Podcasts about Art critic

Episode 602: Check out my latest chat with LA Writer & Art Critic, Shana Nys Dambrot about what it’s like being an art critic. She publishes 13thingsla, a local art zine on Substack. This episode is brought to you by: The post My chat with LA Writer & Art Critic Shana Nys Dambrot appeared first on Let's Talk Art With Brooke.

Nitwit Nero, Art Critic. That's what's on what passes for the mind of Tangerine Tiberius . . . even as the nation reels at the incompetence.

Is the problem really your art—or just how you're looking at it?We've all been there. You step back from something you've just created, and your brain instantly goes, “Ugh, this is awful.” Maybe even, “What if people see this and think I have no idea what I'm doing?” That little voice in your head? It's not just being dramatic, it's actively sabotaging you.In this episode of The Savvy Painter Podcast, we're digging into how your brain warps your perception of your own work, why that inner critic is so convincing, and, most importantly, how to quiet it so you can share your art with confidence. Because if you don't believe in your work, how can you expect anyone else to?1:58 – Negativity bias of the brain and how it affects your perspective4:07 - One Growth Studio member's journey from self-doubt to public recognition6:52 – The cycle of doubt you experience with your work10:46 – Three steps to override your brain and overcome self-doubt16:48 – How to practice talking about your art to build confidence Mentioned in Your Brain Is the Worst Art Critic (And What to Do About It)Why Get Your Work Critiqued?Exploring Your Art Without Overthinking or OverwhelmSign up for the workshop “Talk About Your Work”Join Growth StudioSupport the show

"PREVIEW: Art critic Sebastian Smee, author of 'Paris in Ruins,' explains how painting en plein air was considered revolutionary by the artistic establishment.  1871 Paris

"PREVIEW: PARIS: Art critic Sebastian Smee, author of 'Paris in Ruins,' explores the birth of Impressionism during the Franco-Prussian War and the complex relationship between Édouard Manet and Berthe Morisot. More tonight." 1871 Commune

"PREVIEW: Conversation with art critic Sebastian Smee, author of 'Paris in Ruins,' about Berthe Morisot, the first female Impressionist and muse to the movement's founding artists, including Édouard Manet. More later this week." 1870s, Barthe Morisot by Edqard Manet.

“In the end, what interests me is the way art connects with life. Because otherwise, I don't quite understand what it's for.” - Sebastian Smee Sebastian Smee has been the art critic for the Washington Post since 2018, but has written extensively about art for every publication you can think of, from here to his native Australia, and winning a Pulitzer prize for criticism along the way. Both his prose and his love of the work leaps off the page and into your lap, offering a guiding hand past the velvet rope, not just for his readers, but for himself: he's a critic who is constantly looking inward, curious about his own responses to artworks, and what it can teach him about teaching us. Sebastian joined me to discuss his latest book, “Paris in Ruins: Love, War, and the Birth of Impressionism,” as well as writers on writing, becoming an expert about a movement on deadline, how looking back at the muddiness of a historical moment can help us understand the muddiness of ours, and what happens when art critics are themselves at a loss for the words to express why they just love this or that painting so darn much. See the images: https://www.thelonelypalette.com/interview/2025/2/6/sebastian-smee-art-critic Music used: The Blue Dot Sessions, “Town Market,” “Night Light,” “Brass Buttons” Episode sponsor: The Art of Crime Podcast

Mandolyn Wilson Rosen is back on the podcast! This time, instead of a book we are talking about an artist documentary. The film is called "Lifeline: Clyfford Still" 2019 directed by Dennis Scholl. It's a juicy art bio tell-all with a crusty curmudgeon as its talented but embittered subject. Come along with us as we enter a turbulently Still world. Find the film on Amazon ($2.99 SD) or for free on KanopyFind Mandolyn online at: https://mandolynwilsonrosen.com and on IG at @mandolyn_rosenLinks to the writings we mentioned:Clyfford Still's "An Open Letter to an Art Critic" on Artforumhttps://www.artforum.com/features/an-open-letter-to-an-art-critic-212151/David Levi Strauss for Brooklyn Rail "From Metaphysics to Invective"https://brooklynrail.org/2012/05/art/from-metaphysics-to-invective-art-criticism-as-if-it-still-matters/Seph Rodney for Hyperallergic "Hoping is Not Enough"https://hyperallergic.com/983414/hoping-is-not-enough/Artists mentioned: Matthew Barney, Jackson Pollock, Mark Rothko, Barnett Newman, Lois Dodd, Julian Schnabel, Mark Bradford, Julie Mehretu, Frank Stella, Ellsworth Kelly, Michelle GrabnerWriters mentioned: Seph Rodney, Paul Valéry, John Ruskin, Guillaume Apollinaire, John Ruskin, David Levi Strauss, Dore Ashton, Jerry Saltz, Ken Johnson, Clement Greenberg, Emily Dickinson's "'Hope' is the thing with feathers" Thank you, Mandy! Thank you, Listeners!Visit RuthAnn, a new artist-run gallery in Catskill, NY at @ruthanngallery and ruthanngallery.comAll music by Soundstripe----------------------------Pep Talks on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@peptalksforartists⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pep Talks website: ⁠⁠⁠⁠⁠⁠peptalksforartists.com⁠⁠⁠⁠⁠⁠Amy, your beloved host, on IG: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@talluts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amy's website: ⁠⁠⁠⁠⁠⁠amytalluto.com⁠⁠⁠⁠⁠⁠Pep Talks on Art Spiel as written essays: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/7k82vd8s⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BuyMeACoffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Donations always appreciated!

Emmy-winning filmmaker Liz Scully is back on the show for our newest art critic series. You'll be hearing our take on the latest art news and stories in the art world. We're discussing the role of art in shaping the world around us. Stay tuned to hear from your favorite art world insiders.   In this episode, you'll: Learn how performance art can challenge and transform societal norms Discover why immersive art is becoming a must-see experience for 2025 Explore the ethics and effectiveness of art activism   For full show notes, go to schulmanart.com/333  

Not since the Greco-Roman period has sculpture mattered this much in sports. And Jerry Saltz — the Pulitzer Prize-winning senior art critic for New York magazine — has zero idea who Dwyane Wade is. Which is precisely why we asked the erstwhile Jewish Cowboy (we'll explain) to evaluate our athletic Bronze Age, from Michael Jordan to Cristiano Ronaldo. And that's before we get to "I Can't Believe It's Not Pablo (Butter on Gasbag, 2024)." Plus: the conscious uncoupling of art and money, sex workers in Jacksonville, how to make an enemy of envy, and why you can't be a vampire alone. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Not since the Greco-Roman period has sculpture mattered this much in sports. And Jerry Saltz — the Pulitzer Prize-winning senior art critic for New York magazine — has zero idea who Dwyane Wade is. Which is precisely why we asked the erstwhile Jewish Cowboy (we'll explain) to evaluate our athletic Bronze Age, from Michael Jordan to Cristiano Ronaldo. And that's before we get to "I Can't Believe It's Not Pablo (Butter on Gasbag, 2024)." Plus: the conscious uncoupling of art and money, sex workers in Jacksonville, how to make an enemy of envy, and why you can't be a vampire alone. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Not since the Greco-Roman period has sculpture mattered this much in sports. And Jerry Saltz — the Pulitzer Prize-winning senior art critic for New York magazine — has zero idea who Dwyane Wade is. Which is precisely why we asked the erstwhile Jewish Cowboy (we'll explain) to evaluate our athletic Bronze Age, from Michael Jordan to Cristiano Ronaldo. And that's before we get to "I Can't Believe It's Not Pablo (Butter on Gasbag, 2024)." Plus: the conscious uncoupling of art and money, sex workers in Jacksonville, how to make an enemy of envy, and why you can't be a vampire alone. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode Peter and Tom interview art critic, Estelle Lovatt FRSA. Estelle has the experience of being on both sides of the canvas; having trained as a painter, read art history and worked as a gallery exhibition curator. Estelle works as a freelance art critic for the BBC (radio and TV), as well as for various independent radio stations throughout Great Britain. She writes for numerous magazines and newspapers and lectures at the Hampstead School of Art, in London. She also runs her own walking tours and masterclasses. In this fascinating episode, Estelle talks knowledgeably and passionately about the art world of the past and the present, and the role of the art critic today.To find out more about Estelle, visit her website: https://estellelovatt.com/  This Podcast is sponsored by Rosemary & Co Brushes,  Search Press publishers and Jackson's Art Supplies.For more information about our sponsors, please visit:  Rosemary & Co Brushes: www.rosemaryandco.com Search Press publishers: www.searchpress.com Jackson's Art supplies: www.jacksonsart.com

Case Of The Phantom Art Critic

Housed in a 19th-century cheese factory, Audrey Handler's studio was founded in 1970 and is one of the oldest continually operating glassblowing facilities in the country. Through demonstrations she gave there and workshops she taught on the road at places such as Penland School of Craft and Haystack Mountain School of Crafts, she helped spread the idea that glass could be used as a medium for personal artistic expression.  A pioneer of the Studio Glass Movement, Handler started working in glass in 1965 as one of Harvey Littleton's first female glass students. He and his students experimented and learned together, renting old glassblowing films from the Corning Museum of Glass and trying to emulate the techniques. “It was so exciting,” Handler recalls. “Every day was something new.”   As a glassblower, Handler creates fruit forms, glass platters, and vases but also sculptural environments that comment on universal experiences, usually domestic in nature. These sculptures reflect small worlds and landscape portraits with life-sized objects and tiny sterling silver or gold people that evoke a surrealistic time and place. In well-known series the artist calls Monuments in a Park, Pear in a Chair and Wedding Pair, glass, wood and precious metal combine to tell a story. These works are made in collaboration with her husband, John Martner, who fabricates the tiny wooden chairs and love seats.   Wrote James Auer, Art Critic, The Milwaukee Journal: “By combining pieces of hand-blown fruit, in particular apples and pears, with tiny, hand-cast silver figures, (Audrey Handler) creates bizarre, Lilliputian landscapes that evoke universal human emotions and experiences. …this universality – combined with a neat sense of humor – is Handler's principal strength. It permits her to invest her work with a cutting satirical edge, to the point where her miniaturized depictions of conventional household scenes and cliched gender role models become winning little exercises in small-town surrealism.” Handler was a board member of the Glass Art Society, an international organization she helped create in 1971. She holds a BFA from Boston University School of Fine and Applied Arts and a MS and MFA from the University of Wisconsin, Department of Art. Her work was represented in the New Glass 1979 and New Glass Now 2019 exhibitions and published in the Corning Museum's survey of cutting edge-glass art, New Glass Review, in issues 5, 16 and 43. In 2014, Handler was awarded the Wisconsin Visual Arts Lifetime Achievement Award, joining fellow honorees Frank Lloyd Wright and Georgia O'Keeffe. The artist currently serves on the Glass Advisory Board of the Bergstrom Mahler Museum of Glass in Neenah, Wisconsin. Handler's sculptures can be found in collections and museums worldwide. During 2023 and 2024, her work was exhibited at the Racine Art Museum, Racine, Wisconsin, in two separate group shows: Women in Glass and Wisconsin Artists: 1960 – 1990: A Survey. Her work is on view now at the Chrysler Museum of Art, Norfolk, Virginia, in 60 Years of Studio Glass, 2022 to present, and at the Chazen Museum of Art, Madison, Wisconsin, in Recent Acquisitions, 2021 to 2023, and an ongoing exhibit of her work from 1965 to present. Her latest endeavor involves creating new mixed media sculpture and painting with low-fire glass paints on tiles and glass, creating landscapes of the prairie seen from her studio window, areas around Wisconsin and visions of landscapes from her many travels. These glass paintings are an extension of her work with blown glass – an endeavor which spans more than 50 years – as well as a return to her roots as an oil painter.    

A conversation with the legendary art critic, Roberta Smith. For nearly five decades, Roberta has been a guiding force in the art world, shaping conversations and perceptions with her incisive critiques and unparalleled insights. From her early days working alongside Donald Judd to her illustrious tenure at The New York Times, Roberta's journey through the ever-evolving landscape of contemporary art offers a unique perspective on the intersection of creativity, criticism, and culture. In the conversation, we delve into Roberta's remarkable career, exploring the challenges and triumphs of navigating the art world's intricacies, as well as gathering insights into how she crafts her acclaimed reviews and essays. In addition, we'll explore the dynamic interplay between art and life, as Roberta shares her experiences as a partner to fellow art critic Jerry Saltz. Together, they form a powerhouse couple whose passion for art reverberates through their personal and professional lives.https://www.instagram.com/robertasmithnyc/https://www.nytimes.com/by/roberta-smith

This week we're replaying some of our finest episodes about some of the finest works ever created. In this episode from October 2021, a look at the research into how pigeons take in and process visual information, like art. Apparently it's pretty complex. Plus: in Detroit, a local news reporter does a story about a local skateboard park, and flawlessly rides a skateboard in the middle of his report!  ⁠The Pigeon as Art Critic⁠ (Scientific American) ⁠Van Gogh, Chagall and pigeons: picture discrimination in pigeons and humans⁠ (NIH) ⁠Pigeons' Discrimination of Paintings By Monet and Picasso⁠ (Researchgate) ⁠News anchor ends local skatepark dispatch by shredding into the sunset⁠ (AV Club) ⁠Pigeons also recognize our Patreon backers as the best --- Send in a voice message: https://podcasters.spotify.com/pod/show/coolweirdawesome/message Support this podcast: https://podcasters.spotify.com/pod/show/coolweirdawesome/support

This week (4/19 & 4/21) on ART ON THE AIR features the new curator for The Depot Museum and Art Galley, Meg Bero, who brings a wealth of experience to Beverly Shores' exhibit space. Next we have Chicago Tribune Art Critic, Lori Waxman who also serves as a senior lecturer at the Art Institute of Chicago. Our Spotlight is on Chesterton Arts Center's summer classes and camp plus info about their April 27 Gala. And a Spotlight Extra, on Listen to Your Mother at Hobart Art Theater on May 7th. Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/show/AOTA, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/show/AOTA or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.org Send your questions about our show to AOTA@brech.com LIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR. https://www.lakeshorepublicmedia.org/show/art-on-the-air/2024-03-19/art-on-the-air-april-21-2024

Hosted by writer Emma Atkinson, RadioEd is a triweekly podcast created by the DU Newsroom that taps into the University of Denver's deep pool of bright brains to explore the most compelling and interesting research coming out of DU. See below for a transcript of this episode. The Manhattan District Attorney's Office says the Art Institute of Chicago demonstrated “willful blindness” when it purchased “Russian War Prisoner,” a drawing by Austrian Artist Egon Schiele. The museum insists it came by the piece legally.  Why all the drama? Well, the drawing was stolen by the Nazis during World War II.  We'll let the courts decide what happens in Chicago. But right here in Colorado, University of Denver professor of history Ellizabeth Campbell is leading a national conversation about what happened to art looted by the Nazis in World War II—and why the rehoming, or restitution, process isn't as straightforward as it might seem. Elizabeth Campbell is a history professor at the University of Denver. She also serves as director of the Center for Art Collection Ethics (ACE). Campbell teaches courses in modern European and French history, including the French Revolution, Europe during the World Wars, Nazi art looting and seminars on the history and memory of World War II in France and the Algerian war of independence.  Her latest book, “Museum Worthy: Nazi-Era Art in Postwar Western Europe,” focuses on the Allied recovery of plundered art, comparing restitution practices in France, Belgium and the Netherlands. In all three cases, postwar governments held unclaimed works for display in state-run museums, setting the stage for controversy and litigation in the 1990s and ongoing cultural property disputes. (Oxford University Press, forthcoming)  In the spring of 2017, Campbell began developing plans for ACE in consultation with DU faculty and staff in related programs. ACE promotes ethical art collection stewardship through social media and on-campus training programs. More Information: "Museum Worthy: Nazi-Era Art in Postwar Western Europe” by Elizabeth Campbell “Art Institute showed ‘willful blindness' in buying Nazi-looted art, New York prosecutors say” Chicago Sun-Times “Russian War Prisoner” Art Institute of Chicago “An Art Critic's Secret Critique Of Hitler's Paintings Shown Uncanny Insight” History Daily Center for Art Collection Ethics  

Frank Auerbach was sent to Britain from Nazi Germany by his parents at the age of 8. Growing up in a Quaker boarding school in Kent, he developed his artistic talents - later to be inspired by the landscapes of war-torn London in the Blitz. Worrying about how he would afford paint for much of his career, an Auerbach piece now commands a price tag in the millions. He has developed a reputation as a recluse - rarely giving interviews, or even attending his own exhibitions. Now, his wartime art 'The Charcoal Heads' is on display in London. Who is the 92-year-old artist still working seven days a week? Stephen Smith gets beneath the paint layers to learn more about one of our greatest living artists. CONTRIBUTORS Dale Berning Sawa, Journalist and Commissioning Editor William Feaver, Art Critic, Author Catherine Lampert, Curator and Art Historian Barnaby Wright, Deputy Head, The Courtauld Gallery PRODUCTION TEAM Presenter: Stephen Smith Producers: Ellie House and Julie Ball Studio Manager: Neil Churchill Editor: Matt Willis Production Co-ordinators: Maria Ogundele and Sabine SchereckCREDITS: Omnibus, BBC TV, 2001. Jake Auerbach Films This Cultural Life, BBC R4, January 2024

Hettie Judah is a British art critic, broadcaster and writer who has spent many years dealing with the subject of art and motherhood. Following the publication of her 2020 study on the impact of motherhood on artists' careers, she collaborated with a group of artists in 2021 on the manifesto How Not To Exclude Artist Parents, now available in 15 languages. In 2022, Judah co-founded the Art Working Parents Alliance with Jo Harrison – a support network and campaign group for people working in the arts.  In the same year, she published How Not To Exclude Artist Mothers (and other parents) (Lund Humphries), a book that argues that by making changes and becoming more sensitive to the needs of artist parents, the art world has much to gain. Judah is the curator of the Hayward Gallery Touring exhibition Acts of Creation: On Art and Motherhood which will open in Bristol in March 2024. Her next book with the same title will be published globally by Thames & Hudson in summer 2024. 

LA based WM writer/guest host Lita Barrie interviews actor/poet/screenwriter/ art critic, Laurence Fuller about his screenplay on his legendary English art critic father, Peter Fuller, (Lawrence Fuller's screenplay ‘ Modern Art' - which has won eight screenplay awards). They also discuss the changing role of an art critic & NFTs . --- Support this podcast: https://podcasters.spotify.com/pod/show/noah-becker4/support

she has an eye for detail if the detail is the size of the painting

This week Rich has on comedian Eliot Thompson!

Released to subscribers: 17 Apr 2023 | For full episode, find us via patreon.com/newmodels & newmodels.substack.com National Art Critic for artnet News and the author, most recently, of Art in the After-Culture (Haymarket, 2022), Ben Davis speaks to New Models about his recent essay “How We Ended Up in the Era of ‘Quantitative Aesthetics,' Where Data Points Dictate Taste.” For more: benadavis.com twitter.com/benadavis news.artnet.com/opinion/quantitat…esthetics-2276351 Art in the After-Culture (Haymarket, 2022) 9.5 Theses on Art and Class (Haymarket, 2013) [episode image: Butch McCartney / dogphotographer.eth.co]

Today we speak with the Wall Street Wonder, Matt Levine. Matt's Bloomberg column, Money Stuff, has become a must read for most of the finance community. It's that rare place where you get laughter, learning, and complex topics. During the conversation, we talk with Matt about his ability to translate those complex topics, how his early legal career at Wachtell Lipton, and then his banking career at Goldman Sachs have played a role in his success, and we cover a ton of topics in terms of what's going on in the markets today - the overall regulatory structure and some very abstract questions. Please enjoy this conversation with Matt Levine. For the full show notes, transcript, and links to the best content to learn more, check out the episode page here. ----- Making Media is a property of Colossus, LLC. For more episodes of Making Media, visit joincolossus.com/episodes. Stay up to date on all our podcasts by signing up to Colossus Weekly, our quick dive every Sunday highlighting the top business and investing concepts from our podcasts and the best of what we read that week. Sign up here. Follow us on Twitter: @ReustleMatt | @domcooke | @MakingMediaPod | @JoinColossus  Show Notes  (00:01:51) - (First question) - Today's regulatory efficiency versus history   (00:07:26) - The area of finance he would like to investigate the most   (00:09:39) - The access he has to both public and private finance for his articles (00:10:21) - His relationship with his readers (00:11:08) - Responses from the individuals he writes his columns about  (00:12:24) - Legalization of unregulated activities making for the most interesting articles  (00:14:31) - His reason for defending finance and banks (00:17:19) - His view on whether derivatives around financial securities are a net positive  (00:18:22) - His view on himself and how he would categories what he does  (00:19:16) - What it's like being an opinion writer for Bloomberg (00:21:35) - His view on large companies owning individual writers IP's  (00:25:24) - Twitter's relevance in today's society and its continued impact on social culture   (00:26:39) - Replacements for Twitter and where journalists look for interesting writing topics  (00:27:28) - Topics he feels trapped into writing about due to their popularity (00:30:27) - His knowledge of special purpose acquisition companies or SPACs (00:31:52) - His perspective on the fallout from SPACs   (00:35:34) - His process on researching topics he finds most interesting to write about  (00:37:00) - Strategies he uses to choose topics he wants to write about   (00:37:51) - The moment he knew readers were interested in his opinions   (00:39:25) - Analytics and the importance of how his columns perform   (00:41:03) - Performance reviews he receives from Bloomberg  (00:42:02) - How writing columns has detached him from his previous financial careers (00:43:24) - His future in writing and whether he plans to change or expand his endeavors  (00:44:56) - Harnessing the power of his readers and expanding his reach with media  (00:46:33) - The transition from traditional media career paths to creator-led career paths    (00:50:28) - Debrief Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 51 of ‘All About Art': Being Your Authentic Self in the Arts with Comedian and Art Critic Verity Babbs In this episode, I sat down with art critic, comedian and presenter Verity Babbs. We speak about the topic of being your authentic self in the arts and why we often struggle with it in our sector. I ask her about Art Laughs, an initiative she founded that brings art-themed comedy events to museums, galleries, fairs, and cultural spaces. Listen on to hear me ask Verity how she comes up with her jokes, why she thinks being authentic in the arts can be so tough, and in what ways neurodiverse contributors and audiences are instrumental in our sector. We also both open up on struggles surrounding mental health, with the arts providing an ever-growing workload and an ever-diminishing pay. Thank you Verity for coming on the podcast and having such a fun, open and honest chat with me! Find out more about Verity here: www.veritybabbs.com/ You can follow Verity on Instagram here: www.instagram.com/veritybabbsart and explore what Art Laughs has to offer here: https://www.artlaughs.com/ For the price of one coffee a month, you can support All About Art on Patreon! https://www.patreon.com/allaboutart ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram @alexandrasteinacker Twitter @alex_steinacker and LinkedIn at Alexandra Steinacker-Clark COVER ART: Lisa Schrofner a.k.a Liser www.liser-art.comAssistant Production: ⁠Leanne Dennis⁠

This Week's Guests: Brian Kiley and Kira SoltanovichWe roll into the ultra-funny parenting zone as two of our absolute favorite guests return to the show.  The always charming Kira Soltanovich from Let's Make A Deal is coming back to give the show a nice mom balance...and not only that, but the hysterical Brian Kiley is making his way to the show as well. You may know Brian from his days as head monologue writer on Conan O'Brien.  In this episode the gang talks about how Jamie's daughter wrote a series of tear inducing apology letters, how Jason's non-verbal son first said I love you, how Kira's kids each have such vastly different personalities, and Brian gets compared to a couple of scribbly lines on a piece of paper. You can catch more of Kira Soltanovich at:https://www.kiracomedy.com/You can catch more of Brian Kiley at:http://www.briankiley.com/You can catch The Parent's Lounge live every Tuesday Night at 10pm EST/7pm PST at:https://www.facebook.com/theparentslounge#theparentslounge #kirasoltanovich #speechdelay #briankiley #parentingpodcast #jamiekaler #jasongowin #katemulligan #comedians #parentingadvice #funnyparents #hilarious #cohosts #apologyletters #NonVerbalChildren #artcritic #Impressions #standupcomedy #parenthoodJamie Kaler's Instagram - https://www.instagram.com/jamiekaler/Jason Gowin's Instagram - https://www.instagram.com/jasongowin/Kate Mulligan's Instagram - https://www.instagram.com/katestmomever/The Parent's Lounge TikTok - https://www.tiktok.com/@theparentsloungeshow

Brittany is back in the hosting chair, with Tim co-hosting as we play host to: Baney: Twitch Learn The Ropes Podcast  Sara: Support Pride Ken: Robeson County Planetarium Ian: Support Local Animal Shelters Enjoying the show?  Support us at www.patreon.com/ptebb   Want to support trivia & a wonderful small business owner?  Head on over to www.patreon.com/liquidkourage and take part in the World Trivia Federation!   Connect with us on Discord, Facebook, Twitter, IG, etc... at: www.ptebb.com frenemytrivia@gmail.com  Don't forget - Leave us a 5 Star Rating and write us a review and we'll see you next week for more Frenemy Trivia!

We are talking with Vera Glushchenko, art history expert, culturologist, about the importance of the 2023 Australian Indigenous Voice referendum which she also calls "a great symbolic transition." - Говорим с Верой Глущенко, экспертом по истории искусств, культурологом, о важности Референдума о Голосе Коренных народов в парламенте как "большом символическом переходе".

In this week's episode, entitled “Art Stories", Gregg has three stories about his off beat experiences in the art world. In the first, “Art Critic '' he closes a door to a well known art critic forever. The second, “The Flintstone '', involves his fabrications team's relationship to a special tool and the last entitled “Big Time Dealer” Gregg learns a harsh lesson about dealing with dealers. Link to NYPL Interview here: https://www.nypl.org/blog/2023/06/14/library-way-turns-25-look-back-sculptor-gregg-lefevre The Compulsive Storyteller Podcast is a series of short personal true stories in 20 minutes or less written and narrated by me, Gregg LeFevre. New episodes will be released every other Wednesday across all podcast platforms. Follow on instagram @TheCompulsiveStoryteller and visit our website thecompulsivestoryteller.com

References: Kimberly Drew@museummammyThis Is What I Know About Art by Kimberly DrewBlack Futures edited by Jenna Wortham and Kimberly DrewCrip Camp: A Disability Revolution (Documentary on Netflix)5 neurodivergent love languagesCredits:Dreaming Different is brought to you by Deem Audio.Produced by Alexis Aceves Garcia, Jorge Vallecillos, Amy Mae Garrett.Editorial by Alice Grandoit-Šutka, Alexis Aceves Garcia, Isabel Flower.Creative direction by Nu Goteh.Design by Jun Lin.Sound mixing and editing by Hasan Insane.Theme music by Nu Goteh.

Our friend from Los Angeles, the curator of the new LA gallery Imperial as well as online editor of Caesura Magazine Grant Tyler, joins the show to discuss the inability of the modern subject to properly look at art, the genius of Cezanne, Giacometti, Cy Twombly, the most consequential historical pinpoints of the last 50 years, the art world after the pandemic, Kanye (always some Kanye) and so much more. SOUNDTRACK Eric's Trip "Follow"  Seigneur Voland "et autres germes de pourriture" Eyeless in Gaza "The Decoration" Smell and Quim "Anatomy Shatterme" The Homosexuals "My Night Out" LINKS: Grant at Instagram: @grantedwardtyler Imperial Gallery Grant 'On Art and Freedom' Grant on Michael St. John's Grant on Darja Bajagic Adam 'Art's Moral Fetish' Grant's response to 'Art's Moral Fetish' 

This week Art Critic, Estelle Lovatt, comes back to chat about the landmark art collection in The Wallace Museum - Portraits of Dogs: the faithful and the fearless. We chat about why this collection spanning 300 years truly captures the essence of living with dogs and their role as man's best friend. Estelle discusses the importance of art, before the camera as being our source of history and why the works selected resonate. From Lucien Freud, Gainsborough, Stubbs, to Hockney, De Vinci, and Sir Edwin Landseer - the collection reflects the way dogs capture our hearts. From symbols of loyalty, faithfulness, fearlessness, to just being our stead fast companions. For more information go to The Wallace Collection More about Estelle Lovatt or follow on InstagramIf you love A Dog's Life and would like to help support the show why not become a Patreon backer where you can also have access to some exclusive content. If you want to move your dog to a raw diet or even switch brands we wholly recommend Paleo RidgeFor more about Anna go to annawebb.co.ukMusic and production by Mike Hanson for Pod People ProductionsCover art by JaijoCover photo by Rhian Ap Gruffydd at Gruff PawtraitsTo advertise on or sponsor A Dog's Life email: info@theloniouspunkproductions.com

In this episode of "The Truth in This Art", host Rob Lee interviews Hrag Vartanian, editor-in-chief and co-founder of Hyperallergic. With expertise in contemporary art and its intersection with politics, Hrag shares insights on his journey as an art critic, curator, and lecturer. He talks about his founding of Hyperallergic in 2009 and how it has grown to reach over a million readers and listeners a month through its award-winning reporting, informed opinions, and quality conversations about art. Hrag also discusses his interest in decolonization and shares details about some of his notable curatorial projects, including the world's first multi-disciplinary exhibition of social media-related art. Listeners will gain a deeper understanding of the power of journalism and the cultural and economic realities that shape the world of art, culture, and politics. About HyperallergicHyperallergic is an online arts magazine, based in Brooklyn, New York. Founded by the art critic Hrag Vartanian and his husband Veken Gueyikian in October 2009, the site describes itself as a "forum for serious, playful, and radical thinking".The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episodeCreators & Guests Rob Lee - Host Hrag Vartanian - Guest Rob Lee & The Truth in This Art present "Summer of Soul"Attention all movie lovers and fans of "The Truth In This Art" podcast (www.thetruthinthisart.com)! Host Rob Lee is thrilled to partner with Pratt Library for a four-part Black Cinema series at Pratt Library from March through June 2023, starting with Thompson's 2022 Oscar-winning documentary, Summer of Soul. Summer of Soul reclaims the legacy of 1969's Harlem Cultural Festival, which promoted Black pride and culture with musical performances by Nina Simone, Stevie Wonder, B.B. King, the Chambers Brothers, Gladys Knight & the Pips, and Sly & the Family Stone.Join Rob for a night of trivia and conversation as he breaks down movies connected to Black history, culture, music and cinema. The three other films in the series - all directed by Spike Lee -  include The BlacKKKlansman (April 26), Do the Right Thing (May 25) and He Got Game (June 22). Thursday, March 9 at 5:30pm for more information and to secure tickets ★ Support this podcast ★

Vera Glushchenko, art history expert, spoke about how after moving from Moscow, she began to discover the culture of the Indigenous people of Australia and how this resulted in the creation of an educational channel in Telegram. - Вера Глущенко, эксперт по истории искусств, культуролог, рассказала о том, как после переезда из Москвы она начала открывать для себя культуру Коренных жителей Австралии и как это вылилось в создание образовательного канала в Телеграм.

What does it mean to be an art critic today? How do you choose what to write about and how do you even choose what to look at in an age where seeing art in person, which used to be the most common way people encountered art, has now arguably become the rarest? In this episode, Andrew Goldstein speaks with Jerry Saltz, the most famous, most lionized, and arguably the most influential art critic we have. A self-described "failed artist" who only became a professional critic at age 41, Jerry wrote for the Village Voice, Artnet Magazine (the predecessor of Artnet News), and other publications before becoming New York's resident art critic in 2006, where he's been on a run of glory that has included winning the 2018 Pulitzer for criticism. But while he's well known for his exuberant, beautifully wrought criticism, he's even better known as what might be termed an "art critic in the expanded field." He shares his opinions every day with some half a million followers on Twitter and Instagram, alongside frequent TV appearances and a half dozen books, the latest of which, called Art is Life, has just been published by Riverhead Books.

Love him or hate him, Trump is never boring. Or has that changed with his latest speech: the announcement of his presidential campaign.   Looking at Trump's speech from the lens of art criticism, we analyze what makes Trump such a unique speaker and point out some of his ideological flaws.   ◬ In this episode: ⋗ Why Trump is a natural comedian ⋗ How Trump uses nostalgia ⋗ The major perspective flaw that threatens free societies ⋗ How Trump has irreversibly changed our relationship with government ⋗ Justin's foreign politics analysis ⋗ Rating Trump's speech   ◬ Join your fellow peasants to theorize about the state of our world at the Silver Eye Society on Patreon.     ◬ Listen to the podcast via: Spotify Amazon Tune-In Podbean Apple

Jerry Saltz is one of our most-watched writers about art and artists, and a passionate champion of the importance of art in our shared cultural life. Now, in his new book, "Art Is Life: Icons and Iconoclasts, Visionaries and Vigilantes, and Flashes of Hope in the Night," Jerry Saltz draws on two decades of work to offer a real-time survey of contemporary art as a barometer of our times.

Host Piya Chattopadhyay takes stock of Canada's precarious economy with economists Benjamin Tal and Sheila Block, Orhan Pamuk discusses his latest book Nights of Plague, Jerry Saltz reflects on his 20-plus years of art criticism, writer Rachel Aviv interrogates mental illness narratives, and R.L. Stine marks 30 years of Goosebumps. Discover more at https://www.cbc.ca/sunday

This special episode highlights a previously recorded discussion in partnership with the Barnes Foundation in Philadelphia. Presented as an installment of the Pennoni Panels series–and later produced as a pair of episodes for the PBS-broadcast TV series "The Civil Discourse," hosted by Drexel University Pennoni Honors College Dean Paula Marantz Cohen–“When Great Artists Behave Badly” features Tony Award-winning dancer/choreographer Bill T. Jones and a panel of esteemed experts. The panelists take on the topic of controversial artists and how society can separate the art from the artist in cases of toxic, immoral personal behavior. "Pop, the Question" is a production of Marketing & Media in Pennoni Honors College at Drexel University. Recorded January 21, 2021 through virtual conferencing with supplemental recording on October 13, 2022 (Philadelphia, PA, USA). Featured Guests: Paula Marantz Cohen, PhD (Dean and Host of The Civil Discourse); Aruna D'Souza (Author and Art Critic); Bill T. Jones (Tony Award-Winning Dancer/Choreographer); Martha Lucy, PhD (Barnes Foundation Renoir Scholar); and Erich Hatala Matthes, PhD (Author and Philosopher) Host and Producer: Melinda Lewis, PhD (Associate Director, Marketing & Media) Dean: Paula Marantz Cohen, PhD Executive Producer: Erica Levi Zelinger (Director, Marketing & Media) Producer: Brian Kantorek (Assistant Director, Marketing & Media) Research and Script: Paula Marantz Cohen, PhD with Melinda Lewis, PhD and Brian Kantorek Audio Engineering and Editing: Brian Kantorek Original Theme Music: Brian Kantorek Production Assistance: Noah Levine Social Media Outreach: Jaelynn Vesey Graphic Design: Kat Heller Logo Design: Michal Anderson Additional Voiceover: Malia Lewis The views expressed in this podcast are not necessarily those of Drexel University or Pennoni Honors College. To watch these episodes and others from "The Civil Discourse," check your local PBS listings or visit www.youtube.com/c/thecivildiscourse. Copyright © 2022 Drexel University

While the artist Prince rocked fans for decades, an upcoming U.S. Supreme Court case concerning a 1981 portrait of him could potentially rock America's copyright law and fair use doctrine.

Swedish journalist, critic and literary coordinator Mats Granberg joined the Red transmissions podcast during Tranås at the Fringe to talk about the points of connection that make a good conversation, a good interview, and most importantly, a good book.   www.redtransmissions.libsyn.com

Ben Davis, Artnet News's National Art Critic and author most recently of Art in the After-Culture, talks about: Cultural Appropriation in its many forms, including in the context of Dana Schutz's controversial “Open Casket” painting; Conspiracy Theory culture, including how videos connecting Marina Abramovic with satanic cults are far, far more viewed than videos about Marina Abramovic herself or her work; the culture that Conspiracy narratives come from, how they persist (often through individuals' alienation), and why they become so popular; the luxury of people who get to say ‘neener-neener-neener' in judgement of those who buy into them (the socially superior judging the inferior); Rubem Robierb's ice sculpture at a fancy club during Miami Basel, which spelled out Greta Thunberg's “How Dare You” addressed to politicians, and what that said/says about Art and Ecotopia, i.e. art and climate change; his experiences with the groups ‘Extinction Rebellion' and its splinter group, ‘Extinction Resilience,” and his continuing involvement with Democratic Socialists of America (DSA), among other causes.

Art history textbooks, so excellent for flattening curled-up rug corners and holding open doors, are expected to tell us the entire story of our civilization, one painting at a time. It's more than any book, even one that weighs a spine-crunching twenty-five pounds, should be expected to do. And it opens our eyes to the way that history is narrated, and taught, and even, it follows, to how paintings are displayed, and museums are curated. So much is touched on; so much is left out. It's too much, and far too little, all at once. Dr. Charlotte Mullins has decided to lean into the brevity, and in doing so, manages to tell us so much more. In her new book, "A Little History of Art," she tells the story of 100,000 years of art history, in, in her words, language akin to a haiku, every word intentionally chosen, every artwork telling its own story. She turns us into time-travelers in a scant 300 pages. We talked about reading art history, teaching art history, writing art history, and much more. Charlotte is the art critic for Country Life and has written for specialist titles and newspapers including the Financial Times, Telegraph, Independent on Sunday, RA Magazine, Art in America and Tate Magazine. A former editor of Art Quarterly, V&A Magazine and Art Review, she has appeared on BBC TV arts programmes and is a regular on BBC Radio 4's Front Row and Radio 3's Free Thinking. She is the author of more than a dozen books including a monograph on Rachel Whiteread and A Little Feminist History of Art, both for Tate, and the internationally acclaimed Painting People, and its companion volume Picturing People, both for Thames & Hudson. Music used: The Blue Dot Sessions, "Spark" Rod Stewart, "Every Picture Tells A Story" Episode webpage: https://bit.ly/3ARd17U Charlotte's book: https://amzn.to/3TksKDl Episodes referenced: Anselm Kiefer: https://bit.ly/31gUSwW Sarah Sze: https://bit.ly/3NRnGmr Support the show: www.patreon.com/lonelypalette

EPISODE 34 of 'All About Art': Interview with Tabish Khan a.k.a. London Art Critic In this episode, I chat to art critic Tabish Khan. Tabish specializes in London's art scene and he believes passionately in making art accessible to everyone. He visits and writes about hundreds of exhibitions a year covering everything from the major blockbusters to the emerging art scene. He's been a visual arts editor for Londonist since 2013, and he is also a regular contributor for FAD with a weekly “top exhibitions in London” column, as well as a column called 'What's wrong with art'. Tabish is also trustee of ArtCan, a non-profit arts organization that supports artists through profile raising activities and exhibitions. We talk about how he entered into the arts, having not studied an arts-related subject. We also talk about issues within the art world, including social media and the “who-you-know” culture. Listen in to hear me ask him about how he approaches being a critic, if he has ever had to write about an exhibition he really didn't enjoy, and more! You can find Tabish on socials here: Instagram: @LondonArtCritic Twitter: @LondonArtCritic Website: www.tabish-khan.com You can support All About Art on Patreon here: https://www.patreon.com/allaboutart ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations include contemporary art, specifically feminism and artificial intelligence in artistic practice, as well as museum policies and arts engagement. Here are links to my social media, feel free to reach out: Instagram @alexandrasteinacker Twitter @alex_steinacker and LinkedIn at Alexandra Steinacker-Clark

A discussion with beloved New York Magazine art critic Jerry Saltz. Formerly the senior art critic for The Village Voice, Jerry won the Pulitzer Prize for criticism in 2018 for an article titled “My Life as a Failed Artist” in which he revealed childhood trauma, his life as an aspiring artist in the 70s and the circuitous path that led him to long-haul truck driving before eventually finding his place writing about art. Much of our conversation centers around advice from his 2020 New York Times Bestseller “How to Be an Artist”.

Listen to a short but in-depth conversation with Artist and Art Critic, Ricky Amadour about the 2022 Whitney Biennial. Show Notes: https://www.newyorksaid.com/2022-whitney-biennial-talk-with-art-critic-ricky-amadour

Art Critic at Kids Finger Painting Class Newest Bond Girl is from Accounting Ultimate Frisbee tournament See omnystudio.com/listener for privacy information.