Podcast appearances and mentions of Jon Fosse

In this episode, host Darnelle Radford speaks with Ross Beschler about the Wilma Theater's final production of the season, A Summer Day, written by Jan Fosse. They discuss the unique Hothouse ensemble experience, the themes of love, loss, and memory in the play, and the challenges of communication and language in expressing deep emotions. The conversation highlights the importance of ensemble work and the artistic journey of the Hothouse members. In this conversation, Ross Beschler and Darnelle Radford explore the themes of language, memory, identity, and the dynamics of relationships through the lens of the play 'A Summer Day' by Jan Fossa. They discuss how exaggeration in language can shape perceptions, the role of characters in navigating crises, and the importance of introspection versus action in understanding oneself and others. The conversation delves into the complexities of memory and how it influences identity, as well as the societal challenges of understanding and miscommunication. Ultimately, they reflect on the human experience and the significance of connection in the face of life's uncertainties.A SUMMER DAYBY JON FOSSETRANSLATED BY SARAH CAMERON SUNDEDIRECTED BY YURY URNOVJune 10–29, 2025Experience the haunting beauty of Norwegian playwright Jon Fosse's A Summer Day, directed by inventive Co-Artistic Director Yury Urnov (Mr. Burns, Minor Character, 12th Night) in a production that delves into the depths of human connection, memory, and existential longing. Is there one day in your past you keep replaying again and again? When do we start spending more time in the past than in the present? Through Fosse's poetic language and Urnov's innovative direction and immersive visual design, audiences are transported into an epic and intimate world where past and present intertwine, inviting reflection on the fleeting nature of time and the eternal search for meaning. Often referred to as a modern-day Ibsen, Fosse won a Nobel Prize in Literature in 2023 – one of the few playwrights to ever receive that honor – and is rarely produced in the United States.Chapters00:00 Introduction to the Wilma Theater and A Summer Day02:40 The Hothouse Experience and Ensemble Work11:30 Exploring the Play: A Summer Day17:24 Themes of Love, Loss, and Memory20:30 Language and Communication in A Summer Day24:30 The Power of Language and Exaggeration26:41 Character Dynamics and Intrusions29:58 Memory and Identity in Relationships32:00 Understanding and Misunderstanding in Society36:45 Introspection vs. Action39:32 Replaying Moments and Learning from the Past44:53 The Essence of A Summer DayFOR TICKETS AND INFORMATION: https://wilmatheater.org/event/asummerday/

Fuchs, Jörn Florian www.deutschlandfunk.de, Kultur heute

This week, Toby Lichtig travels to Oslo to interview Nobel laureate Jon Fosse; meanwhile, Natasha Lehrer heads to Zurich for a compelling new play by Deborah Levy.Jon Fosse is published in English by Fitzcarraldo Editions'50 Minutes', by Deborah Levy, Neumarkt Theatre, Zurich, until May 7Produced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

