Podcast appearances and mentions of sydney biennale

In this week's episode, we've caught up talking about our recent public events, and discussion on some of our recent cultural consumptions. EP219(01:50) What we have been doing lately: Sydney Biennale 2024, with artist Idas Losin, and All About Women 2024(17:40) American Fiction (24:20) Avatar: The Last Airbender (29:30) Lisa Ko: Memory Piece(36:40) Patty Lin: End Credits, How I broke up with Hollywood Asian Bitches Down Under featured as one of the Top 20 Intersectional Feminist Podcast by FeedSpot, checkout other amazing podcast programs HERE Facebook | Asian Bitches Down UnderInstagram | Asian Bitches Down Under Buy Me A Coffee | Asian Bitches Down Under

Maru Yacco, a Japanese artist who has an iconic presence in the LGBTQI+ community in Japan, came to Sydney to mark the opening of the 24th Biennale of Sydney, which started on the 9th of March. - ３月９日から始まった国際的なアートの祭典「The 24th Biennale of Sydney」に参加する、東京拠点のアーティスト円奴（まるやっこ）さん。「幸せとは何だろう」が活動のテーマです。

We meet the Maori artist who's single-handedly reviving the lost cultural tradition of barkcloth making. As a right-wing conservative government winds back the prevalence of Maori culture and the teaching of Te Reo Maori, Nikau Hindin is collaborating with artists from across the Great Ocean for the Biennale of Sydney. She explains the complexities and risks in trying to breathe new life into a cultural practice after more than a century.My Art Crush …is Lavinia Fontana. National Gallery of Victoria curator Laurie Benson has long been fascinated by Europe's first professional female artist, 16th C. Baroque master Lavinia Fontana. First broadcast February 2022.Nik Pantazopoulos has been revisiting all the significant doors in his life. The artist started the exercise alongside  therapy, digging through his memories to capture the flyscreen door of his childhood home, to the intriguing stall door of a train station toilet and the blue door of a cottage on Mykonos. They all represent thresholds in his life. The body of work, Elevation, is on at the 2024 Adelaide Biennial of Australian Art. 

So, you're given the keys to Australia's largest visual art festival, what next? Romanian-born curator Cosmin Costinas and Colombian Inti Guerrero are the co-directors of the Sydney Biennale. The art power couple tell us how they got to know Australian art and how they selected 116 artists from dozens of countries to showcase a world of contemporary art in this year's Biennale Ten Thousand Suns.My Thing is... the 'olla'. Ceramic artist Richilde Flavell has been inspired by the ancient plant watering jug, the olla, to make artworks about motherhood and the body. Her exhibition Ok! Motherhood is on at Yarilla Arts and Museum in Coffs Harbour.This year marks 100 years of Surrealism! Much more than just Salvador Dalí's melting clocks, Surrealism was a revolutionary set of ideas and aesthetics that formed in the aftermath of the trauma of WWI. Robert Zeller is a contemporary Surrealist painter and author of New Surrealism: The Uncanny in Contemporary Painting.

Vitiello, a New York native, is an internationally recognized sound artist and mainstay of the New York scene since his early days as a punk guitarist.  He has been influenced by Nam June Paik, has collaborated with Scanner, Pauline Oliveros and Frances-Marie Utti. He is also an electronic musician and visual artist. And, according to Morrow, “an absolute Geiger Counter for places.” In 1999 he did a residency at the World Trade Center managing to capture the Towers's swaying in the wind and recorded the creaking and cracking of the building's skeleton. He has produced countless recordings on various labels such as Sub Rosa and has had many solo exhibitions that combine sound,  installations, photos and drawings at museums and galleries and has been part of many Group shows including Soundings: Contemporary Score at MOMA, the Whitney and the Sydney Biennale. Vitiello serves as a professor at Virginia Commonwealth University in the Kinetic Imaging department. I met Stephen in the 1980s. We worked together on Nam Jun Paik's Zapping for Swatch watch. Then on some of Paik's soundtracks, including "Did George Sand Kill Chopin." Stephen curated the show,  New Sounds New York, for the Kitchen in New York. It included the New York unveiling of my patended 3D soundcube with series of commissioned works including his most evocative, “Cinematic, With Crashing Roof,” one of 12 designed for the cube by an array of artists. Samples Playlist Question Of Temperature • Balloon Farm  Electrinocellia • MEM1 + Stephen Vitiello  Train to the Plane • Charlie Morrow  Brood IX • Stephen Vitiello  Breath Chant • Charlie Morrow  Bell Bell Horn Horn • Charlie Morrow  Mental Radio • Stephen Vitiello  Cascoplecia • MEM1 + Stephen Vitiello  Genesis Song • Charlie Morrow  Iron Oxide • Stephen Vitiello  Thinking In, Thinking Out • Stephen Vitiello Trainslation • Steve Roden  Spring Helsinki • Charlie Morrow  Humming • Charlie Morrow 

“Cross Dimension Broadcast" explores mysticism in the application of Taiwan contemporary art creation. In a pairing format, the programme on the one hand invites contemporary Taiwanese artists working on related themes, and corresponding mysticism practitioners or researchers on the other, to talk about the sensory and mystical techniques they apply in their creation and practices. S1EP1: Interview with contemporary artist Ting-yu LIANG This episode features artist Ting-Yu LIANG, who is currently enrolled in the PhD program of the Department of Fine Arts at the Taipei National University of the Arts. His research and art practices focus on project-based art, the methodology of ghostly discourses, enquiry-based structures and related topics. His works also lay emphasis on transformational justice in history, the panpsychism and the writing of aboriginal history in the recent trend of non-human turn. The works “The Beheaded Stream Art Project”, as well as “The History of Yen” and “Volcanoes” cooperated with the artistic group Engineering of Volcano Detonating are currently exhibiting in the 2022 Taiwan Biennale “Love and Death of Sentient Beings” at the National Taiwan Museum of Fine Arts. S1EP2: Interview with Psychical Researcher Wong Ling This episode features Wong Ling, the principal researcher and former president of the Taiwan Society for Psychical Research (https://tsfpr-official.webnode.tw/). He was taking part in “The Beheaded Stream Art Project” by artist Ting-Yu LIANG and collaborating with art group Engineering of Volcano Detonating. This episode invites Wong Ling to talk about his conceptualizations of spiritual world, spiritual entities and evil spirits, and to share his reflection on artistic participation. S1EP3: Interview with Psychical Researcher Wong Ling (Part 2) This episode features Wong Ling, the principal researcher and former president of the Taiwan Society for Psychical Research (https://tsfpr-official.webnode.tw/). He was taking part in “The Beheaded Stream Art Project” by artist Ting-Yu LIANG and collaborating with art group Engineering of Volcano Detonating. This episode continues the last conversation on two types of spiritual entities (nature deities VS evil spirits constructed by mass media), and discusses about the famous female Taiwanese ghost, CHEN Shou-Niang, the methodology of perceiving and communicating with spirits, the afterlife world, and the principles of fortune telling. S1EP4: Interview with Artist Yin-Ju CHEN This episode features artist Yin-Ju CHEN, who was trained both in Taipei National University of the Arts and in San Francisco Art Institute. Her works utilize mystical techniques, including astrology, sacred geometry, alchemy, and shamanic culture. Yin-Ju is a highly successful international artist, having exhibited at the Sydney Biennale, Berlin, Rotterdam, Taipei Biennale, among others. Most recently, she had a show at the Gwangju Biennale, as well as a solo exhibition last year at the Institute of Contemporary Arts at NYU Shanghai. Her website: http://www.yinjuchen.com S1EP5｜Waiting in Harmony with Emotions: Interview with Astrologist Amber Tang This episode features astrologist Amber Tang, who has a seventeen-year background in studying and practicing Western astrology. She also has expertise in energy healing and holds certifications in Angelic Reiki, Usui Reiki, and Nepalese singing bowls. Amber took part in artist Yin-Ju Chen's art project, Liquidation Maps (2014), where she used astrological charts to reexamine the tragic massacres of modern history.  In this episode, Amber will share her experience and thoughts on participating in the art project, as well as discuss in depth the principles and applications of Western astrology. Website: https://linktr.ee/ambermanifest S1EP6｜Belief Manufactures Narratives, Events, and Objects: Interview with Artist Shi-Chin WU This episode (and the next one) explores the techniqu...

Naseema Sparks is an experienced company director whose passion for the arts led her to take on key leadership roles at board level in organisations such as the Sydney Biennale and the Sydney Dance Company. Now chair of Sydney Living Museums and Music in the Regions, one of our newest arts organisations, she has said “the arts is my balance, it's good for the soul”, which is a sentiment we can all agree with! In this conversation, Naseema speaks about the works of Sydney Living Museums and Music in the Regions, her passion for Australian composers, and how she became involved with the arts at board level. Her musical selections include a rarity from Sydney's colonial past – just a small part of the ongoing projects conducted by SLM.

Clare Millege Join Chris and Clare, an artist from Sydney Australia, and an eloquant exponant of the art of landscape stories, as they discuss, art, ecology, the Australian landscape and, especially, Clare's recent installation Imbás: a well at the bottom of the sea at the Sydney Biennale 22. Take the opportunity to explore the installation as Clare leads us on a very special artist's personal walk, through the exhibiton. View gallery Images and reviews 'Taste' the soundscape underlying the installation Read the text of Clare's poem Links to archive episodes relevant to this conversation Mythical Women re-visited: Discovering Sinann.Sinann in the Metrical DindshenchasMore poems of SinannChris' personal look at encounters with early Irish and Australian indigenous art. Dindshenchas and DreamtimeExploring the Longevity of Stories

Grace Dlabik is the founder of BE. ONE Creative (a creative agency) and BE. Collective - two hubs in the BE. ecosystem that exists to empower and platform creatives of colour. As well as being a creative director, community leader, mentor and advocate, Grace is also a mother. She and her son Elijah have a formidable partnership, and their relationship has been the guiding force in her life for nearly two decades. Elijah is a wheelchair user and in the 18 years of his life, they have never lived in a home that suits his accessibility needs.Her fight for greater awareness and action around Australia's accessible housing crisis has gathered momentum, speed and legions of people in the past year, and has now made its way to the Victorian parliament.In this episode, Lucy talks to Grace about building a creative community, being vulnerable in the public eye and tackling the country's accessible housing crisis.EPISODE LINKS:Grace, Morganne + Elijah's 'Family' story on The Design FilesGrace's public call-out for a house that meets Elijah's accessibility needs'Safe Passage to Reclaim and Revive the Memory of Concealed Culture' at the Sydney Biennale, 2020 

"dear fellow settler colonizer," is a Minus Plato series, rebroadcast on Broken Boxes for STTLMNT Digital Occupation as resource archive directed towards education of settler ancestors who may like to more relationally engage with work created by and centering Indigenous artists, such as with the STTLMNT project. “The show will explore the transformative work of contemporary global Indigenous artists from the explicitly problematic perspective of the settler colonizer. By critically examining our complicity in ongoing structures of colonial violence, the show offers tools for settler colonizers to engage with Indigenous artmaking beyond positions of exploitation, appropriation and other harmful moves to innocence.” "This episode will discuss approaches to curriculum for global Indigenous arts from within and beyond the settler institutions of the university and the museum. In addition to an ongoing conversation on this topic with Cannupa Hanska Luger, concept artist of STTLMNT: Indigenous Digital Occupation, the episode centers on a narrative by Jaime Morse, educator for Indigenous Programs and Outreach at the National Gallery of Canada, Ottawa. Focusing on her experience as an educator at the two large-scale exhibitions of global Indigenous art, Sakahàn (2013) and Àbadakone (2019), Morse describes the work of Sámi architect and artist Joar Nango (Sámi Architectural Library, 2019) at the latter as a space of gathering and knowledge exchange, not only for other artists in the exhibition, but also for Indigenous community members. At the beginning and end of the episode are two spoken word pieces by writer, artist and curator Taqralik Partridge, of Inuit, Scottish and Canadian heritage: ‘Decolonisation is a Pyramid Scheme' and ‘Untitled'. The former was included in a TV show created by Joar Nango and Ken Are Bongo called Post-Capitalist Architecture TV for Bergen Kunsthall, while the latter was included in NIRIN: 22nd Sydney Biennale, curated by Brook Andrew. ‘Untitled' was originally written following a performance by Indigenous Brazilian artist Denilson Baniwa in Toronto and Partridge agreed for it to be included in today's episode with a request for donations to support the South American Indigenous Network Emergency Fund – here is the link to donate: www.gofundme.com/f/south-american…k-emergency-fund " -Minus Plato

"dear fellow settler colonizer," is a Minus Plato series, rebroadcast on Broken Boxes for STTLMNT Digital Occupation as resource archive directed towards education of settler ancestors who may like to more relationally engage with work created by and centering Indigenous artists, such as with the STTLMNT project. “The show will explore the transformative work of contemporary global Indigenous artists from the explicitly problematic perspective of the settler colonizer. By critically examining our complicity in ongoing structures of colonial violence, the show offers tools for settler colonizers to engage with Indigenous artmaking beyond positions of exploitation, appropriation and other harmful moves to innocence.” "This episode will discuss approaches to curriculum for global Indigenous arts from within and beyond the settler institutions of the university and the museum. In addition to an ongoing conversation on this topic with Cannupa Hanska Luger, concept artist of STTLMNT: Indigenous Digital Occupation, the episode centers on a narrative by Jaime Morse, educator for Indigenous Programs and Outreach at the National Gallery of Canada, Ottawa. Focusing on her experience as an educator at the two large-scale exhibitions of global Indigenous art, Sakahàn (2013) and Àbadakone (2019), Morse describes the work of Sámi architect and artist Joar Nango (Sámi Architectural Library, 2019) at the latter as a space of gathering and knowledge exchange, not only for other artists in the exhibition, but also for Indigenous community members. At the beginning and end of the episode are two spoken word pieces by writer, artist and curator Taqralik Partridge, of Inuit, Scottish and Canadian heritage: ‘Decolonisation is a Pyramid Scheme' and ‘Untitled'. The former was included in a TV show created by Joar Nango and Ken Are Bongo called Post-Capitalist Architecture TV for Bergen Kunsthall, while the latter was included in NIRIN: 22nd Sydney Biennale, curated by Brook Andrew. ‘Untitled' was originally written following a performance by Indigenous Brazilian artist Denilson Baniwa in Toronto and Partridge agreed for it to be included in today's episode with a request for donations to support the South American Indigenous Network Emergency Fund – here is the link to donate: www.gofundme.com/f/south-american…k-emergency-fund " -Minus Plato

Season 2 opens with one of my favourite episodes. Day 105 Sydney, Day 0 Melbourne - as Melbourne locked down suddenly again in a second wave - we speak to artist Belinda as she gazes out onto Sydney Harbour the night that Melbourne locked down. She talks about the arts community in Australia in lockdown and the Sydney Biennale, the first time it has been curated by an Indigenous artist Brook Andrew - turned on its head at the very last minute as it coincided with lockdown. She talks about what happens to an artist's practice under stress, nurturing in a crisis and grieving and celebrating her father who died during the lockdown when gatherings were not permitted. She covers the fascinating changes happening in Australian society across states and the seen and unseen in all our lives that the pandemic will bring to light. https://www.smh.com.au/culture/art-and-design/aboriginal-artist-and-provocateur-brook-andrew-on-shaking-up-the-sydney-biennale-20190930-p52w6c.html You can follow Belinda and her work @belinda_brighthouse on instagram and at https://www.belindapiggott.com/ This episode was recorded on 8 July 2020. If you have enjoyed this episode and would like to see the story unfold *subscribe to Coexisting at your preferred podcast host here: https://pod.link/1517874874 * share with a friend *leave a rating/review on Apple Podcasts *connect on: FACEBOOK https://www.facebook.com/coexistingpodcast INSTAGRAM https://www.instagram.com/coexistingpodcast/  LINKEDIN: https://www.linkedin.com/company/coexisting It all helps people to find us! 

Anawana Haloba (b. 1978) lives and works in Oslo. She is a graduate from the Rijksakademie van Beeldende Kunsten in Amsterdam, Evelyn Hone College of Applied Arts in Lusaka and the Academy of Fine Art in Oslo. Haloba's work has been featured in both solo- and group shows, including the Rauma Biennale, Finland; ZKM Museum of Contemporary Art, Karlsruhe, Germany; Kunstnernes Hus, Oslo (2010); the Venezia Biennale (2009); the Sydney Biennale (2008); Manifesta, Bolzano, Italy (2007); the Sharjah Biennale (2007 and 2013); as well as the biennales in Sao Paulo (2016), Shanghai (2016) and Lyon (2017). Haloba's video installation «To Mars By All Means» was shown at Kulturkirken Jakob in Oslo in 2018, presented by Transnational Arts Production (TrAP). She had a solo exhibition at Oslo Kunstforening in 2018, 'Conversations with Stitched up Lips' and was exhibited in the group show 'Nordic Delights' in 2016.https://www.en.oslokunstforening.no/anawana-haloba-2018

A key event of the Indigenous-led Sydney Biennale is a four-day program of in-depth dialogues featuring artists from 24 First Nations across 12 countries.

SONIC ACTS FESTIVAL 2019 – HEREAFTER Elizabeth A. Povinelli – After the End, Stubborn Affects and Collective Practices 24 February – De Brakke Grond, Amsterdam, The Netherlands With an introduction by Mirna Belina. As many in the West look forward to a climate-induced end of times, huge areas of the human and nonhuman world have been struggling to exist in the toxic excrement of late liberal capitalism. For them, the end of the world has already happened – and it has happened multiple times: the catastrophe of colonialism and imperialism, neoliberalism and extractive capitalism, toxicity and disrepair. This talk asks what affective and collective practices look like if viewed from within worlds that have long existed after the end, using the Karrabing Film Collective as a special case. Elizabeth A. Povinelli is an anthropologist and filmmaker. She is Franz Boas Professor of Anthropology at Columbia University, New York, Corresponding Fellow of the Australian Academy of Humanities and a founding member of the Karrabing Film Collective. She is the author of five books, including the most recent, Geontologies: A Requiem to Late Liberalism (2016), winner of the Lionel Trilling Book Award. Karrabing films and installations have shown at the Tate Modern, Berlinale Forum Expanded, Melbourne International Film Festival, Contour Biennale, Sydney Biennale, Van Abbemuseum, Institute for Modern Art in Brisbane, Vargas Museum and other venues. Povinelli lives and works in New York City and Darwin, Australia. The visit of Elizabeth Povinelli was made possible by Het Nieuwe Instituut with support of the Ministry of Foreign Affairs.

Matthew Ritchie is an artist born in England who lives and works in New York City. He has exhibited internationally over the past two decades, including solo presentations at the Institute of Contemporary Art, Boston, MA (2014); ZKM Karlsruhe (2012), Barbican Theatre, London, UK (2012); Brooklyn Academy of Music (2009), NY, St. Louis Art Museum, MO (2007); MASS MoCA, North Adams, MA (2004), Contemporary Art Museum, Houston, TX (2003); and the Dallas Museum of Art, TX (2001). Matthew’s work was included in the 1997 Whitney Biennial, the 2002 Sydney Biennale, the 2004 Bienal de Sao Paulo, the 2008 Seville Bienal, the Havana Bienal, and the 11th International Architecture Biennial, Venice, Italy (2008) as well as major exhibitions at the Solomon R. Guggenheim Museum, New York, NY; Museum of Modern Art, New York, NY and the San Francisco Museum of Modern Art, CA. His work is in the permanent collections of the Museum of Modern Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY;  Whitney Museum of American Art, New York, NY; San Francisco Museum of Modern Art, CA; and the MIT List Visual Arts Center, Boston, MA among others. Brian visited Matthew’s Midtown studio for a talk about his early days in London, shady real estate, musical collaborations, post-punk, burning Bronx and being a Spurs fan. This episode is sponsored by Golden Paints, Topo Designs and Charter Coffee.

In this Bonus Episode of FIELD WORK, Drew Pettifer speaks to the Director of the Sydney Biennale and the Director of the Adelaide Biennial about their visions for their biennales.

Our BFF’s at the Golden Age Cinema offers listeners a double pass to Marina Abramovic in Brazil: The Space in Between, so we ask listeners to text in their favourite film where friends go travelling. We make fun of Sean Penn’s new book, and talk about the Harry Potter escape room in Melbourne. We review A Quiet Place and Marina Abramovic in Brazil: The Space in Between, screening at Golden Age Cinema. We also recommend people see Nguyen Trinh Thi’s Letters from Panduranga at the Biennale, and Reconstruction by Lucian Pintilie at the Art Gallery of NSW.

The Museum Next Conference takes a look at the future of our museums, as part of Sydney Biennale artist Akira Takayama has asked the public to sing songs to their ancestors, Edwina Stott brings us the latest arts news and Nina Sanadze asks us to take a closer look at the bollards in our cities.

It's biennale central here at The Hub on Art this week as we cover the Lorne Sculpture Biennale, the Sydney Biennale and the announcement that Sydney artist Angelica Mesiti will be Australia's next representative at the Venice Biennale.

On this show we broadcasted live from Carriageworks in Eveleigh for the 2016 Sydney Biennale. Featured on the panel were Lee Minwei, Jamie North & Lauren Brincat, who talked about their works and their experiences at the Biennale.

Art and Mammon are uneasy bedfellows: witness the recent furore over the Sydney Biennale. The solution, says the FT’s arts writer, is for institutions to embrace debates over their funding, not run from them See acast.com/privacy for privacy and opt-out information.

It's the first CIRCUIT Cast for 2014! In this months pod we talk to Australian artist Nathan Gray about his decision to withdraw from this years Sydney Biennale, just hours before the Biennale ended it's association with controversial sponsor Transfield Holdings. Panellists Martin Patrick and Abby Cunnane join host Mark Amery to dissect the Adam Art Gallery exhibition Cinema and Painting. From New York we are joined by the one of the show's artists, Mr Ken Jacobs, who with his wife Florence discuss the relationship between the aforementioned two mediums, Jacobs' 3D cinema and also share an anecdote about Len Lye in New York during the 1960s. Image: Ken Jacobs, film still from The Guests, 2013. 3D Archival footage transferred to digital video, DCP, b/w, surround-sound, 74mins. Courtesy of the artist.