Podcasts about third kind

The podcast is entirely independent media with zero corporate backing. To support the show and unlock the full, uncut Weekender episodes, head over to patreon.com/muckrakepodcast. Co-hosts Jared Yates Sexton and Nick Hauselman kick off the weekend edition of the podcast with a look at shocking election results and the intersection of entertainment and modern politics. The discussion covers progressive primary surges, intense establishment pushback, and a bizarre new theory regarding the death of nu metal. The New York Shift: Leftist candidates backed by New York City Mayor Zohran Mamdani secure surprising victories in the New York primaries, including Brad Lander unseating incumbent Dan Goldman. Nick and Jared break down the significance of these primary wins and how a promise to address material conditions is changing the progressive landscape. Establishment Meltdown: The primary results trigger a wave of panic and overreaction from both the right wing and centrist Democrats like Hakeem Jeffries and Jamie Harrison. The discussion outlines an impending stress test for the future principles of the Democratic Party. Trump's Legislative Hostage Situation: Attention turns to the Trump administration as the president blocks a bipartisan housing bill. Jared details how corporate carve-outs allowed the bill to pass, while Trump holds it hostage in a bid to force an end to the filibuster for an anti-voting law. Reflecting Pool Retaliation: Meanwhile, security cracks down at the Lincoln Memorial Reflecting Pool. Surveillance and out-of-state law enforcement are being deployed to manufacture "Antifa culprits" for the peeling paint and algae caused by the administration's own rush job. Tucker's Tweener Turn: Former Fox News host Tucker Carlson makes the rounds claiming he can no longer support the Republican Party. Jared analyzes this shift as a calculated, mercenary move to position himself for a future political comeback. The Woodstock '99 Nu Metal Conspiracy: A viral right-wing theory claims that the elites intentionally killed off nu metal and bands like Limp Bizkit to prevent an angry white male revolution. Nick and Jared debunk this framing, demonstrating how the death of rock was actually driven by corporate monopolies and streaming shifts rather than a cultural Marxist plot. Weekend Reviews & Brain Rot: To wrap up, Nick gives a scathing review of Steven Spielberg's overlong new film Disclosure Day, prompting a trip down memory lane comparing it to Close Encounters of the Third Kind and Arrival. Plus, Jared shares his ongoing psychological torment over a legendary Black Eyed Peas earworm.

Welcome back to Not A Bomb! — the podcast where we resurrect cinema's most infamous box office disasters and ask the burning question: is it a bomb?This week, the guys march into the chaos of Steven Spielberg's 1979 war comedy 1941. Fresh off the unprecedented successes of Jaws and Close Encounters of the Third Kind, Spielberg was handed the ultimate Hollywood blank check to make whatever he wanted. The result was an enormous, effects-driven comedy about panic erupting across Southern California in the days following Pearl Harbor. While 1941 wasn't a full-blown box office bomb, it fell well short of the massive expectations surrounding Spielberg's first comedy, becoming one of the earliest examples of how even Hollywood's hottest director wasn't immune to a stumble.But was the film unfairly judged, or is 1941 simply too loud, too chaotic, and too overstuffed for its own good? Troy and Brad break down the film's incredible cast, jaw-dropping practical effects, and the fascinating production that saw Spielberg pushing his filmmaking ambitions to new heights. The hosts also discuss how the film's reputation has evolved over the decades, why it has developed a passionate cult following, and how its perceived failure may have helped shape Spielberg's remarkable run of classics that followed.Sound the air raid sirens, keep an eye on the Ferris wheel, and join Not A Bomb as they revisit one of Hollywood's most fascinating near-misses, proving that sometimes even a box office disappointment can become an unforgettable piece of blockbuster history.Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Disclosure Day is not Steven Spielberg’s first film about the confirmation of alien life, nor is it the first such Spielberg film we’ve discussed on this podcast — that would be Close Encounters of the Third Kind, which we covered a decade ago. But Spielberg’s latest is specifically concerned with whether humanity possesses the empathy to process such a revelation, a question that led us directly to his 1982 classic E.T. the Extra-Terrestrial, about the empathetic link between a 10-year-old boy and an orphaned alien that crash-lands in the forest outside his suburban home. So this week we’re revisiting E.T. to consider how Spielberg, with a crucial assist from Melissa Mathison’s screenplay, navigates the sentimentality of a story that’s all about feelings. Then in Feedback, our recent episode on Babe: Pig in the City prompted a listener to share their own recommendation for an unusually dark kids’ movie. (#529) Please share your thoughts about E.T. the Extra-Terrestrial, Disclosure Day, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

The guys disclose their thoughts on Steven Spielberg's latest alien entree Disclosure Day, said to be a spiritual sequel to his 70's sci-fi classic Close Encounters of the Third Kind – then ruminate over whether 1997's Contact is a better “but if they made themselves known” movie exploration. WATCH: https://youtu.be/ipt5BfB6_J4 Follow Cinereelists: Facebook – Twitter – Instagram – TikTok Follow James: Letterboxd – BlueSky Follow Zach: Letterboxd – Twitter Follow Kyle: Letterboxd Support the show on Patreon. Subscribe: iTunes / RSS Have a film suggestion you think we've never seen and want us to discuss on the show? Send your...

Welp, Steven Spielberg went and released Disclosure Day, a spiritual sequel to 1977's Close Encounters of the Third Kind, which updates the alien myth for a new generation...but will it BLEND? Join Alex, Jesse, and Mathas as they discuss its ups and downs.https://www.disclosuredaymovie.com/ CHILLUMINATI is a weekly comedy podcast hosted by Mike Martin, Jesse Cox and Alex Faciane. Hold on to your tin-foil hats and traverse the realms of the mysterious, supernatural, spooky and sometimes truly horrible - and your third eye will never be the same!Subscribe to our Patreon to support us and for extra content like full video episodes, weekly Minisodes, exclusive art, and more at http://patreon.com/CHILLUMINATIPODThank you to our sponsors:Stop putting off those doctors appointments and go to zocdoc.com/chill to find and instantly book a doctor you love today.Mike Martin - http://www.youtube.com/@themoleculemindset Jesse Cox - http://www.youtube.com/jessecox Alex Faciane - https://www.youtube.com/@StarWarsOldCanonBookClub/Editor: DeanCutty Producer: Hilde @ https://bsky.app/profile/heksen.bsky.social Show Art: Studio Melectro @ http://www.instagram.com/studio_melectro Logo Design: Shawn JPB @ https://twitter.com/JetpackBraggin

by UFO History Buff & Author, Charles Lear Ted Bloecher, who passed away not too long ago at the age of 94, was a researcher/investigator who started out in the days of flying saucers as a founding member of Civilian Saucer Intelligence of New York and was active until the mid-1980s. He was an early researcher of humanoid reports starting in 1955, just after the 1954 French humanoid wave and the 1955 Kelly-Hopkinsville incident, and was the author of numerous publications on the subject. Tucked away in the United Kingdom file of the downloads section of the Archives for the Unexplained website is a report he wrote titled Close Encounters of the Third Kind that was published in 1977 by the British UFO Research Association. According to the introduction, the paper was prepared for a talk he gave at the BUFORA National UFO Conference at the Centre Hotel in Birmingham, England, in November 1976. The subtitle describes the paper as “The preliminary presentation of extensive study into UFO cases involving the reported sightings of humanoids and other alien beings.” In this blog, we'll look at some of the highlights. Read more →CONTACT AND SUPPORT