Skapar Martin Engberg världen med sina sånger eller förgör han den med sin eld? I dagens essä reflekterar han över författarkritikern. Lyssna på alla avsnitt i Sveriges Radio Play. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Det började i barndomen. En besatthet i att plocka sönder hushållsapparater och elektronik. En floppydrive, farfars gökur, den gamla radion. Där satt jag i pojkrummet, omgiven av delarna till helheten, klockkedjan, ett tonhuvud och komponenterna från kretskortet omsorgsfullt lossade med lödkolven.Vad det än var jag tagit itu kunde jag aldrig sätta ihop det igen och på nytt få det att fungera. Ändå betraktade jag nöjt miniatyrlandskapets delar framför mig och tyckte mig förstå, genom den ordning jag skapat av dem på skrivbordet, hur apparaten fungerat. Var hemligheten liksom kom in. Det var ur detta, dessa delar, ljudet kom ur högtalaren. Gökens ko ko, datorspelets pixlar. Hade jag bara haft språket, skulle jag ha kunnat beskriva det precist.Och så, en dag:Jag hade kommit över en långvågsradio, och petade lite oförsiktigt med en skruvmejsel i innanmätet utan att dra ur kontakten. Det sprakade till, och så hände det som kan hända: det small till i armen och jag drog åt mig den. Skamset insåg jag att jag fått en stöt. Det kunde ha gått illa, men apparaten som nyss varit död kom igång. Ur högtalaren en röst. Ljudet var skräpigt, men orden gick ändå att urskilja, bara inte förstå.I efterhand har jag tänkt att det måste ha varit slaviska i någon form, men i stunden inbillade jag mig något utomjordiskt. Det hördes på tonen att det som sades var angeläget. Jag kastade mig över skolhäftet och började skriva ned det rösten sa, såsom jag uppfattade det. Myndigheter behövde kontaktas. Polisen, eller rymdstyrelsen, kanske, vem vet vad det var för nödläge som uppstått där ute i kosmos.Efteråt satt jag med en knappt tydbar text framför mig. Jag förstod att ingen skulle kunna dechiffrera orden ifall jag inte skrev rent dem. Därför lånade jag familjens elektriska skrivmaskin (som mamma inte låtit mig plocka sönder), men nu kunde jag inte hålla mig längre. I min iver att förstå, hittade jag själv på ordens betydelse och från det var inte steget långt till att forma små berättelser. Transkriberingen glömde jag helt bort.Nu hade jag två sysslor. När jag inte demonterade hushållsapparater, satte jag mig vid långvågsradion, gav mig själv en stöt, och framkallade en röst (alltid olika). Sedan skrev jag ned de främmande orden tills att tonerna av en eller annan vals hördes. Varefter jag började lirka fram mina berättelser ur ordmassan.Föga anade jag att jag från den dagen för alltid skulle bära det tvehövdade monstret inom mig.Författarkritikern.Åren gick och två decennier senare gav jag ut min första samling berättelser. Då hade jag för längesedan slutat plocka isär saker. Men jag kunde inte försörja mig på mitt författarskap och när en kultursida erbjöd mig att skriva bokrecensioner tackade jag ja.Det var så jag återupptäckte lusten att ta isär, ordna och blottlägga. Med skillnaden att den här gången var det inte maskiner jag plockade sönder, utan berättelser och dikter.Jag tyckte mig vara den borne kritikern. Trots allt hade jag ju ägnat mig åt denna dubbla syssla sedan barndomen: förståelse genom tudelning och sökandet efter ett språk som gav mening.Allt och inget begrep jag.Men det fanns inte tid för reflektion. Dekonstruktören tog över, och jag utökade mitt fält till andra konstformer än litteraturens: teater, arkitektur, fotboll. Sveriges första professionella kritiker, August Brunius, var min förebild. Snart kunde jag recensera en aprikoscocktail, likväl som Jon Fosse.Ständigt beställde redaktionen nya texter, och varje gång erbjöd de lägre ersättning. Till slut var jag tvungen att själv betala för att publicera mina artiklar. Det gjorde mig ingenting. Kritiken blev nämligen min fenomenologi, min existentialism. Det sätt jag kunde förstå världen på.Människan var utkastad i ett absurt kosmos utan inneboende mening, men genom att plocka isär någontings konstruktion, väga delarna i handen, ordna dem och peka ut för andra att ”där, där, har du cocktailbärets hemlighet. Det är just dess röda färg och alkoholmättade sötma som gör att vi älskar det”, kunde jag skapa en mening i tillvaron som annars saknades. Fick jag inte sönderdela låg världen stum och död framför mig. På samma sätt som den där långvågsradion gjort i min barndom innan jag stack skruvmejseln i dess innanmäte och den gav mig sin livgivande kyss.När Humboldt-universitet anordnade en tävling i kritik anmälde jag mig genast. Vi tilldelades varsitt verk och fick använda vilken metod och teori vi ville. Den som värderade verket på grammet närmast dess objektiva värde vann.Efter det var jag världsmästare i kritik!Men det var just i segerruset tvivlets tagg stack mig.Hur kunde världen egentligen bli mer begriplig genom att sönderdelas? Behövde den inte tas in i sin helhet?För en tid lät jag mina klåfingriga händer vila. Jag ansträngde mig istället för att se på världen, utan att röra den.Långsamt såg jag att det också fanns en mening i vad världen var – när den liksom bara var.Jag insåg att jag inte enbart tyckte om att studera cocktailen. Jag tyckte även om att dricka den. Att se dess färger spela över mina händer i barens dämpade sken medan jag samtalet med mina vänner. Också det var meningsfullt, deras ord var meningsfulla, också om det de sa saknade en konstnärlig form.För första gången på länge väcktes åter min lust att berätta. Om detta – denna nyvunna mening – var jag tvungen att skriva!Världens fanns inte enbart i sönderdelandet. Den fanns också i att sätta samman, foga ihop, se och beskriva.Jag blev det tvehövdade monster jag alltid varit. En kropp med två huvuden. Det ena vänt mot framtiden, det andra mot det förflutna.Det ena sjöng vackra sånger om det den såg. Det andra sprutade ur sig en förgörande eld, eller gnisslade tänder.Men som alla vet kan monstret inte hjälpa att det är ett monster.Jag har fortsatt mina båda värv. I ena stunden lyfter jag andras verk, håller dem i handen och försöker väga dem för att bestämma deras värde. Det händer att jag måste peta i dem för att de ska ge mig en stöt som sätter igång det språk som gör att jag kan beskriva dem.Men det händer att jag tröttnar på att förklara och sönderdela. Då struntar jag i allt vad transkribering heter, och tillåter mig att fantisera ihop de berättelser som döljer sig i världens sprak och mummel.Tvivlet har för den delen inte lämnat mig. Frågan om jag är den som skapar världen med mina sånger, eller förgör den med min eld. Ifall jag härdar den, eller bedrar den med ljuva toner. Toner som är falska eftersom de är alltför vackra, och vill skapa mening där ingen finns.Det händer att jag drömmer om det omöjliga. Att jag en dag ska bli en sammansatt varelse, med ett språk. Så att jag både kan se cocktailbärets skönhet, beskriva varför det är vackert och känna dessa ljuva sötma i munnen när det krossas mellan tänderna.Martin Engbergförfattare och kritiker

In dieser Woche wird die Leipziger Buchmesse eröffnet. Zu Gast in diesem Jahr ist Norwegen. Also wird sich das Land mit seiner vielfältigen Literaturszene präsentieren. Autorinnen, Autoren werden aus Norwegen nach Leipzig kommen, um Bücher, Romane, die beliebten norwegischen Krimis, Gedichte, Theaterstücke, Kinderbücher oder Sachbücher vorzustellen. Eine große, oft unterschätzte Leistung ist die der Übersetzung. Die Werke vom norwegischen Literaturnobelpreisträger Jon Fosse beispielsweise wurden mit ihrer sprachlichen Eleganz und Präzision von Hinrich Schmidt-Henkel ins Deutsche übertragen. Wie viel Übung muss ein Übersetzer haben, um Literatur zum Leuchten bringen zu können? Wie viel Freiheit nimmt der Übersetzer sich bei seiner Arbeit? Fragen an das große Sprachentalent Hinrich Schmidt-Henkel, der natürlich nicht nur aus dem Norwegischen, auch aus dem Französischen, Italienischen oder Dänischen übersetzt. Seit vielen Jahrzehnten kennt er das Werk von Jon Fosse, seine Dramen, Romane, Erzählungen, Lyrik und Essays. Katja Weise spricht in "NDR Kultur à la carte" mit Hinrich Schmidt-Henkel über Feinheiten und Facetten der Sprache, die Leistung der Übersetzung und die Vielfalt des literarischen Lebens.

