Podcasts about third kind

We discuss the various films Steven Spielberg has released about alien encounters: Close Encounters of the Third Kind (1977), E.T. The Extra Terrestrial (1982), War of the Worlds (2005), and our inciting film, Disclosure Day. Featuring Mark, Lawrence, Sarahlyn, and Al. How is the new film as "mature Spielberg"? Is it as fun as the older films? Is it too heavy handed? Do the older films hold up? Would YOU go with the aliens? Are we as a society too jaded at this point for the Spielberg magic to fully work? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Get started with Claude AI at claude.ai/pmp.

Boorman and the Devil director David Kittredge walks hosts Josh Olson and Joe Dante through the movies he loves that a lot of other people think are terrible! Show Notes: Movies Referenced In This Episode Boorman and the Devil (2026) The Exorcist (1973) Exorcist II: The Heretic (1977) The Exorcist III (1990) The Godfather (1972) The Godfather Part II (1974) Blow-Up (1966) Rocky (1976) Sgt. Pepper's Lonely Hearts Club Band (1978) Apocalypse Now (1979) Excalibur (1981) Grease (1978) Gremlins II: The New Batch (1990) The Apple (1980) Spider-Man: Brand New Day (2026) The Odyssey (2026) Barbie (2023) Oppenheimer (2023) The Thing (1982) E.T. The Extra-Terrestrial (1982) Sorcerer (1977) The Wages of Fear (1964) Cruising (1980) Bad Boy Bubby (1993) Taxi Driver (1976) Dangerous Men (2005) Beyond the Valley of the Dolls (1970) The Black Hole (1979) Star Wars (1977) 20,000 Leagues Under the Sea (1954) Condorman (1981) The Watcher in the Woods (1980) Close Encounters of the Third Kind (1977) Can't Stop the Music (1980) The Fabulous Allan Carr (2017) Xanadu (1980) Hudson Hawk (1991) A History of Violence (2005) The Adventures of Ford Fairlane (1990) Batman Returns (1992) Batman Forever (1995) Looker (1981) The Stepford Wives (1976) Rosemary's Baby (1968) Animal House (1978) Midnight Madness (1980) Meatballs (1979) 1941 (1979) Jaws (1975) It's a Mad, Mad, Mad, Mad World (1963) Dumbo (1941) Scavenger Hunt (1979) The Love Guru (2008) Southland Tales (2007) Room 237 (2012) Ghost Boy (TBD) Spice World (1998) A Hard Day's Night (1964) Black Narcissus (1947) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition The Aero Theatre in Hollywood Mark Kermode John Boorman Martin Scorsese Michael Schultz The A-Team TV series (1983-87) Victor Hsu Aerosmith Earth Wind and Fire Steve Martin Carol Channing The New Beverly Cinema in Los Angeles Richard Kelly Robert Evans IMAX TCL Chinese Theatre Christopher Nolan John Carpenter William Friedkin Menahem Golan Rolf de Heer  Nicholas Hope Cinefile Video The Cannon Group Joss Ackland Walt Disney Pictures Roddy Macdowall Slim Pickens Anthony Perkins Michael Eisner Jeffrey Katzenberg ILM TFH Guru Edgar Wright The Venice Film Festival Caitlyn Jenner Allan Carr Valerie Perinne Steve Guttenberg The Village People Tammy Grimes Paul Sand Bill Butler Nancy Walker Disco Jeffrey Schwartz The cursed 1989 Rob Lowe Oscars Michael Beck Brain Dead Studios in Los Angeles Bruce Willis  Danny Aiello Andie MacDowell  James Coburn David Caruso Sandra Bernhard  Richard E. Grant Steven de Souza Daniel Waters TFH Guru Michael Lehmann The Unmaking of Hudson Hawk by David Hughes (2026) David Hughes' Rogue Commentary podcast Tim Burton Batman Val Kilmer  Nicole Kidman Michael Crichton Albert Finney Susan Dey Leigh Taylor-Young  HBO Rick Rossovich  Tim Rossovich CinemaScope Barry De Vorzon Michael J. Fox David Naughton Stephen Furst Andy Tennant CalTech Eddie Deezen  The Exorcist TV series (2016-17) Steven Spielberg The Zoot Suit Riots William Fraker Treat Williams Ned Beatty Dan Aykroyd John Belushi Joe Flaherty Christopher Lee Toshiro Mifune Warren OatesRobert Stack Mickey Rourke Wendie Jo Sperber Nancy Allen Murray Hamilton Lorraine Gary Tim Matheson  Columbia Pictures Universal Pictures Samuel Fuller John Williams The Egyptian Theatre in Los Angeles Dick Miller Vincent Price Richard Benjamin James Coco Scatman Crothers Ruth Gordon Cloris Leachman Cleavon Little Roddy McDowall Robert Morley Richard Mulligan Tony Randall Dirk Benedict Willie Aames Stephanie Faracy Richard Masur Meat Loaf Avery Schreiber Arnold Schwarzenegger Mike Meyers Cannes Film Festival Rodney Ascher  Steven Poster  Moby Dwayne “The Rock” Johnson Sean William Scott Saturday Night Live TV series (1975- ) Cheri Oteri John Lovitz Nora Dunn John Larroquette Miranda Richardson Justin Timberlake Kevin Smith Janeane Garofalo Wallace Shawn Zelda Rubinstein The Spice Girls Richard O'Brien Michael Powell Emeric Pressburger SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

Fomos para a última casa para vermos o filme da semana, que podemos dizer que meteu muita água. Neste episódio, falamos de notícias, o que andamos a ver, fazemos a review do filme 'The Last House' e terminamos com spoilers.NOTÍCIASLázaro fala sobre um insólito da Netflix (URL) e uma parceria entre a Disney e TikTok (URL);Erick fala sobre o sucesso de ‘Spider-Man: Brand New Day' (URL) e futuros projetos do realizador (URL), adições ao próximo filme da Múmia (URL)(URL), a possibilidade do filme dos ‘Jetsons' (URL), uma possível sequela de ‘Ready Player One' (URL), o próximo papel de Jaafar Jackson (URL) e uma curiosidade sobre o filme ‘Godzilla Minus Zero' (URL).O QUE ANDAMOS A VER?LázaroDead Man Down (2013)The Devil's Own (1997)The Negotiator (1998)LuísRicky Gervais Alley Cats (1ª Temporada)Close Encounters of the Third Kind (1977)Disclosure Day (2026)ErickA River Runs Through It (1992)Sugar (2ª Temporada)Cape Fear (1ª Temporada)Ricky Gervais Alley Cats (1ª Temporada)Para a semana vamos fazer review do filme 'The End of Oak Street'.Até lá, bons filmes.**Música Original produzida por António Capelo (https://capelo.me)Sigam-nos em:https://twitter.com/peliculapodcasthttps://instagram.com/peliculapodcasthttps://facebook.com/peliculapodcast

In which Steven Spielberg goes back to the early days of his career and produces a new spin on Close Encounters of the Third Kind. Well, we say "new"; he updates it to the themes and concerns of the mid-1990s at least. Presented by J.R. Southall, with Ian Winterton

