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Becky, Holly, Jakob, and Austin talk about books of the 2020s, trends in reading and publishing, our hopes for the future, and a couple of predictions for the next big thing. This reading data: https://www.arts.gov/stories/blog/2024/federal-data-reading-pleasure-all-signs-show-slump Books mentioned include: Spillover by David Quammen, The Great Influenza by John M. Barry, The Plague by Albert Camus, The Decameron by Giovanni Boccaccio, Love in the Time of Cholera by Gabriel Garcia Marquez, These Precious Days and Tom Lake by Ann Patchett, The Vulnerables by Sigrid Nunez, The Sentence by Louise Erdrich, There is a Door in This Darkness by Kristin Cash ore, All Fours by Miranda July, Book Lovers by Emily Henry, Caste by Isabel Wilkerson, What Were We Thinking by Carlos Lozada, Surviving Autocracy by Masha Gessen, Just Us by Claudia Rankine, The Trees by Percival Everett, Agatha of Little Neon by Claire Luchette, Intimacies and A Separation by Katie Kitamura, Empire of Pain by Patrick Radden Keefe, Ducks by Kate Beaton, The Rabbit Hutch by Tess Gunty, The Ministry for the Future by Kim Stanley Robinson, Demon Copperhead by Barbara Kingsolver, The Most by Jessica Anthony, The God of the Woods by Liz Moore, Autocracy Inc by Anne Applebaum, Eastbound by Maylis de Kerangal, Doppleganger by Naomi Klein, Detransition, Baby by Torry Peters, Woodworking by Emily St. James, Disappoint Me by Nicola Dinan, Diary of a Misfit by Casey Parks, Jesus Wept by Philip Shenon, Romney by McKay Coppins, Motherland by Julia Ioffe, The Gales of November by John U. Bacon, Murderland by Caroline Fraser, King of Kings by Scott Anderson, All the Way to the River by Elizabeth Gilberty, Challenger by Adam Higginbotham, More Everything Forever by Adam Becker, Red White and Whole by Rajani LaRocca, The Midnight Children by Dan Gemeinhart, The Invisible Life of Addie LaRue by V.E. Schwab, Wanderhome by Jay Dragon, Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin, Fourth Wing by Rebecca Yarros, The House in the Cerulean sea by TJ Klune, Remarkably Bright Creatures by Shelby Van Pelt, The Women by Kristin Hannah, Dog Man series by Dav Pilkey, The Let Them Theory by Mel Robbins, Alchemised by SenLinYu, Convent Wisdom by Ana Garriga and Carment Urbita, The Familiar by Leigh Bardugo, We Are Water Protectors by Carole Lindstrom, Berry Song by Michaela Goade, Legendary Frybread Drive-In edited by Cynthia Leitich Smith, Firekeeper's Daughter by Angeline Boulley, The Tragedy of True Crime by John J. Lennon, The Friday Afternoon Club by Griffin Dunne, We Tell Ourselves Stories by Alissa Wilkinson, Didion and Babitz by Lili Anolik, Enshittification by Cory Doctorow, The Correspondent by Virginia Evans, Back After This by Linda Holmes, The Caretaker by Ron Rash And authors Patricia Lockwood, Claire Keegan, Rachel Kushner, Timothy Snyder, Helen Garner, Casey Plett, Mr Beast/James Patterson, Stephen Graham Jones, Silvia Moreno Garcia, and more!
In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices
In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen's novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion's Two Friends and Gillian Armstrong's wonderfully Garneresque The Last Days of Chez Nous. After a reading from John's favorite, The Children's Bach, the trio discusses Garner's capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father's restlessness to her own life-total of houses inhabited (27). “Why wouldn't I write about households?” asks Helen, “They're just so endlessly interesting.” Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That's how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen's writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There's something about shaping a sentence, too, which can be musical.” Mentioned in the Episode Marilynne Robinson, Housekeeping (the fixed people and the wandering people), Gilead, Home, The West Wing (yes, the TV show! Helen watched it during lockdown when she couldn't bear fiction…) Raymond Carver‘s minimalist fiction (his first collection) Tess Gallagher (as writer and as Carver's editor) Willa Cather, “The Novel Démeublé” (1922; on how to un-furnish fiction, leaving it an empty room) Ernest Hemingway, A Moveable Feast Sigmund Freud on “the day's residue” (e.g. in The Interpretation of Dreams, 1900) George Eliot, Quarry for Middlemarch Listen to Episode Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies
In this episode we're reviewing Bad Publicity by Bianca Gillam and Esther is Now Following You by Tanya Sweeny. For your convenience, here's everything else we mentioned in this episode:Red Flags by Sophie JoHeated RivalryThe Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah KrasnosteinEnjoyed this episode? Please share it with a bookish friend to help spread the word.We've got a Substack publication. At the end of the month, we share recommendations for two things we reckon you should read/watch/listen to. The beauty of Substack is you can revisit all our old editions and comment on our episode updates to share your thoughts. Come say hi!Connect with us on Instagram: @betterwordspod
Holly Walker reviews three of her favourite books from last year: The Mushroom Tapes by Helen Garner, Sarah Krasnostein,and Chloe Hooper, published by Text Publishing, In Defence of Leisure by Akshi Singh, published by Penguin Books,and Surplus Women by Michelle Duff, published by Te Herenga Waka University Press.
