Podcasts about Fortune Theatre

Claire-Marie Hall (Operation Mincemeat) returns to co-host The West End Frame Show!Andrew and Claire discuss Now That's What I Call A Musical (Milton Keynes Theatre, UK Tour) as well as the latest news about the Mattel Wicked dolls mishap, 13 Going On 30, Hadestown, Scissorhandz and more. Claire is currently starring as Jean Leslie & others in the West End production of Operation Mincemeat. She was part of the musical's original cast, originally performing it at the Southwark Playhouse and Riverside Studios before transferring to the West End's Fortune Theatre.Next year Claire will reunite with the original cast of Operation Mincemeat for the musical's Broadway transfer. Performances will begin in New York at the Golden Theatre on 15th February 2025, ahead of an official opening night on 20th March.Claire's theatre credits also include: The Innkeeper's Wife in The Wicker Husband (Watermill Theatre), The Grinning Man (Trafalgar Studios), Tuptim in The King and I (Leicester Curve & National Tour), Gabriella High School Musical (Hammersmith Apollo & National Tour) and Cosette in Les Miserables (Queen's Theatre).At the age of 11, Claire made her professional debut as Ngana in the National Theatre's touring production of South Pacific. In this episode, Claire discusses her journey with Operation Mincemeat and how it feels to be taking the musical to Broadway!Follow Claire on Instagram: @claire_m_hall Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

Send us a textLet's head into the Fortune Theatre for a performance of one of the most innovative and deceptively complex comedies of the English Renaissance.  The Roaring Girl, or Moll Cutpurse explores the fluidity of social identity by the protagonist's use of clothing and language.Support the showPlease like, subscribe, and rate the podcast on Apple, Spotify, YouTube Music, or wherever you listen. Thank you!Email: classicenglishliterature@gmail.comFollow me on Instagram, Facebook, Tik Tok, and YouTube.If you enjoy the show, please consider supporting it with a small donation. Click the "Support the Show" button. So grateful!Podcast Theme Music: "Rejoice" by G.F. Handel, perf. The Advent Chamber OrchestraSubcast Theme Music: "Sons of the Brave" by Thomas Bidgood, perf. The Band of the Irish GuardsSound effects and incidental music: Freesounds.orgMy thanks and appreciation to all the generous providers!

Jak Malone (Operation Mincemeat) co-hosts The West End Frame Show!Andrew and Jak discuss The Witches (National Theatre) and Elf The Musical (Dominion Theatre) as well as the latest news about For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, two Gwyneth Paltrow skiing musicals, Wicked casting, Operation Mincemeat's plaque for Hester Leggatt and lots more.Jak's theatre credits include A Clockwork Orange (Liverpool Everyman), Diva: Live From Hell (Jack Studio Theatre) and Max & Ivan: Fugitives (Storyglass Podcasts). Jak is currently starring in Operation Mincemeat at the Fortune Theatre which continues to take the West End by storm. He has been with the show since its premiere in 2019 at the New Diorama Theatre. In the show, Jack plays Hester Leggett, Bernard Spilsbury, Captain Jewell, Willie Watkins, Ivor Montagu and others; he has received tremendous acclaim for his performance. Follow Jak on Instagram: @jakmalone_Operation Mincemeat is booking at the Fortune Theatre until 15th June 2024. Visit www.operationmincemeat.com for info and tickets. Hosted by Andrew Tomlins. @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.   

Episode 102:The sources of information on the playing troupes.The Earl of Leicester's Men – the earliest recorded acting troupe.How troupes operated under the patronage of their master.The royal patent and how it changed the way troupes operated.The sumptuary laws and protections that actors were given.The decline of the Earl of Leicester's Men.Lord Strange's Men.The merging of Lord Strange's Men and The Admiral's MenLord Strange's Men become touring players.The Earl of Sussex's Men and complications at The Rose Theatre.The Queen's Men at The Rose Theatre (briefly).Lord Hudson's Men become the Lord Chamberlin's Men.The Lord Chamberlin's Men at Newington Butts.The Lord Chamberlin's Men move from The Theatre to The Curtain.The leading men of The Lord Chamberlin's Men.The ‘sharer' system of the Elizabethan theatre.The Lord Chamberlin's Men become The King's Men'.The Earl of Pembroke's Men and the perils of touring.The Earl of Pembroke's Men and ‘The Isle of Dogs'.The history of The Admiral's Men – a troubled start, but with later success.The Fortune Theatre and the insight it gives us into the profits available in theatres.Support the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

