intentioned people trying to make the best sense they can of a vast and mysterious universe, without real antagonists—where even the figures who would normally be antagonists, like the hawks in the military, are clearly acting in good faith. In this it reminds me of Close Encounters of the Third Kind, which also inspired my current journey. I think you could draw a direct link between "Blink of an Eye" and me changing my degree from linguistics to anthropology, and probably to the kind of approach I've taken whenever I need to write fantasy.Also, it's a great Picardo vehicle. Picardo's EMH, like Data (TNG), was theoretically on a journey to become more "human." The difference is that the EMH was always finding new experiences and *loving the hell out of them* rather than clinically tilting his head and going "well. That happened." He has the same breathless excitement here as he did in, say, "Message in a Bottle"—for mostly the same reasons and with the same mix of passion and humor that, I think, really makes him "work" as a character. Both Picardo as an actor and the EMH as a character are in absolutely top form.Finally, I'm a sucker for the extremely cheap trick of old people knowing that their lifelong goal has been accomplished. Daniel Dae Kim getting to watch the Voyager's departure makes me choke up every time.Blink of an Eye first aired on January 19, 2000, written by story by Michael Taylor, teleplay by Joe Menosky, and directed by Gabrielle BeaumontVoyager is trapped in orbit about a planet with a spacetime differential such that, while its inhabitants live through years, Voyager experiences mere minutes.The Joy of Trek is hosted by Khaki & Kay, with editing & production by Chief Engineer Greg and music by Fox Amoore (Bandcamp | Bluesky)Send us your recommendations, or support us on Patreon.Find us at joyoftrek.com · Twitter · Facebook

Deep in the forests between Kentucky Lake and Lake Barkley, witnesses have reported encounters with a seven-foot-tall bipedal wolf creature that the Shawnee claim is the spirit of an ancient shapeshifting shaman. From French trappers in the 1700s to college students in the 1970s, the Beast of the Land Between the Lakes has left a trail of mutilated livestock, terrified campers, and unexplained disappearances that local authorities allegedly work hard to keep quiet.Join the DARKNESS SYNDICATE for the ad-free version: https://weirddarkness.com/syndicateTake the WEIRD DARKNESS LISTENER SURVEY and help mold the future of the podcast: https://weirddarkness.com/surveyIN THIS EPISODE: A Pittsburgh, Kansas radio host gets a fright from a UFO – and his report is so convincing it became one of the first officially investigated UFO reports in the U.S. *** Pauline Dakin's childhood in Canada in the 1970s was full of secrets, disruption and unpleasant surprises. She wasn't allowed to talk about her family life with anyone - and it wasn't until she was 23 that she was told why. *** Located in rural Kentucky and Tennessee, between Lake Barkley and Kentucky Lake is a land that witnesses say is home to a strange, almost undefinable creature. CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:33.198 = The Beast of the Land Between The Lakes00:18:21.062 = Sworn To Secrecy As A Child00:36:26.696 = 1952's Close Encounter of the Third Kind00:44:20.598 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…Documentary Film: “Hunt the Dogman: High Strangeness in Western Kentucky”: https://amzn.to/2EEdfER“The Beast of the Land Between The Lakes” by Brent Swancer for MysteriousUniverse.org: https://tinyurl.com/yymqqxfm“Sworn to Secrecy As a Child” by Sarah McDermott for BBC.com: https://tinyurl.com/y83nlozz“1952's Close Encounter of the Third Kind” by A. Sutherland for MessageToEagle.com: https://tinyurl.com/yxz6usl9=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: August 28, 2020EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/KentuckyWerewolfABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.#BeastOfLBL, #LBLBeast, #LandBetweenTheLakes, #Dogman, #DogmanEncounters, #KentuckyCryptid, #TennesseeCryptid, #AmericanWerewolf, #CryptidSightings, #ParanormalEncounters, #SupernaturalStories, #UrbanLegend, #CryptidLore, #WerewolfLegend

Film composing legend John Williams was denied an Academy Award for "Close Encounters of the Third Kind." How could this injustice happen?Become a supporter of this podcast: https://www.spreaker.com/podcast/true-stories-with-seth-andrews--5621867/support.