Jamie, Jimmy and Bob know that this means something, this is important when discussing the script to Steven Spielberg's 1977 Sci-Fi masterpiece Close Encounters of the Third Kind.

Cryptids 3 explores Bizarre creatures from the World of Strange encounters: The Batsquatch, The Vegetable Man, and Le Loyon.From a glowing humanoid said to drain blood in West Virginia, to a giant bat-like creature reported near Mount St. Helens, to a mysterious masked figure haunting the forests of Switzerland, these cryptids are some of the strangest legends we've covered.In this episode of Theories of the Third Kind, we break down the sightings, stories, theories, and unanswered questions behind Batsquatch, The Vegetable Man, and Le Loyon.If you're searching for cryptids, strange creatures, unexplained encounters, paranormal stories, or mysterious legends, this episode covers three cases that are truly bizarre.Cryptids 3.Watch the full episode on YouTube:▶ https://bit.ly/TheoriesOfTheThirdKindYTSupport the show + unlock bonus episodes:

Adam and Josh review Steven Spielberg’s Disclosure Day, praising star Emily Blunt and the impeccably staged action while questioning whether Spielberg and screenwriter David Koepp’s spiritual sequel to Close Encounters of the Third Kind captures the same sense of wonder. Then, Adam (finally) reviews the hit live-action/CGI hybrid The Sheep Detectives, plus Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:50) Disclosure Day (00:01:51-00:45:09) Filmspotting Family (00:45:10-00:51:34) The Sheep Detectives (00:51:35-00:57:35) Notes (00:57:36-00:59:40) Massacre Theatre (00:59:41-01:03:32) Credits / Releases (01:03:33-01:05:53) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Jim Hill and Eric Hersey return with a packed Epic Universal Podcast covering the newest Halloween Horror Nights reveal, fresh Epic Universe developments, and more chatter from Universal Orlando and Hollywood. Eric shares impressions from his Helios Grand Hotel stay, while Jim digs into the latest Universal news from Stranger Things to the United Kingdom resort. Then Jim uses Steven Spielberg's new UFO movie Disclosure Day as a launchpad for the strange story of Night Skies, the terrifying alien film that nearly became E.T. NEWS • Stranger Things returns to Halloween Horror Nights with a new house tied to the final season of the Netflix series. • Jim and Eric weigh whether Stranger Things or Sinners will be the marquee Halloween Horror Nights draw this year. • Epic Universe prepares to debut Universal's Celestial Goodnight, a nighttime spectacular with fireworks, fountains, and music. • A major new Dark Universe permit points to a 71,000 square foot structure, fueling speculation about Universal Monsters expansion. • The hosts discuss Universal United Kingdom Resort rumors, including possible James Bond, Back to the Future, Paddington, and Lord of the Rings connections. FEATURE • Jim traces the road from Close Encounters of the Third Kind to the abandoned Night Skies project. • The feature explores the real 1955 Hopkinsville, Kentucky UFO incident that inspired Spielberg's scarier alien concept. • Jim explains how Melissa Matheson helped transform Night Skies into E.T. while Spielberg was filming Raiders of the Lost Ark. • The story also covers Rick Baker's unused alien designs, Columbia's rejection of E.T., and why Disney passed on the project. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Eric Hersey - X/Twitter: @erichersey, Instagram: @erichersey, Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a trip to Universal Orlando or Walt Disney World? Visit UnlockedMagic.com to save up to 12% on theme park tickets, with Express Pass options now available for even more savings. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Fri, 19 Jun 2026 23:15:00 GMT http://relay.fm/rd/289 http://relay.fm/rd/289 The Third Kind of Show 289 Merlin Mann and John Siracusa Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. clean 4907 Subtitle: Siracusa remembers he was upset that his head was bleeding.Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. Links and Show Notes: Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. (Recorded on Tuesday, June 9, 2026) Credits Audio Editor/Woodwinds Wrangler: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. John's appsHyperspace, SwitchGlass, and Front and Center. Jason Santa Maria's website Jason Santa Maria's website in 2005 How Bryce Harper uses toothpaste Can You Pet the Dog? - Wikipedia Can You Pet the Dog on Bluesky IEEE 754 - Wikipedia How Integers and Floats WorkA Wizard Zine, by Julia Evans An exampl

Roy Neary (Oscar-winner Richard Dreyfuss) was just a mild-mannered Indiana family man working for the power company.  Until one evening while out on the job.....he had an encounter with an unfamiliar being blasting brilliant light into the night sky.  What results for Roy is an increasingly bizarre descent into madness as he not only feels drawn towards seking out these otherworldy beings but also begins to alienate his wife (Teri Garr) and family in the process.  And he's not the only one: there's also Jillian Guiler (Oscar nominee Melinda Dillon) who is also drawn towards seeking out these strange, new visitors.  Both of their journeys eventually lead them Devil's Tower in Wyoming where these "visitors" might be headed.  Also eventually heading this way are two curious scientists (Francois Truffaut, Bob Balaban) who have been trying to figure out the best way to communicate with these extra terrestrials.  It all adds up to a transcendant experience and one of THE greatest films from one of our greatest living directors, Two-time Oscar-winner Steven Spielberg (Schindler's List, Raiders of the Lost Ark, ET) as his direct follow-up to the singular phenomenon which was Jaws. See below for a link to an extended sequence added to the 1980 "Special Edition" of this film, referred to within this review:https://www.youtube.com/watch?v=gqiSIaia-k4&t=197sHost & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Steven Spielberg has release his latest movie, which is his most recent take on the idea that Aliens have visited Earth…Disclosure Day. Anytime Spielberg releases a movie, it's a big deal, but when it's a Sci-Fi film, you know that the Regulars Joes will have opinions. This week, to celebrate the release of Disclosure Day, Dave and Barry decided to do a rewatch of Spielbergs first "Alien" movie, Close Encounters of the Third Kind. The guys share their thoughts on both movies, one brand new and one thats almost 50 years old…to see how Spielbergs movies have evolved and how Sci-Fi movies in general have evolved since 1977. There's also the usual Random Topics including discussion of the YouTube video featuring a look inside Spielberg archives, and a round of What's in the Box featuring an item signed by Spielbergs Best Friend for over 50 years. Dont forget to check out this weeks sponsors, Fanboy Collectibles, Danger Island Models and From Dave's Workshop, links in the description below. As always, thanks for watching and listening! Links: Fanboy Collectibles - https://www.fanboycollectibles.com Danger Island Models - https://dangerislandmodels.com From Dave's Workshop - https://www.fromdavesworkshop.com Land the Galileo Store - https://land-the-shuttlecraft-galileo.backerkit.com/hosted_preorders Reach Out: e-mail: podcast@regularjoes.com Voice Message: 413-475-1650 Text Message: 413-422-0004 Leave us a review on iTunes or Spotify

