Podcasts about violin sonata no

To complete our Thursday Heritage Concert Series, Japan born and raised violinist, Yuhka Nagai and NZ pianist Kent Isomura, present a programme including two NZ premier pieces by contemporary Japanese composers, alongside the works of two European greats.  Six pieces by Hikaru Hayashi (1931-2012) and a Nursery song by Rikuya Terashima (1964-) from Amami are related to Okinawan folk music which comes from the South of Japan. Traveling from Japan to Europe, Yukha and Kent play Rondo K.269/261 by W.A. Mozart and Violin Sonata No.1 by R. Schumann. The Mozart Rondo K.269/261 was most likely composed for A. Brunetti and written in the time he wrote his famous 5 violin concertos between 1773 and 1777. It was possibly a replacement of the finale for his violin concerto No.1, K.207. R. Schumann's 1st violin Sonata is dramatic and has his expressions of unstable emotions and the depth of energy.

Donald Macleod explores the key influences and music of Edvard Greig.Donald Macleod looks at the people and places that had a significant impact on Edvard Grieg's life and work, meeting Norwegian fiddlers, folksong collectors and nationalist firebrands along the way. From Henrik Ibsen, who commissioned Grieg to write his most famous work, to the composer's wife Nina, for whom he wrote all his songs, this week Donald explores the key influences on the composer's outlook and development.Music Featured:Holberg Suite: I. Praeludium Symphonic Dances (3rd & 4th mvts) Piano Concerto No 1 (2nd & 3rd mvts) Peer Gynt Suite No 1 Lyric Pieces Book 1: IV Elves' Dance Violin Sonata No 1 in F major (3rd mvt) In Autumn Funeral March for Richard Nordraak (arr for orch by Johan Halvorsen) Ballade Hjertets melodier: III Jeg Elsker Deg 6 Songs, Op 25 (No 2, En Svane & No 4, IV Med en Vanlilje) Violin Sonata No 2 (3rd mvt) Piano Concerto No 1 (1st mvt) 6 Songs Op 39 (No 4, Millom Rosor) 6 Songs Op 39 (No 5 Veng en ung Hustrus Bare) arr. for choir 6 Songs Op 48 (No 4, Zur Rozenheit & No 6, Ein Traum) Two Elegaic Melodies Springar after Kristian Lund Album Leaves, Op 28 (No 4) String Quartet Op 27 (3rd & 4th mvts) The Mountain Thrall 12 Melodies Op 33 (No 9) 19 Norwegian Folk Tunes Op 66 (excerpts) Norwegian Dances, Op 35 (Nos 3 & 4) Lyric Pieces Op 43 (No 3, In my homeland) Violin Sonata No 3 (1st mvt) Wedding Day at Troldhaugen Peer Gynt Suite No 2 Haugtussa (Nos 6-8) Stimmungen Op 73Presented by Donald Macleod Produced by Megan Jones for BBC Audio Wales and WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Edvard Grieg (1843-1907) https://www.bbc.co.uk/programmes/m001y2c0And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

If you've got a copy of our new February 2024 issue, (or seen it online) you would've seen our Masterclass feature on the first movement of Brahms's Violin Sonata no.2, op.100 with violinist Daniel Kurganov. The interview for the Masterclass feature was just a tiny part of a larger conversation that, in addition to Daniel's musical and technical advice on the work, included his wider thoughts on historical performance and the meaning of authenticity. Have a listen to an excerpt online editor Davina's interview with Daniel, which starts off with him giving a bit of historical context on the piece that he has recorded and released recently with pianist Constantine Finehouse, on their album The Brahms Age. Watch: Video premiere: Brahms Violin Sonatas on authentic instruments Read: Daniel Kurganov: on starting the violin at age 16 Check out thestrad.com for the latest news, articles and reviews on all things to do with string playing. Register and subscribe to access exclusive archival content from 2010 onwards. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB  Find us on social media: Facebook.com/thestrad X: @TheStradMag Instagram: @the_strad_ Brahms Violin Sonata no.2 in A major op.100 I: Allegro amabile Daniel Kurganov, violin / Constantine Finehouse, piano The Brahms Age Hänssler Classic

Maude Minvera stood in the penthouse of the Minerva tower, blue lotus drops circulating in her veins keeping the black worm parasite subdued. She was drinking in the ostentatious figure that was her grandmother Miriam Minerva, unknown to her her entire life. It would have been difficult to take in the room, her grandmother and the great lie she'd been told with a clear head, let alone filled with diluted blue lotus.Happy New Year!!This season features Bach's Violin Sonata No. 1 in G minor--Selene - A Narrated Supernatural MysteryTheme Song by Matt Vanacorohttps://www.patreon.com/CleverthanA Clever > Than Productioncleverthan.com Hosted on Acast. See acast.com/privacy for more information.

Temperance bounced down the stairs with a rare smile, she was dressed in a draped top and harem pants gathered at the ankle, with matching sequined slippers. her platinum hair was up in a bun, held in place not with the decorative comb her mother had bought her, but a simple wooden pencil. She spent all day getting her outfit right, and the pencil with the name facing outward at just the correct angle took most of that time. It was the last full length pencil in the house, one with the name Duncan proudly stamped into the wood. This season features Bach's Violin Sonata No. 1 in G minor--Selene - A Narrated Supernatural MysteryTheme Song by Matt Vanacorohttps://www.patreon.com/CleverthanA Clever > Than Productioncleverthan.com Hosted on Acast. See acast.com/privacy for more information.

Shiner came to on the cellar floor of the Tannery House. His hot cheek pressed on the cold stone, his mouth and throat extended, a dark puddle before him, and a dead black worm parasite in its last throes of miserable life. This season features Bach's Violin Sonata No. 1 in G minor--Selene - A Narrated Supernatural MysteryTheme Song by Matt Vanacorohttps://www.patreon.com/CleverthanA Clever > Than Productioncleverthan.com Hosted on Acast. See acast.com/privacy for more information.

Wolfgang Amadeus Mozart: Violin Sonata No. 33: Theme and VariationsTakako Nishizaki, violinJeno Jando, pianoMore info about today's track: Naxos 8.553590Courtesy of Naxos of America, Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

SynopsisThe Third Sonata for Violin and Piano written by American composer William Bolcom had its premiere on today's date in 1993 at the Aspen Music Festival in Colorado. The work was commissioned to honor the 75th birthday of Dorothy Delay, a legendary violin teacher who taught at Juilliard for many years.Now, the violin is a strange animal for composers to master, especially if they aren't violinists already, and Bolcom subtitled his Third Violin Sonata “Sonata Stramba” –“stramba” being the Italian word for “strange” or “odd.”Bolcom confessed to being fascinated by two musical sounds more than any other: the voice and the violin. “When I was about ten,” Bolcom recalls, “we trundled out my maternal grandfather's imitation Stradivarius, made in Czechoslovakia, and I took a few not-very-successful lessons. When the violin was stolen out of the back seat of my father's Buick that was the end of my studies of the instrument.” Bolcom did become a very talented pianist, however, and befriended a violinist named Gene Nastri, who initiated the young composer into the mysteries of the instrument by performing Mozart and Beethoven Violin Sonatas with him, as well as the fledgling violin works written by the young composer.Music Played in Today's ProgramWilliam Bolcom (b. 1938) Violin Sonata No. 3 (Irina Muresanu, vln; Michael Lewis, p.) Centaur 2910

Following a performance of Schumann's Violin Sonata No.1 in A minor Op.105 by Alina Ibragimova and Cédric Tiberghien, Bernard Clarke delves into the life of Robert Schumann.