This week on Bad Dads Film Review, we complete our accidental trilogy of “third things.” After covering Close Encounters of the Third Kind on the midweek show, we turn to Army of Darkness, Sam Raimi's third Evil Dead film, and use that as an excuse to dig into the noble, messy and often suspicious art of the threequel.There is no formal intro this week — time has apparently been attacked by Deadites — so we open with a catch-up on what everyone has been watching. Reegs has been busy with Backrooms, Obsession, Disclosure Day and Apple TV's Cape Fear, which gets a recommendation so long as you know going in that it is extremely ridiculous. Sidey has finally finished The Pit, finding the second season weaker than the first but still worth the time, and has also watched Backrooms and started The Mandalorian. Dan has finished series five of Slow Horses, which he continues to push as an absolute treat, and has also seen The Odyssey at the cinema, where three hours apparently went by surprisingly quickly.That leads us into the usual wandering preamble: 4DX screenings with shaking seats, water and wind; panoramic side-screen cinema formats; the Sphere in Vegas; Sidey somehow still not having made it to IMAX; Spider-Man: Brand New Day and big cinema opening weekends; Tom Holland and Jon Bernthal on Hot Ones; and the general horror of people getting overconfident with hot sauce before reality arrives in liquid form.The Top 5 this week is third films in a franchise, which gives us one of those lists where genuinely great films sit shoulder to shoulder with absolute nonsense. Dan opens strongly with The Lord of the Rings: The Return of the King, a film that swept the Oscars so hard it practically brought its own broom. Sidey goes for Toy Story 3, remembering Lotso, Spanish Buzz, the daycare escape, the furnace sequence and the emotional finality of Andy giving up his toys. Reegs makes a spirited defence of The Matrix Revolutions, arguing that its uneasy truce ending and refusal to give everyone a simple victory has aged better than its reputation suggests.From there, we move through Indiana Jones and the Last Crusade, with Sean Connery, River Phoenix and the Holy Grail; The Bourne Ultimatum, which Sidey remembers as peak Jason Bourne closure and kinetic shaky-cam action; Guardians of the Galaxy Vol. 3, praised by Reegs for Rocket's unexpectedly emotional backstory; The Naked Gun 33⅓: The Final Insult, because Frank Drebin remains Frank Drebin; and Die Hard with a Vengeance, which gives Sidey an excuse to talk about Zeus, Simon Says, Jeremy Irons and New York puzzle chaos.There are plenty of other third-film detours too, including RoboCop 3, Austin Powers in Goldmember, The Fast and the Furious: Tokyo Drift, Alien 3, John Wick: Chapter 3 — Parabellum, Back to the Future Part III, Halloween III: Season of the Witch, The Good, the Bad and the Ugly, the Cornetto trilogy, Avengers: Infinity War, Blade: Trinity, Karate Kid Part III and Ocean's 13. Sidey bends the rules by choosing the third episode of Twin Peaks, “Zen, or the Skill to Catch a Killer,” while Dan lands on Before Midnight, the third film in Richard Linklater's Before trilogy.Eventually, we arrive in 1300 AD for Army of Darkness itself. Dan has not seen it, but has correctly gathered that this is not really the same kind of horror film as The Evil Dead. Reegs, who has seen it many times, explains the tonal journey of the series: the first film as bleak, grimy horror; Evil Dead II as a genuine horror-comedy masterpiece; and Army of Darkness as the point where Ash becomes the full cartoon version of himself — part action hero, part idiot, part Bruce Campbell chin-delivery system.We talk about Sam Raimi's direction, Bill Pope's cinematography before The Matrix, Danny Elfman's contribution to the score, and the way Raimi's visual energy clearly echoes forward into later filmmakers such as Edgar Wright. The plot is gloriously simple and gloriously stupid: Ash is dragged through time after Evil Dead II, lands in the middle of a medieval conflict between Lord Arthur and Henry the Red, gets thrown into a pit, fights Deadites, reclaims his chainsaw hand, introduces everyone to the boomstick, and immediately becomes insufferable once the locals start treating him as their prophesied saviour.The film then sends Ash off to retrieve the Necronomicon, with one very clear instruction: say the words “Klaatu barada nikto” before taking the book. Naturally, Ash being Ash, he half-remembers, fudges it and unleashes the titular army of darkness. Along the way we get the windmill sequence, tiny mirror Ashes, Three Stooges slapstick, bad Ash splitting out of good Ash, Sheila falling for exactly the worst man available, and a castle siege finale full of skeletons, homemade weapons, a modified car and Ray Harryhausen-style chaos.We also get into the two endings: the darker UK/director's cut version, where Ash takes too many drops and wakes up in a ruined future, and the more crowd-pleasing US S-Mart ending, where he returns to work, tells the story and gets one last heroic Deadite showdown. Reegs prefers the bleaker ending because it feels funnier and more in keeping with Ash's ability to mess up almost everything.The verdict is affectionate, even if slightly qualified. Reegs still thinks Evil Dead II is the one to watch if you only watch one Evil Dead film, and he does not think Army of Darkness is great in quite the same way. But it is funny, quotable, inventive and packed with cult moments: the boomstick, S-Mart, “primitive screwheads,” bad magic words, skeleton armies and Bruce Campbell at maximum Ash. Sidey thinks Dan would probably enjoy it, describing it as something like The Princess Bride with Ray Harryhausen effects and comedy horror nonsense thrown in.So the final recommendation is simple: if you only watch one, Reegs says watch Evil Dead II. If you ask Sidey, just watch them all.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Our month of 70's movies kicks off with an absolute classic.  Close Encounters of the Third Kind was a revolutionary film and we do a deep, modern-day dive.  Is Roy Neary one of the worst dad/husbands in movie history?  Did you know Carl Weathers was in this movie?   How about Old Man Marley?  Ever had a third-wheel like Larry?  We touch on all of this and so much more! •0:00:00 - Introductions •0:02:00 - Memories of first viewing •0:05:30  - Pertinent movie details  •0:11:00  -  Critical and fan reviews •0:19:00 - Scene by scene breakdown  •1:43 :00 - Modern day ratings —————————————————————— SPONSORS-  **Cedar Ridge Distillery-  Go check out our sponsor and order some whiskey.  http://cedarridgewhiskey.com **QUINCE-  Download the Quince app for app-exclusive offers, or go to http://Quince.com/confused . Get free shipping on your order and 365-day returns.  Nowavailable in Canada and the UK, too **K12-  See how K12 Powered Schools can help unlock your child's full potential.  Enroll online today at http://K12.com/confused  **TruDiagnostics- Our listeners can get 20% off at http://TruDiagnostic.com using code CONFUSED at checkout. **PROGRESSIVE- Visit http://progressive.com  **FABLETICS-  Get 80% off everything when you sign up as a VIP! Just head to http://Fabletics.com/confused  **LITTLE SLEEPIES-  If you're expecting or dressing little ones, check out Little Sleeps.  You can visit http://littlesleepies.com and use promo code GOODNIGHT for 10% off of your first order.  **WAYFAIR- Find furniture, decor, and essentials that fit your unique style and budget. http://Wayfair.com   —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Dylan Mick and NicMad. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Bad Dads Film Review, the dads look to the skies for Steven Spielberg's Close Encounters of the Third Kind, a film packed with UFO classifications, mysterious lights, mashed potato mountains, musical alien communication and one of cinema's more questionable parenting decisions.Sidey begins by digging into what a “close encounter of the third kind” actually means, using J. Allen Hynek's UFO classification system as a guide. The dads move from first and second kind sightings into the third kind itself, before noting that later fourth and fifth kinds make parts of Spielberg's film feel even stranger in retrospect. From there, the conversation follows the film's global mystery: missing aircraft in the Sonoran Desert, the SS Cotopaxi, Bermuda Triangle mythology, air traffic controllers who definitely do not want to file an official UFO report, and Claude Lacombe's calm international investigation.The episode then turns to Roy Neary, whose roadside encounter with the impossible changes him completely. The dads talk through the power outage, the lights, the shaking truck, the radio interference and the physical burn that marks Roy's experience as more than just a sighting. What follows is one of Spielberg's most famous depictions of obsession, as Roy becomes consumed by an image he cannot explain: first in shaving foam, then in mashed potato, and eventually in the enormous Devil's Tower model that takes over his family home.Barry's abduction also gets plenty of attention, partly because the sequence remains so unsettling and partly because Dan remembers the repeated cry of “Barry!” as one of those film moments that became permanently lodged in family folklore. The dads discuss Spielberg's clever methods for directing such a young child, the way Barry's toys come to life, and the strange mixture of fear and wonder that runs through the whole sequence.As the film moves toward Devil's Tower, the dads dig into the bigger ideas underneath the spectacle. Close Encounters is a film about translation, interpretation and communication: people trying to understand languages, music, symbols, visions and experiences that do not fit ordinary life. Reegs picks up on the repeated non-verbal communication, while the group discuss how the aliens never feel like a straightforward invading force in the Independence Day mould. Spielberg's first contact is eerie and overwhelming, but also curious, musical and strangely hopeful.The final act gives the episode its big Spielberg moment: the government cover story, the fake contamination zone, the secret landing site, the five-note musical conversation, the glass-shattering alien volume and the mothership reveal that still looks astonishing nearly fifty years later. The dads also touch on production trivia, including model details, Easter eggs such as R2-D2, and the famous Spielberg/Lucas percentage swap between Close Encounters and Star Wars.Naturally, the Bad Dads courtroom saves its harshest scrutiny for Roy boarding the alien ship. Is he a terrible dad for abandoning his family, or does his altered mental state earn him some kind of cosmic mitigation? Sidey is ready to place Roy firmly in the Bad Dad category, while Dan offers a partial defence on the grounds that Roy has clearly been changed by forces beyond normal human control. Either way, it leads into a broader discussion of Spielberg's recurring interests in fathers, fragmented families, engineers, artists, music, communication and wonder.The verdict is a unanimous strong recommend. Nearly fifty years on, Close Encounters of the Third Kind still works as spectacle, mystery, family drama, spiritual science fiction and pure Spielberg awe. It is hopeful without being naïve, strange without becoming hostile, and still technically impressive thanks to practical effects, patient build-up and one of cinema's great mothership reveals. Roy may or may not get a full Bad Dad pardon, but the film itself absolutely gets a pass.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Alex Grand & Jim Shooter fill in the gaps not discussed from his career spanning biographical interview with Alex Grand & Jim Thompson.  Shooter starts off on licensing deals with why the movie Star Wars saved Marvel whereas the Superman film didn't, licensed products like Close Encounters of the Third Kind, Starriors, Crystarr & Raiders of the Lost Ark, Battlestar Galactica, Godzilla & Shogun Warriors, Micronauts, ROM , GI JOE, pushing HASBRO to make female GIJOE's, Marvel Productions animation's relationship with Stan Lee under DePatie & Margaret Loesch, the origin of Transformers & Optimus Prime, Spider-Man and his Amazing Friends with Iceman & FireStar,  his creation of Cybertron, Stan Lee's formal title as publisher in the 1980s, Star Comics, Care Bears, He-Man, Spider-Ham, Royal Roy Harvey lawsuit with Warren Kremer, ThunderCats, Avengers 200 with Marcus & Carol Danvers, 1986 being the year of corporate war, Jim Owsley/Christopher Priest, Why he didn't stop New Universe after funding was cut, his working relationship with Barry Windsor-Smith and Valiant corporate deals, why he penciled under the name Paul Creddick in the early Valiant days, Don Perlin, working on new Valiant and Darkhorse with Mike Richardson in 2007, and his final verdict on Gary Groth and the Comics Journal.  Edited & Produced by Alex Grand.  #Animation #Jim Shooter #Godzilla  #GIJoe #Transformers© 2021 Comic Book Historians, LLC.Support the show

