Podcasts about miho hatori

Episode 787: April 19, 2026 playlist: Laibach, "Musick (feat. Wiyaala)" (Musick) 2026 Mute M.C. Schmidt and John Berndt, "Gecko Lazzaro" (Cloud Machines) 2026 Thrill Jockey Alvarius B., "The Multiple Hallucinations of an Assassin - Part 2" (Malarial Dream) 2026 Adbduction Loraine James, "Flatline ft. Miho Hatori" (Detached From The Rest OF You) 2026 Hyperdub John Tilbury, "Palais de Mari (Radio edit)" (Palais de Mari) 2026 True Blanking Alison Cotton, "I Am!" (The Gods Laugh) 2026 Glitterbeat soultek, "she dubs me out [7inch extraction]" (burning dubs [volume two]) 2004 echospace Theresa Loibl, Timm Cornelius, Markus Rom, Simon Popp and Micha Acher, "LOOP D" (Henry And The Ghosts Songbook) 2026 Alien Transistor Art Ensemble of Chicago, "Side 1 - Excerpt" (People in Sorrow) 2026 Play Loud! Celer, "Ploughs Of The Double-Sided" (Poulaine) 2026 Room40 Heavenly, "Scene Stealing" (Highway To Heavenly) 2026 Skep Wax Meat Beat Manifesto, "Transmission (Single Version)" (Transmission) 1996 Play It Again Sam Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