Synopsis On today's date in 1803, violinist George Polgreen Bridgetower, age 33, and pianist and composer Ludwig van Beethoven, age 32, gave the first performance in Vienna of a new Sonata in A Major for Violin and Piano, a chamber work now regarded as one of Beethoven's greatest. At the first rehearsal, Bridgetower had to read from Beethoven's manuscript score – no easy task considering Beethoven's poor penmanship – and at one point felt compelled to improvise a passage, which so enchanted Beethoven that he added Bridgetower's improvisation to his score. In fact, the two young men became fast friends, and were inseparable for a time. Bridgetower was an English violin virtuoso born in Poland of a European mother and an African father. His Viennese friendship with Beethoven came to a sudden end, Bridgetower later claimed, when the two men became interested in the same young lady. And so, even though it should be known as the Bridgetower Sonata, when this music was published as Beethoven's Op. 47, Beethoven dedicated the music to another contemporary virtuoso, a French violinist named Kreutzer, who apparently never performed it. Despite that fact, to this day, the work is known as Beethoven's Kreutzer Sonata. Music Played in Today's Program Ludwig van Beethoven (1770 – 1827) Violin Sonata No. 9, Op. 47 (Kreutzer) Pamela Frank, violin; Claude Frank, piano MusicMasters 67087

“Zadok the Priest” is the musical hit of British coronations, and has been since the 1720s. “The Swan” is a hit too, and is never more magical than in Godowsky's piano arrangement. These are two of the selections in this episode. Others are by Mozart, Leroy Anderson, and other worthies. An appetizing, eclectic menu. Handel, “Zadok the Priest” Mozart, Serenade from “Don Giovanni” Anderson, Piano Concerto in C Handel, “Ah, mio cor, schernito sei,” from “Alcina” Saint-Saëns-Godowsky, “The Swan” Bacewicz, String Quartet No. 4 Cilea, “Poveri fiori” from “Adriana Lecouvreur” Bach-Godowsky, Andante from the Violin Sonata No. 2 in A minor

In part two, discover the origins and history of cinderella as we embark on “The Story Of The Story”. First up, we follow the trail of Cinderella from ancient Greece through Basile, Perrault, and the Grimms, by way of medieval France, as we trace her literary origins. We then attempt to work out where Cinderella really came from, and seek help from some expert friends as we define the tale and explore what exactly it's trying to tell us. Enjoy the final installment of this gripping two-parter where we delve into one of the most famous stories of all time - Cinderella (aka Cenrillon, Cennerentola, and the Cinderella Cat). Twitter Facebook Instagram Patreon   grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Beethoven's Violin Sonata No.8 in G major 1. Allegro assai // Brahms' Waltz Op 39 No 15 // Tchaikovsky's Serenade for Strings in C Major, Op. 48: II Moderato, Tempe Di Valse

Wolfgang Amadeus Mozart - Violin Sonata No. 6: Minuet Carol Wincenc, flute Gena Raps, piano More info about today's track: Naxos 8.570263 Courtesy of Naxos of America, Inc. Subscribe You can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed. Purchase this recording Amazon

Joshua and Angela discuss the life and times of Europe's most renowned virtuoso violinist of the 18th and 19th centuries, George Bridgetower. In the age of the global slave trade, competing empires, and revolution, Bridgetower exemplified the refinement, sophistication, and mastery of the classical era while rubbing elbows with the European elite. Featured Music:"Henry, A Ballade," by George Bridgetower, feat. soprano Benita Borbonus"Violin Sonata No. 9, Mvt. 3: Finale," by Ludwig Van Beethoven, feat. violinist Itzhak Perlman and pianist Vladimir AshkenazySupport the show

Katy Hamilton with her pick of recordings of the last and greatest of Edvard Grieg's three violin sonatas, written when the composer was living in Troldhaugen in 1886-7.

08 07 2022 - Violin Sonata No. 7 In C Minor; 1. Allegro Con Brio by Snowmass Chapel

The Weilerstein Duo releases an EP of Charles Ives' Violin Sonata No. 3.Newly discovered by violinist Grant Houston, one of the Weilersteins' students at New England Conservatory, the recording is now being released for the first time.Purchase the music (without talk) at:Ives: Violin Sonata No. 3 (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Katy Salomon representing Primo Artists. 

What's a musician to do in a world where you can't make noise? A survivor thinks back to his time during The Phenomenon invasion, and the violinist who saved his life. The Phenomenon: Survivors is an anthology of standalone, self-contained stories Credits for “The Lingering Strain” Starring Seth Humerick, Katusha Jin, Graham Rowat, Carmina Manley, and Jerry Schultz Written by Jordan Cobb Directed by Jared J. Smith Based on the world of The Phenomenon created by R.K. Katic Produced by Jared J. Smith, Andrew Pomeroy, and Öykü Çakar-Smith Music and Sound Design by Andrew Pomeroy Cover Art by Amanda Pecharsky Violin by Raina Arnett, performing Bach's Violin Sonata No. 1 in G minor Additional voices by Michelle Bovee, Lea Palmieri, Mark Van Hare, and Lesley Fre The Phenomenon is a production of Luciola Creative Find episode transcripts, merch, show information, and more at phenomenonpod.com This episode is sponsored by Noom. Visit noom.com/phenomenon and start your trial today.

WGTE's Haley Taylor checks in with violinist Lara St. John (a "high-powered soloist" according to the New York Times). Lara's new album is Key of A - a collaboration with pianist Matt Herskowitz which pairs Beethoven's Violin Sonata No. 9, “Kreutzer,” in A Major with César Franck's Sonata in A major for Violin and Piano.

Synopsis Today marks the anniversary of the creation of a famous classical music nickname, “Les Six” – French for “The Six.” That's what Parisian music critic Henri Collet dubbed six composers in a magazine article on this day in 1920. Three of the composers Collet named are performed more often these days – Darius Milhaud, Arthur Honegger and Francis Poulenc – while the other three composers – George Auric, Louis Durey, and the only woman in the group, Germaine Tailleferre – are heard less frequently. Though Tailleferre is counted among the neglected half of Les Six, her music has been having something of a revival lately, perhaps it's a belated recognition that much of her work remains fresh and appealing. This music is from her Violin Sonata No. 1, composed in 1921 and dedicated to the great French violinist Jacques Thibaud. Born near Paris in 1892, Tailleferre was a prodigy with an astounding memory. Erik Satie proclaimed her his “musical daughter,” and she was also close friends with Maurice Ravel. Two unhappy marriages and resulting financial insecurity inhibited Tailleferre's talent in later years, and dimmed her fame, but she continued to compose and teach until her death at age 91, in 1983. Music Played in Today's Program Germaine Tailleferre (1892-1983) — Violin Sonata No. 1 (Renate Eggebrecht, violin; Angela Gassenhuber, piano) Troubadisc 1406

This week, we start out with a rousing round of Name That Tune AKA Stump the Hosts and then we move on to our three topics:NIGEL KENNEDY PULLS OUT OF CLASSIC FM CONCERTThe GuardianBLYTHELY ORATONIO'S DEBUT AS DON JOSESchmopera BlogVAN MagazineOratonio's original cabaret performanceMARGARET HILLIS INTERVIEW RELEASED BY CSOYouTubeCLASSICAL MIXTAPEThe full playlistTiffanyBeethoven, Violin Sonata No. 8WillQuinn Mason, Toast of the TownKenshoProkofiev, Alexander Nevsky: Alexander's Entry Into PskovTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.沢田完 - ソフィアとともだち；2.岩崎元是 - あこがれ；3.群星 - 春城孤鹤；4.Dan Gibson - Adagio from Violin Sonata No.5 in F Major, Op.24. Spring ；5.Endless Melancholy - You Are The Moonlight；6.水月陵 - 夜は短く、空は遠くて…；7.水月陵,穴沢弘慶 - Summer Pockets。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.沢田完 - ソフィアとともだち；2.岩崎元是 - あこがれ；3.群星 - 春城孤鹤；4.Dan Gibson - Adagio from Violin Sonata No.5 in F Major, Op.24. Spring ；5.Endless Melancholy - You Are The Moonlight；6.水月陵 - 夜は短く、空は遠くて…；7.水月陵,穴沢弘慶 - Summer Pockets。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.沢田完 - ソフィアとともだち；2.岩崎元是 - あこがれ；3.群星 - 春城孤鹤；4.Dan Gibson - Adagio from Violin Sonata No.5 in F Major, Op.24. Spring ；5.Endless Melancholy - You Are The Moonlight；6.水月陵 - 夜は短く、空は遠くて…；7.水月陵,穴沢弘慶 - Summer Pockets。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.沢田完 - ソフィアとともだち；2.岩崎元是 - あこがれ；3.群星 - 春城孤鹤；4.Dan Gibson - Adagio from Violin Sonata No.5 in F Major, Op.24. Spring ；5.Endless Melancholy - You Are The Moonlight；6.水月陵 - 夜は短く、空は遠くて…；7.水月陵,穴沢弘慶 - Summer Pockets。

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：587586744 背景音乐：1.沢田完 - ソフィアとともだち；2.岩崎元是 - あこがれ；3.群星 - 春城孤鹤；4.Dan Gibson - Adagio from Violin Sonata No.5 in F Major, Op.24. Spring ；5.Endless Melancholy - You Are The Moonlight；6.水月陵 - 夜は短く、空は遠くて…；7.水月陵,穴沢弘慶 - Summer Pockets。

We'll look at Beethoven's Violin Sonata No. 4 in A minor, Op. 23, and No. 5 in F major. Op. 24, the “Spring” Sonata.