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In light of the dismal Disclosure Day (2026), we return to two films that show Spielberg tackling alien visitation (or invasion) stories while at the height of his powers. Close Encounters of the Third Kind (1977) and The War of the Worlds (2005) are decades apart, yet united by a single image and devotion to their audiences. The first is as Disneylike as Pinocchio; the second conjures memories of 9/11. Both show domesticity under great strain as families and infrastructures break down; one ends with hope while the other simply stops. Incredible bumper music by John Deley. The War of the Worlds is based on H. G. Wells's 1898 novel, which you can purchase here. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at fifteenminutefilm@gmail.com with requests and recommendations. Check out Dan Moran's substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla's substack, The Grumbler's Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

THE TRUTH IS OUT THERE—AND STEVEN SPIELBERG IS READY TO DISCLOSE IT! John Humphrey & Jackie Bonsignore watch Disclosure Day for the first time in this Disclosure Day full movie reaction and review of Steven Spielberg's 2026 UFO thriller! Emily Blunt and Josh O'Connor lead this epic alien disclosure story about two strangers drawn into a dangerous conspiracy surrounding the existence of extraterrestrial life. John & Jackie react to the mysterious weather broadcast, crop-circle spectacle, high-speed pursuit sequences, and Spielberg's return to the legendary science-fiction territory of Close Encounters of the Third Kind, E.T., and War of the Worlds! Disclosure Day Full Movie Reaction Watch Along:   / thereelrejects   In this Disclosure Day movie reaction, full reaction, and review, directed by Steven Spielberg and written by David Koepp (Jurassic Park, War of the Worlds), Disclosure Day stars Emily Blunt as meteorologist Margaret Fairchild (Oppenheimer, A Quiet Place), Josh O'Connor as cybersecurity specialist Daniel Kellner (Challengers, The Crown), Colin Firth as Noah Scanlon (The King's Speech), Colman Domingo as Hugo Wakefield (Rustin, Euphoria), Eve Hewson as Jane Blankenship (Bad Sisters), and Wyatt Russell as Jackson (Thunderbolts*, Overlord). John & Jackie discuss the film's tense UFO mystery, conspiracy-thriller pacing, large-scale spectacle set pieces, John Williams' iconic score, and Spielberg's masterclass approach to alien encounters and humanity's search for the ultimate truth! Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Bad Dads Film Review, the dads head into deep space for Project Hail Mary — a Ryan Gosling-led Andy Weir adaptation about astrophage, reluctant heroism, alien engineering, musical communication and the most loveable rock-spider in modern sci-fi.What we coveredThe return to Podcast Mountain after a week off, with Sidey explaining why recent recording plans went slightly sideways.Sidey and Reegs seeing The Streets at Alexandra Palace, immediately considering Iceland, and generally having a far better time than Sidey later had in Malta.Malta being very hot, not especially relaxing, and a strong avoid unless you are on the picturesque ferry to Gozo.Family hotel movie nights, including a MonsterVerse run and the crushing parental disappointment of Raiders of the Lost Ark being switched off for being boring.Ryan Gosling news from Comic-Con, including Ghost Rider, Star Wars, and whether anyone can make Ghost Rider look good on screen.Gosling's range: Only God Forgives, Lars and the Real Girl, The Gray Man, blockbuster charm and oddball credibility.Andy Weir, The Martian, and why the dads respond to optimistic science-problem movies where clever people solve practical disasters.The central crisis: astrophage is eating the Sun's energy, reducing solar output and threatening Earth.The Hail Mary mission as humanity's last desperate throw, sent to Tau Ceti because that system appears mysteriously resistant to the astrophage problem.Ryland Grace waking from stasis with no memory, dead crewmates, a HAL-like computer and a beard that suggests deep-space personal care needs work.The flashbacks revealing Grace as a molecular biologist turned school teacher recruited by Eva Stratt to help understand astrophage.The moral ugliness of Grace not volunteering for the suicide mission, then being sedated and sent anyway after the intended crew are killed.The grim Earthside stakes: collapsing sunlight, food-chain panic, frightened children and governments handing Stratt extraordinary power.First contact with Rocky, the engineer from Erid whose own planet is facing the same astrophage disaster.Rocky's musical language, the translation process, and the dads' comparison with Close Encounters of the Third Kind.The two-ship friendship: different atmospheres, pressure barriers, xenonite tunnels and two scientists learning to trust each other through diagrams and experiments.Rocky's look: rock-like, spider-like, toy-like and somehow instantly endearing.The discovery of taumoeba, the organism that eats astrophage and offers a possible solution for both Earth and Erid.Rocky saving Grace at huge personal risk, then Grace choosing to use his remaining fuel to save Rocky when he realises Rocky's ship is in danger.The film's optimistic message: cooperation across species, cultures and worlds is the only thing that saves anyone.Grace ending up on Erid, teaching alien children about Earth, and the dads enjoying the full-circle return to teaching.The reported $200 million budget, worldwide box office heading toward $700 million, UK-built Hail Mary sets, and Gosling's likely “double bubble” as star and producer.Key moments / quotesSidey says “hopes were high for Project Hail Mary” because of the Gosling/Andy Weir pedigree.Dan explains the title through American football: the last desperate throw into the end zone.The dads note that Grace “didn't fucking volunteer”, which makes Earth's plan morally spicy even if the stakes are existential.Rocky's musical tones immediately bring Close Encounters to mind.The group enjoy the idea of a sci-fi film built around “scientist guy figuring shit out”.Cris appreciates that the film is warmer and more colourful than the bleaker spaceship sci-fi he usually struggles with.Sidey reads the Grace/Rocky relationship as a story about different worlds working together on the same problem.Cris highlights the happy ending, the little rock children and the satisfying “don't go back / actually he should go back” emotional turn.Sidey notes the film has done serious box office business against a huge production budget.The final verdict lands simply: “Strong? Strong. Strong. Yeah. Strong.”VerdictThe dads give Project Hail Mary a unanimous strong recommend. They respond to the Andy Weir problem-solving structure, Ryan Gosling's easy likeability, the film's optimistic tone, and especially Rocky — an alien sidekick/friend/co-scientist who turns the film from simple survival story into something warmer and more memorable.It is big-budget, accessible sci-fi with a hopeful streak: funny, emotional, smart enough to feel satisfying, and powered by the very Bad Dads-friendly idea that cooperation beats panic, even when the Sun is being eaten.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Steven Spielberg's long‑standing obsession with extraterrestrials has practically become its own cinematic signature. From the awe‑struck wonder of Close Encounters of the Third Kind to the tender magic of E.T., from the apocalyptic terror of War of the Worlds to the pulpy alien chaos tucked inside Indiana Jones and the Kingdom of the Crystal Skull, he's spent decades gazing upward and asking what might be looking back. Now, in 2026, he returns to that cosmic frontier with a new film crafted alongside his longtime collaborator, legendary filmmaker and screenwriter David Koepp.IMDB offers only a single, enigmatic provocation: “If you found out we weren't alone—if someone showed you, proved it to you—would that frighten you?” It's a tease that reveals almost nothing, a whisper of a premise designed to stir curiosity rather than satisfy it. Spielberg has always loved mystery, and here he leans into it fully, letting the question hang in the air like a signal from deep space.What is clear is the strength of the cast. Emily Blunt anchors the film with what early buzz claims may be the most powerful performance of her career. She's joined by Spielberg regulars Colman Domingo and Eve Hewson, along with Josh O'Connor, Wyatt Russell, and Colin Firth—who reportedly devours every moment he's given. With an 80% score on Rotten Tomatoes, the film has landed as a solid, if not earth‑shattering, box office success in Spielberg's extraterrestrial canon. And now your co‑hosts dive in, exploring the movie's mysteries and debating whether the Grays finally step out of the shadows and into a podcast pick.