Fri, 19 Jun 2026 23:15:00 GMT http://relay.fm/rd/289 http://relay.fm/rd/289 Merlin Mann and John Siracusa Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. clean 4907 Subtitle: Siracusa remembers he was upset that his head was bleeding.Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. Links and Show Notes: Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. (Recorded on Tuesday, June 9, 2026) Credits Audio Editor/Woodwinds Wrangler: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. John's appsHyperspace, SwitchGlass, and Front and Center. Jason Santa Maria's website Jason Santa Maria's website in 2005 How Bryce Harper uses toothpaste Can You Pet the Dog? - Wikipedia Can You Pet the Dog on Bluesky IEEE 754 - Wikipedia How Integers and Floats WorkA Wizard Zine, by Julia Evans

To celebrate the release of "Disclosure Day," the Boys look back at the filmography of Steven Spielberg the only way they know how: by ranking all of his movie titles from worst to best. Along the way, they discuss some of his classics ("Close Encounters of the Third Kind," "Raiders of the Lost Ark"), his lesser known movies ("Always") and whatever "Disclosure Day" was. Pop, pop!

Spielberg is back in the world of UFOs and alien conspiracies with his newest blockbuster Disclosure Day. How does it compare to Close Encounters of the Third Kind? What real life UFO lore inspired the film? Jen is back with us this episode to discuss!

Paul and Amy look to the skies with Close Encounters of the Third Kind, Steven Spielberg's awe-inspiring follow-up to Jaws and one of cinema's most influential visions of alien contact. They unpack the film's ambitious production, from Spielberg's growing creative confidence, Douglas Trumbull's groundbreaking effects work and the casting. Along the way, they explore the movie's themes of obsession, faith, communication, and government secrecy, and why its sense of wonder still feels so powerful nearly fifty years later. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”Read, watch, and listen with the critics:“Jaws” (1975)“Disclosure Day” (2026)“Minority Report” (2002)“Oscar Wars,” by Michael Schulman“What Went Wrong” 's episode about “Jaws”“Close Encounters of the Third Kind” (1977)“Jurassic Park” (1993)“E.T.” (1982)“Alf” (1986-90)“Schindler's List” (1993)“One Battle After Another” (2025)“American Journal,” by Robert Hayden“Heart of the Beast” (2026)“Sinners” (2025)“Nope” (2022)“Barbie” (2023)“Obsession” (2026)“Backrooms” (2026)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

Mostly FilmThis week, Jonathan and J.P. continue their Spielberg Series by exploring two films separated by more than four decades but connected by a lifelong fascination with the unknown: E.T. the Extra-Terrestrial (1982) and Disclosure Day (2026). From one of the most beloved family films ever made to Spielberg's latest return to extraterrestrial storytelling, we're examining how the director's perspective on aliens, humanity, and wonder has evolved over nearly fifty years.We dive into the deeply personal heart of E.T., discussing childhood loneliness, empathy, friendship, and why the film remains one of the most emotionally resonant blockbusters ever created. Then we turn to Disclosure Day, a modern sci-fi epic that tackles truth, secrecy, first contact, and humanity's place in a much larger universe. Along the way, we compare Spielberg's approach to fear and wonder across generations, rank his alien films, and ask whether Disclosure Day serves as the final chapter in a story Spielberg has been telling since Close Encounters of the Third Kind.From bicycles flying across the moon to a world forced to confront the impossible, this episode is all about Spielberg's enduring belief that understanding begins when we're willing to reach out—and listen.

On Today's Show Vince will Rate and Review:   Close Encounters of the Third Kind (1977),  E.T. the Extra-Terrestrial (1982),  War of the Worlds (2005),  Disclosure Day (2026) TimeCodes: Close Encounters of the Third Kind:  6:39 E.T. the Extra-Terrestrial:  31:23 War of the Worlds:  47:00 Producer Thanks:  1:16:27 Disclosure Day: 1:22:35 Executive Producer: - Matt D.   - Check out all our Movie Scores on the site! - Support the Daily Ratings and become a Producer now! - Here are all the new movies out now! - Shop our store for all the Daily Ratings gear!  

Disclosure Day This week we are participating in riding the hype train for the new Steven Spielberg cultural touchstone “Disclosure Day“. Following on from his classic alien encounter stories of Close Encounters of the Third Kind, E.T. and War of the Worlds this new film asks a different question entirely. And guess what? It’s or turn to disclose something to all of our lovely listeners… We really didn’t like it. AT ALL. Quinny and Jill are the lucky buggers who saw it in the cinema and they are giving the spoiler filled low-down on what went right, what went wrong and what exactly are we disclosing to whom. Synopsis A cybersecurity whistleblower, Daniel Kellner (Josh O’Connor), and a Kansas City TV weathercaster, Margaret Fairchild (Emily Blunt), racing to broadcast classified evidence of extraterrestrial life. They are pursued by the Wardex Corporation, a secret military-industrial government arm headed by Noah Scanlon (Colin Firth), while the world teeters on the brink of World War III. https://youtu.be/miuNQja0c8o A huge shout-out to the greys, reptilians, talls and body-less mass aliens who buzz by to join in with our moderated live-chat during the Twitch stream, each Tuesday night at 7:30pm AEST. And especially to those who have decided to be to be generous to us stupid humans and drop your anal probe findings into our data recepticles (we assume thats how you pay for stuff). Thanks for supporting us directly via our Ko-Fi jar and now also by subscribing on Twitch! You are all our octopus teachers… If you like what we do, drop us a sub!  Every bit of your support helps us to (hopefully) keep entertaining you!  Don’t fret if you can’t be there for the recording though as you can catch them on Youtube usually later that very night. Make sure to subscribe so you don’t miss them! https://www.youtube.com/watch?v=icDuEHSxE-w&pp=ygUWRGlzY2xvc3VyZSBkYXkgdHJhaWxlcg%3D%3D WE WANT TO HEAR FROM YOU! Send in recordings, videos, voicemails, emails hell smoke signals… with your opinions on this show (or any others) to info@theperiodictableofawesome.com Please make sure to join our social networks too!  We’re on: Youtube: https://www.youtube.com/user/TPToA/ Twitter: www.twitter.com/TPToA Facebook: www.facebook.com/PeriodicTableOfAwesome Instagram: www.instagram.com/theperiodictableofawesome/  

Forrest, Kristina Oakes, and Conan Neutron talk about the new Steven Spielberg summer blockbuster Disclosure Day!!! Starring Collin Firth, Emily Blunt, Colman Domingo, Eve Hewson, and McKenna Bridger.Two weeks ago, we did an episode on Close Encounters of the Third Kind. Now, we are reviewing Spielberg's latest Summer Blockbuster about aliens inspired by the NYT investigative report from 2017 and the subsequent UAP hearings. #disclosureday #spielberg #scifi #sciencefiction #aliens #alien #stevenspielberg #disclosure #extraterrestrial #et #closeencountersofthethirdkind #colmandomingo #moviereview #reviews #livestream #livestreaming #movie #moviepodcast #filmpodcast #summerblockbuster #emilyblunt

The humble potato: an unlikely movie star. Chef, author, and culinary extraordinaire Courtney McBroom joins Dave and Chris at the table in the clubhouse as they dig into the iconic potato scenes in 'Close Encounters of the Third Kind,' 'The Martian,' and 'White Man's Burden.' With Vrbo, what you book is what you get. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this edition of Somewhere in the Skies Classics, we revisit our fascinating conversation with Paul Hynek, son of legendary astronomer and UFO researcher Dr. J. Allen Hynek. As the UAP conversation continues to expand in 2026 through congressional hearings, military testimony, and renewed scientific inquiry, Hynek's work remains more relevant than ever. Known for his work on Project Blue Book, creating the Close Encounters classification system, and consulting with Steven Spielberg on Close Encounters of the Third Kind, J. Allen Hynek helped bring UFOs into both the scientific and cultural mainstream. Paul offers a rare, personal look at his father's investigations, his evolving views on the phenomenon, the real stories behind Project Blue Book, and why Hynek's commitment to evidence-based inquiry continues to influence today's UAP debate. Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Livestream music by Punch Deck: https://www.youtube.com/@PunchDeck Copyright © 2026 Ryan Sprague. All rights reserved. #Spielberg #DiscloseDay #Disclosure #UFOs #UFO #CloseEncounters #UAP #ProjectBlueBook #Hynek #Aliens Learn more about your ad choices. Visit megaphone.fm/adchoices

Patrick Smith joins us once again for Shades Cinema! On this episode we dive in to the 1977 Sci-Fi classic Close Encounters Of The Third Kind directed by Steven Spielberg! JM's Album Of The Week: John Williams - Disclosure Day (OST) Bradford's Book Club (Patrick's Pick): A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits - Star Wars, Carrie, Ferris Bueller's Day Off, Mission: Impossible, and More by Paul Hirsch

Legendary Oscar-winning director Steven Spielberg (Schindler's List, Saving Private Ryan, ET: The Extra Terrestrial, Close Encounters of the Third Kind) returns to the science fiction genre for the first time in almost twenty years with this mystery thriller focusing on a group of scientists (Josh O'Connor, Oscar-nominee Colman Domingo) who are attempting to find and release classified information from the United States government about the existence of alien life and its presence on our planet.  Standing in their way is a shadowy organization lead by Oscar-winner Colin Firth (The King's Speech, Kingsman, A Single Man) and the key towards revealing the truth MIGHT lie with a Kansas City meterologist (Oscar-nominee Emily Blunt) who begins to communicate with others around her in unexpected ways.  Will the truth be revealed?? Let's find out....Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

This is our Disclosure Day review. Spoiler free followed by spoilers. Is Steven Spielberg's latest alien movie worth the trip to the theater? Will it have you questioning your belief in God? Is it a sequel to Close Encounters of the Third Kind? Does it even make sense? Watch the podcast episodes on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Get more news, views and reviews on Clownfish TV News - https://more.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629 MORE CLOWNFISH TV - Official Merch Store: http://ClownfishMinus.com Facebook - https://facebook.com/ClownfishTV X - https://x.com/ClownfishTVcom Clownfish TV subreddit: https://www.reddit.com/r/ClownfishTVOfficial/ Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Movies #DisclosureDay #Spielberg #Podcast #Commentary #News #Reaction #Gaming #Comedy #Entertainment #Hollywood #PopCulture #Tech #Anime #FYP Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven Spielberg returns to one of the defining obsessions of his career with Disclosure Day, a science-fiction thriller inspired by modern UFO disclosure debates and decades of speculation about extraterrestrial life. Written by longtime Spielberg collaborator David Koepp from a story Spielberg reportedly carried with him for years, the film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo in a story about government secrecy, hidden truths, and humanity's first official reckoning with the reality of alien contact.Released on June 12, 2026, Disclosure Day has been praised by critics for its ambition, performances, and Spielberg's trademark sense of wonder, while generating a far more divided reaction among audiences. Is the confirmation that aliens exist still the earth-shattering revelation it once was, or has popular culture spent the last eighty years preparing us for that moment? In this episode, we discuss whether Spielberg's latest film is a hopeful meditation on truth and humanity's place in the universe, or a story built around a revelation that no longer carries the dramatic weight it did in the era of Close Encounters of the Third Kind. Join us as we break down the film, its themes, its cultural relevance, and whether Disclosure Day arrived at exactly the wrong moment in history.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Steven Spielberg is seventy-nine years old, and he just made the movie where the government finally stops lying about aliens. Disclosure Day caps the loose trilogy he started with Close Encounters and E.T. — private awe, then childhood friendship, and now a global broadcast that yanks the curtain back on all of it. This month the Film Board gathers to toss about whether the old master still has the magic.Full spoilers, of course. The panel digs into Emily Blunt and Josh O'Connor as the searching heart of the thing, Colin Firth's body-hopping menace, the cosmic-FaceTime dinner table, a train sequence that actually pays off its punchline, and a panic attack they call of the most accurate they've ever seen on screen. They argue the device nobody understands (Duraflame theory included), the news-station climax, and a big-swing ending that stops cold at the moment of disclosure and whispers a single word.Then the larger brawl: whether a 79-year-old's plea for empathy and transparency lands in a cultural moment where the same disclosure could just as easily become a hunting license.The Film Board is a monthly deep-dive on new releases, part of The Next Reel family of film podcasts.Want to hear more? Over on Make Me A Nerd…Disclosure Day is the back half of a Spielberg conversation Steve already started. Over on Make Me a Nerd, Mandy hands him the mic for Close Encounters of the Third Kind — one of his top five films of all time — and gets the full package: curiosity, obsession, government lies, blinking lights, and questionable parenting. It's the hunger for connection that Disclosure Day spends fifty years catching up to. Mandy arrives late to the party, but by the end she understands exactly why this movie meant — and still means — so much. If you want the origin point of every instinct this new one is paying off, that's the room.Make Me A Nerd • Close Encounters with Steve SarmentoOver on The Next Reel…Pete Wright and Andy Nelson took Close Encounters apart for the Next Reel's Original Sci-Fi series — the three existing cuts of the film, what's different, why the changes were made, and which to watch — plus an older-and-wiser reckoning with how the parenting of both Roy and Gillian now feels incredibly poor. The private-awe-versus-government-stonewall DNA that Disclosure Day scales up to a global broadcast starts right here. The Next Reel • Close Encounters of the Third Kind

Ryan is joined by Hollywood insiders, screenwriters, and Sound, Light & Frequency podcast hosts Bryce Zabel and Brent Friedman for an in-depth, spoiler-filled review of Disclosure Day, the latest from legendary filmmaker Steven Spielberg. Having both worked with Spielberg and spent years exploring the intersection of Hollywood, science fiction, and the UFO phenomenon, Bryce and Brent bring unique insider perspectives to one of the year's most talked-about films. Together, they break down the film's themes, performances, visual storytelling, and its handling of UFO disclosure, government secrecy, and extraterrestrial contact. The discussion explores how Disclosure Day compares to Spielberg's iconic alien films, including Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, and War of the Worlds, while examining the real-life UFO cases, historical references, and hidden easter eggs woven throughout the movie. Where does Disclosure Day rank among Spielberg's greatest science-fiction films? Does it succeed as a UFO disclosure movie? And how accurately does it reflect decades of UFO history and research? Join us for a passionate, honest, and detailed conversation as we unpack every major moment, reveal our favorite scenes, debate its biggest surprises, and determine where Spielberg's newest alien outing stands in the pantheon of UFO cinema. Subscribe to Sound, Light & Frequency: https://soundlightfrequency.com/ Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Follow Suzanne on X: https://x.com/csuzannelanders Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Copyright © 2026 Ryan Sprague. All rights reserved. ⁠#DisclosureDay⁠ ⁠#StevenSpielberg⁠ ⁠#Aliens ⁠⁠#UAP⁠ ⁠#AlienMovies⁠ ⁠#CloseEncounters⁠ ⁠#MovieReview⁠ ⁠#BryceZabel⁠ ⁠#BrentFriedman⁠ ⁠#SciFiMovies⁠ ⁠#FilmAnalysis⁠ ⁠#MoviePodcast⁠ ⁠#Disclosure⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Our final prep before DISCLOSURE DAY is Spielberg's original sci-fi blockbuster CLOSE ENCOUNTERS OF THE THIRD KIND! -This is a⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TAPEDECK⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ podcast.Connect with us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HQ at @austindangerpod. Send us a letter or voicemail at austindangerpodcast@gmail.com and we'll share them on our episodes. If you tag your reviews with "austindangerpod" on Letterboxd, we'll find them and also share them on the show!Follow ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Kev⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠McKenzie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Letterboxd. Listen to McKenzie's other podcasts ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Criterion Connection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Above The Line⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Listen to Kev's new podcast ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LAURIE STRODE TRAP HOUSE.

This week, we break down Lost Season 5, Episode 7, "The Life and Death of Jeremy Bentham," one of the series' most emotional and consequential chapters. We follow John Locke's tragic journey off the Island as he struggles to reunite the Oceanic Six and fulfill what he believes is his destiny. Along the way, we discuss the episode's biggest revelations, the heartbreaking turns in Locke's story, and the shocking ending that changes everything we thought we knew about the future. From faith and sacrifice to manipulation and identity, we explore why this episode remains a defining moment in Lost mythology.Then, we leave the Island behind and turn our attention to Steven Spielberg's new sci-fi thriller, Disclosure Day. Starring Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo, the film imagines a world on the brink of learning the truth about extraterrestrial life and the forces determined to keep that secret hidden. We discuss Spielberg's return to alien-themed storytelling, the film's blend of conspiracy thriller and science fiction spectacle, its performances, themes, and whether it lives up to the legacy of classics like Close Encounters of the Third Kind and E.T.. Join us as we examine a story about destiny on Lost and a story about truth, fear, and first contact on the big screen. Be sure to keep coming back every week for more episodes only on the #talkintvpodcast

Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them? Spielberg returns to the question of whether we're alone in the universe, and what it might mean if we're not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.   On Today's Episode Steven Spielberg, director of “Disclosure Day.”   Background Reading ‘Disclosure Day' Review: Spielberg Plays His Greatest Cosmic Hits What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human   Photo credit: Paolo Pellegrin/Magnum, for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven Spielberg believes humanity may discover extraterrestrial life within our lifetime, which is either the beginning of the greatest scientific revelation in history or an elaborate way of making everyone look up from their phones for five minutes.In this episode of Mark and Pete, we look at Spielberg's comments about UFOs, UAPs, alien life and the belief that we may not be alone in the universe. The director of Close Encounters of the Third Kind, E.T. and War of the Worlds has spent decades turning the possibility of extraterrestrials into cinema, but now he appears increasingly convinced that the evidence is pointing beyond fiction.We ask what has changed. Is it the testimony of military pilots, unexplained radar sightings, government hearings and the modern language of unidentified anomalous phenomena? Or are we simply living through another great age of speculation, now with better cameras, worse attention spans and more podcasts?There is still no publicly confirmed scientific proof of intelligent alien life. That matters. Mystery is not proof, a blurry light is not a spaceship, and congressional testimony is not the same thing as a little green man asking for parking validation. Still, the subject has moved a long way from cheap tabloids and men in desert lay-bys. Governments discuss it. Scientists prepare protocols. Spielberg, who has thought about this rather more than most of us, says discovery may come sooner than we imagine.We also consider the Christian response. Would extraterrestrial life undermine Christianity? Not remotely. The Bible presents a universe crowded with created beings, visible and invisible, all under the authority of Christ. Discovering life elsewhere would enlarge our understanding of creation, not reduce the Creator.Aliens, UFOs, UAP disclosure, Steven Spielberg, extraterrestrial intelligence, SETI, NASA, Christian theology and the search for life beyond Earth. It is all here. Along with the sensible reminder that, before announcing first contact, one should probably check it is not Venus.

New Realities with Alan Steinfeld Disclosure Day, Higher Frequencies, and the Threshold of a New Human Reality Guests, Dr. J.J. Hurtak and Dr. Desiree Hurtak, Linda Moulton Howe Spielberg's Disclosure Day Opens a Bigger Conversation In this episode of New Realities, host Alan Steinfeld gathers a panel to review Steven Spielberg's newly released film Disclosure Day. Alan is joined by longtime UFO investigator Linda Moulton Howe, along with Dr. J.J. Hurtak and Dr. Desiree Hurtak, who bring perspectives from UFO research, consciousness studies, spirituality, ancient texts, and the wider disclosure movement. Alan frames the film as perhaps one of the most anticipated cinematic events in modern UFO culture, because it deals not simply with science fiction, but with the possibility that humanity is being prepared for a deeper truth about non-human intelligence. Frequencies, Clicking Sounds, and Consciousness Communication Linda Moulton Howe begins by emphasizing the importance of frequency in the film. She connects Spielberg's use of clicking sounds and nonverbal communication to government documents, abduction cases, and reports she has heard from experiencers over decades of research. Dr. J.J. Hurtak also highlights the film's treatment of language, sound, and consciousness, contrasting it with Close Encounters of the Third Kind, where communication was centered more on tones and music. In Disclosure Day, the panel says Spielberg brings in the human element more fully, suggesting that extraterrestrial contact may involve mind-to-mind communication, frequency, empathy, and higher consciousness rather than ordinary speech alone. From Science Fiction to a Disclosure Bridge Alan and the panel repeatedly stress that they do not see Disclosure Day as merely another science fiction movie. They argue that Spielberg has gathered decades of UFO, UAP, consciousness, government secrecy, telepathy, cover-up, and experiencer material into a film that functions as a bridge between old disbelief and a new cultural acceptance. Alan says Spielberg seems to have been a serious student of the phenomenon, including many familiar themes from UFO research: government secrecy, private industry involvement, recovered craft, mind control, empathy, and the question of whether the public has a right to know. Government, Corporations, and the Machinery of Secrecy A major part of the discussion focuses on the film's depiction of government secrecy and private industry. Alan references the fictional corporation Wardex, which is tied to retrieval and extraction programs, and connects that to real-world claims associated with figures such as Lieutenant Colonel Philip J. Corso. Linda and the Hurtaks discuss how governments may have transferred recovered technologies or sensitive programs into corporate hands to create plausible deniability. Linda traces this secrecy back to World War II and Eisenhower-era briefings, while Alan says the film dramatizes the tension between those who hide the truth and those who believe humanity has a right to know. Fear, Love, and the Human Right to the Truth The panel describes the film as a contest between fear-based secrecy and the higher message of empathy, love, and transcendence. Alan says humanity is caught between fear and higher consciousness, and that the film presents empathy as a key to humanity's future. Linda is especially moved by the final minutes, saying she felt empathy not only for extraterrestrials but also for humanity, because people have not been told the truth as a species. The panel agrees that disclosure should not merely be informational; it should be transformational, helping humans understand themselves as part of a larger cosmic family. Religion, Creation, and the Many Mansions of the Universe The film's spiritual themes are also central to the panel's review. Alan, Linda, and the Hurtaks discuss the Catholic sister character in the film, who recognizes that the universe is too vast to exist only for humanity. They connect this idea to the Book of Genesis, Christ consciousness, the New Testament phrase about “many mansions,” ancient Coptic and Greek texts, and the idea that creation includes many levels of life and intelligence. Rather than seeing extraterrestrial intelligence as opposed to spirituality, the panel presents it as part of a larger divine creation story in which humanity must expand its understanding of soul, consciousness, and cosmic purpose. What Spielberg Shows — and What He Leaves for Later The group praises Spielberg's restraint but also discusses what the film does not fully show. Linda says she wished Spielberg had introduced more kinds of non-human intelligences, including tall whites, Nordics, reptilians, plasma beings, and other forms she has encountered through witness testimony. Alan suggests Spielberg may be taking the public slowly by first introducing one or two categories of extraterrestrial presence before expanding into a wider range of beings. The panel agrees that the film is likely only the beginning of a broader cultural process and that future films, government releases, or public disclosures may reveal a more complicated landscape. Disclosure, Timing, and a Planet Under Pressure The panel repeatedly asks why this film and this moment are happening now. Linda suggests the timing may relate to future geophysical changes, solar activity, rising oceans, environmental instability, and the possibility that extraterrestrial assistance may become necessary for humanity's survival. Alan connects the timing to recent government disclosures and the public release of UFO/UAP information, while Dr. J.J. Hurtak frames the moment as a sociological, psychological, economic, planetary, and spiritual convergence. The group agrees that humanity is being prepared for contact because the old reality is no longer sufficient. The Soul, Empathy, and the Next Stage of Humanity A major theme in the latter part of the program is the soul. Linda shares memories from childhood of feeling a protective pressure in her chest while looking at an image of Christ with lambs, a feeling she still associates with soul, protection, and love. Dr. J.J. Hurtak describes the soul as the inner architecture of life, a field of consciousness that continues beyond the body. Dr. Desiree Hurtak adds that different beings may have different levels of soul evolution, and that humanity is learning to access abilities such as remote viewing, telepathy, and higher-dimensional awareness. Alan says these gifts of the spirit may allow humans to meet non-human intelligences on a more equal footing. “Listen”: The Word at the Doorway The panel gives special attention to the film's final message: listen. They interpret the word as a call to listen to extraterrestrials, higher intelligence, divine purpose, inner senses, compassion, and one another. For Dr. J.J. Hurtak, this connects to sacred language and the ancient call to hear the divine frequency. Alan sees Spielberg's film as a “signifying agent,” a cultural bridge that helps people move from an old reality into new realities. The episode closes with a shared prayer from Linda, “May the thought that dwells in the light protect us forever,” followed by Alan's disclosure-themed song, “Did You See It?”, which he presents as an anthem for this new moment.

Is Disclosure Day the New Close Encounters? | Radio Labyrinth Podcast | S11-Ep23This week on Radio Labyrinth, we ask if Spielberg's Disclosure Day is the spiritual sequel to Close Encounters of the Third Kind. Is Spielberg back to alien wonder, or just remixing his own UFO magic?Plus: Obsession's indie film pay controversy, Netflix's real-dog Scooby-Doo, Whalefall, Gail Daughtry and the Celebrity Sex Pass, Dungeon Crawler Carl Book 8, Rush, Trailer Trash, Views or Snooze, and Staff Picks.Keep it Canon.▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀Hosts: Tim Andrews, Jeff Leiboff, Dustin Lollar and Lizzie Bruce JonesAudio Podcast & YouTube Video Edited by Dustin Lollar ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀

Episode 155: Spielberg's Disclosure Day – Faith, Future Horizons & The Truth Trap** *Rocky Mountain UFO Podcast* What happens when Hollywood's greatest visionary meets the reality of government transparency? In Episode 155, we break down Steven Spielberg's groundbreaking new film, *Disclosure Day*, and ask the hard question no one else is asking: is it a bridge to unity or a masterful misdirection? Join us as we explore the film's chilling parallels to recent congressional hearings and real-world UAP whistleblower reports. We analyze why critics are calling it the true spiritual successor to *Close Encounters of the Third Kind*, examine Emily Blunt and Josh O'Connor's performances, and debate Spielberg's framing of "science speculation" over fiction. But the conversation doesn't stop at the box office. We tackle the deeper implications for faith and belief systems when contact becomes fact. How does disclosure reshape human empathy, spirituality, and our place in the cosmos? Plus, we confront the provocative critique from researchers like David Icke, who warn the film may be a propaganda tool designed to paint non-human intelligence as benevolently false. From future horizons to hidden agendas, this episode is a must-hear for believers, skeptics, and anyone wondering what happens when the stars don't just twinkle—they answer. **Listen now to discover:** - How *Disclosure Day* mirrors real UAP whistleblower testimony. - The debate over Spielberg's "benevolent alien" narrative vs. Icke's warning. - Why faith communities must prepare for the horizon of disclosure. ️ **Subscribe & stream Episode 155 today.** *Exploring the peaks and valleys of the unexplained, from the Rockies to the stars.*

Send us a text about your favourite films relating to the episode.We are back again for another month and the summer season is in full flow, but theres's only one film and one lengdary director to focus our attentions on. That of course is the return Steven Spielberg, but not only is the master returning, Spielberg is returning to science fiction, and yet again exploring the question, are we alone in the universe? In his new film Disclosure Day. Joining me to discuss the film before it comes out and all things Spielberg is a man desperate for another win, Leigh from Lights Camera Rant. Warning we will be talking SPOILERS Martin's pick next and is naturally going for a Spielberg sci fi, it was a toss up between Close Encounters of the Third Kind or E.T the Extra Terrestrial. You just can't ignore the little guy with a big head. On this one we talk about the incredible John Williams score and how underrated it is. We talk about the amazing story telling with E.T. and Elliots connection. Plus we talk about wearing keys in your belt. IMDB page         Lights Camera Rant Podcast linkFVF Social linkstwitterinstagramTikTokAs ever please enjoy.          Support the showSupport the show

Stephen Spielberg brings aliens back to the big screen in Disclosure Day. But how does his new blockbuster compare to his alien classics like E.T. and Close Encounters of The Third Kind? Our heroes Emily Blunt and Josh O'Connor are compelled by something they don't understand, and there are authority figures trying to keep a huge secret from the public. If you need more summer blockbusters, check out: ‘Jaws' is still stuck in our teeth, 50 years laterThe summer blockbusters we finally watchedConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Strange News 19 covers six bizarre stories from around the world, including a fake bear attack insurance scam, a quadruple amputee cornhole player indicted for murder, an internet-famous dog stolen in China, a human skull found at a thrift store, an ex-CIA officer accused of stealing millions in gold bars, and a major social media addiction lawsuit against Meta and YouTube.In this episode of Theories of the Third Kind, we break down the strangest news stories making headlines, from true crime and bizarre scams to disturbing internet cases and shocking legal battles.If you're searching for strange news, weird news, bizarre true crime, odd stories, conspiracy news, or unexplained headlines, this episode covers the strangest stories happening right now.Strange News 19.Watch the full episode on YouTube:▶ https://bit.ly/TheoriesOfTheThirdKindYTSupport the show + unlock bonus episodes:

Part two of our Spielberg in Space series leading up to Disclosure Day — this week it's E.T. the Extra-Terrestrial.We dig into E.T.'s insane box office run (28 straight weeks in the top 5, nearly a year in theaters, $2.2 billion worldwide adjusted for inflation — second only to Jaws in Spielberg's career), then connect it back to Close Encounters of the Third Kind as a kind of spiritual sequel. We talk about how Spielberg shot the film almost entirely from a child's-eye view, why his parents' divorce shaped both Elliot's story and the absent adults in this movie, and why this whole thing might be the secret blueprint for Stranger Things.Also covered: the Reese's Pieces vs. M&M's candy debate nobody asked for, the Star Wars/Coors/Coca-Cola product placement, John Williams' score, and our final star ratings — including a Letterboxd community score that genuinely shocked all three of us.Subscribe on YouTube, Spotify, or Apple Podcasts, and follow us on Instagram @somanysequelspod.

With Disclosure Day , legendary filmmaker Steven Spielberg returns to the alien invasion genre he's defined for generations. So this week we took a look back at where he started, with just his third theatrical release, Close Encounters of the Third Kind in 1977. Questions or comments about what we talked about? Click here to let us know!

On Truth & Movies this week, we discuss Disclosure Day. We then take a look at some of his previous looks at alien encounters in The War Of The Worlds, Close Encounters Of A Third Kind and ET.Joining host Leila Latif are Billie Walker and David Jenkins.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Does Steven Spielberg know the secret disclosure? Visit https://rise.tv for more exclusive content! Visit https://metaphysicalcoffee.com for coffee that's out of this world! Spielberg has brought many aliens to the big screen over the years. However, there are some eerie parallels between his very first alien movie, Close Encounters of the Third Kind, and his new film Disclosure Day, which is coming out in June of 2026. In a 1977 interview, Spielberg said that President Carter was going to release information on UFOs the same month his movie was scheduled to premiere. Remarkably, the same thing happened with his new film when the Pentagon released its classified UFO/UAP files. In a recent interview, Spielberg even stated that the world “has to accept that we haven't been alone since the beginning of time.” What does he know? And what is about to be revealed to the world? Join Ben and Rob on this episode of Edge of Wonder as they dive deep into the mystery—including how after more than a year, the body of missing NASA scientist Melissa Casias was finally found. At the end of the show, don't miss the meditation and prayer segment only on Rise.TV. See you out on the edge!

To celebrate a new Spielberg movie, we just had to read one of his books (???). This week, we are joined once again by the She Nerds Out Podcast to discuss the novelization of Close Encounters of the Third Kind, credited to the man himself.Listen to She Nerds Out!: https://www.shenerdsout.com/Follow us on Bluesky: https://bsky.app/profile/authorizedpod.bsky.social

Congressional hearings, whistleblower allegations, and the release of new government records in recent weeks have continued to fuel public questions of whether long-hidden information about UFOs may finally be coming to light. And part of that fascination also extends to Hollywood, with the forthcoming release of Steven Spielberg's film Disclosure Day, which early reviews have called one of the Close Encounters of the Third Kind director's best films in decades. This week on The Micah Hanks Program, we look at the possibility of a real-life "Disclosure Day," and how a scientific committee long involved in the serious search for evidence of intelligent life on other worlds is working on establishing new protocols for how final proof of alien life should be revealed to the public if we find them. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the AdvertiseCast to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: AdvertiseCast: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: BRAZIL UAP: Everything we know about the UFO  Sighting in Brazil on May 31, 2026 DISCLOSURE DAY: Director Steven Spielberg on aliens: "I absolutely think that they have been here" CONSPIRACY: Steven Spielberg rejects Disclosure Day alien conspiracy theories SETI: Position Paper on Declaration of Principles Concerning the Conduct of the SETI ALIEN TECH: SETI Institute Looks for Signs of Technology in Interstellar Visitor 3I/ATLAS BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as "classic" episodes, weekly "additional editions" of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on X. Keep up with Micah and his work at micahhanks.com.

Are we really being prepared for an alien disclosure or is it something far darker? For decades, Hollywood has conditioned the world to look to the skies for salvation, fear and answers. With that being said no filmmaker has shaped that narrative more than Steven Spielberg, the man behind "Close Encounters of a Third Kind", "E.T.", and countless films that turned extraterrestrials into a modern mythology. Now, as government officials openly discuss UFOs and phenomena they claim "defy explanation" the conversation has shifted from science fiction to mainstream headlines. Even political figures like JD Vance and others have suggested that what's being encountered may not be extraterrestrial at all, but spiritual, demonic and deceptive. So what are we really witnessing? A cosmic awakening, a psychological operation, or the final revival of an ancient lie that the Bible has warned about for thousands of years? Alien Intrusion (Book) https://a.co/d/04u0vJqI The Truth Behind Demonic Possession https://youtu.be/5G4yC0x9HGQ?si=avmQxCgOKOtWk2Xo Gary Bates Interview https://youtu.be/v56IMrrPKuA?si=95wMgv-9Ucpv-7_W 24 Hour Live Show https://www.youtube.com/live/c3zdlSVAkis?si=s5V-TIkqCFQHv9S8 Hollywood's War On God hollywoods-war-on-god Facebook: https://www.facebook.com/goodfightministries  Instagram: https://www.instagram.com/goodfightministries  Twitter/X: https://www.twitter.com/goodfightmin  TikTok: https://www.tiktok.com/@goodfightministries  We're on Rumble! https://rumble.com/GoodFightMinistries  Support Us on Patreon: https://www.patreon.com/goodfight 

John Williams has written some of the most famous film scores ever, from Star Wars to Indiana Jones to Jurassic Park. But before the blockbuster success, there was a kid growing up around jazz musicians in New York, and a young composer trying to find his voice. In this episode, journalist Tim Greiving takes us through John's early life and career, from his years as a session player to the meeting with Steven Spielberg that changed everything. Along the way, we unpack the stories behind John's early iconic scores, including the two-note terror of Jaws, the symphonic world of Star Wars, and the mysteries of Close Encounters of the Third Kind. Twenty Thousand Hertz is produced by ⁠⁠Defacto Sound⁠⁠. Subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see our video series. Follow Dallas on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠Facebook⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠. Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you know what this week's mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠. Buy the biography John Williams: A Composer's Life wherever you get your books. Subscribe to Tim's Substack Behind the Moon, an exclusive dive behind the scenes of the book. Find out how you can get the iPhone 17 Pro at no cost with an eligible trade in at att.com/iphone, or by visiting an AT&T store. Learn more about your ad choices. Visit megaphone.fm/adchoices

In anticipation of Disclosure Day, Steven Spielberg’s two most beloved alien films face off in the inaugural Filmspotting Movie Death Match. Representing Close Encounters of the Third Kind is Dr. Margaret A. Weitekamp, Chair of Space History at the National Air and Space Museum. Making the case for E.T. the Extra‑Terrestrial is longtime critic and author Jen Chaney. Host Chris Klimek presides. Which film better captures Spielberg’s vision of alien contact — and his ideas about the nuclear family? Vote at ⁠moviedeathmatch.com⁠. Movie Death Match is a new Filmspotting podcast that determines which one of a pair of linked movies — each championed by a passionate and highly credentialed advocate — shall be preserved in perpetuity, and which one shall be lost to history. Through opening statements, formal debate rounds, and closing arguments, a single cinematic judge renders an irreversible verdict. One movie survives. One is erased. Listeners may disagree — but there are no appeals. Intro & Meeting the Advocates (00:00:00-00:04:40) The Matchup (00:04:41-00:06:21) Opening Statements (00:06:22-00:10:26) Rd. 1: The Movies in Their Time (00:10:27-00:28:49) Rd. 2: The Movies in Our Time (00:28:50-00:45:39) Rd. 3: The Movies for All Time (00:45:40-01:01:57) Closing Arguments & The Verdict (01:01:58-01:04:22) Credits (01:04:23-01:08:40) *** Follow Chris: Instagram | Bluesky | X More From Margaret Weitekamp -Space Craze: America’s Enduring Fascination with Real and Imagined Spaceflight -Right Stuff, Wrong Sex: America's First Women in Space Program More From Jen Chaney -On E.T. and Why the Spielberg Classic Endures -As If! The Oral History of Clueless, As Told by Amy Heckerling, the Cast, and the Crew -Instagram | BlueskySee omnystudio.com/listener for privacy information.