Podcasts about cantata bwv

Johann Sebastian Bach (1685-1750) - Cantata BWV 147 “Herz und Mund und Tat und Leben” Part I1.       Chorus: Herz und Mund und Tat und Leben2.       Recitative (tenor): Gebenedeiter Mund!3.       Aria (alto, oboe d'amore): Schäme dich, o Seele nicht4.       Recitative (bass): Verstockung kann Gewaltige verblenden5.       Aria (soprano, violin): Bereite dir, Jesu, noch itzo die Bahn6.       Chorale: Wohl mir, daß ich Jesum habe Part II7.       Aria (tenor): Hilf, Jesu, hilf, daß ich auch dich bekenne8.       Recitative (alto): Der höchsten Allmacht Wunderhand9.       Aria (bass, trumpet, oboes): Ich will von Jesu Wundern singen10.   Chorale: Jesus bleibet meine FreudeChristine Schäfer, sopranoBernarda Fink, mezzo-sopranoIan Bostridge, tenorChristopher Maltman, baritone Arnold Schoenberg ChoirConcentus Musicus Wien Nikolaus Harnoncourt, conductor

Avui escoltarem: Cantata BWV 155 (per al segon diumenge despr

Avui escoltarem: Cantata BWV 13 (per al segon diumenge despr

Avui escoltarem: Cantata BWV 65 (per al dia de Reis), Cantata BWV 124 (per al primer diumenge despr

Avui escoltarem: Cantata BWV 123 (per al dia de Reis) i Cantata BWV 32 (per al primer diumenge despr

Johann Sebastian Bach (1685 - 1750)Concerto Brandeburghese n. 1 in Fa maggiore BWV 1046AllegroAdagio (re minore)Allegro Utilizza il Coro n. 1 della Cantata BWV 207Menuetto - Trio I - Polacca - Trio II Utilizza il Ritornello n. 7 della Cantata BWV 207***********************20'24”Concerto brandeburghese n. 2 in fa maggiore, BWV 1047...Andante (re minore)Allegro assai*******************31'49”Concerto brandeburghese n. 3 in sol maggiore, BWV 1048Allegro Riutilizzato nella Sinfonia della Cantata BWV 174AdagioAllegro Utilizza la Pastorale BWV 590Munchener Bach OrchesterKarl Richter, direttorePierre Thibaud, tromba

Welcome to Season 03 Episode 10 - the "Two Thirds" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include photographer Mr. Patrick Stokes, , discussing his experiences as a volunteer in Ukraine, and Ms. Lynne McMurtry of the voice faculty at the School of Music at SUNY Fredonia, who discusses the SOM event "Bach Together Again."  Notes from the Aisle Seat is available from most of your favorite podcast sites, including Apple Podcast, Google Podcast, Stitcher, Spotify, and Amazon Prime Music, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Thanks for listening! Time Stamps Patrick Stokes/"Ukraine in Crisis"  01:50 Arts Calendar  36:57 Lynne McMurtry/"Bach Together Again" 40:14 Media "Fugue Ostinato", Roman Hrynkiv, composer; performed by Tetiana Mazur, bandura; October 7, 2022 "Njet Vladimir", Ukranian War Song, composed and performed by Vlastimiron, July 4th, 2022 "Jesu, Joy of Man's Desiring", from the cantata BMW 147 "Herz und Mund und Tat und Leben", J.S. Bach, composer; performed by Duo Rosanna, Rosalind Beall (guitar) and Anna Commellas (cello); 1/16/2016 Opening movement of Cantata BWV 147 "Herz und Mund und Tat und Leben", J.S. Bach, composer; Choir and Orchestra of the J.S. Bach Foundation, Rudolph Lutz, conductor, June 29, 2019 "Jesu, Joy of Man's Desiring", from the cantata BMW 147 "Herz und Mund und Tat und Leben", J.S. Bach, composer; performed by Jon Batiste, piano, from the album Christmas with Jon Batiste, December 2016. Artist Links Patrick Stokes Siobahn's Trust Ukraine: The Latest - podcast from the Telegraph of London on the Ukrainian crisis Lynne McMurtry BECOME AN OPERA HOUSE MEMBER!      

There are definitely no prizes on offer for identifying the music on this track! It is the lovely aria, ‘Sheep may safely graze' from Bach's Cantata BWV 208. How precious it is to know that we have been delivered from the orbit of our preoccupations to become the beloved ‘sheep of the Lord's pasture' – and even, as He sees us, His crown and masterpiece; His living poem, as Paul puts it, created anew in Christ Jesus to do the good deeds He has planned and purposed all along for us to do. (Eph. 2:10)

Johann Sebastian Bach (1685 - 1750)Concerto Brandeburghese n. 1 in Fa maggiore BWV 1046 Allegro Adagio (re minore) Allegro Utilizza il Coro n. 1 della Cantata BWV 207 Menuetto - Trio I - Polacca - Trio II Utilizza il Ritornello n. 7 della Cantata BWV 207 *********Inizia a 20'24”Concerto brandeburghese n. 2 in fa maggiore, BWV 1047 ... Andante (re minore) Allegro assai *********Inizia a 31'49”Concerto brandeburghese n. 3 in sol maggiore, BWV 1048 Allegro Riutilizzato nella Sinfonia della Cantata BWV 174 Adagio Allegro Utilizza la Pastorale BWV 590  Munchener Bach OrchesterKarl Richter, direttorePierre Thibaud, tromba

In this preliminary episode to the new season of Bede, Dr. Haykin discusses the plan for the upcoming year. https://michaelazadaghaykin.substack.com http://andrewfullercenter.org Music: ””Nun komm, der Heiden Heiland”, Cantata BWV 62: I. Chorus by J. S. Bach, performed by The English Baroque Soloists, John Eliot Gardiner & Monteverdi Choir

La búsqueda y conquista de un período de libertad constituyente por una mayoría de españoles representados en unas cortes constituyentes podría fundar la libertad política colectiva en España, una república constitucional fundadora y garante de las libertades y los derechos. Antonio García-Trevijano Forte, 25 de Octubre del 2016. Fuentes: https://www.ivoox.com/rlc-2016-10-25-la-libertad-politica-colectiva-es-causa-audios-mp3_rf_13467852_1.html Música: Cantata BWV 147 Parte 1: I. Coro: Herz und Mund und Tat und Leben. J.S.Bach ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com 2023

El control del poder se efectúa con la separación de poderes, partiendo de la realidad. Si se parte de la supuesta moralidad de los gobernantes para que no haya corrupción, se cae en utopías. Antonio García-Trevijano Forte, 19 de marzo del 2017. Fuentes: Radio Libertad Constituyente: https://go.ivoox.com/rf/17626756 Música: Cantata BWV 650. J.S.Bach ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com 2023

Johann Sebastian Bach (1685 - 1750)Concerto Brandeburghese n. 1 in Fa maggiore BWV 1046 Allegro Adagio (re minore) Allegro Utilizza il Coro n. 1 della Cantata BWV 207 Menuetto - Trio I - Polacca - Trio II Utilizza il Ritornello n. 7 della Cantata BWV 207 ***********************Inizia a 20'24”Concerto brandeburghese n. 2 in fa maggiore, BWV 1047 ... Andante (re minore) Allegro assai *******************Inizia a 31'49”Concerto brandeburghese n. 3 in sol maggiore, BWV 1048 Allegro Riutilizzato nella Sinfonia della Cantata BWV 174 Adagio Allegro Utilizza la Pastorale BWV 590  Munchener Bach OrchesterKarl Richter, direttorePierre Thibaud, tromba

Luther Gulseth, Church Musician and Sacred Music Curator for KFUO Radio, joins Andy and Sarah to talk about the differences between a chorale and a hymn, some hymn tunes we might find in Bach's chorales, and things to listen for as you listen to these familiar tunes. Find the chorales mentioned at the links below: A Mighty Fortress (LSB 656/657), Cantata BWV 80 Movement 8 (Ein Feste Burg) youtu.be/dRCRPzcLQBk Christ Jesus Lay in Death's Strong Bands (LSB 458), Cantata BWV 4 Movement 4 (Christ Lag In Todesbanden) youtu.be/7vGWlk8oiZM (starts at 10:45) O Sacred Head Now Wounded (LSB 449/450) (Herzlich Tut Mit) youtu.be/8o7GFn1vbd4 From Heaven Above to Earth I Come (LSB 358/385) (Vom Himmel Hoch) youtu.be/BJYn7H1Labw

Johann Sebastian Bach (1685 - 1750)Concerto Brandeburghese n. 1 in Fa maggiore BWV 1046 Allegro Adagio (re minore) Allegro Utilizza il Coro n. 1 della Cantata BWV 207 Menuetto - Trio I - Polacca - Trio II Utilizza il Ritornello n. 7 della Cantata BWV 207 *********Inizia a 20'24”Concerto brandeburghese n. 2 in fa maggiore, BWV 1047 ... Andante (re minore) Allegro assai *********Inizia a 31'49”Concerto brandeburghese n. 3 in sol maggiore, BWV 1048 Allegro Riutilizzato nella Sinfonia della Cantata BWV 174 Adagio Allegro Utilizza la Pastorale BWV 590 Munchener Bach OrchesterKarl Richter, direttorePierre Thibaud, tromba

Johann Sebastian Bach was incredibly generous with the flute.  He wrote several full scale sonatas, gave the flute has starring roles in two of the Brandenburg concerti, and beautiful obbligato parts in countless arias, but there is just one solo partita. The slow movement from his A minor flute Partita-a Sarabande -is a dance form with both Arab and Spanish origins and has a silky, sensual quality. Imagine a kind of "dance of the seven veils. " Way back in 1583, King Philip II of Spain had  the Sarabande banned because it was said to ‘excite bad emotions'.Georg Philip Telemann, Fantaisie No. 12J.S. Bach Brandenburg Concerto #5 in D major, BWV 1050 mmt. 1 AllegroKaren Kevra-flute,  Lucy Chapman-violin Elizabeth Metcalfe-harpsichord  J.S. Bach "Schafe können sicher weiden" (Sheep may safely graze) from his Cantata BWV 208. Hyunah Yu-soprano, Karen Kevra & Kenichi Ueda-flutes  J.S. Bach, Prelude from Suite No. 1 in G Major, BWV1007, Edward Arron-celloAll flute pieces performed by  Karen Kevra Manuscript of J.S.Bach's Partita in A minor.www.capitalcityconcerts.orgSupport the show

Nas vésperas do natal, ficamos apreensivos e curiosos deste momento. Um dos pontos centrais da festa é um momento de presentear, mas o que ele significa? Quais são as raízes e motores? Neste episódio, os professores voluntários de Nova Acrópole vão trazer algumas reflexões e deixar alguns desafios para este Natal. Participantes: Erika Kalvelage e Pedro Guimarães Trilha: J.S.Bach - Trecho do Coro da Cantata BWV 114 nova-acropole.org.br/podcast

本周空岛音乐栏目「遗落的歌」请到了Luv.res程昭瑜，将形而上的个人经验投射在音乐中的实验电子音乐人。2018年他与朱婧汐合作参加电气女士音乐节，2019年短暂加入“超级市场”乐队，而后以个人身份，活跃在各个电子音乐场景。本期节目让我们一起跟随Luv.res重拾那些月光朦胧的雨夜记忆，这些音乐，也许可以映照出曾与某人在下雨天共同凝视过的月亮。00:02:37 Zaini/Dhan - 3:05 am00:06:05 BADBADNOTGOOD - Eyes Closed00:09:31 Bill Charlap - Autumn In New York00:13:33 Bahramji & Maneesh De Moor - Moment With You00:16:54 Monty Datta/Justin Vasquez - The Memories We Share00:21:12 Gene Ammons - My Romance (Remastered 2017)00:24:14 Julian Lloyd Webber/John Lenehan - Arioso (Adagio in G) from Cantata BWV 00:28:25 Mojave 3 - Tomorrow's Taken00:32:53仙童 - 再见，谢谢你们的鱼00:37:48 Luv.res (程昭瑜）- 就像通灵一样需要介质

Pünktlich zur Adventszeit freuen wir uns über eine neue Folge »Barock@home«, dem Podcast aus der Internationalen Bachakademie Stuttgart. Dieses Mal nehmen Akademieleiter Hans-Christoph Rademann und Dr. Andreas Bomba, begleitet durch Rezitationen von Josephine Köhler, Bachs berühmte »Kantate BWV 147« in den Fokus. In ihrer heute bekannten Form erklang die Kantate in Leipzig am 2. Juli des Jahres 1723 zum Fest Mariä Heimsuchung – die ursprüngliche Fassung wurde jedoch in Weimar, zum 4. Advent 1716 komponiert. Es erwartet Sie ein spannendes Gespräch, in dem Textvorlage, Inhalt und musikalische Umsetzung beleuchtet und reflektiert werden. »Barock@home« finden Sie auf allen gängigen Podcast-Plattformen, sowie in der Mediathek der Bachakademie Stuttgart auf www.bachakademie.de. Just in time before christmas, we are happy to release a new episode of "Barock@home", a Podcast created by the International Bach Academy Stuttgart. In this episode academy-director Hans-Christoph Rademann and Dr Andreas Bomba, accompanied by Josephine Köhler, focus on Bach's famous »Cantata BWV 147«. Today's mostly known version was written on July 2nd 1723 in Leipzig for the Christian feast day »Maria's Visitation« – the original version, however, was composed in Weimar for the 4th Advent in 1716. These and many more topics such as literal content and musical realisation within the cantata will be reflected and discussed in this episode. You can find "Barock@home" on all common podcast platforms, as well as the media library of the Bachakademie Stuttgart on www.bachakademie.de. Künstler:innen/Artists: Núria Rial - Sopran Wiebke Lehmkuhl - Alt Benedikt Kristjánsson - Tenor Matthias Winckhler - Bass Gaechinger Cantorey Hans-Christoph Rademann - Dirigent Musikbeispiele: CD-Produktion »J. S. Bach: Kantaten BWV 21 & 147«, erschienen beim Carus-Verlag, EAN: 4009350835221 Produktion: Bildmanufaktur GmbH

Johann Sebastian Bach (1685 - 1750)Concerto Brandeburghese n. 1 in Fa maggiore BWV 10461.Allegro2.Adagio (re minore)3.AllegroUtilizza il Coro n. 1 della Cantata BWV 2074.Menuetto - Trio I - Polacca - Trio IIUtilizza il Ritornello n. 7 della Cantata BWV 207Inizia a 20'24”Concerto brandeburghese n. 2 in fa maggiore, BWV 10471....2.Andante (re minore)3.Allegro assaiInizia a 31'49”Concerto brandeburghese n. 3 in sol maggiore, BWV 10481.AllegroRiutilizzato nella Sinfonia della Cantata BWV 1742.Adagio3.AllegroUtilizza la Pastorale BWV 590Munchener Bach OrchesterKarl Richter, direttorePierre Thibaud, tromba

In our season finale before we take a break and return early next year, we celebrate the first season's wrap! For this "Bachtoberfest," we talk Coffee Cantata, German beer, and all things A Moment of Bach. We answer a bunch of listener questions about our own musicmaking processes and history with Bach, and we get deep into some listener ideas.    Special thanks to YOU the listener for hearing 37 episodes! You made this a real thing. See you in Season 2!   We'll drop one more bonus after this with the year's blooper reel!   Artwork by Sydney LaCom Musical examples provided by the Netherlands Bach Society https://www.bachvereniging.nl/en Their All of Bach project: https://www.bachvereniging.nl/en/allofbach  The “iceberg”: https://www.reddit.com/r/ClassicalMemes/comments/7gm1az/the_classical_iceberg/

Don't you just "know" when someone has put good work into a product just from your first experience with it? We think this is why Bach never feels lazy. While Bach excels at portraying a shepherd's pasture with music, we hear how some contemporary examples from film and TV are so much more widely varied in quality. Bach's musical pasture is so idyllic that we can use it to de-stress from our modern lives! Cantata BWV 104: https://youtu.be/eZaL8XakQLo Freesound #183454 CC license

En clave de Dios (CXLII): Cantata BWV 1 (Johann Sebastian Bach). Anunciación del Señor. En este programa la obra protagonista es la Cantata BWV 1 ('Wie schön leuchtet der Morgenstern', Como brilla el lucero de la mañana) de Johann Sebastian Bach, escrita para el 25 de marzo de 1725, fecha en la que coincidieron la Anunciación del Señor y el Domingo de Ramos. En este espacio también escuchamos el preludio coral para órgano del compositor Dietrich Buxtehude que posee el mismo título que la cantata de Bach, el del himno de Philip Nicolai en el que ambas composiciones se basan. Asimismo, incluimos el motete 'Ne timeas Maria' de Tomás Luis de Victoria, que ilustra el anuncio del Ángel a María.

In this episode, Dr. Bettina Varwig of Cambridge University joins us to discuss a wide range of Bach-related topics, starting with Cantata BWV 131 (Aus der Tiefen rufe ich), which Bach Society Houston will present in a streamed Passiontide concert later this month (March 2021). We also hear about Dr. Varwig's recent research into how Bach’s Leipzig congregants listened to his cantatas in ways that differ from the “attentive listening” model now associated with Western classical music culture. The conversation concludes with a preview of the essay collection Rethinking Bach, which Dr. Varwig is currently editing for Oxford University Press. Read more about Dr. Varwig here. Instrumentation, text and translation(s), and additional resources for BWV 131 can be found here and here.  Stream Bach Society Houston's Passiontide Vespers performance of BWV 131 and other works on March 28, 2021, at their webpage or Facebook page. Audio example used in episode is from an archived Bach Society Houston performance of BWV 131.      

La búsqueda y conquista de un período de libertad constituyente por una mayoría de españoles representados en unas cortes constituyentes podrían fundar la libertad política colectiva en España, una república constitucional fundadora y garante de las libertades y derechos. Antonio García-Trevijano Forte, 25 de Octubre del 2016. Fuentes: https://www.ivoox.com/rlc-2016-10-25-la-libertad-politica-colectiva-es-causa-audios-mp3_rf_13467852_1.html Música: Cantata BWV 147 Parte 1: I. Coro: Herz und Mund und Tat und Leben. J.S.Bach mcrc.es diariorc.com 2021

La búsqueda y conquista de un período de libertad constituyente por una mayoría de españoles representados en unas cortes constituyentes podrían fundar la libertad política colectiva en España, una república constitucional fundadora y garante de las libertades y derechos. Antonio García-Trevijano Forte, 25 de Octubre del 2016.Fuentes:https://www.ivoox.com/rlc-2016-10-25-la-libertad-politica-colectiva-es-causa-audios-mp3_rf_13467852_1.htmlMúsica: Cantata BWV 147 Parte 1: I. Coro: Herz und Mund und Tat und Leben. J.S.Bach mcrc.esdiariorc.com2021

El control del poder se efectúa con la separación de poderes, partiendo de la realidad. Si se parte de la supuesta moralidad de los gobernantes para que no haya corrupción, se cae en utopías.Antonio García-Trevijano Forte, 19 de marzo del 2017.Fuente RLC: https://go.ivoox.com/rf/17626756Música: Cantata BWV 650. J.S.Bach mcrc.esdiariorc.com2021

El control del poder se efectúa con la separación de poderes, partiendo de la realidad. Si se parte de la supuesta moralidad de los gobernantes para que no haya corrupción, se cae en utopías. Antonio García-Trevijano Forte, 19 de marzo del 2017. Fuente RLC: https://go.ivoox.com/rf/17626756 Música: Cantata BWV 650. J.S.Bach mcrc.es diariorc.com 2021

Los liberales creen que la libertad está basada exclusivamente en la libertad individual, pero esta son derechos otorgados por el poder.La libertad política colectiva es fundadora y garante de las libertades individuales. Antonio García-Trevijano Forte, 25 de Octubre del 2016.Fuentes:https://www.ivoox.com/rlc-2016-10-25-la-libertad-politica-colectiva-es-causa-audios-mp3_rf_13467852_1.htmlMúsica: Cantata BWV 147 Part 2: IX. Aria: Ich will von Jesu Wundern singen. J.S.Bachmcrc.esdiariorc.com2021

Los liberales creen que la libertad está basada exclusivamente en la libertad individual, pero esta son derechos otorgados por el poder. La libertad política colectiva es fundadora y garante de las libertades individuales. Antonio García-Trevijano Forte, 25 de Octubre del 2016. Fuentes: https://www.ivoox.com/rlc-2016-10-25-la-libertad-politica-colectiva-es-causa-audios-mp3_rf_13467852_1.html Música: Cantata BWV 147 Part 2: IX. Aria: Ich will von Jesu Wundern singen. J.S.Bach mcrc.es diariorc.com 2021

a cura di Massimiliano SamsaJohann Sebastian Bach (1685 - 1750) - Weihnachtsoratorium, BWV 248Oratorio in sei parti, libretto di Christian Friedrich Henrici (Picander)Solisti:Dorothea Röschmann, SopranoAndreas Scholl, AltoWerner Güra, TenorKlaus Häger, BassRIAS KammerchorAkademie für Alte Musik BerlinRené Jacobs, DirectionLa Cantata della Pars IV è quella che più si distacca dalle altre: per le dimensioni ridotte, per la tonalità d'impianto (fa maggiore), per una particolare ricerca timbrica nella scelta dell'organico orchestrale. Dovendo celebrare la festa della circoncisione di Gesù, la Cantata è ovviamente incentrata sul tema del «nome di Gesù»: dopo il consueto e imponente Coro d'apertura, seguito dal racconto dell'Evangelista, è il basso che per primo invoca più volte il nome di Gesù con un Recitativo all'interno del quale Bach ha inserito una strofa di Corale affidata al soprano. La Cantata termina con due numeri che non si occupano più specificamente del tema: un'ardente Aria in re minore in stile fugato per tenore e due violini solisti e il luminoso Corale finale, caratterizzato dal timbro festoso dei due corni da caccia.Nella Cantata della Pars V Bach si è discostato dal testo evangelico previsto dalla liturgia per la domenica dopo Capodanno, narrante l'episodio della fuga in Egitto, per concentrarsi invece sull'imminente festività dell'Epifania offrendo così alla meditazione il tema di Cristo-Luce (simboleggiato dalla stella apparsa ai Magi) e della profezia della sua venuta. Il carattere della Cantata ripresenta i tratti più intimi e raccolti che avevano già contraddistinto la Pars II, anche e soprattutto per creare un necessario stacco prima della trionfale conclusione dell'Oratorio.Testo tratto da: https://www.flaminioonline.it/Guide/Bach/Bach-Weihnachts248.htmlUn buon ascolto e una buona notte da Massimiliano Samsa. Parte quarta:Fallt mit Danken, fallt mit LobenCantata in fa maggiore per soli coro e orchestraOccasione: festa della Circoncisione (Capodanno)36.Fallt mit Danken, fallt mit LobenCoro in fa maggiore per coro, 2 corni, 2 oboi, 2 violini, viola e organoUtilizza il Coro n. 1 della Cantata BWV 213.37.Und da acht Tage um warenRecitativo in do maggiore per tenore e organo38.Immanuel, o süsses Wort!Recitativo e arioso in re minore/fa maggiore per soprano, basso, 2 violini, viola e organo39.Flösst, mein Heiland, flösst dein NameAria in do maggiore per soprano, oboe e organoUtilizza l'Aria n. 5 della Cantata BWV 213.40.Wohlan! dein Name soll allein in meinem Herzen sein / Jesu, meine FreudeRecitativo e Arioso in re minore per soprano, basso, 2 violini, viola e organo41.Ich will nur dir zu Ehren lebenAria in re minore per tenore, 2 violini e organoUtilizza l'Aria n. 7 della Cantata BWV 213.42.Jesus richte mein BeginnenCorale in fa maggiore per coro, 2 corni, 2 oboi, 2 violini, viola e organoPrima esecuzione: Lipsia, Thomaskirche, 1 gennaio 1735Parte quinta:Ehre sei dir, Gott! gesiugenCantata in la maggiore per soli e ortchestraOccasione: 1a domenica dopo Capodanno43.Ehre sei dir, Gott! gesiugenCoro in la maggiore per coro, 2 oboi d'amore, 2 violini, viola e organo44.Da Jesus geboren war zu BethlehemRecitativo in fa diesis minore per tenore e organo45.Wo ist der neugeborne König der Jüden?Coro e recitativo in si minore per contralto, coro, 2 oboi d'amore, 2 violini, viola e organoUtilizza il Coro n. 114 della perduta Markuspassion BWV 24746.Dein Glanz all' Finsternis verzehrtCorale in la maggiore per coro, 2 oboi d'amore, 2 violini, viola e organo47.Erleucht' auch meine finstre SinnenAria in fa diesis minore per basso, oboe d'amore e organoUtilizza l'Aria n. 3 della Cantata BWV 215.48.Da das der König Herodes hörteRecitativo in la maggiore per tenore e organo49.Warum wollt ihr erschrecken?Recitativo in do diesis minore per contralto, 2 violini, viola e organo50.Und liess versammeln alle HohenpriesterRecitativo in la maggiore per tenore e organo51.Ach! wann wird die Zeit erscheinen?Trio in si minore per soprano, contralto, tenore, violino e organo52.Mein Liebster herrschet schonRecitativo in fa diesis minore per contralto, 2 oboi d'amore e organo53.Zwar ist solche HerzensstubeCorale in la maggiore per coro, 2 oboi d'amore, 2 violini, viola e organoPrima esecuzione: Lipsia, Thomaskirche, 2 gennaio 1735Parte sesta:Herr, wenn die stolzen Feinde schnaubenCantata in re maggiore per soli, coro e orchestraOccasione: festa dell'Epifania54.Herr, wenn die stolzen Feinde schnaubenCoro in re maggiore per coro, 2 oboi, 3 trombe, timpani, 2 violini, viola e organoUtilizza il Coro n. 1 della Cantata perduta Anh 1055.Da berief Herodes die Weisen heimlichRecitativo in la maggiore per tenore, basso e organo56.Du Falscher, suche nur den Herrn zu fällenRecitativo in si minore per soprano, 2 violini, viola e organo57.Nur ein Wink von seinen HändenAria in la maggiore per soprano, oboe d'amore, 2 violini, viola e organo58.Als sie nun den Konig gehöret hattenRecitativo in fa diesis minore per tenore e organo59.Ich steh' an diener Krippen hierCorale in sol maggiore per coro, 2 oboi d'amore, 2 violini, viola e organo60.Und Gott befahl ihnen im TraumRecitativo in fa diesis minore per tenore e organo61.So geht! genug, mein Schatz geht nicht von hierRecitativo in fa diesis minore per tenore, 2 oboi d'amore e organo62.Nun mögt ihr stolzen Feinde schreckenAria in si minore per tenore, 2 oboi d'amore e organo63.Was will der Holle Schrecken nun / Was will uns Welt und Sünde tunRecitativo in si minore per coro e organo64.Nun seid ihr wohl gerochenCorale in re maggiore per coro, 2 oboi d'amore, 3 trombe, timpani, 2 violini, viola e organoPrima esecuzione: Lipsia, Thomaskirche, 3 dicembre 1724

En clave de Dios (CXXXIII): Cantata BWV 140 (Johann Sebastian Bach). Programa dedicado íntegramente a la Cantata BWV 140, 'Despertad, la voz nos llama', de Johann Sebastian Bach, estrenada en Leipzig en noviembre de 1731, que pone música a un himno de Philip Nicolai, y que a su vez se basa en la parábola de San Mateo de las diez vírgenes, cinco prudentes y cinco necias. El cuarto movimiento de esta cantata, el coral 'Zion hört die Wächter singen', fue utilizado por el compositor en el primero de sus 'Seis corales de varios tipos', comúnmente conocidos como 'Corales Schübler', una serie de preludios para órgano recopilados en 1748.

In this episode, Davina is joined by the internationally renowned conductor, Sir John Eliot Gardiner. They discuss his flourishing international career as one of the world's most innovative and dynamic conductors, his award-winning ensembles- The Monteverdi Choir and Orchestras, and also his love of all music from Bach to Bernstein. Davina and John Eliot cover a range of repertoire including Bach's Cantata BWV 77,  Monteverdi's Opera, 'Il Ritorno d'Ulisse in patria', Beethoven's Symphony Number 7 and also Brahms's Geistliches Lied.   This episode contains recordings from the English Baroque Soloists, Orchestre Révolutionnaire et Romantique and The Monteverdi Choir, from their label SDG.   All recordings from Episode 10 can be found in the Spotify Playlist here: https://open.spotify.com/playlist/0GluYFkqq3j9NZhLYqcqCT?si=-B4THcZkRTO1wNDUkjoIrw   Watch The Monteverdi Choir and Orchestras on their YouTube Channel here:  https://www.youtube.com/channel/UCBYbc4_3QJ9YEhXJtCTVO0A/videos      

Clássicos IPB #2044 - Cantata BWV 80, Ein Fest Burg (Castelo Forte) de Johann Sebastian Bach. Orquestra e Coro, Amsterdam Baroque. Regência, Ton Koopman. Apresentação, Natsan Matias. Produção, Artur Mendes / Rádio IPB / APECOM.

Canti di Guarigione in collaborazione con Radio Dosti e Michele LobaccaroCanti di guarigione delle Chiese ProtestantiCominciamo la prima puntata di "Canti di Guarigione" nel giorno del compleanno di Johann Sebastian Bach, sommo autore di musica che accarezza l'anima.Infatti la comunità valdese ci propone due canti:il celeberrimo corale di Bach:Jesus bleibet meine Freude (dalla Cantata BWV 147)Jesus bleibet meine FreudeMeines Herzens Trost und Saft,Jesus wehret allem Leide,er ist meines Lebens Kraft,meiner Augen Lust und Sonne,meiner Seele Schatz und Wonne,darum lass ich Jesum nichtaus dem Herzen und Gesicht.TraduzioneGesù rimane la mia gioia,linfa e consolazione del mio cuore,Gesù pone termine a ogni sofferenza,è la forza della mia vita,sole e brama dei miei occhi,delizia e tesoro della mia anima,perciò non lascio Gesùlontano dal cuore e dallo sguardo.e anche l'Inno composto e interpretato da Marty Haugen:Healer of our every illRitornello: Healer of our every ill, Light of each tomorrow,give us peace beyond our fear, and hope beyond our sorrowTraduzione: Guaritore di ogni nostro maleluce di ogni domanidacci pace oltre la nostra paurae speranza oltre il nostro dolore

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. Iver Kleive,Aage Kvalbein - Tema fra Adagio；2. Julius Katchen - Herz und Mund und Tat und Leben, Cantata BWV 147 (arr. Dame Myra Hess)：6. Choral： Jesu, joy of man's desiring；3. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 9 in B Major, Op. 32, No. 1；4. Janos Starker - Divertment In D Major；5. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 10 in A Flat Major, Op. 32, No. 2；6. Janos Starker – Toccata；7. Janos Starker - Bloch – Prayer；8. Janos Starker - The Swan。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. Iver Kleive,Aage Kvalbein - Tema fra Adagio；2. Julius Katchen - Herz und Mund und Tat und Leben, Cantata BWV 147 (arr. Dame Myra Hess)：6. Choral： Jesu, joy of man's desiring；3. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 9 in B Major, Op. 32, No. 1；4. Janos Starker - Divertment In D Major；5. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 10 in A Flat Major, Op. 32, No. 2；6. Janos Starker – Toccata；7. Janos Starker - Bloch – Prayer；8. Janos Starker - The Swan。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. Iver Kleive,Aage Kvalbein - Tema fra Adagio；2. Julius Katchen - Herz und Mund und Tat und Leben, Cantata BWV 147 (arr. Dame Myra Hess)：6. Choral： Jesu, joy of man's desiring；3. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 9 in B Major, Op. 32, No. 1；4. Janos Starker - Divertment In D Major；5. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 10 in A Flat Major, Op. 32, No. 2；6. Janos Starker – Toccata；7. Janos Starker - Bloch – Prayer；8. Janos Starker - The Swan。

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽&云公子，365天每天更新一期。微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。 文字版已在微信公众号【365读书】发布 。QQ：927742433 背景音乐：1. Iver Kleive,Aage Kvalbein - Tema fra Adagio；2. Julius Katchen - Herz und Mund und Tat und Leben, Cantata BWV 147 (arr. Dame Myra Hess)：6. Choral： Jesu, joy of man's desiring；3. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 9 in B Major, Op. 32, No. 1；4. Janos Starker - Divertment In D Major；5. Arthur Rubinstein,Frédéric François Chopin - Nocturne No. 10 in A Flat Major, Op. 32, No. 2；6. Janos Starker – Toccata；7. Janos Starker - Bloch – Prayer；8. Janos Starker - The Swan。

En clave de Dios (CVIII): Cantata BWV 36 (Johann Sebastian Bach). Les ofrecemos en esta edición la audición íntegra de la Cantata BWV 36, 'Schwingt freudig euch empor' (Elevaos con alegría) de Johann Sebastian Bach, para el Primer Domingo de Adviento, estrenada en 1731 en la Iglesia de Santo Tomás de Leipzig. Lo acompañamos con uno de los cantos en gregoriano para el Tiempo de Adviento.

Quando se fala em música clássica, é quase impossível não pensar nos grandes compositores do passado, como Wolfgang Amadeus Mozart, Johann Sebastian Bach, Ludwig van Beethoven, Johannes Brahms. E também artistas ainda hoje em atividade, como Arvo Pärt, John Adams, Philip Glass. Retratados em livros e filmes como seres geniais, cuja obra é capaz de emocionar milhões de pessoas, seus autores são tema de centenas de biografias, filmes e análises apaixonadas. Mas, por que tanta gente tem medo se se aproximar desse gênero? A música clássica (pelo mundo e no Brasil) segue viva no cinema, no teatro, nas salas de concerto, mas é preciso ter curiosidade para se aproximar desse universo de estilos — e também se permitir perder um tempo para descobrir outras maneiras de ouvir e apreciar música. Para entender o que ela é, seu vocabulário básico e como começar a ouvi-la, o Nexo conversou com os jornalistas e escritores João Luiz Sampaio e Irineu Franco Perpétuo, a pesquisadora de música Camila Fresca, o maestro André Bachur e Cristian Budu, pianista brasileiro com carreira em ascensão no exterior. Link para nossa playlist no Spotify: https://open.spotify.com/user/nexojornal/playlist/5xANH64VfMPjdl8Y3VSQHD?si=1Oo_CqmzT7yRhyhxgwDDHA Lista de músicas tocadas no programa: Pour Elise (Bagatela para piano nº 25 em lá menor) - Ludwig van Beethoven (1810) Fratres - Arto Pärt (1977) Sinfonia nº 3, op. 90 - Johannes Brahms (1883) Concerto para piano nº 5, op. 73 - Ludwig van Beethoven (1809-1811) Missa de Réquiem - Giuseppe Verdi (1874) Turandot - Giacomo Puccini (1924) Sonata para piano nº 14, op. 27 (Sonata ao Luar) - Ludwig van Beethoven (1801) Sinfonia nº 40 - Wolfgang Amadeus Mozart (1788) Poema sinfônico op. 30 (Assim falou Zaratustra) - Richard Strauss (1896) Bachianas Brasileiras nº 2 (O trenzinho do caipira) - Heitor Villa-Lobos (1930) Mad Rush - Philip Glass (1979) Cantata BWV 147 (coral final: Jesus, alegria dos homens) - Johann Sebastian Bach (1716) Suíte Os Planetas, op. 32 (4. Júpiter) - Gustav Holst (1914-1916) A Sagração da Primavera (balé) - Igor Stravinsky (1913) 8 Improvisações sobre canções camponesas húngaras - Béla Bartók (1920) Tocatina op. 6 nº 1, em lá menor - Clara Schumann (1836) Mourão - César Guerra-Peixe (1951) Ponteio - Claudio Santoro (1953)

En clave de Dios (LXXXIII): Cantos de Adviento y Cantata BWV 132 (Bach). Programa dedicado al periodo litúrgico del Adviento en el que escuchamos una selección de tres de las conocidas como Antífonas de la O en gregoriano, el himno 'Veni, veni, Emmanuel', dos fragmentos del oratorio 'El Mesías' de Handel, y la Cantata 'Bereitet die Wege, bereitet die Bahn' BWV 132 de Johann Sebastian Bach, escrita en 1715 para el 4º Domingo de Adviento.

As part of Radio 3’s celebration of forests this autumn, Michael Berkeley’s guest is the American novelist Richard Powers. His latest novel, The Overstory, is his twelfth, and it’s a monumental work which was entirely inspired by trees. It all started when Powers was teaching in California, and visited the giant redwoods there. That encounter amounted he says to “a religious conversion”. He realised he’d been blind to these amazing creatures all his life. So, to make up for lost time, in his new Booker long-listed novel he gives trees a voice: "A woman sits on the ground, leaning against a pine. Its bark presses hard against her back, as hard as life. Its needles scent the air and a force hums in the heart of the wood. Her ears tune down to the lowest frequencies. The tree is saying things, in words before words." Inspired by his passion for trees, Richard Powers has now moved to live in the forests of the Smoky Mountains which run along the border between North Carolina and Tennessee. "In 15 to 20 minutes, I can be up and walking in these forests that are recovering from a century-and-a-half of logging and see the way that nature persists and transforms and perseveres." On a brief trip to London, he looks back over a thirty-year writing career in which each novel is more audacious than the last. But one theme runs through all his writing: the power of music, and Powers plays the cello, guitar, clarinet and saxophone. His music choices include Dowland’s “Time Stands Still”, Bartok’s String Quartet No. 4, Bach’s Cantata BWV 100, and Charles Ives’ Concord Sonata. A Loftus production for BBC Radio 3 Produced by Elizabeth Burke

08 19 2018 - Schäme dich, O Seele nicht from Cantata BWV 147 by Snowmass Chapel

做一档有灵魂的读书节目。每天更新一期。 主播：潮羽，365天每天更新一期。背景音乐：1.Julian Lloyd Webber,John Lenehan - J.S. Bach： Arioso (Adagio in G) from Cantata BWV 156 (Arr. Lloyd Webber)；2.赵海洋 - 《夜色钢琴曲》虹之间；3.Lawrence - 涟漪；4.群星 -...

Some things are best left unsaid. Naturally, we decided to say them. Join the Judge and Crow as they reveal some of their deepest, darkest gaming confessions. Other topics include: Big Dead by Daylight announcements, Luminous Productions, Deadpool 2 Trailer Crew: JudgeRuled, Crow Intro: “Drive (feat. Rookie)” by Olmos (https://youtu.be/MzdNi8sZLGo) Outro: “Future Vision (Futurecop! Remix)” by Waveshaper (https://youtu.be/1g3fxAssE9M) Other media included in this episode: "Arioso from Cantata BWV 156 1st Adagio" by J.S. Bach (https://youtu.be/xueopsTHesw) Thanks for tuning in! Feel free to reach out to us at contact@podgehodge.net, or tweet us at @realpodgehodge!

Comparing performances between two cantatas Bach used for the celebration of men in secular settings

En clave de Dios (LX): Fiesta de la Presentación del Señor y de la Purificación de María. Programa centrado en la doble fiesta del día 2 de febrero, la Presentación del Señor y la Purificación de María, en el que se narran algunos datos históricos sobre la tradición de estas festividades cristianas y se escuchan algunos ejemplos de la antífona 'Diffusa est gratia', pertenecientes a autores como Guillaume de Machaut, William Byrd o Giovanni Pierluigi Da Palestrina, así como la Cantata BWV 82, 'Ich habe genug', de Johann Sebastian Bach.

선곡표 1.J.S. Bach - 바흐 칸타타 BWV 202 Cantata BWV 202 (Weichet nur, betrubte Schatten) - 1. Aria. Weichet nur, betrübte Schatten 2.A. Vivaldi -플루트 협주곡 Flute Concerto in c minor RV 441 1악장, 2악장, 3악장 3.C. Saint-Saens -바이올린 소나타 1번 Violin Sonata No.1 in d minor Op.75 - 1. Allegro agitato - 4.L.V. Beethoven -피아노 트리오 6번 E플랫 장조 Op.70-2 中 3악장Allegro ma non troppo 5.G. Faure -로망스 Romance in A Major Op.69 6.J. Brahms -피아노 트리오 1번 op.8 3악장 7.Friedrich Flotow -마르타(Martha) 中 꿈과 같이 (M'appari, Tutt' Amor) 8.J. Strauss II -박쥐(Die Fledermaus) 서곡 9. 영화 (나, 다니엘 블레이크 OST)Sailing By - Ronald Binge

En clave de Dios (XIV): 'Magnificat' (Bach). Programa en el que recorremos el 'Magnificat' en Re mayor BWV 243 de Johann Sebastian Bach, escrito en 1723 en su primera versión y revisado en 1733 tal y como le conocemos actualmente, del que relatamos las circunstancias en las que fue compuesto. Asimismo, en el programa se incluyen otras obras del compositor barroco alemán, como un fragmento del motete 'Cantad una nueva canción al Señor' BWV 225 y varios números de la Cantata BWV 4 ('Cristo yacía en las ligaduras de la muerte'), escrita para el primer Domingo de Pascua de 1708.

La instalación situada en el LABoratorio de Sonido de LABoral incluye una gran urna de metacrilato en cuyo interior hay medio millar de abejorros. El zumbido de esos animales, la proyección del primer vídeo registrado sobre los indios americanos -contemporáneo a Emily Dickinson- y la de otro audiovisual que recoge los ensayos preparatorios de Esta breve tragedia de la carne, junto a una selección de textos de Shakespeare y el fragmento Jesus bleibet meine Freude (Jesús sigue siendo mi alegría) de la Cantata BWV 147 de Johann Sebastian Bach generan una narrativa sonora y visual de la que surge Emily. Junto a esta obra, Angélica Liddell ha preparado en LABoral la producción de 'Esta breve tragedia de la carne', obra que se estrenará en la 39 edición de La Bâtie-Festival de Ginebra, institución que junto al Centro de Arte y Creación Industrial coproduce ambas piezas.

Check out the shownotes at biberfan.org

선곡표 1. 바흐 - 골드베르크 변주곡 no. 1-26 2.A. Vivaldi -세상엔 참 평화 없어라 Nulla in mundo pax sincera 3.바흐 칸타타 BWV 158 `평화가 당신과 함께 있으시기를` Cantata BWV 158 `Der Friede sei mit dir` 4.쇼팽 - Prelude in c sharp minor Op.45 5.사라사테 찌고이네르바이젠 6.Piazzolla -리베르 탱고 7 F. Mendelssohn - 피아노 트리오 1번 d단조 Op.49 中 2mov. Andante con moto tranquillo 8.영화 귀향 ost - a song for luka

A mixture of classical avantgarde, Scandinavian obscurities and historical electronic music. Highbrow style - Vinyl only. Tracklist: Evol: Ten Canisters Of Pressurized Tetrafluoroethane Over Three Weeks (A+B) Hans Abrahamsen: Blomstersange Niels Lyhne Løkkegaard: Sound x Sound (Soprano Recorder) Niels Lyhne Løkkegaard: Sound x Sound (Alto Recorder) Ketil Teisen: Guitar-Organ Iawa/Bora Indiens: Solo de flute Ekkehard Ehlers: Ekkehard Ehlers Plays Cornelius Cardew Lilli Freidemann: Einsteige in neue Klangbereiche durch Gruppenimprovisation Morton Feldman: The King of Denmark (performed by Max Neuhaus) Michael Ranta: MU V Kazimierz Serocki: Pianophonie Pink Floyd: Quicksilver Rainer Kuisma: Concertpiece for percussion Henning Christiansen: Perceptive constructions (On the line) Steen Holkenov / Birgit Trier Frederiksen: Raketten Lauri Wuolio: In Girum Imus Nocte Cecilia Jonsson: The Four Seasons Artur Żmijewski: Cantata BWV 78 (Jesu Der Du Meine Seele) Roberta Settels: Scenario Henry Wolff/Nancy Hennings: Skybells 1 Leo Küpper: L'Enclume Des Forces Henry Wolff/Nancy Hennings: Astral plane Cornelius Cardew: The great learning pt.2 Wayne Siegel: Domino Figures Dick Raaymakers: 5 canons Kenn André Stilling: Tegning, maling, radering Terre Thaemlitz: In The Style Of Marcel Duchamp Air De Paris Pt. 1

6th public recording of the Bach Collegium Paris on March, 31st 2012, Église Réformée de l'Étoile (Paris 17th). Patrizia METZLER, directeur musical. Claire COUZELIN, soprano. Xavier JACQUES, alto. Tarik BOUSSELMA, ténor. Fabien LERICHE, basse. Johann Sebastian BACH (1685-1750) Cantata BWV 4 "Christ Lag in Todesbanden" ... read more about this program on : http://www.bachcollegiumparis.org/repertoire/bach-cantate-bwv-4-christ-lag-in-todesbanden © All right reserved Bach Collegium Paris - Paris, France

First public recording of the Bach Collegium Paris on July, 9th 2010 in Basilique Sainte-Clotilde (Paris 7th). Patrizia METZLER, musical director. Chiara SKERATH, soprano. Antoine LE ROUX, contretenor. David TRICOU, tenor. Émilien HAMEL, baryton. BACH Johann-Sebastian (1685-1750) Cantata BWV 147 “Herz und Mund und Tat und Leben” “Jesus bleibet meine Freude” (final choral) J.S. Bach wrote Cantata 147 to celebrate the feast of the Visitation of the Virgin Mary and it was first performed during his first year at the Thomaskirche in Leipzig on July 2, 1723. In 1716 he had composed a six movement work with the same title during his time in Weimar where it was intended to be sung on the 4th Sunday of Advent. The revisions he undertook for the performance in Leipzig included substantial citatations from the Song of Mary (the Magnificat in Luke, chapter 1) thus making it fit into the liturgical requirements for the Feast of the Visitation. The text for the original Weimar work was composed by the librettist Salomon Franck and although it was not unacceptable for the Feast of the Visitation, Bach expanded from the work from six into ten movements to satisfy all the liturgical requirements in Leipzig. The additional movements included three recitatives and the concluding movements of the first section, as well as the replacement of the final movement of the work with another stanza from Martin Jahn's chorale text. ... read more about this program on : http://www.bachcollegiumparis.org/repertoire/bach-cantate-bwv-147 © All right reserved Bach Collegium Paris - Paris, France

The Reverend Dr. Robert Allan Hill and Dr. Scott Allen Jarrett, Director of Music at Marsh Chapel preach a sermon entitled "Bach and Harmony." The Marsh Chapel Choir sings Cantata BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir" by Johann Sebastian Bach and "Lass', o Herr, mich Hülfe finden, Op. 96, no. 1" by Felix Mendelssohn along with service music and hymns.

The Reverend Dr. Robert Allan Hill and Dr. Scott Allen Jarrett, Director of Music at Marsh Chapel preach a sermon entitled "Bach and Harmony." The Marsh Chapel Choir sings Cantata BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir" by Johann Sebastian Bach and "Lass', o Herr, mich Hülfe finden, Op. 96, no. 1" by Felix Mendelssohn along with service music and hymns.

The Reverend Dr. Robert Allan Hill and Dr. Scott Allen Jarrett, Director of Music at Marsh Chapel preach a sermon entitled "Bach and Harmony." The Marsh Chapel Choir sings Cantata BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir" by Johann Sebastian Bach and "Lass', o Herr, mich Hülfe finden, Op. 96, no. 1" by Felix Mendelssohn along with service music and hymns.

The Reverend Dr. Robert Allan Hill and Dr. Scott Allen Jarrett, Director of Music at Marsh Chapel preach a sermon entitled "Bach and Harmony." The Marsh Chapel Choir sings Cantata BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir" by Johann Sebastian Bach and "Lass', o Herr, mich Hülfe finden, Op. 96, no. 1" by Felix Mendelssohn along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean preaches a sermon entitled "A Season of Promise." The Marsh Chapel Choir sings Cantata BWV 148 "Bringet dem Herrn Ehre seines Namens" by Johann Sebastian Bach and Psalm 100: "Jauchzet dem Herrn" by Mendelssohn along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean preaches a sermon entitled "A Season of Promise." The Marsh Chapel Choir sings Cantata BWV 148 "Bringet dem Herrn Ehre seines Namens" by Johann Sebastian Bach and Psalm 100: "Jauchzet dem Herrn" by Mendelssohn along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean preaches a sermon entitled "A Season of Promise." The Marsh Chapel Choir sings Cantata BWV 148 "Bringet dem Herrn Ehre seines Namens" by Johann Sebastian Bach and Psalm 100: "Jauchzet dem Herrn" by Mendelssohn along with service music and hymns.

The Rev. Dr. Robert Allan Hill, Dean preaches a sermon entitled "A Season of Promise." The Marsh Chapel Choir sings Cantata BWV 148 "Bringet dem Herrn Ehre seines Namens" by Johann Sebastian Bach and Psalm 100: "Jauchzet dem Herrn" by Mendelssohn along with service music and hymns.

The castaway on Desert Island Discs this week is the literary critic, Sir Frank Kermode. One of the most influential teachers of his age, he is credited with bringing the new literary theory of Structuralism to this country. Something, as he admits to Sue Lawley, he now profoundly regrets. He traces his life, "lived like tumbleweed in the wind", from a short-sighted, studious boy growing up on the Isle of Man to King Edward Professor of English Literature at Cambridge University.[Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Cantata BWV 106 The Actus Tragicus by Johann Sebastian Bach Book: The History of The Decline and Fall of the Roman Empire by Edward Gibbon Luxury: Samuel Palmer's painting Moonlit Landscape

The castaway on Desert Island Discs this week is the literary critic, Sir Frank Kermode. One of the most influential teachers of his age, he is credited with bringing the new literary theory of Structuralism to this country. Something, as he admits to Sue Lawley, he now profoundly regrets. He traces his life, "lived like tumbleweed in the wind", from a short-sighted, studious boy growing up on the Isle of Man to King Edward Professor of English Literature at Cambridge University. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Cantata BWV 106 The Actus Tragicus by Johann Sebastian Bach Book: The History of The Decline and Fall of the Roman Empire by Edward Gibbon Luxury: Samuel Palmer's painting Moonlit Landscape