This Episode was Originally released as a Premium Episode on May 14th, 2026.On May 8th, 2026, the United States Government released UFO files, UAP documents, UFO reports, and declassified alien files. In this episode, we cover the files, facts, and theories.From unexplained sightings to military encounters and newly declassified documents, these newly released UFO files have reignited debates about UAPs, extraterrestrials, and what the government may actually know.In this episode of Theories of the Third Kind, we break down the biggest revelations, the weirdest videos, and the strangest information that was released.Newly Released UFO Files ExplainedWatch the full episode on YouTube:▶ https://bit.ly/TheoriesOfTheThirdKindYTSupport the show + unlock bonus episodes:

Jill Elizabeth and Kevin Schaefer dive into the cinematic treasure chest of Steven Spielberg, each revealing their top five favorite films from the legendary director. From making audiences fear the water to eliciting tears over an extraterrestrial friendship, Spielberg's films resonate on so many levels that narrowing it down is no easy feat. Kevin kicks off the discussion with some underrated gems, while Jill shares her nostalgic favorites that reveal personal insights into Spielberg's life, especially through the lens of family dynamics. They banter back and forth, sharing heartfelt opinions and clever observations, all while exploring how Spielberg's storytelling has shaped the film industry and our collective imaginations. Whether it's the thrill of adventure or the warmth of family, this episode is a delightful celebration of a director whose work has left an indelible mark on cinema. A deep dive into the cinematic brilliance of Steven Spielberg unfolds as Jill Elizabeth and Kevin Schafer reminisce about their favorite films from the legendary director. The conversation kicks off with an enthusiastic nod to Spielberg's knack for thrilling audiences, from the terror of Jaws to the heartwarming adventures of E.T. These two cinephiles share their personal top five Spielberg films, showcasing not only the iconic titles but also some underrated gems like The Adventures of Tintin. Kevin passionately articulates his affection for the film, highlighting the groundbreaking animation and the collaborative magic of Spielberg and Peter Jackson, while Jill reflects on how it deserves more love in the wider Spielberg discourse. As they shift gears, they delve into the more personal side of Spielberg's work, particularly with The Fabelmans, a semi-autobiographical look at his childhood, which resonates deeply for its honest portrayal of family dynamics and the craft of filmmaking. As they navigate through childhood nostalgia and adult reflections, the duo examines how Spielberg's films have shaped their perspectives. They touch on themes of family, responsibility, and the passage of time, with Jill drawing poignant parallels between the characters' journeys and their own lives. Kevin's insights into the emotional core of films like Close Encounters of the Third Kind and Hook reveal a deeper understanding of Spielberg's artistry. The discussion also highlights the evolution of Spielberg's storytelling, emphasizing his ability to blend humor with heart-wrenching narratives. Ultimately, this episode serves as a love letter to Spielberg's body of work, celebrating the profound impact his films have had on audiences and filmmakers alike, while also sparking a conversation about representation and diversity in Hollywood. Jill and Kevin take listeners on an enjoyable journey through the filmography of Steven Spielberg, exploring their top picks and the personal connections they hold. The episode highlights not only classic films like Raiders of the Lost Ark and Jurassic Park, but also lesser-known titles that deserve more recognition. They share anecdotes about their first encounters with these films and the emotions they evoke, painting a vivid picture of what Spielberg's work means to them. As they discuss the intricate layers of his storytelling, they reflect on the societal themes present in his films and the importance of representation in cinema. Their banter is peppered with humor and insightful observations, making for an engaging listen that resonates with both casual fans and die-hard cinephiles. By the end, listeners are left with a renewed appreciation for Spielberg's contributions to the film industry and an eagerness to revisit his timeless classics.Takeaways:Jill and Kevin highlight how Spielberg's films have shaped our childhood experiences, from fear of sharks to the wonder of flying bikes.The duo emphasizes the unique storytelling in 'The Fabelmans' and how it offers insight into Spielberg's emotional journey and family dynamics.They discuss the underrated charm of 'The Adventures of Tintin,' showcasing its animation style and strong character development that often goes unnoticed.In this episode, they passionately debate the emotional depth of 'Indiana Jones and the Last Crusade,' focusing on the father-son relationship and its implications.Kevin argues that 'Close Encounters of the Third Kind' lays the groundwork for Spielberg's exploration of spirituality and connection with extraterrestrial themes.They critique the lack of diverse voices in Spielberg's filmography while acknowledging his impact on cinema and the importance of evolving narratives..Be sure to check out our merch, find extra content, and become an official member of Systematic Geekology on our website:https://systematic-geekology-shop.fourthwall.com/.Listen to more of our film review episodes:https://player.captivate.fm/collection/6a01e00d-cfd7-4041-a7a4-1fd32c545050.Check out other episodes with Jill:https://player.captivate.fm/collection/93b2d7c5-1f3a-4fdb-8d87-350f6ca167b9.Don't miss any of Kevin's episodes:https://player.captivate.fm/collection/84fd7d06-cf1f-48e5-b358-09a01c5a6bc9Mentioned in this episode:Become a member of Systematic Geekology on our Website!Check out the link to become a member of Systematic Geekology! All member get exclusive extras and shout outs on the show! Some of the paid tiers of membership get store discounts, free merch, and more!SG on FourthwallSystematic GeekologyOur show focuses around our favorite fandoms that we discuss from a Christian perspective. We do not try to put Jesus into all our favorite stories, but rather we try to ask the questions the IPs are asking, then addressing those questions from our perspective. We are not all ordained, but we are the Priests to the Geeks, in the sense that we try to serve as mediators between the cultures around our favorite fandoms and our faith communities.Follow us on Instagram and BlueSky to keep up to date!Follow our show on our socials to keep up to date and get some exclusive content and fun memes!Subscribe to our show on YouTubeYou can get the video version of the show and lots of extra exclusives on our YouTube channel!YouTubeThe Anazao Podcast NetworkBe sure to check out the network website to see other podcasts trying to engage honestly with Scripture, Theology, Pop Culture, Martial Arts, Science, and more!Anazao Podcast Network

Ryan joins the boys to talk about a great outdoor movie for summer! You can catch Ryan at iO Fest on Friday July 24 with Big Freak: https://www.crowdwork.com/e/io-fest-26-friday-1-day-pass?date=2026-07-24T12:00:00 Movie discussed: Close Encounters of the Third Kind (1977) If you enjoy the Overtalking Podcast, please RATE and especially REVIEW on Apple Podcasts, Spotify, or wherever you listen! Visit our website at overtalkingpod.party Follow us on Facebook, Twitter, and Instagram @overtalkingpod Email us at overtalkingpod@gmail.com or give us a call and leave us a message at (872) 228-1591 Theme song by Justin Peters

Season 3 will have more great guests and more great discussions about movies, including Spielberg's Close Encounters of the Third Kind, Guillermo del Toro's Frankenstein, and Capra's It's a Wonderful Life, among others.See this episode's notes for links to our LETTERBOXD with each season's films collected season by season. Plus, you can contact us to recommend a movie, suggest a guest, or nominate yourself as a guest.Remember! Subscribe AND provide a review of the show wherever you listen to podcasts!-about the podcast:https://www.designersonfilm.com/frequently-asked-questions-LETTERBOXD Season 3https://boxd.it/UxwBk-LETTERBOXD Season 2https://boxd.it/Kkuik-LETTERBOXD Season 1https://boxd.it/xfW8K-contact us, online form:https://www.designersonfilm.com/hollaback-contact us, hotline, text or voicemail:704-681-6880

To celebrate the release of 'Disclosure Day,' we are looking back on two Steven Spielberg alien movie classics with guest Adam Sirdoreus. Stick around for part 2 in which we feature Adam's updated full Spielberg ranking. In 1977, Steven Spielberg followed up the smash success of JAWS with 'Close Encounters of the Third Kind,' starring Richard Dreyfus as a man experiencing a sort of psychotic episode brought on by an encounter with an alien spacecraft. The film is a seminal work for Spielberg, boasting his signature wonder layered in paranoia and mystery. It is regarded as one of the best works of all time in the science fiction genre, showcasing some truly awe-inspiring special effects. In 1982, Spielberg somehow improved on his achievement with 'E.T. the Extra-Terrestrial,' starring Henry Thomas as a boy who becomes friends with friendly alien creature. It is without a doubt one of the most emotionally impactful and important films of all time, and perhaps Spielberg's best work.

