Podcast appearances and mentions of Mary Gaitskill

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay.

In Throw Yourself Away: Writing and Masochism (Cambridge University Press, 2024), Julia Jarcho proposes that the desire to write is inextricably bound up with masochistic desires. In a series of readings that engage American and European works of fiction, drama, and theory from the late nineteenth through the early twenty-first centuries, Jarcho tests the limits of masochism as a pleasure-making economy. Reading Henry James, Henrik Ibsen, Mary Gaitskill, and Adrienne Kennedy alongside Sigmund Freud, Gilles Deleuze, Eve Kosofsky Sedgwick, Leo Bersani and others, Jarcho investigates the ways in which masochism rewrites and reinvigorates failures of desire, which critics have otherwise thought of as dead-ending masochism. Jarcho asks particularly difficult questions of masochism as a response to injurious social structures, which yield less uniformly white, searching, and uneasy views of both masochism and authorship. Throw Yourself Away reconsiders how writing and subjects are undone by the excesses and recesses of masochistic desire, which keeps the prospect of pleasure so painfully, so deliciously at bay. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah are joined by Aaron Gywn — paragon of good will on Twitter/X (follow at x.com/AmericanGwyn), literature professor, and author of numerous works of fiction, including The Cannibal Owl — to discuss a recent viral story in Compact Magazine, “The Vanishing White Male Writer.” We talk about shifts in publishing/culture, the trap of identity, and what great literature can do. Since Gwyn is a Cormac McCarthy expert, we also discuss the controversial 2024 Vanity Fair story about McCarthy and his muse, Augusta Britt.Also discussed:* The lost Pop Rocks episode* St. Louis, cool town* The epic beauty of Larry McMurtry's Lonesome Dove* “Jonathan Franzen is too much with us.”* 2014, the cultural swing year* The Michel Foucault of it all* “Most of publishing is throwing spaghetti at the wall to see if it sticks.”* Nancy needs to go to therapy* Aaron's message for writers: “If you want something, go get it.”* “NICE TITS”* Love and admiration for fiction writer Phil Klay* Male writers trying to “reassure the reader that he is the right sort of white man.”* On not getting over the 2008 death of David Foster Wallace* Butt-chugging Infinite Jest* How Ric Ocasek won Paulina Porizkova* Drakkar Noir makes Sarah horny* How Aaron reacts when caught in the tractor beam of beauty* “I contain multi-tools”* Mary Gaitskill, the honey badger of writersAlso, why Aaron cannot get fired up about anything that happened after 1876, how fiction writing is like ventriloquism, why we're all broken but still deserve love, and much more!

Notes and Links to Donna Minkowitz's Work         Donna Minkowitz is a writer of fiction and memoir who author Mary Gaitskill has celebrated as “original, energetic, witty, and meaty.” Andrew Solomon dubbed her “utterly entrancing… a writer with breathtakingly fluent language.” She is also the author of the fantasy-influenced memoir Growing Up Golem and the memoir Ferocious Romance, about being an openly lesbian reporter covering the Christian right undercover. Growing Up Golem was a finalist for both a Lambda Literary Award and for the Publishing Triangle's Judy Grahn Nonfiction Award, and Ferocious Romance won a Lambda Literary Award. Donna, a former columnist for the Village Voice and The Advocate, has also written for the New York Times Book Review, The Nation, Salon, Slate, and New York magazine.    DONNAVILLE, her first novel and third book, was recently published by Indolent Books. Buy Donnaville   Donna's Website   Book Review for Donnaville from Kirkus Reviews   At about 2:05, Donna provides background on her formative reading and writing years  At about 3:40, Pete and Donna talk about the benefits of reading works a bit too old for them At about 5:05, Donna responds to Pete's questions about the Torah and how its stories affected her writing At about 6:30, Donna talks about formative and transformative writers, including poets and Greek mythology At about 8:05, Donna responds to Pete's questions about representation in discussing the significance of Sappho's work At about 10:25, Donna discusses the nuances of the word “queer” and generational usages  At about 14:00, Pete and Donna stan Honor Thy Father by Gay Talese, which receives a shout out in Donnaville At about 17:20, Donna expands on writers who inspired her as a high school and college student; she talks about the complicated legacy and work of Tolkien  At about 21:30, Pete asks Donna and how the detail shown in Donnaville connects to her work as an esteemed journalist  At about 23:40, Donna talks about her undercover journalism work, including a memorable white nationalism conference and purported former Olympic hopeful At about 26:40, Donna talks about the book's opening scene and connections to her real life, with regard to therapy and therapists and ways of finding growth At about 31:55, Pete describes the book's exposition and compliments Donna's  At about 34:05, Donna cites Denise Levertov's and Delmore Schwartz's (“Narcissus”) work as inspiration for her book featuring a city inside her mind; Pete cites another wonderful Schwartz text, “In Dreams Begin Responsibilities” At about 36:40, Donna talks about Foucault and resistance in connection to an evocative line from her book At about 37:20, Donna expands upon how there are two characters in the book who are not pieces of her, and she explains the significance of Harlequin in the book At about 41:45, Donna responds to Pete's question about the lying nature of Harlequin  At about 44:15, Donna and Pete explore ideas of connection and confusion between abusers and their young victims At about 47:50, Donna talks about early “action” that Donna in the book is urged to take At about 49:40, Pete highlights a beautiful quote regarding the “sacred divine” and Donna talks about expectations of hurt At about 50:30, The two discuss the contradictions of the book's jailer, and Donna further discusses ideas of shame At about 53:25, Donna expands on how she sees parts of her life and family in certain characters in the book At about 54:40, Pete shouts out a story, William Carlos Willams' “The Use of Force,” that explores ideas of sadism in similar ways as Donnaville  At about 55:50, Donna muses over ideas of self-care, emotional regulation, and structure in our lives featured in the book At about 57:35, Pete gives details about the book's main focus, and Donna responds to his observations about Donnaville as “a happily queer book” as she also expands upon pleasures found in the book At about 1:02:05, Pete cites traumas alluded to in the book and a deep quote about traumas emerging in people's lives At about 1:04:10, Donna ponders Pete's question about a nurturing group of older people and connects the book to Joseph Campbell's “Hero's Journey” At about 1:07:30, Pete and Donna discuss a possible animated movie based on the book and possible voice actors At about 1:09:25, Donna shouts out as bookstores to buy her book, such as The Bureau of General Services, Queer Division, Stanza Books and Binnacle Books        You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 255 guest Chris Knapp is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 277 with Jahmal Mayfield, who writes gritty crime novels that touch on large social issues. His stellar SMOKE KINGS was inspired by Kimberly Jones' passionate viral video, “How can we win?”    The episode airs on March 25.  

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, A Century of Fiction in The New Yorker, 1925-2025, which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

Kate Wolf and Medaya Ocher are joined by Deborah Treisman, the fiction editor at The New Yorker and host of The New Yorker's Fiction podcast. Deborah is the editor of a new anthology of short stories, "A Century of Fiction in The New Yorker, 1925-2025," which features some of the incredible writers that The New Yorker has published over the past 100 years. There are stories by J.D. Salinger, Philip Roth, Muriel Spark, Vladimir Nabokov, Jamaica Kincaid, Mary Gaitskill, Don DeLillo and Zadie Smith and many, many more. Deborah discusses how she put the collection together and how she thinks about the short story as a form.

An atheist, a radical for capitalism, a caricature of a greedy libertarian, a best-selling novelist, a difficult partner and passionate lover, and the self-proclaimed greatest philosopher since Aristotle: Ayn Rand was many things, and we talk about almost all of them in this epic episode. To do so, we called upon historian Jennifer Burns, whose intellectual biography, Goddess of the Market: Ayn Rand and the American Right , is enormously helpful in trying to understand an idiosyncratic writer who, both then and now, fits ambiguously into the "fusionist" post-war conservative movement. Rand remains a controversial figure whose ideas permeate our culture and continue to inspire some of the most consequential (and least appealing) political figures in the United States. To understand Rand and her influence, we examine her family's experiences during and after the Russian Revolution, her journey to the U.S. and early success in Hollywood, the arduous path she trod to become a writer, Rand's involvement in anti-New Deal politics in the 1930s and 40s, her ideas, philosophy, and scandalous personal life, and much more.Sources:Ayn Rand, The Fountainhead  (1943)— Atlas Shrugged (1957)— We the Living (1936)Jennifer Burns, Goddess of the Market: Ayn Rand and the American Right (2009)— Milton Friedman: The Last Conservative (2023)Whittaker Chambers, "Big Sister Is Watching You," National Review, Dec 28, 1957Murray Rothbard, "The Sociology of the Ayn Rand Cult," (1972)Mary Gaitskill, Two Girls, Fat and Thin (1991)Lisa Duggan, Mean Girl: Ayn Rand and the Culture of Greed, (2019)— "Ayn Rand and the Cruel Heart of Neoliberalism," Dissent, May 20, 2019.Adam Curtis, All Watched Over by Machines of Loving Grace, (2011)Listen again:"Milton Friedman and the Making of Our Times," Dec 3, 2023...and don't forget to subscribe to Know Your Enemy on Patreon to listen to all of our premium episodes!

We welcome Joanna Pearson (author, most recently, of Bright and Tender Dark), who makes the case that we should put Mary Gaitskill's short stories in the "noir" category--or at least mark them as noir-adjacent. We discuss two specific Gaitskill stories, "The Other Place" and "The Girl on the Plane," as well as the particular darkness of the Gaitskill universe. We also talk with Joanna about readers' expectations for genre books, and what it's been like to have her own novel placed in various genre boxes. Plus: what's the right way to organize one's bookshelves? To learn more about Joanna, and her work, visit her website: https://www.joanna-pearson.com/ If you like the podcast, and would like more of it in your life, subscribe to our Patreon ($5) to get two bonus episodes each month: https://www.patreon.com/c/BookFight Thanks for listening!

My guest on this episode is Carl Wilson. Carl is the music critic at Slate and also writes for The Globe and Mail, Hazlitt, The New York Times Magazine and many other online and print publications. His work has been included in two of Da Capo Books' annual Best Music Writing collections. Carl's first book was Let's Talk about Love: A Journey to the End of Taste, which Carl himself describes as being about “aesthetic conflict, class, and Céline Dion.” That book was originally published in 2007 by Bloomsbury as part of the 33 1/3 series of books about popular music. An expanded edition was published in 2014 that included essays by  Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, Sheila Heti and others, as well as a new afterword by Carl. The LA Review of Books said that  "Let's Talk About Love...is not just a critical study of one Céline Dion album, but an engaging discussion of pop criticism itself." Carl and I, of course, talk about Céline's recent performance at the Paris Olympics, about the unlikely popular and academic success of Let's Talk About Love, and about the two book-length works he wants to complete—one a biography of a beloved writer and singer-songwriter, the other an argument for the legitimacy of crying as a critical response to great art. This podcast is produced and hosted by Nathan Whitlock, in partnership with The Walrus. Music: "simple-hearted thing" by Alex Lukashevsky. Used with permission.

Bite into a burrito with writer Elwin Cotman as we discuss why forcing science fictional elements into non-science fictional stories can weaken them, the interdimensional cross-genre story cycle he hopes to write someday about a wrestling family, the way the novella is his natural length, why he loves Robert E. Howard's Hyborian Age stories, how to create compelling metaphors and similes, the way rereading Tama Janowitz's Slaves of New York helped him with the connective tissue of his own sentences, the reason Mary Gaitskill is the world's greatest living writer, and much more.

Notes and Links to Kate Brody's Work        For Episode 232, Pete welcomes Kate Brody, and the two discuss, among other topics, her early love of, and interest in, writing and reading, The Dave Matthews Band, formative and transformative teachers in grad school and 2nd grade, and salient themes and topics and craft decisions from her novel, Rabbit Hole, including online sleuthing, true crime, moralizing or lack thereof in fiction, and grieving.        Kate Brody lives in Los Angeles, California. Her work has appeared in The New York Times, The Guardian, Lit Hub, CrimeReads, Electric Lit, The Rumpus, and The Literary Review, among other publications. She holds an MFA from NYU. Rabbit Hole is her debut. Buy Rabbit Hole   Review of Rabbit Hole in Alta Journal by Jessica Blough   Kate Brody's Website At about 1:50, Lukewarm/Warm Dave Matthews Band takes! At about 3:40, Kate talks about growing in New Jersey and about her childhood relationship with the written word, as well as her connections to Maine, a setting for her book At about 7:00, Pete and Kate reflect on beautiful, long reading days At about 8:00, Kate gives background on her reading and writing life in adolescence and beyond At about 10:00, Kate discusses the transformative short story and writing classes and texts at NYU, including inspiration from Mary Gaitskill's work and teaching and Professor ‘s guidance At about 13:00, Tali Axelrod's (Doctor Axelrod) influence on Kate's writing trajectory is highlighted  At about 14:25, Kate shouts out Lindsay Hunter, Alexandra Tanner, and Jennifer Bell as contemporary writers who thrill her At about 16:55, Kate discusses how teaching informs her writing and vice versa At about 20:50, Pete shouts out Rabbit Hole's dynamic first line, as given kudos by Jean Kyoung Frazier on the book blurb, and Kate provides background on the line's genesis and her choice to use present tense right away At about 24:30, Pete remarks on the “banality of grief” done so well At about 25:30, Angie is characterized and the book's exposition discussed; Kate remarks on the memories and objects left behind by Angie, while speaking to experiences in her life that connect to the book's events At about 29:30, The two discuss ideas of legacy and remembrance, as shown through the characters in the book At about 30:15, Clare's marital situations and the unique family background of the Angstroms is highlighted and explained by Kate At about 33:35-Pete asks for casting suggestions for Teddy, the narrator's mother, Clare At about 34:10-Kate discusses research and connections for the parts of the book on Reddit and true crime and crime fiction  At about 39:25, Pete brings up ideas of secrets that Teddy held about his sister and the rearrangement of memory that comes after loss At about 40:30, Michaela, “Mickey,” is characterized At about 46:00, Kate responds to Pete's asking about Bill and how she sees him; she expands on ideas of moralizing in literature  At about 49:30, Kate outlines some “detours” in the plot At about 50:25, Pete highlights a chaotic and funny scene that involves a dinner scene At about 52:00, Kate talks about the scenes involving Teddy and the gun range and the importance of her having a gun At about 56:10, The two discuss a cringeworthy and craftily-drawn and hilarious school dance scene At about 59:15, Pete makes points about loneliness as a theme running throughout the book, and Kate reflects on this throughline At about 1:04:00, Kate discusses ways of coping with trauma in the book At about 1:05:00, Pete highlights Kate keen writing regarding unfulfilled potential and shares a moving  At about 1:08:50, Kate talks about her exciting next book At about 1:10:55, P&T Knitwear, Skylight Books, and Vroman's are highlighted as good places to buy her book       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership! Check out my recent interview with Gina Chung on the website.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    Thanks to new Patreon member, Jessica Cuello, herself a talented poet and former podcast guest.     This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 233 with Jazmina Barrera Velasquez, who is a fellow at the Foundation for Mexican Letters. Her book of essays, Cuerpo extraño, was awarded the Latin American Voices prize from Literal Publishing in 2013, and she is the editor and co-founder of Ediciones Antílope, and author of, most recently, Cross-Stitch.     The episode will go live on April 30 or May 1.    Please go to ceasefiretoday.org, where you will find 10+ ways to call for a ceasefire in Gaza.

This week, the girls/women are joined by writer Larissa Phillips, and the three discuss her recent essay in which she recounts her violent rape in the early 90s. Larissa shares her thoughts on the helpfulness of “trauma” discourse on recovery, the #metoo era, and the tension between personal responsibility and public trust.They also touch on Larissa's work in adult literacy, a subject Sarah finds especially interesting, as she's still learning how to read.Relevant LinksLarissa's Essay in Quillette  After Rape: A Guide for the Tormented by Celeste MarcusOn Not Being A Victim by Mary Gaitskill, Harper's Magazine, March 1994 Know someone who would love this episode? Gift a paid subscription! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit aspecialplace.substack.com/subscribe

Bentornati in Bookatini - il podcast per chi è ghiotto di libri. L'episodio 74 è dedicato alle raccolte di racconti. Per farlo al meglio abbiamo chiamato Luca Maletta, autore di racconti e ghost writer. Lo trovate in questa pagina Instagram: https://www.instagram.com/lucamaletta/ Nell'episodio di oggi abbiamo chiacchierato approfonditamente di questi libri Gente di Dublino, di James Joyce, che trovate in moltissime edizioni diverse Cattiva condotta, di Mary Gaitskill, Mondadori editore I racconti di Pietroburgo, di Nikolaj Gogol', che trovate in moltissime edizioni diverse - I racconti del disagio, di Luca Maletta, Caravaggio editore Potete contattarci, scrivere commenti, suggerimenti, domande e condividete con noi le vostre letture su questo tema contattandoci nella pagina Instagram Bookatini_podcast, dove potete trovare anche le nostre live, in onda di mercoledìSe volete sostenerci e godere di contenuti aggiuntivi, potete unirvi a 4 possibili livelli di Patreon che trovate al link: https://www.patreon.com/bookatiniLa sigla di Bookatini è scritta e suonata da Andrea Cerea

In this episode of Transposition, poet and playwright Zachary Guerra sits down with host Laura Rensing and Experimental Editor Rebecca Luxton. Zachary's experimental piece “What Are You Looking for?” was published in our Vol. VII: “Flux” issue (2022). In this discussion, we explore how online communities, such as Reddit, have become vital spaces for individuals to connect, share stories, and find solace amidst their grief. From subreddits dedicated to supporting individuals coping with loss to niche communities like those for cat owners taking care of cats with kidney disease, the internet has facilitated unprecedented avenues for collective mourning and support. As traditional forms of mourning adapt to online platforms, questions arise about the future of literature and its capacity to capture the essence of loss in an increasingly digitized world. We hope you'll enjoy!  About Zachary Guerra Zachary C. Guerra is a poet and playwright from Berkley, Michigan. His work, "What Are You Looking For" was featured in  Exposition Review's 'Flux' issue and is a 2022 'Best of the Net' nominee. His play 'Captcha' will be premiering November 4th at The Soop to Nuts Short Play Festival. His poem 'This is It' will be featured in the upcoming edition of Filter Coffee Zine. About Rebecca Luxton Rebecca Luxton is the Experimental Editor of Exposition Review and worked on the Southern California Review while completing her Master of Professional Writing at the University of Southern California. Now she's a marketing professional with a love for all things experimental. Favorite authors: a rotating cast that currently includes Gabriel Garcia Marquez, Mary Gaitskill, Stephen King, and the late Joe Frank for his exceptional radio storytelling work. Follow her on Instagram at @what_even.jpg. Help us spread the word!  Download, review and subscribe to Transposition. Thank you to Mitchell Evenson for intro and outro music, and the generous donations from our supporters that allow us to pay our authors.  Exposition Review is a fiscally sponsored project of Fractured Atlas.Transposition is the official podcast of Exposition Review literary journal. --- Support this podcast: https://podcasters.spotify.com/pod/show/exposition-review/support

Kate Brody, debut author of the literary thriller RABBIT HOLE, sits down with Jared to talk about crafting a true crime novel that focuses on the victim's family. Drawing from her own experiences with publishing, she also offers advice for choosing an agent, pivoting if your book doesn't sell, and marketing your work. Finally, she shares the most memorable pieces of advice from her own MFA teachers, including Mary Gaitskill, E.L. Doctorow, and Amy Hempel. Kate Brody holds an MFA from NYU and her work has been published or is forthcoming in The New York Times, Parents, Crime Reads, Lit Hub, Electric Lit, Noema, The Literary Review, Write or Die, and other magazines. RABBIT HOLE is her debut. Find her on Instagram and Twitter @katebrodyauthor and at her website: katebrodyauthor.com. MFA Writers is hosted by Jared McCormack and produced by Jared McCormack and Hanamori Skoblow. New episodes are released every two weeks. You can find more MFA Writers at MFAwriters.com. BE PART OF THE SHOW — Donate to the show at Buy Me a Coffee. — Leave a rating and review on Apple Podcasts. — Submit an episode request. If there's a program you'd like to learn more about, contact us and we'll do our very best to find a guest who can speak to their experience. — Apply to be a guest on the show by filling out our application. STAY CONNECTED Twitter: @MFAwriterspod Instagram: @MFAwriterspodcast Facebook: MFA Writers Email: mfawriterspodcast@gmail.com

di Matteo B. Bianchi | In questa nuova puntata andiamo a conoscere Gabriele Torchetti e la sua libreria“Un Panda sulla Luna” a Terlizzi (BA). Da un caffè di Parigi, la traduttrice Maurizia Balmelli ci racconta come è approdata alla traduzione, mentre lo scrittore Paolo di Paolo ci regala il suo consiglio di lettura. Libri consigliati in questa puntata: L'OMBRA DEL VULCANO di Marco Rossari, Einaudi GLI ULTIMI AMERICANI di Brandon Taylor, Bollati Boringhieri L'INTEGRALE n°7 – METAMORFOSI, Iperborea   Gabriele Torchetti della libreria “Un Panda sulla Luna” di Terlizzi (BA) ci consiglia: IL GRANDE CACCIATORE (E ALTRE VIOLENZE) di Carlo D'Amicis, Terrarossa Edizioni MONTERUGA di Anna Puricella, Fandango libri   Tra i libri che ha tradotto, Maurizia Balmelli ci ha invitato a riscoprire: OGGI SONO TUA di Mary Gaitskill, Einaudi W O IL RICORDO D'INFANZIA di Georges Perec, Einaudi   Infine, lo scrittore Paolo di Paolo ci ha consigliato: IL POLACCO di J.M. Coetzee, Einaudi Learn more about your ad choices. Visit megaphone.fm/adchoices

Vintage Contemporaries by Dan Kois is a fiction debut that blends a coming-of-age story with the themes of lasting friendship and what it takes to be an artist. Kois joins us to talk about the publisher that inspired the novel's title, some of the important influences on his work, what he does in his day jobs and more with Miwa Messer, host of Poured Over.    This episode of Poured Over was hosted by Executive Producer Miwa Messer and mixed by Harry Liang.                   New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app.         Featured Books (Episode):  Vintage Contemporaries by Dan Kois  Asa, as I Knew Him by Susanna Kaysen  Bad Behavior by Mary Gaitskill   Home Cooking by Laurie Colwin  Happy All the Time by Laurie Colwin   I Am Homeless If This Is Not My Home by Lorrie Moore  Angels in America by Tony Kushner  The World Only Spins Forward by Isaac Butler & Dan Kois  Eat Your Mind by Jason McBride  The Zone of Interest by Martin Amis  The Fraud by Zadie Smith  The Heaven & Earth Grocery Store by James McBride 

This week, a special holiday episode from The Moth. Unlikely Christmas wishes, letters from The Grinch, and a husband by Chanukah. This episode is hosted by Angelica Lindsey-Ali. The Moth Radio Hour is produced by The Moth and Jay Allison of Atlantic Public Media. Storytellers: Ten year old Jessi Berdinka's peculiar Christmas wish is granted. Amy Klein gets help from a matchmaking rabbi. Mary Gaitskill  pens letters as The Grinch for a neighborhood kid. Juno Men and her cousin go to a casino over Thanksgiving.  Niceol Blue is a street kid with nowhere to go for Christmas.

Gravat en viu en el marc de la Jornada de Pòdcasts per Combatre la Pressió Estètica com a iniciativa del Departament d'Igualtat i Feminismes de la Generalitat de Catalunya i Radio Primavera Sound, aquest episodi especial de Marea Nocturna explora com el cinema i la literatura de gènere fantàstic i de terror aborden, de manera directa o indirecta, la pressió estètica. En representació de l'equip del pòdcast, la Desirée de Fez, i una convidada de luxe, l'escriptora i periodista Laura Fernández (‘La señora Potter no es exactamente Santa Claus', ‘Damas, caballeros y planetas'), parlen de llibres i pel·lícules de terror al voltant de temes com la bellesa, la transformació del cos i el bullying. Entre els títols comentats: ‘Carrie' (Brian De Palma, 1976), ‘La mosca' (David Cronenberg, 1986), ‘Jennifer's Body' (Karyn Kusama, 2009), ‘Black Swan' (Darren Aronofsky, 2010), ‘American Mary' (Jen Soska i Sylvia Soska, 2012) i ‘The Neon Demo'n (Nicolas Winding Refn, 2016). Entre les propostes literàries, ‘Veronica', de Mary Gaitskill, i els relats de Mariana Enriquez ‘Nada de carne sobre nosotras' i ‘Fin de curso'.

October 2023 full moon eclipse pod with Harold Rogers on the library, monasticism, King Lear, Miss Macintosh My Darling, Mary Gaitskill, Alexander Theroux, McClanahan, Zbigniew Herbert, Mathias Enard, epigraphs, cynicism, and what Literature is. With Tropicalia author Harold Rogers. YouTube: https://youtu.be/leNmw2kTlEs Full 2-hour ep: https://www.patreon.com/1storypod TROPICALIA: https://www.simonandschuster.com/books/Tropicalia/Harold-Rogers/9781668013878 Sean Thor Conroe is the author of the novel FUCCBOI.

Phil is joined by the great novelist, short story writer and essayist Mary Gaitskill to discuss Gaitskill's essay "The Trials of the Young" in the most recent Liberties Journal, alongside the Nirvana songs "Drain You" and "Moist Vagina." The Manifesto: Mary Gaitskill, "The Trials of the Young " https://marygaitskill.substack.com/p/the-despair-of-the-young The Art: Nirvana, "Drain You" https://www.youtube.com/watch?v=AJUpHxlJUNQ Nirvana, "Moist Vagina" https://www.youtube.com/watch?v=ZRT6sYzVN78

A chaotic line-up: Mona Lisa Smile, the impending AI apocalypse, the writers' strike, 'the LeBron James of Incels', Pedro Pascal and what makes a heartthrob, Paul Mescal's legs, Gwyneth on Call Her Daddy, being curious, Mary Gaitskill, & more. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains.

"In other words, like David Foster Wallace — who celebrates McCain for his display of “‘moral authority'” and commitment to “‘service' and ‘sacrifice' and ‘honor'” — Clinton responds to the extremes of free-market ideology by imagining that “American community” can be rebuilt through the practice of what he calls “old values,” or what Hillary Clinton calls, in a 1993 speech, the “politics of meaning.” In this sense, Clintonian rhetoric offers a particularly clear, particularly influential example of the kind of centrist “communitarianism” that would shape American writing and politics – including the politics of the party's next president, Barack Obama, a self-described “New Democrat” – for at least a generation." – Ryan M. Brooks, Liberalism and American Literature in the Clinton Era (2022) What happens when the right scholar expands his doctoral research to insightfully engage with the pressing issues of a fragmented American society by drawing together and contrasting visions of Reaganite and Clintonian neoliberalism and its implications for literature and politics moving forward? The answer is Liberalism and American Literature in the Clinton Era (Cambridge UP, 2022) by Ryan M. Brooks, professor of English and podcast host for Humanities on the High Plains. Professor Brooks' book is the latest in the Cambridge Studies in American Literature and Culture which describes his efforts this way: Liberalism and American Literature in the Clinton Era argues that a new, post-postmodern aesthetic emerges in the 1990s as a group of American writers – including Mary Gaitskill, George Saunders, Richard Powers, Karen Tei Yamashita, and others – grapples with the political triumph of free-market ideology. The book shows how these writers resist the anti-social qualities of this frantic right-wing shift while still performing its essential gesture, the personalization of otherwise irreducible social antagonisms. Thus, we see these writers reinvent political struggles as differences in values and emotions, in fictions that explore non-antagonistic social forms like families, communities and networks. Situating these formally innovative fictions in the context of the controversies that have defined this rightward shift – including debates over free trade, welfare reform, and family values – Brooks details how American writers and politicians have reinvented liberalism for the age of pro-capitalist consensus. Some of the other writers discussed in this interview: Bret Easton Ellis, Sesshu Foster, Sapphire, David Foster Wallace, Colson Whitehead William Davies, Nancy Fraser, David Harvey, Georg Lukacs, Joe Klein, Robert Reich Ryan's critical and literary studies recommendations: Walter Benn Michaels - The Shape of the Signifier: 1967 to the End of History; Daniel Zamora and Michael Behrent, ed. - Foucault and Neoliberalism; Melinda Cooper - Family Values: Between Neoliberalism and the New Social Conservatism; Nancy Fraser - Fortunes of Feminism: From State-Managed Capitalism to Neoliberal Crisis; Janice Peck – Age of Oprah: Cultural Icon for the Neoliberal Era; Eve Bertram - The Workfare State: Public Assistance Politics from New Deal to New Democrats Nonsite.org - a peer-reviewed online journal of arts and humanities scholarship Ryan M. Brooks is an Assistant Professor of English at West Texas A&M University. He completed his Ph.D. at the University of Illinois at Chicago. His work has been published in Twentieth-Century Literature, 49th Parallel, Mediations, The Account, and the critical anthology The Wire: Urban Decay and American Television. He hosts the podcast Humanities on the High Plains. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2022 Mary Gaitskill talked to editor Josie Mitchell about her fascination with the idea of hell, returning to past creative work and writing characters with different experiences from her own.Mary Gaitskill is the author of Bad Behavior; Two Girls, Fat and Thin; Because They Wanted To; Veronica; Don't Cry; The Mare; Somebody with a Little Hammer; and This is Pleasure. Her new book, The Devil's Treasure, is a hybrid work of criticism, memoir and mythography.Her essay ‘Lost Cat', first published in Granta 107, is available to read here.

Today's guest is the writer Mary Gaitskill, whose novels and short stories have been adapted into motion pictures and nominated for major literary prizes like the PEN/Faulkner award, the National Book Award, and the National Critics Circle Award, and if you've read any of them, you know why, you know how her characters make you feel seen, for all the cruelty and strength and fragility and beauty and ugliness you possess, how they remain alive within you long after you turn the last page, and change the way you move through the world. We first met when she interviewed me for it, actually, to talk about incels — with whom she feels a kinship for many reasons that we get into today... ———————————————————————"Hallelujah" (cover) performed by Jeff Buckley. 1994. Courtesy of Columbia Records. ——————————————————————— Read Mary's brilliant essays from "Out of It": https://marygaitskill.substack.com/ and listen to our first interview if you missed it: https://marygaitskill.substack.com/p/only-the-lonely ——————————————————————— Please check out my Patreon channel for bonus content, newsletters, community, and early, ad-free episodes on www.patreon.com/naamakates ——————————————————————— INCEL is created and produced by Naama Kates for Crawlspace Media. Music by Cyrus Melchor. —————————————————————— If you or someone you know is struggling emotionally, or having a hard time, please call someone, or contact one of the excellent resources provided below. —————————————————————— Suicide Prevention Lifeline w: https://suicidepreventionlifeline.org/ t: 1.800.273.8255 —————————————————————— Samaritans Website: https://www.samaritans.org and telephone (UK): 116.123 —————————————————————— Please contact Naama at INCEL with any comments, inquiries, or just random thoughts: e: theincelproject@gmail.com

For today's sermon we talk about "Secretary" starring Maggie Gyllenhaal and James Spader, a film that serves as a major root for the yearnings of countless leatherqueers for its perverse romance. What does it mean for a movie to be "problematic"? How does Mary Gaitskill's original much darker short story inform our understanding of the film? What does it mean to want something that everyone says is bad for you? How does desire open up ways outside of the well trod narrative paths of the family? What is "good representation" anyway? We discuss all of these things rolled up in the ooey gooey romance of it all, for your patreon-subscribing pleasure.As always, thank you so much for your support—we couldn't do this without you.Intro and outro song is "Bless You" by the Ink Spots. Get access to full bonus episodes, an exclusive RSS feed, and more by subscribing our Patreon! Hosted on Acast. See acast.com/privacy for more information.

This free version of the review is a shortened version of our full episode, which is available to all subscribers on their patron-exclusive RSS feed. You can sign up to our patreon to get access to exclusive content and help keep the show going hereFor today's sermon we talk about "Secretary" starring Maggie Gyllenhaal and James Spader, a film that serves as a major root for the yearnings of countless leatherqueers for its perverse romance. What does it mean for a movie to be "problematic"? How does Mary Gaitskill's original much darker short story inform our understanding of the film? What does it mean to want something that everyone says is bad for you? How does desire open up ways outside of the well trod narrative paths of the family? What is "good representation" anyway? We discuss all of these things rolled up in the ooey gooey romance of it all!Intro and outro song is "Bless You" by the Ink Spots. Get access to full bonus episodes, an exclusive RSS feed, and more by subscribing our Patreon! Hosted on Acast. See acast.com/privacy for more information.

Mary Gaitskill's knack for writing about the social and physical world with unapologetic clarity has led to her style being described both as "cold and brutal” and “tender and compassionate.” Tyler considers her works The Mare, Veronica, and Lost Cat to be some of the best and most insightful American fiction in recent times. And lately she's taken to writing essays on Substack, where she frankly analyzes “subjects that are vexing everybody,” including incels, Depp v. Heard, and political fiction. She joined Tyler to discuss the reasons some people seem to choose to be unhappy, why she writes about oddballs, the fragility of personality, how she's developed her natural knack for describing the physical world, why we're better off just accepting that people are horrible, her advice for troubled teenagers, why she wouldn't clone a lost cat, the benefits and drawbacks of writing online, what she's learned from writing a Substack, what gets lost in Kubrick's adaptation of Lolita, the not-so-subtle eroticism of Victorian novels, the ground rules for writing about other people, how creative writing programs are harming (some) writers, what she learned about men when working as a stripper, how her views of sexual permissiveness have changed since the ‘90s, how college students have changed over time, what she learned working at The Strand bookstore, and more. Read a full transcript enhanced with helpful links. Recorded September 26th, 2022 Other ways to connect Follow us on Twitter and Instagram Follow Tyler on Twitter Email us: cowenconvos@mercatus.gmu.edu Subscribe at our newsletter page to have the latest Conversations with Tyler news sent straight to your inbox. 

In today's Weekend Essay, Mary Gaitskill writes about femcels and questions whether it really is true that ugly women can't get laid, in an UnHerd exclusive titled The year of the femcel.

We're joined by Elizabeth McCracken (author, most recently, of the novel The Hero of This Book, out Oct. 4 from Harper Collins) to discuss Mary Gaitskill's 2005 novel Veronica, a book that until recently Elizabeth was scared to re-read. We talk carnality in fiction, and the sweatiness of early 80s New York City. Plus: we compare notes on our time at the Iowa Writers Workshop, discuss trigger warnings for undergrad classes, and Elizabeth explains why for years she quietly pretended to have read Dostoevsky. You can order Elizabeth's newest book here: https://bookshop.org/books/the-hero-of-this-book/9780062971272 If you like the show, and would like more of it, we're releasing two bonus episodes a month to our Patreon subscribers, for only $5: https://www.patreon.com/BookFight

You heard it here first, summer's not over yet so grab your BATC summer merch and join the girls as they spiral into some deep beach/ocean/river talk and all the accompanying aquatic creatures. After that, naturally, we chat about the weirdest things currently in our fridge (Becky starts us off with a doozy). Then, we've got a cute romcom, a dark fairytale retelling, and an award-winning literary fiction winner. Thank you so much for listening! You can get your BATC merch all that beautiful BATC merch here: https://www.booksandthecitypod.com/merch. Browse and shop all the books we've discussed on this episode and past episodes at https://www.bookshop.org/shop/booksandthecity. Check out our website for more information about the fan club and any anything else at https://www.booksandthecitypod.com. Subscribe to our newsletter there, and send us a note at booksandthecitypod@gmail.com-------------> Becky's pick: Tokyo Ever After by Emiko Jean (9:35-16:49) https://us.macmillan.com/books/9781250766601/tokyoeverafter On Becky's TBR: The Guest Book by Sarah Blake Emily's pick: Veronica by Mary Gaitskill (16:50-27:08) https://www.penguinrandomhouse.com/books/57515/veronica-by-mary-gaitskill/ On Emily's TBR: Boy Parts by Eliza Clark Kayla's pick: Darling Girl: A Novel of Peter Pan by Liz Michalski (27:09-38:18) https://www.penguinrandomhouse.com/books/677442/darling-girl-by-liz-michalski/ On Kayla's TBR: A Certain Age by Beatriz Williams Music by EpidemicSound, logo art by @niczollos, all opinions are our own.

This week, Alan, Quinta, and Scott were joined by their fellow Lawfare senior editor Molly Reynolds to talk through a week of big national security news stories, including:“Regrets? I've had a few.” One year has passed since the chaotic U.S. exit from Afghanistan, which triggered the collapse of the U.S.-backed government and the return to power of the Taliban. What have we learned from this experience? And how should it inform U.S. engagement with Afghanistan moving forward? “Half-Truths and Reconciliation.” Democrats in Congress have scored a huge climate win in the form of the somewhat strangely named Inflation Reduction Act, which passed both chambers by the slimmest of margins through a special procedure known as reconciliation that bypasses the supermajority requirement that the Senate usually operates under thanks to the filibuster. How big a deal is this? And is it a model that other policy proposals can follow? “Déclassé.” While the Justice Department weighs whether to release more documents regarding its search of Mar-a-Lago, former President Trump has offered a new explanation as to why he had so many classified documents in a storage unit there: he'd had a standing order to declassify whatever classified records he wanted to bring home with him. What is the latest in the investigation and where does it seem to be headed? For object lessons, Alan endorsed another audiobook he's enjoying through Libby: Erik Larson's "The Splendid and the Vile.” Quinta noted her pleasant surprise that author Mary Gaitskill appears to have started a surprisingly good substack. Scott recommended a bunch of media he has been involved in on the one-year anniversary of the withdrawal from Afghanistan, including a segment on the most recent episode of "Last Week Tonight with John Oliver," a recent episode of the radio and podcast series Reveal, and of course Lawfare's own audio series on the collapse of the Afghan SIV program entitled Allies. And, because it was Primary Day in Alaska, Molly took the occasion to remind us all of the secret sauce behind Lisa Murkowski's historic 2010 Senate win as a write-in candidate: some carefully calculated flyers (involving pictures of cows and skis) that instructed voters how to spell her name. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Episode 134 Notes and Links to Kirstin Chen's Work        On Episode 134 of The Chills at Will Podcast, Pete welcomes Kirstin Chen, and the two discuss, among other topics, her childhood in Singapore and adolescent move to The United States, her relationship with reading and writing, especially in terms of “pleasure reading,” her research and process in writing two different but successful books before her current Counterfeit, the book's success and celebrating that success, her skill with point-of-view, and salient themes in the book and their connections to her life and society.     K I R S T I N   C H E N is the New York Times best-selling author of three novels. Her latest, Counterfeit, out now from William Morrow/HarperCollins (US) and The Borough Press (UK), is the June '22 Reese's Book Club pick. Television rights have been optioned by Sony Pictures.  Born and raised in Singapore, she lives in San Francisco. She teaches creative writing at the University of San Francisco and in Ashland University's Low-Residency MFA Program. Kirstin Chen's Website   Buy Kristin's Book Counterfeit   The New York Times Review of Counterfeit: "Real or Fake? In This Novel, It's Not Just a Question of Handbags."     At about 1:30-Pete and Kirstin shout out The University of San Francisco and the great Christian Kiefer and talk about their connections   At about 2:30, Kirstin describes the experiences that have come with her book being picked as June's Reese's Book Club Pick, as well as her perspective during this heady time   At about 5:20, Kirstin discusses her background, growing up in Singapore, her relationship with language and literature, her interest in accents   At about 7:35, Kirstin talks about Singapore's connections to the West   At about 8:55, Kirstin gives background on inspiration for some of the characteristics of Winnie from Counterfeit   At about 10:30, Pete wonders about Kirstin's reading tastes as an adolescent and she further explains the connection between the disparate emphases in her various schools   At about 14:45, Kirstin talks about ideas of “representation” and exposure to local writing when she was a kid, as well as changing modes in 2022   At about 16:10, Kirstin details those texts and writers who thrilled her as a college student, including Mary Gaitskill, Carver, and Mona Simpson's “Lawns”    At about 18:05, Kirstin describes the process of going from loving reading and writing to writing professionally and shares a cool Tobias Wolff story   At about 22:00, Kirstin talks about her love of fashion and how her early job at Banana Republic led to experiences that have made it into her writing; she also cites her own individual embrace of the MFA   At about 24:00, Kirstin discusses her early experiences with publishing Soy Sauce for Beginners   At about 26:15-28:35, Kirstin gives background on her second novel, Bury What We Cannot Take, especially homing in on the extensive research done for it At about 28:50, Kirstin details her writing/rewriting process for Counterfeit during Covid and its placement post-2016 election   At about 31:20-33:10, Kirstin details the seeds for Counterfeit and how an offhand joke grew into a book   At about 33:20, Pete and Kirstin discuss the successful ways in which she plays with POV, a conscious choice to eliminate some quotation marks for purposes of framing narration in certain ways    At about 36:30, Pete compliments the book as “off-kilter,” and discusses the book's two parts   At about 37:40, Kirstin breaks down the dynamics between Winnie and Ava and how their immigrant status as Asian-Americans informs their interactions   At about 39:20, Pete and Kirstin discuss Ava's family and a well-drawn and hilarious scene involving preschool “tryouts”   At about 42:40, Pete and Kirstin trace the ways in which the two women come together and where they are emotionally at the time   At about 44:00, The plot is discussed, with special attention to the scam that dominates the book and was based very closely on a true story   At about 47:00, Kirstin explains how Ava's predicaments in the book are related to themes of “saving face”   At about 50:00, Kirstin and Pete discuss expectations that are sometimes put upon immigrants or the children of immigrants   At about 51:15, The two discuss Hasan Minhaj's special, Homecoming King, and an unforgettable anecdote he tells from Sept 12, 2001   At about 52:10, Kirstin compares the Minhaj special and salient themes with ideas of the “model minority myth” as presented in Counterfeit    At about 54:00, The shift in empathetic figures is discussed   At about 54:45, Pete wonders about what the title means to Kirstin in the context of the book   At about 56:40, The ideas of hyperbole as expressing truths is brought up in context of the book's plotline   At about 57:45, Kirstin talks about shifting ideas of “cheating” with income inequality and ideas of  “rigged” society   At about 58:50, Ideas of ethical production are discussed, as Pete references a memorable scene involving clothing production in Gomorrah, and Kirstin discusses the subtleties of production that are often generalized    At about 1:02:10, Themes revolving around women's agency are discussed    At about 1:04:55, Kirstin connects the “model minority” myth to Covid happenings that inspired some parts of the book   At about 1:05:45, Pete trumpets the book's many strong points   At about 1:06:40, Kirstin outlines future projects, including her role with the screen adaptation of her book   At about 1:08:25, Kirstin shouts out The Booksmith as one place to buy her signed book      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.  This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 135 with Jose Antonio Vargas, a Pulitzer Prize-winning journalist, Emmy-nominated filmmaker, and Tony-nominated producer. A leading voice for the human rights of immigrants, his best-selling memoir, Dear America: Notes of an Undocumented Citizen, was published by HarperCollins in 2018. His second book, White Is Not a Country, will be published by Knopf in 2023.     The episode will air on July 26. 

Full episode at patreon.com/thicklinespod. A solo episode with Katie reflecting on the work of author Ottessa Moshfegh in anticipation of her latest novel, Lapvona. Topics discussed include Mary Gaitskill, American Psycho, bulimia, My Year of Rest and Relaxation, Eileen, Homesick for Another World, and Death in Her Hands. Thank you to our patrons for making mini episodes like this possible.

In deze aflevering bespreken Ellen en Joost de novelle Dit is lust van Mary Gaitskill, vertaald door Ineke van den Elskamp (oorspronkelijke titel: This is Pleasure). Quin en Margot, ruim twintig jaar bevriend, zijn beiden getrouwd en zeer succesvol binnen de New Yorkse uitgeverswereld. Hun jarenlange, innige vriendschap is gebaseerd op wederzijdse behoeften en een ondefinieerbare spanning tussen de twee. Als Quin wordt beschuldigd van herhaaldelijk grensoverschrijdend gedrag op zijn werk raakt hij in de problemen.Op welke wijze daagt Dit is lust de lezer uit om na te denken over grensoverschrijdend gedrag? En hoe werkt het als je een hechte vriendschap hebt, maar de ander wordt beschuldigd van foute praktijken?BoekentipsBoeken die het beste MeToo vatten1. Patricia Lockwood - Rape Joke2. Kristen Roupenian - Cat Person3. Film: The Last Duel4. J.M. Coetzee - Disgrace5. Lanseloet van DenemarkenDeze aflevering wordt gesponsord door BookBeat. Met BookBeat kun je kiezen uit meer dan 500.000 luisterboeken en e-books, vanaf € 8,99 per maand. Je kunt BookBeat nu 1 maand gratis uitproberen met de kortingscode: boekenfm Aanmelden doe je via www.bookbeat.nl/boekenfm (de kortingscode wordt dan automatisch verwerkt)Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

American writer Mary Gaitskill traverses a lot of ground in her new collection of provocative essays, Oppositions. Compelling and oddly cohesive, the essays see Gaitskill put her sharp writing style and nuanced mind to a wide range of topics including the Book of Revelation, Nabokov and the ubiquitous music of Talking Heads.

Oppositions collects Mary Gaitskill's essays of 30 years; taking in subjects as diverse as Nabokov, horse-riding and the Book of Revelation, they're as sharp and incisive as her fiction. Gaitskill is in conversation about the book with Octavia Bright, author and host of the ‘Literary Friction' podcast. See acast.com/privacy for privacy and opt-out information.

Page One, produced by Booxby, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books.In Episode 5, we interview bestselling author Tom Barbash about all the decisions that went into the first page of his novel, The Dakota Winters, about a family living in New York City's famed Dakota apartment building in the year leading up to John Lennon's assassination. It's the fall of 1979 in New York City when twenty-three-year-old Anton Winter, back from the Peace Corps and on the mend from a nasty bout of malaria, returns to his childhood home in the Dakota. Anton's father, the famous late-night host Buddy Winter, is there to greet him, himself recovering from a breakdown. Before long, Anton is swept up in an effort to reignite Buddy's stalled career, and ends up on a perilous journey that takes him out to sea with John Lennon. Barbash shares some secrets of the craft and approaching the first page as a promise to the reader. If you're aspiring to write a modern historic novel, Tom discusses wise approaches to the painstaking research he did for The Dakota Winters and staying in a '1979' frame of mind.  About the author:Tom Barbash is an American writer of fiction and nonfiction, as well as an educator and critic. He is the author of the novel The Last Good Chance, a collection of short stories Stay Up With Me, and the bestselling nonfiction work On Top of the World: Cantor Fitzgerald, Howard Lutnick & 9/11: A Story of Loss & Renewal. His fiction has been published in Tin House, Story magazine, The Virginia Quarterly Review and The Indiana Review. His criticism has appeared in the New York Times and the San Francisco Chronicle.A well-regarded speaker, panelist, and interviewer, Barbash has served as host for onstage events for The Commonwealth Club, Litquake, BookPassage, and the Lannan Foundation, and his interview subjects have included Kazuo Ishiguro, Brett Easton Ellis, Jonathan Franzen, Carlos Ruiz Zafon, James Ellroy, Ann Packer, Mary Gaitskill, and Chuck Palahniuk.[1]He taught at Stanford University, where he was a Stegner Fellow, and now teaches novel writing, short fiction, and nonfiction, at the California College of the Arts. Barbash has held fellowships from the MacDowell Colony, Yaddo, The James Michener Foundation, and the National Endowment for the Arts.[2] He lives in the San Francisco Bay Area.About the host:Holly Lynn Payne is the CEO and founder of Booxby , a startup helping authors succeed. Holly is also an internationally published novelist in eleven countries whose work has been translated into nine languages. In 2008, she founded Skywriter Books, an award-winning small press, publishing consultancy and writing coaching service. To learn more about her writing coaching services, please visit hollylynnpayne.com.  

In this episode I talk about This Is Pleasure by Mary Gaitskill, a very sensitive topic to myself and I'm sure other women out there too.  --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Books mentioned: The Period Book by Karen Gravelle and Jennifer Gravelle Song of the Lioness series by Tamora Pierce Princess Nevermore by Dian Curtis Regan Blood and Chocolate by Annette Curtis Klause Angela's Ashes by Frank McCourt Wind in the Willows by Kenneth Grahame Uncle Wiggily by Howard R. Garis Winnie the Pooh by A. A. Milne Tarzan series by Edgar Rice Burroughs Conan series by R. H. Howard Gor series by John Norman Throne of Glass series by Sarah J. Maas A Court of Thorns and Roses series by Sarah J. Maas The Awakening by Kate Chopin The Scarlet Letter by Nathaniel Hawthorne The Grapes of Wrath by John Steinbeck Little Birds and Delta of Venus by Anaïs Nin The Sleeping Beauty Trilogy by A. N. Roquelaure (aka Anne Rice!) Crimes of Love and Philosophies in the Boudoir by the Marquis de Sade The Sadeian Woman by Angela Carter Essays Mentioned: "The Best Sex I Ever Read Was By the Famously 'Dick-Centric' Henry Miller" by Mary Gaitskill, as told to Lila Shapiro "Porn: An Effective Vehicle for Sexual Role Modeling and Education" by Nina Hartley "Exclusive: An Investigation into Algorithmic Bias in Content Policing on Instagram" Podcasts Mentioned: American Sex Podcast, Ep. 151 Fangasm/Potterotica Legal Cases, Etc. Mentioned: Attorney General v. The Book Called Tropic of Cancer (1962) Jacoblellis v. Ohio (1964) A Book Named John Cleland's Memoirs of a Woman of Pleasure v. Attorney General of Massachusetts (1966) Ginzburg v. United States (1965) Attorney General v. A Book Called Naked Lunch (1966) Stanley v. Georgia (1969) Miller v. California (1973) The case against Tom Arthur and the Mr. Double website The Report of the Commission on Obscenity and Pornography (1976) The Meese Commission on Obscenity (1985) Reno v. American Civil Liberties Union (1997) SESTA (Stop Enabling Sex Traffickers Act)/FOSTA (Allow States and Victims to Fight Online Sex Trafficking Act) (2018) EARN IT (Eliminating Abusive and Rampant Neglect of Interactive Technologies) Act (2020) Instagram Community Guidelines J. Davis: The Whole Book Experience Leaves of Cha Donation-based Meditation Instagram: @leavesofcha Of Prurient Interest social media: Insta: @ofprurientinterest Twitter: @highlyprurient FB: /ofprurientinterest Litsy: @prurientinterest Email: ofprurientinterest@gmail.com Patreon: /ofprurientinterest Website: ofprurientinterest.com Kaelyn's Instagram: @lalatiburona Score by Rose Droll: @myhandsarepaws Logo by @irizofen If you like this podcast, consider becoming a patron either here on Anchor or on Patreon. You can also make a one-time donation through the website. Lastly, subscribe, rate, and review! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/ofprurientinterest/support

An amazing teacher has the power to change children's lives and open doors to a brighter future. With knowledge, empathy and creativity a teacher can design the type of learning that brings the best out of their students. Stephen Haff is one such teacher who went beyond the classroom to creating a magical sanctuary for learning. Stephen founded Still Waters in a Storm, a one-room school in Brooklyn, New York, in 2008. Stephen's approach to teaching and learning at Still Water incorporates his experiences as a teacher, his passion for language and theater, as well as what he learned in his personal journey to overcome depression. The school is for children aged 6 to 17 and many are children of undocumented Mexican and Ecuadorean refugees. The curriculum revolves around reading classic novels, such as Milton's Paradise Lost, and translating it into present-day vernacular. The students learn to translate Latin, read complex texts, create a play, build empathy and confidence, and so much more. Stephen also invites many famous authors – among them Salman Rushdie, Valeria Luiselli, George F. Walker, Mary Gaitskill, and Michael Ondaatje – who visit the school to read their own work and help the students with their own writing projects. This unique school, where the only rule is, “everyone listens to everyone” is an example of teaching to the whole child. Stephen beautifully tells the story of what the experience of attending Still Waters is like, as well as how he came to create the school, in his new book, Kid Quixotes: A group of students, their teacher, and the one-room school where everything is possible. Still Waters in a Storm: http://www.stillwatersinastorm.org/ Book: Kid Quixotes: A group of students, their teacher, and the one-room school where everything is possible. https://www.amazon.ca/Kid-Quixotes-Students-One-Room-Everything-ebook/dp/B07NVN28V7/ref=sr_1_1?dchild=1&keywords=Kid+Quixotes&qid=1606907561&sr=8-1

Mary Gaitskill's collection of essays, Somebody with a Little Hammer, explores prismatic perspectives on rich topics, including literature.