We got songs of all sorts tonight and non-songs for most sorts too. Take your pick! LISTEN AGAIN – you can stream on demand @ fbi.radio or podcast here. Abigail Snail – Good Grief [Romac Puncture Repairs] Abigail Snail – Attach Bayonets [Romac Puncture Repairs] You can get an idea of the experimental roots background of London guitarist Stef Ketteringham, usually known as Stef Kett, from his 10-year-old Guitar Arrangements (2016) and its sequel More Guitar Arrangements from the following year – a loose, free jazz approach to bluesy guitar, the outer limits of American Primitive. It’s not that far from there to punk rock, but nor is it far from the swamp. Garage rock is more the touchstone with Abigail Snail though, when Kett, on vox, guitar & bass, teams up with the incredibly versatile drummer Will Glaser, who’s played with the likes of Sly & the Family Drone, Yazz Ahmad, Ruth Goller and many other luminaries of the London jazz scene, and released an incredible solo album last year. The music’s a kind of hysterical, broken-down form of garage rock, dragged into swampy blues-jazz with the addition of James Allsopp on tenor sax & bass clarinet, a fixture of London’s jazz & experimental scenes for the last 2 decades. The album bio describes them as “London spray band Abigail Snail”, and the raucous-yet-vulnerable music here could well suit this new genre (as you know, we at Utility Fog love ridiculous new genres). Anyway, stick this on your boombox and scare pedestrians as you cycle to work next week. Jungstötter – Overturn [Unguarded/Bandcamp] Fabian Altstötter founded his solo project Jungstötter some years after his postpunk band Sizarr went on hiatus. Solo, his music draws from the dramatic experimental songwriting of Scott Walker & David Sylvian – on 2023’s One Star, his rich vocals were offset by industrial rumblings and shifting electronics, muddled in pitch-shifted shadows of themselves, mashed beats interrupting the flow, horn and string arrangements that grow raucous. New album Sustained is now announced, and single “Overturn” is very pared down – just that voice, some percussion, sparse electric piano, field recordings of children’s voices and occasional single note hits from horns. Oh, and the scrabbling guitar at the end, all suggesting something creepy around the corner. No doubt this will be an excellent album. Massive Attack x Tom Waits – Boots on the Ground [PIAS Records/Bandcamp] The most unexpected release of the century? Given that Tom Waits‘ last solo album Bad As Me came out in 2011, we could have been forgiven for expecting that was the end, but Massive Attack (who have stuck to random singles with feature artists for the last decade) convinced him to create this anti-war anthem, clattering percussion straight out of Tom’s Bone Machine, piano straight out of many of 3D’s productions, and Tom’s barked vocals which could refer to ICE or US troops in Venezuela, Iran, or heck, Vietnam. It’s proper chilling stuff. Loraine James – Flatline ft. Miho Hatori [Hyperdub/Bandcamp] From her soon-forthcoming album Detached From The Rest OF You, Loraine James here works with Miho Hatori of Cibo Matto on absolute thriller of a song, the beats a Loraine glitch-bass special and Hatori’s vocals spoken and sung but always cut-up. This is her “pop” album lol… Well, it’s full of great singers and James herself sings on more than a few tracks, but it’s still super experimental. Naavikaran & Simo Soo – For You Page (FYP) [Naavikaran Bandcamp] On her new EP MYSTIQ DISCOTHEQ, Naarm-based rapper Naavikaran puts a South Asian spin on her EDM-influenced rap & pop, enlisting Simo Soo to help bring out the deconstructed club vibes. Across the EP, Naavikaran raps and sings in Tamil, Marathi, Hindi and English, covering life as a disabled, LGBTQI+ refugee. Impressive and entertaining. deafkids – REFLEXO [Neurot Recordings/Bandcamp] Brazilian band deafkids may nominally be classed as “punk”, but hardcore punk mixes with industrial and noise in their sound, along with electronic music of all shapes. They released the incredible uncategorizable Metaprogramação on Neurosis‘ Neurot Recordings in 2019, and then when the pandemic hit, they put out a series of EPs that mixed Latin rhythmic complexity with guitar pedal and software experimentation, collected now on the album Ritos do Colapso. Except before that in 2020 came their collaboration DEAFBRICK with cross-continental noise-metal-industrial-electronic duo PETBRICK. So with various collabs and oddities in the interim, their forthcoming CICATRIZES DO FUTURO (Scars of the Future) is their first album proper since Metaprogramação. It looks to be more electronic, more intense, more angry than ever, a visceral reaction to the state of the world. Highly rhythmic and danceable, it shifts between hardcore punk, industrial, Latin American and club sounds with abandon. I can’t wait to hear the whole thing. james K – Doom Bikini (Hesaitix Remix) [AD93/Bandcamp] Following her vaporwave-trip-hop album Friend from last year, james K now reaches out for some heavy-duty Friends to remix the album. Hesaitix is the alias of James Whipple, better known as M.E.S.H, pioneer of “deconstructed club”. Here, though, he’s taking james K’s “Doom Bikini” and adding accelerated breakbeats in a lightweight jungle style. Very nice. Zoë Mc Pherson – Bang Bang (Nziria remix) [SFX/Bandcamp] Zoë Mc Pherson – Ambient Snake (Yushh remix) [SFX/Bandcamp] One of the leading lights of deconstructed club music (as we probably don’t call it anymore), Zoë Mc Pherson, releases the remix collection from last year’s Upside Down album, via their own SFX label. A great collection of various sorts of experimental bass music, including here some frenetic jungle/breakcore from Italian DJ & producer Nziria, and some ambient technoid lushness from Bristol’s Yushh, who will be playing here soon – at the Sydney Opera House, no less – for DUNJ’s Vivid Live event, also featuring Carrier and our own gi and Autogenesis. ARTISOMA – Boraq [YUKU/Bandcamp] Ravensburg, Germany-based producer Sarah Rendle ARTISOMA, debuting on YUKU with the Mobilya EP, exploring various configurations of UK bass and percussive techno. Quality production, as expected from anything on YUKU. OD Bongo – crystallinoron [Carton Records/Bandcamp] It’s almost inevitable that whatever is next released by French label Carton Records will be unlike whatever you’ve previously heard. Amédée de Murcia (aka Somaticae) on synths and Édouard Ribouillault aka C_C on drum machines, samplers & fx make up OD Bongo, whose second album Bongoville is technically co-released by Carton, zamzamrec, Prix Libre Record and basalte (whoever they are). This multiplicity of co-presentations is quite common in France it seems. Whoever you’re encountering it via, you’re in for a treat: hardware samplers, synths & drum machines produce a psychedelic cacophany of dance music styles, drawing in trap, juke and gqom with their bass-heavy techno – and a dub sensibility is ever-present. That’s got to hit the spot if you’re a Utility Fog listener! Haydn Douet Lukies – Amolador [Colectivo Casa Amarela/Bandcamp] Colectivo Casa Amarela are one of those Portuguese labels that you know will come through with the goods, even if you’re not sure what those goods will be. In the case of Old Dark Champagne, percussionist Haydn Douet Lukies uses his environment as his instruments – in this case the watery soundscape of Cacilhas, an industrial area in the estuary of Tagus River (Lisbon is built around that estuary), along with rusting chains, architectural surfaces and so on. But from these ingredients he makes music whose rhythms and sounds are linked to the beats of jungle, UK drill, industrial dub and other bass musics, as well as Arabic percussion and the Lisbon-centred, Afro-diasporic sounds of batida. It’s only an EP, and leaves us wanting more. Tristan Arp – Forking Paths [Kapsela/Bandcamp] Objekt‘s label Kapsela continues to be essential, now releasing an EP, Re-Weave, from the brilliant percussive techno sound-artist Tristan Arp. Case in point, tonight’s track “Forking Paths” starts with blissful synth arpeggios, but a minute and a bit in, rolling snares and a light but prominent “tok” on the 2nd & 4th beats drop in, switching into a syncopated bassline, and these various parts undulate and shuffle through the course of the track. The title is a reference to Borges’ classic story “The Garden of Forking Paths”, but also to the EP’s dedication to weaving mycelial networks and labyrinths. Beautiful. Yunzero – Cool Skunk [Yunzero Bandcamp] Naarm’s Jim Sellars makes some of the most weirdly crunchy, alternate-reality sample-based music of the last decade or so, under the name Yunzero. As the quote says on this new 2-tracker, “there’s something off”. If you wanted a summary of Utility Fog’s favourite kinds of music, “there’s something off” is a pretty good one, and it’s not a bad description of the jittery, rhythmic pieces on show here. Hora Lunga – Hearing through the Wall ft. Junge Eko [Hora Lunga Bandcamp] One album I loved from last year came from Argentinian cellist Violeta García working with the Swiss composer/producer Hora Lunga. The two musicians melded sound-art and noise with acoustic gestures, post-club sub-bass and glitched ambiences. Now Hora Lunga presents his New Age Music Vol. 2-3, which couches new agey soundscapes in post-modern irony (check the CD-R edition, which comes enclosed in repurposed pop album packaging). Deliberately awkward edits cultivate a sense of unease, only emphasised with guest vocals from the likes of Junge Eko aka Catia Lanfranchi, whispering over stop-start breaks. García appears with a vocal performance that pairs with industrial beats reminiscent of Atari Teenage Riot; meanwhile there’s angelic voice and distortion on “Doom Metal”, which is actually more like shoegaze, while Sam Portugal brings something more like black metal vocals to the dubbed-out “When I”. The double-album lurches from one genre to the next, never alighting on “new age” as such, but embodying the new, the post-, at all times. Joseph Branciforte & Jozef Dumoulin – ⊐ [greyfade/Bandcamp] With his greyfade label, NY composer, sound-artist & designer Joseph Branciforte presents music at the crossroads of contemporary classical, contemporary jazz and experimental electronic, especially where they meet in minimalism. This has led to some remarkable ideas, like the Folio edition of an acoustic reconstruction of Taylor Deupree‘s ambient-glitch classic Stil. Glitch, though, is a hallmark of the label, especially with Branciforte’s own works like the label’s debut release LP1 and its follow-up, which paired Branciforte with brilliant jazz singer Theo Bleckmann, with Branciforte on electronics and Fender Rhodes. That instrument brings us to this new collaboration, with Belgian Rhodes player Jozef Dumoulin. Both artists play their own Fender Rhodes, re-sampling and processing in realtime, and the music is (re)constructed from small fragments – but don’t think this is austere studio deconstruction; Joseph & Jozef are seasoned improvisers, and their intuitive connection is found throughout. In addition, a lot of the “editing” was done live in Branciforte’s realtime editing software. The album is released in a special deluxe edition with the whole 70 minute work on one CD, and an additional 4 CDs which contain the tracks spread out across them, to be re-sequenced or even layered if the listener wishes. Jonas Cambien – Tre – RADIO EDIT [Sonic Transmissions Records/Bandcamp] Rhythmic sounds here which hint at glitch-edits but are purely prepared piano, from Oslo-based Belgian pianist Jonas Cambien, whose Man Eating Tree is released by Norwegian label Sonic Transmissions Records. The release consists of four pieces, I believe part improvised and part composed, of rhythmic movement and minimalist gestures on prepared & unprepared piano and electric organ. Lovely stuff. Microfiche – Number 7 [Earshift Music/Bandcamp] One of Eora/Sydney’s best jazz bands, Microfiche, have their third album With Time coming out on June 12th. The album marks 10 years together as a band, and bids farewell to pianist/keyboardist Novak Manojlovic – replaced live now by the brilliant guitarist Hilary Geddes, although Novak still plays on the album, along with clarinettist/violist Phillippa Murphy-Haste, bassist Max Alduca, trumpeter Nick Calligeros, saxophonist Sam Gill (recently awarded the 2025 Freedman Jazz Fellowship) and drummer Holly Conner (who you’ve heard filling in on this show on a number of occasions). All of them are interested in music across genre, all are composers and improvisers and producers one way or other. The first single from the album is composed by Novak, and it’s a beautifully restrained piece with subtle details, clusters of virtuosity inside small musical gestures. The whole album’s special, stay tuned for more! Mariam Wallentin & Vestnorsk Jazzensemble – Basel [Hubro] Here’s a new single from an album that’s coming… sometime… from the great Norwegian label Hubro. Mariam Wallentin is one of the most extraordinary singers of our age – known for her postrock/pop/experimental duo Wildbirds & Peacedrums with her husband, drummer Andreas Werliin, and for her immense, emotive vocals with Fire! Orchestra, the Nordic free jazz big band centred around the Swedish trio Fire! formed by Werliin along with bassist Johan Berthlin and saxophonist Mats Gustafsson. Wallentin also has a solo project as Mariam The Believer which is perhaps more pop but still involves many experimental/jazz musicians. Here she is working with the Vestnorsk Jazzensemble, a jazz ensemble based in Bergen in the west of Norway, who commissioned a collaboration with Wallentin which reworks material from Mariam The Believer and even going back to Wildbirds & Peacedrums. However, “Basel” is a new song, a slow jazz groove with a pensive melody. Can’t wait to hear the rest. Claire Dickson – Waterfeel [New Amsterdam Records/Bandcamp] New York’s New Amsterdam Records are notionally a classical label, who tend to put out contemporary classical-adjacent pop, indie and experimental music as much as full-blown orchestral/ensemble work such as Sarah Kirkland Snider‘s compositions. On her second NewAm album Balance, Berlin-based Claire Dickson writes beautiful, laid-back songs around patient synth & piano patterns, fluttering strings, twinkling harp… Even when Lesley Mok‘s drums and Zoh Amba‘s sax are in the picture, it’s the slow-paced ostinati that call the shots. Dreamy & lovely stuff. Freda D’Souza – unravel (when ya comin back?) [Freda D’Souza Bandcamp] Speaking of low-key… Freda D’Souza is a London-based singer/songwriter/multi-instrumentalist who you may have heard me bugging you about before – or not, because she is the exact opposite of prolific. Her Windowledge EP from 2023 is small but perfectly formed and “The Love Song of J Alfreda D’Souza” speaks to me both on the pun level and also just as a wondrous song & performance. Anyway, how lucky are we then that she’s just pushed out a tiny single, with the lovely “lullabye” as the lead but backed up with a blissful Björk cover! The glitched, twinkling electronics of Vespertine (still my favourite Björk era) are replaced by layers of her voice and strings. Then again, if you like doom & post-metal, Freda’s band Wēven have just released their Wychelm EP, which is highly worth your time too. Listen again — ~214MB

Milan Uyeno (of Motte and Bailey) is in the booth again, spinning some rhythm and blues and EDM of all different varieties, from the calm and relaxing to the mind-bending.Playlist: Shaan Dew - PyreRochelle Jordan - Bite the BaitAnysia Kim, Tony Seltzer - Long4Debby Friday - Arcadiaaudry - Pastoral BaitBody Meat - Crystalizezayok - i still mean it now*Miho Hatori - 19 Years OldJames Blake, Lil Yachty - In GreyHildegard - PlayerJasmine Smoke - light rain illuminated street midnight heavenscape

With tracks from Paprika Soul, Weval, Liluzu, Yuksek, Mop Mop, Bottin, Manakinz, DJ Raff, Maria Rita Stumpf, Cosmo Vitelli, The Secret Soul Society x Hardway Bros, Day Out Of Time, John Tejada, Balam, James Bright, Miho Hatori, Demi Riquisimo, Jac The Disco, MKDSL & Thomass Jackson, Radio Citizen Feat. Bajka, Karmakind, Julius Papp, Beaumont Hannant. Contact: dj@ribeaud.ch.

Este episodio se centra en "Hello Nasty", el quinto álbum de Beastie Boys, con nuestro equipo conversando sobre sus canciones, experimentación, contexto de la escena del hip hop al momento de su lanzamiento y otros aspectos de esta obra.

Support Topic Lords on Patreon and get episodes a week early! (https://www.patreon.com/topiclords) Lords: * Abby * https://twitter.com/mizabitha * http://abbydenton.podbean.com/ * John B * https://twitter.com/YouOldSoAndSo Topics: * The 1998 Tips & Tricks Magazine Video Game Codebook, a Larry Flynt publication that is not porn but, in a certain sense, is not unlike porn * Why grease 2 is the best superhero musical; a mild defense of the 60s superman musical * https://www.youtube.com/watch?v=eNXbdLDZLKM * Tower of Druaga * Cibo Matto - Sugar Water * https://www.youtube.com/watch?v=EN9auBn6Jys * Unedited (syncable) commentary: https://youtu.be/qgqxxX_yLfo * https://stuffwhitepeoplelike.com/2008/02/17/68-michel-gondry/ Microtopics: * The illustrious Abby Denton. * A shambles. * Locking your Twitter so nobody knows what you're doing in there. * Making a whole video game magazine out of just the good parts of video game magazines. * Publishing a series of short stories by formatting them like cheat codes and then submitting them to Tips & Tricks magazine. * Nostalgia for when most of your perception of the gaming world came from tiny screenshots in magazines. * A book that is a bunch of fake games and paragraphs about them. * A duck riding a skateboard. * Making a book out of a Twitter thread. * Reading about video games in magazines probably being the optimal experience actually because most games were terrible. * Game Master Anthony's birthday party. * Street Fighter 2, the last game in the Street Fighter series. * NBA Jam arcade as proof that cheat codes are compatible with microtransactions. * Renting a game just to prove to your friend that the cheat code they heard about doesn't actually work. * WWF Attitude. * Enjoying the bouquet of Uniracers. * A certain quality of gibberish. * Publishing a fake cheat code in the annual Tips and Tricks monster issue to convey the location of your drug drop. * Putting Roll back in the Marvel vs. Capcom series. * A very mild defense. * Superman fighting a gang of Chinese acrobats portrayed by white heroin addicts. * Mafiosos cha-cha-ing around the room and chanting "Curtains for Superman!" * The only Superman story where kryptonite never appears. * An evil psychoanalyst defeating Superman by convincing him he's just a regular guy. * Why can't the strongest man in the world be the happiest man in the world? * Spider-Man: Turn off the Dark. * Dorky British guys trying to impress Michelle Pfeiffer. * Giving a three year old a DVD of Grease 2 for her birthday. * Everything are an opera. * Just barely losing the Nobel Prize for thirty years in a row. * Japanese arcade note-sharing culture. * If Atari 2600 Adventure has a dozen Easter eggs as obscure as its hidden room, and they were all necessary to finish the game. * One thing the NES is good at. * The Gilligan's Island game for NES. * Gilligan's Island for NES being rated only .1 star out of five less than Sonic CD. * Game Center CX. * The time you could explore Namco Museum. * Bubble Bobble. * Hiding a bunch of stuff in your indie game inspired by Frog Fractions but nobody ever finds it because nobody cared enough about your game. * Spelunky 2. * Your stuff per second rate. * Nightmare of Druaga. * How to know if you have a friend. * A Brian De Palma split screen dream. * Waking up with sugar on your head. * Michel Gondry's music video ouevre. * I, Palindrome, I. * A team of compositors working for six months to bring your one-second idea to fruition. * Hitting someone with your car and then following them down the street yelling at them. * A reverse strip club where the performers are moving backwards in time. * Practicing how to put a reverse-causality shirt on. * A complete understanding of why Miho Hatori is going to bed with a sugar head. * Teaching your son how to yawn. * Playing Doctor Robotnik's Mean Bean Machine with your tiny, tiny feet. * Jerks welcome!

Episode 023: Simone GiulianiGood morning! This is Play It like It's Music, I'm Trevor. Thanks for listening.We are back. On Wednesday, January the 22nd of 2020, music is not content, it's connection.**and if you like the show, please tell a friend!My friend Simone Giuliani is an Italian musician, film composer, arranger, record producer and music director based in Los Angeles and Manhattan, New York. He is also a keyboard player and a pianist. He's collaborated with Miho Hatori from Cibo Matto and Gorillaz and he's worked on remixes for Beyoncé, Maxwell and Sia...He also won the Best Music Award at the 8th China Academy Awards for Documentary Film in Beijing for his soundtrack "Deep into Shambhala", and in general his bio is packed with both producer and musician credits with Andrea Bocelli, London Symphony Orchestra, Groove Collective… he's recorded at Abbey Road, etc… !*Besides his work as a musician, producer and composer he is also the Artistic Director of YANGCHENMA ARTS & MUSIC, an organization preserving and promoting human cultures around the world through their artistic musical traditions:https://www.yangchenma.org/Yangchenma organizes live concerts, and as luck would have it I am working with him this very week! He produces a stellar season of inspiring talks and cultural immersions at Pure Land Farms, the Center for Tibetan Medicine situated in the beautiful canyon of Topanga, California. OK, but WHY talk to Simone? Aside from having a soothing voice and a beautiful selection of work which we will be sampling underneath the conversation, I wanted to get a sense of how he keeps his career vital, always moving forward. He and I are the same age and I've done a bit of travel myself. I know how hard it is. But Simone has a way of landing in new places: concert halls and studios all over europe, Asia, New York, LA... and he somehow makes himself at home. We get into a lot of that and more, so THANKS to Simone for opening up his mind and his space with us. I hope you get as much out of it as I did. You can find him on social at "simone giuliani" with two underscores at either end. EDGY: @__simonegiuliani__Music Credits:Bossamore (from Monday Michiru's album "Brasilified") Innocent Crime (from the soundtrack of "Unseen") Monday michiru moments (from Terron Darby's "Moments" feat. Monday Michiru) The Scale of things (from the soundtrack of "Deep Into Shambhala")Levity ending credits (voice: Bisan Toron from the soundtrack of "NYSFERATU") Keepin' On (from Lazybatusu's album "00.03")Arise (from the soundtrack of "Deep Into Shambhala") Il Vento (from the soundtrack of "Reject") Canto de Zinha (from "The Handmaid's Tale")Way down (from the Happening's album "Miles Away from America") Arrival (from the soundtrack of "Unseen") Lacrime di un pirata italiano (from the Happening's album "These are My Diamonds")Musicians: Simone Giuliani, Monday Michiru, DJ Terron Darby, Trevor Exter, Robbie Angelucci, Masa Shimizu, Eleanor Norton, Hamilton Berry, Piero Perelli, Bisan Toron, Bill Dobrow, Guilherme Monteiro, DJ Corrado Bay, Jamie Catto, Alex Forster, Dave Randall, Renaud Gabriel Pion, Jonathan Kotler, Mauricio Zottarelli, Itaiguara Brandao As I mentioned, besides his work as a musician, producer and composer he is also putting on concerts! I am fortunate to be working with him this very week, playing the cello. So if you are in the Los Angeles area, go to www.purelandfarms.org and get directions and tickets for two concerts in Los Angeles:Friday January 24th and Sunday January 26th He's got a new album Migrant Songs concert with Bisan Toron (voice), Piero Perelli (drums) and guest musicians including myself on Sunday. They call it a Sound Alignment Concert: a journey through sound and color. Come out.OK, That's it for today.Thanks for listening to Play It Like It's Music. If you liked the show, PLEASE tell a friend. Let's grow this thing.Follow me on social @trevorexter and talk to me on there if you have thoughts.We're all contending with a mutating professional landscape, jacked revenue streams and a lot of noise out there in the culture. But you gotta keep playing.We don't draw any lines here between scenes or styles.As always, thank you for listening and remember to play it like its music.Big love to your ears.Trevor(Did you press play yet?)...If you like my stuff, help it spread by sharing it!Hear songs: the “Trevor Exter Playlist” on SpotifySign the mailing list!Consider hiring me to score your piece.I can also produce your podcast.Follow me on IG TW FBMore @trevorexter.compsst… sign up for emails: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit playitlikeitsmusic.substack.com

Hallelujah Monkeyz never take leave, not even on All Hallows Eve! On this jam-packed Halloween special, Dillon and Trevor dissect the new single from the Good, the Bad & the Queen before sitting down for an incredible and candid chat with former Cibo Matto frontwoman and real live actual Noodle herself, Miho Hatori! Grab some cool shoeshine and come on in, but leave your dad outside!

Hallelujah Monkeyz never take leave, not even on All Hallows Eve! On this jam-packed Halloween special, Dillon and Trevor dissect the new single from the Good, the Bad & the Queen before sitting down for an incredible and candid chat with former Cibo Matto frontwoman and real live actual Noodle herself, Miho Hatori! Grab some cool shoeshine and come on in, but leave your dad outside!

After taking a moment to mourn the passing of a legendary and beloved member of the Gorillaz family, Dillon and Trevor loosen their belts and chow down on “Viva! La Woman”, a peculiar record by an eccentric duo known as Cibo Matto. These boys might know their chicken, but have they got the stomach for a surreal dinner with Miho Hatori?

After taking a moment to mourn the passing of a legendary and beloved member of the Gorillaz family, Dillon and Trevor loosen their belts and chow down on “Viva! La Woman”, a peculiar record by an eccentric duo known as Cibo Matto. These boys might know their chicken, but have they got the stomach for a surreal dinner with Miho Hatori?

Towa Tei - Technova Copacabana Edit By Petko Turner Towa Tei is a third-generation Korean-Japanese. Towa began making demo tapes at the age of 16 having bought his first synthesizer, a Korg MS-10. While studying at Musashino Art University Junior College of Art and Design he sent his tape to a radio program of Ryuichi Sakamoto titled "Sound Street". In 1987, Towa moved to the US to study graphic design and joined house act Deee-Lite, a trio with Supa DJ Dimitry and Lady Miss Kier, enjoying almost instant success after debuting in 1990 with their album World Clique and the single "Groove Is In the Heart". In 1991, Towa collaborated with his idol Ryuichi Sakamoto on Sakamoto's album Heartbeat. He also appeared on Sakamoto's follow up album Sweet Revenge. In 1994, Towa returned to Japan after seven years in New York. He hinted in a 2011 interview that his time with Deee-Lite made him ill, though he didn't expand on the reasons why. Towa debuted as a solo act with Future Listening! that same year, incorporating an array of musical styles, including electronic, bossa nova, house, jazz and pop. It featured collaborations with Joi Cardwell, Bebel Gilberto, MC Kinky, Hiroshi Takano, Ryuichi Sakamoto, Haruomi Hosono, Toshihiko Mori, Satoshi Tomiie, Yuichi Oki of Tokyo Ska Paradise Orchestra and Pizzicato Five vocalist Maki Nomiya. Sound Museum followed in 1997, then Last Century Modern in 1999. 2002 brought the album Towa Tei, under the pseudonym Sweet Robots Against the Machine. Flash surfaced in 2005 by which time Towa was DJing regularly in Japan. He has admitted though, that he doesn't enjoy performing and prefers producing and using computers. Big Fun, featuring Verbal and Mademoiselle Yulia was released in 2009 and was the third album to feature the artwork of San Franciscan painter and graffiti artist Barry McGee. For the album, Towa utilized MySpace to collaborate with artists from around the world even if he didn't know them, such as with German act Taprikk Sweezee.[1] Another collaborator he worked with for Big Fun was Miho Hatori of Cibo Matto, though they also only met on MySpace. Towa has also established his own creative company, hug inc, which among other things, manufactures his trademark sunglasses.

Señorlobo se enfrenta solo solito al programa de esta semana. Para ello cuenta con temas nuevos de Sonny & The Sunsets, MASA, Mugwump, José González y clásicos de Alonzo Turner, Gecko Turner o Betty LaVette.PLAYLIST:1.- Sonny & The Sunsets – Cheap Extensions.2.- Nicole Willis – You Better Change (feat. Jimi Tenor).3.- George Ezra – Cassy O.4.- Gecko Turner - Coco Pindá.5.- Little Tornados – Unicorn.6.- MASA – Pinos (con Miho Hatori).7.- Mugwump, OST & Kjex – Until You’re Worth It (feat. Mungolian Jet Set).8.- The Sugarhill Gang – Passion Play.9.- Betty LaVette – He Made A Woman Out Of Me.10.- Etienne de la Sayette – Jungle Blue.11.- Bambi Davidson – Brunswick (Radio Edit).12.- Alonzo Turner – Whoever Said It.13.- Marcus Marr – Peacemakers.14.- José González - Leaf Off / The Cave.

ICFJ#032’s playlist includes Unlimits (Eternal), SODA! (Heart Ni), TarO & JirO (Silent Siren), Cibo Matto (Hotel Valentine), Etsuyo Elle Emerald (Follow me), Nakanoise Band (Sorekara) and Coba U (Happy Song), plus interviews with Miho Hatori and Yuka C Honda from Cibo Matto. Also! Daniel and Asuka waffle as usual – and will Asuka actually get the Facebook URL right first time for once? Let’s face it, probably not. Find band links and more info at www.itcamefromjapan.co.uk or follow us on Twitter @ItCameFromJapan – and hey, write us a message on our iTunes page and let us know what you think! All tracks used with permission. ©2014 It Came From Japan The post ICFJ #032 – Cibo Matto, Soda!, Coba-U, Unlimits and more appeared first on It Came From Japan.

Today's episode took an extra while to surface with outside obligations, but the build has been worthwhile. You'll hear from our pals in THE SUZAN, fresh off their touchdown performance in Athens, GA at the 40 Watt Club for the Athens Slingshot Festival (http://www.athensslingshot.com). New to our scene are a pair of Yokohama based jazz artists. First off is vocalist Akiko Nakanowatari (http://www.geocities.jp/heartland7139jp/profile.html) and second is composer Yoshihiro Nakagawa (https://soundcloud.com/yoshihiro_nakagawa). We start with some atmospheric stomp, slide into sultry soul (with an added touch of K-music via Jin Young Park), jig with the aforementioned jazzymetrics, rock hard (with SAWA and Acid Black Cherry), get a little electronica-sual (Bioooo and Survice), and urban jam on home. You'll hear about what's been going in our hiatus, a fantastic new book from a first time Athens author, UGA's Japanese Conversation Club, and get another slice of aural heat from Mr. MurkDaddyFlex (http://murkdaddyflex.bandcamp.com/). Hope you enjoy the show, and we'll be back with more interviews and on the road treats! Tracklist for Beasts TK Episode 7 (Artist: Song) 房州達磨 (Boushudaruma): 達磨呂(Daruma Ryo) The Suzan: Come Come The Imposters: My Groove Zukunasi(ズクナシ ): Hey now BREAK Emi Tawata: Only Need A Little Light Toshi Kubota: United Flow (Foreplay) Jin Young Park: Hoisang (Reminiscing) Cosa Nostra: Moonlight Shadow BREAK Akina Nakanowatari: 横浜は人が言うほどしゃれてない Yoshihiro Nakagawa: MirrorShade Handsome Boy Modeling School ft. Miho Hatori & Mike D: Metaphysical BREAK Retoro Gori Hihgh Stones: 1.2.3!!! LEGNA: Voyager SAWA: Dragon (Yummy!) Acid Black Cherry: BELIEVE [Recreation Track] BREAK Survice戎: bastardcategorize (https://soundcloud.com/qusiqatzu) Bioooo: sunrise BREAK GAKU-MC: Viva Suzuki (ビバ鈴木) Key Kool & Rhettmatic aka KOZMONAUTZ (ft. LMNO): BLINDSIDED (Produced by Pete Rock) Shinobi The MC: Love And The Games Chops: Broken Pedestal (Interlude) OUTRO ("Kodoma" by Murk Daddy Flex)

Aaaand I'm back to overcompensate y'all like an abusive parent. Dig that double dose of updates!Sharpest of Cheddars, signing out. Administrative Postscript: RC Versace made like HTML was a set of turntables and magicked up a couple handy links on the upper left-hand side of the page here. We've got an RSS feed for our page, and our podcast subscription link. Remember: every tenth subscriber wins a whole night of don't-ask-don't-tell companionship with our very own Loche Gabanna. (Don't worry about the post-coital weeping; he's a delicate flower.)PC0081. Jean Claude Ades & Vincent Thomas - Shingaling2. Prefuse 73 - Nightlight (ft. Miho Hatori)3. Cornelius - Drop (Kings Of Convenience Remix)4. Surkin - Next Of Kin5. Surkin - White Knight 26. Lykke Li vs. Gui Boratto - Beauty Flies7. Radiohead - There There8. Je Suis Animal - Secret Place9. Primal Scream - Movin' On Up10. Flight Of The Conchords - Business Time11. Yeasayer - 208012. Panda Riot - Paper Planes (M.I.A. Cover)13. Lil Wayne - Lollipop (Kingdom Remix)14. Wiley - Wearing My Rolex (Zombie Disco Squad Remix)15. Distance - Touch It (Remix)16. Soft Tigers - Ice Cream (Waxmasters Remix)17. Midfield General - Disco Siren18. Gentle Touch - ExpectationsDownload

Ben Perowsky's newest recording, Moodswing Orchestra (El Destructo, 2009), is an experiment is ambient improvisation. Perowsky has assembled an all-star cast of instrumentalists and vocalists, including everyone from Cibo Matto's Miho Hatori and Brazilian vocalist Bebel Gilberto to turntable/laptop artist Markus Miller and tuba player Marcus Rojas. In this interview, Perowsky talks about his desire to embrace the spirit of jazz but avoid "jazz language"; and how the process of the recording was as much about improvisation as was the content. Learn more at perowsky.com and see the band live on Nov. 9 at 10 p.m. at the Nublu Jazz Festival.

Hallelujah Monkeyz never take leave, not even on All Hallows Eve! On this jam-packed Halloween special, Dillon and Trevor dissect the new single from the Good, the Bad & the Queen before sitting down for an incredible and candid chat with former Cibo Matto frontwoman and real live actual Noodle herself, Miho Hatori! Grab some cool shoeshine and come on in, but leave your dad outside!

After taking a moment to mourn the passing of a legendary and beloved member of the Gorillaz family, Dillon and Trevor loosen their belts and chow down on “Viva! La Woman”, a peculiar record by an eccentric duo known as Cibo Matto. These boys might know their chicken, but have they got the stomach for a surreal dinner with Miho Hatori?