Oftentimes on The Flop House we wind up watching Hollywood movies that are just kind of dull or mediocre or unimaginative. The Bride!... is not one of those. For all its flaws, it's at least a bona fide personal vision that also happens to be a fiasco. And you know what? That's kind of heartwarming. We're joined by Kenice Mobley to dissect (ha) the many parts that make up The Bride! And if you like Kenice, check out The Hot Guy Draft in August! Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for The Bride! Recommended in this episode: Dan: Close Encounters of the Third Kind (1977) Stu: Exit 8 (2025) Elliott: The Straight Story (1999) Kenice: Lisa Frankenstein (2024) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

This week on Forgotten Cinema, Forgotten Summer continues with "War of the Worlds", Steven Spielberg's intense adaptation of the H.G. Wells classic.After covering "Flight of the Navigator", discussing "Close Encounters of the Third Kind" in their Lead Up series, releasing a Patreon-exclusive episode on "E.T. the Extra-Terrestrial", and reviewing "Disclosure Day", it only felt right for the Mikes to tackle another one of Spielberg's unforgettable alien films.Both Mike Butler and Mike Field love "War of the Worlds". From Spielberg's masterful direction to the relentless pacing and unforgettable set pieces, the film remains just as gripping today as it was upon release. Even after multiple viewings, Butler finds himself on the edge of his seat throughout much of the movie.Of course, the Mikes still have a few nitpicks. Cruise's portrayal of Ray as an almost unbelievably irresponsible father feels exaggerated during the first half of the film, though both agree it ultimately pays off as his character grows over the course of the story. Butler also revisits one of the classic criticisms of the story itself: how could an incredibly advanced alien civilization spend (at least!) centuries preparing to invade Earth without accounting for the planet's microscopic dangers?One of the film's highlights for both Mikes is Tim Robbins' unforgettable performance, which leads to one of the movie's most tense and memorable sequences. They also discuss the controversial ending that has divided audiences for years. While both are ultimately satisfied with it, Butler understands why some viewers struggle with the family's reunion. However, the Mikes point out that both the ending and the aliens' ultimate fate come directly from H.G. Wells' original novel.Thrilling, suspenseful, and packed with unforgettable moments, "War of the Worlds" remains one of Spielberg's finest modern blockbusters and a standout entry in the alien invasion genre.What do you think of "War of the Worlds"? Let us know in the comments below!

The truth belongs to seven billion people. That's the promise of Disclosure Day, Steven Spielberg's return to science fiction and to the extraterrestrial obsessions that have haunted his work since Close Encounters of the Third Kind. Whether audiences are ready to believe is a different matter.Mike White and Chris Stachiw of The Kulturecast sit down with the summer's most buzzy Spielberg event film. Written by David Koepp from a story by Spielberg, Disclosure Day follows a cybersecurity whistleblower and a meteorologist caught in the aftermath of a government cover-up about alien life. The film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo, with a score by John Williams — his thirtieth collaboration with Spielberg. Mike and Chris weigh in on whether the film lives up to Spielberg's legacy or settles for familiar comfort.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

The truth belongs to seven billion people. That's the promise of Disclosure Day, Steven Spielberg's return to science fiction and to the extraterrestrial obsessions that have haunted his work since Close Encounters of the Third Kind. Whether audiences are ready to believe is a different matter.Mike White and Chris Stachiw of The Kulturecast sit down with the summer's most buzzy Spielberg event film. Written by David Koepp from a story by Spielberg, Disclosure Day follows a cybersecurity whistleblower and a meteorologist caught in the aftermath of a government cover-up about alien life. The film stars Emily Blunt, Josh O'Connor, Colin Firth, Eve Hewson, and Colman Domingo, with a score by John Williams — his thirtieth collaboration with Spielberg. Mike and Chris weigh in on whether the film lives up to Spielberg's legacy or settles for familiar comfort.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth 

Doug Trumbull spent fifty years trying to convince Hollywood that the way movies are projected is fundamentally broken, and most of the industry never listened. The visual effects supervisor behind 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner, and Star Trek: The Motion Picture, and the director of Silent Running and Brainstorm, Trumbull passed away in 2022. This conversation originally aired in July 2020, before a lot of you were listening, and it's one of the fullest records of him explaining his life's obsession in his own words. We're pulling it back out of the archives because it deserves a wider audience than it got the first time around. Chris and Doug cover the whole arc: getting hired at Graphic Films off a satellite painting, cold calling Stanley Kubrick's secret phone number to get on 2001, the accidental discovery of double stars that led him toward persistence of vision research, and the Showscan process he patented at Paramount. They also get into Trumbull's MAGI process, 4K stereo at 120 frames per second, representing 40 times the data of a traditional HD video, and Chris's own experience helping produce a piece of content rendered through it as a proof of concept. Trumbull gives his blunt account of Ang Lee allegedly misusing his patented process on Gemini Man. This is a conversation about a man who understood something about how movies work that almost nobody in the industry, including some of its biggest directors, ever fully grasped. Guest: Doug Trumbull > Referenced in this episode: 2001: A Space Odyssey Close Encounters of the Third Kind Star Trek: The Motion Picture Blade Runner Silent Running Brainstorm Showscan process > Future General Corporation (Paramount R&D division) > MAGI process > Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/

After making ‘ET' and ‘Close Encounters of the Third Kind' in the ‘70s and ‘80s, Steven Spielberg returns to the theme of extraterrestrials in his new film, ‘Disclosure Day.' He spoke with Terry Gross in 2022 about how he fell in love with movies, became a filmmaker, and about growing up Jewish in the aftermath of World War II and the Holocaust.Also, book critic Maureen Corrigan reviews ‘Two Ships,' a new book about two conflicting versions of American identity.Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Send us Fan MailWelcome back to DMRs Disclosure Day Spoiler Review! In this episode, we break down Steven Spielberg's highly anticipated 2026 sci-fi outer worldly thriller, analysing how it serves as the ultimate culmination of his alien legacy. We track his cosmic evolution over fifty years, contrasting the child-like wonder of Close Encounters of the Third Kind and E.T. with the visceral, post-9/11 apocalyptic dread of War of the Worlds, leading directly into the deep-state corporate paranoia of his latest masterpiece.Our comprehensive cast and character breakdown features stellar performances from Emily Blunt as the telepathic meteorologist Margaret Fairchild, Josh O'Connor as cybersecurity whistleblower Dr. Daniel Kellner, and Colin Firth playing brilliantly against type as the cold corporate villain Noah Scanlon, alongside powerhouse roles from Eve Hewson and Colman Domingo. Plus, we countdown the top 10 spoiler moments from the David Koepp-penned script and connect the film's tense plot to real-world UFO disclosure history—from the iconic 1947 Roswell crash to Brazil's legendary 1996 Varginha incident, right up to the modern satellite data leaks of 2026.Chapters 0:00 Intro & Audible 30-Day Free Trial03:25 Spielberg's Alien Films07:22 What is Disclosure Day09:21 Real World Alien Events17:01 The Characters & Cast20:27 Disclosure Day Spoilers 26:17 DMRs Verdict If you like this deep dive DMR review hit like, share and subscribe!#disclosureday #alien #aliens #ufo #ufos #conspiracyDMR is proud to be part of the Audible Creator Program. Support the channel and grab a 30-day free trial + any audiobook for free (even if you cancel!) here:  https://www.audibletrial.com/aOGYPR (I earn a commission if you sign up via this link at no extra cost to you. Thanks for the support!)Support the showThe audio/video clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

The podcast is entirely independent media with zero corporate backing. To support the show and unlock the full, uncut Weekender episodes, head over to patreon.com/muckrakepodcast. Co-hosts Jared Yates Sexton and Nick Hauselman kick off the weekend edition of the podcast with a look at shocking election results and the intersection of entertainment and modern politics. The discussion covers progressive primary surges, intense establishment pushback, and a bizarre new theory regarding the death of nu metal. The New York Shift: Leftist candidates backed by New York City Mayor Zohran Mamdani secure surprising victories in the New York primaries, including Brad Lander unseating incumbent Dan Goldman. Nick and Jared break down the significance of these primary wins and how a promise to address material conditions is changing the progressive landscape. Establishment Meltdown: The primary results trigger a wave of panic and overreaction from both the right wing and centrist Democrats like Hakeem Jeffries and Jamie Harrison. The discussion outlines an impending stress test for the future principles of the Democratic Party. Trump's Legislative Hostage Situation: Attention turns to the Trump administration as the president blocks a bipartisan housing bill. Jared details how corporate carve-outs allowed the bill to pass, while Trump holds it hostage in a bid to force an end to the filibuster for an anti-voting law. Reflecting Pool Retaliation: Meanwhile, security cracks down at the Lincoln Memorial Reflecting Pool. Surveillance and out-of-state law enforcement are being deployed to manufacture "Antifa culprits" for the peeling paint and algae caused by the administration's own rush job. Tucker's Tweener Turn: Former Fox News host Tucker Carlson makes the rounds claiming he can no longer support the Republican Party. Jared analyzes this shift as a calculated, mercenary move to position himself for a future political comeback. The Woodstock '99 Nu Metal Conspiracy: A viral right-wing theory claims that the elites intentionally killed off nu metal and bands like Limp Bizkit to prevent an angry white male revolution. Nick and Jared debunk this framing, demonstrating how the death of rock was actually driven by corporate monopolies and streaming shifts rather than a cultural Marxist plot. Weekend Reviews & Brain Rot: To wrap up, Nick gives a scathing review of Steven Spielberg's overlong new film Disclosure Day, prompting a trip down memory lane comparing it to Close Encounters of the Third Kind and Arrival. Plus, Jared shares his ongoing psychological torment over a legendary Black Eyed Peas earworm.