Many people who have more than a passing interest in the UFO subject might be aware that the scene in Steven Spielberg's 1977 movie, Close Encounters of the Third Kind, where several UFOs go speeding by the main character's stalled car, followed by police cars in hot pursuit, was based on a real case. This was the 1966 incident where police officers Dale Spaur and Wilbur “Barney” Neff reportedly chased a single UFO at high speed across the state of Ohio into Pennsylvania, with other officers joining them in the chase. However, another scene in the movie, where a house occupied by a mother and son is flooded with light from a UFO, was also inspired by a real case, but this one is not nearly so well known.The front-page headline of the November 1963 APRO Bulletin is “Family Beseiged [sic] by Discs.” According to the article, on October 21, 1963, at his ranch near Tranca, Argentina, Antonio de Moreno was woken up by a fifteen-year-old employee who told him there seemed to have been an accident at the railway tracks about a half mile away from the house, as, in the reporter's words, “there was a lot of light and people moving around at that location.” Read more →Thank you for Supporting Us! ~ Stay Connected!

Episode: 2873 The Search for Extraterrestrial Life; Drake Equation Explained; Aliens from Other Planets.  Today, an encounter of the third kind.

Join us as we take a deep dive back to 1977 with a review for Steven Spielberg's “CLOSE ENCOUNTERS OF THE THIRD KIND.' + Pop culture news and recommendations for both, TV and film. Mixed and edited by: Wesley Swanson.

On this jam-packed episode of Talking Guitars and Music News, we kicked things off with the world premiere of my brand-new demo/review for the Lock-It Guitar Strap—fresh from a local music shop right here in Santa Cruz. I put it through its paces, even testing it out on a killer Hondo Revival Explorer I spotted at the shop. That guitar had some serious vibes… and yes, I might be going back for it! Lock-It Guitar Strap Installation & Review | Safe, Stylish & Made in USA

This week we dive headlong into one of the most baffling 80's video store hits, The Wraith, in which Charlie Sheen is a ghost or an alien or a ghost alien who gets revenge on the wily gang of Arizona cretins that murdered him by running them over with his magic ghost alien car. The Wraith is a lot of things. Good is not one of them but it has a certain ineffable charm that makes it tremendously fun to watch in spite of its story being positively incidental to the rest of the movie. It casts the widest possible net to remind you of movies like Close Encounters of the Third Kind, Death Wish 3, and The Road Warrior. Do you like cool cars? Do you like explosions? Do you like aliens, ghosts, or ghost aliens? Are you willing to let slide about a dozen totally unresolved plot points and completely ignore the fact that this movie leaves you with more questions than answers? You will probably love The Wraith.The soundtrack rules. Sheen seems completely unaware of the movie he's in. A pre-Twin Peaks Sherilyn Fenn is doing her best with what she has. Clint Howard gloriously answers our question: is it a wig? All this and more in our exhaustive breakdown of The Wraith from director Mike Marvin.Want to try Bring Me The Axe premium content for a month at no charge? Be one of the first ten people to click this link. It's on us. Enjoy! ⁠https://www.patreon.com/bringmetheaxepod/redeem/66913⁠Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Bring Me The Axe merch here:⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠

Considering that it seems most people go to Wyoming to be left alone, it's somewhat surprising that the overarching theme of this week's movies is people having their peace stolen from them. Whether it's drunken murderers, aliens looking for an EDM concert or a small child driving a man to triple homicide with his incessant questions - Wyoming has something for everyone Learn more about your ad choices. Visit megaphone.fm/adchoices

Season 20 is over!!! Season 21 drops next week! FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

Season 20 is over!!! Season 21 drops next week! FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

This week we talk of a man of myth & and a mary sue. FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

This week we talk of a man of myth & and a mary sue. FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

We gotta get out of this place, if it's the last thing we ever do. FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

We gotta get out of this place, if it's the last thing we ever do. FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

Colour out of space Vs the Fog!!! FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

Original Live Show Title:

The third round of UFO Trivia features the Lovely Lois Lane against challengers Fred & Wilma. Who punches an alien in the face in the film “Independence Day?”  What alien character takes on the alias, “Jesus Christ” upon arriving on Earth? How much cocaine was used during the filming of “Close Encounters of the Third Kind?”  Also, Switch teases the huge upcoming Mothman Festival.

The third round of UFO Trivia features the Lovely Lois Lane against challengers Fred & Wilma. Who punches an alien in the face in the film “Independence Day?” What alien character takes on the alias, “Jesus Christ” upon arriving on Earth? How much cocaine was used during the filming of “Close Encounters of the Third Kind?” Also, Switch teases the huge upcoming Mothman Festival.Become a supporter of this podcast: https://www.spreaker.com/podcast/paranormal-uk-radio-network--4541473/support.

Sean or Faun? Worst Hellboy movie ever... FInd us on... INSTAGRAM Apple Stitcher Facebook Our Patreon

GEEKY CROSSROADS 34 Dave talks AI, sorry about audio quality, Farmer Dave is still getting a hang of his new computer. FInd us on... Ko-Fi(DAMN! RPG) INSTAGRAM Apple Stitcher Facebook Our Patreon

Re Mi Do Do Sol Those five tones mean something. Hopefully it's that this movie,…

Re Mi Do Do Sol Those five tones mean something. Hopefully it's that this movie,…

Third in the REWIND! series - where we re-release / revisit / reanimate old episodes for new listeners/viewers, or fans that want to take a stroll down memory lane and relisten to some old standout episodes of the Big Truth Podcast !  This Episode was originally released on August 4, 2020 In this episode, Truth talks with Chris Pittman – a Massachusetts based paranormal investigator, historian, amateur archaeologist, as well as vocalist for the punk band “Who Killed Spikey Jacket”.   Chris has a long history of studying UFO's (personally and with MUFON)  and paranormal phenomena.  He's known for his historical contributions to, and appearances on, the TV show “Ancient Aliens” as well as the documentary film, “The Bridgewater Triangle”.  He has also lectured extensively and contributed articles to numerous newspapers and publications as well as curated websites on his research. Currently Chris is focusing more on historical research as well as archaeology in the Northeast – particularly in regards to Native American sites and stone structures. The two discuss punk rock and the divisiveness in the scene nowadays – as well as general divisiveness in the country;  covid stuff; Chris's background in paranormal research – how he got into it, his experiences with it, and a real heavy discussion about the experiences that led to why Chris chose to stop actively investigating UFO's; regression analysis; negative experiences/encounters with non-human intelligences, bigfoot tie-ins, synchronicity, the Bridgewater Triangle and the strange phenomena there, and his current interests in regards to historical / colonial UFO cases as well as Northeastern archaeology/Native American sites.  For more info on Chris: IG: @amongthedeadcities / @fromantquity http://www.cellarwalls.com http://www.cellarwalls.com/ufo   As always, please hit the subscribe button if you like and support what we do! You'll get early access to new episodes! Also please leave a review!   Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast   For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth    The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Jeffrey Glassman Injury Attorneys ( www.jeffreyglassman.com )  IG: @gottagetglassman - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)  

We discuss the Venice Lineup + our early guesses at who could win some awards. Then we dive into the most humongous What We're Watching segment in the history of MMO. 54 Separate Films or Television Series are review from Eddington & I Still Know What You Did Last Summer to a Stanley Kubrick double feature to an Arnold triple feature to Final Destination: Bloodlines & Bring Her Back to Elio & Superman rewatches to Bird, starring another dancing Barry Keoghan. THE 2025 VENICE FILM FESTIVAL LINEUP: The Alexander Payne Jury & what films they might select - 3:14 In Competition Headliners - 6:36 Jay Kelly, A House of Dynamite, Frankenstein, The Testament of Ann Lee, Bugonia, The Smashing Machine & La Grazia. Other Notables In Competition - 12:30 The latest from directors of Personal Shopper, Four Daughters, Son of Saul and Only Lovers Left Alive. No Other Choice than to review the teaser for this Park Chan-wook movie with a thoughtful discussion on werewolves - 17:32 Why After The Hunt is playing Out of Competition + its NYFF Opening slot - 21:05 Other Out of Competition Films from Dead Man's Wire to Late Fame - 25:04 What's NOT Going To Venice - 29:04 BOX OFFICE UPDATE AlsoMike's Superman rewatch & week 2 bobo - 33:15 I Know What You Did Last Summer reviewing grinds us to a halt - 38:19 Eddington makes us mad that it makes us mad - 41:16 M1's Elio review and the rest of the Top 10 - 45:06 What We're Watching Newish Horror Films - 47:34 Final Destination: Bloodlines, The Shrouds, Bring Her Back, The Ugly Stepsister, Opus. New Comedies, Docs & KPOP Demon Hunter Films - 55:19 Magic Farm, Friendship, Pavements, KPOP Demon Hunters, My Mom Jayne, The Luckiest Man in America, Jaws @ 50: The Definitive Inside Story, Apocalypse in the Tropics, Barbara Walters: Tell Me Everything, Restless, Sally, and Surviving Ohio State. AM's Blind Spots & M1 Goes Artsy Fartsy - 1:13:36 Black Coal Thin Ice, Sabrina, Hard Boiled, Invention & Bird. AM's Rewatches - 1:20:31 Emma, Bull Durham, The Birdcage, Closer, I Saw The Devil, The Chaser. M1's Quickies - 1:23:28 American Splendor, Smile 2, Heretic, Dream Scenario, A History of Violence, Prince of Darkness. The Start of AM's TV Watching + M1's Arnold-a-palooza + Tuesday - 1:26:12 Dept. Q, Fred & Rose: A British Horror Story, Trainwreck: Poop Cruise, True Lies, End of Days, Commando and Tuesday. M1's Kubrick Double Feature + Past Contendres & The Rest of AM's TV Watching - 1:31:48 Paths of Glory, 2001: A Space Odyssey, September 5, Close Encounters of the Third Kind, Bad Thoughts, Mike Birbiglia: The Good Life, Untamed, Aftersun, Dexter: Resurrection. OUTRO: We attempt to avoid jinxing anything in the future. But stay tuned to more episodes, eventually or immediately, whatever happens. Oh, and go and listen to the Poop Cruise Jen Baxter interview from our friends at Chaz & AJ in the Morning https://www.wplr.com/2025/07/14/pod-pick-poop-cruise-director-jen-baxter/