durée : 00:53:00 - Fictions / Théâtre et Cie - L'histoire d'un couple qui est invité par une ombre à rejoindre son royaume lorsqu'ils seront devenus vieux.

durée : 01:06:22 - Fictions / Théâtre et Cie - Une femme attend l'homme qu'elle aime, et qui n'est plus là.

durée : 00:53:00 - Fictions / Théâtre et Cie - L'histoire d'un couple qui est invité par une ombre à rejoindre son royaume lorsqu'ils seront devenus vieux.

durée : 01:06:22 - Fictions / Théâtre et Cie - Une femme attend l'homme qu'elle aime, et qui n'est plus là.

Aparita Bhandari and Heather Greenwood Davis discuss the bestselling Here One Moment by Liane Moriarty with Antonio Michael Downing; writer Alicia Cox Thomson talks about the highly discussed All Fours by Miranda July and recommends two more titles; Juno nominee Tia Wood on what makes Five Little Indians a classic; and why Robert J. Wiersema thinks you should read translated books on this episode of The Next Chapter.Books discussed on this week's show include:Here One Moment by Liane MoriartyFive Little Indians by Michelle GoodAll Fours by Miranda JulyThe Change by Kirsten MillerThe Mother Act by Heidi ReimerMay Our Joy Endure by Kev Lambert, Donald Winkler (Translator)The Empusium by Olga Tokarczuk, Antonia Lloyd-Jones (Translator)Morning and Evening by Jon Fosse, Damion Searls (Translator)

Wie können Unternehmen junge Menschen für eine Ausbildung begeistern? Welche Rolle spielen Personalmarketing, Coaching und innovative Konzepte im Kampf gegen den Fachkräftemangel? In dieser Folge spreche ich mit Jan Achnitz, der als Ausbildungsleiter in einem Marburger Industrieunternehmen zahlreiche Erfolge feierte und sich nun mit Bildungsreif selbstständig gemacht hat. Wir reden über seinen Weg vom Auszubildenden zum Führungskraft, über die Herausforderungen der Generation Z und darüber, wie Unternehmen im ländlichen Raum mit kreativen Ideen Fachkräfte gewinnen können. Erfahrt, wie Bildungsreif mit Onlinekursen und Beratungsprojekten Ausbildung und Weiterbildung auf ein neues Level bringt – praxisnah, digital und zukunftsorientiert. Jetzt reinhören und inspirieren lassen! 00:00 Intro & Begrüßung 01:00 Wer ist Jan Achnitz? Sein Weg von der Ausbildung zur Führungskraft 04:30 Warum Ausbildung für Unternehmen so wichtig ist 07:15 Die größten Herausforderungen im Ausbildungsbereich 10:45 Generation Z & Erwartungen an Arbeitgeber 14:00 Personalmarketing: Wie gewinnt man junge Talente? 18:30 Coaching für Ausbildungspersonal – Warum es gebraucht wird 22:15 Bildungsreif: Onlinekurse & Beratung für Unternehmen 26:45 Digitalisierung & Innovation in der Ausbildung 30:00 Zukunftsausblick: Was Unternehmen jetzt tun sollten 33:30 Fazit & Abschied Moderation: Steffen Schmidt | Audioproduktion: Clemenz Korn Ein Podcast der WR56 Kreativagentur (www.wr56.de) in Marburg. VINTER - von Literaturnobelpreisträger Jon Fosse.  Mit Frauke Oberländer und Nisse Kreysing  Premiere: 20.03.2025  Regie: Steffen Schmidt Tickets unter  https://www.waggonhalle.de/event/winter-von-literaturnobelpreistraeger-jon-fosse/ Facebook: https://www.facebook.com/diegelbecouch Instagram: https://www.instagram.com/diegelbecouch YouTube: https://www.youtube.com/@diegelbecouch Mehr aus dem Werkraum56? Erhalten Sie die neuesten Hörspiele, Videos und Podcast sowie Zugang zu exklusiven Netzwerk-Events. Email eintragen und ab gehts: https://wr56.de/newsletter

Wie gelingt der Schritt vom Angestellten zum Unternehmer? Welche Herausforderungen bringt die Übernahme eines bestehenden Unternehmens mit sich? Und wie kann sich ein Gartencenter im Zeitalter von Onlinehandel und veränderten Kundenbedürfnissen behaupten? In dieser Episode sprechen wir mit Thomas Hilberg, der das Marburger Gartencenter – ein traditionsreiches Unternehmen, das viele noch unter dem Namen Gartencenter Pötschke kennen – übernommen und weiterentwickelt hat. Er berichtet, wie er über die IHK zur Unternehmensnachfolge kam, welche Faktoren für einen erfolgreichen Übergang entscheidend waren und wie er das Geschäft strategisch weiterentwickelt. Wir werfen einen Blick auf die Marktmechanismen im Handel mit Pflanzen, Blumentöpfen und Düngemitteln, sprechen über Saisonalität, Kundenverhalten und den Wettbewerb mit Baumärkten und Onlinehändlern. Thomas Hilberg gibt zudem Einblicke in seine Wachstumsstrategie, von Sortimentserweiterungen über innovative Produkte bis hin zur stärkeren Nutzung digitaler Kanäle. Für alle, die sich für Unternehmertum, Nachfolgeregelungen und den stationären Handel interessieren – eine inspirierende Folge voller praxisnaher Einblicke. Moderation: Steffen Schmidt | Audioproduktion: Clemenz Korn Ein Podcast der WR56 Kreativagentur (www.wr56.de) in Marburg. VINTER - von Literaturnobelpreisträger Jon Fosse.  Mit Frauke Oberländer und Nisse Kreysing  Premiere: 20.03.2025  Regie: Steffen Schmidt Tickets unter  https://www.waggonhalle.de/event/winter-von-literaturnobelpreistraeger-jon-fosse/ Facebook: https://www.facebook.com/diegelbecouch Instagram: https://www.instagram.com/diegelbecouch YouTube: https://www.youtube.com/@diegelbecouch Mehr aus dem Werkraum56? Erhalten Sie die neuesten Hörspiele, Videos und Podcast sowie Zugang zu exklusiven Netzwerk-Events. Email eintragen und ab gehts: https://wr56.de/newsletter

Er du på jakt etter din neste leseropplevelse?  Én torsdag i måneden inntar våre litteraturformidlere scenen i 1.etasje for å dele sine litterære favoritter med deg. I denne episoden snakket Britt og Pernille om følgende bøker og essays: «Sameproblemet» (Forlaget Oktober, 2024) av ⁠Kathrine Nedrejord⁠ «I seneste laget - historier om kvinner og menn (Aschehoug, 2024) av Claire Keegan «Shy» (Gyldendal Norsk, 2023) av Max Porter «Lauvhytter i skogen - dikt i utval» (Det Norske Samlaget, 2024) av Jon Fosse, Olav H. Hauge «Ingensteds mitt seil» av Ingela Strandberg, Katrine Heiberg (gj.dikt.) (Kolon, 2024)«Endnu en bog jeg aldrig skrevet - essays» av Ida Jessen (Gyldendal, 2022)

Translator & author Damion Searls kicks off our 2025 season with a talk about his amazing new book, THE PHILOSOPHY OF TRANSLATION (Yale University Press). We talk about how all writing — translation or not — involves constraints, he balanced the book between philosophical argument and concrete examples of translation, and how he came to define translation as "reading one thing and writing something else." We also get into where all the languages — German, Dutch, Norwegian, French — started for him (+ his lockdown project of teaching himself modern Greek), how the business of translation has changed during his career and the problems with the English market's dominance, how a 'book report' led to him becoming the translator of Nobel-winner Jon Fosse, how he edited an abridged version of Thoreau's (7000 pages of) journals, and why he only put one negative example in The Philosophy of Translation. Plus we discuss how he doesn't look over his own translators' shoulders, why he resents critics' bias against translation and the notion of "a 'faithful' translation" or "getting it right," how he & his peers fought for royalties over fee-for-service and the days when translators treated like typesetters, and plenty more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter

For our final episode of 2024, we finish our annual best of the year extravaganza! Here we are joined by more friends sharing their favorite reads of the year as we go through our top five.Happy New Year! We will see you in 2025!ShownotesBooks* The Overstory, by Richard Powers* Septology, by Jon Fosse, translated by Damion Searls* A Shining, by Jon Fosse, translated by Damion Searls* Boathouse, by Jon Fosse, translated by May-Brit Akerholt* Scenes from a Childhood, by Jon Fosse, translated by Damion Searls* Trilogy, by Jon Fosse, translated by May-Brit Akerholt* Aliss at the Fire, by Jon Fosse, translated by Damion Searls* Morning and Evening, by Jon Fosse, translated by Damion Searls* We Need to Talk About Kevin, by Lionel Shriver* Big Brother, by Lionel Shriver* The Stripping of the Altars, by Eamon Duffy * Scenes from Clerical Life, by George Eliot* Daniel Deronda, by George Eliot* Possession, by A.S. Byatt* Parade's End, by Ford Madox Ford* David Copperfield, by Charles Dickens* Frog, by Stephen Dixon* I., by Stephen Dixon* The MANIAC, by Benjamín Labatut* When We Cease to Understand the World, by Benjamín Labatut, translated by Adrian Nathan West* A Game of Hide and Seek, by Elizabeth Taylor* Mrs. Palfrey at the Claremont, by Elizabeth Taylor* Angel, by Elizabeth Taylor* It Lasts Forever and Then It's Over, by Anne de Marcken* The Unselected Journals of Emma M. Lion, by Beth Brower* A Touch of Mistletoe, by Barbara Comyns* Mr. Fox, by Barbara Comyns* Cold Nights of Childhood, by Tezer Özlü, translated by Maureen Freely* Your Little Matter: My Mother, a News Item, by Maria Grazia Calandrone, translated by Antonella Lettieri* My Favorite, by Sarah Jollien-Fardel, translated by Holly James* Götz and Meyer, by David Albahari, translated by Ellen Elias-Bursac* Escape from Berlin, by Catherine Klein* February 1933: The Winter of Literature, by Use Wittstock, translated by Daniel Bowles* Pilgrimage, by Dorothy Richardson* War and Peace, by Leo Tolstory* The Tunnel, by William H. Gass* A Cage Went in Search of a Bird: Ten Kafkaesque Stories* All That Glitters, by Orlando Whitfield* Lesser Ruins, by Mark Haber* Invisible Cities, by Italo Calvino, translated by William Weaver* If on a winter's night a traveller . . . , by Italo Calvino, translated by William Weaver* The Baron in the Trees, by Italo Calvino, translated by Ann Goldstein* Doctor Thorne, by Anthony Trollope* The Warden, by Anthony Trollope* Barchester Towers, by Anthony Trollope* The Way We Live Now, by Anthony Trollope* Grief Is the Thing With Feathers, by Max Porter* The Call of the Wild, by Jack London* “To Build a Fire,” by Jack London* Opacities: On Writing and the Writing Life, by Sofia Samatar* Rural Hours: The Country Lives of Virginia Woolf, Sylvia Townsend Warner & Rosamond Lehmann, by Harriet Baker* Doppelganger: A Trip into the Mirror World, by Naomi Klein* A Body Made of Glass: A Cultural History of Hypochondria, by Caroline Crampton* A Month in the Country, by J.L. Baker* The Passenger, by Cormac McCarthy* Stella Maris, by Cormac McCarthy* Suttree, by Cormac McCarthy* Blood Meridian; or, The Evening Redness in the West, by Cormac McCarthyThe Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another. We hope you'll continue to join us!Many thanks to those who helped make this possible! If you'd like to donate as well, you can do so on Substack or on our Patreon page. These subscribers get periodic bonus episode and early access to all episodes! Every supporter has their own feed that he or she can use in their podcast app of choice to download our episodes a few days early. Please go check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

I årets siste episode har vi en gave til deg: Teksten “Kunst er fred” skrevet av forfatter, lyriker og dramatiker Jon Fosse. Teksten leses av skuespiller Lena Kristin Ellingsen. Vi synes teksten er som en varm omsorgsfull klem og en nydelig påminner i en urolig tid. Fosse skriver om at kunsten sprenger grenser mellom språk, verdensdeler og land. “Krig er kamp mot det inste i mennesket, det unike. Og det er kamp mot all kunst, mot det inste i all kunst.” skriver Fosse.  “Det er så enkelt som at krig og kunst er motsetnader, slik krig og fred er motsetnader. Kunst er fred.” skriver han videre i teksten som ble skrevet av Jon Fosse til World Theatre Day 2024. Teksten er her gjengitt med tillatelse fra Jon Fosse og hans forlag Samlaget. Tusen takk for det. Og takk til Lena som valgte å lese denne teksten da vi intervjuet henne i episode 198. Riktig god jul fra Hanna og Christina.

Whether your holiday book wish list includes classics like The Nutcracker or works by contemporary authors like Jon Fosse and Elena Ferrante... if you want to read them in English, then you'll have to thank a translator. But Damion Searls says that the work of translating is more complicated than simply converting words from one language to another. In the latest instalment of Word Processing – our ongoing look at language – David Common speaks with the noted author and translator about his book The Philosophy of Translation, the nuance needed to make a faithful translation and what gets lost when authors outsource that work to technology.

Welcome to Harshaneeyam In this episode Damion Searls talked about his new book ‘The philosophy of translation. For any one who is interested in the creative process of translation , this is the book that you should pickup and read. There is a link provided in the show notes to buy the book. https://tinyurl.com/DamionphilDamion Searls is a translator from German, Norwegian, French, and Dutch, and a writer in English. He has translated about sixty books, including ten by this year's Nobel Prize winner, Jon Fosse, and won numerous translation awards, including Guggenheim and Cullman Center fellowships; the biggest German-to-English translation prize in America, for Uwe Johnson's four-volume ANNIVERSARIES; and the biggest such prize in England, twice, for books by Hans Keilson and Saša Stanišić. His own writing includes poetry, fiction, reviews, and two nonfiction books:* For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspot*Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Izabell er rapper, låtskriver, musiker og skuespiller. Angeren er veldig til stede i livet hennes, og hun har beslutningsvegring, fordi hun er så redd for å angre på det valget hun tar. Vi snakker bl.a. om å prøve å samle seg etter et veldig hektisk år, men samtidig være takknemlig for å ha hatt nettopp et veldig hektisk år, å være livredd for planer langt frem i tid, og at det kan drepe den kreative friheten, å alltid være veldig rolig, selv i krisesituasjoner, men kjenne seg litt metta, å måtte si nei til en rolle i et Jon Fosse-stykke, som alltid har vært en drøm for henne, men hun måtte si nei fordi hun faktisk for en gangs skyld tenkte på egen helse, om at «Gangsta's Paradise» var den viktigste låta i livet hennes, og om møtene med selveste Coolio og da hun måtte spytte egne bars foran han, og i andre enden av hennes personlighet, hvor stor opplevelse det var å lese tekst sammen med selveste Gard Eidsvold og en god del om varmen Stavanger har, mot den kulden som Oslo kan ha, da hun ble plukket opp på scenen av selveste Jannicke, som hun kunne alle tekstene utenat til, men frøs til is da hun sto på scenen og om at folk gjerne må mase på henne.Programleder: Sivert MoeSupport this show http://supporter.acast.com/anger. Hosted on Acast. See acast.com/privacy for more information.

Magenau, Jörg www.deutschlandfunk.de, Büchermarkt

Later this morning, we’ll get the consumer price index for September. While inflation is way down from its peak in June 2022, consumers are frustrated with persistently high prices. We’ll hear more. Plus, how does a Nobel win in literature influence book sales? We’ll hear from the publishers of last year’s Nobel laureate, Norwegian playwright and author Jon Fosse, about how they dealt with a surge in demand.

Later this morning, we’ll get the consumer price index for September. While inflation is way down from its peak in June 2022, consumers are frustrated with persistently high prices. We’ll hear more. Plus, how does a Nobel win in literature influence book sales? We’ll hear from the publishers of last year’s Nobel laureate, Norwegian playwright and author Jon Fosse, about how they dealt with a surge in demand.

La autora surcoreana Han Kang, autora de novelas y poemas, se alzó este jueves con el Premio Nobel de Literatura por "su intensa prosa poética, que confronta los traumas históricos y expone la fragilidad de la vida humana", anunció la academia sueca. Han Kang, de 53 años, es la primera surcoreana en recibir el prestigioso premio en literatura. Paralelamente a la escritura, la autora se dedicó al arte y la música, lo que se refleja en el conjunto de su obra literaria. "La obra de Han Kang se caracteriza por esta doble exposición del dolor, una correspondencia entre el tormento mental y el tormento físico, en estrecha relación con el pensamiento oriental", precisó la academia sueca. La autora, nacida el 27 de noviembre de 1970 en Gwanju, en Corea del Sur, tiene "una conciencia única de las relaciones entre el cuerpo y el alma, los vivos y los muertos y, por su estilo poético y experimental, está considerada como innovadora en el campo de la prosa contemporánea", declaró ante la prensa el presidente del Comité Nobel, Anders Olsson. Han Kang se dio a conocer internacionalmente con su novela "La vegetariana" (2007). Escrita en tres partes, la obra describe las violentas consecuencias de la negativa de su protagonista, Yeong-hye, a comer carne, lo que provoca el rechazo brutal de su entorno. El otro surcoreano que fue recompensado con un premio Nobel --de la Paz-- fue el expresidente (de 1998 a 2003) Kim Dae-Jung en 2000 por "su trabajo por la paz y la reconciliación con Corea del Norte". El año pasado, el dramaturgo noruego Jon Fosse recibió la prestigiosa recompensa de las letras. Conversamos En Perspectiva con Fernando Medina, conductor de Oír con los Ojos, y un análisis del reconocimiento para el escritor y dramaturgo nórdico.

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have fun with all of the top books of the 21st century hype by sharing our own top 10 lists. We each killed a few darlings and made some very tough decisions. How did we do?What books would make your list?Summer Book ClubThe book for the Mookse and the Gripes Summer Book Club 2024 is William Trevor's The Story of Lucy Gault. You can start reading it whenever you want to! We have lined up a guest to join us to discuss the book for the next episode!ShownotesBooks* The Story of Lucy Gault, by William Trevor* The Land Breakers, by John Ehle* Testing the Current, by William McPherson* Miss MacIntosh, My Darling, by Marguerite Young* Schattenfroh, by Michael Lenz, translated by Max Lawton* Lesser Ruins, by Mark Haber* Horror Movie, by Paul Tremblay* Universal Harvester, by John Darnielle* A Head Full of Ghosts, by Paul Tremblay* Cabin at the End of the Woods, by Paul Tremblay* The Indian Lake Trilogy, by Stephen Graham Jones* The Empathy Exams, by Leslie Jamison* In a Strange Room, by Damon Galgut* The Promise, by Damon Galgut* Open City, by Teju Cole* When We Cease to Understand the World, by Benjamin Labatut, translated by Adrian Nathan West* The MANIAC, by Benjamin Labatut* The Employees, by Olga Ravn, translated by Martin Aitken* Flights, by Olga Tokarczuk, translated by Jennifer Croft* Drive Your Plow Over the Bones of the Dead, by Olga Tokarczuk, translated by Antonia Lloyd-Jones Croft* The Books of Jacob, by Olga Tokarczuk, translated by Jennifer Croft* LaRose, by Louise Erdrich* Red Comet: The Short Life and Blazing Life of Sylvia Plath, by Heather Clark* Gilead, by Marilynne Robinson* Jonathan Strange and Mr. Norrell, by Susanna Clarke* Piranesi, by Susanna Clarke* Underland: A Deep Time Journey, by Robert Macfarlane* The Wild Places, by Robert Macfarlane* Reinhardt's Garden, by Mark Haber* Ducks, Newbury Port, by Lucy Ellmann* Your Face Tomorrow, by Javier Marías, translated by Margaret Jull Costa* The Road, by Cormac McCarthy* The Passenger, by Cormac McCarthy* Runaway, by Alice Munro* 2666, by Roberto Bolaño, translated by Natasha Wimmer* Train Dreams, by Denis Johnson* Tree of Smoke, by Denis Johnson* Interpreter of Maladies, by Jhumpa Lahiri* Austerlitz, by W.G. Sebald, translated by Anthea Belle* The Immigrants, by W.G. Sebald, translated by Michael Hulse* The Rings of Saturn, by W.G. Sebald, translated by Michael Hulse* Vertigo, by W.G. Sebald, translated by Michael Hulse* Blinding, by Mircea Cartarescu, translated by Sean Cotter* The Garden of Seven Twilights, by Miquel de Palol, translated by Adrian Nathan West* Antagony, by Luis Goytisolo, translated by Brendan Riley* Monument Maker, by David Keenan* Tomb of Sand, by Geetanjali Shree, translated by Daisy Rockwell* Praiseworthy, by Alexis Wright* Wizard of the Crow, by Ngugi wa Thiong'o* The Known World, Edward P. Jones* Hurricane Season, by Fernanda Melchor, translated by Sophie Hughes* The Twilight Zone, by Nona Fernandez, translated by Natasha Wimmer* Septology, by Jon Fosse, translated by Damion Searls* The Years, by Annie Ernaux, translated by Alison Strayer* In the Distance, by Hernan Diaz* Wolf Hall, by Hilary Mantel* My Struggle, by Karl Ove Knausgaard, translated by Don BartlettOther Links* The Untranslated* New York Times: 100 Best Books of the 21st CenturyThe Mookse and the Gripes Podcast is a book chat podcast. Every other week Paul and Trevor get together to talk about some bookish topic or another. We hope you'll continue to join us!SubscribeMany thanks to those who helped make this possible! If you'd like to donate as well, you can do so on Substack or on our Patreon page. These subscribers get periodic bonus episode and early access to all episodes! Every supporter has their own feed that he or she can use in their podcast app of choice to download our episodes a few days early. Please go check it out! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit mookse.substack.com/subscribe

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

If ideology has never before been so much in evidence as a fact and so little understood as it appears to be today then, Jason Blakely argues in his new book Lost in Ideology: Interpreting Modern Political Life (Agenda Publishing, 2023), this may not be because we are like travellers guided by old maps of the political world but because we make the mistake of thinking that our maps are the worlds in which we live and act politically. When we read them as if they are reality, rather than a representation of it, we get lost. If you like this episode of New Books in Interpretive Political and Social Science then you might also be interested in others in the series, including Jason and Mark Bevir talking about their Interpretive Social Science, and James C. Scott, who passed away shortly before this episode was recorded, discussing his Against the Grain. Jason recommends Charles Taylor's sequel to The Language Animal, Cosmic Connections, and Jon Fosse's novelistic exploration of the human condition, Septology. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is the creative process different in the fields of art, literature and music? In a podcast conversation, literature laureate Jon Fosse speaks about all three fields and how they are similar in many ways. American painter Mark Rothko is mentioned as a source of inspiration as well as art in general. We also get insights into Fosse's childhood where music was large part of his life. Today Jon Fosse enjoys a world of silence and avoids the noise of the world if possible. He describes his writing process, how he enjoys writing by hand with fountain pens and how a reader can tell if a book is written by hand or not. He also speaks about his relationship to God and religion. Hosted on Acast. See acast.com/privacy for more information.

Charlamos con la escritora argentina Magalí Etchebarne de La vida por delante (Ed. Páginas de espuma), un volumen de relatos sobre el paso implacable del tiempo que ella describe con precisión en este libro hermoso, cruel y divertido con el que ha ganado el Premio Ribera de Duero de Narrativa Breve.En su ventanita poética, Javier Lostalé nos recomienda Utilidad de las estrellas (Ed. Pre-Textos), el nuevo poemario de la también argentina María Negroni, que se ha alzado con el VII Premio Internacional de Poesía Margarita Hierro.Luego, Ignacio Elguero nos sugiere otros títulos: Ales junto a la hoguera (Ed. Literatura Random House), novela de Jon Fosse sobre el matrimonio, la pérdida y el destino, y el poemario Ondina (Ed. Huerga y Fierro), de Andrea Bernal.En Peligro en La estación, nuestro colaborador Sergio C. Fanjul nos habla de La crítica literaria de los noventa (Ed. La uña rota), de Miguel Alcázar, un divertido juego literario que propone un montón de reseñas inventadas de obras que realmente se publicaron en la década de los noventa.Para terminar, Mariano Peyrou pone sobre la mesa Poemas enumerativos (Ed.) la nueva criatura de Eduardo Moga, que reúne aquí poemas basados en listas. Escuchar audio

Emilia y Pablo, un dúo a medio camino entre Chile y España, nos presentan 'Isla virtuosa'. En su segundo álbum (LP) nos invitan a un recorrido a través de nueve canciones, en las que transitamos entre el folclore andino y el flamenco, entre el cielo y el infierno.Hoy tenemos cita con nuestro hombre de ciencia, Miguel Ángel Delgado. Descubrimos el libro 'Mensajes en una botella' (Editorial Ariel), de Wolfang Struck; con el que analizamos aquel célebre experimento del s.XIX, que sirvió para establecer comunicaciones a larga distancia y ayudar a explicar la actual dinámica de los océanos.Ángela Núñez nos lleva hasta el 'Museo Lázaro Galdiano' de Madrid, para acercarnos la exposición en torno a los nueve días que pasó el artista Andy Warhol en nuestro país, en enero de 1983. Hasta el 21 de julio.Repasamos la programación de los Cursos de Verano de la Universidad Internacional Menéndez Pelayo de Santander con su rector, Carlos Andrada. Asistirán invitados como Ana Belén, Luis García Montero, Eduardo Noriega o el Premio Nobel de Literatura de 2023, Jon Fosse, entre otros. Se esperan 114 actividades en el tradicional Palacio de la Magdalena a partir del 17 de junio.Escuchar audio

The overdue Nordic winter trilogy continues: Tatiana and Niko read 2023 Nobel Prize Laureate Jon Fosse's most recent translated work, A Shining, about a man who begins to drive until he finds himself in the woods during a snow storm. They discuss modern inner monologues, psychoanalysis, and the limits of language. 

Por lo pronto, afirmamos que a todos los miembros del programa nos súper encanta ‘Zorra' de Nebulosa; para que no haya más debates. Por lo demás, esta semana ‘El Criticón' de ‘La Cultureta Gran Reserva' se mete en harina lanzando críticas ciegas de tres libracos muy interesantes. Todo ello, adornado con la música novedosa del gran Billy Joel, que vuelve a estrenar canción tras 30 años de silencio cruel. Uno: ‘Septología' de Jon Fosse. Sin duda la mejor manera de descubrir al Nobel; recopilación de su ahora afamada trilogía ‘El otro nombre', ‘Yo es otro' y ‘Un nuevo nombre'. Dos: ‘Una tierra prometida' de Barak Obama, un relato en primera persona sobre el antes y el durante de sus 8 años en La Casa Blanca. Tres: ‘Wonderland' de Annie Leibovitz, un gran libro de fotografía que encierra buena parte del mundo interior de la ilustre y famosísima capturada de momentos. 

In this episode we're discussing the new novel Fourteen Days. The book is a collaboration by 36 authors including Margaret Atwood, John Grisham, Celeste Ng, RL Stine, and Dave Eggers – and part of the experience is guessing who wrote which part. So does the premise work as a novel? What do we want from experimental fiction? And are we ready to revisit the depths of the Covid-19 pandemic, during which the action is set? Lilah is joined by the FT's acting deputy books editor Andrew Dickson and assistant arts editor Rebecca Watson, author of the novel Little Scratch.-------We love hearing from you. Lilah is on Instagram @lilahrap and we're on X @lifeandartpod. You can email us at lifeandart@ft.com. We are grateful for reviews, on Apple, Spotify, etc.-------Links (all FT links get you past the paywall): – Fourteen Days, edited by Margaret Atwood and Douglas Preston, is out now where books are sold. – The FT's review of Fourteen Days is here: https://on.ft.com/4bCdRFD – Rebecca's novel is called Little Scratch (2021). Her second novel I Will Crash comes out on July 4th.– Andy recommends novels by Sheila Heti and Jon Fosse for their experimental prose. – Andy is on X, formerly Twitter, @andydickson. Rebecca is @rebeccawhatsun-------Special FT subscription offers for Life and Art podcast listeners, from 50% off a digital subscription to a $1/£1/€1 trial, are here: http://ft.com/lifeandartRead a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.

Literature discussion with Harold Rogers (author of Tropicalia) and Sean Thor Conroe (Fuccboi) on The Third Reich (1989) by Bolaño (00:14), St. Thomas Aquinas (7 min), Father Antonio Vieira (12 min), Katt Williams (17 min), Septology by Jon Fosse (27 min), Agora Agora (89 chapters - 31 min), The Love of Singular Men by Victor Heringer (33 min), and Franzen (48 min). youtube: https://youtu.be/NOCRpjBlMIo Tropicalia: https://www.simonandschuster.com/books/Tropicalia/Harold-Rogers/9781668013878 Fuccboi: https://www.hachettebookgroup.com/titles/sean-thor-conroe/fuccboi/9780316394918/

On this week's episode, a look at the rest of the year in books — new fiction from Alice McDermott and this year's Nobel laureate, Jon Fosse, a journalist's investigation of state-sanctioned killings in the Philippines, and a trio of celebrity memoirs. Discussed in this week's episode:“The Vulnerables,” by Sigrid Nunez“Day,” by Michael Cunningham“Absolution,” by Alice McDermott“A Shining,” by Jon Fosse“Romney: A Reckoniung,” by McKay Coppins“Class,” by Stephanie Land“Some People Need Killing,” by Patricia Evangelista“The Kingdom, the Power and the Glory: American Evangelicals in an Age of Extremism,” by Tim Alberta“My Name is Barbra,” by Barbra Streisand“The Woman in Me,” by Britney Spears“Worthy,” by Jada Pinkett Smith

The 2023 Nobel Prize in literature was awarded this week to Norwegian author Jon Fosse. Though well known around the world, he’s not quite a household name in the U.S. But that may change. How is the book industry prepping for a boost in the author’s profile and sales? Also on the program: Amazon satellites and the actors strike.

The 2023 Nobel Prize in literature was awarded this week to Norwegian author Jon Fosse. Though well known around the world, he’s not quite a household name in the U.S. But that may change. How is the book industry prepping for a boost in the author’s profile and sales? Also on the program: Amazon satellites and the actors strike.

On Wednesday, the Biden administration waived 26 laws to build a section of the border wall in southern Texas along the Rio Grande river pointing to "high illegal entry." It marks a major shift away from President Joe Biden's initial calls to halt the border wall from being completed. And, in recent weeks, there have been reports of Russia withdrawing much of its Black Sea fleet from their main base in Crimea after repeated attacks by Ukraine. It is being interpreted as a victory at sea for Ukraine in a war that's dragged on with little progress on land. Also, the 2023 Nobel Prize in literature goes to playwright and novelist Jon Fosse, of Norway, cited by the judges "for his innovative plays and prose which give voice to the unsayable." Plus, Habibi Music Festival, from Marrakech to Baghdad.

The BBC goes inside Nagorno-Karabakh, the ethnic Armenian enclave, after Azerbaijan undertook a lightening offensive causing residents to flee for Armenia. Also on the programme: flash floods in the Himalayan state of Sikkim in north-east India have led to a number of deaths; and the Norwegian writer Jon Fosse has won the Nobel Prize in Literature. (PHOTO: Thousands of ethnic Armenians flee breakaway region of Nagorno-Karabakh, Goris, Armenia - 29 Sep 2023)