Podcasts about Aoife

Go get 'em!The gloves are off in this episode of Action Surge as Harry, and eventually Aoife, leave the rest of the team unsupervised for the most conspiracy fueled Action Surge to date.With Ben at the helm, the remaining cast dig into their theories and, instead of connecting the dots, they reach for the red string, trying to piece together not just the bigger picture, but everything in between.From potential inter-party conspiracies to how you tame a dragon, even the Natural Six community is drafted in to help unravel what might be the most confusing puzzle we've faced so far.Did we reach a conclusion? No. Did we accidentally invent several more conspiracies along the way? Absolutely.---Support us on Patreon! https://www.patreon.com/naturalsixJoin our Discord! https://discord.gg/HNV56DADnJFollow us on Twitter: https://www.twitter.com/naturalsixFollow us on Instagram: https://www.instagram.com/natural_sixFollow us on TikTok: https://www.tiktok.com/@natural.sixLove lore? Check out the Fandom: https://natural-six.fandom.comStay up to date: https://www.NaturalSix.net Hosted on Acast. See acast.com/privacy for more information.

On this week's instalment of the Saturday Panel, Galway Legend Aoife Lynskey and Dublin Camóg Aisling Maher join Phil Egan to preview the All-Ireland Senior Camogie Final between Cork and Galway.

This is Aoife's experience of Turner SyndromeTimestamps :Relationship with Turner Syndrome [00:39]The Biggest Challenge of having Turner Syndrome [01:30]The Most Positive Experience of Having Turner Syndrome [03:33]How the Society has helped Aoife? [04:00]What is Aoife's involvement in the society? [04:00]Most important message on Turner Syndrome [04:53]If you want to be a guest or if you have a question you would like to be answered on the podcast then please email us or message us on our socials Email : ⁠tstalkandtea@gmail.com⁠Instagram : ⁠https://www.instagram.com/tstalkandtea/⁠Facebook : ⁠https://www.facebook.com/EmilySeymour24?locale=en_GB⁠Want to know more about Turner Syndrome?Please visit ⁠https://tss.org.uk/⁠ and get more information.

On this week's instalment of the Saturday Panel, Galway Legend Aoife Lynskey and Dublin Camóg Aisling Maher join Phil Egan to preview the All-Ireland Senior Camogie Final between Cork and Galway.

Reporter Brian Lally is on the scene with Aoife's Clown Doctors to hear about how they bring joy and laughter to children and parents in hospital.

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

PRO for the Feakle Festival which takes place as usual the week after the harbour Festival. This year in its 39th year sees a special album launch by the Tulla Ceili Band who celebrate their 80th year as well as a talk by Sorcha Costello as well as a number of concerts and workshops over the course of the week. https://feaklefestival.ie/feakle-festival-events-2026/       Originally broadcast  live from  the Main stage at Scariff Harbour Festival as part of Saturday Chronicle 1st August 2026 hosted by Marie Mcnamara and Trish Nugent.  Saturday Chronicle is Sponsored by JAMES M NASH AND DERG KITCHEN DESIGN http://dergkitchendesign.ie Message or what's app the studio on 089 2582647 or email sbcrstudio@gmail.com  

Choosing the Struggle by Martina AndersonLast Saturday a packed St. Mary's gave a huge welcome to Martina Anderson who was launching her personal and hugely important autobiography – Choosing the Struggle. This is an honest and heartfelt account of Martina growing up in Derry, her experience of poverty, witnessing the excesses of the British Army and RUC and the injustice of the northern state, and deciding to take a stand against these by joining the Irish Republican Army.It is wonderfully well written with her description of her arrest and imprisonment in England, and of the conditions ion which she and her friend and comrade Ella O'Dwyer were held, a reminder of the terrible conditions that Irish POWs endured.Martina's account of her decision to seek a termination of a pregnancy and of the years of brutal strip searches are deeply personal and moving. Her experiences with Ella in Durham prison are especially shocking.Martina sees herself as an activist – in whatever area of struggle she is engaged. She is an Irish Republican who believes that the future of the island of Ireland lies in securing our right to self-determination and Unity.As an MEP she played a leadership role in the campaign to defend the Good Friday Agreement, and force the then Irish government of Enda Kenny to challenge the British government following the disastrous Brexit referendum vote. And she led the diplomatic offensive to secure a special drsignated status for the North.As her friend Eibhlín Glenholmes writes in the Foreword: “This book is also threaded in her love stories. A love for her husband Paul, of the indefatigable Anderson family, of her people, of her comrades, of the future New Irelanders who will reap what she and other women have sown – the seeds of a just and equitable society where every voice is heard.” Well ssid Eibhlín. And well done Martina.Choosing the Struggle is published by Beyond the Pale Books. It is available through An Fhuiseog, 55 Bóthar na bhFál, BT12 4PD and https://sinnfeinbookshop.com/ Women's Voices, Hopes for the Future:Áras Uí Chonghaile was packed to capacity on Tuesday for the launch of Women's Voices, Hopes for the Future a new book published by Sinn Féin's Commission on the Future of Ireland, and Edited by Grace McDermott and Aoife Ferguson.Uachtarán Shinn Féin Mary Lou McDonald praised the 62 women who contributed to the book which was, she said an “important opportunity to bring women's voices from the margins to the centre of the conversation about Ireland's future.”The focus of Women's Voices, Hopes for the Future is the new Ireland. What kind of future Ireland do women envisage? The book is a contribution to this conversation and seeks to amplify the diverse voices of women and girls across Ireland and the diaspora.Women have been in the leadership of the struggle for Irish freedom and self-determination. They have been champions for change. Women like Mary Ann McCracken and Winnie Carnie, Constance Markievicz and Máire Drumm, Mairead Farrell and too many others to name. This book challenges all of us to imagine a future that is more equal, more inclusive and more representative of all who share this island.I want to thank all of the women who contributed to the book and when a book signing takes place in your area I would encourage you to get this remarkable book which is full of new ideas, great ideas, for the new Ireland.Women's Voices is available through An Fhuiseog, 55 Bóthar na bhFál, BT12 4PD and https://sinnfeinbookshop.com/The book will also be launched at the Derry Féile by Leas Uachtarán Shinn Féin Michelle O'Neill in Cultúrlann Uí Chanáin, Derry on the 12th August at 2.30pm.More details and other launches will be announced soon. Mary DohertyLast Friday I travelled to Carraig Airt in North Donegal to [join my friend and comrade Pat Doherty as he buried his wife Mary. I knew Mary well. She was originally from Mayo and met Pat in the early 1960s in the Gorbals in Glasgow. They married in 1967 and would have celebrated 59 years together next week.As Uachtarán Shinn Féin Mary Lou McDonald said in her oration Mary was “unique, brave, irreplaceable. She was fierce. She stood her ground. Stood by her beliefs. By her friends. And she loved her family ferociously.”Mary and Pat arrived back in Ireland as the Civil Rights campaign grew into mass street protests across the North and just a year before British soldiers were sent onto those same streets. Together they took a stand against the prejudice, discrimination and oppression they witnessed in the North. Thus began a lifetime of activism in the Republican struggle.Pat contested his first general election in 1989 and then three European elections for Sinn Féin. He became an MLA in 1998. In 2001 Pat became Sinn Féin MP for West Tyrone. Mary was at the heart of each of those campaigns.  I want to extend my deep condolences to Mary's children; Maria, Rosaleen, Kathleen Anne, Danny and Michael. And to her grandchildren; Aoife, Ultán, Daithí, Ruairí, Aoise, Dearbhla, Laoise, Pádraig, Óonagh, Daniel, Mikey and little Gracie. 

Cork and Galway go head-to-head for the third year in a row in the All-Ireland Senior Camogie Final — and this time it really does feel like a trilogy finale in Croke Park with throw-in at 4:15pm.996 All-Ireland winner Aoife Linskey joins Colm Boohig & Enda Coll to break down the key match-ups, Galway's watertight defence, Cork's new faces and running game, and the push for a record crowd of 35,000!Off The Ball Breakfast with Viagra Connect 50mg film-coated tablets. Contains sildenafil. For adult men with erectile dysfunction. Subject to suitability. Maximum dosage one 50mg tablet per day. Always read the label.Catch The Off The Ball Breakfast show LIVE weekday mornings from 7:30am or just search for Off The Ball Breakfast and get the podcast on the Off The Ball app.SUBSCRIBE at OffTheBall.com/joinOff The Ball Breakfast is live weekday mornings from 7:30am across Off The Ball

Deir Aoife gur cheart go mbeadh Ionad Ealaíon nua an Phoenix sa Daingin, thar aon ní eile, ina ionad do mhuintir Chorca Dhuibhne tar éis don Choimisiún Pleanála an togra a cheadú.

Our Maidens receive an invitation and prepare for a trip wayyyyy down South. What awaits our crew on the Stygian waters? Why does Aoife suddenly know how to summon this ferryman guy? What creepy crawlies lie between our heroes and the crystal museum?  Find out on Favor, Episode 70: River Run Support Venture Maidens on Patreon Join our Discord server here Get merch and learn more at our website GM is Celeste Conowitch (@cconowitch) Aoife Flannery is Sage Stafford (@staffofsage) Toni Silvertail is Naseem Etemad (@nas_ghoul) Morana is Brittany Quintero (@vizualwarlock) Theme Music by Emily Meo Additional Music by Tabletop Audio

Aoife got in touch after a conversation with her boyfriend of almost two years left her completely speechless. He told her he wants to “spice things up” by trying bondage — tying each other up and dominating each other — and she says it's made her feel really uncomfortable.Her friends called it a “huge red flag” and warned that any man into that could be dangerous… even though he hasn't pressured her at all.So is she overthinking it, or should she run a mile? Adrian and Katie clash big time, and callers are sharply divided on kink, consent, boundaries, and whether this relationship is simply sexually incompatible.

Veidhleadóir clasaiceach agus traidisiúnta i gCorca Dhuibhne faoi láthair, ag seinmt in AIRT.

There's a place where queer paranormal entities can go to relax and be themselves. This is the story of that wonderful place.CONTENT WARNINGS! Swearing, rude humour and discussion of transphobia.YOUR PLAYERS! Becs Watson plays Aoife, Helen Gaffney plays Hatty, Jen Blundell plays Big Tit Sally and Sara Keep plays This Woman.THE GAME! 'Viva La Queerbar' by Sandra Dahlhoff und Andrea Rick and it can be purchased from ITCHCONTACT US! Roll Plus Heart are on Facebook @RollPlusHeart, Mastodon @rollplusheart@dice.camp and Bluesky @rollplusheart.bsky.social. You can also email us at rollplusheart@gmail.com. More information about us, the show and the games we have played can be found at rollplusheart.co.uk.PATREON! We have a Patreon, featuring bonus audio content and regular merch subscriptions. Sign up from just £1 a month.KO-FI! If you'd rather just donate directly to the show, you can do so on a one-off or regular basis via Ko-Fi. Our merch is now also sold via Ko-Fi!SOCIAL MEDIA! Sara: @SaraKeepArt. Becs: @Starling_Dust.OTHER CONTENT! Jen and Sara also play on the actual play podcast Quest Fantastic, and Jen hosts the film review podcast Jen and the Film Critic. Becs sells beautiful art via Ko-Fi and streams art, games and co-workings on Twitch.OUR MUSIC! Our theme music was composed by David Shaw (Instagram and Twitch @DSComposing and Facebook @composerdavidshaw). Music mixing and mastering was by Mark Anderson.All other music and sound effects from Epidemic Sound and Zapsplat.Show editing by Jen Blundell and Sara Keep

Emerging producer AOIFE announces the release of their debut EP, a dark and hypnotic collection that explores deeply personal themes through powerful low-end pressure, immersive textures and driving rhythms. Drawing inspiration from the techno traditions of Detroit, Birmingham and Spain, the record also incorporates subtle influences from the UK's broken beat and bass music scenes. The release is further strengthened by remix contributions from Anna Kost and label boss RVDMNTL. Anna Kost reimagines the original with a stripped-back, lo-fi approach, introducing dubstep-inspired elements while retaining the EP's atmospheric intensity. AOIFE ------------------ SC: @aoife_ie IG: www.instagram.com/aoife_ie RVDMNTL --------------- IG: https://www.instagram.com/incenserecords SC: @rvdmntlincense Four Four Magazine --------------------------- FB: www.facebook.com/FOURFOURDANCE/ IG: www.instagram.com/fourfourmagazine/ Web: www.fourfourmag.com/

In this episode, Aoife and Ed Mitchard from Space Intelligence join us to discuss the use of AI for sustainability purposes. They weigh up the environmental toll of data centers against the benefits machine learning can bring to monitoringdeforestation.  Learn more about Space Intelligence: https://www.space-intelligence.com/ Find us on LinkedIn:  https://www.linkedin.com/company/globaldatastrategicintelligence/ To find out more about Strategic Intelligence: https://globaldata-26632421.hs-sites-eu1.com/themes Host: Holly Anness-Bradshaw (Senior Analyst, Strategic Intelligence)Guests: Aoife McGurk (Senior Analyst, Strategic Intelligence) and Ed Mitchard (Chief Scientist and Co-Founder, Space Intelligence)

Príomhscéalta an Deiscirt.

Camogie - Aoife Norris (Kilkenny) chats to CRKC (Pre v Galway) 21.07.2026

Welcome to the latest episode of Across The Line with Aoife Lanigan. On this edition; - Kilkenny v Galway Preview with; Aoife Norris, Carrie Dolan, Steven Farrell, Ann Downey and Elaine Aylaward.- The latest on the U15 Development Squads with Shane Aherne.- All your local fixtures and results.

We're shocked people are using this app for professional & dating purposesWhats the weirdest places you've fallen asleep?Aoife was todays player of FM104s ins2grand Hosted on Acast. See acast.com/privacy for more information.

There's a place where queer paranormal entities can go to relax and be themselves. This is the story of that wonderful place.CONTENT WARNINGS! Swearing and rude humour.YOUR PLAYERS! Becs Watson plays Aoife, Helen Gaffney plays Hatty, Jen Blundell plays Big Tit Sally and Sara Keep plays This Woman.THE GAME! 'Viva La Queerbar' by Sandra Dahlhoff und Andrea Rick and it can be purchased from ITCHCONTACT US! Roll Plus Heart are on Facebook @RollPlusHeart, Mastodon @rollplusheart@dice.camp and Bluesky @rollplusheart.bsky.social. You can also email us at rollplusheart@gmail.com. More information about us, the show and the games we have played can be found at rollplusheart.co.uk.PATREON! We have a Patreon, featuring bonus audio content and regular merch subscriptions. Sign up from just £1 a month.KO-FI! If you'd rather just donate directly to the show, you can do so on a one-off or regular basis via Ko-Fi. Our merch is now also sold via Ko-Fi!SOCIAL MEDIA! Sara: @SaraKeepArt. Becs: @Starling_Dust.OTHER CONTENT! Jen and Sara also play on the actual play podcast Quest Fantastic, and Jen hosts the film review podcast Jen and the Film Critic. Becs sells beautiful art via Ko-Fi and streams art, games and co-workings on Twitch.OUR MUSIC! Our theme music was composed by David Shaw (Instagram and Twitch @DSComposing and Facebook @composerdavidshaw). Music mixing and mastering was by Mark Anderson.All other music and sound effects from Epidemic Sound and Zapsplat.Show editing by Jen Blundell

On episode 240 I am delighted to be joined by back to back Six Nations player of the championship winner, Irish rugby international, Harlequins professional Aoife Wafer.At just 23 years of age Aoife has cemented herself as one of the best players in the game. However to 10 year old Aoife this was all part of the plan. Ambition, work ethic, and the power of curiosity are the pillars to the success of Wafers' career. It has been far from smooth sailing with multiple injuries including a 2 year gap from her first to her second international cap thanks to a serious hanstring injury which not only tested her but her passion for rugby driving her to nearly give up the sport. Thankfully she took a few steps back and found her love for the game and her passion again. Since then she has taken off on a new found trajectory and was named as the first ever back to back recipient of the 6 nations players of the tournament event. We discuss her career, the power of curiosity, being a role model, the sacrifices, injuries, and ambition to be the best in the world. Aoife also shares insights into the power of visualisation, connecting with fans and more. This was a very honest and insightful chat with one of the great athletes and people of this generation… and she is certainly no where near finished yet! This episode is sponsored by ⁠⁠⁠Sport Expo Ireland⁠⁠⁠,  a brand-new event taking place at the Sport Ireland Campus on April 21st and 22nd, 2027.  Designed to connect stakeholders from every corner of the Irish sporting landscape. Attendees will hear from leading voices in sport, take part in interactive workshops, explore the latest developments in elite performance, business and technology. Whether you're involved in elite performance, grassroots, business, or simply passionate about where Irish sport is heading, ⁠⁠⁠Sport Expo Ireland ⁠⁠⁠is set to become one of the most exciting gatherings on the sporting calendar. To learn more, register your interest, and explore opportunities, visit https://qrco.de/bgrRu3 Follow The Sideline Live Social Media channels and the host Orla here: ⁠https://linktr.ee/TheSidelineLive⁠Recorded using Samson Q2 microphone, Edited using GarageBandIntro music, Watered Eyes by a talented Irish artist, Dillon Ward check him out ⁠⁠⁠here⁠⁠⁠ . If you are looking to set up your own podcast get in touch with the Prymal Productions team ⁠⁠⁠⁠www.prymal.ie⁠⁠⁠⁠ 

Steve Smith and Dave Anderson are joined by Brookside teaching pros Aoife Wilson and Brendan Moore for a wide-ranging conversation about coaching culture, player development, and the GreatBase system in action at the Brookside training program. Aoife shares her journey from Ireland to Tyler Junior College and later Alabama, while Brendan traces his path from junior tennis into coaching and eventually to Brookside, where both have built their careers around Steve Roberts and the GreatBase method.The conversation covers the nuts and bolts of how Brookside teaches the game, from grip, stroke shape, and shadow swings to cone work and observation, as well as the broader themes of all-court tennis, equipment changes, junior competition in the Bay Area, and the value of mentorship for coaches just entering the profession.

"I could be writing about ponies and glitter... then writing about swords... and AI would make them sound exactly the same." The conversation focused on the ever-evolving landscape of content strategy, with a particular emphasis on the impact of AI, the enduring fundamentals of SEO and the crucial distinction between content that drives revenue and content that simply fills space.  A key theme that emerged was the importance of emotional connection in content, as well as the rising demand for concise, value-driven writing in an age of information overload and shrinking attention spans.  The discussion explored practical strategies for standing out in a crowded digital marketplace, the role of forums and PR in building authority, and how brands can adapt their approach to maximise both visibility and trust.  Several points were raised, including the necessity of balancing AI tools with human creativity, the timeless value of high-quality blogs and actionable tips for both new and seasoned content creators. Whether you're a marketer, business owner, or content writer, this episode provides valuable insights into creating content that not only ranks, but converts. Time stamps: 00:00 Practical content strategies with AI 05:11 Impact of social media on content 09:23 Using search results for content strategy 10:25 SEO strategies and AI adaptations 13:48 Engaging on discussion boards 20:03 Optimising content for conversions 24:11 Discussing AI vs human content writing 25:51 Balancing factual and engaging content 29:12 Impact of AI content on SEO 32:54 Using research tools carefully 36:35 Importance of headlines in PR 38:16 Discussing Link Placement in Articles 43:40 Discussing low-volume keywords 44:51 Finding Hidden Keyword Opportunities 48:59 Advice for new content writers 51:27 Real productivity vs. burnout

Another week, another reminder that no two days on Galway Talks are ever the same. Over the past five days we've tackled everything from the cost of living and road safety to international tragedy, inspiring community initiatives and the magic of music and film.  As always, our conversations were driven by the stories affecting people here in Galway, while never losing sight of the wider world beyond our county. One of the week's biggest talking points came from Government, as Junior Minister Seán Canney joined us to discuss the decision to extend fuel tax relief for another month, delaying another rise in the cost of filling the tank.  While motorists will welcome the breathing space, the reductions won't last forever, with the excise cuts due to be phased out later this year.  We also discussed tougher road safety measures, including plans to ensure dangerous drivers can no longer serve driving bans while behind bars, and proposals for stronger sentences in the most serious cases.  The message from Government is clear: keeping costs down where possible, while taking a much harder line on dangerous driving. We also turned our attention overseas as the death toll from the devastating earthquakes in Venezuela continued to climb.  Galway resident and Sabanero Dairy founder Dayana Maltese spoke movingly about watching the tragedy unfold from thousands of kilometres away, while worrying about family, friends and communities back home.  Her interview was a powerful reminder that global disasters are never as distant as they seem, with many people here in Galway carrying the emotional weight of events happening across the world. Closer to home, we met Aoife and Lucy, the Galway duo behind Ceiliúradh Coffee. Their ambition goes far beyond serving great coffee.  They want to create meaningful employment opportunities for autistic young people and those with intellectual disabilities, helping bridge the gap that so many face after leaving school.  It's a simple idea with the potential to make a real difference, proving that inclusion isn't just about good intentions, but about creating real opportunities. We rounded off the week with one of Ireland's finest singer-songwriters, Declan O'Rourke, who joined us ahead of the world premiere of Almost With You at the Galway Film Fleadh.  Best known for his music, Declan is now stepping into the world of acting, while also contributing nine original songs to the film. It was fascinating to hear about this new chapter in his career and the creative journey that brought him from the recording studio to the big screen. From politics and public policy to personal resilience, community spirit and creativity, it was another week of conversations that informed, challenged and celebrated the people and stories shaping Galway and beyond.

What does it take to stay calm, focused, and perform at your best—especially under pressure?In this episode of Me & My Health Up, Anthony Hartcher sits down with performance coach Aoife Leggett to explore how mindset, breathwork, and simple daily habits can transform your performance in sport, business, and life.After a life-changing injury, Aoife shifted from working with horses to coaching high performers—helping them overcome stress, self-doubt, and inconsistency.

When Aoife O'Brien is close to burnout, she doesn't want to stop. She wants to do more. One more task. One more thing to get through before she can stop. She says that's how she knows now - not the exhaustion, not the breaking point, but the acceleration. If you recognise that feeling, this conversation names what's actually happening. Not to add to your list. To give you a cleaner way to read what your own system is telling you.We cover:Why the urge to do more work is a signal, not a coping strategyImposter syndrome as a systemic trap - the beliefs you're swimming in so completely you don't know they're thereThe difference between burnout symptoms and burnout driversWhat happens when a leader decides to go home on time - and what that single act does to the people around themHow to start reading what your system is actually telling youThis episode is for you if you've been telling yourself you're coping fine - and some part of you knows that story is getting harder to believe. If you're a high achiever in a demanding role who has always mistaken acceleration for resilience. If you've never stopped to ask what the urge to just keep going is actually telling you.

In this episode of the HR Like a Boss podcast, John Bernatovicz interviews Aoife O'Brien, an HR expert and author, discussing the impact of work on individuals, the purpose of human resources, and the challenges faced in creating a positive workplace culture. Aoife shares her experiences and insights on how to improve work environments and the importance of leadership in fostering employee engagement. They discuss the importance of psychological safety, the costs associated with toxic leadership, and the framework outlined in Aoife's book, Thriving Talent.ABOUT AOIFE O'BRIENAoife O'Brien is the founder of Happier at Work and host of the award-winning Happier at Work podcast, ranked in the top 2% globally. A culture and leadership expert with over 20 years' corporate experience, she works with global organisations to create the conditions where people can perform, grow, and stay. Her work focuses on aligning culture, drivers, and capabilities so employees feel valued, clear, and equipped to do their best work and organisations see sustainable gains in performance, engagement, and retention. Her debut book, Thriving Talent, was published in March 2026, was featured by Forbes, and is an Irish Times bestseller.

Will Toyota's domination end as the World Rally Championship heads for gravel in the second half of the season? Can Elfyn Evans deliver the championship title he's threatened to for years? And who's going to win the Acropolis?Luke Barry is joined by DirtFish Women in Motorsport driver Aoife Raftery to preview round eight of the WRC, as well as look back on Raftery's most recent events in her Ford Fiesta Rally3.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Many organisations want a positive workplace culture, but creating one is easier said than done.How do you know what your culture is really like? What role do leaders play? And why do some organisations create environments where people thrive, while others struggle with engagement, retention, and performance?In this episode of HR Coffee Time, Fay is joined by workplace culture and leadership expert Aoife O'Brien, founder of Happier at Work and author of the bestselling book Thriving Talent: How Great Leaders Drive Performance, Engagement and Retention.Aoife shares her Thriving Talent framework and practical advice to help organisations create cultures where people can thrive. Together, Fay and Aoife explore psychological safety, leadership, values, strengths, employee needs, and practical ways to improve the experience of work for everyone.In This Episode, You'll Learn:The framework Aoife uses to help organisations create cultures where people thriveWhy psychological safety is the foundation of a thriving workplaceWhy culture is not HR's responsibility aloneThe role leaders play in shaping workplace cultureHow to identify what your workplace culture is really like todayPractical ways to involve employees in shaping cultureWhy many organisations have "accidental leaders" - and the impact this can have on engagement and retentionHow HR can build the business case for investing in leadership developmentWhy values, strengths, and employee needs play such an important role in helping people thrive at workPractical ways to identify your strengths and understand what helps you do your best workChapters[00:00] - Why workplace culture matters[01:34] - Introducing Aoife O'Brien[04:14] - Why Aoife wrote Thriving Talent[07:09] - The Thriving Talent framework explained[10:00] - The research behind the framework[13:55] - Why psychological safety matters[14:27] - Is workplace culture really HR's responsibility?[17:28] - How to define the culture you want[19:15] - The challenge of accidental leaders[25:27] - Making the business case for leadership development[30:03] - What helps people thrive at work?[35:22] - Values, needs and strengths[39:27 ]- Book recommendations[40:44] - How to connect with Aoife[41:49] - Closing and book giveaway reminderSpecial Offer for HR Coffee Time ListenersAoife has kindly arranged a 10% discount on her book, Thriving Talent: How Great Leaders Drive Performance, Engagement and Retention. Use this link to access the discount.Useful LinksConnect with Aoife O'Brien on LinkedInVisit Aoife's Happier at Work websiteLearn more about the Thriving Talent bookConnect with Fay on LinkedInLearn about Fay's Essential HR PlannerLearn about Fay's Inspiring HR Leadership ProgrammeBooks Recommended In This EpisodeThriving Talent: How Great Leaders Drive Performance, Engagement and Retention - Aoife O'BrienInsight: How to succeed by seeing yourself clearly - Dr Tasha EurichDare to Lead - Brené BrownYour Best Meeting Ever - Rebecca HindsHelpful Episodes to Listen to NextEp 47: Discovering your values to help your HR Career, with Zoe HawkinsEp 107: The Impact of Imposter Syndrome at Work and How to Tackle It Head-On, with Aoife O'BrienEp 136: How to shape a winning workplace culture when you work in HR, with Annabelle Lawson and Paula BrockwellEp 114: What Workplace Culture Is, How to Measure It, and a Surprising Way to Improve It, with Arend BoersemaEp 76: HR Insider tips on how to create an amazing remote working culture, with Claire CathcartEnjoyed This Episode? Don't Miss the Next One!Sign up for the free weekly HR Coffee Time email to be notified each time a new episode is released - and get free career tips, tools, and resources.Mentioned in this episode:Kara Connect - Help When It's Needed MostMenopause, grief, ADHD, relationship breakdown... Every day, employees dealing with these situations are turned away by their EAP because they didn't qualify for counselling. When someone finally asks for help, they deserve better. Visit Kara Connect, where no employee is ever turned away. Kara Connect

Aoife Leggett is an IAPC&M-accredited Coach and Master Breathwork Teacher who has an education in Sport and Performance Nutrition. She offers a well-rounded approach to helping clients build confidence, strengthen their mindset, and perform at their best - in sport, business, and life. She runs a coaching business called Three Sixty Coaching where she helps people lead happy, healthy, and fullfilled lives, achieving more than they ever thought possible.  Learn more about Aoife at Threesixtycoaching.ie Contact Julie at theveterinarylifecoach.com

Neil Treacy is joined by Ireland number 8 Aoife Wafer, as she discusses a record breaking Six Nations for Ireland's women, winning a second successive Player of the Championship, and and her belief that Ireland can become the best team in the world.

Ag trácht ar na buntáistí a bhaineann le sábhna agus uisce fuar do shláinte na ndaoine

Eoin Sheahan, Arthur O'Dea and Eve Conway are live for Wednesday's Newsround, as Aoife Wafer has been named the Player of the Tournament from this year's Six Nations, retaining the title she earned last year!Meanwhile, Katie Taylor's swan song in Croke Park is selling well, while Fermanagh's Kieran McKenna has left Ipswich Town.Viagra Connect 50mg film-coated tablets. Contains sildenafil. For adult men with erectile dysfunction. Subject to suitability. Maximum dosage one 50mg tablet per day. Always read the label.

All of us in 96FM got it in the feels when we saw that Aoife made doggy treats with her own hands and created treat bags for any dog passing her house to mark what would have been Skyler's birthday so PJ just had to talk to her to get the beautiful back story Hosted on Acast. See acast.com/privacy for more information.

This one is not for the faint hearted. https://www.instagram.com/mehiganmark/?hl=en

Lisa O' Rourke's journey to the top of boxing is an interesting one and far from straightforward. Growing up on a farm in Roscommon, Lisa only started boxing at the age of 15. Since then, it's been a roller-coaster journey - one that involves her sister Aoife, the GAA, plenty of setbacks and ultimately a World Championship title.In this interview, Lisa lets us inside the curtain of what it takes to be a top boxer. Already a world champion and world silver medallist, Lisa is not content and has her sights set on bigger and brighter stages. The 2028 Olympics in LA is the ultimate goal but there are several hurdles to jump before that. Listen to Aoife's story on this week's Young Stock Podcast.Join us at the UCD Lyons Crops Open Evening on Thursday, the 25th of June at 6pm where we will be recording the Irish Farmers Journal Tillage Podcast LIVE. You'll get a tour of cutting-edge research into milling wheat, intercropping, and nitrogen rates. Hear from UCD's Finbar Mulligan on feeding native Irish grain to dairy cows, plus Kevin McDonnell and Tomás McCabe on the season so far. It's a night not to be missed. Register now by clicking the link below Please see link here: https://share-eu1.hsforms.com/1TD2IPxPUTuyqGnuWFnPwQwets9e or www.ifj.ie/tillagepodcastlive Hosted on Acast. See acast.com/privacy for more information.

Former captain in the Irish Navy, Marie Gleeson, has released her memoir “Be Like the Sea”.She speaks candidly to Matt about her experience working in the military, how the skills from her professional life transfer to her personal life, and the heartbreak of losing her son at just six days old.Hit the ‘Play' button on this page to hear the piece.

Paul Byrne hears about Cobh crime worries, chats to Jack & Aoife from Terence McSwiney Community College, learns how Danny tries to help people living with ADHD. And more... Hosted on Acast. See acast.com/privacy for more information.

Paul Byrne talks to Aoife and Jack TMSCC students doing their Leaving Cert about the points race and what AI means to the future of work. Hosted on Acast. See acast.com/privacy for more information.

Rachel Seoighe Naomh Anna, Máire Ní Éanacháin Tuar Mhic Éadaigh, Aoife Ní Chonaill Clann na nGael, Cailíní Gaelach na gcumainn ag labhairt CPnaG.

Our Maidens are officially in with the devilish crowd. What secrets will the diabolists reveal? Who is headed towards the Bellhouse Chateau? Can Morana & Toni hold out for Aoife's return?  Find out on Favor, Episode 68: Devil's Advocate (Part 1) CW: Body Horror (General Fantasy Violence) Support Venture Maidens on Patreon Join our Discord server here Get merch and learn more at our website GM is Celeste Conowitch (@cconowitch) Aoife Flannery is Sage Stafford (@staffofsage) Toni Silvertail is Naseem Etemad (@nas_ghoul) Morana is Brittany Quintero (@vizualwarlock) Theme Music by Emily Meo Additional Music by Tabletop Audio

Bhí Aoife agus Patrick déanamh ionadaíochta ar son na Gaillimhe i gCraobh na hÉireann sa mBadmantan faoi 15.

OMG, we're back! Esther's more or less regained the ability to speak, Aoife's got hamster facts, and Karen's having a sports-induced breakdown. Meanwhile, Jessi's hooked on synchro and Mallory's hooked on self-pity. On today's agenda: getting hyped for the 2226 Winter Spacedeathlympics; Claudia experiments with copyright infringement; Karen falls for a fictional billboard; we are menaced with sea swimming; learn to run fast with this one weird trick; a disappointing lack of roistering; we get ANGRY and PEDANTIC about humidity; a public speaking golem. For your edification: Maniac 2000 Our theme song is 'The Incredible Shrinking Larry' by Matt Oakley and 'Big Band Jingle A' is by Lobo Loco, both on the Free Music Archive. If you like our show, tell a friend, rate and review on your podcast app of choice, drop us an email, or come say hi on Instagram! We also have a ko-fi and we're real self-conscious about it!

Not many drivers can claim to have contested three different rallies on three different continents with three different co-drivers in two different cars. But Aoife Raftery is no ordinary driver. The DirtFish Women in Motorsport driver talks to Josie Rimmer about the challenge of the Severn Valley Stages, Olympus Rally and Mile Taiping Lake Rally in China.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Aoife Quinn who is living with Friedreich's Ataxia, is calling on the government to make the drug Skyclarys accessible here for patients who need it.

The Guilty Feminist 481. The Algorithm Presented by Deborah Frances-White, guest co-host Aoife Dunne and guest Adele Zeynep Walton Recorded 10 April 2026 at the Museum of Comedy in London. Released 4 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Aoife Dunne https://www.instagram.com/aoife_is_never_dunne https://aoifedunnecomedy.com More about Adele Zeynep Walton https://www.instagram.com/adele_walton https://www.adelesnotes.co.uk https://www.waterstones.com/book/logging-off/adele-zeynep-walton/9781398722927 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Road to Gilead at the Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist/ The Guilty Feminist Meets Rose McGowan. https://www.charleston.org.uk/event/the-guilty-feminist Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Guilty Feminist 481. The Algorithm Presented by Deborah Frances-White, guest co-host Aoife Dunne and guest Adele Zeynep Walton Recorded 10 April 2026 at the Museum of Comedy in London. Released 4 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Aoife Dunne https://www.instagram.com/aoife_is_never_dunne https://aoifedunnecomedy.com More about Adele Zeynep Walton https://www.instagram.com/adele_walton https://www.adelesnotes.co.uk https://www.waterstones.com/book/logging-off/adele-zeynep-walton/9781398722927 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Road to Gilead at the Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist/ The Guilty Feminist Meets Rose McGowan. https://www.charleston.org.uk/event/the-guilty-feminist Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Toxic workplaces come in many different forms that we might not always notice. And because we aren't all affected in the same ways, even the most well-meaning managers can unintentionally contribute to an unhealthy culture if they aren't paying close attention. Aoife O'Brien is an organizational psychologist, leadership expert, and author of Thriving Talent. Her work focuses on helping organizations create environments where people feel psychologically safe, aligned to meaningful work, and able to perform at their best.In this conversation, we explore what actually makes a workplace toxic, practical ways to spot the early warning signs of an unhealthy culture, and clear, everyday actions you can take to foster trust, respect, and psychological safety. Because culture is something you create moment by moment, not something you merely declare.Conversation Topics(00:00) Introduction(02:21) Types of Toxic Workplaces (and How They Develop)(06:17) Why Toxic Cultures Persist and How to Start Changing Them(10:06) A Framework for Building Thriving Workplaces(13:17) Fostering Psychological Safety at Every Level(17:58) Understanding What Actually Drives People at Work(21:05) Meeting Individual Needs(25:54) One Thing Managers Can Do Tomorrow(28:12) Closing Thoughts and Book Recommendations(31:04) [Extended Only] Gaining Awareness of Your Strengths(34:07) [Extended Only] Managing Conflicting Strengths on Teams(37:35) [Extended Only] Structuring Collaboration So Different Strengths Shine

Only 21% of people globally are engaged at work. That number hasn't moved much despite years of attention, investment, and intervention. So what's going wrong? Aoife O'Brien is back on the show to talk about her new book, Thriving Talent, How Great Leaders Drive Performance, Engagement and Retention. After 20 years in corporate roles, a Master's in Organizational Behavior, and over 200 conversations with business leaders on her podcast Happier at Work, Aoife built a practical framework that helps leaders stop chasing engagement scores and start creating the conditions where people actually do their best work. In this episode, Brandon and Aoife dig into why most workplace interventions fail, why busyness is not the flex we think it is, how AI tools are making us busier instead of freeing us up, and why psychological safety is the foundation everything else depends on. Whether you lead a team of five or five hundred, this conversation will challenge how you think about culture, motivation, and what it really takes to help people thrive. Timestamps 0:00 Introduction and sponsor message 2:42 Welcome back, Aoife O'Brien 3:17 Why global engagement numbers haven't improved 5:38 The busyness trap and why it's not productivity 8:38 What else is wrong with work today 10:22 Why traditional workplace interventions fail 12:30 The personal experiences that shaped the Thriving Talent framework 15:15 Breaking down the Thriving Talent framework 20:20 Psychological safety and the signals leaders miss 23:17 How leaders create culture unintentionally 26:26 Should you stay or leave a toxic workplace? 29:42 Why money fails as a motivator and the case for emotional salary 33:26 The Eggbeater Effect and why AI is making us busier 37:38 Leadership as the capstone, not the foundation 40:42 Where to find the book and connect with Aoife A QUICK GLIMPSE INTO OUR PODCAST Podcast: Transform Your Workplace, sponsored by Xenium HR Host: Brandon Laws In Brandon's own words: "The Transform Your Workplace podcast is your go-to source for the latest workplace trends, big ideas, and time-tested methods straight from the mouths of industry experts and respected thought-leaders." About Xenium HR Xenium HR is on a mission to transform workplaces by providing expert outsourced HR and payroll services for small and medium-sized businesses. With a people-first approach, Xenium helps organizations create thriving work environments where employees feel valued and supported. From navigating compliance to enhancing workplace culture, Xenium offers tailored solutions that empower growth and simplify HR. Whether managing employee relations, payroll processing, or implementing impactful training programs, Xenium is the trusted partner businesses rely on to elevate their workplace experience. Discover how Xenium can transform your workplace: Learn more Connect with Brandon Laws: LinkedIn: https://www.linkedin.com/in/blaws/ Instagram: https://www.instagram.com/brandonlaws About: https://www.intothepodverse.com/about Connect with Xenium HR: Website: https://www.xeniumhr.com LinkedIn: https://www.linkedin.com/company/xenaborhood Facebook: https://www.facebook.com/XeniumHR/ Twitter: https://twitter.com/xenaborhood Instagram: https://www.instagram.com/xeniumhr/ YouTube: https://www.youtube.com/user/XeniumResources #Leadership #EmployeeEngagement #WorkplaceCulture #ThrivingTalent #PsychologicalSafety #HRStrategy #PeopleFirst #TransformYourWorkplace