On this episode of Spoleto Backstage, we highlight two passionate, exciting Romantic era sonatas for violin and piano, and hear some background about the pieces from the musicians who performed them at this year's Spoleto Chamber Music Series. First, we speak with Geoff Nuttall, violinist and the Charles E. and Andrea L. Volpe Director of Chamber Music for Spoleto Festival USA, about Robert Schumann's Violin Sonatas No. 1 in A minor, op. 105 1st Mvmt. Then, violinist Jennifer Frautschi joins us to discuss performing Camille Saint-Saëns' Violin Sonata No. 1 in D minor, op. 75.

As a penniless woodcutter’s health fades, he leaves his three sons the only things he has in the world - a cat and scythe and a cock. To find fortune, he instructs them to seek out a country in which these things are unknown. One by one the sons head out into the wide world with their gifts. But, when the final son finds himself on an island plagued by mice and rats, the inhabitants get more than they bargained for. Will they make their fortune? And can you use a cannon for everything? Find out all this and more in The Three Sons of Fortune.  After the story, the Grimm’s lead us down the rabbit hole where we meet the famous English folk hero Dick Whittington and delve into the history of Dick Whittington and his cat. Finally, deep in the rabbit hole, we find ourselves exploring the history of pantomime and its roots in the ancient world. Hey, someone had to do it. Twitter Facebook Instagram Patreon   grimmreadingpodcast@gmail.com Theme music: Bicycle Waltz by Goodbye Kumiko Other Music: Beethoven's Violin Sonata No. 8 in G major - 1. Allegro assai, performed by Paul Rosenthal & Edward Auer // Max Lewandowsky's String Sextet, Op. 5.

In 2018, Honens International Piano Competition Semifinalists chose between four programs in the collaborative round. Semifinalist Adela Liculescu chose the program that included Gabriel Fauré's Violin Sonata No. 1.About the piece, Fauré's former piano teacher, Camille Saint-Saëns, said: "In this sonata you can find everything to tempt a gourmet: new forms, excellent modulations, unusual tone colours, and the use of unexpected rhythms. A magic floats above everything, encompassing the whole work, causing the crowd of usual listeners to accept the unimagined audacity as something quite normal. With this work Monsieur Fauré takes his place among the masters.”It's no wonder the piece is one of Jon Kimura Parker's favourites. -Watch the video edition of this excerpt at honens.com/home.

WA Mozart Series 01 Violin Sonata No. 24 in F major, K. 376 02 Violin Sonata No. 18 in G Major, K. 301 03 Sonata for Piano and Violin No. 21 in E minor, K. 304 04 Sonata in A for Violin and Keyboard, K. 526 Dominique Beaulieu, violin Joana Filipe Martinez, piano Purchase the music (without talk) at: http://www.classicalsavings.com/store/p1256/Mozart%3A_Violin_Sonatas_K._301%2C_304%2C_376%2C_526.html Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @khedgecock #ClassicalMusicDiscoveries #KeepClassicalMusicAlive #LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans #CMDGermanOperaCompanyofBerlin #CMDGrandOperaCompanyofBarcelonaSpain #ClassicalMusicLivesOn #Uber Please consider supporting our show, thank you! http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com

This week, we start out with a rousing round of Back to the Future AKA Retrogradus ad Parnassum, and then we move on to our three topics:MUSIC AT THE BIDEN INAUGURATION WITH COL. JASON FETTIGThe US Marine Band “Inaugural Soundtrack” (YouTube)TIKTOK SEA SHANTIESSea Shanties Like “The Wellerman Song” Are Trending on TikTok (Vox)Adam Neely's Sea Shanty ExplainerTHE STATE OF THE NEA WITH PROF. MICHAEL SY UYTrump Tried to End Federal Arts Funding; It Grew (NYT) Ask The ExpertsMichael Sy UyCLASSICAL MIXTAPEThe full playlistMichaelVijay Iyer, “A Song for Flint”WillPurcell, Dido & Aeneas: “Come away fellow sailors”KenshoGrieg, Violin Sonata No. 1 in F Major, mvmt. 1TiffanyBarber, Second Essay for OrchestraTHINK YOU CAN STUMP US? GO AHEAD AND TRY!Google Form for “Name that Tune: Stump the Hosts Edition” You can reach us at classicalgabfest@gmail.com and on social media:FacebookTwitterInstagram

Donald Macleod introduces personal highlights of his year-long celebration of Beethoven Donald Macleod embarks on the final week of his year-long celebration of the 250th anniversary of the birth of Ludwig van Beethoven, selecting his personal highlights of conversations he's had with special guests over the course of 25 series. Composer of the Week has this year, every alternate week, explored the life and work of Ludwig van Beethoven, in celebration of the 250th anniversary of his birth. In this, the final week of 25 series devoted to the extraordinary composer, Donald Macleod looks back over the year, and presents his personal highlights from the interviews he carried out over the course of 125 programmes. From historian Simon Schama to conductors Marin Alsop and John Eliot Gardiner, and pianists Jonathan Biss and Angela Hewitt, Donald was joined by experts and performers who gave remarkable insights into the unique human being that was Beethoven. This week he brings together some of the conversations that stayed with him, building a picture of Beethoven the man, the composer, the interpretation of his music since his death, the times he lived in, and what he means to us today. Composer of the Week has been returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: Mass in C, Op 86 - Sanctus Piano Concerto No 4 in G, Op 58 (Andante con moto & Rondo vivace) Violin Sonata No 5 in F, Op 24 “Spring” (4th movement: Rondo) Piano Sonata No 27, Op 90 Maigesang, Op 52 No 4 Piano Sonata No 4 in E flat, Op 7 (2nd movement: Largo, com gran espressione) Violin Concerto in D, Op 61 (1st movement) String Quartet No 16 in F, Op 135 (4th movement: Grave, ma non troppo tratto) Concerto No 3 in C minor, Op 37 (2nd movement: Largo) Fidelio Act 2 Nr 14 & Nr 15 String Quartet No 16 in F, Op 135 (3rd movement: Lento assai, cantate e tranquillo) Sonata No 26 in E flat, Op 81A “Les adieux” (The Absence & The Reunion) Wind Octet in E flat, Op 103(1st movement: Allegro & 2nd movement: Andante) Die Ehre Gottes aus der Natur, Op 48 No 4 (The Heavens are Telling) Symphony No 3 in E flat, Op 55 “Eroica” (2nd movement: Marcia funebre. Adagio assai) Piano Trio Op 1 No 3 in C minor (4th movement: Prestissimo) 11 Bagatelles, Op 119 No 3 in D major (A l’Allemande) String Quartet Op.130 (I.Adagio ma non troppo – Allegro) Piano Sonata No 30 in E major, Op.109 (1st movement: Vivace ma non troppo – Adagio espressivo) Symphony No 4 in B flat, OP 60 - 4th movement: Allegro ma non troppo Fidelio Act 1 - Finale Presented by Donald Macleod Produced by Luke Whitlock for BBC Wales For full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: In Perspective https://www.bbc.co.uk/programmes/m000q853 And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

I'm getting into Bach's Violin Sonata No. 3 for my sight reading practice today, as well as taking some oboe technique phrases from Georges Gillet. 

Alone in a foreign land and grieving the loss of his mother, the 22-year-old Mozart put pen to paper and produced some of the most poignant music he would ever create.Wolfgang Amadeus Mozart: Violin Sonata in E minor, K. 304 I. Allegro (begins at 02:16)II. Tempo di Menuetto (begins at 08:54)Madeline Adkins | violinAndrew Staupe | pianorecorded October 14, 2018, Libby Gardner Concert Hall, Salt Lake City, Utahrecording remastered by Michael Carneshosted and produced by Chris Myers (argylearts.com)

This Thursday Heritage concert on 15 October 2020 was presented at the Auckland Central Library by Ensemble East in celebration of Beethoven’s 250th birth year. Spanning from the beginning of Beethoven’s development into a revolutionary composer to his connection with the transcendental in his later years, they called this programme Struggle and Hope. Violinist Yid-Ee Goh and pianist Lisa Chou present his Violin Sonata No. 7 in c minor and then are joined by fellow musicians Dickson Fung and Vanessa Tam for the 3rd movement of String Quartet op. 132.

Featuring guest harpist, Charles Overton. With reflections by parishioners Julius Pereli, Adam MacNeill, and Alice Austin I. Magnificat From Magnificat, BWV 243 By J.S. Bach First Parish Choir & Orchestra Music Sunday March 13, 2016  Andante from Violin Sonata No.2 in A minor, BWV 1003 By J.S. Bach Charles Overton Guest Harpist “Going Home” From Symphony No. 9 “From the New World” By Antonin Dvorak First Parish Bell Choir, Jenifer Kobayashi, Director Recorded November 8, 2020 “Serenade” & “Villa d’Este” By Wilhelm Peterson-Berger Kenneth Seitz, piano Recorded November 12, 2020 Autumn Departs By Kenneth Seitz Kenneth Seitz, piano Recorded November 11, 2020 My Life Flows On in Endless Song #108 from Singing the Living Tradition Early Quaker Song / American Gospel Tune First Parish Choir & Congregation, April 2, 2017

We’ll focus on Violin Sonata No. 1 in D major and No. 2 in A major.

In Episode 2 of Unorchestrated, co-hosts Christopher and Tom talk with poet Rita Dove about the early life of violin virtuoso George Bridgetower from her book of poems, Sonata Mulattica. This is the second episode in our 14-part series, Sonata Mulattica with Rita Dove. The episode closes with a performance by Akron Symphony Assistant Concertmaster Amy Cave of the Largo and Allegro assai movements from Bach's Violin Sonata No. 3 in C major. Rita Dove is a Pulitzer Prize winner and former U.S. Poet Laureate, and the only poet honored with both the National Humanities Medal and the National Medal of Arts. An Akron native, she is currently Commonwealth Professor of English at the University of Virginia. (Photo of Rita Dove by Fred Viebahn)

In the debut of Unorchestrated, co-hosts Christopher and Tom talk with poet Rita Dove about Sonata Mulattica, her book of poems detailing the relationship between the black violinist George Bridgetower and Beethoven. This is the first episode in a 14-part series: Sonata Mulattica with Rita Dove. Rita Dove is a Pulitzer Prize winner and former U.S. Poet Laureate, and the only poet honored with both the National Humanities Medal and the National Medal of Arts. An Akron native, she is currently Commonwealth Professor of English at the University of Virginia. The episode closes with a performance of Beethoven's Violin Sonata No. 9 in A major, opus 47, performed by Akron Symphony Concertmaster Tallie Brunfelt and pianist Nathaniel LaNasa. (Photo of Rita Dove by Fred Viebahn)

Bonus episode! Join us this episode as we answer some great questions from our listeners and announce our NEW PayPal link where you can donate. It’s really easy to donate to keep this podcast going! Just head to PayPal.me/MusicBoxConcerts and choose the currency and amount you want to donate.  Useful links:Opening music that we recorded with Holland Baroque. Highly recommend checking out the whole album! Mozart’s music in films and TV shows Mozart’s Requiem Schubert’s Rosamunde string quartet Biber’s Mystery Sonatas (with organ accompaniment) Bach’s Violin Sonata No. 1in G minor Power posing TED Talk by Dr Amy Cuddy  We are jealous of:Any music for viola da gamba Bassoon parts in early French operas such as this one Brahms’s Piano Concerto No. 2 Get in touch with us!*DONATE*: PayPal.me/MusicBoxConcerts Facebook: @OutsidetheMusicBox Instagram: @outsidethemusicbox Twitter: @OutsideMusicBox Email: concerts.musicbox@gmail.comWebsite: www.musicboxconcerts.com

Inside the Pandora's box filled with endless editing gadgets which the artist can rely on to mask practically any flaws and blemishes in a recording today, what really goes on in a recording session? How does the artist balance authenticity and the pursuit of flawlessness? Warren Lee puts on his hat as a ten-album recording artist and shares his tales.Music Sharing | FUCHS Andante Sostenuto from Violin Sonata No.1, Op.20 / Hyejin Chung and Warren Lee (By permission of Naxos Music 8.574213)

Today we're pleased to feature 2018 Honens Prize Laureate Nicolas Namoradze performing Prokofiev's Violin Sonata No. 1 in F minor Op. 80 with Canadian violinist Jonathan Crow live at the 2018 Honens International Piano Competition.Watch the video edition of this excerpt at honens.com/home.

Ein Amerikaner in Paris: 1923 schreibt der junge George Antheil seine zweite Violinsonate "with accompaniment of piano and drums" und widmet sie dem Dichter Ezra Pound. Die beiden verbindet eine heftige Aversion gegen den Mainstream. Antheils provokante Collage zitiert Hits und funktioniert das Klavier kurzerhand zum Schlagwerk um. (Autor: Martin Zingsheim)

Nesse episódio, falo sobre a escritora alemã Ricarda Huch e sua novela Der letzte Sommer (O Último Verão, 1910) // Para dar continuidade à correspondencia sobre a obra A Rainha do Ignoto (1899), de Emília Freitas, acesse o podcast As Vírgulas, da Nádia: https://open.spotify.com/show/6MIr5SNYaOKiK1vfcFIBgz // Episódio sobre a autora Emília Freitas: https://open.spotify.com/episode/15OEUHKFHpaJ4OiBnjaMx6 // Sugira uma autora ou livro que voce gostaria de ver no podcast: https://semclassepodcast.wordpress.com/indice/indice-de-autoras/sugira-uma-autora-um-livro/ // Playlist Autoras de língua alemã: https://open.spotify.com/playlist/1lvbAKdbVQfxu0MYLjVX7O // Desafio literário (Bingo): https://semclassepodcast.wordpress.com/2019/12/11/desafio-literario-do-classicxs-sem-classe-para-2020-bingo-sem-classe/ // Grupo no Goodreads: https://www.goodreads.com/group/show/1042519-cl-ssicxs-sem-classe // Leituras conjuntas: https://semclassepodcast.wordpress.com/project-tag/leitura-conjunta // Playlists por tema: https://semclassepodcast.wordpress.com/playlists-por-tema/ // Minhas redes sociais: https://linktr.ee/blankgarden // Página do podcast: https://semclassepodcast.wordpress.com // Musica tema: Violin Sonata No. 1 in D Minor, Op. 16: I. Allegro, composta por Agnes Zimmermann em 1868, e interpretada por Mathilde Milwidsky ao violino e Sam Haywood ao piano. Interlúdio: poema Liebesgedicht (1907), musicado por Wilhelm Peterson-Berger, e interpretado por Hélène Lindqvist e Philipp Vogler, em gravação de 2011. --- Send in a voice message: https://anchor.fm/julianabrina/message

Donald Macleod explores Beethoven’s sketches and letters to see what they reveal about his life and music. This week Donald Macleod is joined by Beethoven scholar, Erica Buurman and biographer, Jan Swafford to investigate some the many documents and papers that Beethoven left behind after his death, which are now scattered in archives and collections across the world. Donald and his guests explore high-quality, digital facsimiles of Beethoven’s most personal records including his letters, notebooks and journals; scouring them for clues to his relationships, his work and his everyday life. Composer of the Week is returning to the story of Beethoven’s life and music throughout 2020. Part of Radio 3’s Beethoven Unleashed season marking the 250th anniversary of Beethoven’s birth. Music Featured: String Quartet Op.18 No 2 (4th movement) Piano Sonata No 8, Op 13 ‘Pathétique’ Violin Sonata Op 30 No 2 (4th movement) Symphony No 3 ‘Eroica’(4th movement) Violin Sonata No 5, Op 24 (2nd movement) Piano Sonata No 24, Op 78 (2nd movement) Andante Favori, WoO 57 Diabelli Variations, Op 120 (Vars. 18-24) Missa Solemnis: Credo Piano Sonata No 16, Op 31 No 1 (1st movement) Violin Sonata No 8, Op 30 No 3 III (3rd movement) Symphony No 2 (2nd movement) Variations for Piano, ‘Eroica’, Op 35 Sonata for Cello and Piano Op 69 (2nd movement) Fidelio: Act I No 1‘Jetzt, Schätzchen, jetzt sind wir allein‘ Piano Trio, Op 97 ‘Archduke’ (3rd movement) Triple Concerto, Op 56 (1st movement) String Quintet Op 29 (3rd movement) Trio in Bb, WoO 39 Symphony No 7 (4th movement) Piano Sonata No 16, Op 31 No 1 (2nd movement) String Quartet, Op 59 No 3 (1st movement) Presented by Donald Macleod Produced by Chris Taylor for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Private Papers, where you can also find links to the documents mentioned https://www.bbc.co.uk/programmes/m000kfjc And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

She's no stranger to the big occasion, having played the National Anthem in front of 40,000 fans and taken a master class with Hilary Hahn. Now, Virginia native Kayleigh Kim has her sights set on representing her home state in the Menuhin Competition when it arrives in Richmond next year. Hear her perform Georg Philipp Telemann’s Fantasia for Solo Violin no. 10 in D Major - also our theme music - and the Adagio movement from Bach’s Violin Sonata No. 1 in G Minor.  The 16-year old is a National Symphony Orchestra Youth Fellow, a member of the Juilliard Pre-College program and is a junior competitor in Menuhin Competition Richmond 2021. Visit vpm.org/menuhin for more information on the upcoming competition.

In 2018, Guido Sant'Anna became the first Brazilian to compete in the Menuhin Competition in more than 30 years. Now, the fan favorite from Geneva is set to return to the competition, and is hoping to bring additional awareness and interest in classical music to South America. Hear Guido perform Nightclub 1960 by Astor Piazolla and Beethoven's Violin Sonata No. 7 in C Major as part of the Menuhin Competition Geneva 2018, as well as the cadenza from Beethoven’s Violin Concerto in D Major. ----- At the age of 5, Raphael Nussbaumer managed to impress world-renowned violin teacher Philip Draganov enough to coach him despite his young age. The Swiss violinist has excelled ever since, crediting his success to his early coaching, as well as the confidence, joy and humor he applies to his playing. Hear Raphael perform the Presto movement from Telemann’s Fantasia No. 10 and Pierre Rode’s Caprice #4, and listen to his commentary on Fritz Kreisler's Tambourin Chinois, which he says always makes him hungry. ----- Both Raphael and Guido will be junior competitors in Menuhin Competition Richmond 2021. Visit vpm.org/menuhin for more information on the upcoming competition.

WGTE's Haley Taylor checks in with violinist Lara St. John (a "high-powered soloist" according to the New York Times). Lara's new album is Key of A - a collaboration with pianist Matt Herskowitz which pairs Beethoven's Violin Sonata No. 9, “Kreutzer,” in A Major with César Franck's Sonata in A major for Violin and Piano.

The title of this episode pretty much tells its story. Jay plays balm-like music, and delight-giving music—heavy on the Bach. At the beginning of the show, he asks, “Need I say that music is extra-important in these strange and trying times?” He answers, “Of course I don't.” Tracks played: Bach–Petri, “Sheep May Safely Graze” Bach, “Jauchzet Gott in allen Landen” Bach, “Alleluia” Chopin, Étude in A flat, Op. 25, No. 1, “Aeolian Harp” Haydn, Piano Concerto in D Elgar, Nimrod Variation Bach, Bourées from English Suite No. 2 in A minor Bach, Gigue from English Suite No. 2 in A minor Ochs, attr. Handel, “Dank sei dir, Herr” Bach, Allegro for keyboard only, Violin Sonata No. 6 in G Trad., “Give Me Jesus”

这一期继续我们的声音旅程，在无法亲身前往各个城市感受春日时光的时候，先和 VC 一起用声音去寻找城市里的「一日春光」。第二站，我们自然要去春天不得不去的「包邮区」逛一逛。今天，我们先去苏州，游园入梦。在本期节目中，你将会听到：- 避开人潮拥挤的狮子林、拙政园和网师园，还能去哪儿找到原汁原味的苏州园林呢？- 苏州人私藏的小园子里又是怎样一番韵味？- 除了苏州评弹，这座城市原来还和昆曲渊源颇深- 每周都能听到正宗昆曲演出的地方在哪里？- 备受关注的苏州诚品书店究竟妙在哪里？…… Music credits：1. 四季歌 (女声评弹) - Various Artist2. 牡丹亭·游园 (昆曲) - 赵群3. 游园惊梦 - 卡奇社4. Boccherini - Minuet - Various Artists5. Violin Sonata No. 5 in F Major, Op. 24, ＂Spring＂：I. Allegro - Jeremy Menuhin/John Fraser/Neville Boyling每一座城市都有自己的故事，每一片土地都有属于自己的独特声音，用声音收藏城市，以飞行遇见繁星。《午夜飞行》是一档关注旅行、城市、文化与生活的播客节目，由 VC 制作 / 主持，力求用声音将多彩的城市故事带给每一个渴望飞行的你。wb: @午夜飞行Official / wx: 午夜飞行 (midnightflyfly) | 本播客由 Marcast Media 荣誉出品，wb/wx: @Marcast，合作联系: hello@marcastmedia.com

这一期继续我们的声音旅程，在无法亲身前往各个城市感受春日时光的时候，先和 VC 一起用声音去寻找城市里的「一日春光」。第二站，我们自然要去春天不得不去的「包邮区」逛一逛。今天，我们先去苏州，游园入梦。在本期节目中，你将会听到：- 避开人潮拥挤的狮子林、拙政园和网师园，还能去哪儿找到原汁原味的苏州园林呢？- 苏州人私藏的小园子里又是怎样一番韵味？- 除了苏州评弹，这座城市原来还和昆曲渊源颇深- 每周都能听到正宗昆曲演出的地方在哪里？- 备受关注的苏州诚品书店究竟妙在哪里？…… Music credits：1. 四季歌 (女声评弹) - Various Artist2. 牡丹亭·游园 (昆曲) - 赵群3. 游园惊梦 - 卡奇社4. Boccherini - Minuet - Various Artists5. Violin Sonata No. 5 in F Major, Op. 24, ＂Spring＂：I. Allegro - Jeremy Menuhin/John Fraser/Neville Boyling每一座城市都有自己的故事，每一片土地都有属于自己的独特声音，用声音收藏城市，以飞行遇见繁星。《午夜飞行》是一档关注旅行、城市、文化与生活的播客节目，由 VC 制作 / 主持，力求用声音将多彩的城市故事带给每一个渴望飞行的你。wb: @午夜飞行Official / wx: 午夜飞行 (midnightflyfly) | 本播客由 Marcast Media 荣誉出品，wb/wx: @Marcast，合作联系: hello@marcastmedia.com

Donald Macleod is joined by Raphael Wallfisch and Sara Bitlloch to discuss Beethoven’s early chamber music. All through 2020, Donald Macleod takes an unprecedented deep dive into the compelling story and extraordinary music of Ludwig van Beethoven. In this uniquely ambitious series, told across 125 episodes of Composer of the Week, Donald puts us inside Beethoven’s world and explores his hopes, struggles and perseverance in all the colourful detail this amazing narrative deserves. Alongside this in-depth biography, Donald will also be meeting and talking to Beethoven enthusiasts and experts from across the world to discover how his music continues to speak to us in the 21st century. Through story and sound, the series builds into a vivid new portrait of this composer, born 250 years ago this year, who made art that changed how people saw themselves and understood the world. This week, cellist Raphael Wallfisch and violinist Sara Bitlloch join Donald Macleod to talk about Beethoven’s early chamber music from 1795 to 1811, including beloved works such as the ‘Razumovsky’ quartets, the ‘Kreutzer’ violin sonata, and the ‘Ghost’ and ‘Archduke’ piano trios. Music featured: String Trio No 3 in G major: Op 9, No 1 (3rd movement - excerpt; 4th movement) Cello Sonata in F major Op 5 No 1 (Allegro) Piano Trio in C minor Op 1 No 3 (4th movement) String quartet in F major Op 18 No 1 (2nd movement) Violin Sonata in D major Op 12 No 1 (1st movement) Sonatina in C major for mandolin and piano WoO44 No 1 String Quartet in C minor Op 18 No 4 (3rd movement) Violin Sonata in A major Op 30 No 1 (3rd movement) Serenade in D major Op 8 (1st and 2nd movements) Cello Sonata No 2 in G minor Op 5 (1st movement) String Quintet in C major Op 29 (4th movement) Piano Trio Op 121a, “Kakadu Variations” String Quartet in F major No 7, Op 59 (“Razumovsky”) (4th movement) Violin Sonata in A major No. 9 Op 47 ("Kreutzer") (1st movement) Septet in E flat major for clarinet, horn, bassoon, violin, viola, cello and double bass Op 20 (2nd movement) String Quartet in C major Op 59 No 3 (“Razumovsky”) (1st movement) Piano Trio No 5 in D major Op 70 No 1 ("Ghost") (2nd movement) Violin Sonata No 5 in F major Op 24 ("Spring") (1st and 4th movements) String Quartet in E flat Op 74 (“Harp”) (1st movement) String Trio in C minor Op 9 No 3 (1st mvt) String Quartet in F minor (“Serioso”) Op 95 (1st and 4th mvts) Cello Sonata No. 3 in A major Op 69 (1st mvt) Piano Trio in B flat ("Archduke") Op 97 (1st mvt) Presented by Donald Macleod Produced by Iain Chambers for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Beethoven Unleashed: Conversations with Friends https://www.bbc.co.uk/programmes/m000f5mp And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Donald Macleod explores the music of Johannes Brahms through his close relationships. Brahms was a deeply private man and very guarded about his life, his friends and his feelings. Across this week, Donald goes “Behind Closed Doors” with Brahms to discover what really made him tick. He finds friends, mentors and lovers along the way who together help solve the enigma of the composer. We’ll hear about Brahms’s doomed early romance with a young singer, Agathe von Siebold, plus his lifelong friendships with Robert, and particularly Clara Schumann - probably the person he was closest to in his life. Donald explores the music written for some of the women he knew intimately, and why he sought solitude and how it came to influence his music. Throughout his life, there was a great expectation placed on Brahms’s shoulders. We end by looking at how that shaped his character and music. Music featured: Sonata No 3 in F minor, Op 5 (4th movement) Lieder & Romanzen, Op 14 (No 4, Ein Sonett & No 7, Ständchen) Piano Concerto No 1 in D minor, Op 15 (1st movement) Ave Maria, Op 12 String Sextet No 2 in G, Op 36 (1. Allegro non troppo) 2 Gavottes, WoO 3 (Nos 1 and 2) Piano Sonata No 1 in C major, Op 1 (1. Allegro) 6 Songs, Op 3 (Nos 2 and 3) Piano Quartet, Op 25 (3rd and 4th movements) String Sextet No 1in B flat major, Op 18 (2nd movement) Piano Quintet in F minor, Op 34A (1st movement) Rhapsody in B minor, Op 79 No 1 6 Songs, Op 7 (Nos 2 -5) Variations in E flat on a Theme by Schumann (Nos 8-11) Alto Rhapsody, Op 53 16 Waltzes, Op 39 (Nos 1-4) Cello Sonata No 1 in E minor, Op 38 (3rd movement - Allegro) Klavierstücke, Op 76 (No 7 - Intermezzo in A major; No 8 - Capriccio in C major) Violin Sonata No 2, Op 100 (1st movement: Allegro amabile) Nanie, Op 82 Piano Concerto No 2 in B flat major, Op 83 (3rd movement - Andante) Serenade No 1 in D major, Op 11 (2nd movement) Piano Sonata No 2 in F sharp minor, Op 2 (4th movement) Vier ernste Gesänge, Op 121 (Nos 3 and 4) Ein Deutsches Requiem [A German Requiem], Op 45 (2nd and 3rd movements) Presented by Donald Macleod Produced by Glyn Tansley for BBC Wales For full tracklistings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Johannes Brahms. https://www.bbc.co.uk/programmes/m000cb1x And you can delve into the A-Z of all the composers we’ve featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

“It's a sad peacefulness that sometimes we all need. When we need to take a breath — just before starting something new.” WQXR's Jacqui Cheng talks about her journey in finding the Adagio movement from J.S. Bach's Violin Sonata No. 1. Her interest in Bach started with the soundtrack to the Atari 2600 game “Gyruss” (which included 8-bit snippets of Bach's Fugue in D Minor), and led her to the public library, where she found emotional comfort in Bach's resolution of dissonances. Subscribe wherever you get your podcasts to receive a new episode every day or delve deeper into our companion playlist. Jacqui Cheng is a musician, technologist, and WQXR's Editor-in-Chief.  Did you like the track Jacqui chose? Listen to the music in full: Violin Sonata No.1, Adagio by J.S. Bach

This week, we're looking at perhaps the most famous instrument maker in history, Antonio Stradivari, maker of the legendary Stradivarius violins that are still sought after today! Music: https://imslp.org/wiki/Violin_Sonata_No.9%2C_Op.47_(Beethoven%2C_Ludwig_van) https://creativecommons.org/licenses/by-nc-nd/3.0/legalcode https://imslp.org/wiki/Violin_Sonata_in_D_minor%2C_Op.5_No.12_'La_Folia'_(Corelli%2C_Arcangelo) https://creativecommons.org/licenses/by-nc-sa/3.0/legalcode

By the time she was 16, Tricia Park was a professional violinist. Labeled and marketed as a child prodigy, teenage Tricia toured constantly, playing 70-80 concerts a year. But when, in her early 20s, she aged out of the "child prodigy" range, concert numbers decreased, and she was faced with a major, unforeseen transition. In this episode, we explore the many ways she has adapted to post-child-prodigy life, including her MFA thesis, a novel exploring her Korean heritage. Music in this episode: Violin Sonata No. 18 in G Major K. 301, 1st Movement - Mozart Performed by Tricia Park (violin) and Conor Hanick (piano) Source: Tricia's YouTube channel   Violin Sonata No. 1 in G Minor BWV 1001, Adagio - Bach Performed by Tricia Park (violin) and recorded exclusively for SAIC Beat   “Red Prairie Dawn” and “Sandy Boys” - Traditional Performed by Tricia & Taylor, violin/fiddle duo composed of Tricia Park and Taylor Morris Source: Tricia & Taylor’s YouTube Channel

Here is our "Impact Classics" episode, which originally aired LIVE on Tuesday, April 30, 2019. Today's show features the following selections: - Samuel Barber - "Commando March" - Rimsky-Korsakov - "Scheherazade" (3rd Movement) - Pamela Williams - "Afterglow" - Leroy Anderson - "Sandpaper Ballet" - Bach - "Fugue from Violin Sonata No. 1" - Herbie Mann - "We Will Meet Again" - Chris Botti and Rosa Passos - "Here's That Rainy Day" - Pablo Cruise - "I Go to Rio" - Thad Jones and Mel Lewis - "Groove Merchant" As you will recall, we provide the very BEST music EVER written and performed from all genres. We hope that that the presented music is perfect by which to write, relax, work, clean your house, pay bills, attend to your garden, driving, etc. "Impact Classics" airs LIVE as follows: Tuesdays and Thursdays 12:00 Noon, ET (Repeated on the same days at 3:00 pm, 9:00 pm, Midnight, 3 am, 6 am, and 9 am) Enjoy!

Here is our "Impact Classics" episode, which originally aired LIVE on Tuesday, December 4, 2018. Today's show features the following selections: - Samuel Barber - "Commando March" - Rimsky-Korsakov - "Scheherazade" - 3rd Movement - Pamela Williams - "Afterglow" - Leroy Anderson - "Sandpaper Ballet" - Bach - "Fugue from Violin Sonata No. 1" (Guitar Solo) - Herbie Mann - "We Will Meet Again" - Chris Botti and Rosa Passos - "Here's That Rainy Day" - Pablo Cruise - "I Go To Rio" - Thad Jones and Mel Lewis - "Groove Merchant" As you will recall, we provide the very BEST music EVER written and performed from all genres. We hope that that the presented music is perfect by which to write, relax, work, clean your house, pay bills, attend to your garden, driving, etc. "Impact Classics" airs LIVE as follows: Tuesdays and Thursdays 12:00 Noon, EST (Repeated on the same days at 3:00 pm, 6:00 pm, 9:00 pm, Midnight, 3 am, 6 am, and 9 am) Enjoy!

This week on Grimm Reading we read, review and explore one of the best known Brothers Grimm stories: Rumpelstiltskin.   Yet another miller has accidentally promised his daughter away. This time to a greedy king who mistakenly believes she can spin straw into gold. Can our maiden find a way to achieve the impossible? And will... Ah, you know the story.   We explore the origins of the famous little man, assess popular interpretations, make a few of our own and take a look at other versions of the tale from across the world. Well, Britain mostly.   And finally, we choose the next three stories we'll be giving the Grimm Reading treatment.    TwitterFacebookInstagram   grimmreadingpodcast@gmail.com   Theme music: Bicycle Waltz by Goodbye Kumiko   Other music: Johannes Brahms's Waltz Op 39 No 15 performed by Paul Cantrell / Beethoven’s Violin Sonata No.8 in G major performed by Paul Rosenthal & Edward Auer / Fréderic Chopin’s Prelude Op 28 No 9 performed by Paul Cantrell

선곡표 1. Schubert -Ave Maria 2. Mozart -바이올린 소나타 32번 Violin Sonata No.32 in B Major KV 454 1. Allegro Moderato 2. Andante 3. Allegretto 3. Chopin -Piano Concerto No 2 F minor Op 21 2. Larghetto 3. Allegro vivace 4. Brahms -Academic Festival Overture 5. Maurice Jarre -main title (닥터 지바고) 6. Harold Arlen -somewhere over the rainbow from The wizard of OZ 7.Saint-Saenz -Mon coeur s'ouvre a ta voix from 삼손과 데릴라 8. Mercadante -Flute Concerto E minor 2. Largo 3. Rondo Russo 9. 어바웃 타임 - How long will i love you

Works by Bach and Bartók performed by the Borromeo String Quartet and Yoo Jin Jang, violin and Renana Gutman, piano on August 14, 2016 and March 8, 2015. Bach, Johann Sebastian: Preludes and Fugues from Well-Tempered Klavier Book 1 trans. Nicholas Kitchen: C Major, C Minor, E-flat Minor Bartók, Béla: Violin Sonata No. 1, Sz. 75 Today’s podcast features two works that present tests of sorts—for the listener, the performer, the composer. Sharpen your ears and let’s get to it. The Well-Tempered Clavier was likely written to test a few different things: the keyboard player’s technical skills; the advantages of equal temperament tuning, which enabled playing in every key; and also the listener’s ability to pick out the many, interweaving musical lines. Today, we’ll hear three movements from the WTC in a version for string quartet, created by violinist Nicholas Kitchen. Bartok’s Violin Sonata No. 1, written in 1921, also pushed boundaries. Today, Bartok is perhaps best known for his explorations of Hungarian traditional music and his folk-tinged, dance-infused symphonies. But he also had a period, between the world wars, of audacious musical experimentation, and this work dates from those years. We’ll hear the piece second on the podcast, played by violinist Yoo Jin Jang and pianist Renana Gutman.

Welcome to the CoffeeHouse classical music salon-podcast! We're simply delighted you could join us today. Do relax and enjoy this scrumptious piece from the French music salons of old written by one of the most important composers in modern French history! Music: https://creativecommons.org/licenses/by-sa/3.0/legalcode http://imslp.org/wiki/Violin_Sonata_No.1,_Op.13_(Faur%C3%A9,_Gabriel)

선곡표 1.J.S. Bach - 바흐 칸타타 BWV 202 Cantata BWV 202 (Weichet nur, betrubte Schatten) - 1. Aria. Weichet nur, betrübte Schatten 2.A. Vivaldi -플루트 협주곡 Flute Concerto in c minor RV 441 1악장, 2악장, 3악장 3.C. Saint-Saens -바이올린 소나타 1번 Violin Sonata No.1 in d minor Op.75 - 1. Allegro agitato - 4.L.V. Beethoven -피아노 트리오 6번 E플랫 장조 Op.70-2 中 3악장Allegro ma non troppo 5.G. Faure -로망스 Romance in A Major Op.69 6.J. Brahms -피아노 트리오 1번 op.8 3악장 7.Friedrich Flotow -마르타(Martha) 中 꿈과 같이 (M'appari, Tutt' Amor) 8.J. Strauss II -박쥐(Die Fledermaus) 서곡 9. 영화 (나, 다니엘 블레이크 OST)Sailing By - Ronald Binge

선곡표 1.베토벤 바이올린 소나타 5번 Violin Sonata No.5 in F Major Op.24 (Spring) - I. Allegro 2.B. Smetana -나의 조국(Ma vlast) 중 몰다우(Vltava) 3. J. Sibelius -교향시 핀란디아 4. G. Rossini - 윌리엄 텔(Guillaume Tell) 서곡 5. 아리랑 판타지- I Musici 6. G. Mahler - 교향곡 5번 c#단조 중 4악장Adagietto 7. F. Chopin -폴로네즈 6번 A플랫 장조 ‘영웅' 8 L. Janacek -Sinfonietta 중 1악장 Allegretto 9. 위대한 개츠비 ost young and beautiful

Featuring the Belgians, we taste a whiskey that was aged in Allagash Brewing Company barrels, discuss their flagship Belgian White, and listen to the 4th movement of Ysaye's Violin Sonata No. 4. Listener Note: That whiskey kicked our ass.

This podcast showcases the Unity Temple Choir under the direction of Music Director Marty Swisher. The choir performed Dietrich Buxtehude's "Magnificat anima mea" and other pieces on December 4, 2016. They were accompanied by Peter Storms on piano; Becky Coffman, Karen Nelson, and Meg Lancer on violin; Naomi Hinder on viola; Franscisco Moleskin on cello; and Dominic Azkoul on double bass. The Magnificat is preceded by "Spiegel im Spiegel" by Arvo Part and "Nunc Dimittis - Song of Simeon" by Pawel Lukaszewski." Senior Minister Rev. Alan Taylor follows with a brief homily. Then the choir returns with the "Suite No 1 for Unaccompanied Cello Minuettos I and II" by J.S. Bach and "Violin Sonata No 6 in E Major II - Allegro" by George F Handel. The theme for December is what it means to be a community of presence. To read about our theme-based ministry, please visit http://www.unitytemple.org/faith-development/soul-connections on our website.

Brahms and Hubay, with Boston-based violinist Irina Muresanu Johannes Brahms:  Violin Sonata No. 3 in D minor, Op. 108 Irina Muresanu, violin; Dana Ciocarlie, piano Jeno Hubay:  Czardas Scene No. 2 Irina Muresanu, violin; New England String Ensemble, Federico Cortese, conductor Recorded at WCRB’s Fraser Performance Studio on February 14, 2008 (Brahms) and September 20, 2007 (Hubay).

Each day during February, we posted a “Classical Music Moment in Black History” on our Facebook page to show the contributions of black artists to classical music throughout history. We’ve collected our twenty-eight February entries in this article. By the way, these entries were originally part of an episode of the Classical Classroom podcast (audio included below).  Composer Chevalier de Saint-Georges.  In the mid-to-late 1700’s, Chevalier de Saint-Georgeswas an Afro-French composer who was also France’s best fencer. After Napoleon re-instituted slavery in France, de Saint-Georges’ works were rarely played, though lots of his work has been recorded since the 1970’s. In 1803, virtuoso violinist George Bridgetower, who had studied under the leader of the Royal Opera, played with Beethoven. Beethoven then dedicated his Violin Sonata No. 9 in A Major to Bridgetower, and they premiered the piece together. Later, the two had a falling out – something to do with a lady – and Beethoven changed the piece’s name. It’s now called the Kreutzer Sonata. Poet Rita Dove wrote a book about Bridgetower and Beethoven’s relationship. Soprano Elizabeth Taylor Greenfield, “The Black Swan”.  In 1853, soprano Elizabeth Taylor Greenfield – people knew her as the “Black Swan” – made her New York debut at the Metropolitan Hall. While she could sing, her skin color would have denied her entrance to the concert. But that didn’t slow Greenfield down: In 1854, this classy lady sang a command performance before Queen Victoria. Composer Scott Joplin.  In 1868, innovative composer and pianist Scott Joplin was born in Texas. Joplin wrote 2 operas, one ragtime ballet, and 44 original ragtime pieces before he died. Composer Harry Thacker Burleigh.  From 1892-95, Antonin Dvorak – not black as you might know, but stick with me – was director of the National Conservatory of Music in New York City. The woman who founded the school, Jeanette Thurber, opened the school to men, women, blacks, and whites – pretty unusual for that time. Dvorak felt that a true American style of music should grow out of African- and Native-American music. Harry Burleigh, one of the earliest African-American composers and one of Dvorak’s pupils, introduced Dvorak to American spirituals. In 1898, Afro-British composer Samuel Coleridge-Taylor wrote the musical Hiawatha’s Wedding Feast. It was wildly successful during his lifetime. Coleridge-Taylor also visited the States and inspired American blacks to become composers. Tenor Roland Hayes.  In 1921 tenor Roland Hayes gave a performance before King George V of England. In 1923, Hayes debuted at Carnegie Hall. He was the first African American man to become famous worldwide as a concert performer, and he became one of the world’s greatest Lieder interpreters. In 1926, Undine Smith Moore graduated cum laude from the Juilliard School. She was the first graduate of Fisk University, a historically black school, to receive a scholarship to Juilliard. According to the Richmond Times-Dispatch, Moore became “…one of this country’s most prominent composers and arrangers of choral works, many based on or inspired by Negro spirituals and folk songs.” Composer William Grant Still.  1931 was the year William Grant Stillbecame the first Black American composer to have a symphonic work performed by a major American orchestra. The Rochester Philharmonic performed his Afro-American Symphony. Stills had another big “first” in 1949 when his opera Troubled Island – based on a libretto by Langston Hughes – was performed by the New York City Opera, becoming the first opera by a black person to be performed by a major company. William Grant Still was also the first black man to conduct a major orchestra (LA Phil) and he won 2 Guggenheim fellowships. In 1933, Caterina Jarboro became the first black woman to appear in a leading role with a major American opera when she again played the title role in Aida with the Chicago Opera.  Composer Florence Price. Also in 1933, the Chicago Symphony Orchestra performed Florence Price’s Symphony in E Minor. She was the first female African-American composer to have a symphonic composition performed by a major American symphony orchestra. Baritone Todd Duncan and Anne Brown. Culver Pictures/file 1935. In 1935, George Gershwin’s Porgy and Bess opened on Broadway, with baritone Todd Duncan as Porgy, and sopranos Anne Brown as Bess and Ruby Elzy as Serena. In 1945, Todd Duncan became the first African American to sing with a major American opera company, when he played the role of Tonio Leoncavallo’s I Pagliacci with the New York City Opera. Contralto Marian Anderson In 1939, both the Daughters of the American Revolution and the District of Columbia’s Board of Education refused to allow contralto Marian Anderson to use Constitution Hall and Central High School auditorium for a recital respectively. So, she gave her concert on the steps of the Lincoln Memorial instead, drawing a crowd of 75,000 – not to mention the millions who listened on the radio. (To read more about the performance, go here.) Lyric Soprano Camilla Williams (l) with Margery Mayer. Courtesy of Fred Fehl/New York City Opera. Also in 1945, lyric soprano Camilla Williams signed a contract with the New York City Opera in 1946, becoming the first African American to do so with a major American opera company. She debuted with the role of the heroine in Madama Butterfly. And in 1947, soprano Helen Phillips was the first African American to sing on the stage of the Metropolitan Opera. In 1951 William Warfield and Muriel Rahn were the first black concert artists on TV – they appeared on The Ed Sullivan Show. Soprano and educator Dorothy Maynor. In 1953, soprano and educator Dorothy Maynor was the first black person to sing at a US presidential inauguration when she performed the national anthem for Dwight Eisenhower. Composer Margaret Bonds. Wikimedia Commons. Margaret Bonds, who frequently collaborated with Langston Hughes, was one of the first black composers and performers in the US to gain recognition. In 1965, when the Freedom March on Montgomery, Alabama took place, she wrote Montgomery Variations for orchestra, dedicating it to Martin Luther King, Jr.. For more information about Ms. Bonds, check out this piece from WBUR 90.9 FM. Conductor Henry Lewis. In 1968 Henry Lewis became the first black conductor and music director of a major American orchestra when he was appointed to the New Jersey Symphony Orchestra. He was also the first African-American to conduct at the Metropolitan Opera. 1972 saw Scott Joplin’s opera Treemonisha finally premiere – 55 years after his death – at the Atlanta Memorial Arts Center. In 1976, Joplin posthumously received a special Pulitzer Prize for his contributions to American music. Trumpeter Wynton Marsalis. Photo by Luigi Beverelli. Courtesy Mr. Marsalis’ website. In 1983 and 1984, trumpeter Wynton Marsalis became the only artist ever to win Grammy Awards for both jazz and classical records. He won the Pulitzer Prize for Music in 1997 for Blood on the Fields, a three-hour oratorio for 3 singers and a 14-member ensemble. The oratorio follows the story of an African couple sold into slavery in the US. In 1987, conductor Paul Freeman became Founding Musical Director of the Chicago Sinfonietta. This orchestra’s mission is “Musical Excellence Through Diversity”. Dr. Freeman served for 24 years. Violinist Aaron Dworkin. Courtesy of the MacArthur Foundation website. Violinist Aaron Dworkin founded the non-profit Sphinx Organization in 1996 to cultivate the development of young black and Latino musicians in the classical music profession. The Sphinx Competition, spotlights young black and Latino string players on a national platform. Composer George Walker received the Pulitzer Prize in 1996 for Lilacs for Voice and Orchestra, a work commissioned by the Boston Symphony Orchestra as part of its tribute to tenor Roland Hayes. This was the first time a living African American won the prize for music. Mezzo-Soprano Denyce Graves. Courtesy of the artist’s website. In 2001 mezzo-soprano Denyce Graves sang “America the Beautiful” and “The Lord’s Prayer” at the National Day of Prayer and Remembrance Service at the Washington National Cathedral following the September 11 attacks. James DePriest conducting the Oregon Sympony. Courtesy of the Sympony’s website. In 2005, James DePriest, one of classical music’s most accomplished conductors who at the time of his death in 2013 was Laureate Music Director of the Oregon Symphony and Director Emeritus of Conducting and Orchestral Studies at the Juilliard School, received the National Medal of Arts. Tim Brooks won a 2007 Grammy award for Best Historical Release with his Lost Sounds: Blacks and the Birth of the Recording Industry, which includes performances by Harry Burleigh, Roland Hayes, and Edward Boatner. Tenor Noah Stewart. Photograph: Mitch Jenkins Mitch Jenkins/PR. In 2012, tenor Noah Stewart became the first black musician to top the UK Classical Album Chart. Of course, we had to leave a GAGILLION people out of our daily Black History Month Facebook posts because (duh) there are just not enough days in the month. Like Jeffrey Mumford, Awadagin Pratt, David Baker, Imani Winds, André Watts, Chelsea Tipton, Thomas Wilkins, Morris Robinson, Lawrence Brownlee, Valerie Coleman, Rachel Jordan, and Tona Brown. And Daniel Bernard Roumain. And Black Violin. And… you get the idea!  But, blacks are still one of classical music’s most under-served communities. As of 2011, according to the League of American Orchestras, only 1.83% of our nation’s orchestras’ makeup was black. Aaron Dworkin has pointed out that African-American composers are often missing in traditional classical music station programming. But people like Dworkin and many others are working to change that!  We hope you’ve enjoyed learning about all of these awesome artists.

It's Black History Month! Time to learn about all of the amazing contributions that black people have made to classical music. Pay close attention because we had to talk really, really fast to fit this many people into a short. PS, You can check out our timeline of black classical music contributors in the "Raise Your Hand" section of our webpage. Audio production by Todd "Troubled Island" Hulslander with barely audible suggestions from Dacia Clay. Thanks to MusicLab intern Princeton Miles for lending his dulcet tones to this episode. Thanks also to St. John Flynn and Daniel Webbon for their contributions to our timeline, and to Daniel for his music research minioning. Music in this episode includes: – Ludwig van Beethoven, Violin Sonata No. 9 (Kreutzer Sonata) – Samuel Coleridge-Taylor, Hiawatha's Wedding Feast – William Grant Still, Symphony No. 1, "Afro-American" – George T Walker, Jr., Lilacs for voice and orchestra – Wynton Marsalis, from Blood on the Fields

선곡표 한상억 시 최영섭 곡, 그리운 금강산 브람스 - 바이올린 소나타 1번 Violin Sonata No.1 in G Major Op.78 3. Allegro molto moderato Grieg - 2개의 슬픈 선율 Two Elegiac Melodies Op.34 - Last Spring Chopin - Ballade 3번 Op.47 스코틀랜드 민요 - I'm a-doun for Lack O' Johnnie자니가 없어 슬프네 스페인 민요 - Flee as a Bird 고향생각 Smetana- 나의 조국 중 2. Vltava

Christian Tetzlaff coaches violinist Ying Xue and pianist Qing Jiang on the third movement of Schumann’s Violin Sonata No. 2 in D Minor, Op. 121.

On July 7th, Don and Vivian Weilerstein performed Béla Bartók's 2nd Sonata for violin and piano. The concert was recorded at Rolston Recital Hall by Daniel Keinath and Terence Deutsch. Host: Jessa Runciman

WPAS talks to German violinist Viviane Hagner about her recital with pianist Shai Wosner Tuesday, November 24, 7:30pm in the Kennedy Cennter Terrace Theater. Her program features Schubert’s Violin Sonata in A minor, Schumann’s Violin Sonata No. 2 in D minor, Bartók’s Rhapsody No. 1, plus new work called "Four Chants" by Turnage. Reserve your seats at WPAS.org or 202-785-WPAS.

WPAS previews violinist Nicola Benedetti’s February 3rd recital with pianist Katya Apekisheva at the Kennedy Center Terrace Theater. On the program – Brahms’ Violin Sonata No. 2 in A Major, the Sonata in G Major for Unaccompanied Violin by Eugène Ysaÿe, Prokofiev’s Violin Sonata No. 1 in F Minor and Ravel’s Tzigane. Taking Note is part of WPAS’ "Between the Lines" podcast series.

Bach: Partita No. 3 in E Major for solo violin, BWV 1006Schumann: Sonata No. 1 in A minor for violin and piano, Op. 105Boston, where the Gardner Museum is located, is a big college town. And so every April, we tip our hats to Boston’s student population with a series of concerts by some of the top young musicians enrolled in New England Conservatory’s Artist Diploma program, one of the most prestigious music training programs in the country. This week on the podcast we will listen to two Artist Diploma violinists who have performed here in recent years. First, we’ll hear Bach’s third partita for solo violin. Though neither as virtuosic nor as familiar as the second partita, the third has all the sprightly energy of a dance, with its menuets, gigues and bourées. Next is Schumann’s Violin Sonata No. 1. The sonata was written relatively late in Schumann’s compositional career, after the bulk of his chamber music works, and it is evident upon listening that, though it is his first work for this particular instrumentation, the music is written by a more experienced hand.