A 16th-century witch hunter believed each person is caught between a guardian angel and their own personal demon — one who knows their deepest habits and weaknesses — and he mapped out the seven princes of Hell who rule over humanity's sins.Join the DARKNESS SYNDICATE: https://weirddarkness.com/syndicateIN THIS EPISODE: You might have heard someone say during a severe storm, “it's raining cats and dogs out there!” Of course, it wasn't really raining felines and Fidos. But there have been instances of it raining frogs and fish. But did you hear about the time when for two-weeks straight it rained rocks and stones? (Raining Rocks, Storming Stones) *** In the film “Close Encounters of the Third Kind” the ending… sorry, spoiler here, but it has been since 1977 so you have had plenty of time to see it… at the end of the film, the aliens drop off dozens of humans that they've abducted over the years, and then welcome a volunteer human to leave with them – like an extraterrestrial foreign exchange student program. It's a fascinating concept, an extremely well-written premise for the film… but could that actually happen? Better question… has it already happened? (The Zeta Reticuli and Project Serpo) *** It could be argued that while William H. Bonney, better known as Billy the Kid, was a real person in history – that his story is more legend than fact. But then, being a notorious outlaw, pretending to die, and convincing everyone you are dead – then living out the rest of your life until you were an old man… that does probably deserve the label of “legend'. Is that story the fact… or is it fiction? (The Billy The Kid Conspiracy) *** Stories of giant, winged predators in the sky streaking down and attacking children and even full-grown men have been around since… well… ever. Some don't believe it possible, but if you do a Google search for “man-eating bird” you'll quickly find out they were not only real – but alive not that long ago. Or, perhaps… still soaring the skies, looking for their next meal… especially in and around New England. (Man-Eating Thunderbirds of New England) *** We've all heard of guardian angels – the idea that each one of us has a personal, supernatural protector following us at all times, battling for our souls to keep us from spiritual harm, if not physical. But if that's true – could we also each have a personal demon as well? A being also battling for our souls to send us to hell? One famous witch hunter believed exactly that. (The Witch Hunter List of Seven Princes In Hell)ABOUT WEIRD DARKNESS: Weird Darkness is a true crime and paranormal podcast narrated by professional award-winning voice actor, Darren Marlar. Seven days per week, Weird Darkness focuses on all thing strange and macabre such as haunted locations, unsolved mysteries, true ghost stories, supernatural manifestations, urban legends, unsolved or cold case murders, conspiracy theories, and more. On Thursdays, this scary stories podcast features horror fiction along with the occasional creepypasta. Weird Darkness has been named one of the “Best 20 Storytellers in Podcasting” by Podcast Business Journal. Listeners have described the show as a cross between “Coast to Coast” with Art Bell, “The Twilight Zone” with Rod Serling, “Unsolved Mysteries” with Robert Stack, and “In Search Of” with Leonard Nimoy.DISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Lead-In00:01:33.059 = Show Open00:04:49.731 = The Witch Hunter List of Seven Princes In Hell00:15:39.521 = Raining Rocks, Storming Stones00:33:06.180 = Man-Eating Thunderbirds of New England00:58:23.314 = The Billy The Kid Conspiracy01:08:44.866 = The Zeta Reticuli and Project Serpo01:18:16.562 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“The Witch Hunter List of Seven Princes In Hell” by Melissa Brinks for Graveyard Shift:https://weirddarkness.tiny.us/5jt3bmde“Raining Rocks, Storming Stones” originally published in the Atlanta Journal, reposted at The Fortean:https://weirddarkness.tiny.us/4dc8m864“The Billy The Kid Conspiracy” by Marcus Lowth for UFO Insight: https://weirddarkness.tiny.us/bdddrvn5“The Zeta Reticuli and Project Serpo” posted at Gaia: https://weirddarkness.tiny.us/mr3r6xtm“Man-Eating Thunderbirds of New England” by Kevin J. Guhl for ThunderbirdPhoto.com: https://weirddarkness.tiny.us/38vdk35d=====(Over time links may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: August 02, 2023NOTE: Some of this content may have been created with assistance from AI tools, but it has been reviewed, edited, narrated, produced, and approved by Darren Marlar, creator and host of Weird Darkness — who, despite popular conspiracy theories, is NOT an AI voice.EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/PersonalDemon#PersonalDemon #Demonology #PeterBinsfeld #WitchHunter #7DeadlySins #PrincesOfHell #GuardianAngels #Demons #OccultHistory #DarkHistory #MedievalHistory #Lucifer #Satan #Beelzebub #HellsHierarchy #SpiritualWarfare #16thCentury #WitchTrials #DemonClassification #WeirdDarkness

Kick off your shoes and play some trivia on a brand new episode of Go Fact Yourself!Thomas Jane is an actor whose roles often required a lot of training. He'll tell us how he got in shape for The Punisher, learned to play baseball for 61*, and more. Plus, we'll learn about the unusual way he was paid for his very first film gig.Grey Delisle is a singer and voice actor whose characters can be heard in everything from “The Simpsons” to “Avatar: The Last Airbender.” She'll give us samples of some of her most well-known voices and tell us about her newest music album, The Grey Album.Areas of Expertise:Grey: The Carter Family, Robert Duvall, and Dr. Pepper.Thomas: Pioneers of UFOlogy (specifically J. Allen Hynek), the movie Close Encounters of the Third Kind, and absinthe. What's the Difference: FrenemiesWhat's the difference between genial and congenial?What's the difference between an enemy and a nemesis?Guest Experts:Carlene Carter: Grammy-nominated musician and third- generation member of the Carter family.Cary Guffey: Former actor known for his childhood role in Close Encounters of the Third Kind. Hosts: J. Keith van StraatenHelen HongCredits:Theme Song by Jonathan Green.Maximum Fun's Senior Producer is Laura Swisher.Co-Producer and Editor is Julian Burrell.Seeing our next live-audience shows by YOU!

The Ringer's Bill Simmons, Chris Ryan, and Sean Fennessey are compelled by some indescribable force to rewatch Steven Spielberg's 1977 spectacle ‘Close Encounters of the Third Kind.' Podcast Manager: Craig Horlbeck Video Producers: Ronak Nair and Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices