Podcast appearances and mentions of milo goes

"You can do whatever you want." In this engaging interview, Lij Shaw sits down with Jason Livermore, co-owner of the Blasting Room studio, to explore Jason's transformative journey from aspiring musician to Grammy-winning producer. They discuss the studio's evolution, the significance of high-quality equipment, and the invaluable experience gained from working with interns. Jason delves into the intricacies of modern mixing techniques, the transition to digital, and the essentials of drum recording and mixing, highlighting the impact of acoustics, MIDI, and automation. Their conversation also covers the joys of learning new instruments and offers practical advice for aspiring engineers looking to thrive in the competitive world of music production. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jason Livermore who got his first snare drum at just three years old and eventually picked up guitar and bass but found his way back to drums, which he loved most. In junior high, he discovered punk rock, with Milo Goes to College as his first vinyl purchase. Jason played in bands throughout high school and college, even recording some of them himself. After college, he realized that recording would be a better path than selling beer for Miller. When ALL opened the Blasting Room in Fort Collins in 1994, Jason jumped at the opportunity and has been a key part of the studio ever since. In 2015, he became co-owner alongside Bill Stevenson, working on about 95% of the albums from the studio, including producing the Latin GRAMMY-winning record Solo D'Lira in 2023. Jason has also played drums for bands like Wretch Like Me, Drag the River, Bill The Welder, Soul City Missionaries, and The Virginia Sisters. Special thanks to Brian Murphree for the introduction! THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://www.adam-audio.com https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.izotope.com Use code ROCK10 to get 10% off! https://roswellproaudio.com/ https://www.makebelievestudio.com/mbsi Get your MBSI plugin here! https://RecordingStudioRockstars.com/Academy  https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/5URoEkxCrLa3ESYMgxyR18?si=f386ffda39b14207 If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/493

Here's a link to Milo Goes to College. It's a great record.https://youtu.be/5qN3rAc5mPY Let us know what you think at info@punkrocksafety.com or on our LinkedIn page.Merch at punkrocksafetymerch.com

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by poet, essayist, and cultural critic Hanif Abdurraqib (@NifMuhammad, abdurraqib.com) to discuss the seminal 1982 Descendents album Milo Goes to College. It's a wider-ranging chat than usual, thanks to Hanif's incredible insight and thoughtfulness about how and why we connect with music at different stages. Find out more about the album's iconic artwork, how we deal with problematic lyrics nearly 40 years later, and whether Milo actually went to college on this week's podcast. Sick of hearing all the ads? Subscribe to Soda Premium on Apple Podcasts to get rid of them!Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahousepartyFollow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

Bill Stevenson of Descendents returns to give updates on Descendents music, Milo's health, Australian tour & discuss more music stories from his glorious punk rock past. Previous interview with Bill Descendents coming to Australia Milo's heart attack Milo's increased performance since the heart attack How's Billy doing on the drums? New Descendents songs / upcoming album Bill's song writing process 50 hooks with no way to connect them Possibility of playing new songs on tour Billy really likes The Chats The cover of “Milo Goes to College” Bill's favourite Milo character appearances Did Descendents ever consider using Raymond Pettibone art? Bill and the Black Flag & SST Alumni Chuck Biscuits & Spot Descendents tapes FLAG was the only project he's done with Keith Morris No recordings of FLAG Does Billy prefer Side 1 or 2 of “My War”? Recording sequence of his Black Flag contributions Was Bill involved in Black Flag album artwork or flyers? Descendents “Enjoy/Wendy” 7” promotional record Billy doesn't get record collecting The story behind “9th & Walnut” album Interview wrapup Descendents Australian tour dates & tickets here! Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

**A Reminder! The Interceptor Beyond Show as a part of the BLACK RABBIT event is happening on September 9th at Arena Beisl. It is a late night talk show, taped in front of a live audience. ** OFF!'s first new album in eight years translates the work of an alien race attempting to rebuild the remains of your destroyed record collection. Free LSD hits reset like The Beatles conjuring Revolver, The Walker Brothers Nite Flights refusal to be a reunion record, or that album by Baby Huey where every influence merges so effortlessly that it is simply one sound unified. Like the first 3 records, the raging two-minute bonfires that make up Free LSD were written by the core of the band, Keith Morris & Dimitri Coats. The album introduces new members, drummer Justin Brown (Thundercat, Flying Lotus, Herbie Hancock) and bassist Autry Fulbright II (...And You Will Know Us by the Trail of Dead), who push the idea of punk into another dimension. Coats blankets a number of these tracks with layers of electronics and Morris sounds timeless. Keith Morris says, "After making music for as long as I have, it was time to use a palette that includes lime green, turquoise, and magenta instead of the typical colors and shades that were involved in all of the other break neck and car chase scenarios. Miles Davis with Herbie Hancock and the Headhunters as opposed to Milo Goes to College." https://www.offofficial.com/ https://offofficial.bandcamp.com/album/free-lsd  https://www.instagram.com/offofficial/ https://www.facebook.com/offband _ Cover photo: https://www.instagram.com/julez_haze/ _ Send your opinions, comments and suggestions to podcast@interceptorbeyond.com _ Imagination is the boundless universe within us, mirroring the vastness of the cosmos and the enigmas of the ocean depths. Interceptor Beyond and fellow explorers dive deep in search of a Prize. It possesses the power to benefit not just the solitary dreamer but all mankind. It exists and we will find it. In this podcast series, Arthur interviews emerging and seasoned artists, offering a glimpse into their explorations of art, cinema, and music.

Album Clubs look at some beloved cult records in Iron Maiden's Somewhere In Time ahead of the Future Past tour, Coheed and Cambria's In Keeping Secrets of Silent Earth: 3, Descendents' foundational but thorny Milo Goes to College, and the murder psych rock breakthrough of Uncle Acid & the Deadbeats' Blood Lust.This episode was originally published October 2022 on patreon.com/thatsnotmetal.

This week on the podcast, Jackie, Jonny, and Ty are joined by a very special guest, Cyrus Lord, lead singer and guitarist for Vancouver punk band, Die Job! Cyrus brought in Descendents' 1982 record "Milo Goes to College", and we mentioned it a couple times. Mostly, though, we talked about Cyrus being the clear and obvious leader of his band, the similarities between stand up and punk rock, Jonny's theory he is the Michelangelo of plumbing, and how Cyrus has obtained his various injuries. We had so much fucking fun recording this! Go check out Die Job, they fucking rule. This is a music podcast, sorta.   CYRUS' INSTAGRAM: https://www.instagram.com/whiskeyblue11 DIE JOB'S INSTAGRAM: https://www.instagram.com/diejobpunk/ LISTEN TO DIE JOB: https://open.spotify.com/artist/028RgB27nuTKT5yZmfqcM3 DIE JOB ON VINYL: https://www.kindacoolrecords.com/product-page/die-job-12-vinyl-pre-sale THANKS A LOT, KIETH MORRIS MUSIC VIDEO: https://m.facebook.com/watch/?v=3091576077771406   CROSS-BONES COMEDY AT ADMIRAL PUB ON MONDAYS: https://www.eventbrite.ca/e/cross-bones-comedy-live-monday-night-stand-up-comedy-show-in-burnaby-tickets-380529402687?aff=ebdssbeac MARINER COMEDY NOV. 10TH AT MARINER BREWING: https://www.eventbrite.ca/e/mariner-comedy-thursday-night-stand-up-comedy-in-coquitlam-tickets-452537440667?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=escb FOLLOW US ON INSTAGRAM: https://www.instagram.com/showmeyourspodcast/ LIKE US ON FACEBOOK: https://www.facebook.com/showmeyourspod FOLLOW US ON TWITTER: https://twitter.com/showmeyourspod   Jackie's Instagram: https://www.instagram.com/jackieagnew/ Jackie's Twitter: https://twitter.com/jackdoorgirl   Jonny's Instagram: https://www.instagram.com/jonnydivito/ Jonny's Twitter: https://twitter.com/jonnydivito   Ty's Instagram: https://www.instagram.com/tytythecomic/ Comedy Ring Upcoming Shows: https://comedyring.carrd.co/ Comedy Ring Instagram: https://www.instagram.com/vancouvercomedyring/ Comedy Ring Eventbrite: https://www.eventbrite.ca/o/the-comedy-ring-31633461969   

Jason Livermore received his first snare drum at the age of three. Years later, Jason took up bass and guitar, but returned to drums because he liked them better. In junior high Jason discovered punk rock. His first vinyl purchase was the infamous, “Milo Goes to College”. He played in various bands throughout high school and college, recording some of these himself. After college, he decided that recording was probably going to be cooler than selling beer for Miller, his job at the time.  Upon hearing that ALL was opening the Blasting Room in 1994, he moved to Fort Collins to land the job of a lifetime. Jason has been working at the studio ever since and in 2015 he became co-owner alongside Bill Stevenson. He has worked on about 95% of the albums that have come out of the studio. Jason has also played drums for Wretch Like Me, Drag the River, Bill The Welder, Soul City Missionaries, and The Virginia Sisters. IN THIS EPISODE, YOU'LL LEARN ABOUT: Finding trust in yourself that you know what you are doing Mixing punk drums How a drummer's technique will change your approach to micing and tuning How to tune drums To polish your tracks or keep them raw? How to know when to edit Creating tempo maps How a particular type of guitar bridge cut his recording time in half Choosing string gauges for getting the most clarity with your guitars How to set up multi-amp blends Using phase alignment tools To learn more about Jason Livermore, visit: https://theblastingroom.com/To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. Today we're talking with Sarah Blumenthal (of Alright & Faye) about Descendents' albums "Milo Goes to College" and "Everything Sucks." We talk discovering the band and how big of an impact they had on the both of us for their whole catalog. This is the 100th episode of the pod. It's amazing that we've gotten to this point & we super appreciate your support. So here's to many more episodes! Sarah's band Faye just released their debut album "You're Better," you can check that out here. STREAM: spoti.fi/3QWpAEb ORDER: bit.ly/3pbAVEi BANDCAMP: bit.ly/3bNfJ4o Subscribe to our Patreon today for exclusive episodes: www.patreon.com/spinningoutpod

The kings take on something they aren't very familiar with; pop punk! Regardless of what anyone thinks of The Descendents, they are important in bringing about a new style and sound of punk music! We go through the history of the band and its members, highlighting albums like the classic Milo Goes to College and Everything Sucks amongst other things and how this band influenced a new generation of punkers in the late 80s and early 90s! HOT TAKE HOTLINE: 585-348-8203 KINGS OF PUNK Website: https://kingsofpunk.com/ Instagram: https://www.instagram.com/koppodofficial/ Twitter: https://twitter.com/Kingsofpunkpod/ YouTube: https://www.youtube.com/channel/UCPj6iMRyW0GAJnxv9i7TAdQ Syrup Head Recordings: https://syruphead.storenvy.com/ and https://www.instagram.com/syrup_head_recordings/?hl=en Shirley Road Records: https://shirleyroadrecords.com/ USE PROMOCODE "KOPPOD10" (no quotes) for 10% off all orders. Visit https://shirleyroadrecords.bandcamp.com/ to listen to tunes. Check out QUACK! Magazine - it includes an interview with the KOPPOD troika: https://www.quackmagazine.com/

As we hit episode #111, far too many of you are consumed with the burning question, “is it appropriate to wear a Falling Down Fuckface t-shirt to a congressional hearing”? You might as wonder aloud about wearing a Fang shirt to a job interview (which might work out quite well if the position was selling Fang merch), it means little to me as I'm devoted to staying above the fray. No distractions. Eyes on the prize (which might not work out well if the prize is a Fang shirt)You might be familiar with the expression, “with great taste, comes great responsibility.: well, I don't want great responsibility. I don't want great taste, I want tuna that tastes good.I've also heard it said that those who are tyrannical about great taste end up sad and alone, and I'm confident I'll have no worries on that score because I'm fantastic at tolerating everyone else's terrible taste and moronic opinions (unless you've got something to say about a past or present Oath Keeper's casual tuesday attire)

We're back and talking hardcore. I'm joined by Dan Sant, Ben Edge, & Posi Chris and we're diving in...- New tunes: End It, Speed, Chain ov Dogs, Wise Up- Head to Head: Burn 7" vs Inside Out 7"- UFO: Descendents "Milo Goes to College" LP- Old School: Sin 34 LPCheck out the website for playlists, our links, and SMASH that Patreon button:185milessouth.com

From the newest development in the Capitol riot investigations, with Proud Boys charged with seditious conspiracy indictments, to Kevin McCarthy's war with MAGA hardcore believers, Will Sommer and guest host Zachary Petrizzo break down the state of the political right in this week's episode of the Fever Dreams podcast. As for the guest this week, the duo was joined by documentary filmmaker Brian Knappenberger who is behind the upcoming Nextix docuseries Web of Make Believe: Death, Lies, and the Internet. (Watch the trailer here.) See acast.com/privacy for privacy and opt-out information.

"I'm going to the atomic cafe." On this week's show, an album by a band so influential in 80's punk, that it pretty much created pop punk as we know it today. The Descendents debut, Milo Goes to College. Thanks for listening and be sure to rate, review, and subscribe!Twitter: @didimisspod

Episode 25b - Milo goes to college pt 2: Je T'aime New Orleans Evan is brand new to Tulane College and New Orleans in general but he's not any less interested in Romance --- will his cup runneth over or will his hopes and dreams crumble before him? Well I can promise you that he meets plenty of Beckys in his first month and we will definitely critique what he did. This episode also goes into depth on New Orleans, particularly the welcoming spirit and the "civilized" drinking culture here. Also Discussed: Richard Marxism, Willie + Gordon's Freshman year roommate experiences, "Gay" chicken, Big Spoon vs Little Spoon, Evans Hatred of Republicans and attitude walking into college

Episode 25a: Milo goes to college (Feat Mama) This episode is all over the place BUT includes the moment we have all been waiting for: Evan moves to New Orleans to attend college @ Tulane but before then Will and Willie both have quasi Evan style lists that they want to discuss, Willie tells a story of calling someone a facefucker, Gordon defends the honor of Shreveport. Evan explains: "why Tulane" and then does a great job of describing what it's like to move to Louisiana from the north and then talks about meeting miss teen alabama, and his perfect roommate Additionally: The Gang revisits the lessons on body insecurity potentially learned from Becky Burkina Faso, Evan talks about seeing a post-Katrina Vagina Monologue, the joys and sorrows of journaling, Karen's dreams for Evan

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by poet, essayist, and cultural critic Hanif Abdurraqib (@NifMuhammad, abdurraqib.com) to discuss the seminal 1982 Descendents album Milo Goes to College. It's a wider-ranging chat than usual, thanks to Hanif's incredible insight and thoughtfulness about how and why we connect with music at different stages. Find out more about the album's iconic artwork, how we deal with problematic lyrics nearly 40 years later, and whether Milo actually went to college on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by poet, essayist, and cultural critic Hanif Abdurraqib (@NifMuhammad, abdurraqib.com) to discuss the seminal 1982 Descendents album Milo Goes to College. It's a wider-ranging chat than usual, thanks to Hanif's incredible insight and thoughtfulness about how and why we connect with music at different stages. Find out more about the album's iconic artwork, how we deal with problematic lyrics nearly 40 years later, and whether Milo actually went to college on this week's podcast. Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

John and Matt discuss the break out record Milo Goes to College by the Descendents as well as the documentary about the Descendents/All; Filmage. Intro/Outro Art & Graphics by: Bernardo DelCast Intro/Outro Music by: 8 Bit Universe Song: Contaminated Discover more of their music at: YouTube.com/8bituniverse

Sam is joined by Sean Semanko and Phil Hammer as they discuss Milo Yiannopoulos's upcoming speaking event at Penn State. Please Support The Show: Paypal: https://www.paypal.me/whitfieldpod Patreon: https://www.patreon.com/whitfieldreport Subscribe and Support The Audio Podcast:https://anchor.fm/whitfieldreport/subscribe Streamlabs: https://streamlabs.com/thewhitfieldreport Website: https://thesamwhitfield.com/ Apple Podcasts: https://podcasts.apple.com/us/podcast/the-whitfield-report-audio-podcast/id1292359278 Reddit: https://www.reddit.com/r/WhitfieldReport/ Dlive: https://dlive.tv/TheWhitfieldReport Odysee: https://odysee.com/@TheWhitfieldReport:b --- Send in a voice message: https://anchor.fm/whitfieldreport/message

This episode Jamie Vincent from Dynowaves joins us to talk about the Descendents 1982 Punk Rock album Milo Goes to College. Also: Horror Movies, Shudder, Covid, and More. Check out Dynowaves online: Bandcamp | Facebook | Instagram --- Come check out our Patreon! Your support would really help to keep this show going. Plus, you can check out our bonus material. Follow us on Facebook / Twitter / Instagram Check out our YouTube channel. Email us at learningtolistenpodcast@gmail.com

Join us this week we break down picks from our top 10 albums! We go over classic albums "Milo Goes To College" by Decendants & "Famous Monsters" by The Misfits. Glad to be back to deliver this Season 2 premiere, check out these killer albums & again, thanks for listening!!!

Milo Aukerman, frontman, singer, songwriter & scientist of Descendents, talks about his vinyl history, records of the band, his intertwining punk rock and PhD journey and the new Descendents LP "9th & Walnut" on Epitaph. If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related.

Pat from The Decline returns to talk about the Descendents and Milo Goes to College. https://descendents.tumblr.com/ https://thedeclinemusic.bandcamp.com/ --- Send in a voice message: https://anchor.fm/talkingrecords/message

Milo has a very uninteresting existence, UNTIL the sudden arrival of the Phantom Tollbooth ushers him into the Lands Beyond.  This journey of discovery and transformation is full of wit and word-play that always satisfies.   I wrote a little book a few years back that seems to be the answer to all of our most important questions. If I ever channeled anything, it's *The Human Experience Quick-Start Guide* https://vimeo.com/ourladymelody/guide-2 Get your copy at www.kaylenemccaw.com   #ourladymelody #greatawakening #storytime #wearegaia #walkaway #sovereign #thinkfree

Jason Livermore received his first snare drum the age of three. Years later, Jason took up bass and guitar, but returned to drums because he liked them better. In junior high Jason discovered punk rock. His first vinyl purchase was the infamous, “Milo Goes to College”. He played in various bands throughout high school and college, recording some of these himself. After college, he decided that recording was probably going to be cooler than selling beer for Miller, his job at the time. Upon hearing that ALL was opening the Blasting Room in 1994, he moved to Fort Collins to land the job of a lifetime. Jason has been working at the studio ever since and in 2015 he became co-owner alongside Bill Stevenson. He has worked on about 95% of the albums that have come out of the studio. Jason has also played drums for Wretch Like Me, Drag the River, Bill The Welder, Soul City Missionaries, and The Virginia Sisters. Jason has worked with Propagandhi on the Today's Empires, Tomorrow's Ashes, Failed States, Potemkin City Limits, Victory Lap, and Supporting Caste LP's. 

We're back and talking hardcore. To enter the contest, listen to the intro and send me an email: 185milessouth@gmail.com. Cutoff is Monday at midnight PST.02:01 - Vocal Test Karaoke: Tyler (Inclination)/Dan Sant (Over My Dead Body)04:45 - The 10" and other dumb formats23:56 - Coolside "Exploration of Self" 7"35:09 - Descendents "Milo Goes to College" LP47:41 - Trivia: Dan Sant vs Anthony Pappalardo57:41 - Ones Gotta Go: Judge/Project X/Side by Side/Chain of Strength74:48 - Starter Kit: UK82Check out all our links and smash that Patreon button: 185milessouth.com

Here's a teaser for our episode on Gareth Edwards' "Godzilla."All original music courtesy of Niel Jakobyhttps://nieljacoby.bandcamp.com/goPatreon: https://www.patreon.com/MonsterCrazeMemoirsOfficialiTunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/monster-craze-memoirs/id1491963648Spotify: https://open.spotify.com/show/3aSrQ5JFez33XuVanaFYIwPocket Casts: https://pca.st/lkra63chSoundcloud: https://soundcloud.com/user-3949861YouTube: https://www.youtube.com/channel/UCBGcDWtQj2wGEnlAB7P4AFacebook: https://www.facebook.com/Monster-Craze-Memoirs-106199087480182/Twitter: https://twitter.com/KennethJWaste2

Lord Bunny AKA Cris Sharma joins the show to discuss Milo Goes to College, the first full-length album by punk rock band Descendents released in 1982 through New Alliance Records. Our host, John Pagliassotti succeeds in baiting the former RabbitFoot member into saying all 20 buzzwords, the first guest to do so. Get a music news update that will probably piss you off, the perfect attitude to have during this pod. Fuck Elon Musk, and Jeff Bezos. We love you Night Shift Brewing in Boston and Purple Mattresses. Grab a drink and play along, drink whenever Cris says a buzzword! Be prepared to take 20 drinks.

Alex and Stovepipe chat about King's X, agnostic Christian singers, and how all punks have a smug, idealistic phase.

We're kicking off Descendents month with a bang! Grab your bonus cup and dial up some Mojackage, with special guest Bill Stevenson. . . . . . YOU DON’T KNOW MOJACK is a podcast dedicated to exploring the entire SST catalogue, in order, from start to finish. During the podcast we will discuss all the releases that are part of our core DNA, as well as many lesser-known releases that deserve a second chance, or releases that we are discovering for the very first time (we actually don’t know Mojack!). First and foremost we are fans, and acknowledge that we are not perfect and don’t know everything – sometimes the discussion is more about a time, place, feeling, personal experience or random tangents, and less about the facts (but we will try to get to the facts too). Facebook: www.facebook.com/mojackpod/ Twitter: @mojackpod Instagram: www.instagram.com/mojackpod/ Blog: www.mojackpod.com/ Tumblr: www.tumblr.com/blog/mojackpod Theme Song: Shockflesh

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by poet, essayist, and cultural critic Hanif Abdurraqib (@NifMuhammad, abdurraqib.com) to discuss the seminal 1982 Descendents album Milo Goes to College. It's a wider-ranging chat than usual, thanks to Hanif's incredible insight and thoughtfulness about how and why we connect with music at different stages. Find out more about the album's iconic artwork, how we deal with problematic lyrics nearly 40 years later, and whether Milo actually went to college on this week's podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today's show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4114831/advertisement

In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by poet, essayist, and cultural critic Hanif Abdurraqib (@NifMuhammad, abdurraqib.com) to discuss the seminal 1982 Descendents album Milo Goes to College. It’s a wider-ranging chat than usual, thanks to Hanif’s incredible insight and thoughtfulness about how and why we connect with music at different stages. Find out more about the album’s iconic artwork, how we deal with problematic lyrics nearly 40 years later, and whether Milo actually went to college on this week’s podcast.Come join the Patreon family for bonus episodes, mailbags, show notes and even more goodness: https://www.patreon.com/columbiahouseparty Follow @ColumbiaHP on Twitter! While you're there say hello to @BlakeMurphyODC and @JGoldsbie. If merch is your thing, be sure to check out the store: http://bit.ly/chpmerch Or reach out to the show and say hey: podcast@columbiahouseparty.com If you enjoyed today’s show, please rate Columbia House Party 5-Stars on Apple Podcasts.See you next week for an all new episode of CHP.

On today's episode I talk to musician Colleen Green. Based in Los Angeles (where she was voted best solo artist by LA Weekly), Colleen has recorded three albums in the last seven years, her first, Milo Goes to Compton, in 2011, and two subsequent albums Sock It To Me and I Want to Grow Up, which were both released by Hardly Art. She has toured all over the world, and this summer is playing all around the US. This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter.

Going to college—in and of itself, sans context—isn't entirely remarkable. Literally thousands of people do it. But when you're the lead singer of a coffee-infused punk band in the early 1980s, and your down time en route to picking up your Ph.D in Biochemistry is spent at the intersection of extended adolescence and minute-long thrash-centric "nerdcore" people tend to notice. And that's before we get to scribbled, iconic mascots. The Descendants Milo Goes To College is an exercise in differentiation: in what happens when we have to grow up, but do so defiantly. And, apparently, in two minutes or less. - Buy Your Own Copy on Amazon A Few Minutes With [**Van Halen** - Jump][2] A Current Affair [**Destroyer** - Tinseltown Swimming In Blood][3]

Kyle lost it a bit this week so consequently The Mix Up ship sunk in to punk crazed madness but still join us on a train to *enter banta inspired station here* its a good time.

Are those bricks clean? No, it's Episode #16! In this latest adventure, our hosts peruse new American Brews and Tunes. Stephen tackles the Frightened Rabbit album called The Winter of Mixed drinks while enjoying a Schlafly Helles Lager. Jesse reviews Milo Goes to College by Descendents and tries the Stone Ruinten IPA with Orange and Vanilla. If this isn't a recipe for success, than we might need a new cookbook.

Go here to see notes for this episode. Subscribe: Apple Podcasts | RSS | Google Play Music | Stitcher | YouTube Support the show: Patreon | PayPal 4B Social Media: Facebook | Twitter | Instagram | tumblr | Flickr | Snapchat Email 4B: feedback@fourbrewers.com 4B Theme Song: The Sleeping Sea King

Trump makes a great appointments while his appointments do some great things. Milo loses his speaking gig and his book deal - fair or foul? Learn more about your ad choices. Visit podcastchoices.com/adchoices

Trump makes a great appointments while his appointments do some great things. Milo loses his speaking gig and his book deal - fair or foul?

This week, Brett throws us a softball with a punk classic in the Descendents' first full-length album, 1982's "Milo Goes To College". What did the guys have to say about this legendary album? Hit play and find out!

I sat down with one of my oldest and dearest friends Cam Gillard of Apparitions and we spoke about a number of different topics super-late on a Thursday night at VIA Studios, Brisbane. LINKS: https://www.facebook.com/apparitionsmusic/ https://www.facebook.com/viastudios MUSIC: “Track 1” by Existence is Dead (from ‘split with Asherah’) “Lost” by Against (from ‘Won’t Be Your Fall’) “Anti-jock Revolution” by Conation (from ‘The Dichotomy of Earth and the Human Race’) “The Silence” by Conation (from ‘Troubled Waters & Fortresses’) “Tattoos Are For Lonely People” by Little Shadow (from ‘Possessions’) “Audience“ by Farside (from ‘Rigged’) “Movement is Vital” by Little Shadow (from ‘Healing’) “Akira” by Deafcult (from ‘self-titled’) “Denigrating in the Tanks” by Idylls (from ‘Prayer For Terrene’) “Don't Make a Sound” by Sleepwell (from ‘Rose-Tinted Gold’) “Japam” by Botch (from ‘An Anthology of Dead Ends’) “Death Dealer” by Sect (from ‘self-titled’) “Exit Fears” by Ceremony (from ‘The L-Shaped Man’) “Living Hell” by Ceremony (from ‘Violence Violence’) “Bleeder” by Ceremony (from ‘The L-Shaped Man’) “Keeper” by Super Unison (from ‘Auto’) “Super Unison” by Drive Like Jehu (from ‘Yank Crime’) “Time & Distance” by Super Unison (from ‘Auto’) “Peculiar People” by Frameworks (from ‘Smother’) “Marathon” by Birds in Row (from ‘Personal War’) “New Zealand” by Caravels (from ‘Lacuna’) “Chasing New York (feat. Aesop Rock)” by Atmosphere (from ‘Fishing Blues’) “Burgundy (feat. Vince Staples) by Earl Sweatshirt (from ‘Doris’) “Really Doe (featuring Kendrick Lamar, Ab-Soul and Earl Sweatshirt) by Danny Brown (from Atrocity Exhibition) “Smokin and Drinkin” by Danny Brown (from ‘Old’) “Lively Hood” by Doomstarks (from ‘Adult Swim Singles Series’) “Ray Guns (feat. DOOM) by BadBadNotGood with Ghostface Killah (from ‘Sour Soul’) “New Halloween” by Touche Amore (from ‘Stage Four’) “~” by Touche Amore (from ‘Parting the Sea Between Brightness & Me’) “Youreyeah” by Title Fight (from ‘Kingston’) “I Don’t Blame You” by Cat Power (from ‘You Are Free’) “The Greatest” by Cat Power (from ‘The Greatest’) “I Can’t Get No (Satisfaction)” by Cat Power (from ‘The Covers Record’) “Riot Season” by Planes Mistaken For Stars (from ‘Prey’) “World of Hope and No Pain” by Full of Hell & The Body (from ‘One Day You Will Ache Like I Ache’) “Postdoc Blues” by John K Samson (from ‘Winter Wheat’) “In Remission” by The Menzingers (from ‘Rented World’) “Refusal” by Strike Anywhere (from “Change is a Sound’) “We Amplify” by Strike Anywhere (from ‘Exit English’) “Unknown Road” by Pennywise (from ‘Unknown Road’) “Victim of Me” by Descendents (from ‘Hypercaffiam Spazzinate’) “Hope” by Descendents (from ‘Milo Goes to College’) “You Don’t Tell Me” by Super Unison (from ‘Auto’) “Second Son of R.” by Oathbreaker (from ‘Rheia’) “Control” by Manhunt (from ‘Permanent Pain’) “A Promising Future Behind You” by Shackles (from ‘split with Fissure’) “The Man” by Blister (from ‘Hoots Mon’) “Indiscretion” by To the North (from ‘Lustre’)