Jenna Todd of Time Out Bookstore three of her favourite books from last year: The True True Story of Raja the Gullible by Rabih Alameddine, published by Little Brown Books, Service by John Tottenham, published by Profile Books, and How to End a Story: Collected Diaries 1978-1998 by Helen Garner published by Text Publishing.
In this episode of the Quick Book Reviews Podcast, I'm joined by Tanya Sweeney to talk about her novel Esther Is Now Following You — a chilling and timely exploration of online obsession, surveillance, and power.We discuss the inspiration behind the book, the realities of digital stalking, and what it means to write fiction that feels uncomfortably close to real life.I'm also sharing spoiler-free reviews of four very different books, ranging from contemporary crime and true crime to classic mysteries reimagined.Books featured in this episode:Witch Trial by Harriet TyceMr Poirot: Mischief on the Nile by Roger Hargreaves & Agatha ChristieLittle Miss Marple: Murder at the Vicarage by Roger Hargreaves & Agatha ChristieThe Mushroom Tapes: Conversations on a Triple Murder Trial by Helen Garner, Chloe Hooper & Sarah KrasnosteinWhether you're looking for your next great read, enjoy thoughtful author interviews, or love discovering books across genres, there's plenty to explore in this episode.Follow Quick Book Reviews for book recommendations, author interviews, and weekly podcast episodes.
Fearless Beatrice Faust is an overdue biography of a significant reformist force in the women’s liberation movement of the 60s and 70s in Australia. Written by political scholar Dr Judith Brett, this lively biography returns Bea to the prominence she once enjoyed as a controversial media figure and activist, primarily championing abortion rights. But it also explores the shadows in her life; including her struggles with her mental and physical health, and her lifelong fascination with all aspects of human sexuality, including her own, which she regarded as androgynous. When it came to Bea Faust, nothing was taboo; her contemporary Helen Garner declared she was not afraid of anything, and this book certainly confirms that fearlessness and curiosity were key aspects of her intellect.See omnystudio.com/listener for privacy information.
If On The Record were a boxing match, Episode 5 would open with the bell ringing and Brian Wise and Michael Mackenzie already mid-ring.. The topic? The Golden Globes. The real issue? Whether a film can be called a “musical or comedy” when it is clearly neither, and whether Paul Thomas Anderson should be declared a genius by popular vote or sent to the cinematic sin bin. Two overly seasoned cultural obsessives staring at the same screen and seeing entirely different movies. From there, the episode sprawls—happily and unapologetically—into a wide-ranging conversation about awards hype, viewing expectations, and the strange disconnect between critical acclaim and lived experience. One host praises audacity and subversion, the other demands coherence and restraint. Nobody backs down. Nobody changes their mind. Which, frankly, is exactly how these debates should be conducted. Luckily, special guest Liz Stringer moves the conversation into other areas that are slightly more important - touring her latest album and raising money to address housing insecurity along with the uncomfortable truth that this is no longer a fringe issue confined to capital cities or stereotypes. The show rolls on, touching on music-making, self-management, creative independence, reality TV guilt, Russian books that are abandoned for the sake of mental health, and the eternal question of why we all say we won't watch that show again… and then absolutely do. By the end of Episode 5, On The Record has done what it does best: entertained, provoked, and digressed wildly. It's messy, funny, opinionated, and oddly comforting—like a long conversation you didn't plan to have, but are very glad you did. Episode Links Liz Stringer website Liz's album The Second High One Battle After Another - Official Trailer If I Had Legs I'd Kick You | Official Trailer HD | A24 Sam Fender - Remember My Name Audrey Powne - From The Fire (ALBUM) The Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah Krasnostein Milk Fed by Melissa Broder The Pitt Succession THE HISTORY OF SOUND | Official Trailer SENTIMENTAL VALUE - Official Trailer The Faces Ooh La La (2004 Remaster)
Jane and Fi consider coming out with their own self-help book and muse on the title: ‘Do Less, Be Happier' or ‘Can I Be Arsed? Probably Not'… the jury is still out. They also chat about wassailing, cat incontinence, and the dangers of star signs. Plus, best-selling Australian writer Helen Garner discusses her diaries 'How to End a Story: Collected Diaries', and her new book 'The Mushroom Tapes'. We're taking suggestions for our next book club pick! The brief is: books that deserve to be re-read. Our most asked about book is called 'The Later Years' by Peter Thornton. You can listen to our 'I'm in the cupboard on Christmas' playlist here: https://open.spotify.com/playlist/1awQioX5y4fxhTAK8ZPhwQIf you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radioFollow us on Instagram! @janeandfiPodcast Producers: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.
Dr Randa Abdel-Fattah is back in the headlines after being removed from the Adelaide Writers’ Week 2026 program in the wake of the Bondi terror attack. Festival organisers say the decision wasn’t about linking Randa or her work to the attack, but about concerns that, based on her past public statements, her appearance could be culturally insensitive at this time. Randa has strongly rejected that explanation, accusing the festival of anti-Palestinian racism, censorship, and of trying to associate her with the Bondi massacre. Dozens of high-profile authors, including Zadie Smith, Helen Garner, Hannah Ferguson and Peter Greste, have pulled out of the festival in solidarity. In this episode, we revisit Antoinette Lattouf’s conversation with Randa on The Weekend Briefing, where she spoke candidly about a similar controversy at the Bendigo Writers Festival, the personal cost of sustained public attacks, and what it’s like to keep speaking out amid public scrutiny. Follow The Briefing: TikTok: @thebriefingpodInstagram: @thebriefingpodcast YouTube: @TheBriefingPodcastSee omnystudio.com/listener for privacy information.
In this week's episode we speak with acclaimed author Helen Garner, who followed the travails of her grandson's footy team for her new book, The Season. She speaks with Konrad Marshall about what she now envies about male contact sports, the benefit of coming to footy with limited prior knowledge, and the debate over the book's cover image.See omnystudio.com/listener for privacy information.
Jodi Wilson is a bestselling author of four books, a health journalist and postpartum doula. Several years ago, she and her family packed their lives into a caravan, and set off in search of adventure, and a more simple life. After two years on the road they put down roots in Tasmania. It is here where she's embraced gardening, and written her most recent book, A Brain That Breathes, out today. Jodi lives, writes and gardens with her partner and their four children on the land of the punnilerpanner people in north western Tasmania Before we get to this thought-provoking chat, Emily and Madeleine are drinking Archie Rose Straight Dry gin with some home made purple elderflower cordial. Emily is regretting purchasing a Ginko tree, and the agapanthus keep rearing their ugly head. She is loving her Cerastium tomentosum - snow in summer - and Maddie's cutting is also doing quite well. Maddie is obsessed with Sage, and wants to propagate more. She's also tried her hand at sage sticks. She's got a picnic blanket in the post and is excited for more outdoor eating-and-drinking sessions. Calendula is back, and in some beautiful colours, and she is recommending Why Women Grow, by Alice Vincent. Jodi has a HUGE list of books she recommends for summer, and or anytime. We've already read a couple of them and they are excellent. Can highly recommend her recommendations! -The Mushroom Tapes by Chloe Hooper, Helen Garner, and Sarah Krasnostein -Heart the Lover by Lily King -Sandwich and Wreck by Catherine Newman -The Octopus and I and A Catalogue of Love by Erin Hortle -The Hiding Place by Kate Mildenhall -The Ten Year Affair by Erin Somers -Consider Yourself Kissed by Jessica Stanley We're also banging on and singing the praises of libraries, AGAIN!
To celebrate the old bird/broad role models who've appeared on The Shift with Sam Baker I'll be rerunning some of these conversations throughout December and into January. Next up is Australian literary legend Helen Garner who, in her 83rd year has finally broken out in the UK and US and won the Baillie Gifford Prize for her collected diaries, How To End A Story... --- My guest today is the writer Helen Garner. I'm pretty sure that right now you are either going, wow I LOVE her, or looking a bit vague. Because despite being one of Australia's greatest living writers she is surprisingly little known here. But not for much longer because, at the age of 81, she is finally about to see almost all her books in print in the UK and US for the first time. Born in 1941 in Geelong, Victoria, the eldest of six, Helen has lived a fascinating life and one that has found its way into her 13 books. Her debut Monkey Grip, published in 1977 when she was a single mother, is still in print today; her second novel, The Children's Bach (which is where I recommend you start if you've never read her), has been compared with Hemingway and Fitzgerald; and, her true crime classic, This House of Grief, has been declared one of the best books of the 21st century. Not bad for a regular kid from, as she puts it, “an ordinary Australian home - not many books and not much talk.” I was lucky enough to get to chat to Helen (and her chooks) from her home near Melbourne. In fact she kept me up long past my bedtime (!) as we discussed the difficult father-daughter relationship, making peace with the older generations and the emotional impact of being a war baby. She also told me why getting married a fourth time would have been the definition of madness, how she couldn't give a monkeys about the withdrawal of the erotic gaze and why grandmothering has been the greatest pleasure of her life. * You can buy all the books mentioned in this podcast at The Shift bookshop on Bookshop.org. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com. • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at www.theshiftwithsambaker.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices
We're celebrating the end of the year with a look back over our favourite reads of 2025, from new releases to backlist gems, best book club books, best non-fiction, best comfort reads and more. Between us we read over 350 books in 2025. Listen in to hear the ones we loved best. We've also got a radical new idea for a book club involving cold-water swimming and the works of Robert B. Parker, and how to embrace DNFing without guilt. Join us for recommendations to see you through the festive season and set your new reading year off in style.With Phil Chaffee and Sarah OliverSerious ReadersTake advantage of Serious Readers offer. Head to seriousreaders.com/bcr and use the code BCR at checkout for £150 off any HD light.PatreonHead to Patreon.com/thebookclubreview for all the benefits of membership and how to sign up.You can also buy someone gift membership at https://www.patreon.com/thebookclubreview/gift BooklistMother Mary Come to Me by Arundhati RoyThe Silver Book by Olivia LaingCrudo by Olivia LaingDream Count by Chimamanda Ngoze AdicheThe Loneliness of Sonia and Sunny by Kiran DesaiHeart the Lover by Lily KingDeep Cuts by Holly BrickleyThe Transit of Venus by Shirley HazzardPet Sematary by Stephen KingYou Dreamed of Empires by Alvaro EnrigueVera, or Faith by Gary ShteyngartLake Shore by Gary ShteyngartOur Country Friends by Gary ShteyngartGlorious Exploits by Ferdia LennonA Waiter in Paris by Edward ChisholmThe First Man by Albert CamusRobert B. Parker novelsQuestion 7 by Richard FlanaganThe Count of Monte Cristo by Alexandre DumasMuybridge by Guy DelisleThe Sense & Sensibility Diaries by Emma ThompsonThe Lockwood & Co novels by Jonathan StroudThe Unselected Journals of Emma M. Lion by Beth BrowerShattered Lands by Sam DalrympleMaurice and Marilyn, or A Marriage at Sea by Sophie ElmhurstAgent Zo by Clare MulleyThe Devil Two Step by Jamie QuattroTrain Dreams by Denis JohnstonTree of Smoke by Denis JohnstonThe Director by Daniel KelmanWe Do Not Part by Han KangHow to End a Story by Helen Garner (3 volume diaries collection)The Children's Bach by Helen GarnerThis House of Grief by Helen GarnerEucalyptus by Murray BailWild Thing by Sue PrideauxNonesuch by Francis SpuffordPet Sematary 1983 coverSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Subscribe to our Substack for full, linked shownotes: https://thatromcompod.substack.com/BookRiot's reading logAustralian Society of Authors free webinar: Understanding readers and their habits, with Australia ReadsDymocks Sydney Books in Bars Valentine's Day romance author panel with Karina May, Josh Hortinela, Natalie Murray, Leesa Ronald and Amy Andrews. Save the date – Thursday, February 12, 2026Dangerously Modern Australian Women Artists in Europe 1890-1940 at The Art Gallery of NSW until 15 February 2026 (Spotify Playlist, Coffee table bookOne Golden Summer, Carly Fortune (2025)Love & Other Scores, Abra Pressler (2023)After the Siren, Darcy Green (2025)Power Moves, Leesa Ronald (2025)Engaged, Apparently, Amy Andrews (Coming January 2026)In Spite Of You, Patrick Lenton (2025)Hate You to Love You, Josh Hortinela (Coming September 2026)Heart the Lover, Lily King (2025)Table for One, Emma Gannon (2025)Chosen Family, Madeline Gray (2025)A Smart Girl's Guide to Second Chances, Steph Vizard (2025)Lights, Camera, Love, Natalie Murray (2025)Love Overdue, Ali Berg & Michelle Kalus (2025)Your Friend and Mine, Jessica Dettmann (2025)Ghosted, Amy Hutton (2025)The Mushroom Tapes: Conversations on a Triple Murder Trial, Helen Garner, Chloe Hooper and Sarah Krasnostein (2025)Chosen Family, Madeline Gray (2025)The Hiding Place, Kate Mildenhall (2025)Heart the Lover, Lily King (2025)The Heir Apparent, Rebecca Armitage (2025)The Light Years, Elizabeth Jane Howard (2024)How to End A Story, Collected Diaries, Helen Garner (2025)Everyone and Everything re-read, Nadine J. Cohen (2023)Almost Life, Kiran Millwood Hargrave (2026)Consider Yourself Kissed, Jessica Stanley (2024)Better Than the Real Thing, Brooke Crawford (2026)When the Party's Over, Katie Hoskins (2026)Writers and Lovers, Lily King (2021)Loved One, Aisha Muharrar (2025)The Time After Now, Anne Freeman (2026)Side Character Energy, Olivia Tolich (February, 2026)The Boyfriend Clause, Bridie Blake (March, 2026)People We Meet on Vacation premieres 9 January on Netflix!Recorded on Gadigal land. | Editing: Joshua Broadbent, Marker Creative Co. | @thatromcompod Hosted on Acast. See acast.com/privacy for more information.
Is the ultimate parenting flex actually… no gifts at all? Because according to The Cut, Millennial parents now fall into two dramatic camps:Camp Maximalist: “Here’s every toy that's ever been produced.”Camp Minimalist: “Your present is… presence.” Meanwhile, gentle parenting has officially been cancelled. After a viral post dragged the whole “boundary-less vibes only” approach, we’re gathered here today to mount a defence before it’s declared emotionally supportive manslaughter. And in other critical news, the internet is deep into an investigation of the gossip going on about the Millennial mum group — Ashley Tisdale, Mandy Moore, and Hilary Duff — basically the Avengers of wholesome parenting. What are they hiding? PTA secrets? Matching snack schedules? We will, of course, be looking into it with the seriousness it deserves… which is none. Our Recommendations:
'I never travel without my diary. One should always have something sensational to read in the train' wrote Oscar Wilde, in the Importance of Being Ernest. In this episode Kate is joined by critic, editor and podcaster Lucy Scholes and regular pod guest Phil Chaffee to explore the intimate world of diaries. Can immersing ourselves in the details of other people's lives offer us valuable insight into how to fully appreciate the passing moments of our own? From gossipy self-mythologising Samuel Pepys right up to the present with the experimentation of Sheila Heti's Alphabetical Diaries, and the beauty and hard-won insight of Helen Garner's Baillie Gifford prize-winning diaries. Also not to be missed, living it up Vanity Fair style through the glitz and glamour of 80s New York, with Tina Brown.And if you enjoy this conversation don't miss Part II, over on the Patreon, where we swap notes on our favourite fictional diaries, consider the diaries we'd love to read if they had only been published and share some thoughts on our own diary keeping. You'll find that episode plus lots of benefits including ad-free listening, extra episodes, our community of readers and the pod book club over at patreon.com/thebookclubreview.And to take advantage of that Serious Readers offer of £150 off any HD light head to serious readers.com/bcr and use the code BCR at checkout.Book listThe Private Life of the Diary by Sally BayleyThe Paris ReviewThey by Kay DickLord Jim at Home by Dinah BrookeLove Life of a Cheltenham Lady by Dinah BrookePart of the Story by Margaret BusbyWoman Alive by Susan ErtzShow Don't Tell by Curtis SittenfeldSome People Need Killing by Patricia EvangelistaLook Closer by Robert Douglas FairhurstThe Correspondent by Virginia EvansThe Diary of Samuel Pepys, Robert Latham (ed)The Diaries of Virginia WoolfHow To End a Story by Helen GarnerHenry Chips Channon: The DiariesThe James Lees Milne diariesWriting Home by Alan BennettThere and Back: 1999–2009 by Michael PalinThe Vanity Fair Diaries 1983–1992 by Tina BrownEnd of a Berlin Diary by William L. ShirerWar in Val D'Orcia by Iris OrigoRussian Journal by Andrea LeeBeloved Son Felix: Coming of Age in the Renaissance by Felix PlatterDiary of a Tuscan Bookshop by Alba DonatiModern Nature by Derek JarmanPharmacopeia by Derek JarmanWent to London, Took the Dog by Nina StibbeAlphabetical Diaries by Sheila HetiA Woman in the Polar Night by Christiane RitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In 2021, the award-winning author, teacher and poet Kate Clanchy suffered one of the most public and aggressive cancellations in the cultural world. In a series of vicious attacks, online critics accused her bestselling memoir, Some Kids I Taught and What They Taught Me, of ‘racism' and ‘ablism', provoking an unprecedented pile-on. Shamefully, her own publishers, Picador, sided with the accusers. A new seven-part podcast, Anatomy of a Cancellation, has been acclaimed for its in-depth analysis of the whole Salem-like affair, in this interview, the FSU's Jan Macvarish asks Kate for her reflections on the story it tells. How has she survived the almost total destruction of her reputation? Books on cancellation that are mentioned in the interview include Helen Garner's The First Stone, Mark Lawson's The Allegations and Phillip Roth's The Human Stain. You can read more of Kate's most recent writing here.
Jane Westaway reviews How to End a Story: Collected Diaries 1978-1998 by Helen Garner.
When Helen Garner began following her grandson Amby's under-16s football team, it was a chance to spend more time with her youngest grandchild before he became an adult and she was fascinated by the spectacle.She went along to all the games, and to every training session, shivering on the sidelines at dusk, it also gave Helen a new writing project.As Helen began writing about Amby and his season, she began to realise that part of the story was about the 'ordinary beauty of human society'.This episode of Conversations was produced by Nicola Harrison, the executive producer was Carmel Rooney.It explores growing older, teenagers, playing AFL, training, team sport, AFL, injury, man hood, being a grandma, family, writing, memoir, the culture of sport in Australia, writing, raising boys.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.
In a special series direct from the Ubud Writers & Readers Festival, Karen chats to Lech Blaine about how to shape a memoir and find a meaningful throughline within the truth, what it was like being edited by Helen Garner, how to decide what to leave out of a memoir, the ethical dilemmas of writing about trauma in relation to friends and family, how he found the voice for the ‘characters' in his memoirs, how he scored his Quarterly essays and the way he approaches long-form essays, and what he loves and hates about the publishing process.About LechLech Blaine is the award-winning author of the two works of creative non-fiction/memoir Car Crash and Australian Gospel and two Quarterly Essays Top Blokes and Bad Cop. He was the 2023 Charles Perkins Centre writer in residence, and his writing has appeared in Good Weekend, Griffith Review, The Guardian and The Monthly.
So. Everyone says your fiancée cheated on you with a big-wig politician (or two). After you break up, you're sitting on a whole lot of juicy, icky, sexy detail from messages and emails that you KNOW the world is going to be into. Do you release them? Well, of course you do. And welcome to the sex scandal that's consuming America right now - the Olivia Nuzzi affair. So, do YOU want to hear all about it? Also, what do real-life witches think of Wicked, For Good? And, women have never been hornier. At least, that's what our obsession with internet boyfriends, smutty books and libido-boosting supplements tells us. So Em, Holly and Jessie discuss: Is it power, or pressure? Plus, recommendations and Em's F1 obsession. $21 off - Mamamia’s massive Black Friday Deal.Get an all access pass to Mamamia for just $48. Enjoy $21 off a yearly subscription, ends 1 December 2025! Recommendations Em recommends getting up at 3am on Monday to watch the QATAR F1 Race on Foxtel or Kayo. Jessie recommends A Battle with My Blood by Tatiana Schlossberg about her terminal cancer diagnosis. And the Brushology Premium Boar Bristle Hairbrush. Holly recommends The Mushroom Tapes: Conversations on a triple murder trial, a book by Helen Garner, Chloe Hooper and Sarah Krasnostein What To Listen To Next: Listen to our latest episode: So, Are You Rude With Money? Listen: The Women Quietly Quitting Their Husbands & Your High School Ghost Listen: The 5 Days You Should Schedule Every Month Listen: The Most Telling Detail In That Meghan Sussex Profile Listen: ‘I Was An Ugly Child’ & The 5-Second Underthinking Rule Listen: Everything That Shouldn't Be Embarrassing But Absolutely Is Listen: So That's The Reason I Feel Bad About… My Eyelids? Listen: Big Brother Australia, The Golden Bachelor & The TV ‘Algorithm Theory’ Listen to MID with Monique van Tulder: The Gap Year That Saved A Marriage Connect your subscription to Apple Podcasts Discover more Mamamia Podcasts here including the very latest episode of Parenting Out Loud, the parenting podcast for people who don't listen to... parenting podcasts. Watch Mamamia Out Loud: Mamamia Out Loud on YouTube What to read: A brutally honest review of the new Wicked movie. The 9 biggest differences between Wicked: For Good and the musical. Viagra for women is a thing and nobody's talking about it. 2024 was the year of horny mid-life women. 'Young women are overtaking the F1 fan base. I know exactly why.' THE END BITS: Check out our merch at MamamiaOutLoud.com GET IN TOUCH: Feedback? We’re listening. Send us an email at outloud@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message. Join our Facebook group Mamamia Outlouders to talk about the show. Follow us on Instagram @mamamiaoutloud and on Tiktok @mamamiaoutloud CREDITS: Hosts: Emily Vernem, Jessie Stephens & Holly Wainwright Group Executive Producer: Ruth Devine Executive Producer: Sasha Tannock Audio Producer: Leah Porges Video Producer: Josh Green Junior Content Producer: Tessa KotowiczBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.
Anna and Geoff discuss their reaction to the 2025 Booker Prize winner, FLESH by David Szalay, and the winner of the Baillie Gifford prize for non-fiction, Australian author Helen Garner for her collection of diaries HOW TO END A STORY. Our book of the week is CREATION LAKE by Rachel Kushner. Her follow-up novel after the Booker-shortlisted Mars Room, this centres on Sadie Smith, an undercover agent who infiltrates a commune in rural France. It was shortlisted for the 2024 Booker Prize. This raised questions we weren't expecting from a literary novel, such as: Is it a spy thriller? Is Sadie enough of a slob to be compared with Jackson Lamb? Which Sesame Street character does Bruno remind us of? Coming up: NESTING by Roisin O'Donnell Follow us! Email: Booksonthegopodcast@gmail.com Instagram: @abailliekaras Substack: Books On The Go Credits Artwork: Sascha Wilkosz
Dean Bedford reviews The Mushroom Tapes by Helen Garner, Chloe Hooper & Sarah Krasnostein, published by Text Publishing.
It's Books, Baby! Booker Prize episode and Bev, Ian and Alo dive into the 2025 winning novel Flesh by David Szalay. We explore its sharp examination of masculinity, emotional restraint, and the quiet turning points that shape István's life from adolescence to middle age. This episode also features Sim, joining us for a second guest appearance this season.Books mentioned in this episode:Audition - Katie KitamuraSeascraper - Benjamin WoodFlashlight - Susan ChoiThe Loneliness of Sonia and Sunny - Kiran DesaiThe Rest of Our Lives - Ben MarkovitsThe Seven Moons of Maali Almeida - Shehan KarunatilakaGirl, Woman, Other - Bernardine EvaristoThe Bee Sting - Paul MurrayMy Friends - Hisham MatarA Little Life - Hanya YanagiharaOpen Water - Caleb Azumah NelsonBoy Friends - Michael PedersenSeán HewittSolvej BalleChloe Hooper, Helen Garner, and Sarah KrasnosteinSarah WatersSuzumi SuzukiBrandon TaylorConnect with us via email (booksbabypod@gmail.com) and on Instagram!Books, Baby! – @booksbabypodHosts:Ian – @bookish_ianBev – @booksgonewildeAlo – @books.swallows.universeGuest Host:Sim – @sims_solace
We'll never be able to hear the words 'beef wellington' again without thinking of Erin Patterson.
Syria’s leader can celebrate the UN Security Council lifting sanctions, just ahead of his visit to the White House today. Plus: We ask the founders of A Land for All: is there is a better two-state solution for the Middle East? Also: Baillie Gifford Prize winner Helen Garner.See omnystudio.com/listener for privacy information.
Georgina Godwin is joined by Helen Garner, the 2025 winner of the Baillie Gifford Prize for Non-Fiction, who shares insight into How to End a Story: Collected Diaries.See omnystudio.com/listener for privacy information.
Reading Writers is BACK, and in partnership with Bookforum Magazine!In this first episode of Season 3, hosts Jo and Charlotte delve into the (separate) letter collections of Vincent Van Gogh and D.H. Lawrence before they're joined by superstar novelist Rumaan Alam to reflect on magazine eras of yore via Tina Brown's The Vanity Fair Diaries. Also mentioned: Cat Marnell's How To Murder Your Life, Jean Godfrey June's Free Gift With Purchase, Michael M. Grynbaum's Empire of the Elite, Stet by Diana Athill, the diaries of Helen Garner, and the diaries of Andy Warhol.Rumaan Alam is the author of four novels, including, most recently, Entitlement.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWritersOur Sponsors:* Check out Avocado Green Mattress: https://avocadogreenmattress.com* Check out BetterHelp: https://betterhelp.com/THENATIONAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
This week, Terri Apter reviews a quartet of books exploring the impact of parenthood on identity, particularly for women; and we revisit Helen Garner, as she wins the Baillie Gifford Prize for Non-Fiction.'Four Mothers: A year of motherhood around the world', by Abigail Leonard'The Republic of Parenthood: On bringing up babies', by Rhiannon Lucy Cosslett'Second Life: Having a child in the digital age', by Amanda Hess'Childless by Choice: The meaning and legacy of a childfree life', by Helen Taylor'How to End a Story: Collected Diaries', by Helen GarnerProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.
Reading Writers is BACK, and in partnership with Bookforum Magazine!In this first episode of Season 3, hosts Jo and Charlotte delve into the (separate) letter collections of Vincent Van Gogh and D.H. Lawrence before they're joined by superstar novelist Rumaan Alam to reflects on magazine eras of yore via Tina Brown's The Vanity Fair Diaries. Also mentioned: Cat Marnell's How To Murder Your Life, Jean Godfrey June's Free Gift With Purchase, Michael M. Grynbaum's Empire of the Elite, Stet by Diana Athill, the diaries of Helen Garner, and the diaries of Andy Warhol.Rumaan Alam is the author of four novels, including, most recently, Entitlement.Please consider supporting our work on Patreon, where you can access additional materials and send us your guest and book coverage requests! Questions and comments can be directed to readingwriterspod at gmail dot com. Outro music by Marty Sulkow and Joe Valle.Charlotte Shane's most recent book is An Honest Woman. Her essay newsletter, Meant For You, can be subscribed to or read online for free, and her social media handle is @charoshane. Jo Livingstone is a writer who teaches at Pratt Institute. To support the show, navigate to https://www.patreon.com/ReadingWriters Hosted on Acast. See acast.com/privacy for more information.
We're diving into Episode 3 of the Read Smart podcast! In this episode, Prize Executive Director Toby Mundy speaks with acclaimed writer Helen Garner about How to End a Story, shortlisted for the 2025 Baillie Gifford Prize for Non-Fiction. Garner reflects on memory, mortality and the craft of turning life into narrative, drawing out the tender, awkward and surprising moments that shape a life on the page. In this conversation, she explores the ethics of memoir, the discipline of revision, and how a writer contends with truth when memory is partial. Listen now to hear a frank and intimate discussion about the art of telling and ending a story. This podcast is generously supported by the Blavatnik Family Foundation. To keep up with all of our Prize news year-round, follow @BGPrize on Instagram, Facebook, X, TikTok and YouTube.
Melbourne University Publishing has announced that the literary journal Meanjin will cease publication at the end of this year. The publication has been running for 85 years and has published the likes of Helen Garner, David Malouf and Patrick White. In this edition of the Conversation Hour former Meanjin editor Sophie Cunningham who discussed the cultural significance of the magazine and the role the university should play in supporting the publication.Also in this edition, Bronwyn Pike AM, has been honoured for her contribution to the child and family sector services, she joined Richelle to reflect on her life and career. Plus, what does it take t be a single mum.
Oh, hello! We're back and trying a new format. In short: we burnt out and lost the love for making the podcast (although we loved speaking to authors). While we've not been recording podcasts, we have been sharing monthly recommendations on Substack. You can take a look (and subscribe!) here. In this episode, we're chatting about:Watching some classic 2000s TV and the joy of not bingingA preview of books we're excited for coming out in the last months of 2025Our favourite read of the year so farBut for your convenience, here's everything we mentioned in this episode:Veronica Mars (TV)Supernatural (TV)Charmed (TV)The Summer I Turned Pretty (TV)The Traitors UK (TV)Married at First Sight Australia (TV)The Americans (TV)Katabasis by R.F. KuangBabel by R.F KuangYellowface by Rebecca KuangUncharmed and Rewitched by Lucy Jane WoodThe Love Of Our Lives by Emma Steel (listen to our interview)Paper Heart by Cecila Ahern (listen to our interview)Sad Girl Hours by Anna Zoe Quirk (listen to our interview)The Killer Question by Janice Hallett (listen to our interview)When Gavin Met Stacey and Everything in Between by James Corden and Ruth JonesCat: On The Road to Findout by Yusuf/Cat StevensWings by Paul McCartneyThe Mushroom Tapes by Helen Garner, Chloe Hooper and Sarah KrasnosteinIf you missed the 'Mushroom murder' you can catch up with this episode of Just the GistThe Gingerbread Bakery by Laurie GilmoreGravity Let Me Go by Trent DaltonChosen Family by Madeleine Gray (listen to our interview)This House of Grief by Helen Garner (which was picked for Dua Lipa's book club)One Golden Summer by Carly FortuneConsider Yourself Kissed by Jessica StanleyEnjoyed this episode? Share it with a bookish friend to help spread the word. We've got a Substack publication now! On the last day of the month, we share recommendations for two things we reckon you should read/watch/listen to. The beauty of Substack is you can revisit all our old editions and comment on our episode updates to share your thoughts. Come say hi! Connect with us on Instagram: @betterwordspod
Adam Scott has revealed that he nearly gave acting away after landing a role on HBO's Six Feet Under. Plus, we find a Reddit thread about letting friends crash at yours and want to know the proper guest etiquette. (00:00) Adam Scott on nearly quitting acting (03:00) Chrissie's found a confusing article about Helen Garner & Dua Lipa (04:30) What is your take on guests? See omnystudio.com/listener for privacy information.
Every Wednesday and Friday in August we will publish some of our favourite audio long reads of 2025, in case you missed them, with an introduction from the editorial team to explain why we've chosen it. This week, from March: over 50 years, she has become one of the most revered writers in Australia. Is she finally going to get worldwide recognition? By Sophie Elmhirst. Read by Nicolette Chin. Help support our independent journalism at theguardian.com/longreadpod
Ruch, Cindy www.deutschlandfunkkultur.de, Lesart
Ruch, Cindy www.deutschlandfunkkultur.de, Lesart
We're heading back to the archives for the next few weeks and first up here's one of my favourite episodes. With the desperately overdue publication of her brilliant diaries, How To End A Story, in the US and UK, the Australian novelist Helen Garner is finally, finally getting some of the credit she's due up here in the Northern hemisphere. Here's our chat... ---- My guest today is the writer Helen Garner. I'm pretty sure that right now you are either going, wow I LOVE her, or looking a bit vague. Because despite being one of Australia's greatest living writers she is surprisingly little known here. But not for much longer because, at the age of 81, she is finally about to see almost all her books in print in the UK and US for the first time. Born in 1941 in Geelong, Victoria, the eldest of six, Helen has lived a fascinating life and one that has found its way into her 13 books. Her debut Monkey Grip, published in 1977 when she was a single mother, is still in print today; her second novel, The Children's Bach (which is where I recommend you start if you've never read her), has been compared with Hemingway and Fitzgerald; and, her true crime classic, This House of Grief, has been declared one of the best books of the 21st century. Not bad for a regular kid from, as she puts it, “an ordinary Australian home - not many books and not much talk.” I was lucky enough to get to chat to Helen (and her chooks) from her home near Melbourne. In fact she kept me up long past my bedtime (!) as we discussed the difficult father-daughter relationship, making peace with the older generations and the emotional impact of being a war baby. She also told me why getting married a fourth time would have been the definition of madness, how she couldn't give a monkeys about the withdrawal of the erotic gaze and why grandmothering has been the greatest pleasure of her life. * You can buy all the books mentioned in this podcast at The Shift Bookshop on bookshop.org including How To End A Story, Monkey Grip, The Children's Bach and This House of Grief by Helen Garner and the book that inspired this podcast, The Shift: how I lost and found myself after 40 - and you can too, by me. * If you enjoyed this episode and you fancy buying me a coffee, pop over to my page on buymeacoffee.com • And if you'd like to support the work that goes into making this podcast and get a weekly newsletter plus loads more content including exclusive transcripts of the podcast, why not join The Shift community, come and have a look around at https://theshiftwithsambaker.substack.com. • The Shift (on life after 40) with Sam Baker is created and hosted by Sam Baker and edited by Juliette Nicholls @ Pineapple Audio Production. If you enjoyed this podcast, please rate/review/follow as it really does help other people find us. And let me know what you think on twitter @sambaker or instagram @theothersambaker. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this inaugural episode of Read This, host Michael Williams and founding editor Sarah McVeigh head to Helen Garner’s house for cake and conversation. Helen shares what she’s writing about, how she problem solves, and the inspiration she gets from watching her grandson’s footy training.See omnystudio.com/listener for privacy information.
This week, Vanessa Curtis celebrates a century of Mrs Dalloway; and Claire Lowdon on the capacious diaries of Helen Garner.'Mrs Dalloway', by Virginia Woolf'Monkey grip', 'The children's Bach', 'This house of grief', 'How to end a story: collected diaries', by Helen GarnerProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.
Anna and Annie discuss the Victorian Premier's Literary Awards Shortlist for fiction, including WOO WOO by Ella Baxter and HIGHWAY 13 by Fiona McFarlane. Our book of the week is THE SEASON by Helen Garner. This is a memoir of a year Garner spent following her grandson's club football team. It explores masculinity, the sense of community at the local club and being a grandmother. As always with Garner's books, there is much to discuss. Coming up: SOMEBODY DOWN THERE LIKES ME by Robert Lukins. Follow us! Email: booksonthegopodcast@gmail.com Instagram: @abailliekaras and @mr_annie Substack: Books On The Go Credits Artwork: Sascha Wilkosz
Australian writer Helen Garner joins Broden for a wonderful chat about her book "The Season" as well as footy, writing, art and so much more!
Over 50 years, she has become one of the most revered writers in Australia. Is she finally going to get worldwide recognition? By Sophie Elmhirst. Read by Nicolette Chin. Help support our independent journalism at theguardian.com/longreadpod
In this special podcast extra, at an event hosted by The Wheeler Centre, Sales interviews her idol Helen Garner about her new book The Season, in front of a live audience in Melbourne. Special thanks to The Wheeler Centre for permission to replay the audio. (0.00) The Season by Helen Garner | Apple Books(7.50) Year Of The Dogs | Apple and DocPlay Listen now on Spotify, Apple Podcasts, or wherever you get your podcasts. See omnystudio.com/listener for privacy information.