Podcasts about latin grammy

Mon Laferte and Francisca Valenzuela are both Chilean singer-songwriters using their platforms to draw attention to important issues while creating meaningful change. From Mon walking a red carpet in 2019 at the Latin Grammys, bare-breasted, with words calling out femicide, to Francisca’s founding of Ruidosafest, the all-Latina music festival and research platform, the two women are working hard to change the game. In today’s episode of Latino USA, we speak to both of them about feminism, their music, and how the ghosts of Chile’s musical past guide them to keep pushing for change. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

BOOM Magazine es una plataforma de comunicación bilingüe dedicada a documentar la música latina, la cultura y los artistas que la hacen posible. Fundada por el periodista y comunicador Kike Posada, BOOM se convirtió en una de las voces pioneras en la difusión del Rock en Español y la música alternativa latina en Estados Unidos. A través de entrevistas, reportajes, podcasts y contenido multimedia, BOOM conecta generaciones de amantes de la música, preservando su historia y explorando su futuro.Posada es periodista, locutor y fundador de BOOM Magazine, este espacio explora las historias detrás de la música, los artistas y la cultura latinoamericana. Entrevistas, conversaciones y reflexiones que buscan documentar el pasado, comprender el presente y amplificar las voces que están construyendo el futuro de la música latina.Gracias por acompañarnos en este viaje.

Lila Downs llegó por primera vez a La Clave Pop para hablar de Cambias Mi Mundo, su nuevo álbum de estudio y el primero en el que firma la totalidad de las canciones. Después de 30 años de trayectoria, la cantautora oaxaqueña, ganadora del GRAMMY y seis veces del Latin GRAMMY, entró al estudio con algo distinto: libertad.En esta conversación con Marysabel Huston, Lila habla del proceso creativo que dio forma a este álbum íntimo y luminoso — desde la cumbia del tema principal junto a Snow Tha Product, hasta la chilena costeña erótica que le dedica a la pochota, el árbol sagrado de Mesoamérica. También cuenta cómo Alex Cuba se convirtió en coproductor del disco, por qué hay arpa llanera en una canción escrita por un portugués y arreglada por un paraguayo-mexicano, y qué significó para ella participar en la ceremonia inaugural de la Copa del Mundo 2026 en el Estadio Azteca.Cambias Mi Mundo es también un disco sobre el duelo, el enamoramiento propio y ajeno, y la educación como herramienta de transformación. Una conversación que, como la música de Lila, te deja con ganas de investigar más.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Today's guest is a multi-Latin-Grammy-winning songwriter and producer with a wall of platinum records — and one of the few people in music willing to say the quiet part out loud. He came up as an actor and a rapper, moved to LA broke, stumbled into songwriting, and turned it into the kind of career most writers spend a lifetime chasing. He's also built one of the sharpest voices in the room as the host of his own show, Good Luck With Gino.This is one of the most honest conversations we've had about how the music business actually works in 2026 — not the clean version, the real one. Why roughly 75% of working writers now survive on K-pop. How the pitch song quietly died and took the professional songwriter down with it. Artists taking songwriting credit on songs they didn't write — and exactly how labels split the writers up to play them against each other and shave points. Gino lays out the one rule every songwriter needs before their next cut, when it's worth standing on business, and when you "roll over like a dog" because the record's too big to lose.And The Writer Is... Gino The Ghost!In this episode of And The Writer Is, we go deep on:• How he came up — actor, rapper, broke in LA, then stumbled into songwriting• Treating every podcast episode like an album of singles• Why ~75% of working writers now live off K-pop• What pitch records used to be — Clive Davis, Barry Manilow & the lost art of outside songs• The death of the professional songwriter (and why talent-show winners get nothing now)• Artists taking credit for songs they didn't write — and how to combat it• The "$15K buy-me-out" story & when to stand on business vs. roll over• The split shakedown — how labels pit writers against each other, and the rule that beats it• Why generosity makes you more money than being a prickAnd much more...

Paula Arenas habla en exclusiva con La Clave Pop sobre Nada Es Permanente, su cuarto álbum independiente y el más personal de su carrera. La cantautora colombiana, con 13 nominaciones al Latin GRAMMY® y dos al GRAMMY®, lanzó un proyecto que es mucho más que un disco: una colección de memorias envasadas como conservas, con canciones inspiradas en la música de los 70 de José Luis Perales, Roberto Carlos, los Carpenters y Simon & Garfunkel.En esta entrevista, Paula conversa con Marysabel Huston sobre los dos años que le tomó hacer este álbum: el cambio de equipo, el embarazo inesperado, la pérdida de su abuelo y cómo todo eso terminó convirtiéndose en canciones. Nos cuenta cómo fue asumir un rol de coproductora junto a Sebastián Mejía y María Elisa Ayerbe, cuál es el concepto visual de cada canción del disco, y qué significa “No Te Esperaba”—el focus track— en su propia historia de vida. También habla de su uso de la inteligencia artificial en los visualizers y de su sueño de llevar este álbum a los escenarios.Sigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

It is Pride Month, it is primary season, and the Democratic Party is having a moment. Brian and Glennis are back with our third-time guest, political strategist and one of the fastest growing podcasters in the game right now, Keith Edwards, for a wide-ranging conversation about Trump's health, the gerrymandering debate splitting the left, and the Patagonia versus Pattie Gonia trademark war that took over every progressive's Threads feed this week.But first, we have to talk about Maine. Graham Platner, the oyster farmer and Marine veteran running to unseat Susan Collins, is now facing reports that he sexted multiple women early in his marriage, the latest in a string of controversies that includes a covered Nazi tattoo and a pattern of bad online judgment. Brian and Glennis land in very different places on whether any of it matters, and the conversation ends up being less about Platner specifically and more about what Democrats are actually looking for in a candidate right now, and what they are willing to overlook to get there.Then Brian lifts the mood with the Oath candidate of the week: Bobby Pulido, a Latin Grammy winning musician running to flip a gerrymandered seat in Texas by performing at quinceañeras and meeting voters where they actually are. Glennis, reporting from Washington DC, takes us to the White House lawn, where a UFC cage is going up for Trump's 80th birthday.After that, Jared Polis, the Democratic governor of Colorado - who under pressure from Trump - commuted the sentence of Tina Peters. Miss Peters, if you're nasty, was the election denier convicted of tampering with voting equipment. She walked out of prison and went straight to Steve Bannon's podcast to call herself a political prisoner and accuse Democrats of cheating in the midterms. Polis was censured by the Colorado legislature and responded by showing up to a public event with his mouth duct-taped shut. Brian and Glennis are speechless, and then they are not.We also check in on the AI IPO wave, with SpaceX, Anthropic, and OpenAI all signaling public offerings at a combined valuation approaching three trillion dollars, and what that level of speculative concentration in the market actually means for the rest of us.Then Keith Edwards joins the pod. He makes the case that authoritarianism, while real, has not fully landed the way some feared, and that Democrats are in a stronger political position than they have been in a decade. He tracks Trump's health with his signature forensic attention, flags six days without a public presidential appearance, and wonders out loud why the mainstream media is not pressing harder on the story. He and Glennis dig into the Patagonia versus Pattie Gonia lawsuit, the online mob dynamics that made it impossible to read clearly at first, and why trademark law exists to protect small businesses too, not just outdoor apparel giants. And he and Brian go back and forth on gerrymandering, with Brian now firmly in the outcomes camp and Keith holding the line on means.Also, Keith did not respond to Pattie Gonia's DMs. Glennis is wearing what may or may not be a Proud Boys jacket. Brian does his Rick Devens impression. And the gang has some things to say about Susan Collins' continued presence in the United States Senate.If you are enjoying the show, leaving a review wherever you listen goes a long way and helps more people find us. We read them and we appreciate every single one.A full bonus episode with the complete Keith Edwards interview drops this Friday, everywhere you get Vibes Only.KEEP UP W/KEITHKeith's Debate Club Bluesky: bsky.app/profile/keithedwards.bsky.socialNewsletter: keithedwards.substack.comInstagram: instagram.com/keithedwardsThreads: threads.net/@keithedwardsTwitter: twitter.com/keithedwardsTikTok: tiktok.com/@keithedwardsFOLLOW VIBES ONLYInstagram: instagram.com/vibesonlythepodcastTikTok: tiktok.com/vibesonlythepodcastBrian: instagram.com/brianderrick_Glennis: instagram.com/glennismeagherSend us a text!Vibes Only is a weekly political podcast hosted by Brian Derrick and Glennis Meagher, two political operatives turned creators breaking down the news of the week in politics, elections, and culture. New episodes every Thursday morning.Vibes Only on Instagram We're on TikTok tooFollow Brian on IG Follow Glennis on IG

Hoy en La Casa, Manuel Silva y Samuel Rodríguez reciben a uno de los artistas visuales más duros del momento: ¡El fotógrafo y director creativo venezolano Luis Alejandro Márquez, mejor conocido como Vomba! Nos sumergimos en su increíble trayectoria para descubrir cómo logró trabajar con marcas gigantes como Tiffany, Adidas o Audi, y con las celebridades más grandes del planeta: Lionel Messi, J Balvin, David Beckham, Feid, Romeo Santos y muchísimos más (spoiler: hay varios chismecitos). Por si fuera poco, Vomba nos cuenta también sobre sus experimentos musicales, su nominación a los Latin Grammy y los hits que ha compuesto junto a los duros del genero urbano. ¡Una dosis gigante de inspiración visual y creativa!

Techy lanzó Chula, su cuarto álbum de estudio, el miércoles 28 de mayo de 2026 — y en La Clave Pop tuvimos en exclusiva la primera conversación extensa sobre todo lo que hay detrás de este proyecto. Doce canciones de merengue en todas sus formas: merengue tradicional, merengue house, merengue típico, pambiche, mambo electrónico y palo dominicano. Un álbum que tardó tres años en construirse y que la multifacética artista dominicana controló de principio a fin: desde la producción musical hasta los videos y la portada.En esta entrevista con Marysabel Huston, Techy habla por primera vez de las dudas que casi la llevan a no lanzar el álbum, de la "caja de Pandora" que tuvo que destapar para escribir estas canciones, y de por qué "Hombre Malo" fue el punto de quiebre que la liberó como artista. También cuenta cómo llegó Fefita La Grande al álbum — una historia que empieza con semanas de estudio en solitario del merengue típico — y cómo fue grabar con Linda Briceño, conocida como Ella Bric, la única mujer ganadora del Latin GRAMMY® a Productora del Año, en "Te acordarás de mí".Una conversación entre amigas, con mucha honestidad y mucho merengue.Keywords: merengue, merengue house, merenhouse, pambiche, música dominicana, Techy, Techy Fatule, entrevista exclusiva, nueva música, artistas dominicanos, Chula, álbum de merengue, Fefita La Grande, Latin GRAMMY, música latina, cantautora dominicanaSigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Born in Colombia, Edmar Castañeda is celebrated worldwide as one of the most innovative harpists in modern music. His work combines the folk traditions of his homeland with contemporary jazz. A Latin Grammy nominee, Castañeda has collaborated with artists including Wynton Marsalis and Béla Fleck and introduced his music to millions through the soundtrack of Disney's Encanto.

Esta semana Manu Manzo, artista venezolana que ha construido un universo propio entre el soul, el R&B y la música latina. Nominada al Latin Grammy y una de las voces más auténticas de su generación. Hoy nos presenta Manuela, su nuevo álbum, un proyecto muy personal que marca una nueva etapa en su evolución artística, cargada de honestidad, identidad y emociones profundas. En El Poder de la Música esta es su historia.https://www.instagram.com/manumanzohttps://www.instagram.com/humbertoelgato/

Más allá del café, Café Shah se ha convertido en un espacio de encuentro para la cultura, el arte y la música. El aroma y sabor del café de México nos ha permitido abrir nuestras puertas a destacados artistas nacionales e internacionales de disciplinas como ópera, jazz, trova, flamenco, danza contemporánea y música regional mexicana. Uno de nuestros proyectos más destacados fue la realización de una Temporada de Ópera de cuatro meses, convirtiéndonos —de acuerdo con información del INBAL— en la única barra de café en presentar formalmente una temporada operística. Como parte de este proyecto, tuvimos el honor de recibir a la ganadora del Latin Grammy, Mireya Ramos, en un concierto acústico especial.

En Haïti, la situation reste dramatique à Cité Soleil dix jours après de violents affrontements entre gangs rivaux qui ont fait des dizaines de morts et provoqué la fuite de plus de 10 000 habitants, selon l'Organisation internationale des migrations. De nombreuses familles, dont les maisons ont parfois été incendiées, vivent toujours dans des centres d'accueil surpeuplés à Delmas, Tabarre et dans d'autres secteurs de la capitale. Selon Pierre Fritznel, responsable de l'organisation de défense des droits humains Combite pour la paix et le développement, les conditions de sécurité ne permettent toujours pas aux déplacés de regagner leur quartier. Cette nouvelle flambée de violence relance aussi les critiques contre un État quasiment absent de Cité Soleil depuis les attaques de gangs contre des institutions publiques en 2020. Alors que plusieurs centaines de soldats tchadiens ont récemment été déployés dans le cadre de la force multinationale de soutien à la police haïtienne, beaucoup d'Haïtiens jugent la réponse internationale et gouvernementale trop lente face à l'urgence sécuritaire. Témoignage d'un entrepreneur haïtien Nous recevons, en studio, l'entrepreneur Marc Alain Boucicault qui revient sur son parcours et sur les défis auxquels font face aujourd'hui les jeunes entrepreneurs haïtiens. Né à Port-au-Prince, formé aux États-Unis et passé par la Banque mondiale ainsi que la Banque interaméricaine de développement, celui que beaucoup présentent comme une figure inspirante de l'innovation en Haïti explique pourquoi il a choisi de revenir investir dans son pays. Au cours de cet entretien, il évoque aussi les difficultés de faire fonctionner un incubateur de start-up dans un climat marqué par la violence, les faiblesses structurelles qui freinent la création d'entreprises, le manque d'accompagnement économique, mais aussi l'impact de la corruption sur toute une génération de jeunes porteurs de projets.   La disparition de Totó la Momposina La Colombie est en deuil après la mort de Totó la Momposina, figure emblématique des musiques traditionnelles des Caraïbes colombiennes, décédée hier (19 mai 2026) à l'âge de 85 ans. Sarah Krakovitch revient sur le parcours exceptionnel de l'artiste qui aura consacré plus de soixante ans à faire rayonner à travers le monde les rythmes afro-caribéens et autochtones comme la cumbia, le porro, le mapalé ou encore le bullerengue. Récompensée en 2015 par un Latin Grammy d'excellence musicale, Totó la Momposina laisse une empreinte majeure dans la culture latino-américaine. Pour le ministère colombien de la Culture, c'est « tout un chapitre de l'histoire culturelle colombienne » qui disparaît. Journal de la 1ère Le bac La Gabrielle qui assure la liaison maritime entre  la Guyane et le Suriname.

Con más de 20 años de trayectoria, nominaciones al Latin Grammy y una sólida carrera independiente, la banda colombiana Don Tetto aterriza por primera vez en Australia en medio del lanzamiento de su nuevo sencillo y el camino hacia su sexto álbum de estudio. Entrevista con Jaime Valderrama.

Traversée méditerranéenne de Raül Refree et Maria Mazzotta + le flamenco au féminin de Las Migas. Nos premiers invités sont l'Italienne Maria Mazzotta et le Catalan Raül Refree réunis sur l'album San Paolo di Galatina. C'est un projet qui s'est forgé petit à petit, porté par les propositions de festivals et sans la pression d'une obligation d'enregistrement. Lorsque Raül a reçu un e-mail de Maria Mazzotta pour travailler ensemble, il a dû refuser en raison de son emploi du temps chargé, mais il est tombé amoureux de sa voix. Quelques années plus tard, lors d'un voyage dans les Pouilles en avril 2022, ils ont profité de l'occasion pour se rencontrer et jouer ensemble. Au cours de cette rencontre, Maria lui a appris de nombreux chants du répertoire traditionnel du sud de l'Italie et, pendant qu'ils mangeaient, elle lui a raconté l'histoire de la pizzica taranta et ce qu'elle représentait dans la société du sud de l'Italie au début du XXè siècle : les femmes souffrant de dépression étaient considérées comme ayant été mordues par une tarentule, et le seul antidote pour surmonter la tristesse qui les habitait était d'entrer en transe au rythme de la pizzica, en dansant, chantant et criant d'une manière qui n'était normalement pas permise dans la société. L'idée de Raül était de raconter la nécessité d'entrer en transe en dessinant musicalement une arche décrivant parfaitement la société de l'époque : berceuses, chants funèbres, mélodies religieuses… jusqu'à atteindre la pizzica et son message païen et sauvage. Avec des extraits de leur passage à Paris, au Théâtre de la Ville. ► Album San Paolo di Galatina (Galileo MC 2026). Bandcamp - Site Maria Mazzotta - Site Raül Refree.   Puis nous recevons Las Migas pour la sortie de Flamencas. Vingt ans après sa création, Las Migas continue de révolutionner le flamenco avec audace et féminité.  Composée de quatre musiciennes venues d'Andalousie, de Catalogne et d'Estrémadure, la formation défie les codes traditionnels encore très masculins, mêlant palos flamencos, tangos, bulerias, tanguillos, malaguenas et rumbas à des sonorités urbaines, pop, folk et jazz. Si leurs chansons célèbrent la mer, la terre, l'air, le feu, elles revendiquent aussi l'amour libre, l'espoir d'une société plus égalitaire.  Avec leur nouvel album Flamencas - lauréat du Latin Grammy en**** 2025, elles rendent hommage à la pureté du flamenco tout en l'ouvrant à de nouveaux horizons, offrant un spectacle vibrant, moderne et profondément engagé. « Nous sommes les miettes (las migas) de ce pain qu'est le flamenco ! ».  Une musique irrésistible, à la fois enracinée et affranchie, portée par quatre femmes solaires qui les a portées sur les plus grandes scènes d'Espagne, d'Europe et d'Amérique. ► Album Flamencas (Warner Music Spain 2025). Site - Instagram - YouTube.

Traversée méditerranéenne de Raül Refree et Maria Mazzotta + le flamenco au féminin de Las Migas. Nos premiers invités sont l'Italienne Maria Mazzotta et le Catalan Raül Refree réunis sur l'album San Paolo di Galatina. C'est un projet qui s'est forgé petit à petit, porté par les propositions de festivals et sans la pression d'une obligation d'enregistrement. Lorsque Raül a reçu un e-mail de Maria Mazzotta pour travailler ensemble, il a dû refuser en raison de son emploi du temps chargé, mais il est tombé amoureux de sa voix. Quelques années plus tard, lors d'un voyage dans les Pouilles en avril 2022, ils ont profité de l'occasion pour se rencontrer et jouer ensemble. Au cours de cette rencontre, Maria lui a appris de nombreux chants du répertoire traditionnel du sud de l'Italie et, pendant qu'ils mangeaient, elle lui a raconté l'histoire de la pizzica taranta et ce qu'elle représentait dans la société du sud de l'Italie au début du XXè siècle : les femmes souffrant de dépression étaient considérées comme ayant été mordues par une tarentule, et le seul antidote pour surmonter la tristesse qui les habitait était d'entrer en transe au rythme de la pizzica, en dansant, chantant et criant d'une manière qui n'était normalement pas permise dans la société. L'idée de Raül était de raconter la nécessité d'entrer en transe en dessinant musicalement une arche décrivant parfaitement la société de l'époque : berceuses, chants funèbres, mélodies religieuses… jusqu'à atteindre la pizzica et son message païen et sauvage. Avec des extraits de leur passage à Paris, au Théâtre de la Ville. ► Album San Paolo di Galatina (Galileo MC 2026). Bandcamp - Site Maria Mazzotta - Site Raül Refree.   Puis nous recevons Las Migas pour la sortie de Flamencas. Vingt ans après sa création, Las Migas continue de révolutionner le flamenco avec audace et féminité.  Composée de quatre musiciennes venues d'Andalousie, de Catalogne et d'Estrémadure, la formation défie les codes traditionnels encore très masculins, mêlant palos flamencos, tangos, bulerias, tanguillos, malaguenas et rumbas à des sonorités urbaines, pop, folk et jazz. Si leurs chansons célèbrent la mer, la terre, l'air, le feu, elles revendiquent aussi l'amour libre, l'espoir d'une société plus égalitaire.  Avec leur nouvel album Flamencas - lauréat du Latin Grammy en**** 2025, elles rendent hommage à la pureté du flamenco tout en l'ouvrant à de nouveaux horizons, offrant un spectacle vibrant, moderne et profondément engagé. « Nous sommes les miettes (las migas) de ce pain qu'est le flamenco ! ».  Une musique irrésistible, à la fois enracinée et affranchie, portée par quatre femmes solaires qui les a portées sur les plus grandes scènes d'Espagne, d'Europe et d'Amérique. ► Album Flamencas (Warner Music Spain 2025). Site - Instagram - YouTube.

Hoy en El Poder de la Música FABIAN, una de las nuevas voces que está marcando el camino del pop latino desde una mirada fresca, íntima y profundamente emocional.Cantautor y productor peruano, nominado a Latin Grammy, que no solo construye canciones, construye historias que conectan desde lo más humano.FABIAN es parte de una nueva generación de artistas que traducen emociones en música. Y ésta es su historia. https://www.instagram.com/fabianxhttps://www.instagram.com/humbertoelgato/

In this episode of Jrodconcerts: The Podcast, Jamie sits down with one of the most iconic figures in Latin music history: 5-time Latin GRAMMY® winner and 2026 GRAMMY® nominee, Andrés Cepeda. With a career spanning over three decades—from the pioneering rock of Poligamia to his latest award-winning album, Bogotá—Andrés has become a global ambassador for Colombian culture. Jrod and Andrés dive deep into the human stories behind the hits, discussing how a childhood stutter actually became a professional "hack" for his vocal clarity, and the surreal experience of fulfilling a lifelong dream by recording a posthumous duet with the legendary Celia Cruz. Whether you've followed him since "Mi Generación" or are discovering his romantic, genre-blending style for the first time, this conversation is a masterclass in creative longevity and staying true to your "why." In this episode, we discuss: The Legend Status: How Andrés reacts to being called an "icon" and what that responsibility feels like today. The "Hack": Overcoming a childhood stutter to become one of the clearest voices in the industry. Full Circle Moments: Meeting Celia Cruz as a child and eventually joining her on the track "Las Pilanderas." Bogotá as a Feeling: Why his latest album is a love letter to his roots and his people. Career Longevity: What drives him after 11 seasons of The Voice and 19 Latin GRAMMY® nominations. Catch Andrés Cepeda on his 2026 U.S. Tour! Starting May 10 in Chicago, Andrés will be hitting major stages including New York's Beacon Theatre, the James L. Knight Center in Miami, and the Variety Playhouse in Atlanta. Connect with the Show: Follow Jrod: @Jrodconcertsmedia Website: Jrodconcertsmedia.com Sponsored by DoorDash: When life happens, DoorDash is there. Real life needs real relief—get your favorites delivered right to your door. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Car Con Carne, host James VanOsdol talks with Colombian icon Andrés Cepeda. A multi-Latin Grammy winner and 2026 Grammy nominee for his album Bogota, Cepeda visits the podcast to discuss his upcoming performance at the Riviera Theatre on May 10. This Chicago date marks the beginning of the final leg of a tour that has spanned two years and multiple continents. Highlights from the conversation Cepeda reflects on his 30 years in the music industry, offering insights into his creative process and his evolution from a teenage rock musician to a global solo artist. Starting the US tour in Chicago: Although the tour routing began in Chicago due to logistics, Cepeda shares his excitement about returning to the city where he has performed on several previous tours. The power of storytelling: Cepeda explains how sharing the anecdotes behind his songs helps him connect with multi-generational audiences, including those who may not be familiar with his music. Finding an authentic voice: Having served as a mentor on The Voice and The Voice Kids, Cepeda emphasizes the importance of originality for independent artists. He suggests that authenticity is the only way to stand out in a world where thousands of songs are released daily. The recording of Bogota: The album was recorded in Los Angeles and Bogota using analog techniques. Cepeda describes the experience of "locking himself in" with a band for weeks to capture a more organic, realistic sound. What comes next: As the Bogota tour concludes, Cepeda is already looking toward the future. He plans to begin a new project in July and is working with several producers on a fresh album this summer. Event details Catch Andrés Cepeda live as he kicks off his latest run of shows. Venue: Riviera Theatre (Lawrence and Broadway, Chicago) Date: May 10, 2026 The Show: A full band performance featuring musicians who have collaborated with Cepeda for over 20 years. Support for Car Con Carne Exploding House Printing is here for all of your screen printing, embroidery and other merchandising needs. They're local, headquartered in the heart of Hermosa. Here's why I want you to consider them for your t-shirts, merch, whatever: their focus is on small businesses, bands, brands, and everything in between. They've worked on products for Meat Wave, Empty Bottle, the Music Box, Dante's Pizzeria, the Brokedowns, and the list goes on and on. Jonathan at Exploding House has been doing screen printing for decades. He knows what he's doing. Besides his technical expertise, he delivers production efficiency and cost awareness to offer boutique print shop quality at much lower, large print shop prices. Check out their work on Instagram at @explodinghouse, or check out their site at explodinghouseprinting.com for a quote, or to see a list of some of their clients.

Brazilian singer/songwriter Ivan Lins (born June 16, 1945), has been active for over fifty years. His composition 'Love Dance', a hit in 1989, is one of the most recorded songs in contemporary music. He has won several Latin Grammy awards and his tunes have been recorded by myriad artists, a veritable who's who of the jazz world.

¿Por qué un colombiano con más de 20 años haciendo música tropical nunca había grabado una cumbia? Fonseca tiene la respuesta y es más honesta de lo que esperarías.En este episodio, regresa a La Clave Pop con su undécimo álbum, Antes que el tiempo se vaya, y habla sin adornos del vértigo que provoca darse cuenta de que los años pasan y no esperan por nadie. De los miedos que todavía tiene después de once discos. De lo que significa llevar 14 años viviendo lejos de Colombia — y de por qué eso lo llevó a buscar a Rubén Blades para “Nunca me fui”, nominada al Latin GRAMMY 2025.También cuenta en La Clave Pop qué ocurrió durante la sesión de Nanpa Básico. Spoiler: llegó con ansiedad.Más la canción con Juanes que terminó dándole nombre al álbum, la gratitud como brújula cuando la industria cambia debajo de tus pies, y lo que siente al pensar en octubre: su primer show solo en el Estadio El Campín de Bogotá.En este episodio: ✦ Por qué "Barco de papel" es su primera cumbia, y el homenaje a Selena en los teclados ✦ "Nunca me fui" con Rubén Blades: migración, identidad y Latin GRAMMY 2025 ✦ La sesión con Nanpa Básico que no sabía cómo iba a terminar ✦ La gratitud como filosofía cuando las modas no importan ✦ El Campín, octubre 2026: el concierto más grande de su carreraSigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠@marysabelhuston⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠Marysabel.Huston⁠⁠⁠⁠⁠⁠⁠⁠X (antes Twitter): ⁠⁠⁠⁠⁠⁠⁠⁠@hustonmarysabel⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠Marysabel Huston⁠⁠⁠⁠⁠⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Esta semana Fonseca en El Poder de la Música, una de las voces más queridas y representativas de Colombia: Cantautor bogotano que ha sabido conectar el pop con el folclor de su tierra, creando un sonido auténtico que ha cruzado fronteras. Ganador de múltiples Latin Grammy, con éxitos que se han convertido en himnos, llega para presentarnos su más reciente álbum Antes Que El Tiempo Se Vaya, un trabajo íntimo y reflexivo que gira en torno al valor del presente, la gratitud y la importancia de vivir cada instante con intensidad.https://www.instagram.com/fonsecamusichttps://www.instagram.com/humbertoelgato/

Petrona Martínez is one of the most important Black singers in Colombia's modern history—and she didn't get her big break until she was 60! She’s known as “the queen of bullerengue,” an ancestral music tradition that goes back to times of slavery in the Colombian Caribbean Coast. For much of her life, Petrona dealt with isolation, poverty and invisibility as a Black woman from rural Colombia. In 1998, she became internationally known and in 2021 she won a Latin Grammy. Press play and join us in her journey. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

What happens when you've already done everything in this industry… and then become a mom?This week on Mommywood, I'm talking to writer, producer, actress, author, and multi–award-winning creative Alisha Gaddis — and when I say she's done it all, I mean it. Emmys. Latin Grammys. TV shows. Books. Touring internationally. Building a creative career across every lane.But this conversation goes way deeper than credits.We talk about:Choosing to homeschool her neurodivergent daughter — and trusting her instincts over the systemThe reality of being a fully self-made creative (no clocking in, no safety net)Why “women can do everything” is actually a lieMourning the career you thought you'd have… and realizing your life might be even betterThe pressure to keep achieving — even after you've already “made it”And how motherhood reshapes ambition, identity, and successThis episode is honest, emotional, and incredibly validating for anyone navigating creativity, motherhood, and the in-between

Tato Marenco es un artista colombiano integral: músico, cantante, compositor y productor, actualmente establecido en Miami, y reconocido como uno de los principales exponentes de los sonidos tradicionales del Caribe colombiano a nivel internacional.Originario de Barranquilla, con más de veinte años de trayectoria fusionando instrumentos como la gaita y la percusión autóctona con propuestas contemporáneas, creando un puente natural entre lo ancestral y lo actual.Ceador de proyectos como Mamá Cumbé y Vía 40, y nominado en tres ocasiones al Latin Grammy, Tato no solo mantiene viva la esencia de su herencia musical, sino que la proyecta hacia nuevas audiencias alrededor del mundo.https://www.instagram.com/tatomarencohttps://www.instagram.com/humbertoelgato/

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠In this segment of Notorious Mass Effect, Analytic Dreamz examines Ana Gabriel's powerful 1996 single “No Te Hago Falta.” Released as the lead single from her 12th studio album Vivencias on Sony, the Latin pop ballad marked a stylistic shift toward a more pop-oriented sound while showcasing Ana Gabriel's self-production and themes of emotional independence and breakup empowerment.Analytic Dreamz explores Ana Gabriel's legendary 50+ year career, beginning in 1974, with over 40 million records sold worldwide, 7 Billboard Hot Latin Songs #1 hits, multiple Lo Nuestro Awards, Latin Grammy nominations, and a Hollywood Walk of Fame star. The discussion analyzes the song's original 1996 chart performance, peaking at #12 on Billboard Hot Latin Songs, alongside the album's positions on Latin Pop Albums and Top Latin Albums charts.This episode provides detailed metrics on the track's enduring success, including its RIAA Latin certifications reaching Platinum and Gold for a combined 1.5 million U.S. Latin units (sales + streaming equivalents) as of 2024, the iconic 2013 Altos de Chavón live performance with 277+ million YouTube views, strong Spotify playlist presence as one of her top 10 most-played songs, and its continued relevance through radio airplay, streaming, and user-generated content nearly 30 years later.(578 characters)This description is crafted for strong SEO performance targeting searches for Ana Gabriel, “No Te Hago Falta,” Latin pop ballads, and classic Latin catalog analysis while maintaining a professional tone and incorporating your name as requested.Privacy & Opt-Out: https://redcircle.com/privacy

Motherhood is often framed as either losing yourself… or finally finding yourself. But what if it's something more complex than that? Today on Motherish, we're joined by Latin GRAMMY–nominated artist and mom Paula Arenas to talk about identity, evolution and what it really means to grow through motherhood. We explore the idea that becoming a mother doesn't erase who you were, but instead expands you into multiple versions of yourself all at once. From creativity and career to personal transformation, this conversation is an honest look at holding onto who you've been while stepping into who you're becoming.

Raphy Pina enfrenta una demanda civil de parte de 'Sir Speedy' un cantante de reggaetón al que habría firmado hace 20 años. El reguetonero denuncia bloqueo en la industria, amenazas, violencia y falta de pagos por su música. Offset, la ex pareja de Cardi B, fue baleado en un casino en La Florida. Te contamos todo lo que se sabe del caso. Cardi B sufrió un fraude de  más de $60 mil dólares en sus tarjetas de crédito y dejó un amenazante mensaje en sus redes sociales a los culpables. La misión Artemis II sigue en el centro de atención: sus tripulantes finalmente dieron la vuelta a la luna, captaron hermosas imágenes y emprendieron su regreso a la Tierra. La Academia Latina de la Grabación anunció que Daddy Yankee será la persona del año en los Latin Grammy de 2026.  

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ In this segment, Analytic Dreamz provides an in-depth analysis of Aitana's “Superestrella,” the fourth and final single from her album Cuarto Azul. Born Aitana Ocaña Morales on June 27, 1999, in Barcelona, Spain, Aitana rose to fame as runner-up on Operación Triunfo 2017. Signed to Universal Music Spain, she has secured five Spanish #1 singles including “Lo Malo” and “Teléfono,” with albums such as Spoiler (2019, Latin Grammy-nominated), 11 Razones (2020), Alpha (2023), and Cuarto Azul (2025), the latter earning a Latin Grammy nomination for Best Contemporary Pop Album and a win for packaging.Clocking in at 3 minutes and 3 seconds, “Superestrella” was released on October 31, 2025, approximately five months after the album dropped on May 30, 2025. Produced by Nicolás Cotton and co-written by Aitana, Carolina Colón, and Cotton, the track centers on themes of confidence, nightlife, and self-worth. It has been described as an explosion of confidence by Los 40, while receiving some critique for feeling less fun than it pretends and touching on fame.In Spain, the song debuted at #22, peaked at #2, and reached #1 on airplay charts. It finished 2025 at #26 on the year-end chart and earned 3× Platinum certification for 300,000 units. Internationally, it reached #13 on the US Hot Latin Pop Songs chart, #58 on the Argentina Hot 100, and placed between #2 and #6 on airplay charts in Guatemala, Peru, Costa Rica, and other Central American markets.Streaming metrics show impressive longevity with over 113 million Spotify streams by late March 2026, a peak daily high of 951,000 streams, and a #1 position on Spain Spotify achieved months after the album release. The 3× Platinum certification was driven primarily by streaming equivalents with minimal reliance on physical sales. Additional boosts came from the album visualizer, the delayed single release, and multiple remixes including a techno version and a DAVIRU collaboration.Analytic Dreamz examines how “Superestrella” exemplifies a slow-burn streaming success model. Rather than immediate chart dominance, the track built organic momentum through sustained airplay dominance in Spain and strong regional performance across Latin America. This delayed viral effect, combined with the album's Latin Grammy momentum, extended its lifecycle well into 2026. The song reinforces Aitana's status as a top-tier Spanish and Latin pop artist with dominant regional presence, though it has not yet achieved major global crossover beyond Spanish-speaking markets.This segment breaks down the strategic timing, consumption patterns, and commercial impact that made “Superestrella” a standout example of modern pop success in the streaming era.Privacy & Opt-Out: https://redcircle.com/privacy

Hailed for her impeccable attention to finessing low-end, Jaclyn Sanchez is bringing analog back into the mix. Nicknamed Jackie BOOM by legendary drummer Steve Jordan during a Bettye LaVette session for her energetic, present demeanor, the alias captures her ability to fuse analog depth with pop clarity for a sonic experience that hits like a record. She has worked with music icons including Lauryn Hill, Anderson .Paak, Robert Glasper, and Common. Her credits include a Grammy Award for Album of the Year with Jon Batiste, a Grammy nomination for her work with H.E.R., and a Latin Grammy win with Cultura Profética. Beyond the studio, Jaclyn advocates for community through authentic sharing of personal and professional experience. In 2025, Jaclyn served as Production Manager opening Blue Note Los Angeles, and now runs Casa Lily in the heart of Hollywood today.   Hosted by: Katie Maifeld and Brianna Cofield Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost Edited by: Yiran Chen Music by: Jess Fenton (https://www.jessfenton.com/) Admin by: Kanika Khanna The SoundGirls Podcast is presented by soundgirls.org 

Comenzaremos la primera parte del programa hablando de la segunda comparecencia de Nicolás Maduro en la corte federal de Nueva York por cargos de narcoterrorismo; y de un video generado por IA que invita a los mexicanos en Estados Unidos a auto-deportarse. Hablaremos también de un estudio que sugiere que los sueños vívidos pueden hacer que una persona se sienta más descansada al despertar; y por último, del posible regreso de los Latin Grammys a España.    La segunda parte del programa estará dedicada a la lengua y cultura de América Latina. En nuestro diálogo gramatical ilustraremos ejemplos de Conditional Tense. En este segmento hablaremos de los antiguos pueblos que ya corrían olas hace siglos en Perú. Cerraremos la emisión explorando el uso de la frase: Una de cal y una de arena mientras hablamos de la historia de las palenqueras, mujeres que son un símbolo de la resistencia afro-colombiana. - Maduro vuelve a comparecer frente a la corte de Nueva York - Video de la Embajada de Estados Unidos enfurece a los mexicanos - Estudio investiga la relación entre los sueños y la sensación de descanso - Director de los Grammy Latinos cree que la música en español está en su mejor momento - En Perú se corren olas desde hace miles de años - Las palenqueras, símbolo de la resistencia afrocolombiana

Dime qué piensas del episodio.Juanes es uno de los artistas latinoamericanos más influyentes de las últimas décadas. Ganador de múltiples Latin Grammys, creador de himnos generacionales como A Dios le Pido y La Camisa Negra, y un músico que ha logrado algo muy raro en la industria: mantenerse relevante, curioso y en evolución después de más de 25 años de carrera.Hoy Juanes y yo hablamos de todo: de cómo se pierde —y se recupera— el piso cuando la fama llega demasiado rápido, del “fantasma” de los grandes éxitos, de su crisis personal en 2010, de la relación con su familia, de su búsqueda espiritual y creativa, de cómo hacer dinero y de lo que significa reinventarse cuando ya lograste todo lo que soñabas.LINK A CRACKS SUMMIT: https://crackssummit.com/Por favor ayúdame y sigue Cracks Podcast en YouTube aquí."El dinero busca el valor."-  Juanes @juanesComparte esta frase en TwitterEste episodio es presentado por Hospital Angeles Health System que cuenta con  el programa de cirugía robótica más robusto en el sector privado en México y por LegaLario la empresa de tecnología legal que ayuda a reducir costos y tiempos de gestión hasta un 80% y porQué puedes aprender hoyCómo pensar sobre generar riquezaCómo saber cuándo pararSeparar tu identidad de tu profesión*Este episodio es presentado por Hospital Angeles Health SystemLos avances en cirugía robótica permiten intervenciones con menos sangrado, menos dolor, cicatrices más pequeñas y una recuperación más rápida.Hospital Angeles Health System tiene el programa de cirugía robótica más robusto en el sector privado en México. Cuenta con 13 robots DaVinci, el más avanzado del mundo y con el mayor número de médicos certificados en cirugía robótica ya que tiene el único centro de capacitación de cirugía robótica en el país.Este es el futuro de la cirugía. Si quieres conocer más sobre el programa de cirugía robótica de Hospital Angeles Health System y ver el directorio de doctores visita cracks.la/angeles*Este episodio es presentado por LegaLario, la Legaltech líder en México.Con LegaLario, puedes transformar la manera en que manejas los acuerdos legales de tu empresa. Desde la creación y gestión de contratos electrónicos hasta la recolección de firmas digitales y la validación de identidades, LegaLario cumple rigurosamente con la legislación mexicana y las normativas internacionales.LegaLario ha ayudado a empresas de todos los tamaños y sectores a reducir costos y tiempos de gestión hasta un 80%. Y lo más importante, garantiza la validez legal de cada proceso y la seguridad de tu información, respaldada por certificaciones ISO 27001.Para ti que escuchas Cracks, LegaLario ofrece un 20% de descuento visitando www.legalario.com/cracks. Ve el episodio en Youtube

Argentine singer-songwriter Marilina Bertoldi's brand of rock 'n' roll contains multitudes between the old and the new. Her electric guitar, though it may only be a decade old, has all the markings of a seasoned instrument that has taken the stage at sweaty clubs and music festivals across the Americas and Europe. And the sound of it adds an unmistakably retro touch to Bertoldi's music, which is often accompanied with glitchy and sampled production elements (and a state-of-the-art pedalboard to control it all). All the sonics aside though, it is Bertoldi's intensely honest storytelling, which takes on a deeper meaning on stage, that makes her artistry stand out. Listen to her fiery performance from our Manhattan studios with Manu Fernandez on drums, as well as her words on life on the road and the creative process behind the latest album PARA QUIEN TRABAJAS Vol. I, which recently earned Bertoldi a Latin Grammy nomination. (- Sırma Munyar) Setlist: 1. Pucho 2. O No? 3. La Casa de A

Today on Motherish, we're sitting down with Jessi León — artist, mom and one half of the Latin Grammy–nominated duo behind PJ Kids. Jessi is creating something truly special, a space where music, family and culture come together in a way that feels joyful, intentional and deeply rooted in identity. We talk about raising kids through music, honoring cultura in everyday life and what it looks like to build something meaningful while navigating motherhood. This conversation is all about creativity, connection and the ways we pass down who we are to our children.

Latin Grammy–nominated musician and debut picture book author Sonia de los Santos joins Jed to talk about birds, borders, and the magic of bilingual stories. Sonia shares the inspiration behind her new picture book La Golondrina, based on her song of the same name. The story follows a young girl who becomes fascinated with swallow birds while visiting her grandmother, and slowly begins to see her own migration story reflected in their long journeys. Sonia connects this to her real life, growing up in Monterrey, Mexico, then moving to the New York City area to pursue musical theater, eventually finding her calling making music for children and families. She and Jed swap bird stories (including a backyard turkey named Stella), talk about performing in less‑than‑glamorous multipurpose rooms, and celebrate the joy of seeing every child's face during school concerts. Sonia explains how her music evolved into books, how it feels to let an illustrator "finish" her story visually, and why she's committed to creating bilingual, welcoming spaces where all kids and families feel seen. They dive into big themes—migration, identity, empathy, and the courage to speak a second language (and make mistakes out loud!). Sonia also teases that La Golondrina is the first in a three‑book series, "Books That Sing / Libros que cantan", complete with lyrics, chords, and a QR code so families can read and sing together. Plus, we take a listen back to a conversation we had with children's music legend Raffi during his tour to promote his Nursery Rhymes for Kinder Times project and his lifelong commitment to honoring and respecting children.

Hoy nos acompaña Yotuel Romero, fundador del legendario grupo Orishas, ganador del Latin Grammy, actor y una de las voces detrás de Patria y Vida, el tema que se convirtió en un himno para millones de cubanos dentro y fuera de la isla. Conversamos sobre el regreso de Orishas a los escenarios y lo que significa traer de nuevo el legado de “A Lo Cubano” a una nueva generación. También hablamos del concierto especial que llega a Miami cerca del Día de las Madres, pensado como una noche para que las familias cubanas celebren juntas su cultura y su música. Además, Yotuel reacciona a las imágenes recientes de apagones, cacerolazos y protestas en La Habana, reflexiona sobre el impacto que ha tenido “Patria y Vida” dentro de Cuba y responde a una pregunta que muchos se hacen: ¿cuándo podrá cantar ese himno libremente en la isla? También analizamos el papel de los jóvenes que usan la música y las redes como forma de protesta, incluyendo el caso de creadores detenidos dentro de Cuba. Y cerramos con una reflexión profunda: ¿Puede haber reconciliación en Cuba sin justicia? ORISHAS TOUR – MIAMI Orishas en vivo Sábado 9 de mayo James L. Knight CenterSee omnystudio.com/listener for privacy information.

Liz de Conexión Divina está de regreso con 18, un álbum que no romantiza el amor… lo cuenta tal cual se vive.

Det här är berättelsen om den orädda flamencoartisten som vägrar följa reglerna. Lyssna på alla avsnitt i Sveriges Radios app. En ensam strålkastare lyser upp scenen. Rosalía står i en svart sammetskappa med glittrande stenar och håret är uppsatt i en hög hästsvans. Hennes naglar sticker ut som långa klor när hon greppar mikrofonen. Det är den 26 augusti 2019, och MTV Video Music Awards i New Jersey. Världsartist efter världsartist har under kvällen klivit upp på scen för att ta emot sina statyetter; Ariana Grande, Billie Eilish och Taylor Swift. Nu står en – för den amerikanska pop-publiken – helt okänd artist där. Rosalías musikkarriär har tagit henne hela vägen till andra sidan Atlanten och med sig från hemlandet Spanien har hon packat ner den musikstil som hon har lagt tusentals timmar på att bemästra. En 200 år gammal romsk tradition och Rosalías stora kärlek: Flamenco. Ett gäng dansare klär av henne kappan. Under har hon en tight bodysuit och den svarta scenen har förvandlats till ett hav av röda rosor. Arenan fylls av ett lekfullt reggaeton-beat.Rosalía rör sig gränslöst mellan genrer. Förenar medeltida dikter och RnB-rytmer, helt orädd lånar hon från vitt skilda kulturer, precis hur hon vill.Samtidigt rör hennes djärva genreblandningar upp känslor både hos den romska minoriteten och bland flamencons puritanska väktare. Snart kommer musikkritikernas älskling behöva försvara den musik som är hennes liv. Medverkande: Tali Da Silva, Núria Sempere och Ana Vidal.Programmet gjordes av Lydia Bandolin Sörlin vintern 2026Producent och programledare Siri HillExekutiv producent Lars TruedssonSlutmix Fredrik NilssonP3 Musikdokumentär produceras av Tredje Statsmakten MediaLjudklippen i programmet kommer från: VMAS (2019), Fashion Neurosis (2025), Vanity Fair (2019), The New York Times Popcast (2025), Billboard (2025), Tú Si Que Vales (2007), Latin Grammy (2022), The Tonightshow (2025) samt Youtubekontona Rosalía (2015) och LL&LSV (2022).

Kali Rodriguez-Pena is a Cuban born, Latin Grammy nominated, trumpeter, bandleader and composer. His music combines traditional Cuban music with classic jazz. He has led his own bands in top venues and festivals in North America and shared the stage with artists including Wynton Marsalis, Paquito D'Rivera, Arturo O'Farrill, Anat Cohen and Esperanza Spalding. He won the top prize in Havana's JoJazz competition. He was a finalist in the National Trumpet Competition. His music is featured in the TV show “Let The Right One In” on Showtime. My featured song is “Mi Cachimber”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH KALI:www.kalirodriguezpena.com —---------------------------------------- ROBERT'S LATEST RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- ROBERT'S RECENT SINGLE “MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhorn CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S LATEST ALBUM: “WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)” CLICK HERE FOR THE OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Pianist, composer, arranger, producer, and music director whose work has earned two GRAMMY Awards, 14 nominations, two Latin GRAMMY nods, and an Edison Award. Plus, his musical direction for the Jazz at the White House broadcast earned an Emmy nomination. He performed with Miles Davis, has collaborated with Chaka Khan, Stanley Clarke, and more, plus he has been musical director with Steely Dan, Queen Latifah, and others. In addition, he spent a decade as Lead Arranger for American Idol and The Tonight Show. He currently tours with Dianne Reeves and various European orchestras, all while preparing three releases for this year, supported by global tours.

¿Cómo funcionan realmente los Latin GRAMMYs?En este episodio de La Clave Pop, converso con Isabel Paz, directora de membresía de La Academia Latina de la Grabación, para entender cómo opera por dentro la institución que celebra lo mejor de la música latina.Hablamos sobre el origen de La Academia, la historia de los Latin GRAMMYs y el trabajo que la organización realiza durante todo el año para apoyar a artistas, productores, compositores, periodistas y profesionales de la industria musical.Durante esta conversación descubrirás:• Qué es la Academia Latina de la Grabación• Quién puede convertirse en miembro• Cuáles son los tipos de membresía• Cómo aplicar para ser miembro• Quiénes votan en los Latin GRAMMYs• Cómo se revisan las aplicaciones de membresía• Mitos y realidades sobre el proceso de votaciónEste episodio es una guía clara para entender cómo funciona una de las instituciones más importantes de la música latina.Más información sobre membresía en el sitio oficial de los Latin GRAMMYs:Tipos de membresíahttps://www.latingrammy.com/sobre/tipos-de-membresiaAplicar para membresíahttps://members.latinrecordingacademy.com/s/?language=esPreguntas frecuenteshttps://www.latingrammy.com/sobre/membresia-preguntas-frecuentesCalendario de premiaciónhttps://www.latingrammy.com/premiacion/calendarioSigue a Marysabel Huston en sus redes sociales: Instagram y Threads: ⁠⁠⁠@marysabelhuston⁠⁠⁠ TikTok: ⁠⁠⁠@marysabelhuston⁠⁠⁠ Facebook: ⁠⁠⁠Marysabel.Huston⁠⁠⁠X (antes Twitter): ⁠⁠⁠@hustonmarysabel⁠⁠⁠YouTube: ⁠⁠⁠Marysabel Huston⁠⁠⁠Créditos: Producción ejecutiva, edición y mezcla por Marysabel HustonMúsica: Una producción de Techy Fatule

Silvana Estrada is a singer, songwriter, and producer from Veracruz, Mexico. She won the Latin Grammy for Best New Artist in 2022, and she's been nominated for three others, including for her song “Como Un Pájaro,” which is the song that we talked about for this episode. It's from her second album, which came out in 2025, but she started writing the song several years before that. So we talked about all the different versions of this song, and a couple of versions of Silvana herself, that emerged throughout the process.For more info, visit songexploder.net/silvana-estrada.

In Episode 318, audio engineering veterans Robert Scovill and Geoff McKinnon of EAW join the hosts to . discuss the evolution of adaptive sound systems, the unique aspects of EAW loudspeakers like Anya, and the real-world applications of adaptive technology in live sound. The conversation also touches on the challenges and misconceptions surrounding adaptive audio and the importance of technology training and education in the industry.McKinnon is the senior director of engineering at EAW. With 10 patents spanning acoustics and system design, he has been a primary driver behind the company's ADAPTive line and the new NTX and NT series. Leading the engineering team out of EAW's new headquarters in Franklin, MA, he's at the forefront of the use of DSP and physical design to solve some of the hardest problems in pro audio—basically making sure the signal is “perfect” before it leaves the box.Scovill, who serves as senior live sound market specialist for EAW, is a 45-plus year veteran of professional concert sound and recording and has mixed over 4000 live events of every scale imaginable over the course of his storied career. His engineering and production talents have been enlisted by a “Who's Who” of music Hall of Fame acts including Kenny Chesney, Tom Petty & The Heartbreakers, Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Foreigner, Prince and numerous others.Scovill's body of live sound and recording work has garnered numerous industry accolades, including six TEC Awards, three PLSN Parnelli Awards, and multiple nominations for the CMA touring award, winning his first in 2022. He's also been a multi-year nominee for Mobile Production's “Top Dog” Award along with being an inaugural nominee for the Pensado Award for live sound excellence. In 2018 Robert was awarded the Lindenman Award for excellence in audio presentations at the Norwegian Sound Symposium. Since 2019, he's served as a first call FOH mixer for television events such as THON, The Latin Grammy's POTY, The MTV Video Music Awards and The Rock and Roll Hall of Fame Inductions, in which he received his first Emmy nomination in 2023.Episode Links:The ADAPTive Advantage: How It Works, Why It Wins WebinarRobert Scovill Talks ADAPTive Driver DensityEAW Adaptive Series SystemsEpisode 318 TranscriptNOTE: Mike Green, the artist who performs “Break Free” that opens every episode, has some new music hitting the market starting today, available on all streaming platforms as well as DSPs that support spatial audio. And, Mikegreenmusic.com will direct folks to pre-order the vinyl release, or allow them to purchase singles individually.Connect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.

Listen to a conversation with Cesar Maldonado, founder and artistic director of Mariachi Herencia de México. Based in Chicago, the ensemble grew out of the Mariachi Heritage Foundation, a nonprofit organization devoted to preserving and advancing mariachi music through youth education. Founded in 2016, Mariachi Herencia de México has evolved from a student project into a dynamic ensemble of young virtuosos, blending deep respect for tradition with a vibrant, contemporary energy. Their 2017 debut album topped Latin music streaming charts and earned a Latin Grammy nomination — a remarkable achievement for a group born out of a community education program. Since then, they've released multiple acclaimed recordings, received a second Latin Grammy nomination, and toured extensively across North America, bringing mariachi music to major stages and inspiring a new generation of performers.  Mariachi Herencia de México performs in Indiana February 19 at the Indiana University Auditorium in Bloomington, and February 20 at the Allied Solutions Center for the Performing Arts in Carmel.

En este episodio me acompaña Isadora Figueroa, cantante, compositora y sí… hija del ícono mundial Chayanne. Pero más allá de ese apellido tan conocido, hoy conocemos a la mujer, a la artista y a la persona que está decidida a crear su propia historia dentro de la industria musical. Desde muy pequeña sintió que la música era su forma natural de expresarse, y a los seis años ya escribía canciones sin imaginar que ese impulso la llevaría años después a lanzar su propia música y recibir una nominación al Latin Grammy. Hablamos con total honestidad sobre lo que significa crecer siendo hija de una figura tan influyente y cómo ha aprendido a abrazar ese legado sin que la defina. Isadora comparte cómo ha transformado lo que muchos podrían ver como presión en motivación, entendiendo que no tiene que competir con nadie ni demostrar nada, sino ser fiel a su esencia y a su voz propia. También conversamos sobre el amor, la familia, sus raíces culturales y el poder de la música para sanar emociones profundas. Porque para Isadora, cantar no es solo una carrera: Es la manera en la que cumple su verdadero sueño, que es conectar con las personas y hacerlas sentir acompañadas a través de sus canciones. Durante este episodio exploramos los desafíos reales de la industria musical actual, la presión de las redes sociales, el miedo a no gustarle a todo el mundo y la importancia de rodearte de personas que te recuerden quién eres cuando el ruido externo intenta decirte lo contrario. Isadora nos recuerda que la autenticidad no es solo un valor bonito… es una decisión diaria. Si alguna vez has sentido que tienes que demostrar quién eres, si estás en un proceso de encontrarte a ti mismo o si necesitas inspiración para confiar más en tu camino, este episodio es para ti. Te invito a escucharlo con el corazón abierto. Estoy segura de que la sensibilidad, la honestidad y la luz de Isadora te van a dejar pensando y sintiendo mucho después de que termine. Si este episodio resonó contigo, suscríbete al canal

Welcome To Perreo University, a new series brought to you by Yo Quiero Dinero. In this series, we're analyzing the origins of some of the biggest stars in the Latin Urban/Reggaeton genres and pulling out all the gems that you can apply to your money, business and life! In this debut episode, I'm breaking down a 2020 interview of Rauw Alejandro, Puerto Rican singer, songwriter, and performer known for blending reggaetón with R&B, pop, and electronic sounds. Born Raúl Alejandro Ocasio Ruiz in San Juan, he grew up between Puerto Rico and the mainland U.S., with early exposure to music and a strong foundation in dance, which later became a defining part of his artistry.He spent years releasing music and refining his craft before breaking through globally, building a reputation for high-level performance, futuristic visuals, and constant reinvention. Rather than chasing trends, Rauw has focused on skill stacking and evolution, allowing him to remain relevant in a fast-moving industry. Find out how a tragic end to his original career goals inspired Rauw to pursue music, and he went from an unknown musician to a Latin Grammy award-winning artist in less than 5 years!Check out the Yo Quiero Dinero Podcast at https://yoquierodineropodcast.com/Watch the video version of this episode on YouTube.TAKE THE NEXT STEP:Yo Quiero Dinero Private MembershipRead my book: Financially LitLeave me a voicemail Hosted on Acast. See acast.com/privacy for more information.

In a world where classical music often feels distant and elitist, composer/pianist/arranger Joachim Horsley is breaking barriers and bringing fresh energy to the genre. I really appreciate Joachim's combination of deep seriousness and inclusive creativity  - and I know you will love this conversation.Joachim Horsley is a Composer, Pianist and Arranger, known for his innovative Classical/Afro-Caribbean fusion arrangements. He was nominated for a Latin Grammy last year in the Best Arrangement category for "Bach's Cuban Concerto for Piano and Tres" from his recent album "AFRO BACH." He plays concerts all over the world with his quintet and as a special guests with orchestras, and when he's not on the road, he's in Los Angeles writing music for film and TV, including shows like "Baker and The Beauty" on ABC, "Gordita Chronicles" on HBO MAX and the hit Disney Channel show "Big City Greens," which earned him an Annie Nomination for best score last year as well. Currently working on his next album, "Superfusion," he joins us today from his Los Angeles studio.Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529

This episode of The Other Side of the Bell, featuring Mariachi trumpet performer and recording artist José Hernández, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "José Hernández trumpet interview" And, find the expanded show notes, transcript and more photos here   Few people have had a greater impact on Mariachi music over the past 50 years than José Hernández, and today José joins us to share his musical upbringing, his influences and education, his passion for education and some very interesting insights on balancing a professional music career with business ventures, such as his restaurants.   José is a composer, arranger, performer and recording artist, including being a key musical coordinator on Linda Ronstadt's landmark 1987 Spanish album, Canciones de Mi Padre, where he helped guide her pronunciation and the Mariachi direction of the music.   Plus, he continues to inspire younger generations through his educational programs, and founding two world-famous ensembles: Mariachi Sol de México®, and Reyna de Los Ángeles®, America's first all-female professional mariachi ensemble.   José is, relatively speaking, just down the road from us here at Bob Reeves Brass in Valencia, CA, so if you're in LA make sure to drop by both our shop and the Casa del Sol Cocina down in Irvine, for amazing food and entertainment! On Saturdays, the master could be there himself! About José Hernández: José Hernández is an internationally renowned Mariachi musician, composer, educator and cultural ambassador. He is the founder and musical force behind Mariachi Sol de México, the trailblazing Mariachi Reyna de Los Ángeles, the Mariachi Heritage Society and the Mariachi Rams, in partnership with the Los Angeles Rams.   Born on August 27, 1958, in Mexicali, Baja California, José comes from a proud lineage of mariachis and musicians, with family musical roots tracing back to the 1700s. He was named after his grandfather, José Hernández, a musician born in 1901 in Jalisco, Mexico, who helped lay the musical foundation that would inspire future generations.   In 1981, José founded Mariachi Sol de México® with a bold vision: to expand the boundaries of mariachi music and elevate the genre beyond its traditional roots in ranchera and golden-age Mexican cinema. Under his leadership, the ensemble has become a global ambassador for Mariachi, known for its musical excellence and genre-blending innovation.   Throughout his illustrious career, José has been nominated for four American Grammy Awards and nine Latin Grammys. He has collaborated with a remarkable roster of artists, including Vicente and Alejandro Fernández, Luis Miguel, Marco Antonio Solís, Lola Beltrán, Celia Cruz, Selena, Vikki Carr, Linda Ronstadt, Arturo Sandoval, José Feliciano, the City of Prague Philharmonic Orchestra and The Beach Boys.   Today, José Hernández continues to perform, compose, and educate while working on his highly anticipated autobiography, which will reflect on his 50-year career and the profound impact of mariachi music on American culture and the global stage. Episode Links: Website: mariachisoldemexico.com Restaurant: casadelsoloc.com Instagram @mariachisoldemexicodejosehdz Instagram @jh_maestro_sol Facebook @mariachisoldemexicodejosehernandez Rhapsody for Mariachi La Voz de Mi Trompeta Doc Severinsen & Jose Hernandez - Concierto de Aranjuez Linda Ronstadt album, Canciones de Mi Padre   Bob Reeves Brass Upcoming Events and Appearances: Texas Music Educators Association Conference, Feb. 11-14, San Antonio, Texas https://trumpetmouthpiece.com/products/tmea-valve-alignment-special Dillon Music, Feb. 26-28, Woodbridge, New Jersey sales@dillonmusic.com National Trumpet Festival, March 20-22, University of Iowa, Iowa City, IA https://trumpetmouthpiece.com/products/national-trumpet-competition-valve-alignment-special Metropolitan Music, April 10-11, Seattle, WA https://metropolitan-music.com Arkansas Trumpet Day, April 18th, Arkansas State University, Jonesboro, AR   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - José Hernández Audio Engineer - Ted Cragg

The Justice Department releases more than three million more files related to Jeffrey Epstein, and the list of powerful people involved with the notorious pedophile is ... long. Jon, Tommy, and Lovett react to the most notable revelations from the new batch, including the many mentions of Trump, and then check in on the president's corrupt dealings, including a half-billion bribe from the United Arab Emirates and an attempt to steal $10 billion in taxpayer money in the form of a lawsuit against his own IRS, the release of 5-year-old Liam Conejo Ramos and his father from ICE custody and the arrest of journalist Don Lemon, and Democrats' incredible 31-point legislative flip in Texas. Then, Tejano artist and Latin Grammy winner Bobby Pulido stops by the studio to talk to Tommy about his race for Congress and Trump's weakening support among Texas's Latino community.

This month Alt.Latino's been looking at the music of Venezuela from a lot of different angles. For this episode, we've invited trumpet player and producer Ella Bric to be our guest DJ. She shared what she thinks are the most socially, culturally and politically impactful pieces of music to come out of Venezuela in the last half century.Ella Bric grew up in a migrant-rich town in Venezuela called San Antonio de los Altos, surrounded by a culturally-minded, socially conscious community. She's now based in New York, and in recent years has positioned herself as a prolific producer on the rise in the Latin music space. In 2018, she won a Latin Grammy for Producer of the Year, and she says her art comes from a curiosity about the state of the world and her desire to reflect that.(00:00) Introduction(01:46) La Vida Bohème, 'Hornos del Cal'(06:41) Betsayda Machado & Parranda el Clavo, 'Sentimiento'(11:35) María Rodríguez, 'Los Dos Titanes'(15:11) Ali Primera, 'Techos de Cartón'(19:52) Linda Briceño & Orlando Watson, 'Unfinished Song'(24:38) Desorden Público, 'Politicos Paraliticos'(27:36) Bucle Lunar, 'Subió El Maldito Dolar'This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This month we've been looking at the music of Venezuela from a lot of different angles. For this episode, we've invited trumpet player and producer Ella Bric to be our guest DJ. She shared what she thinks are the most socially, culturally and politically impactful pieces of music to come out of Venezuela in the last half century.Ella Bric grew up in a migrant-rich town in Venezuela called San Antonio de los Altos, surrounded by a culturally-minded, socially conscious community. She's now based in New York, and in recent years has positioned herself as a prolific producer on the rise in the Latin music space. In 2018, she won a Latin Grammy for Producer of the Year, and she says her art comes from a curiosity about the state of the world and her desire to reflect that.(00:00) Introduction(01:46) La Vida Bohème, 'Hornos del Cal'(06:41) Betsayda Machado & Parranda el Clavo, 'Sentimiento'(11:35) María Rodríguez, 'Los Dos Titanes'(15:11) Ali Primera, 'Techos de Cartón'(19:52) Linda Briceño & Orlando Watson, 'Unfinished Song'(24:38) Desorden Público, 'Politicos Paraliticos'(27:36) Bucle Lunar, 'Subió El Maldito Dolar'This podcast episode was produced by Noah Caldwell. The executive producer of NPR Music is Suraya Mohamed.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy