Podcast appearances and mentions of karen tei yamashita

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support. Duke University Press Scholars of Color First Book Award Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support. Duke University Press Scholars of Color First Book Award Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support. Duke University Press Scholars of Color First Book Award Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support. Duke University Press Scholars of Color First Book Award Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In Care at the End of the World: Dreaming of Infrastructure in Crip-Of-Color Writing (Duke UP, 2025), Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support. Duke University Press Scholars of Color First Book Award Jina B. Kim is Assistant Professor of English and the Study of Women, Gender, and Sexuality at Smith College. Kim is a scholar, writer, and educator of feminist disability studies, queer-of-color critique, and contemporary multi-ethnic U.S. literature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Season 4, Episode 34! In today's episode we share The History of the Fight for the I-Hotel. August 26, 2024 will mark 19 years since the new International Hotel opened their doors. But do you know what happened to the old I-Hotel? It's amazing how the community, civil rights activists, residents, and others came together to help fight for the rights of the people living in the I-Hotel who were predominantly Filipino and Chinese laborers. As terrible as the decades-long fight was for the residents of the I-Hotel, there were some positive outcomes that still help promote the rights of low-income seniors and their right to affordable quality housing. Additionally, the fight for the I-Hotel was a key moment in bringing together Asian Americans from a variety of groups to fight for a common cause… something that we can all use more of. To learn more about the International Hotel, you can watch the award-winning The Fall of the I-Hotel by Curtis Choy or read the award-winning I Hotel by Karen Tei Yamashita. And finally, there's a new book by Emil De Guzman called Red Sky: Recollections of the International Hotel, and it's published by the amazing Eastwind Books.  To close this episode we celebrate some of the API athletes who won in the 2024 Summer Olympics in Paris, France. If you like what we do, please share, follow, and like us in your podcast directory of choice or on Instagram @AAHistory101. For previous episodes and resources, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro Discussing Hotels 07:09 The History of the Fight for the I-Hotel 34:10 Celebrations: Asian Pacific Olympic Highlights

We're joined today by Josh Cook. Josh is a bookseller and co-owner at Porter Square Books in Cambridge, Massachusetts, where he has worked since 2004. He is the author of the critically acclaimed postmodern detective novel An Exaggerated Murder and most recently of The Art of Libromancy: Selling Books and Reading Books in the Twenty-First Century, published by our friends at Biblioasis.We chat about his work as well as I Hotel by Karen Tei Yamashita, published by Coffee House Press. Some words get thrown around a bit too often and are frequently misapplied. However, I Hotel is absolutely a masterpiece. To give any kind of synopsis is to do the book (and you) a disservice, but in a somewhat quixotic attempt at that: this is a novel comprised of novellas, all set in the San Francisco of the late 60s and early 70s exploring the revolutionary movements (political, cultural, artistic, romantic, and everything that makes life a dazzling experience) of that time and place. It's a wide-ranging conversation and one we hope you'll find as exciting and engaging as we did.Books/authors mentioned (another curriculum for you!):all of Yamashita's other works (Tropic of Cancer is next up for Tom, he thinks)Tell Me How It Ends by Valeria LuiselliWhite Teeth by Zadie SmithNever Did the Fire by Diamela Eltit, translated by Daniel HahnThree Trapped Tigers by G. Cabrera Infante, translated by Donald Gardner and Suzanne Jill LevineThe Savage Detectives by Roberto Bolaño, translated by Natasha WimmerGravity's Rainbow by Thomas PynchonUnderworld by Don DeLilloInfinite Jest by David Foster WallaceIf you'd like to read a bit more about/from Yamashita, here's a LitHub article Josh wrote “Why Everyone Should Read the Great Karen Tei Yamashita” and another LitHub article on the “The Craft of Writing” by Yamashita herself.To hear more from Josh follow him on Instagram (@joshthelibromancer) and Bluesky (@joshthelibromancer), and follow Porter Square Books on Instagram (@porter_square_books), Bluesky (@portersqbooks), and Threads (@porter_square_books).Click here to subscribe to our Substack and find us on the socials: @lostinredonda just about everywhere.Music: “The Low Spark of High-Heeled Boys” by TrafficLogo design: Flynn Kidz Designs

Notes and Links to Dan Sinykin's Work        For Episode 210, Pete welcomes Dan Sinykin, and the two discuss, among other topics, his early reading and how it showed a sort of rebellion and also spurred him on to a life of books and inspired Big Fiction, as well as salient issues and themes from the book, including mass market populism versus literary aesthetics, autofiction and its connection to marginalized writers of color and women, and the evolving role of editors and the colophon in the continuing conglomeration of book publishing.    Dan Sinykin is an assistant professor of English at Emory University with a courtesy appointment in quantitative theory and methods. He is the author of American Literature and the Long Downturn: Neoliberal Apocalypse (2020). His writing has appeared in the New York Times, the Washington Post, the Los Angeles Review of Books, The Rumpus, Dissent, and other publications. Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature, is out now through Columbia University Press.     Buy Big Fiction: How Conglomeration Changed the Publishing Industry and American Literature   Dan's Website with Emory University   Interview about Big Fiction with Lincoln Michel  At about 2:40, Dan discusses the intricacies of his book and its October publishing   At about 5:10, Dan highlights early feedback he's gotten from readers   At about 7:05, Dan gives background on his childhood reading habits and some of his favorite books, series, and writers; he also talks about his father's reading habits influenced him    At about 11:45, Dan responds to Pete's questions about the draws of “East Coast” writers like Hemingway and Fitzgerald   At about 14:30, Dan cites the greatness and pull of Gravity's Rainbow   At about 16:55, Pete asks Dan about his connection to David Foster Wallace and other formative writers, who included Wittgenstein    At about 19:40, Pete gives a recommendation about which David Foster Wallace book NOT to read   At about 20:00, Pete wonders about how Dan's job and research areas for his book has affected his “pleasure reading”   At about 21:45, Dan shouts out Martin Riker's The Guest Lecture, Dan Kois' Vintage Contemporaries as current standout reads    At about 23:00, Dan highlights the novels enjoyed by his students, including work by Fernanda Melchor, Jon Fosse, and Rachel Cusk    At about 24:25, Dan discusses the genesis of his book   At about 25:50, Pete and Dan discuss a pivotal event for publishing that Dan focuses on in the book's Introduction-the firing of Andre Schiffrin   At about 30:15, The Program Era and The Economy of Prestige is highlighted and    At about 32:45, Dan discusses his book as a “continuation of his [Schiffrin's] work” and how Dan sees value in avoiding labels of conglomeration as “good” or “bad”   At about 34:30, Dan breaks down the importance and symbolism of the colophon; he gives an example from the process of Wallace's Infinite Jest as representative of the collaborative model   At about 43:30, Pete lays out the book's five chapters' structure and asks Dan about “high-brow” and “low-brow”; Dan speaks about the ways these books have been mass-marketed   At about 48:40, Dan traces the rise of romance books and speaks about the incredibly-interesting Danielle Steel and how she and others have become “brands”   At about 52:20, Pete asks Dan about the ways in which historical fiction and other books began to be geared toward literary prizes; he also traces the fairly-recent development of the term “literary fiction”    At about 55:15, Dan speaks to E.L. Doctorow as straddling the lines between the old and newer worlds of publishing   At about 59:40, The two discuss the chapters on trade publishers and autofiction's importance, especially for female writers   At about 1:03:30, Pete cites Toni Morrison's experiences and a quandary she ran into, as well as the experiences of many writers of color and “performance,” and Dan speaks to the story of Karen Tei Yamashita as a microcosm of writers of color in publishing    At about 1:10:30, Pete compliments the far-reaching and insightful book and Dan recommends buying the book at a local bookstore, including A Cappella Books, Eagle Eye Books, and Bookish in the Atlanta    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast    This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.    Please tune in for Episode 211 with Theresa Runstedtler, award-winning scholar of African American history. Her work focused on intersection of race/masculinity/ labor/sport, and her recent:  Black Ball: Kareem Abdul-Jabbar, Spencer Haywood, and the Generation that Saved the Soul of the NBA.    The episode will air on October 31.

Jacke continues his Emily Dickinson series with a reading of Poem #32. Then Professor Patrick Whitmarsh stops by for a discussion of his new book Writing Our Extinction: Anthropocene Fiction and Vertical Science, which examines works by Don DeLillo, Karen Tei Yamashita, Reza Negarestani, and Colson Whitehead (among others) to see how post-Oppenheimer authors have responded to the existential crises of climate change and the nuclear age. And finally, Kurt Vonnegut's biographer Christina Jarvis selects two books to be the last ones she will ever read. Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains.

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices

David Mitchell celebrates the power of music in Utopia Avenue, Jane Austen inspired fiction and Tara June Winch, winner of the 2020 Miles Franklin Award.

Wherein we discuss UC's new president, how to protect yourself from COVID, a new research center on supplements, a new book from Karen Tei Yamashita, first-gen student family achievement guilt, and a virtual Shakespeare summer series. Communications staffers Gwen and Dan go over recent news from UC Santa Cruz and remember the carefree days of eating in restaurants and strolling leisurely about with wistful nostalgia.

Sansei and Sensibility by Karen Tei Yamashita by Poets & Writers

This week, Liberty and Kelly discuss Tuesday Mooney Talks To Ghosts, The Grace Year, How We Fight for Our Lives, and more great books. This episode was sponsored Book Riot's Blind Date with a Book; Ritual Essential Vitamins for Women; and The Dark Lord Clementine by Sarah Jean Horwitz, new from Algonquin Young Readers. Pick up an All the Books! 200th episode commemorative item here. Subscribe to All the Books! using RSS, iTunes, or Spotify and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. Books discussed on the show: Tuesday Mooney Talks to Ghosts by Kate Racculia Thirteen Doorways, Wolves Behind Them All by Laura Ruby How We Fight for Our Lives by Saeed Jones The Grace Year by Kim Liggett In the Hall with the Knife: A Clue Mystery, Book One by Diana Peterfreund Jackpot by Nic Stone The Furies by Katie Lowe Orpheus Girl by Brynne Rebele-Henry What we're reading: Birthday by Meredith Russo The Forgotten Girl by India Hill Brown More books out this week: Sudden Traveler: Stories by Sarah Hall Bat Basics: How to Understand and Help These Amazing Flying Mammals by Karen Krebbs Seven Crows by Kate Kessler What Is Missing: A Novel by Michael Frank A Bitter Feast: A Novel by Deborah Crombie The Best at It by Maulik Pancholy American Radicals: How Nineteenth-Century Protest Shaped the Nation by Holly Jackson Before the Devil Fell: A Novel by Neil Olson What I Lick Before Your Face ... and Other Haikus By Dogs by Jamie Coleman The Girl Who Reads on the Metro by Christine Féret-Fleury Cats Are a Liquid by Rebecca Donnelly and Misa Saburi Avidly Reads Making Out by Kathryn Bond Stockton I Hotel by Karen Tei Yamashita, Jessica Hagedorn (translator) Look Both Ways: A Tale Told in Ten Blocks by Jason Reynolds A Punk Rock Future edited by Steve Zisson The Story That Cannot Be Told by J. Kasper Kramer The Girl At the Door by Veronica Raimo, Stash Luczkiw (Translator) Confluence: Navigating the Personal & Political on Rivers of the New West by Zak Podmore A Lush and Seething Hell: Two Tales of Cosmic Horror by John Hornor Jacobs Watershed by Mark Barr The Library of Lost Things by Laura Taylor Namey Animal (Bagley Wright Lecture Series) by Dorothea Lasky Ninth House by Leigh Bardugo The Remaking: A Novel by Clay Chapman The Oracle of Cumae by Melissa Hardy A Savage Dreamland: Journeys in Burma by David Eimer Ecstasy and Terror: From the Greeks to Game of Thrones by Daniel Mendelsohn The Book of Dust: The Secret Commonwealth (Book of Dust, Volume 2) by Philip Pullman The Forest City Killer: A Serial Murderer, a Cold-Case Sleuth, and a Search for Justice by Vanessa Brown This Way to Departures by Linda Mannheim Unfollow: A Memoir of Loving and Leaving the Westboro Baptist Church by Megan Phelps-Roper Dreams from Many Rivers: A Hispanic History of the United States Told in Poems by Margarita Engle and Beatriz Gutierrez Hernandez Who Says You're Dead?: Medical & Ethical Dilemmas for the Curious & Concerned by Jacob M. Appel MD Ordinary Hazards: A Memoir by Nikki Grimes Collateral Damage (Star Trek: The Next Generation) by David Mack Faker by Sarah Smith Rerun Era by Joanna Howard Symphony No. 3 by Chris Eaton Remember by Patricia Smith Burn It Down: Women Writing about Anger by Lilly Dancyger Love, Heather by Laurie Petrou Half/Life: New & Selected Poems by Jeffrey Thomson Rogue Heart by Axie Oh The Beautiful by Renée Ahdieh Salt Slow by Julia Armfield Infused: Adventures in Tea by Henrietta Lovell Blood Sugar by Daniel Kraus Marley by Jon Clinch Heart of the Moors: An Original Maleficent: Mistress of Evil Novel by Holly Black Warrior of the Altaii by Robert Jordan False Bingo: Stories by Jac Jemc Wham!, George Michael and Me: A Memoir by Andrew Ridgeley Ghosts of Berlin: Stories by Rudolph Herzog, Emma Rault (translator) Here Until August: Stories by Josephine Rowe Grand Union: Stories by Zadie Smith Bodega: Poems by Su Hwang The Hadley Academy for the Improbably Gifted: A Novel by Conor Grennan and Alessandro Valdrighi Metropolitan Stories: A Novel by Christine Coulson Horror Stories: A Memoir by Liz Phair Erosion: Essays of Undoing by Terry Tempest Williams Into the Crooked Place by Alexandra Christo Hate Inc.: Why Today’s Media Makes Us Despise One Another by Matt Taibbi How Rory Thorne Destroyed the Multiverse: Book One of the Thorne Chronicles by K. Eason The Giver of Stars: A Novel by Jojo Moyes On Time: A Princely Life in Funk by Morris Day (Author), David Ritz (Contributor) The Envious Siblings: and Other Morbid Nursery Rhymes by Landis Blair Older Brother by Mahir Guven, Tina Kover (translator) Sleeveless: Fashion, Image, Media, New York 2011–2019 (Semiotext(e) / Native Agents) by Natasha Stagg Human Compatible: Artificial Intelligence and the Problem of Control by Stuart Russell The Penguin Book of Mermaids by Cristina Bacchilega and Marie Alohalani Brown 25 Days 'Til Christmas: A Novel by Poppy Alexander  

The award-winning author and Professor Emeritus of Literature and Creative Writing discusses storytelling during environmental crisis, legacies of Japanese incarceration, and why ethnographies are environmental writing. The post What Counts as Environmental Storytelling: A Conversation with Karen Tei Yamashita appeared first on Edge Effects.

Episode Two of Grey Philosopher. Karen Tei Yamashita, critically acclaimed author and professor of literature at University of California Santa Cruz, tells of her life story and shares her thoughts on the Asian American Experience. In this episode, Karen discusses her experiences as a Nisei Japanese-American and recounts her experiences and influences that have shaped her outlook on "what it means to be human."

  Today our podcast connects with Karen Tei Yamashita, author of novels such as Tropic of Orange, I Hotel, and Through the Arc of the Rain Forest (Coffee House Press), and Professor of Literature and Creative Writing at the University of California, Santa Cruz. Producer: Jon-Barrett Ingels and Kevin Staniec Manager: Sarah Becker Host: Jon-Barrett Ingels Guest: Karen Tei Yamashita

This week's show is a doubleheader. In game one, Award-winning poet & Mancunian Adam O'Riordan joins co-hosts Eric Newman and Boris Dralyuk, as well as author David Shook, to discuss the Manchester writing school, it's partnership with LARB, the tradition of English letters in Southern California – and how to strengthen Los Angeles' literary ties across the pond. In the nightcap, Eric, Boris, and David are joined by Amanda de la Garza, curator of an exhibit of contemporary Oaxacan murals at the Downtown LA Library entitled “Visualizing Language: Oaxaca in LA” to discuss the powerful resonance of indigenous language, art, and tradition in an era of mass migration from Oaxaca to Los Angeles. Also, author Karen Tei Yamashita returns to recommend Pankaj Mishra's From the Ruins of Empire: The Intellectuals Who Remade Asia; as well as his most recent book, Age of Anger: A History of the Present.

Karen Tei Yamashita, one of the most celebrated American novelists of her generation, turns historian/archeologist with Letters to Memory, an investigation into the lived experience of the World War Two Japanese Internment Camps, as revealed by the words and images from her family's archive. Karen joins co-hosts Eric Newman and Medaya Ocher to discuss how this striking new work came to be, her political motivations, and the importance of bringing forward the tremendous impact this horrible episode in American history had on people, families, and communities. Also, author Chiara Barzini returns to recommend Leonard Michaels' Slyvia, a tragic tale of a sexually charged romance in early '60s Manhattan.

What Becomes Us (Outpost 19) In What Becomes Us, the new novel by Micah Perks, twin fetuses tell the story of their mild-mannered mother who abandons her controlling husband to start fresh in a small town in upstate New York. But her seemingly ideal neighbors are violently divided by the history Evie is teaching at the high school—the captivity and restoration of colonist Mary Rowlandson, a watershed conflict that leads our little narrators to ask big questions about love, survival, coveting the man next door and what exactly is a healthy appetite. Praise for What Becomes Us "Micah Perks' book has everything a reader could hope for -- her language is lively, her characters appealing. Set in a storied landscape, with themes of independence and community. Romance! History! Food! Plus a tale to tell and some surprising people to tell it. There is real magic here. Micah magic! Completely original, completely delightful."- Karen Joy Fowler, author of We Are All Completely Beside Ourselves “Micah Perks is one of the most radiantly original writers around. What Becomes Us, exhilarating and terrifying, is a novel I love for its wild beauty, its offbeat inventiveness, it’s effervescent language, and the artfulness with which it has been shaped. This is a brilliant novel.”- Elizabeth McKenzie, author of The Portable Veblen "No matter where we come from, we all get born again American. Micah Perks is our literary doula working beside the midwives who haunt our American beginnings: Mary Rowlandson, Queen Weetamoo, and civil disobedient missionary Ma -- rebirthing us even as we are fetal captives in generational cycles of puritanical pioneering and savagery. We emerge with insatiable hunger, innocent and corruptible, and Micah Perks, with gentle wit and deft storytelling, coaxes us to love and song."- Karen Tei Yamashita, author of I Hotel “Micah Perk's wonderful and surprising new novel proves that the life of a small-town schoolteacher can be by turns comic, dramatic, joyful, and violent. For one thing, its wise and observant narrators are unborn twins.”- Alison Lurie, author of Foreign Affairs and The Language of Houses "I've been obsessed with Mary Rowlandson for 20 years, and was delighted to find that Micah Perks writes about her with fireworks. This is a warm, wild, hilarious, eccentric and moving book." - Lauren Groff Micah Perks is the author of a novel, We Are Gathered Here, a memoir, Pagan Time, and a long personal essay, Alone In The Woods: Cheryl Strayed, My Daughter and Me. Her short stories and essays have won five Pushcart Prize nominations and appeared in Epoch, Zyzzyva, Tin House, The Toast, OZY and The Rumpus, amongst many journals and anthologies. Excerpts of What Becomes Us won a National Endowment for The Arts grant and The New Guard Machigonne 2014 Fiction Prize. She received her BA and MFA from Cornell University and now lives with her family in Santa Cruz where she co-directs the creative writing program at UCSC. Michelle Tea is the author of twelve books, most recently the dystopic half-memoir Black Wave. She curates the Amethyst Editions series for Feminist Press. Her writing has appeared in Harpers, Cosmopolitan, The Believer, Marie Claire and other discordant publications. 

Coffee House started out as the Toothpaste Press in Iowa in the early 1970s. Founded by Allan Kornblum after taking a University of Iowa typography course with the famed printer Harry Duncan, this small publishing house dedicated itself to producing poetry pamphlets and letterpress books. After 10 years, Kornblum closed the press, moved to Minneapolis, reopened it as a nonprofit organization, and began publishing trade books.  In the early 1990s, books such as Donald Duk by Frank Chin and Through the Arc of the Rainforest by Karen Tei Yamashita (a 1991 American Book Award winner) drew national attention and helped cement the press's reputation as a publisher of exceptional works by writers of color. According to Kornblum, Coffee House has actively published writers of color as writers, "as representatives of the best in contemporary literature, first and foremost—then, only secondly, as representatives of minority communities." This could well be the press's most important contribution to American literature. In July 2011, after a two-year leadership transition process, Kornblum stepped down to become the press's senior editor. Chis Fischbach, who began at the press as an intern in 1994, succeeded him as publisher. Coffee House has published more than 300 books, and releases 15-20 new titles each year. It is known for long-term commitment to the authors it chooses to publish, and is currently located in the historic Grain Belt Bottling House in Northeast Minneapolis, where I met with Kornblum to conduct this interview. Please note: Allan Kornblum died in November, 2014