Welcome back to Not A Bomb! — the podcast where we resurrect cinema's most infamous box office disasters and ask the burning question: is it a bomb?This week, the guys march into the chaos of Steven Spielberg's 1979 war comedy 1941. Fresh off the unprecedented successes of Jaws and Close Encounters of the Third Kind, Spielberg was handed the ultimate Hollywood blank check to make whatever he wanted. The result was an enormous, effects-driven comedy about panic erupting across Southern California in the days following Pearl Harbor. While 1941 wasn't a full-blown box office bomb, it fell well short of the massive expectations surrounding Spielberg's first comedy, becoming one of the earliest examples of how even Hollywood's hottest director wasn't immune to a stumble.But was the film unfairly judged, or is 1941 simply too loud, too chaotic, and too overstuffed for its own good? Troy and Brad break down the film's incredible cast, jaw-dropping practical effects, and the fascinating production that saw Spielberg pushing his filmmaking ambitions to new heights. The hosts also discuss how the film's reputation has evolved over the decades, why it has developed a passionate cult following, and how its perceived failure may have helped shape Spielberg's remarkable run of classics that followed.Sound the air raid sirens, keep an eye on the Ferris wheel, and join Not A Bomb as they revisit one of Hollywood's most fascinating near-misses, proving that sometimes even a box office disappointment can become an unforgettable piece of blockbuster history.Want to help support the show? Head over to the Not A Bomb Tee Public store and check our merchandise. Special thanks to Ted Blair for the amazing designs!We're committed to hearing your feedback and suggestions. If there's a cinematic flop you'd like us to delve into, please reach out to us at NotABombPod@gmail.com or through our contact page. Your reviews and feedback are what drive us. If you enjoy our content, consider leaving a review on Apple Podcast or Spotify.Cast: Brad, Troy

When “Jaws” hit theatres in 1975, no one—neither the studio executives involved nor the film's twenty-six-year-old director, Steven Spielberg—was betting on its success. But it dominated at the box office and promptly revolutionized the way movies were promoted, distributed, and merchandised. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz trace how Spielberg inaugurated a new phenomenon in Hollywood: the blockbuster. He would tap his own playbook again and again with such hits as “Close Encounters of the Third Kind,” “E.T.,” and “Jurassic Park,” all of which drew impressive audiences and profits. The hosts talk through his filmography, culminating in his new release, “Disclosure Day,” which both replicates and iterates on themes and techniques found in his earlier work. Though other directors may share his capacity for spectacle and action-packed set pieces, much of his appeal lies in his profound earnestness. “What Spielberg is so good at is bringing the human to the fore in these extreme, sci-fi circumstances,” Schwartz says. “And that's what makes a great blockbuster.”   New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Disclosure Day is not Steven Spielberg’s first film about the confirmation of alien life, nor is it the first such Spielberg film we’ve discussed on this podcast — that would be Close Encounters of the Third Kind, which we covered a decade ago. But Spielberg’s latest is specifically concerned with whether humanity possesses the empathy to process such a revelation, a question that led us directly to his 1982 classic E.T. the Extra-Terrestrial, about the empathetic link between a 10-year-old boy and an orphaned alien that crash-lands in the forest outside his suburban home. So this week we’re revisiting E.T. to consider how Spielberg, with a crucial assist from Melissa Mathison’s screenplay, navigates the sentimentality of a story that’s all about feelings. Then in Feedback, our recent episode on Babe: Pig in the City prompted a listener to share their own recommendation for an unusually dark kids’ movie. (#529) Please share your thoughts about E.T. the Extra-Terrestrial, Disclosure Day, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

The guys disclose their thoughts on Steven Spielberg's latest alien entree Disclosure Day, said to be a spiritual sequel to his 70's sci-fi classic Close Encounters of the Third Kind – then ruminate over whether 1997's Contact is a better “but if they made themselves known” movie exploration. WATCH: https://youtu.be/ipt5BfB6_J4 Follow Cinereelists: Facebook – Twitter – Instagram – TikTok Follow James: Letterboxd – BlueSky Follow Zach: Letterboxd – Twitter Follow Kyle: Letterboxd Support the show on Patreon. Subscribe: iTunes / RSS Have a film suggestion you think we've never seen and want us to discuss on the show? Send your...

Welp, Steven Spielberg went and released Disclosure Day, a spiritual sequel to 1977's Close Encounters of the Third Kind, which updates the alien myth for a new generation...but will it BLEND? Join Alex, Jesse, and Mathas as they discuss its ups and downs.https://www.disclosuredaymovie.com/ CHILLUMINATI is a weekly comedy podcast hosted by Mike Martin, Jesse Cox and Alex Faciane. Hold on to your tin-foil hats and traverse the realms of the mysterious, supernatural, spooky and sometimes truly horrible - and your third eye will never be the same!Subscribe to our Patreon to support us and for extra content like full video episodes, weekly Minisodes, exclusive art, and more at http://patreon.com/CHILLUMINATIPODThank you to our sponsors:Stop putting off those doctors appointments and go to zocdoc.com/chill to find and instantly book a doctor you love today.Mike Martin - http://www.youtube.com/@themoleculemindset Jesse Cox - http://www.youtube.com/jessecox Alex Faciane - https://www.youtube.com/@StarWarsOldCanonBookClub/Editor: DeanCutty Producer: Hilde @ https://bsky.app/profile/heksen.bsky.social Show Art: Studio Melectro @ http://www.instagram.com/studio_melectro Logo Design: Shawn JPB @ https://twitter.com/JetpackBraggin

by UFO History Buff & Author, Charles Lear Ted Bloecher, who passed away not too long ago at the age of 94, was a researcher/investigator who started out in the days of flying saucers as a founding member of Civilian Saucer Intelligence of New York and was active until the mid-1980s. He was an early researcher of humanoid reports starting in 1955, just after the 1954 French humanoid wave and the 1955 Kelly-Hopkinsville incident, and was the author of numerous publications on the subject. Tucked away in the United Kingdom file of the downloads section of the Archives for the Unexplained website is a report he wrote titled Close Encounters of the Third Kind that was published in 1977 by the British UFO Research Association. According to the introduction, the paper was prepared for a talk he gave at the BUFORA National UFO Conference at the Centre Hotel in Birmingham, England, in November 1976. The subtitle describes the paper as “The preliminary presentation of extensive study into UFO cases involving the reported sightings of humanoids and other alien beings.” In this blog, we'll look at some of the highlights. Read more →CONTACT AND SUPPORT

Jamie, Jimmy and Bob know that this means something, this is important when discussing the script to Steven Spielberg's 1977 Sci-Fi masterpiece Close Encounters of the Third Kind.

Cryptids 3 explores Bizarre creatures from the World of Strange encounters: The Batsquatch, The Vegetable Man, and Le Loyon.From a glowing humanoid said to drain blood in West Virginia, to a giant bat-like creature reported near Mount St. Helens, to a mysterious masked figure haunting the forests of Switzerland, these cryptids are some of the strangest legends we've covered.In this episode of Theories of the Third Kind, we break down the sightings, stories, theories, and unanswered questions behind Batsquatch, The Vegetable Man, and Le Loyon.If you're searching for cryptids, strange creatures, unexplained encounters, paranormal stories, or mysterious legends, this episode covers three cases that are truly bizarre.Cryptids 3.Watch the full episode on YouTube:▶ https://bit.ly/TheoriesOfTheThirdKindYTSupport the show + unlock bonus episodes:

Adam and Josh review Steven Spielberg’s Disclosure Day, praising star Emily Blunt and the impeccably staged action while questioning whether Spielberg and screenwriter David Koepp’s spiritual sequel to Close Encounters of the Third Kind captures the same sense of wonder. Then, Adam (finally) reviews the hit live-action/CGI hybrid The Sheep Detectives, plus Massacre Theatre. This episode is presented by⁠ Regal Unlimited⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code FILMSPOT26 to take 15% off. (Timecodes/chapters may not be precise with ads.) Intro (00:00:00-00:01:50) Disclosure Day (00:01:51-00:45:09) Filmspotting Family (00:45:10-00:51:34) The Sheep Detectives (00:51:35-00:57:35) Notes (00:57:36-00:59:40) Massacre Theatre (00:59:41-01:03:32) Credits / Releases (01:03:33-01:05:53) Links: -Filmspotting Fest II: June 27-28, 2026⁠ ⁠ ⁠https://www.filmspottingfest.com⁠ -Movie Death Match Podcast: Close Encounters vs. E.T.⁠ ⁠ ⁠https://www.filmspotting.net/episodes⁠ Feedback: -Email us at feedback@filmspotting.net⁠⁠ ⁠⁠⁠⁠-⁠Ask Us Anything⁠⁠⁠⁠⁠ and we might answer your question in bonus content. Support: -Filmspotting Shop for T-shirts and more.⁠ ⁠ ⁠https://www.filmspotting.net/shop⁠⁠⁠⁠ Follow: -Watch Filmspotting on YouTube: ⁠https://youtube.com/filmspotting⁠ -Adam/Filmspotting: ⁠Letterboxd⁠ |⁠ Instagram⁠ |⁠ Facebook⁠ | ⁠Bluesky⁠ -Josh/LarsenOnFilm: ⁠Letterboxd⁠ | ⁠Instagram⁠ |⁠ Facebook⁠ | ⁠BlueskySee omnystudio.com/listener for privacy information.

Jim Hill and Eric Hersey return with a packed Epic Universal Podcast covering the newest Halloween Horror Nights reveal, fresh Epic Universe developments, and more chatter from Universal Orlando and Hollywood. Eric shares impressions from his Helios Grand Hotel stay, while Jim digs into the latest Universal news from Stranger Things to the United Kingdom resort. Then Jim uses Steven Spielberg's new UFO movie Disclosure Day as a launchpad for the strange story of Night Skies, the terrifying alien film that nearly became E.T. NEWS • Stranger Things returns to Halloween Horror Nights with a new house tied to the final season of the Netflix series. • Jim and Eric weigh whether Stranger Things or Sinners will be the marquee Halloween Horror Nights draw this year. • Epic Universe prepares to debut Universal's Celestial Goodnight, a nighttime spectacular with fireworks, fountains, and music. • A major new Dark Universe permit points to a 71,000 square foot structure, fueling speculation about Universal Monsters expansion. • The hosts discuss Universal United Kingdom Resort rumors, including possible James Bond, Back to the Future, Paddington, and Lord of the Rings connections. FEATURE • Jim traces the road from Close Encounters of the Third Kind to the abandoned Night Skies project. • The feature explores the real 1955 Hopkinsville, Kentucky UFO incident that inspired Spielberg's scarier alien concept. • Jim explains how Melissa Matheson helped transform Night Skies into E.T. while Spielberg was filming Raiders of the Lost Ark. • The story also covers Rick Baker's unused alien designs, Columbia's rejection of E.T., and why Disney passed on the project. HOSTS • Jim Hill - X/Twitter: @JimHillMedia, Instagram: @JimHillMedia, Website: jimhillmedia.com • Eric Hersey - X/Twitter: @erichersey, Instagram: @erichersey, Website: strongmindedagency.com FOLLOW • Facebook: @JimHillMediaNews • YouTube: @jimhillmedia • TikTok: @jimhillmedia • Patreon: https://www.patreon.com/jimhillmedia/ SUPPORT Support the show and access bonus episodes and additional content at https://www.patreon.com/jimhillmedia. PRODUCTION CREDITS Edited by Dave Grey Produced by Eric Hersey - https://strongmindedagency.com SPONSOR Planning a trip to Universal Orlando or Walt Disney World? Visit UnlockedMagic.com to save up to 12% on theme park tickets, with Express Pass options now available for even more savings. If you would like to sponsor a show on the Jim Hill Media Podcast Network, reach out today. https://www.jimhillmedia.com/sponsor/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Fri, 19 Jun 2026 23:15:00 GMT http://relay.fm/rd/289 http://relay.fm/rd/289 The Third Kind of Show 289 Merlin Mann and John Siracusa Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. clean 4907 Subtitle: Siracusa remembers he was upset that his head was bleeding.Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. Links and Show Notes: Merlin's fans are spinning, and John has thoughts on a novel new Secret Weird Things People Do. (Recorded on Tuesday, June 9, 2026) Credits Audio Editor/Woodwinds Wrangler: Jim Metzendorf Admin Assistance: Kerry Provenzano Music: Merlin Mann The Suits: Stephen Hackett, Myke Hurley Get an ad-free version of the show, plus a monthly extended episode. John's appsHyperspace, SwitchGlass, and Front and Center. Jason Santa Maria's website Jason Santa Maria's website in 2005 How Bryce Harper uses toothpaste Can You Pet the Dog? - Wikipedia Can You Pet the Dog on Bluesky IEEE 754 - Wikipedia How Integers and Floats WorkA Wizard Zine, by Julia Evans An exampl

Roy Neary (Oscar-winner Richard Dreyfuss) was just a mild-mannered Indiana family man working for the power company.  Until one evening while out on the job.....he had an encounter with an unfamiliar being blasting brilliant light into the night sky.  What results for Roy is an increasingly bizarre descent into madness as he not only feels drawn towards seking out these otherworldy beings but also begins to alienate his wife (Teri Garr) and family in the process.  And he's not the only one: there's also Jillian Guiler (Oscar nominee Melinda Dillon) who is also drawn towards seeking out these strange, new visitors.  Both of their journeys eventually lead them Devil's Tower in Wyoming where these "visitors" might be headed.  Also eventually heading this way are two curious scientists (Francois Truffaut, Bob Balaban) who have been trying to figure out the best way to communicate with these extra terrestrials.  It all adds up to a transcendant experience and one of THE greatest films from one of our greatest living directors, Two-time Oscar-winner Steven Spielberg (Schindler's List, Raiders of the Lost Ark, ET) as his direct follow-up to the singular phenomenon which was Jaws. See below for a link to an extended sequence added to the 1980 "Special Edition" of this film, referred to within this review:https://www.youtube.com/watch?v=gqiSIaia-k4&t=197sHost & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/ 

Paul and Amy look to the skies with Close Encounters of the Third Kind, Steven Spielberg's awe-inspiring follow-up to Jaws and one of cinema's most influential visions of alien contact. They unpack the film's ambitious production, from Spielberg's growing creative confidence, Douglas Trumbull's groundbreaking effects work and the casting. Along the way, they explore the movie's themes of obsession, faith, communication, and government secrecy, and why its sense of wonder still feels so powerful nearly fifty years later. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

The humble potato: an unlikely movie star. Chef, author, and culinary extraordinaire Courtney McBroom joins Dave and Chris at the table in the clubhouse as they dig into the iconic potato scenes in 'Close Encounters of the Third Kind,' 'The Martian,' and 'White Man's Burden.' With Vrbo, what you book is what you get. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this edition of Somewhere in the Skies Classics, we revisit our fascinating conversation with Paul Hynek, son of legendary astronomer and UFO researcher Dr. J. Allen Hynek. As the UAP conversation continues to expand in 2026 through congressional hearings, military testimony, and renewed scientific inquiry, Hynek's work remains more relevant than ever. Known for his work on Project Blue Book, creating the Close Encounters classification system, and consulting with Steven Spielberg on Close Encounters of the Third Kind, J. Allen Hynek helped bring UFOs into both the scientific and cultural mainstream. Paul offers a rare, personal look at his father's investigations, his evolving views on the phenomenon, the real stories behind Project Blue Book, and why Hynek's commitment to evidence-based inquiry continues to influence today's UAP debate. Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Livestream music by Punch Deck: https://www.youtube.com/@PunchDeck Copyright © 2026 Ryan Sprague. All rights reserved. #Spielberg #DiscloseDay #Disclosure #UFOs #UFO #CloseEncounters #UAP #ProjectBlueBook #Hynek #Aliens Learn more about your ad choices. Visit megaphone.fm/adchoices

Ryan is joined by Hollywood insiders, screenwriters, and Sound, Light & Frequency podcast hosts Bryce Zabel and Brent Friedman for an in-depth, spoiler-filled review of Disclosure Day, the latest from legendary filmmaker Steven Spielberg. Having both worked with Spielberg and spent years exploring the intersection of Hollywood, science fiction, and the UFO phenomenon, Bryce and Brent bring unique insider perspectives to one of the year's most talked-about films. Together, they break down the film's themes, performances, visual storytelling, and its handling of UFO disclosure, government secrecy, and extraterrestrial contact. The discussion explores how Disclosure Day compares to Spielberg's iconic alien films, including Close Encounters of the Third Kind, E.T. the Extra-Terrestrial, and War of the Worlds, while examining the real-life UFO cases, historical references, and hidden easter eggs woven throughout the movie. Where does Disclosure Day rank among Spielberg's greatest science-fiction films? Does it succeed as a UFO disclosure movie? And how accurately does it reflect decades of UFO history and research? Join us for a passionate, honest, and detailed conversation as we unpack every major moment, reveal our favorite scenes, debate its biggest surprises, and determine where Spielberg's newest alien outing stands in the pantheon of UFO cinema. Subscribe to Sound, Light & Frequency: https://soundlightfrequency.com/ Join us at ANOMACON on September 12th: http://www.anomacon.com Send us a voicemail: https://www.speakpipe.com/SomewhereSkiesPod Patreon: http://www.patreon.com/somewhereskies ByMeACoffee: http://www.buymeacoffee.com/UFxzyzHOaQ Substack: https://ryansprague.substack.com/ All socials and books: https://linktr.ee/somewhereskiespod Follow Suzanne on X: https://x.com/csuzannelanders Email: ryan.sprague51@gmail.com Opening theme song by Septembryo Closing song by Per Kiilstofte Copyright © 2026 Ryan Sprague. All rights reserved. ⁠#DisclosureDay⁠ ⁠#StevenSpielberg⁠ ⁠#Aliens ⁠⁠#UAP⁠ ⁠#AlienMovies⁠ ⁠#CloseEncounters⁠ ⁠#MovieReview⁠ ⁠#BryceZabel⁠ ⁠#BrentFriedman⁠ ⁠#SciFiMovies⁠ ⁠#FilmAnalysis⁠ ⁠#MoviePodcast⁠ ⁠#Disclosure⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Almost 50 years ago, Steven Spielberg directed “Close Encounters of the Third Kind,” the story of an average man who discovers that humanity may not be alone in the universe. Over the decades, Spielberg has directed several movies about what would happen if humanity made contact with aliens. Would the aliens be kind like the title character in “E.T. the Extra Terrestrial”? Would they be cruel like the murderous aliens of “War of the Worlds”? And regardless of what the aliens were like, would we humans be ready to receive them? Spielberg returns to the question of whether we're alone in the universe, and what it might mean if we're not, with his new film “Disclosure Day.” Today, he sits down with Rachel Abrams, a host of “The Daily,” to talk about the film, and about what he has learned over five decades of making movies about aliens.   On Today's Episode Steven Spielberg, director of “Disclosure Day.”   Background Reading ‘Disclosure Day' Review: Spielberg Plays His Greatest Cosmic Hits What Steven Spielberg Taught Me About Fear, Catharsis, and Being Human   Photo credit: Paolo Pellegrin/Magnum, for The New York Times Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stephen Spielberg brings aliens back to the big screen in Disclosure Day. But how does his new blockbuster compare to his alien classics like E.T. and Close Encounters of The Third Kind? Our heroes Emily Blunt and Josh O'Connor are compelled by something they don't understand, and there are authority figures trying to keep a huge secret from the public. If you need more summer blockbusters, check out: ‘Jaws' is still stuck in our teeth, 50 years laterThe summer blockbusters we finally watchedConnect with Pop Culture Happy Hour:Letterboxd / FacebookOur weekly newsletterSupport Pop Culture Happy Hour+See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Strange News 19 covers six bizarre stories from around the world, including a fake bear attack insurance scam, a quadruple amputee cornhole player indicted for murder, an internet-famous dog stolen in China, a human skull found at a thrift store, an ex-CIA officer accused of stealing millions in gold bars, and a major social media addiction lawsuit against Meta and YouTube.In this episode of Theories of the Third Kind, we break down the strangest news stories making headlines, from true crime and bizarre scams to disturbing internet cases and shocking legal battles.If you're searching for strange news, weird news, bizarre true crime, odd stories, conspiracy news, or unexplained headlines, this episode covers the strangest stories happening right now.Strange News 19.Watch the full episode on YouTube:▶ https://bit.ly/TheoriesOfTheThirdKindYTSupport the show + unlock bonus episodes:

Congressional hearings, whistleblower allegations, and the release of new government records in recent weeks have continued to fuel public questions of whether long-hidden information about UFOs may finally be coming to light. And part of that fascination also extends to Hollywood, with the forthcoming release of Steven Spielberg's film Disclosure Day, which early reviews have called one of the Close Encounters of the Third Kind director's best films in decades. This week on The Micah Hanks Program, we look at the possibility of a real-life "Disclosure Day," and how a scientific committee long involved in the serious search for evidence of intelligent life on other worlds is working on establishing new protocols for how final proof of alien life should be revealed to the public if we find them. Want to advertise/sponsor The Micah Hanks Program? We have partnered with the AdvertiseCast to handle our advertising/sponsorship requests. If you would like to advertise with The Micah Hanks Program, all you have to do is click the link below to get started: AdvertiseCast: Advertise with The Micah Hanks Program Show Notes Below are links to stories and other content featured in this episode: BRAZIL UAP: Everything we know about the UFO  Sighting in Brazil on May 31, 2026 DISCLOSURE DAY: Director Steven Spielberg on aliens: "I absolutely think that they have been here" CONSPIRACY: Steven Spielberg rejects Disclosure Day alien conspiracy theories SETI: Position Paper on Declaration of Principles Concerning the Conduct of the SETI ALIEN TECH: SETI Institute Looks for Signs of Technology in Interstellar Visitor 3I/ATLAS BECOME AN X SUBSCRIBER AND GET EVEN MORE GREAT PODCASTS AND MONTHLY SPECIALS FROM MICAH HANKS. Sign up today and get access to the entire back catalog of The Micah Hanks Program, as well as "classic" episodes, weekly "additional editions" of the subscriber-only X Podcast, the monthly Enigmas specials, and much more. Like us on Facebook Follow @MicahHanks on X. Keep up with Micah and his work at micahhanks.com.

John Williams has written some of the most famous film scores ever, from Star Wars to Indiana Jones to Jurassic Park. But before the blockbuster success, there was a kid growing up around jazz musicians in New York, and a young composer trying to find his voice. In this episode, journalist Tim Greiving takes us through John's early life and career, from his years as a session player to the meeting with Steven Spielberg that changed everything. Along the way, we unpack the stories behind John's early iconic scores, including the two-note terror of Jaws, the symphonic world of Star Wars, and the mysteries of Close Encounters of the Third Kind. Twenty Thousand Hertz is produced by ⁠⁠Defacto Sound⁠⁠. Subscribe on ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to see our video series. Follow Dallas on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠Facebook⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠. Support the show and get ad-free episodes at ⁠⁠⁠⁠⁠⁠⁠⁠⁠20k.org/plus⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you know what this week's mystery sound is, tell us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠mystery.20k.org⁠⁠⁠⁠⁠⁠⁠⁠⁠. Buy the biography John Williams: A Composer's Life wherever you get your books. Subscribe to Tim's Substack Behind the Moon, an exclusive dive behind the scenes of the book. Find out how you can get the iPhone 17 Pro at no cost with an eligible trade in at att.com/iphone, or by visiting an AT&T store. Learn more about your ad choices. Visit megaphone.fm/adchoices

In anticipation of Disclosure Day, Steven Spielberg’s two most beloved alien films face off in the inaugural Filmspotting Movie Death Match. Representing Close Encounters of the Third Kind is Dr. Margaret A. Weitekamp, Chair of Space History at the National Air and Space Museum. Making the case for E.T. the Extra‑Terrestrial is longtime critic and author Jen Chaney. Host Chris Klimek presides. Which film better captures Spielberg’s vision of alien contact — and his ideas about the nuclear family? Vote at ⁠moviedeathmatch.com⁠. Movie Death Match is a new Filmspotting podcast that determines which one of a pair of linked movies — each championed by a passionate and highly credentialed advocate — shall be preserved in perpetuity, and which one shall be lost to history. Through opening statements, formal debate rounds, and closing arguments, a single cinematic judge renders an irreversible verdict. One movie survives. One is erased. Listeners may disagree — but there are no appeals. Intro & Meeting the Advocates (00:00:00-00:04:40) The Matchup (00:04:41-00:06:21) Opening Statements (00:06:22-00:10:26) Rd. 1: The Movies in Their Time (00:10:27-00:28:49) Rd. 2: The Movies in Our Time (00:28:50-00:45:39) Rd. 3: The Movies for All Time (00:45:40-01:01:57) Closing Arguments & The Verdict (01:01:58-01:04:22) Credits (01:04:23-01:08:40) *** Follow Chris: Instagram | Bluesky | X More From Margaret Weitekamp -Space Craze: America’s Enduring Fascination with Real and Imagined Spaceflight -Right Stuff, Wrong Sex: America's First Women in Space Program More From Jen Chaney -On E.T. and Why the Spielberg Classic Endures -As If! The Oral History of Clueless, As Told by Amy Heckerling, the Cast, and the Crew -Instagram | BlueskySee omnystudio.com/listener for privacy information.

In this Special Anniversary Episode, we look back at the history of the podcast, recap some of our favorite moments over the years, rank our past episodes, and revisit the Theories, Conspiracies, and Strange topics that helped shape the show. We also dive into Rapid Fire Theories, Anything Goes Conspiracy Headlines, Would This Kill a Victorian Child?, and talk about what's next for Theories of the Third Kind. Thank you to everyone who has listened, shared, supported, and gone down these rabbit holes with us over the last seven years. You are Not Alone. We Love You and are Proud of You. Watch the full episode on YouTube:▶⁠ https://bit.ly/TheoriesOfTheThirdKindYT⁠Support the show + unlock bonus episodes: