Podcast appearances and mentions of daniel browning

Latai Taumoepeau is an artist who thinks big. Not only is her subject matter expansive—the impact of global warming and rising sea levels in the South Pacific—increasingly she produces works of remarkable scale.Deep Communion sung in minor (ArchipelaGO, THIS IS NOT A DRILL), which premiered at Venice as part of Re-Stor(y)ing Oceania and is now on at Artspace in Sydney, uses musical scores and sculptural interactive machines that simulate paddle boards to bring the immediacy of the climate crisis to the forefront. It's a ritual and ceremony for our times, steeped in tradition; a call to action; and a love letter to her ancestral homeland of Tonga.

Curator and art writer Micheal Do is sitting in for Daniel Browning for the next five weeks.Author Markus Zuzak takes us back to 2005, to a wintery day in Vienna where an artwork by a little known German/Austrian painter Werner Berg found and transported him. Micheal and Markus discuss art, writing and memoir - his latest book is Three Wild Dogs and The Truth.Angelica Mesiti's arresting and monumental immersive piece The Rites of When startles and entrances Micheal Do at the Tank at the Art Gallery of NSW.Poet, sculptor and painter Jason Phu presents one of his classic poetic Phu-isms And we visit a very tidy studio in Western Melbourne where artist Darren Wardle divulges his obsession: ruination.Images left to right:Detail from Werner Berg Vor Der Auferstehung (Before the Resurrection) (1965)Detail from screenshot of Angelica Mesiti The Rites of When (2024)Detail from Darren Wardle Slumlord (2016)

Kimberley Moulten, an adjunct curator at  Britain's Tate gallery, specialising in First Nations art and Kate ten Buuren, a Taungurung curator, walk us through the public installation Blak Infinite for Melbourne's winter arts festival, RISING.The artist Destiny Deacon, who passed away last week, first coined 'Blak' to reclaim a word often weaponised against Aboriginal people in Australia. Rosa speaks with the Art Show's own Daniel Browning, who knew Destiny, about the artist's influential work and daring humour. Work mentioned include Whitey's Watching  and Eva Johnson -- Portrait .In the 1930s Grace Crowley taught at a private painting school and met Ralph Balson, a house painter. The two struck up a lifelong painting practice that moved into 'pure abstraction', together playing an important role in the art movement in Australia. We look at their work and still-undefined relationship with curator Beckett Rozentals, for a new exhibition placing them side by side.

It's a tale of Australia's richest woman, swimming stars, a renowned Indigenous artist, and a portrait. Vincent Namatjira's painting of Gina Rinehart is apparently so unflattering the National Gallery of Australia has been asked to take it down. Now it's making news around the world. Today, host of RN's The Art Show, Daniel Browning, on how an attempt to censor art backfired. Featured: Daniel Browning, host of RN's The Art Show and ABC editor of Indigenous radio

Archie Moore has won the top honour at one of the world's most prestigious and oldest art festivals – the Venice Biennale--  for a monumental work showing thousands of years of family lineage, and invoking lives lost under the colonial state.Monsignor Alberto Rocca is an Italian priest and art curator who has a singular job: accompanying pages from Leonardo Da Vinci's Codex Atlanticus, to the other side of the world. This Codex is the largest collection of Leonardo's drawings and notes, made up of thousand pages.  After spending so much time with Leonardo's works  as curator of the Ambrosiana Library in Milan, Rocca has some theories about the Renaissance polymath.'Unshakable destiny' was how democracy and self-rule was supposed to manifest for the people of Hong Kong, according to the last British Governor. Nikki Lam has been working on a trilogy of art films about that promise, as personal tragedy and the impact of the city's new laws alter her relationship to her homeland. The unshakable destiny is on at the Centre for Contemporary Photography.

Katy Hessel's podcast and bestselling book on the great women artists ride the wave of interest in a parallel cannon of art, where women have long been missing. So, what sparked her work correcting the record, and what has changed since she started? Katy is appearing at Sydney Writers Festival and other book events in Australia in May.Ellen Dahl ventured out to a frozen archipelago in the Arctic Ocean to take photos. The striking images won her Australia's National Photography Prize. She speaks to Daniel about her motivations to show climate change in action, and the influence of her Sami heritage. Read about her win here.My Thing is...  the ocean. They describe grief as being a wave - it can hit you when your back's turned. Julia Ciccarone knows that. The Melbourne figurative painter also finds peace in the water, particularly the open sea. 

Interviewing visual artists is just one of the things that Jennifer Higgie has mastered in her decades-long career at the helm of Frieze magazine, as a writer, reviewer and podcast host. Daniel speaks with London-based Jennifer as her new podcast series for the National Gallery of Australia is released. Listen to Jennifer and Daniel's conversation about women artists and the spirit world.In 2007, a group of 'new media' artists came together in India's largest city to form CAMP, a studio with a rooftop cinema. In early-2000s Mumbai, experimental digital media didn't fit into an existing art scene. CAMP founders Ashok Sukamaran and Shaina Anand tell Daniel how they started and why they remain fiercely non-commercial. Ashok and Shaina are in Australia for PHOTO 24 festival.Larrakia artist Gary Lee has led a powerfully creative life including pioneering work in Indigenous queer sexual health during the AIDS epidemic. The new book Heat covers five decades of his photography, illustration, anthropology and curating. His latest exhibition is on at the Cross Art Projects in Sydney. First Broadcast August 2023.

Tacita Dean is one of the UK's most acclaimed artists, best known for working with 16mm analogue film. Daniel speaks with her about recent work on important living artists, and her huge, mesmerising chalk drawings, from her exhibition at Sydney's Museum of Contemporary Art.My Thing is... getting squished. Actor and choreographer Smac McCreanor went viral for her Hydraulic Press Girl videos, imitating household objects getting crushed by a hydraulic press.  Now she's in the art gallery -- featuring in the National Gallery of Victoria's Triennial.In parts of Mexico, a high price is being paid for the world's insatiable appetite for avocados. Artist Fernando Leposse investigates the ecological and social costs of the industry in his art project Conflict Avocadoes.

Jim is solo in the studio chatting with Miriam the media and communications manager of Shine, discussing the recent stolen wages compensation. For more information head to [Shine](https://www.shine.com.au/media/media-releases/compensation-for-thousands-of-stolen-wages-workers-in-western-australia) Then Jayda chats too Daniel Browning about his book 'Close to The Subject' which talks about Daniels extensive work history starting in 2007. The full Daniel Browning interview is down below! Moorditj Mag airs live every Thursday on RTRFM 92.1 at 11am. You can also catch Moorditj Mag on 100.9fm Noongar Radio and Great Southern FM on Fridays

Jim is solo in the studio chatting with Miriam the media and communications manager of Shine, discussing the recent stolen wages compensation. For more information head to Shine Then Jayda chats too Daniel Browning about his book ‘Close to The Subject' which talks about Daniels extensive work history starting in 2007. The full Daniel Browning interview is down below! Moorditj Mag airs live every Thursday on RTRFM 92.1 at 11am. You can also catch Moorditj Mag on 100.9fm Noongar Radio and Great Southern FM on Fridays.

Daniel Browning details the creative process behind his new book, Close to the Subject: Selected Works.

In recent years there has been a growing appreciation of First Nations writing and storytelling.

A culture that flourished 3,500 years ago in Thailand. They made jewellery and ceramics, not war.  You may never have heard of Ban Chiang —That's possibly because the objects that tell the story of this fascinating archaeological site are in limbo, caught between voracious collectors, tomb-raiding locals and undercover federal agents. Art historian Dr Melody Rod-ari tells Daniel the story.My Thing is... Black Histories. Prince made 'Purple Rain' famous, but five years later in 1989, a group of Cape Town anti-apartheid protesters claimed it for themselves when police fired water cannons at them, dyed purple. The Purple Rain Protest is one event in southern African resistance that's inspired artist Roberta Joy Rich in her latest work, The Purple Shall Govern.Meet the designers behind DNJ Paper, a textile research project and clothing label making garments out of paper! Rosa meets Daphne Mohajer va Pesaran and Jake Nakashima-Edwards, who want to address the social, aesthetic and environmental dilemmas of fashion and textiles.

If you've tuned into ABC Radio over the past few decades, you've likely heard the dulcet tones of Daniel Browning's voice. In his new book Close to the Subject, Daniel reveals himself to be just as brilliant a storyteller on the page as he is over the air waves. This week, Michael speaks with Daniel about what 30 years in broadcast journalism has taught him about art, life, and being brave.Reading list:Close to the Subject, Daniel Browning, 2023Unfinished Woman, Robyn Davidson, 2023The Last Devil To Die (The Thursday Murder Club Book 4), Richard Osman, 2023You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books.Socials: Stay in touch with Read This on Instagram and TwitterGuest: Daniel BrowningSee omnystudio.com/listener for privacy information.

If you've tuned into ABC Radio over the past few decades, you've likely heard the dulcet tones of Daniel Browning's voice. In his new book Close to the Subject, Daniel reveals himself to be just as brilliant a storyteller on the page as he is over the air waves. This week, Michael speaks with Daniel about what 30 years in broadcast journalism has taught him about art, life, and being brave. Reading list: Close to the Subject, Daniel Browning, 2023 Unfinished Woman, Robyn Davidson, 2023 The Last Devil To Die (The Thursday Murder Club Book 4), Richard Osman, 2023 You can find these books and all the others we mentioned at your favourite independent book store. Or if you want to listen to them as audiobooks, you can head to the Read This reading room on Apple Books. Socials: Stay in touch with Read This on Instagram and Twitter Guest: Daniel Browning

Dylan and Kulja are joined by regular guest Cam Walker to unpack the Victorian Government putting an end to VicForests ahead of a native logging ban and what it means for the state's ecological health, as well as new data from the World Meteorological Organisation on the relationship between climate change and weather following Australia's hottest recorded summer.Kieren Pender, Senior Lawyer for the Human Rights Law Centre, discusses the organisation establishing Australia's first dedicated legal service for whistleblowers and the concern about the lack of protections currently available for whistleblowers in the country.Bundjalung and Kullilli journalist Daniel Browning goes into his reflection published in Overland ahead of his essay collection Close to the Subject: Collected Works, which explores his decades-long career with the ABC, his responsibility as a storyteller, and the difficult experiences faced along the way.Plus, Ruth Jeanes, Professor at Monash University, looks at what's behind the increased participation in informal sport.

From musical borrowings and dance moves, to clothing, art and stories, it's time to talk about where to draw the line between legitimate cultural exchange and damaging cultural appropriation. As we see more clearly how power shapes culture, the relationships between artistic freedom and protecting culture is shifting rapidly.  It's time for a bigger discussion about who owns culture, who's stealing it, who is entitled to borrow, and how to pay a fair price. Daniel Browning is an Aboriginal journalist, radio broadcaster, documentary maker, sound artist and writer.  Corrie Chen is an award-winning filmmaker and a highly sought after television director.  Coby Edgar is a Larrakia, Jingili, Anglo, Filipino, queer, cis-woman from Darwin. She is currently the curator of Strategic Projects, First Nations at the Powerhouse Museum and has worked in the arts industry for over a decade. Luara Ferracioli is Senior Lecturer in Political Philosophy at the University of Sydney.        

A powerful conversation with Bundjalung poet Evelyn Araluen about her Stella-award winning collection Dropbear, and more broadly her creative and academic practice. Evelyn's poetry, together with her work as a literary editor and academic, interrogates the history of Australian literature; the tropes that curate our idea of Australianness and the influence of language - both English and Bundjalung - on our relationship to the land. Earmarked with evocative readings and ceremoniously facilitated by Daniel Browning, this is a simply stunning session from the 2022 Byron Writers Festival.

Daniel Browning travels to London's Tate Modern, to speak with artist Richard Bell about his ongoing installation Embassy, inspired by the original Aboriginal Tent Embassy pitched in 1972. Embassy offers a space for dialogue about the continuing struggle for Aboriginal land rights.Rosa visits the studio of designer and experimental woodturner Makiko Ryujin, who torches her creations until they're charred and transformed into new forms.When great artists pass, how do you ensure their legacy and work are protected and remembered? When artist and gay activist David McDiarmid died in 1995 he left his friend Sally Gray in charge of his creative legacy. She chats with Rosa about David's art, her guardianship of it, and what it was like to make art during the height of the AIDS crisis.

Daniel Browning travels to London's Tate Modern, to speak with artist Richard Bell about his ongoing installation Embassy, inspired by the original Aboriginal Tent Embassy pitched in 1972. Embassy offers a space for dialogue about the continuing struggle for Aboriginal land rights. Rosa visits the studio of designer and experimental woodturner Makiko Ryujin, who torches her creations until they're charred and transformed into new forms. When great artists pass, how do you ensure their legacy and work are protected and remembered? When artist and gay activist David McDiarmid died in 1995 he left his friend Sally Gray in charge of his creative legacy. She chats with Rosa about David's art, her guardianship of it, and what it was like to make art during the height of the AIDS crisis.

There are over 150 Indigenous languages actively maintained by community groups in Australia, and a growing movement to protect, revitalise and promote Indigenous language. There are 7000 languages in use worldwide - but many Indigenous languages are falling out of use. What does Australia need to do to preserve, revitalize and promote Indigenous languages? Uncle Gary Williams, Shelley Ware & Kirli Saunders sat down at Antidote 2022 to embark on an agenda-setting conversation. Hosted by Daniel Browning, in collaboration with the Indigenous Literacy Foundation, this event was recorded live at the Sydney Opera House in September 2022.-Watch talks from Antidote 2022 on Stream, the streaming platform from the Sydney Opera House. Register for free now and start watching at stream.sydneyoperahouse.com. Hosted on Acast. See acast.com/privacy for more information.

Enter the art installation of provocation, decolonisation and truth. Admission? Beyond the bare minimum. Abolish the date with YOU CAN GO NOW this week.Non Indigenous Australians need to do the work but also here are resources mentioned to get involved beyond tweeting and signing petitions:https://paytherent.net.au/https://www.reconciliation.org.au/https://supplynation.org.au/First Nation organisations to donate to:https://www.mentalhealthformob.org/https://www.magabala.com/https://www.commonground.org.au/https://indigenousx.com.au/https://ourislandsourhome.com.au/https://dhadjowa.com.au/https://awesomeblack.org/Website | Rotten Tomatoes | Apple | Patreon | Twitter | Instagram

We're Stoopin it in Australia and meet Indigenous journalist Rhianna Patrick as she navigates this question- why do I call myself ‘Black'? Rhianna takes us along as she unpacks what Blackness means Down Under. It's complicated, and we meet people along the way who help her navigate this question. Dr. Jackie Huggins digs into the history of Indigenous peoples' relation to Blackness, artist/journalist Daniel Browning explains why some young Indigenous people are identifying as 'Blak'- without the ‘C', and Aurora Liddle Christie ponders her Jamaican-Indigenous Australian roots. Will Rhianna get any closer to understanding her use of the term ‘Black'?

ABC's Daniel Browning, along with his panel guests Kirli Saunders, Uncle Gary Williams, and Shelley Ware, discuss the importance of language revitalisation for First Nations people, and what challenges are associated with the work.

ABC's Daniel Browning, along with his panel guests Kirli Saunders, Uncle Gary Williams, and Shelley Ware, discuss the importance of language revitalisation for First Nations people, and what challenges are associated with the work.

This episode is a presentation from the Bad Sydney Crime Writers Festival 2021, with an introduction by Andy Muir and Suzanne Leal. "Australia as a Crime Scene" Has the whole of Australia become a crime scene since colonisation? Where do we start to look? First Nations speakers Kodie Bedford, Julie Janson and Melissa Lucashenko (joining via Zoom) give us a new perspective. Facilitated by Daniel Browning.  GO TO THE BAD SYDNEY BOOKTOPIA PAGE to purchase recently released books featured on the podcast or at BAD Sydney events:  booktopia.kh4ffx.net/RyOZ3R THE BAD SYDNEY CRIME WRITERS FESTIVAL IS ON FROM 8-10 SEPTEMBER 2022 for more info visit  https://www.badsydney.com  We would like to thank the City of Sydney, Create NSW and the State Library of NSW for their ongoing support of the Bad Sydney Crime Writers Festival and the Bad All About Crime Podcast.  SHOW NOTES:  BAD: ALL ABOUT CRIME BOOK CLUB https://www.facebook.com/groups/1421791224828182/ BAD Sydney Crime Writers Festival  Facebook: @BADCrimeSydney  Instagram: @badcrimesydney Twitter: @BADCrimeSydney Youtube: @Bad Sydney  Suzanne Leal Website: https://www.suzanneleal.com Facebook: @suzanne.author Twitter: @suzanne_leal Instagram: @Suzanne Leal Author Andy Muir Website: C/O https://affirmpress.com.au/publishing/andy-muir/ Facebook: @andy.muir.357 Instagram: @muir8052 Melissa Lucashenko:  Website: https://www.melissa-lucashenko.com Julie Janson Website: http://www.juliejansonwriter.com/about.html Facebook: @juliejansonwriter Instagram: @julie_jansonwriterSee omnystudio.com/listener for privacy information.

In this episode, First Nations guest interviewer Daniel Browning talks to first time author Alec O'Halloran  about  The Master from Marnpi, his biography First Nations artist Mick  Namarari Tjapaltjarri.O'Halloran had never written a biography  before, but had bought a painting by the artist and become fascinated by  his way of expressing his place and his culture. Over several years and many visits to  the Western Desert, Alice Springs and Kintore,  he earned the trust of his subject's widow and community enough to capture a sense of Tjapaltjarri's life as a hunter, a stockman , artists and family man. His lavishly illustrated, self-published biography tells the story of how Tjapaltjarri became a leading figure in the  Papunya Tula art movement, one of the most significant in Indigenous art.  In seeing the project through, O'Halloran kept  an important promise.See omnystudio.com/listener for privacy information.

Richard Bell is one of the few individual artists curated into Documenta 15, the highly-anticipated global survey of contemporary art. This year, for the first time, it's been dominated by artists and collectives from the Global South. But the historic takeover has been eclipsed by a media storm ignited by what appears to be a Jewish caricature in a mural painted by Indonesian artist group Taring Padi, since taken down.  Queensland-born sculptor Sebastian di Mauro who now calls Delaware home, discusses his obsession with materiality and his new exhibition featuring appliquéd army blankets based on the arcane imagery on American dollar notes.  And we discover the little-known painter Edward Brezinski who lived on the fringes of the hyperactive 1980s New York art scene that produced Jean Michel Basquiat and Keith Haring. His desperate bid for fame is charted in the new documentary Make Me Famous which also offers a fascinating insight into the ecosystem of the art business.

Richard Bell is one of the few individual artists curated into Documenta 15, the highly-anticipated global survey of contemporary art. This year, for the first time, it's been dominated by artists and collectives from the Global South. But the historic takeover has been eclipsed by a media storm ignited by what appears to be a Jewish caricature in a mural painted by Indonesian artist group Taring Padi, since taken down.  Queensland-born sculptor Sebastian di Mauro who now calls Delaware home, discusses his obsession with materiality and his new exhibition featuring appliquéd army blankets based on the arcane imagery on American dollar notes.  And we discover the little-known painter Edward Brezinski who lived on the fringes of the hyperactive 1980s New York art scene that produced Jean Michel Basquiat and Keith Haring. His desperate bid for fame is charted in the new documentary Make Me Famous which also offers a fascinating insight into the ecosystem of the art business.

Richard Bell is one of the few individual artists curated into Documenta 15, the highly-anticipated global survey of contemporary art. This year, for the first time, it's been dominated by artists and collectives from the Global South. But the historic takeover has been eclipsed by a media storm ignited by what appears to be a Jewish caricature in a mural painted by Indonesian artist group Taring Padi, since taken down.  Queensland-born sculptor Sebastian di Mauro who now calls Delaware home, discusses his obsession with materiality and his new exhibition featuring appliquéd army blankets based on the arcane imagery on American dollar notes.  And we discover the little-known painter Edward Brezinski who lived on the fringes of the hyperactive 1980s New York art scene that produced Jean Michel Basquiat and Keith Haring. His desperate bid for fame is charted in the new documentary Make Me Famous which also offers a fascinating insight into the ecosystem of the art business.

Richard Bell is one of the few individual artists curated into Documenta 15, the highly-anticipated global survey of contemporary art. This year, for the first time, it's been dominated by artists and collectives from the Global South. But the historic takeover has been eclipsed by a media storm ignited by what appears to be a Jewish caricature in a mural painted by Indonesian artist group Taring Padi, since taken down. Queensland-born sculptor Sebastian di Mauro who now calls Delaware home, discusses his obsession with materiality and his new exhibition featuring appliquéd army blankets based on the arcane imagery on American dollar notes. And we discover the little-known painter Edward Brezinski who lived on the fringes of the hyperactive 1980s New York art scene that produced Jean Michel Basquiat and Keith Haring. His desperate bid for fame is charted in the new documentary Make Me Famous which also offers a fascinating insight into the ecosystem of the art business.

Faith Thomas grew up throwing rocks at galahs. She'd only been playing proper cricket for a couple of weeks before she was picked to represent South Australia. Her phenomenal stats made headlines. So, it was no great surprise when Faith got called up to represent Australia against England in Brisbane. When she stepped onto the Gabba cricket ground, she became the first Aboriginal person to play on any Australian team… not just cricket. But cricket was just a game to Faith. So, not long after that test, she left sport behind to dedicate herself to saving lives as a nurse. Narrated by cricketer and Muruwari woman, Ashleigh Gardner. Extra narration by Peggy Webber. Thanks to Daniel Browning and Tyson Baird.

Faith Thomas grew up throwing rocks at galahs. She'd only been playing proper cricket for a couple of weeks before she was picked to represent South Australia. Her phenomenal stats made headlines. So, it was no great surprise when Faith got called up to represent Australia against England in Brisbane. When she stepped onto the Gabba cricket ground, she became the first Aboriginal person to play on any Australian team… not just cricket. But cricket was just a game to Faith. So, not long after that test, she left sport behind to dedicate herself to saving lives as a nurse. Narrated by cricketer and Muruwari woman, Ashleigh Gardner. Extra narration by Peggy Webber. Thanks to Daniel Browning and Tyson Baird.

A conversation with artist Daniel Boyd whose work has focussed on reframing Eurocentric images from Australia's past. Plus, Sally Ryan discusses her latest commission, a giant oil painting of Jesus, Mary and Joseph for St Mary's cathedral in Sydney. She says it's her hardest painting yet. And, returning artefacts taken from Kunwinjku and Gagadju artists in Arnhem Land in the early 1900s.

A conversation with artist Daniel Boyd whose work has focussed on reframing Eurocentric images from Australia's past. Plus, Sally Ryan discusses her latest commission, a giant oil painting of Jesus, Mary and Joseph for St Mary's cathedral in Sydney. She says it's her hardest painting yet. And, returning artefacts taken from Kunwinjku and Gagadju artists in Arnhem Land in the early 1900s.

A conversation with artist Daniel Boyd whose work has focussed on reframing Eurocentric images from Australia's past. Plus, Sally Ryan discusses her latest commission, a giant oil painting of Jesus, Mary and Joseph for St Mary's cathedral in Sydney. She says it's her hardest painting yet. And, returning artefacts taken from Kunwinjku and Gagadju artists in Arnhem Land in the early 1900s.

Up until not that long ago, storytellers were encouraged to flex their creative muscles, to look outside themselves, and armed with their imagination as well as a lot of research, to bring to life characters, stories and worlds that they didn't inhabit themselves, often worlds vastly different to the culture they've grown up in. But relatively recently, storytellers have received a huge challenge from the progressive left, a challenge that has now permeated the creative arts. It suggests that entering other cultures, particularly marginalised ones, and telling stories of their people, drawing from the well of their cultural reservoir, is akin to an act of theft. The critique goes further than theft though. It includes other challenges: if you're from a dominant culture, and you're telling stories of people that your culture has historically colonised or oppressed, then you are effectively compounding the oppression, as you are once again taking their voices and imposing your narrative on theirs. There's a question of authenticity as well: because you, the writer, are not from their culture, do not have their lived experience, then you can never truly represent them except in an inauthentic and often demeaning way. No matter how much research you do, you'll at best create a pale imitation of an authentically voiced story, and at worst you'll create two dimensional, dangerously cliched, even racist caricatures. This is highly complex ground, with issues of creativity, aesthetic merit, theft, caricatures, of power and colonisation, all competing to control the narrative of who has the right to tell stories. Our two guests, Daniel Browning and James O Young, share a great sensitivity to culture, to forms of oppression, and to the power of storytelling. But they've come to very different views on cultural appropriation in storytelling. Daniel Browning is an Aboriginal Australian journalist, radio broadcaster, sound artist and writer. He presents The Art Show on Radio National and is the ABC's Editor of Indigenous Radio. A visual arts graduate, Daniel is also a widely published freelance writer on the arts and culture. Daniel is a descendant of the Bundjalung and Kullilli peoples of far northern New South Wales and south-western Queensland. James O. Young is Professor of Philosophy at the University of Victoria in Canada. He specialises in philosophical issues related to the arts and has written several books including Cultural Appropriation of the Arts (2008). He was elected to the Royal Society of Canada in 2015.~~~~You can be part of the discussion @PofCharity on Twitter, @PrincipleofCharity on Facebook and @PrincipleofCharityPodcast on Instagram. Your hosts are Lloyd Vogelman and Emile Sherman. Find Lloyd @LloydVogelman on Linked in Find Emile @EmileSherman on Linked In and Twitter. This Podcast is Produced by Jonah Primo and Bronwen Reid Find Jonah @JonahPrimomusic on Instagram. See acast.com/privacy for privacy and opt-out information.

Mak Mak Marranunggu rapper J-Milla's career is going from strength to strength.

Meet the curator of Australia's longest running exhibition of Contemporary art.

Take Heart: Deadly Heart tells the story of how remote Aboriginal communities across the top end of Australia are adopting innovative strategies to eliminate rheumatic heart disease.

Kate and Cassie read Hannah Kent's Devotion; RN's Daniel Browning reads Caleb Azumah Nelson's Open Water; novelist Rashida Murphy reads Sunjeev Sahota's China Room; and novelist Aravind Adiga on Australian fiction

For our last special of the summer, admissions counselor Daniel Browning joins to share his recommendations for new students coming to campus. He also discusses how his passion for dance led to the creation of his group Dance 2 Inspire. Also, our two Lead Orientation Leaders, Logan Moore and Ana Ciriaco, discuss their experiences on campus and what to expect so far this summer as they welcome new students.

The voice of the rivers, the Birrarung and Maribyrnong, converge in colonial tragedyfeaturing Prof. Deborah Cheetham AO and Daniel BrowningAcclaimed opera singer Deborah Cheetham imagines the bodies of water, the Birrarung and Maribyrnong, as she channels their significance in her song, remembrance and calling for The Rivers Sing. In a conversation with journalist Daniel Browning, we hear how the lapping water evokes the tides of a tragic history for First Nations people and ask who is really listening?Credits:Created by: Litmus MediaProducer: Mahmood FazalAssistant Producer: Daniel StewartEditor: Eugene Yang.Mastering Engineer: Geoffrey O'ConnorEngineer: Craig BryantMusic: Dan LuscombeAdditional Music: Deborah Cheetham AO, Byron J Scullin and Thomas Supple (The Rivers Sing) Hosted on Acast. See acast.com/privacy for more information.

Faith Thomas grew up throwing rocks at galahs. She'd only been playing proper cricket for a couple of weeks before she was picked to represent South Australia. Her phenomenal stats made headlines. So, it was no great surprise when Faith got called up to represent Australia against England in Brisbane. When she stepped onto the Gabba cricket ground, she became the first Aboriginal person to play on any Australian team… not just cricket. But cricket was just a game to Faith. So, not long after that test, she left sport behind to dedicate herself to saving lives as a nurse. Narrated by cricketer and Muruwari woman, Ashleigh Gardner. Extra narration by Peggy Webber. Thanks to Daniel Browning and Tyson Baird.

RN presenter Daniel Browning and novelist Kavita Bedford join Kate and Cassie as they discuss Caleb Azumah Nelson's Open Water, Melissa Broder's Milk Fed and Sònia Hernández's Prosopagnosia

‘Where do you get your ideas?' It's a common question, asked of all kinds of writers and storytellers – and of musicians, artists, journalists. Their answers typically involve some combination of curiosity, hard work and practice. Often, a simple prompt or idea becomes the seed of something unexpected and engrossing. This event marks the opening of applications for Signal Boost – the Wheeler Centre's new podcast mentorship and development scheme. Applications are open until 17 June 2020. (Update: the application deadline has been extended to 22 June 2020!) Becky Sui-Zhen, Daniel Browning, Jess O'Callaghan, Helen Zaltzman, Elizabeth Kulas and Ivy Shih This year, applicants will be asked to share a creative response to a theme – 'public'. To show us how it's done, we're inviting a range of accomplished audio makers to share stories, pitches and short audio samples interpreting the theme ‘float'. Hear from an outstanding group of audio producers: Helen Zaltzman (The Allusionist, Answer Me This, Veronica Mars Investigations; UK), Daniel Browning (Awaye!), Jess O'Callaghan (Audiocraft, The Party Room, Background Briefing, RN Fictions) and Elizabeth Kulas (Planet Money, 7am, Reply All) – plus musician Becky Sui Zhen, and 2019 Signal Boost pilot participant Ivy Shih. Together, they launch Signal Boost 2020, toast the open-ended power of audio storytelling and celebrate the act of creating great ideas from small beginnings. Hosted by Wheeler Centre audio producer Beth Atkinson-Quinton. #TWCSignalBoost The 2020 Signal Boost programme is supported by the Ian Potter Foundation and LOM.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

A short update about a new opportunity: Signal Boost is an initiative offering tailored mentorship, practical support, and professional development for aspiring Australian podcasters. This year, five recipients will be paired with an experienced mentor, provided with equipment and access to software to help them realise their audio goals, and have the opportunity to attend a series of intensive workshops led by some of Australia's leading podcast and radio industry professionals. The Wheeler Centre will work with each Signal Boost participant to support their creative growth and develop their audio skills, and assist them with building a network of peers, gaining insight into the industry and accessing a range of professional opportunities. Applications for Signal Boost 2020 have been extended; your final day to apply is now Monday 22 June 2020. Find out more here, apply here, and subscribe for updates. Related video Signal Boost 2020 Launch: Float / Radio & podcasts With Beth Atkinson-Quinton, Helen Zaltzman, Daniel Browning and 4 others Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

From left: Daniel Browning, Vicki Couzens, Fay Stewart-Muir, Aaron Fa'aoso, Kelrick Martin and Brendan Kennedy, with Auslan interpreter — Photo: Jon Tjhia ‘Budgerigar', ‘quandong', ‘Torana', ‘Canberra' – there are many Aboriginal words in everyday use by both non-Indigenous and Indigenous Australians. What do we gain from knowing and learning First Nations words? And how can we embed more traditional language into the daily lives of all Australians? At least 250 Indigenous Australian languages were spoken on this continent in 1788. Today only around 120 Indigenous languages are spoken in homes and most of these are considered endangered. For many years, elders have been working hard to document, share and promote Aboriginal and Torres Strait Island languages across the country. But in the United Nations International Year of Indigenous Languages there's an especially strong momentum building around this issue. In this conversation, hosted by Daniel Browning, our panellists including Kelrick Martin, Aaron Fa'aoso, Vicki Couzens, Brendan Kennedy and Fay Stewart-Muir discuss campaigns across the country to revitalise and celebrate Indigenous languages. They talk about the utility, beauty and knowledge contained within both traditional and modern, changing languages – and the efforts to recognise and preserve them. Looking for Auslan? Check out the video of this event.Support the Wheeler Centre: https://www.wheelercentre.com/support-us/donateSee omnystudio.com/listener for privacy information.

Netflix cofounder Marc Randolph on the beginnings of the streaming game-changer, ABC's Life Osman Faruqi weighs in on Kanye West's new gospel album, and Awaye!'s Daniel Browning looks back at David Bowie's Let's Dance video.

Netflix cofounder Marc Randolph on the beginnings of the streaming game-changer, ABC's Life Osman Faruqi weighs in on Kanye West's new gospel album, and Awaye!'s Daniel Browning looks back at David Bowie's Let's Dance video.