Eddie Izzard joins us to talk about her new one-woman adaptation of Charles Dickens' classic novel Great Expectations and how the show borrows heavily from her stand-up. Eddie talks preparations for another one-woman show, this time Hamlet, and about holding open rehearsals around Britain this year.We review SplitLip Theatre's raucous Second World War musical Operation Mincemeat, at the Fortune Theatre in the heart of London's West End, as well as Sir Lenny Henry's play August in England which is inspired by the Windrush Scandal. That's on now at the Bush Theatre and is co-directed by Lynette Linton and Daniel Bailey.Plus, what's happened in theatre this week? We talk about the great news that Cush Jumbo is joining David Tennant in the Donmar Warehouse's Macbeth, and the not-so-great news of quite how much it can cost to rent accommodation during the Edinburgh Fringe Festival.You can hear our chat with the cast and creators of Operation Mincemeat: A New Musical here, and our interview with Sir Lenny Henry and Lynette Linton for August in England here.Find all our reviews at standard.co.uk/theatre.© Music used by Operation Mincemeat: A New Musical and Sony Music CG Hosted on Acast. See acast.com/privacy for more information.

We're back, with three fabulous musicals to review. One of our favourite new British musicals, Operation Mincemeat, has mades it's way from the London fringe to the glittering West End and we went to see if in it's new home at The Fortune Theatre. A bold new production of the classic Broadway musical How To Succeed In Business Without Really Trying has just opened at The Southwark Playhouse and we have our review hot off the presses. Lastly, the Almeida's new musical adaptation of the beloved book, The Secret Life of Bees is about to complete it's run, but why not listen to our review anyway!-Opening/Closing Music: Little Lily Swing by Tri-Tachyonis: licensed under a CC Attribution License Hosted on Acast. See acast.com/privacy for more information.

It's back! The Broadway Bulletin has returned after it's long, extended pause during the spring. We are back with all the news and tidbits from all around the Theatre world. And this new episode is so packed with exciting topics we couldn't wait another day to share it. But, that's just the beginning.Concluding our return of the Bulletin, is a brand new Whisper in the Wings. This new episode contains another first for us here at Stage Whisper. Join us as we cross the Atlantic, to visit beautiful London and the West End. We were so honored to have star of Operation Mincemeat, Claire-Marie Hall, on as our inaugural West End Production! We chatted about this amazing show, her career on stage, and some of her fondest memories. So don't miss out on this amazing episode and new frontier! Operation MincemeatNow-August 19th@ The Fortune Theatre in LondonTickets and more information are available at operationmincemeat.comAnd be sure to follow our guests to stay up to date on all her upcoming projects and productions:Twitter: @clairemarie612IG: @claire_m_hall

Last week Mickey-Jo attended a press preview performance of OPERATION MINCEMEAT at the Fortune Theatre, a show he's been watching closely since long before it arrived in London's West End. The musical theatricalises the same World War II era story as the recent film of the same name but with a decidedly more comic twist. Check out the new review to find out why audiences and critics alike have been loving this show so much for years... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

It's going to be an episode full of tittle-tattle today as Gyles and Susie sit down for a good gossip as we excavate the words and idioms associated with this favourite hobby. We'll have a good blather but stopping short of becoming a ‘blatherskite' due to its distasteful meaning, we'll bloviate at length with a certain ex-PM in mind as we uncover the links between this type of gossip and the stuffing in your clothes, before we discover that there are many origin stories for the phrase ‘Cock and Bull story' that are unsurprisingly, cock-and-bull. Recorded live at The Fortune Theatre, London on Sunday 19th February. Susie's Trio Colporteur: A person who sells books and newspapers. Potvaliance: The courage that only comes from alcohol Cryptomnesia: When you forget something and then ‘discover' it as a new and original thought. GYLES POEM ANON - Life Spans   The horse and mule live 30 years And know nothing of wines and beers. The goat and sheep at 20 die And never taste of Scotch and Rye. A cow drinks water by the ton, And at 18 is mostly done. The dog at 15 cashes in Without the aid of rum and gin. The cat in milk and water soaks And then in 12 short years it croaks. The modest, sober, bone-dry hen Lays eggs for nogs, then dies at 10. All animals are strictly dry They sinless live and swiftly die. But sinful, ginful, rum-soaked men Survive for three score years and ten. And some of them, a very few, Stay pickled till they're 92. A Somethin' Else & Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's show was recorded live at the Fortune Theatre in London.  Gyles' title of European Monopoly Champion comes into play (literally) today as he - alongside Susie Dent - take us on an etymological tour of the world of Property.  Come discover what the Bungalow has to do with Bengal, the connection between villas and villains, why Peppercorns were so important for renting before we ascend the hill of Palatine for a palatial revelation.  We love hearing from you, find us @SomethingRhymes on Twitter and Facebook, @SomethingRhymesWith on Instagram or you can email us here: purple@somethinelse.com Want even more purple, people? Join the Purple Plus Club by clicking the banner in Apple podcasts or head to purpleplusclub.com to listen on other platforms' Don't forget that you can join us in person at our upcoming tour, tap the link to find tickets: www.somethingrhymeswithpurple.com  Enjoy Susie's Trio for the week:  Fimble-famble: a very lame excuse. Nixie: A letter so badly addressed it can't be delivered. Disco rice: dustmen-speak for maggots. Gyles' poem this week was 'Growing Old' by 'John Sparrow ' I'm accustomed to my deafness To my dentures I'm resigned I can cope with my bifocals But –o dear!– I miss my mind. A Somethin' Else & Sony Music Entertainment production.   Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts     To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nick chats to Natasha Hodgson, Zoe Roberts, David Cumming and Felix Hagan about their musical "Operation Mincemeat" that will soon be opening at the Fortune Theatre in London's West end.  Hear how a show about a young group of people taking a risk was created by a young group of people taking a risk! 

We are diving beneath the surface today as we undress all the words related to your Undergarments at our live show at the Fortune Theatre.  Come learn how your undergarments are linked to garnish, why the bra used to be exclusively worn by men, what your stockings have in common with a murderous medieval contraption and which style of underwear is connected to the violin.  Susie will keep us in suspense whilst she divulges the origin of suspenders and Gyles shares his affinity for chest wigs in his younger days.. We love hearing from you, find us @SomethingRhymes on Twitter and Facebook, @SomethingRhymesWith on Instagram or you can email us here: purple@somethinelse.com We currently have 20% off at the SRwP official merchandise store, just head to: https://kontraband.shop/collections/something-rhymes-with-purple Want even more purple, people? Join the Purple Plus Club by clicking the banner in Apple podcasts or head to purpleplusclub.com to listen on other platforms Don't forget that you can join us in person at our upcoming tour, tap the link to find tickets: www.somethingrhymeswithpurple.com  Enjoy Susie's Trio for the week:  Quockerwodger: A windsock or political puppet. Purfled: Ahort of breath, especially when too lusty. Puckfyst: Thirsty. The puckfyst is a `dried toadstool. Hence, "I feels puckfyst" means I feel as dry as a dried toadstool. Gyles' poem this week was 'Macavity: The Mystery Cat' by 'T. S. Eliot' Macavity's a Mystery Cat: he's called the Hidden Paw— For he's the master criminal who can defy the Law. He's the bafflement of Scotland Yard, the Flying Squad's despair: For when they reach the scene of crime—Macavity's not there! Macavity, Macavity, there's no one like Macavity, He's broken every human law, he breaks the law of gravity. His powers of levitation would make a fakir stare, And when you reach the scene of crime—Macavity's not there! You may seek him in the basement, you may look up in the air— But I tell you once and once again, Macavity's not there! Macavity's a ginger cat, he's very tall and thin; You would know him if you saw him, for his eyes are sunken in. His brow is deeply lined with thought, his head is highly domed; His coat is dusty from neglect, his whiskers are uncombed. He sways his head from side to side, with movements like a snake; And when you think he's half asleep, he's always wide awake. Macavity, Macavity, there's no one like Macavity, For he's a fiend in feline shape, a monster of depravity. You may meet him in a by-street, you may see him in the square— But when a crime's discovered, then Macavity's not there! He's outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard's. And when the larder's looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke's been stifled, Or the greenhouse glass is broken, and the trellis past repair— Ay, there's the wonder of the thing! Macavity's not there! And when the Foreign Office find a Treaty's gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scrap of paper in the hall or on the stair— But it's useless to investigate—Macavity's not there! And when the loss has been disclosed, the Secret Service say: ‘It must have been Macavity!'—but he's a mile away. You'll be sure to find him resting, or a-licking of his thumbs; Or engaged in doing complicated long division sums. Macavity, Macavity, there's no one like Mac< Learn more about your ad choices. Visit megaphone.fm/adchoices

Recorded live at the Fortune Theatre on Sunday 20th November 2022.  Tis' that peculiar time between Christmas and New Year when we might find ourselves overindulging and spending a lot of time in the kitchen. Therefore, Susie and Gyles are here to make you feel that little bit more informed about the methods of cooking that have come to create that mince pie you might be eating whilst you get your Purple fix this week.  We'll discover what stews, steamed baths and typhoid have in common, why getting the wrong end of the stick is mucky business and why receiving a roasting when you fail to complete your roster of duties is more appropriate than you think. Susie and Gyles challenge the audience to teach them how to poach an egg and they discover -  thanks to audience member and Purple Person, Professor Hansen - why the loser gets a wooden spoon.    We love hearing from you, find us @SomethingRhymes on Twitter and Facebook, @SomethingRhymesWith on Instagram or you can email us here: purple@somethinelse.com If you've ever thought ‘There must be a word for that?', then now is your chance to ask Susie and Gyles! To celebrate the 200th Episode of Something Rhymes with Purple, Susie and Gyles are challenging the Purple People to submit the linguistic gaps they want filling. Please email purple@somethinelse.com with the subject line, ‘Is there a word for?' Please submit entries by the 31st December. Go to https://redbubbleus.sjv.io/c/3717640/993952/11754 and use code RBC-PURPLE for 20% off at Redbubble.  We currently have 20% off at the SRwP official merchandise store, just head to: https://kontraband.shop/collections/something-rhymes-with-purple Want even more purple, people? Join the Purple Plus Club by clicking the banner in Apple podcasts or head to purpleplusclub.com to listen on other platforms' Don't forget that you can join us in person at our upcoming tour, tap the link to find tickets: www.somethingrhymeswithpurple.com  Enjoy Susie's Trio for the week:  Ferntickle: a freckle (15th century: A freckle on the skin, resembling the seed of fern') Bodkin: a small dagger. Mentioned in Chaucer's, ‘The Reeve's Tale' Kickshaw: an elaborate but disappointing meal, from the French ‘quelque chose'. Gyles reads ‘Don't Worry if Your Job Is Small' by Anonymous Don't worry if your job is small, And your rewards are few. Remember that the mighty oak, Was once a nut like you. A Somethin' Else & Sony Music Entertainment production.   Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts     To bring your brand to life in this podcast, email podcastadsales@sonymusic.com  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to Something Rhymes with Purple for our first show in our Autumn tour! Recorded live at the Fortune Theatre in London, Susie and Gyles arrived with bells and whistles on for an etymological exploration into the world of bells, specifically the Capital's Big Ben. There was much tintinnabulation (as much as Gyles tried to derail this) and our lovely audience of Purple People got to discover the links between cups and chimes, why bells were responsible for re-naming the belfry tower, and why Swiss Cow Bells are nostalgic.  We were saved by the bell once discussions of ringing one's bell went a little too far and Gyles got his (metaphorical) catsuit on to give us a stunning rendition of T.S. Eliot's ‘Gus: The Theatre Cat' from Eliot's Old Possum's Book of Practical Cats. We love hearing from you, find us @SomethingRhymes on Twitter and Facebook, @SomethingRhymesWith on Instagram or you can email us here: purple@somethinelse.com We currently have 20% off at the SRwP official merchandise store, just head to: https://kontraband.shop/collections/something-rhymes-with-purple Want even more purple, people? Join the Purple Plus Club by clicking the banner in Apple podcasts or head to purpleplusclub.com to listen on other platforms. Don't forget that you can join us in person at our upcoming tour, tap the link to find tickets: www.somethingrhymeswithpurple.com Enjoy Susie's Trio for the week: Matter-fangled: to have got into a muddle while talking Rackups: your just desserts Quanker: someone who settles a dispute Gyles' poem this week was 'Gus: The Theatre Cat' by 'T.S. Eliot' Gus is the Cat at the Theatre Door. His name, as I ought to have told you before, Is really Asparagus. That's such a fuss To pronounce, that we usually call him just Gus. His coat's very shabby, he's thin as a rake, And he suffers from palsy that makes his paw shake. Yet he was, in his youth, quite the smartest of Cats-- But no longer a terror to mice and to rats. For he isn't the Cat that he was in his prime; Though his name was quite famous, he says, in its time. And whenever he joins his friends at their club (Which takes place at the back of the neighbouring pub) He loves to regale them, if someone else pays, With anecdotes drawn from his palmiest days. For he once was a Star of the highest degree-- He has acted with Irving, he's acted with Tree. And he likes to relate his success on the Halls, Where the Gallery once gave him seven cat-calls. But his grandest creation, as he loves to tell, Was Firefrorefiddle, the Fiend of the Fell. A Somethin' Else & Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices

After playing the actor both on tour and in the West End run in The Woman in Black, Matthew Spencer has returned to the Fortune Theatre to help celebrate the show's 13,000th performance. As part of the celebrations, the production opened a wave of tickets for £13, allowing a wide range of audiences to see Matthew Spencer play opposite Julian Forsyth, another veteran actor associated with The Woman in Black. Since 1989, The Woman in Black has been spooking and delighting audiences with it's classic set and timeless script. For most, it's not surprising that the show remains one of the longest running in the West End and in 2022, Matthew tells us about what a treat it has been to get to return to the show when it's experiencing such a glorious milestone.Matthew Spencer in this interview reflects over his career as he returns to The Woman in Black for a third time. In his 17 year long career however, Matthew has also worked with the likes of Robert Icke on Animal Farm  and 1984  as well as featured in productions at some of our most prestigious venues like the Almeida Theatre, the Watermill Theatre and Theatre Royal, Bath with the Peter Hall company. He compares the experience of performing for different audiences around the country and also shares his hope to do more screen work for the future. Throughout the interview however, he re-enforces the point on how The Woman in Black remains a masterpiece in the theatre and hopes that the West End run will carry on for many more years.The Woman in Black is currently playing at The Fortune Theatre in London and is currently booking until 29 April 2023.

Back Together at The O2 Micheal Ball and Alfie Boe. I Think We Are Alone, Frantic Assembly at The Theatre Royal Stratford East.Austentatious at The Fortune Theatre and an interview with actress Charlotte Gittins.

Join me this week, where I will be giving my honest feedback on the Woman in Black performance at the Fortune Theatre...... sponsored by...... Halloween

Joanne and I first met over 5 years ago after both successfully applying to EY’s rapid development programme – an internal leadership training scheme for managers and future leaders within the firm - part of which involved a two-day acting workshop where we were asked to prepare for two performances on the west end’s Fortune Theatre stage! I’ve enjoyed watching Joanne’s career continue to go from strength to strength since leaving EY in 2018 and am always inspired by her positive approach to working outside her comfort zone and embracing opportunities to develop herself.Joanne is proud to be listed on the Northern Power Women's Future top 50 list and nominated on the Northern Power Women's Power list 2020 , she is a Diversity, Inclusion & Belonging Lead for UK&I at EY.  She also leads the Gender and Belonging agenda for EY UK.  Joanne previously led the Global D&I strategy for EY and is an accredited facilitator in Inclusive Leadership.  With a background in Finance and Psychology she builds trusting relationships and focuses on outcome driven results to build sustainable culture change. Joanne works hard to champion diverse talent, ensuring all voices are heard and is passionate in her role as a mentor internally and externally.   She has just completed a part time Masters in HR Management & Development at Salford university with a dissertation on Psychological Safety in minority groups.  Joanne works full time flexibly as well as the most important job of being a mum to 2 children.Connect on LinkedIn

Hayley and Ruth head to the Fortune Theatre in London's West End to watch The Woman in Black. Is the ghost in the play a spectre that only Hayley can see? Or is it a woman in a wig as Ruth suspects? Thanks to listener Jenny for the ghostly suggestion for this episode. See Susan live here: https://susanharrisoncharacters.com/live-dates/ and Gemma's climate change comedy No Planet B is here: https://podcasts.apple.com/gb/podcast/no-planet-b/id1460398628

Jordan Dickson (on Dunedin's Fortune Theatre closure) Interview by Nixi & Blythe on Radio One 91fm Dunedin

Jordan Dickson (on Dunedin's Fortune Theatre closure) Interview by Nixi & Blythe on Radio One 91fm Dunedin

The 2015 University of Otago Fellows: Louise Wallace (Robert Burns Fellow), John Ward Knox (Frances Hodgkins Fellow), Jeremy Mayall (Mozart Fellow), Uzoamaka Nwankpa (Caroline Plummer Fellow in Community Dance), and Robyn Belton (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. Jennifer Beck who is sharing the University of Otago College of Education/Creative New Zealand Children's Writer in Residence, was unable to attend. 12 July 2015

The 2015 University of Otago Fellows: Louise Wallace (Robert Burns Fellow), John Ward Knox (Frances Hodgkins Fellow), Jeremy Mayall (Mozart Fellow), Uzoamaka Nwankpa (Caroline Plummer Fellow in Community Dance), and Robyn Belton (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. Jennifer Beck who is sharing the University of Otago College of Education/Creative New Zealand Children's Writer in Residence, was unable to attend. 12 July 2015

The 2015 University of Otago Fellows: Louise Wallace (Robert Burns Fellow), John Ward Knox (Frances Hodgkins Fellow), Jeremy Mayall (Mozart Fellow), Uzoamaka Nwankpa (Caroline Plummer Fellow in Community Dance), and Robyn Belton (University of Otago College of Education/Creative New Zealand Children’s Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. Jennifer Beck who is sharing the University of Otago College of Education/Creative New Zealand Children’s Writer in Residence, was unable to attend. 12 July 2015

In this episode Mr Jim Moon takes up residence in the ill-starred Eel Marsh House to begin a two part investigation in the terrifying hauntings there. In this first episode, we discover the origins of Susan Hill's classic novel The Woman in Black, and discover how this dread spectre has manifested as a long running West End play at the Fortune Theatre in London through the medium of Mr Stephen Mallatratt.  

The 2014 University of Otago Arts Fellows: Majella Cullinane (Robert Burns Fellow), Patrick Lundberg (Frances Hodgkins Fellow), Jeremy Mayall (Mozart Fellow), Louise Potiki Bryant (Caroline Plummer Fellow in Community Dance), and Melinda Szymanik (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 13 July 2014

The 2014 University of Otago Arts Fellows: Majella Cullinane (Robert Burns Fellow), Patrick Lundberg (Frances Hodgkins Fellow), Jeremy Mayall (Mozart Fellow), Louise Potiki Bryant (Caroline Plummer Fellow in Community Dance), and Melinda Szymanik (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 13 July 2014

The 2014 University of Otago Arts Fellows: Majella Cullinane (Robert Burns Fellow), Patrick Lundberg (Frances Hodgkins Fellow), Jeremy Mayall (Mozart Fellow), Louise Potiki Bryant (Caroline Plummer Fellow in Community Dance), and Melinda Szymanik (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 13 July 2014

The 2012 University of Otago Arts Fellows: Emma Neale (Robert Burns Fellow), Nick Austin (Frances Hodgkins Fellow), Robbie Ellis (Mozart Fellow), and James Norcliffe (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 22 July 2012

The 2013 University of Otago Arts Fellows: David Howard (Robert Burns Fellow), Zina Swanson (Frances Hodgkins Fellow), Samuel Holloway (Mozart Fellow), Hahna Briggs (Caroline Plummer Fellow in Community Dance), and Leonie Agnew (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 14 July 2013

The 2012 University of Otago Arts Fellows: Emma Neale (Robert Burns Fellow), Nick Austin (Frances Hodgkins Fellow), Robbie Ellis (Mozart Fellow), and James Norcliffe (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 22 July 2012

The 2013 University of Otago Arts Fellows: David Howard (Robert Burns Fellow), Zina Swanson (Frances Hodgkins Fellow), Samuel Holloway (Mozart Fellow), Hahna Briggs (Caroline Plummer Fellow in Community Dance), and Leonie Agnew (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 14 July 2013

The 2012 University of Otago Arts Fellows: Emma Neale (Robert Burns Fellow), Nick Austin (Frances Hodgkins Fellow), Robbie Ellis (Mozart Fellow), and James Norcliffe (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 22 July 2012

The 2013 University of Otago Arts Fellows: David Howard (Robert Burns Fellow), Zina Swanson (Frances Hodgkins Fellow), Samuel Holloway (Mozart Fellow), Hahna Briggs (Caroline Plummer Fellow in Community Dance), and Leonie Agnew (University of Otago College of Education/Creative New Zealand Children's Writer in Residence) discuss their work and aspects of the creative process. Chaired by Nicholas McBryde, the Director of the Otago Festival of the Arts and former General Manager at Fortune Theatre. 14 July 2013