Podcasts about middle grade

Send a textEpisode Summary In this Season 5 bonus episode, Beth McMullen and Lisa Schmid clear out their "insanely long" laundry list of burning topics. The duo discusses the restorative power of community, starting with Lisa's wildly successful brewery book swap on Reading Street. They dive into how simple, low-lift events can be the perfect antidote to a dark news cycle and offer tips on how you can start your own.The conversation moves into the digital space, covering the shift from Twitter to Threads and Blue Sky for monthly Kidlit chats. Finally, Beth and Lisa get serious about industry safety, offering a "buyer beware" guide to writing conferences and professional classes. They share advice on how to vet organizers, protect your investment, and ensure the event aligns with your specific writing goals.Key Topics CoveredThe Magic of the Book Swap: Why gathering "book people" in a local brewery proved to be exactly what the community needed.Low-Lift Event Planning: How to foster connection without the stress of high-stakes organizing.The New Digital Frontier: Navigating the monthly Kidlit community chats on Threads and Blue Sky.Conference Due Diligence: How to research writing events, check their track records, and avoid losing money on canceled "dream" conferences.Defining Your Purpose: Why knowing why you are attending an event (networking vs. craft vs. pitching) is the key to a successful investment.Resources & LinksThreads Kidlit Chat: Join the conversation every first Wednesday of the month.Blue Sky Kidlit Chat: Join the conversation every first Tuesday of the month.Writers With Wrinkles Facebook Group: Join our private community for publishing news and "well-rounded" writing advice. (Note: Please answer the entry questions to join!)Coming Up Next Week Don't miss our conversation with author Fleur Bradley, who returns to the show to discuss her brand-new writing craft book focused on the art of Middle Grade mystery! Support the show Visit the WebsiteWriters with Wrinkles Link Tree for socials and more!

Find the shownotes HERE.Super Hero Fiction for Middle GradeWhat if you found out you could control gravity—during a school vision test?What if your boring life suddenly launched you into a world of secret agents, superpowers, and flying possibilities?What if the only person who could help you master your powers… was also the person you were told to avoid?Guest Author: Meredith DavisBook: The Amazing Adventures of Noah Minor

Send a textIn this episode of Bookworthy, Valerie interviews Kayla E. Green, an award-winning YA fantasy author who has ventured into children's literature with her picture book 'Hadley the Hippo.' They discuss the inspiration behind the book, the importance of conversations about what children consume, both in terms of food and media, and Kayla's journey as a writer and teacher. Kayla shares her favorite books and their impact on her life, as well as what readers can expect from her upcoming projects.Hadley the Hippo is What She Eats (affiliate link) The Unicorn Writer – Faith. Fiction. Fireside Poetry.Don't forget to join in the Middle Grade March Madness. Fill out your bracket and follow the fun as you, the reader, help BookWorthy choose the #1 Middle Grade book for ages 8-12.Follow over on YouTube Takeaways Kayla's journey into writing began in elementary school.'Hadley the Hippo' is inspired by her daughter's love for food.Books can serve as conversation starters for families.It's important for children to understand what they consume mentally and emotionally.Kayla emphasizes the importance of teaching children to guard their hearts.She believes in the power of read-alouds for all ages.Kayla's teaching experience has shaped her storytelling.Different books impact us at different stages of life.Kayla's favorite books include 'The Girl Who Drank the Moon' and 'Matilda.'She is working on a young adult pirate fantasy and a sequel to 'The Goodness of Unicorns.'Chapters00:00 Introduction to Kayla E. Green and Hadley the Hippo01:49 The Inspiration Behind Hadley the Hippo04:55 The Message of Hadley and Its Importance09:14 Kayla's Writing Journey and Teaching Background14:48 Favorite Books and Their Impact20:15 What's Next for Kayla E. Green? Let's discover great books together!Follow for more:FB: @bookworthypodcastInstagram: @bookworthy_podcastYouTube: BookWorthy Podcast - YouTubetiktok: @valeriefentress

True North Country Comics Podcast chats with Dian Day and Amanda White about their new graphic novel The post Dian Day and Amanda White discuss new middle grade graphic novel appeared first on True North Country Comics.

Send a textIn this episode of Bookworthy, Valerie interviews award-winning author Sarah Philpott, who shares her journey from writing devotionals to creating children's books. They discuss Sarah's latest book, 'Wake Up, Little Seed,' which connects children with the growth process in nature while emphasizing God's role in it. The conversation also explores the creative process behind children's literature, the impact of teacher encouragement, and the importance of reading in family life. Moo, Moo Nap, Nap | Sarah PhilpottWake Up Little Seed (affiliate link)Don't forget to join in the Middle Grade March Madness. Fill out your bracket and follow the fun as you, the reader, help BookWorthy choose the #1 Middle Grade book for ages 8-12.Follow over on YouTubeTakeaways Sarah Philpott emphasizes the importance of God's presence in every detail of life.Her book 'Wake Up, Little Seed' aims to teach children about growth and God's role in it.Transitioning from writing devotionals to children's books has been a delightful journey for Sarah.Writing children's books is challenging due to the need for impactful storytelling in fewer words.Illustrations play a crucial role in children's books, enhancing the storytelling experience.Publishers often have a lot of heart and care about the details in book creation.Encouragement from teachers can significantly impact a writer's journey.Sarah's writing journey has been filled with constant project ideas and learning.Recent reads often leave a lasting impact on readers, shaping their thoughts and reflections.Reading together as a family is a vital activity that fosters connection and learning. Chapters 00:00 Introduction to Sarah Philpott and Her Work01:56 Exploring 'Wake Up, Little Seed'05:43 Transitioning from Devotionals to Children's Books09:20 The Creative Process Behind Children's Books12:44 Sarah's Writing Journey and Inspirations16:30 Impactful Books and Their Influence18:18 Connecting with Readers and Future Plans Let's discover great books together!Follow for more:FB: @bookworthypodcastInstagram: @bookworthy_podcastYouTube: BookWorthy Podcast - YouTubetiktok: @valeriefentress

In this episode of the Book Faire Podcast, Anthony explores the latest in middle grade and children's literature, highlighting new book releases that delve into themes of cultural identity, grief, and historical narratives. The discussion extends to the critical issues of censorship and book bans in schools, focusing on inspiring student activism and librarian efforts to combat these challenges. Listeners will also learn about the Library of Congress's upcoming interactive learning space designed specifically for young readers. This episode is an essential listen for librarians, educators, and anyone passionate about supporting diverse children's literature and advocating against censorship in schools.New Releases:If This Were the World Stephen Barr, illus. by AG Ford (Ages 4-8)Each and Every Spark by Claire Swinarski (Ages 8-12)Goodbye, French Fry by Rin-rin Yu (Ages 8-12)Birdy by N. West Moss, with illustrations by Carrie Shyrock (Ages 10-14Postscript by Cory McCarthy (Ages 14+)

In this episode of the Book Faire Podcast, Anthony explores the latest in middle grade and children's literature, highlighting new book releases that delve into themes of cultural identity, grief, and historical narratives. The discussion extends to the critical issues of censorship and book bans in schools, focusing on inspiring student activism and librarian efforts to combat these challenges. Listeners will also learn about the Library of Congress's upcoming interactive learning space designed specifically for young readers. This episode is an essential listen for librarians, educators, and anyone passionate about supporting diverse children's literature and advocating against censorship in schools.New Releases:If This Were the World Stephen Barr, illus. by AG Ford (Ages 4-8)Each and Every Spark by Claire Swinarski (Ages 8-12)Goodbye, French Fry by Rin-rin Yu (Ages 8-12)Birdy by N. West Moss, with illustrations by Carrie Shyrock (Ages 10-14Postscript by Cory McCarthy (Ages 14+)

In this episode of The Book Faire, Greg Howard delves into his latest middle grade novel, 'The Visitors,' discussing key themes relevant to kidlit such as historical trauma and LGBTQ representation. He explores the importance of empathy in storytelling and addresses the challenges faced while writing during the pandemic. Howard reflects on his inspiration for the setting and character dynamics, emphasizing the role of modern technology alongside historical context. This conversation is especially valuable for librarians and educators seeking diverse and meaningful literature for young readers. Tune in for insights that spotlight representation and respect in contemporary children's publishing.Chapters00:00 Introduction and Book Release Context02:59 The Writing Journey of 'The Visitors'05:54 Setting and Inspiration Behind 'The Visitors'08:58 Modern Perspectives: Technology and Historical Context11:53 Character Dynamics and LGBTQ Themes14:50 Exploring Intersectionality and Historical Trauma18:02 The Role of Empathy in Storytelling20:48 The Importance of Representation in Literature23:53 Final Thoughts on Writing and Impact

In this episode of The Book Faire, Greg Howard delves into his latest middle grade novel, 'The Visitors,' discussing key themes relevant to kidlit such as historical trauma and LGBTQ representation. He explores the importance of empathy in storytelling and addresses the challenges faced while writing during the pandemic. Howard reflects on his inspiration for the setting and character dynamics, emphasizing the role of modern technology alongside historical context. This conversation is especially valuable for librarians and educators seeking diverse and meaningful literature for young readers. Tune in for insights that spotlight representation and respect in contemporary children's publishing.Chapters00:00 Introduction and Book Release Context02:59 The Writing Journey of 'The Visitors'05:54 Setting and Inspiration Behind 'The Visitors'08:58 Modern Perspectives: Technology and Historical Context11:53 Character Dynamics and LGBTQ Themes14:50 Exploring Intersectionality and Historical Trauma18:02 The Role of Empathy in Storytelling20:48 The Importance of Representation in Literature23:53 Final Thoughts on Writing and Impact

Send a textWhat happens when a bestselling middle grade author joins you on World Read Aloud Day -- and opens the episode with a live read-aloud from his brand-new release?In this return conversation, James Ponti celebrates the book birthday of City Spies: Europa (Book 7!) and takes us behind the scenes of what it really takes to write page-turning mystery-adventure that kids don't just read, they inhabit.We talk about the research rabbit holes that make a story feel real (including the world's most expensive cup of tea!), the craft of writing dialogue that flows, and why the read aloud shouldn't stop in early elementary, especially for books that beg to be heard.You'll also hear why James believes hope lives in the reader community itself: kids who show up dressed as characters, remember details from five books ago, and prove, again and again, that middle grade readers are powerful.Favorite TakeawaysKids don't just read books, they live in them.The best middle grade is never “dumbed down.” Kids notice everything.The read aloud is still one of the strongest tools we have for motivation, stamina, and connection.Hope lives in communities of readers who show up, reread, and care deeply.Timestamps01:46 Special Read Aloud from the first chapter07:43 Behind-the-scenes research and inside jokes that add “richness” to the writing10:46 Middle grade growth: Sydney + Paris, insecurity, and learning to share what we carry12:57 Writing by ear: dialogue, flow, and reading drafts aloud 30+ times15:27 “Kids live in books”: fandom, rereads, deep questions, and catching mistakes28:35 Touring with author friends + building a wider reading life36:39 Hope: readers, community, and stories that model how people solve problems together40:36 What's next: Sherlock Society: Art Attack (graffiti in Miami!) Connect + MoreLearn more about James Ponti and check out his appearances on episodes 69, 98, and 119 of the Adventures in Learning podcastCheck out all of James Ponti's booksSign up for Dr. Diane's 365 Day Picture Book Read Aloud calendarSupport the showShare this episode If this conversation sparked wonder, gave you a helpful strategy, or offered a needed reminder of hope, please share it with a friend or colleague. Subscribe • Download • Review • Tell a friend Stay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Brenna and Joe kick off the first of three weeks on Percy Jackson and the Olympians with a look at Rick Riordan's second novel of the series: The Sea of Monsters.Up for discussion: new character Tyson (and what that means for Grover), Middle Grade writing structure, how the book renders Greek mythology accessible, and the very 2006 era inclusion of Confederate soldiers.Wanna connect with the show? Follow us on Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray> Joe: @bstolemyremote (Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Letra “Like A Bird” Hosted on Acast. See acast.com/privacy for more information.

Book 7 of James Ponti's City Spies series IS OUT TODAY!, so it's a great time to re-listen to our interview. Last week we heard part 1 and today it's part 2. In this part  we discuss his journey from screenwriting to becoming a successful author of middle-grade fiction. He shares insights into his writing process, the importance of creating relatable characters, and the joy of storytelling. James also offers valuable advice for aspiring writers, emphasizing the significance of writing daily and focusing on completion rather than perfection.For bonus content and info on upcoming episodes, subscribe to the Middle Grade Matters newsletter here: Newsletter, and follow us on Instagram, Threads, and Twitter.I love audiobooks! If you do, too, consider switching to Libro.fm, a platform that supports indy bookstores.If you're enjoying this podcast, please leave a rating and review (thank you!).

Send us a textWhat happens when young readers are invited to question the stories they've always been told?In this episode of the Adventures in Learning podcast, Dr. Diane Jackson Schnoor welcomes bestselling author Tracy Wolff to celebrate the launch of her middle grade fantasy debut, The Aftermyth. Together they explore how mythology, storytelling, empathy, and student identity come together in powerful ways, and why middle grade fiction plays a critical role in helping young readers discover who they are and where they belong.From challenging patriarchal myth narratives to reimagining Aphrodite through compassion and friendship, this conversation highlights how fantasy literature can spark critical thinking, emotional growth, and a love of reading.Perfect for educators, librarians, families, literacy advocates, and middle grade readers.Episode Chapters01:21 Building a New Mythological World at Anaximander's Academy03:12 Questioning History, Power, and Perspective in Stories07:13 Empathy, Friendship, and the Reimagining of Aphrodite10:12 Middle Grade Identity, Belonging, and Finding Your Voice13:29 Read-Alouds, Choice, and Building Reading Motivation18:32 Writing Middle Grade Fantasy and Keeping Kids Engaged19:49 What Brings Hope: Raising Compassionate ReadersWhat You'll Learn in This EpisodeWhy The Aftermyth challenges traditional Greek mythology narrativesHow middle grade fantasy supports identity development and belongingThe importance of empathy and compassion in children's literatureWhy read-alouds should continue beyond early elementary gradesHow student choice and format flexibility support reluctant readersHow storytelling builds motivation and reading staminaFeatured Book

Book 7 of James Ponti's City Spies series comes out February 10th, so it's a great time to re-air part 1 of our interview. James shares heartfelt stories about his teachers, particularly Mrs. White, who inspired him to become a writer. The conversation also touches on the importance of education and the impact of family on his path to success. James also discusses his journey as a writer, focusing on his experiences with the City Spies and The Sherlock Society series. He shares insights into his writing process, the challenges of balancing multiple series, and the inspiration behind his stories. Ponti emphasizes the importance of setting in his books, using real locations to enhance the narrative and engage young readers. He also explores the appeal of thrillers and mysteries, highlighting the interactive nature of these genres and his unique approach to blending different storytelling elements.For bonus content and info on upcoming episodes, subscribe to the Middle Grade Matters newsletter here: Newsletter, and follow us on Instagram, Threads, and Twitter.I love audiobooks! If you do, too, consider switching to Libro.fm, a platform that supports indy bookstores.If you're enjoying this podcast, please leave a rating and review (thank you!).

In this episode of Haunted History Chronicles, I'm joined by authors Andrea Janes and Leanna Renee Hieber, the minds behind America's Most Gothic, to explore the chilling truth behind Gothic tropes — and the real people whose lives were even darker than fiction.Fog-drenched mansions, oppressive family dynasties, forbidden rooms, madness, obsession and death… we tend to associate these with novels and cinema. But Andrea and Leanna reveal how many of the Gothic's most enduring themes are rooted in documented history, lived experience, and genuine tragedy. From vampire panics and cursed landscapes to women silenced, punished or driven to the edge, this conversation uncovers the unsettling overlap between reality, folklore and the supernatural and how these are not imagined horrors — they are echoes of lives shaped by fear, power, repression and loss.Brooding, atmospheric and deeply human, this episode asks why the Gothic continues to haunt us — and what it reveals about the darkness woven into history itself. Settle in… some stories are meant to linger.My Special Guests Are Leanna Renee Hieber and Andrea Janes:   Leanna Renee Hieber is an actress, playwright, artist and the award-winning, bestselling author of Gothic Victorian Fantasy novels for adults and teens such as the Strangely Beautiful, Eterna Files, Magic Most Foul and the bestselling Spectral City series. She grew up in rural Ohio inventing ghost stories, graduating with a BFA in Theatre and a focus in the Victorian Era from Miami University. Her books have been translated into many languages and have been selected for multiple book club editions. An enthusiastic public speaker about the history of the Gothic novel, she loves nothing more than a good ghost story and a finely tailored corset, wandering graveyards and adventuring around New York City, where she also works as a ghost tour guide for Boroughs of the Dead.Andrea Janes tells ghost stories for a living. She is the co-author of A Haunted History of Invisible Women and the owner and founder of Boroughs of the Dead, a boutique tour company dedicated to dark and unusual walking tours of New York City. She is currently at work on a Middle Grade historical fantasy novel set in New Amsterdam. Her personal obsessions include weird history, slapstick comediennes, witches, ghosts, all things nautical, and beer. She lives in Brooklyn where she can usually be found by the ocean or near a cemetery.If you value this podcast and want to enjoy more episodes please come and find us on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Haunted_History_Chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠to ⁠support the podcast, gain a wealth of additional exclusive podcasts, writing and other content.Links to all Haunted History Chronicles Social Media Pages, Published Materials and more:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/hauntedhistorychronicles?fbclid=IwAR15rJF2m9nJ0HTXm27HZ3QQ2Llz46E0UpdWv-zePVn9Oj9Q8rdYaZsR74I⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NEWPodcast Shop:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/haunted-history-chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/hauntedhistorychronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Guest Links⁠ ⁠⁠⁠⁠⁠⁠Websites:⁠ https://www.leannareneehieber.com/ https://boroughsofthedead.com/ Link To Book: https://www.amazon.co.uk/Americas-Most-Gothic-Haunted-Stranger-ebook/dp/B0DLQYQ8SP?ref_=ast_author_dp_rw&th=1&psc=1&dib=eyJ2IjoiMSJ9.Tfe2CbhauvI79PMeZoax5oJeBLDS6lgWTrfrorAjyYbTnh4LnoaqNYXDS9p3A0D0fSTJq5Xv0AhH5CP8KlAY4NaC5JEfQjb984-V4QxnaFLMNgRzQbjU4YXixVTN7OM7TvNMXpnIYyK6iznTDVCezw.t3aAtxJmgJ0_c4hspGHjj8k3H1dTpO-ERp7y6hiN_eE&dib_tag=AUTHOR 

If you spend a lot of time worrying about how to write the perfect opening chapter for your middle-grade novel or whether you should end your chapters on a cliffhanger, then you're going to love writing in scenes!In this episode, we'll cover:the difference between scenes and chaptersthree reasons why it's best to write in a series of scenes rather than in chaptersThis episode is the first in a mini series on writing scenes in middle-grade novels, so stay tuned to the podcast over the next few episodes to learn:how to write a solid scenethe elements that all scenes need to workwhen to write in scene and when to write in summaryFor show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

The episode opens with a look at current publishing news affecting authors, including reading behavior shifts and trends. Then we look at the three major stages of children's literature and why understanding developmental stages matters. Perfect for writers curious about children's books, writers who think they already understand the category, and anyone interested in how readers develop.

In the spotlight is Christopher Bodmann, who has always been captivated by the power of storytelling and his belief that stories exist to inspire, drive action and ignite passion. He uses fantasy elements to address real-world issues that middle-grade readers might face, aiming to create a meaningful connection to their lives. He is particularly passionate about encouraging middle-grade boys to become avid readers by incorporating “gateway” topics that resonate with their interests, while also ensuring his content appeals to all audiences.  Learn more about Christopher Bodmann and his books here: https://www.christopherbodmann.com  Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no   Write to Mike Consol at novelistspotlight@gmail.com 

Make Morality Mainstream Again The adultification of teen fiction has intentionally Frankensteined books for teens into cesspools of ideological normalization. A while ago, I met a mother and her daughter, the latter of whom I hadn't seen in several years. On the cusp of turning twelve, she'd obviously grown in the time since, and, her mother proudly informed me, had become quite the reader. Indeed, the girl held quite a thick book in her hand. Which was it? The girl showed me the cover. I turned to the mother. “Do you know what your daughter is reading?” She'd figured telling her eleven-year-old she could read whatever was marked 14+ was a safe enough guardrail for appropriate content. As reading is an experience between book and reader, the mother wouldn't have seen what her daughter was taking in. She couldn't either know that her daughter's book was familiar not because it was something I'd read but because it was something I wouldn't. Worse, she thought she could trust the institution. THE READING DILEMMA Parents want kids to read, but as most can't keep up with their reading habits, they don't fully realize what's being allowed, even promoted, in books for young readers. As with other once vaunted institutions, the publishing world has morphed in ways many aren't fully aware of. Over a decade ago, I signed my first contract for Young Adult (YA) fiction. Before and since, I've watched the genre boom through the stages of audience demographic to viable business. Throughout, YA has expanded from books for teens to a genre unto itself, attracting talented writers, lucrative contracts, and the golden goose of Hollywood adaptations. YA is officially for readers 14-18 years (and up). However, as it's after Middle Grade (8-12 years), tweens are frequent readers, plus many eleven-year-olds reading up. There is “lower” and “upper” YA, but they're unofficial categories for libraries or writers specific about their target audience. Most retailers and publishers categorize all teen books under the general YA umbrella. NA, New Adult, mainly written for college-aged readers into their early twenties, is often sheltered under the YA umbrella too. Alongside the wider publishing industry, YA has changed significantly over the years, reflecting broader shifts in society. What follows isn't an analysis on talent or quality but content, as something about words in a book makes what's written more real, valid, romantic, admirable, aspirational. Thus, the intent is to shed light on some of the many topic and imagery that are included in books for young readers. At risk that this won't earn me any friends in publishing (at best), here's some of what I've seen: DEVOLUTION OF YA FICTION Growth of the YA audience/genre is an objective benefit, logical as it is to increase methods for targeting potential customers. As YA has increased in business and position, its morphing into genre unto itself has attracted many adults readers. As a YA author, I read mainly within my market and see the appeal for adult readers considering how well the genre's developed. The migration of older readers to YA is certainly one of the many reasons it's been so adultified. Other factors include the poisonous stranglehold ideological tentacles have on many aspects of culture, entertainment, and education. The shifts adults have finally caught onto in adult fiction and film have infected literature for younger audiences, picture books through YA. A quick example, originally, romantic comedies centered on a man and woman who clashed at the outset, then eventually found their way to each other at the end. The story would build to some romantic declaration, then a kiss. Anyone who's been watching knows that there's now a whole lot of touching that happens before any romantic declaration occurs. Longer, more frequent kisses are only second to scenes of the pair sleeping together before deciding how they really feel about each other. All this is becoming commonplace in YA. What was once cutesy stories about a high school girl chasing a crush has now become stories featuring a whole lot of other firsts, even seconds, and then some. The devolution of YA is a result of purposeful normalization and reshaping of societal norms through manipulatively emotional appeals by writers, agents, and editors. On average, books from larger publishing houses take roughly eighteen months to two years to evolve from contract to product on the shelf. To say, story trends are set in motion well before their rise in popularity. Whatever the view on agents as gatekeepers to the larger houses, publishers only publish so many books in a year, an amount significantly less than all the people who want to be published. Hence, agents act as preliminary filters for editors, whittling down potential authors to relatively more manageable numbers. An agent must really believe in a writer and project to nab one of those few spots. Like most creative fields, writing is highly subjective, so in addition to general quality, each agent and editor has preferences for stories they want to work with. They're also usually pretty clear about what they're looking for, so part of the progression of change can be traced back to what's being requested. CHARACTER INCLUSION CHECKLISTS When I first entered the “querying trenches,” wish lists from agents mainly specified genres and their various offshoots. Although ideologies make a home in all genres, most were subtler, more akin to a light sprinkling than the deluge of today. Within a few short years, wish lists changed. Unofficial “checklists” appeared in the now familiar cancerous categories of equity, representation, marginalization, and other socialist pseudonyms. Nonfiction for teens is dominated by activism, coming out, and adaptations of left-wing figures' biographies. Rather than prioritize quality, potential, uniqueness, the new gatekeeping is often focused on the inclusion of certain ideologies. For the first while, emphasis was on strong female characters, an odd request considering the YA market is dominated by female writers and readers. Previous character portrayal thus had little to do with some imagined patriarchal oppression. Now, female characters are “fierce”, projections of feminist fantasies celebrating girl bosses who are objectively pushy, uncooperative, obnoxious, self-righteous, and/or highly unrealistic. Somehow, they capture the most desirable love interest, a magical combination of masculinity and emotional vulnerability, who is inexplicably un-neutered by support of her domineering principles. Frequently, the girl makes the first move. Worse than overbearing feminism is unrealistic portrayals of a girl's physical abilities accompanied by most unsavory rage and wrath and anger. Supposedly, these traits aren't anathema to the gorgeous guys (when it is a guy) these girls miraculously attract. Unless there's a moth to flame metaphor here, it's a lie to pretend wrath is a healthy attraction. This well reflects the move away from what's become so-last-century stories featuring underdogs who searched deep for courage and heart to overcome challenges, raising up others alongside themselves. A time when character development focused on, well, character. More wholesome stories have been replaced with a self-proclaimed oppressed burning with self-righteous rage and violence. Such characters have seeped into fantasy for adults as well, most notably in armies featuring female combat soldiers and warriors without special powers, who somehow go toe-to-toe if not best male counterparts. Often this sort of matchup is shown as some cunning of smallness, agility, and destruction of arrogant male condescension. Never mind that such fighting is highly unrealistic, and any male is rightly confident if paired against a woman in physical combat. No amount of small body darting or ingenuity will save a girl from the full force of one landed male punch. The unquestioned portrayal of women able to best men in physical combat is worrying considering the real possibility of a reader confusing fact with fiction. Besides, a country which sends its women to war will no longer exist, as it's a country with males but not men. The current not-so-secret of major houses is that a book doesn't have a high chance of getting published if it doesn't check certain markers, especially for midlist and debut authors, though A-listers are not immune. A Caucasian is hardly allowed to write a story featuring a so-called BIPOC, but a straight author must somehow include the ever-expanding gay-bcs, and it must be in a positive light. Some authors were always writing these characters, which at least reflects acting of their own volition. For the rest, many didn't start until required. Because of the careful wording around these ideologies, many don't speak out against these practices so as not to appear hateful and bigoted. The mandated appearance of so-called marginalized and under-represented in stories lest the author risk erasing…someone, somehow also operates along these lines. Although, apparently, only very specific groups are at risk of disappearing. These standards are ridiculous in their least damaging iterations. How many so-anointed BIPOC were consulted over their standard portrayals? How can every individual of every minority be consulted for approval, and who chooses which faction decides? How many Latinos, speakers of gendered language, agreed to Latinx and Latine? Christian characters in mainstream publishing are rarely portrayed as steadfast believers or even rebels rediscovering faith. Jewish stories usually feature a character who's “lived experience” is assimilation, so the character is of a religion but doesn't represent it. A real portrayal of the true beliefs these characters come from would not align with the world mainstream publishing wants to shape. Even more ludicrous is that “disabled” and “neurodivergent” are considered identities, as if a physical or medical condition is cause for new labeling. The approach used to be that you are still you, worthy of respect and consideration, despite these conditions. In the glorified world of the self-hyphenate, the world of we-are-our-self-declared-identity, it's the foremost feature mentioned, with accompanying expectation of praise and exaltation, regardless of an individual's character or behavior. Don't confuse the argument against the labeling with the individuals, because they are separable. Worse than the tokenism is the reduction of individuals to secondary characteristics. Is this really the first thing you have to say about yourself, the most essential thing to know? When did it become norm to turn skin color or medical condition or physical ability into a character trait, the very notion of which says that anyone in this group must be viewed primarily through this lens, as if each is exactly the same? How myopic. How belittling. Following the cue set by movies, books for teens also morphed from cutesy rom-coms to ideological showcases. Unsurprisingly, there's been the introduction of the stereotypical gay best friend. Then storylines focusing on coming out or discovering someone close was gay, with accompanying template for writing them. The one coming out is always the strong one, the resilient one, though much language must be banned lest they be offended or erased, so their strength is dependent upon a carefully constructed bubble. Not only is inclusion necessary but happiness is the only possible, deliberately portrayed reaction. Never mind if some or all of it runs counter to a writer's religious beliefs. Moreover, “I'm not sure how I feel about this, but I'll still treat you with respect” was never an acceptable response. And it is an acceptable response in all manner of situations, unless you exorcise it in efforts to forcibly shape a particular worldview. Additionally, the attitude is that since you can't tell me who to love, and loving this person makes me happy, you must not only ally but champion me. Why is it offensive to present different acceptable, respectful reactions to teens? Who exactly is erased if this character isn't presented at all? As before, don't confuse the argument against mandate with the individuals. The contention isn't about love, but about religion protecting the sanctity of romantic relationships and marriage, a religious practice since the dawn of time, as seen across centuries and civilizations. Marriage is described as sanctified and holy, because it's Divine in nature, and thereby under the domain of the religious. If it's just a contract, then of course any government can regulate it. It’s disingenuous to deny that such enforcement clashes with the very nature of what writing is about. It shuts down discussion, then subverts it entirely by pretending there's nothing to debate. That shouldn't be a source of pride for publishing, but deepest shame. In their efforts to supposedly widen the window of story matter, they've narrowed the frames and tinted the panes to exclude suddenly unacceptable voices entirely. PORNOGRAPHY AND CONSENT Compounded upon all this, most books are no longer relatively clean romances building to a single kiss, as every stage of the relationship has become more explicit. Some scenes are akin to manuals, containing the sort of imagery once the sole province of steamy romances. When efforts are rightly made to remove these books from shelves, screeches of censorship! erasure! representation! resound. We wouldn't, and shouldn't, tolerate any adult approaching a kid on the street and telling stories with such description, nor should we allow it from close friends or family. Authors do not hold special status in this, no matter what the screechers screech. Taking such books off shelves isn't an indication of bigotry, intolerance, hatred, or erasure, but moral obligation. The counterargument from writers, agents, and editors is that explicit detail is necessary because of something to do with “lived experiences” and consent. First, if kids are doing it anyway, then adults definitely needn't assist. Second, consent is not quite the magical word society would have us believe. Third, “everyone has different experiences” is not a reason for writing graphic content, and the replacement of “intimacy” with “experience” is largely responsible for why relationships are in the gutter and leaving people unfulfilled. Intimacy is something private between two individuals; experience is a vague euphemism to pass off what should matter as transitory, despite irrevocable effects. It's difficult to imagine in an age when phones, cameras, and microphones track a person everywhere, but there was once an ideal called privacy, and the intimate was part of it. Pushback also leads to defenses of “sexuality,” another way of saying adults want to teach kids all kinds of ways to pursue these “experiences”. Changing the wording doesn't alter the nature but does allow immoral actors to force celebration of their fantasies and fetishes. The wrongness is incontestable, though not surprising from those who promote polyamory for teens and romantic relationships between humans and demons or other ungodly creatures. The feeble argument for writing scenes of teens sleeping together is they must see what consent looks like. Again, authors do not hold special status or exemption. There is no strong enough argument for writing scenes for teens in which one character undresses another and verbally asks permission every step of the way. Especially because the new trend seems to be the girl not only “consenting”, but also a burning I want this. If she wants, this wording implies, then she must have, abandoning all reason and morality. Consent has become an excuse for all sorts of undesirable, immoral, even illegal behavior, but mutual agreement is supposed to make it okay. This isn't the behavior we should be promoting for teens; we should be giving them better things, bigger ideas to think about. Worst of all, why is any adult writing about two sixteen-year-olds sleeping together? A teenager, no matter how mature, is still developing and while smart and clever not really old enough to fully understand what she's “consenting” to, and is probably being taken advantage of. We treat eighteen with the same magical power as consent, as if any age should be sleeping around, even if legalese only extends so far. Teen pregnancy, abortion overall, would hardly be an issue if everyone stopped sleeping with people they shouldn't. Any adherent to morality knows this, though morality is just another thing scuttled from teen fiction. G-dless ideology is the new morality; immoral, manmade gods have replaced G-d; lust is the new love; sexuality excuse for pornography; perceived racism and misogyny validation for violence and rage. Many are we who did not consent to this. These scenes are in teen films as well, though how many parents know this in an age of individual devices? Adults pretending to be teens take each other's clothes off before a camera for real tweens, teens, and/or adults to watch. Please explain in clear and simple language why this is not a form of pornography. What absolutely vital role does this scene have in advancing the story? Consent is not enough. Wanting is not enough. We're encouraging teens to turn their bodies into used cars, dented, scraped, scarred, and baggage laden, for what? Why is this hollowing out of self and morality good? This serves no benefit for teens and the overall state of relationships. Consent has become an excuse for all sorts of undesirable, immoral, even illegal behavior, but we're supposed to think that everyone agreeing makes whatever they agree to okay. It's incredibly obvious that feminism and the sexual revolution didn't free women, but chain them in a prison of animalistic, unsatisfying desire, dooming them to jadedness, frustration, and loneliness. But they're so responsible! So mature! By such logic, a responsible sixteen-year-old should be able to buy guns, alcohol, and drugs. But identity! No, identity doesn't mandate a book with graphic imagery, nor is it “sexuality” or “feeling seen” or any other term you hide behind. Witness the tattered remains of social morality that writers do not balk at writing this for teens. They should balk at writing this for anyone. Once we recognized that betterment came through battling temptations. It is not difficult to see how the enforced normalization of all this was also an effective ridding of undesirable shame. Not only have we banished feeling bad, we've enforced celebration of what shame once kept in line. But they'll never be prepared! How did any of us get here if none of this existed for millennia? But look at the sales! Many people also bought rock pets. Deviants and defenders will attempt to claim that (a) this sort of stuff always existed, which isn't really a reason for its continuance, and (b) previous generations were undoubtedly stifled in their inability to express their true selves. Perhaps. And yet, previous generations built civilization, with significantly less medical prescriptions too. Previous generations were better at family and community, meaning and purpose. We have “experiences.” But this is what married people do! Some writers introduce a faux or rushed marriage into the plot, perhaps because their weakening moral compass prevents writing an explicit scene between unmarried characters. Marrying the characters and making them eighteen doesn't magically okay writing this for teens. Everyone does it—indeed there are many common bodily functions which shouldn't be demonstrated in public—isn't either reason enough. Pressures to include these scenes is evidenced by authors long regarded as “clean” storytellers, authors who won't swear or indulge in graphic or gratuitous content, authors who clearly express Christian beliefs in their acknowledgements, writing them too. Would they give this book to their priest? To a young church member? Would they read the scene aloud for family or friends or the very teens they write for? If even the professed religious authors do not have the fortitude to oppose this, if even they can be convinced of the supposed validity, then gone is the bulwark protecting children from the psychological and moral damage resulting from these scenes. But inclusivity! We must reflect the world around them! Considering what's in these books, all should pray teens aren't seeing this around them. Either way, that doesn't excuse writing about it. Moreover, cries for inclusivity from those shutting down differing opinions are inherently without substance. True inclusivity is achieved when stories focus on universal truths and laudatory values shared by all. The fundamental argument is that “could” is not “should”, and the only reliable arbiter between the two is Divinely-based morality. Current permissiveness is only possible in a society which worked for decades to expunge religion from its vital foundational position and influence. The demonization piled atop its degradation was simple insurance that the moral truths of religion wouldn't interfere with the newly established secular order. We can still be good people, they claimed. Witness the tattered remains. Allowing, championing, this sort of writing has not made us better, and instead of listening to concerns, activists and proponents double down. Need you any proof of the separation between ethics and morality and elitism and academia, scroll through an article or two in defense of these scenes. The more “educated” the individual, the twisted the pretzel of rationalization. Rational lies, all of them. These lies are prominently center of the new crusade against so-called “book banning,” although the books are still available at retailers and publishers. Fueled by self-righteous hysteria, activists take great pride in influencing state legislatures to enact decrees against book bans in protection of “lived experiences,” representation, and the like. If a teen doesn't see two boys or girls or more sleeping together, so the thinking goes, then they face imminent, unspecified harm, never mind that their sacred voice has been quashed. They claim BIPOC and queer authors are specifically targeted, failing to mention it's the content not the author rejected. Somehow the bigots are the ones who don't want kids reduced to “sexuality”, while the tolerant are the ones who do. Need anyone ask if these protections extend to writers who don't align or even disagree with their worldview? I'd say these books are better suited for adults, but adults are despairing of the unreadability of books in their categories too. And that aside from the targeted “decolonization” of books and authors that adults, especially men, enjoyed reading. From the myriad of books extant, no plot was ever turned, no story ever dependent upon an explicit scene, in the bedroom or elsewhere. Neither does such render the work art or literature, but rather indecent and abhorrent. Parents struggle to encourage their kids to read when such are the books available. ELIMINATING THE WEST For some time, agents have specifically requested non-western narratives, histories, and legends. Atop the deteriorating state of the current education system, teens aren't being presented with a fictionalized character in history, which may thereby spark interest and curiosity in real history. No wonder they know so little of the past when they're not offered history at all. What does make it in represents very select time periods. Other permitted historical fiction is alternative histories where the past is magicked or reimagined, almost always in some gender swapped way. While alternative histories can be creative, the lack of regular historical fiction seems to indicate the only permitted history is a remade one. Otherwise, most of western history isn't on shelves because no one wants to represent it. Which means no one's fighting for it to be published. Which means young readers aren't given glimpses into the past that made this present and will highly influence the future. And this from those who claim large swaths of the population don't properly teach history. The same who pushed the fabricated and widely debunked lie that slavery was unique to the west, the only culture who actively sought to end it. The same who have yet to consider the absolute necessity of mandating schools to teach the true horrors of communism done right. The same who have a monochrome view of colonization and chameleon approach to the faux oppressed-oppressor narrative. A rather high volume of Asian-based stories, histories, and mythologies fill the market instead. The proliferation of Asian and other eastern fiction isn't objectively concerning, but it's deliberate increase alongside western stories' deliberate decrease is. It's less an expansion of viewpoints and more a supplanting of anything west. I grew up reading historical fiction, but there's a dearth on shelves for teen readers, who must see where we come from through the eyes of characters resembling our ancestors. Instead of walking through time in their shoes and understanding their struggles in the context of when they lived, we project modern ideologies upon the one protagonist somehow vastly ahead of her time. It's deliberately false and disconnects readers from the world that created the one we live in. Whatever your opinion of our world, it was formed in those histories, and we cannot appreciate the present without understanding the world that made it. MENTAL HEALTH Another major trend in teen fiction is the focus on the broad category of mental health, its emergence unsurprising considering the uptick in modern society. Whatever the viewpoint on diagnoses, the truth is that the ones calling for greater awareness have much to do with having caused the issues. Teens living in the most prosperous, free society that ever was should not have such measures of mental health struggles, yet they do. Skim the messaging of the last several decades and it's no wonder why. Teens are raised on a bombardment of lies and damaging viewpoints resulting in a precarious Jenga structure at their foundation. For decades they've been told they can sleep around without lasting consequence, negating the need to build deep, lasting, exclusive relationships. Families, a fundamental source of meaning and grounding, have been shoved aside for the faux glory of sleeping with whomever, whenever, and the new solution of “found family”. Just because a pill supposedly prevents biological consequences doesn't mean a different sort of toll hasn't been exacted. And that follows the perpetual degradation of dress, reducing the entirety of an individual to a form as valued or devalued as any other physical object. Added to the disrespect of the body is the incessant, unfounded claim that “climate change” is going to destroy the planet by…well, soon. Never mind that we're doing better than before, and all predictions have been proven wrong. Imagine what continual doom and gloom does to the mental state of a teenager already grappling with ping-ponging hormones, who should be presented with optimism for the future they're about old enough to create. Well, we have a pill for that too. Teens have been told the American dream is gone by those who set out to destroy it, that American greatness isn't worth dreaming about by those who recolored it a nightmare. Hobbies and collected skills, the work of their own hands, have been shunted for social media trends and unfettered internet access. Phones are given to younger and younger kids, so they don't grow up in the tangible, real world but an algorithmic, digital one. Inevitably, the worst of that world affects them. They're told that they're hated, feared for the way they were born. They're told they're not even who they've been since birth, basic facts purposely turned into issues and doubts to shake the foundation of self. Those most adamant about the contrived need for teens to discover identity are the most diligent at axing their very roots. The response to the mental health crisis, the jadedness, the internal turmoil they've helped facilitate by destroying the enduring, reliable fabric of society is to encourage more of the same empty, hollowing behaviors. Atop all this is never-ending rage, rage, rage. At the base is the deliberate removal of religion. No matter an individual's choice of observance, religion undeniably provides what liberal society and decadence cannot; meaning. Eternal, enduring meaning. The knowing that you're more than a clump of cells passing through this timespan, because you are an integral link in a chain reaching back millennia. Your ancestors didn't endure hardships or fight to build civilization so you could be the end of the line, but so you could gratefully take your place in it. You and your actions matter. Not because you're a political vote or celebrated community, but because you were made in the image of G-d Who woke you today as there's something only you can do in His world. What effect would the proliferation of this messaging in literature have on the mental state of the youth? And for those pontificating about diversity and inclusion, who in truth only want different skin colors espousing the same beliefs, there is no greater unifier than religion. Belief in a higher power unites individuals of different backgrounds, colors, and, most valuably, opinions, in ways no mandate or ideology ever can. While lengthy, the above in no way encompasses all the changes, reasons, and effects pertaining to the devolution of teen fiction. And, as the focus is not on talent but content, it can be shifted as easily as it was before. You may disagree with everything I've written. You may accuse me of jealousy, hatred, bigotry, racism, misogyny, xenophobia, erasure, et al. I only encourage you to look for yourself. Peruse bookstore aisles; click through new releases; check who's getting awards. What do your eyes see?

'm an award winning author of two books: ADVENT 9 and SECRET SKY: THE YOUNG UNIVERSE. My most recent book, SECRET SKY, has won multiple gold awards. At the 2025 IBPA awards, it won gold for best science fiction (an adult category, even though the book is Middle Grade) and also for best audiobook for Children or Young Adults. It also won the 2025 Readers' Favorite Gold Medal for Children's Adventure Fiction. I was one of the last authors ever to be mentored by David Farland, the NYT Bestselling Author and writing teacher of Brandon Sanderson, Stephenie Meyer, Brandon Mull, and James Dashnerhttps://www.amazon.com/Advent-9-T-Alan-Horne-ebook/dp/B0BBK4125Z/ref=sr_1_1?crid=4GUECLFRXHO1&dib=eyJ2IjoiMSJ9.locSu_hKsWl9tzfOhdOtzw.RHNu_9o0DNqQ69C8oL2875xj1OmbRHBUfgwU1kpY57o&dib_tag=se&keywords=advent+9&qid=1767039266&s=books&sprefix=advent+9%2Caps%2C182&sr=1-1Become a supporter of this podcast: https://www.spreaker.com/podcast/inspiring-stories--2917948/support.

Word count may seem like the least of your concerns when you're thinking about writing a middle-grade novel. You've got story type, plot, theme, character development, pacing, and who knows what else to consider, right?But here's the thing: knowing industry-standard guidelines for the length of a middle-grade novel, and having a target word count in mind before you start drafting can actually help you to outline, draft, revise and publish. In today's episode, we'll cover:the guidelines for middle-grade novel word countfour reasons why word count mattersIn the end, every author has the choice to watch word count or not, but it's a fact that word count matters, so make each word count! For show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

In this episode of the Authors On Mission Podcast, host Danielle Hutchinson sits down with T.L. McCoy to discuss her inspiring publishing journey and her award-winning book Delilah versus the Ghastly Grimm. Written for her grandchild who has Dravet syndrome, the book shines a light on the fact that only 3.4% of children's books feature disabled protagonists—and McCoy is determined to change that.She shares her mission to create inclusive stories, the challenges of self-publishing, and the marketing strategies that helped her book win 3 awards, hit #1 on Amazon's Children's Epilepsy Health list, and even be offered to patients at Boston Children's Hospital.Aspiring authors will gain valuable tips from McCoy's journey:

You may have taken all the writing classes and read all the craft books on writing, and you may theoretically know everything you need to know to write your middle-grade novel, but if you have only managed the theory of writing without managing your mindset, you are going to encounter fear at some point. And that fear will stop you from writing.So, what's the solution?In this podcast episode, we cover:how fear is keeping you stuckwhat to do to about the fearWhat you believe about yourself impacts your success or failure. So, managing your beliefs leads to positive thoughts and feelings, which motivates constructive writing habits. Mindset matters! For show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

We're continuing our Best Books of 2025 coverage with a special episode dedicated to middle grade. First, Adam Gidwitz joins us to discuss Max in the Land of Lies: A Tale of World War II (Dutton, February 25). Then young readers' editors Laura Simeon and Mahnaz Dar discuss more of the year's best books.Thanks to our sponsors: The Tale of the Wicked Old Woman and the Very Nice 'Beast' of Crouch End by Lance Lee, illus. by Nathalie T. RetivoffPassages by P.K. EdgewaterEco Reign by L. GaluppoRom-Com for Dummies by Tom DiggsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Books help kids make sense of the world through story, but they can only do that if the books they read have an underlying meaning to them.That's where theme comes in. In this episode, we're going to look at how theme can help you write your novel, and create a story that will send kids on a journey in which they can fall in love with characters they care about and feel emotions they can relate to.To do that, we'll cover:what theme ishow knowing your story's theme can make writing your novel easierthree questions that will help you find your middle-grade novel's themeTheme is one of the foundational elements of novel writing, as is story type which can help you uncover your novel's theme. If you'd like to find out more about story type, sign up for a workshop at: loupiccolo.com/storytypeBonus: You can find a free PDF download summarizing this episode.For show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

Send us a textIn this bonus episode of Writers With Wrinkles, Beth and Lisa talk with Adam Rosenbaum about how he blends laugh-out-loud comedy with emotionally meaningful storytelling. Writers will learn how humor lowers a reader's defenses, why kids crave funny books, and how to handle heavy topics without overwhelming young readers.Guest BioAdam Rosenbaum is the author of The Ghost Rules and the upcoming illustrated series Lawson History Stumbling Through Time (Sourcebooks, 2027). A former sawmill operator and draftsman, he now writes heartfelt, funny middle grade fiction in Nashville, where he lives with his family. Instagram: @rosenbaumwritesKey Discussion PointsWhy humor helps kids engage with challenging themesHow Amblin-era storytelling shaped Adam's voiceWriting comedy without talking down to readersLetting humor open space for grief, empathy, and emotional truth“Backpack books”: the titles kids reread and carry everywhereHandling heavy topics with care and clarityAdam's upcoming time-travel adventure seriesConclusionAdam reminds writers that humor isn't a lesser art—it's a bridge. When paired with heart and honesty, it helps kids navigate big feelings while keeping them invested in the story.

Marvel's Daredevil gets a new creative team. Rocketeer teams up with Amelia Earhart in new comic. Maia Kobabe publishes middle grade follow-up to Gender Queer.SUBSCRIBE ON RSS, APPLE, SPOTIFY, OR THE APP OF YOUR CHOICE. FOLLOW US ON BLUESKY, INSTAGRAM, TIKTOK, AND FACEBOOK. SUPPORT OUR SHOWS ON PATREON.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Mamas get cozy with their favorite topic, murder. From just okay assistants to dysfunctional families, the Mamas dig into Middle Grade, YA, and Grown Up books full of cozy vibes and mysteries to solve.    Book Chat:The Dysfunctional Family's Guide to Murder by Kate Emery ( Upper Middle Grade)The House Saphir by Marissa Meyer (YA)The World's Greatest Detective and Her Just Okay Assistant by Liza Tully (Grown Up)www.twolitmamas.com

What's more important for your novel: great language or great story? If you answered 'great story', you've got it right! While great language is important too, it won't carry your story idea through a full-length middle-grade novel and, by itself, it's not a story. If you submit a novel to an agent without solid story structure, it will be rejected. If you think your novel lacks structure, in this episode, I cover:why so many writers make the mistake of choosing language over storywhat to do if you realize you've made this mistakehow to build solid structure into your novel a workshop on how adding structure to your novel can sell your bookYou can sign up for the workshop at: loupiccolo.com/storytypeFor show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

You have a great story idea but you don't know how to turn it into a fully developed middle-grade novel that publishers want to buy and readers will love.What to do?This episode on the ten universal story types will help you:identify your novel's story typefind a way into your storyget past your story's murky middlecraft an effective character arcdraft effective scenes and events for your storywrite a story that satisfies readersBonus: get access to a free PDF handout on story type and why you should use it to draft your middle-grade novel.Workshop:  Join me on November 29, 2025 for a workshop on the ten universal story types.For show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

Send us a textWant to watch the video? Click here.Episode Summary In this Ask Beth & Lisa episode of Writers With Wrinkles, Beth and Lisa dive into first-page critiques, offering real-time feedback on listener-submitted rom-com and middle grade openings. Aspiring authors will gain insight into what makes a first page hook an editor—and what doesn't.Guest Bio No guest this week—just your favorite co-hosts offering expert feedback, writerly wisdom, and a behind-the-scenes look at their creative process.Key Discussion Points • Why first pages matter more than ever in today's publishing landscape • Rom-Com critique: Bohemian Girl in Ruins – balancing snark and heart, setting tone, and why emotional vulnerability matters • Craft insights: Using voice, internal conflict, and pacing to create immediate reader engagement • Middle Grade critique: Liam Calloway and the Cosmic Conspiracy – voice authenticity, anchoring in-scene emotion, and hooking readers fast • Red flags in opening pages—over-describing, passive language, and missing stakes • Foreshadowing, genre expectations, and how to revise for connection, not just cleverness • Sneak peek into Beth and Lisa's video podcast debut and future live retreat plansConclusion This episode reminds writers that capturing attention on page one is both art and strategy. Whether you're polishing a rom-com or drafting a middle grade novel, grounding your character, tightening the prose, and creating emotional stakes are key to making your manuscript stand out.Links & Resources • Submit your first page: https://writerswithwrinkles.net • Instagram: @writerswithwrinklesSubscribe & Connect Don't miss future episodes! Subscribe, rate, and review Writers With Wrinkles wherever you listen. Submit questions for “Ask Beth and Lisa” or sign up for our newsletter at writerswithwrinkles.net and join us on Instagram @writerswithwrinkles. Crew CollectiveA podcast about the wild, weird, and deeply human side of cosmic storytelling.Listen on: Apple Podcasts Support the show Visit the WebsiteWriters with Wrinkles Link Tree for socials and more!

Send us a textJoin us on a thrilling spooky adventure as we sit down with J.A. Dauber, the creative force behind the new middle grade novel Press One for Invasion. Discover the intriguing world where a mysterious cell phone unlocks unexpected alien encounters and a mad adventure to save the world from destruction!In this spooky season episode, we dive into Jeremy Dauber's Press One for Invasion, a middle-grade novel that brings spooky (and relatable) adventures roaring to life. We discuss the pairing of Matt, a young boy who discovers a cell phone revealing aliens in disguise, with dynamic female characters, such as Marcella and Mrs. McGillicuddy. Jeremy shares insights on relatable heroes, diversity, and the joy of reading, drawing inspiration from timeless series like Ramona. Jeremy is also the author of American Scary: A History of Horror from Salem to Stephen King and Beyond -- and we dive into a little haunting history as well.Timestamps:(0:00:03) - Meet J.A. Dauber (Jeremy) and his latest book, Press One for Invasion(0:07:41) - Creating relatable protagonists without superpowers(0:10:00) - What do Ramona Quimby and Stephen King have in common?(0:19:01) - Finding Hope in Children's EnthusiasmLinks:Purchase Press One for Invasion, Mayhem and Madness: Chronicles of a Teenaged Supervillain, and American Scary: A History of Horror from Salem to Stephen King and BeyondFollow J.A. Dauber on BlueskySupport the showSubscribe & Follow: Stay updated with our latest episodes and follow us on Instagram, LinkedIn, and the Adventures in Learning website. Don't forget to subscribe on Apple Podcasts, Spotify, or wherever you get your podcasts! *Disclosure: I am a Bookshop.org. affiliate.

Today I'm chatting with middle-grade and YA author Ali Terese, author of Free Period and Vote for the G.O.A.T. Ali shares her journey to becoming a published author, the challenges of writing for kids, and the joy of tackling tough topics with humor. We discuss current word count trends in middle-grade literature, working with critique groups, connecting with librarians and educators, and why rewriting is where the real magic happens.If you're navigating your own kid lit path—or just need encouragement to keep going—this conversation will leave you inspired.Episode Highlights: 01:34 – Meet Ali Terese & her writing journey 04:13 – Writing middle grade fiction 07:09 – Community and critique partners 09:45 – Vote for Goat and Free Period 14:32 – Ali's writing process & rewriting 17:47 – Middle Grade word count and publishing trends 19:28 – Writing for the “in-between” readers 21:58 – Supporting and connecting with librarians 25:06 – Overcoming doubt & finding your voice 31:47 – The joy and surprises of writing 34:34 – Advice for aspiring kid lit writers 36:14 – Current projects & where to find AliLinks mentioned:Society of Children's Book Writers and Illustrators (SCBWI)Connect with Ali Terese:Event booking: How Now Booking https://www.hownowbooking.com/speakers/terese/Website: www.aliterese.comInstagram: https://www.instagram.com/alitereseauthor/Frequently Asked Questions  https://aliterese.com/about/Discussion guide, actions, recipes, crafts, mayhem  https://aliterese.com/resources/Have a comment or idea about the show? Send me a direct text! Love to hear from you.Support the show To become a supporter of the show, click here!To get in touch with Stacy: Email: Stacy@writeitscared.co https://www.writeitscared.co/wis https://www.instagram.com/writeitscared/ Take advantage of these Free Resources From Write It Scared: Download Your Free Novel Planning and Drafting Quick Start Guide Download Your Free Guide to Remove Creative Blocks and Work Through Fears

In this episode of the Book Fair podcast, we delve into 'YA literature' with an engaging interview featuring Alan Gratz, the author of 'War Games.' Gratz discusses his extensive body of work and provides insight into the vital role of historical fiction in children's literature. We explore the powerful themes within his books, including political implications and the challenges of censorship in education. Alan shares his writing process and emphasizes the importance of historical accuracy in shaping stories that resonate with young readers. This episode also addresses the alarming trends of book bans and highlights the need for open dialogue about literature in schools, signalling a crucial conversation for educators and parents alike.New Releases:Dragonborn by Struan MurrayInvisible: The (Sort of) True Story of Me and My Hidden Disease by David SorenKindred Dragons (Kindred Dragons #1) by Sarah MensingaThe Leaving Room by Amber McBrideChapters00:00 Introduction to Alan Gratz and His Work03:18 Exploring 'War Games' and Its Themes06:15 The Political Undertones of 'War Games'09:22 Understanding the Hitler Youth and Its Impact12:05 The Role of Young Readers in Historical Context14:45 Writing Historical Fiction: Balancing Fact and Fiction17:57 The Legacy of Alan Gratz's Writing19:58 New Book Releases26:40 Censorship and Book Bans Update34:46 Parental Rights and Library Access in Florida38:32 National Book Awards Finalists Announcement

If you want to be the type of middle-grade writer who creates books with characters who feel like real people, and transports kids out of their own world into the imaginary one you have created in such a way that they lose themselves and actually feel some sort of grief when the book ends… … then you need to start with understanding who middle-grade readers are, in general, and who the ideal reader is for YOUR  book.In this episode, I cover:reasons why it's important to get to know your ideal reader8 questions you can ask to get to know them how this will help you outline, draft, revise, publish and market your bookI've created a PDF handout you can download that sums up the episode: loupiccolo.com/readerFor show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on Instagram Have something to say? Send me a message!

It's back-to-school season, which means new routines, new books, and maybe even a little extra stress for kids (and the adults who love them). To help ease the transition, we're diving into comfort reads for Middle Grade and YA readers.  In this episode, Joe is joined by the incredible Rex Ogle, author of heartfelt and vulnerable stories for young readers. Rex opens up about his writing process, how books can help kids navigate tough times, the importance of watching for signs of bullying, and what's next for both him and his alter ego, Rey Terciero.  Then, in segment two, Joe and Meara share their latest Middle Grade and YA favorites—full of witches, hauntings, and just the right amount of spooky fun.  From meaningful conversations to magical book picks, this episode has something for everyone: whether you have kids in your life or you're a kid at heart.  Looking for the video version of our show? Check out the Libby App YouTube channel!  Link to our full book list:  https://www.libbylife.com/blog/back-to-school-back-to-books-comfort-reads-for-kids-and-their-grown-ups-book-lounge-by-libby-season-2-episode-2   Guest host recommendations:  Meara:  The Flicker – H.E. Edgmon  Lovely Dark and Deep – Elisa A. Bonnin  The Witch Boy – Molly Knox Ostertag    Joe:  Making Friends, Volume 1 – Kristen Gudsnuk  The Supernatural Society – Rex Ogle  The Okay Witch – Emma Steinkellner  Follow the guests & guest hosts:   Segment 1:  Rex Ogle – Website  Segment 2:   Meara (mearaisreading) - Links  Time stamps:  00:00:00 Title  00:00:22 Intro  00:02:25 Segment 1 – Back to School with Rex Ogle  00:52:54 Break – Check out our Book Lounge Merch!  00:54:38 Segment 2 Middle Grade & YA Recs with Meara  01:31:46 Outro  Readers can sample and borrow the titles mentioned in today's episode in Libby. Library friends can add these titles to their digital collections for free in OverDrive Marketplace and Kanopy. Check out our Cumulative List for the whole season, or this list for today's episode!  Looking for more bookish content? Check out the Libby Life Blog!  We hope you enjoy this episode of Book Lounge by Libby. Be sure to rate, review and subscribe on Apple Podcasts, Spotify, or wherever you listen! You can watch the video version of our show on the Libby App YouTube channel. Keep up with us on social media by following the Libby App on Instagram!   Want to reach out? Send an email to bookloungebylibby@overdrive.com. Want some cool bookish swag? Check out our merch store at: http://plotthreadsshop.com/booklounge!  Learn more about your ad choices. Visit megaphone.fm/adchoices

So, you want to write a middle-grade novel... maybe you have an idea that just won't let you be. Or maybe you've spent years writing picture books, and you'd like to try something different.But when you sit down in front of your computer… well, you don't quite know how to start. That's why, in this episode, we're taking a deep dive into how reading like a writer will help you:learn about middle-grade guidelinesunderstand why something isn't working in your own bookincrease your chances of being publishedcreate a protagonist kids can relate togrow as a writerremember what it felt like to be a childI've created a PDF handout you can download that sums up the episode: loupiccolo.com/readFor show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

Does square dancing count as an athletic activity? Lupe Wong doesn't think so and is willing to fight the system to make her point. Readers from Charles Hart Middle School in Washington, DC discuss the book with host Kitty Felde and interview the writer Donna Barba Higuera. Our celebrity reader is the former president of United Square Dancers of America. 

While strong voice is important in all fiction, it's vital in middle grade because kids between 8 and 12 are almost ready to leave early childhood behind and embark on big adventures, but they need a safe way to do so. How do they do it? Through the characters in middle-grade novels who are living the life your readers want to live! If your characters have strong voice, your book becomes memorable because voice helps the story flow with just the right amount of emotional complexity a kid can connect with and relate to.  This means that voice in a middle-grade novel is closely related to how engaged your readers will be with your story. In this episode, we look at:what middle-grade voice is why middle-grade voice mattersan example of strong voice in Home of the Brave by Katherine Applegatetips for developing strong middle-grade voiceI've created a PDF handout you can download that sums up the episode: loupiccolo.com/voiceFor show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

I am so excited for folks to hear this episode. Matthew has been in comics for quite some time and has now made a second act (I think in the episode he says a 3rd act) to his career as an artist and writer of YA, Middle Grade, and Kids graphic novels. Matthew and I talk about the upcoming The October Girl from Maverick (out October 21st) that has been in Matthew's head since college. This graphic novel, which had an earlier life back in 2012, has been a long time coming. And let me tell you, it's fantastic, with a grounded main character in Autumn and her not so imaginary friend, Barnaby. Matthew and I talk about the story and its history. He also shares how he broke into comics and how the pandemic caused him to work more on his own stuff like Amelia Shadows, Johnny Chaos, and Arch Nemesis. Plus we chat about some of his favorite DC characters like Blue Devil. I loved chatting with Matthew and I think you're gonna love this episode.  Pre-order The October Girl From the Publisher: Autumn Ackerman grew up believing in fairies and magic and princesses who defeated dragons, but now that she's eighteen and facing a future stuck behind the counter of her small town's coffee shop, she's starting to wonder if this is all there really is to her life. But then she meets her childhood imaginary friend, Barnaby, in the alley behind the coffee shop one night. Autumn's entire world is turned upside down. Drawn into the strange and mysterious world of the Night Folk, fantastic creatures that inspired all of humanity's myths about gods and monsters, Autumn is about to discover that there is more to her world than she ever dreamed of as a little girl, and that world is far more dangerous than she could ever have imagined. With the help of Barnaby and Evan Fade, the tragic young boy who inherited the local bookstore, Autumn has to protect herself from the coldly terrifying Mr. Balloon long enough to discover the truth about the Night Folk and her own past. Buy DC's Misfits of Magic: Join Matthew's Patreon Follow Matthew on Bluesky Follow Comic Book Yeti

If you want to write middle-grade novels, you need to know what they are before you can put pen to paper. Knowing the guidelines will help you plot your story and write your book, and it will also increase your chances of being published.In this episode of Middle Grade Made Easy(er), we take a look at:What makes a chapter bookWhat makes a young adult novelWhat makes a middle grade novelWhere middle grade fits into the kidlit marketExceptions to the rule For show notes, transcripts and links mentioned in the episode, visit my websiteYou can also connect with me on InstagramHave something to say? Send me a message!

Exclusive Deals For Reading With Your Kids Listeners! Visit www.zivo.life and use the promo code READ to get 30% off The Better Microalgae – your ultimate daily nutrient boost! Visit www.BigForkBrands.com and use the promo code READ to get 20% off the most delicious pork snacks ever. Visit www.CozyEarth.com and use the promo code READ to get an incredible 41% off their ultra cozy and comfy bedding. Get ready for a fun-filled episode of Reading With Your Kids! Host Jed Doherty welcomes two incredible middle grade authors—John Claude Bemis and Goldy Moldavsky—for a lively chat about their latest books, the magic of reading together, and the power of graphic novels and mysteries to turn reluctant readers into passionate book lovers. First up, John Claude Bemis introduces his action-packed middle grade graphic novel, Rodeo Hawkins and the Daughters of Mayhem. John shares the inspiration behind his quirky characters, the creative process of collaborating with illustrator Nicole Miles, and why graphic novels are a game-changer for kids who think they don't like reading. He also offers tips for parents and teachers on how to get kids excited about books, emphasizing the importance of finding the right story for every child. Next, Goldy Moldavsky joins the show to talk about her hilarious and heartfelt mystery, Bubble Gum Shoe: The Case of the Contraband Closet. Goldy reveals how classic noir detective movies inspired her story, and how her misfit characters tackle friendship, authority, and self-discovery—all while solving a school mystery. She discusses the challenges and joys of writing for middle grade readers, and why humor and plot twists are key to keeping kids engaged. Throughout the episode, Jed and his guests share practical advice for families: co-read with your kids, ask open-ended questions, and don't be afraid to let them explore graphic novels and mysteries. Whether you're a parent, teacher, or librarian, you'll find inspiration and plenty of book recommendations to spark young imaginations. Don't miss this episode packed with middle grade magic, author insights, and tips to help your family make reading together the best part of your day! Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!

In this episode, Jeff sits down with author John Krause to talk about John's work in progress. They look at John's Middle Grade mystry thriller and discuss how to build emotional peaks into the climax of the plot.  For more on the craft of writing, check out https://dialoguedoctor.com/

In this episode Karl Buechner (vocalist for Earth Crisis, Freya, Apocalypse Tribe) makes his second appearance, this time alongside Jeremy Mueller and Keith Ward – all are co-authors of the post-apocalyptic book trilogy, “The Unraveling” – which Is a series that is written for middle school age kids, as well as adults. We discuss the first book in the series, “The Unraveling – The Counsel of Crows” (the major themes and storylines), as well as the writing process, book tours, future plans, and more!  From the publisher, “Perfect for fans of Watership Down, Redwall, and The Green Ember, The Unraveling is a sweeping middle-grade fantasy adventure of courage, rebellion, and destiny. With pulse-pounding action, unforgettable characters, and a world as rich as it is dangerous, this is a story for anyone who believes even the smallest hero can change the world.”  You can grab the book on Amazon, Barnes & Noble, and direct from the publisher at https://www.th3rdworld.com/collections/the-unraveling?srsltid=AfmBOormgJ8H0y0dbSRI4GoBJo3vtOaMMQL8ZIA7dkSRxUrM0ahGB2qJ  Audio version of the book is available from Audible: https://www.audible.com/pd/The-Unraveling-The-Counsel-of-Crows-Audiobook/B0F7J4GF16?srsltid=AfmBOop8zYwKZJP1LrAi_XFtizKfMOrQd1uZ77aYQ3Wxb6EMCzOpP9UW   As always, please hit the subscribe button if you like and support what we do! You'll get early access to new episodes! Also please leave a review!   Follow us on IG: @bigtruth TikTok: @bigtruthpodcast YouTube: @thebigtruthpodcast   For feedback, questions, sponsorship info contact: bigtruthpodcast@gmail.com For more info: http://www.bigtruthpodcast.com To support the show: http://www.patreon.com/bigtruth   The Big Truth Podcast is proudly sponsored by: - Choppahead Kustom Cycles (IG: @choppahead / www.choppahead.com) - Jeffrey Glassman Injury Attorneys ( www.jeffreyglassman.com )  IG: @gottagetglassman - Tattoo Flash Collective – www.tattooflashcollective.com – use promo code: BIGTRUTH for 10% off your order - Omerta (IG: @omertamia / www.omertamia.com) - use code: BIGTRUTH at checkout for 20% off your order! - Heavy (IG: @heavyclothing / www.heavy.bigcartel.com)

281 / Shannon Lynn, middle grade sci-fi author and educator, shares how she found time to write while working full time, insight on launching your first book, and small marketing steps that add up over time. Balances a day job with writingTips for middle grade authors: marketing to parents and kids Lessons learned about pacing Print formatting and getting set up with Ingram Spark Making strategic choices–and sometimes saying no–to new opportunitiesHow Shannon found her editor, cover artist, and illustrator Adding skills as you need them Building an audience without burning out

Send us a textIn today's episode, I'm thrilled to chat with Gordon Korman, a true legend in the middle grade world. With over 100 books under his belt (106, to be exact!), Gordon has something for every young reader—from the most reluctant to the endlessly curious.His latest release, Snoop, follows a screen-obsessed boy who finds himself grounded—and discovers that life gets trickier when screens are all you have. Gordon shares how he began his writing career at age 14, what keeps him excited about writing for middle grade, and why he believes humor and the right book at the right time can completely change a child's reading life.Episode Highlights:Gordon's unexpected milestone of hitting 100 books—and how kids helped him see its impact.Why middle grade is the most powerful age to reach readers.The inspiration behind his latest novel, Snoop.How humor helps kids learn, connect, and grow.Encouragement for parents of reluctant readers—and why it only takes one “yes” book to spark a love of reading.This is a fun, thoughtful, and inspiring conversation for anyone who loves books, works with kids, or just wants to remember the magic of finding that book.Connect with Gordon Korman:InstagramFacebookWebsiteBooks and authors mentioned in the episode:The Fort by Gordon KormanRearview Window by Alfred HitchcockIsland Trilogy by Gordon KormanSuperfudge by Judy BlumeWhere the Red Fern Grows by Wilson RawlsInto Thin Air by Jon KrakauerThe Hallmarked Man by Robert GalbraithBook FlightTales of a Fourth Grade Nothing by Judy BlumeJack Henry books by Jack GantosThe Hitchhiker's Guide to the Galaxy by Douglas Adams

Exclusive Deals For Reading With Your Kids Listeners! Visit www.zivo.life and use the promo code READ to get 30% off The Better Microalgae – your ultimate daily nutrient boost! Visit www.BigForkBrands.com and use the promo code READ to get 20% off the most delicious pork snacks ever. Visit www.CozyEarth.com and use the promo code READ to get an incredible 41% off their ultra cozy and comfy bedding. Get ready for an exciting journey into the world of middle grade fiction with two incredible authors who are redefining storytelling for young readers! In this episode, we explore two captivating new middle grade novels that blend mystery, science fiction, and imagination. First up is Laura Lavoie, who takes us into the mysterious "13 Doors of Black House," a spine-tingling story about Maya Murtaugh, a young journalist searching for her big break. Inspired by a family trip to Maine and a visit to Stephen King's hometown, Lavoie crafts a spooky tale that proves middle grade novels can be both thrilling and meaningful. She discusses how scary stories help kids process complex emotions and build resilience, all while keeping them on the edge of their seats. Then we blast off with Shannon Lynn and her sci-fi adventure "The Vesta Chronicles: Sun Chaser," a dystopian novel set between space and a futuristic Texas Hill Country. Drawing from her background as a competitive sailor and her love for the South, Lynn creates a rich world where generations have lived entirely in space. Her protagonist, Tom Raynor, embodies curiosity and the desire to explore beyond familiar boundaries. Both authors share fascinating insights into their writing processes, the importance of creating relatable characters, and how personal experiences shape storytelling. They highlight the power of middle grade fiction to bridge generations, spark imagination, and tackle complex themes in accessible ways. Whether you're a parent looking for the next great book to share with your kids, a young reader seeking adventure, or simply someone who loves innovative storytelling, this episode offers something for everyone. These novels prove that middle grade fiction is far more than just children's books - they're gateways to understanding ourselves and the world around us. Get ready to be inspired, entertained, and maybe a little bit spooked! Click here to visit our website – www.ReadingWithYourKids.com Follow Us On Social Media Facebook - https://www.facebook.com/readingwithyourkids Instagram - https://www.instagram.com/readingwithyourkids/ X - https://x.com/jedliemagic LinkedIn - https://www.linkedin.com/company/reading-with-your-kids-podcast/ Please consider leaving a review of this episode and the podcast on whatever app you are listening on, it really helps!

Send us a textThere should be a cliché saying like- "This one time, at House of Blues." I know myself has a FEW. Though, I have only seen the New Orleans venue, that treasure box is a whole vibe of it's own. House of Blues holds the key to most of the elements you see at other House of Blues around the country. Listen to this rich history! Your papa is a LITTLE bias because, where in America can you find the most charming and intoxicating (no pun intended) venue, than the House of Blues location here in New Orleans, La? The French Quarter is a preservation pocket of yesteryears. Keeping with the tradition and look of the iconic Quarter, General Manager, I.V. Miller diligently works year round to ensure that House of Blues- New Orleans is not only open- but, thriving. Listen in as we talk about how I.V. got this amazing job opportunity while he was in NYC.  He's a big, biker looking fella- so, he is PERFECT for the Quarter!                       But I can tell he is a teddy bear at heart!This summer, week after week, they have got amazing gigs planned that will elevate yall's weekends! Listen in to all the awesome things coming to House of Blues soon! Wallflowers? Vintage Fest??!! Let's GOOOO!!Find more about House of Blues New Orleans at:www.houseofblues.com/neworleans_________________________________________________________________________________________________Then later, Thanks to our friends at Cafe Du Monde, we are still churning out some of the HOTTEST new releases from New York Times Best Selling Authors, yall! This week, New York Times Best seller, Tiffany Jackson's BRAND NEW hard back Middle Grade novel hit the stores and she is not playin'! Tiffany's ability  to perfectly combine the mystery and suspense, coupled with representation is so brilliantly accomplished for our younger readers. I have some, and let me tell you, START THEM YOUNG, HUNNY! And can I also just say, It starts at home? These young people are OUR FUTURE LEADERS of our amazing country. Thank you, Tiffany for giving these babies your valuable resources; rich in imagination, immersive adventures & strong emotions- all with the ability to have our kids walk away more inspired than a tablet ever could be. Find Blood in the Water now!Mega bestselling and award-winning author Tiffany D. Jackson (The Weight of Blood; White Smoke) makes her thrilling middle-grade debut with a can't-put-it-down murder mystery set on Martha's Vineyard. R.L. Stine, bestselling author of Goosebumps, says, "Don't miss this one!"This summer, beware of sharks...Brooklyn girl Kaylani McKinnon feels like a fish out of water. She's spending the summer with family friends in their huge house on Martha's Vineyard, and the vibe is definitely snooty. Still, there are beautiful beaches, lots of ice cream, and a town full of fascinating Black history. Plus a few kids her age who seem friendly.Until the shocking death of a popular teenage boy rocks the community to its core. Was it a drowning? A shark attack? Or the unthinkable--murder?Kaylani is determined to solThank you to our family of amazing sponsors! Ochsner Hospital for ChildrenWww.ochsner.orgRouses MarkersWww.rousesmarkets.comSandpiper VacationsWww..sandpipervacations.comCafe Du Monde www.shop.cafedumonde.com The Law Firm of Forrest Cressy & James Www.forrestcressyjames.comComfort Cases Www.comfortcases.orgNew Orleans Ice Cream CompanyWww.neworleansicecream.comERA TOP REALTY: Pamela BreauxAudubon Institute www.auduboninstitute.orgUrban South Brewery www.urbansouthbrewery.com

 I love it when authors take their adventures and passions and turn them into excellent stories for children that both show those passions AND entertain. Listen in to see how Yvonne M. Morgan did that with her Mary the Missionary story. note: links may be affiliate links that provide me with a small commission at no extra expense to you.  I loved hearing about Yvonne's mission adventures and how she used them to tell her stories.   I'm eager to read the book and to discover all the new adventures her characters might have! Mary the Missionary by Yvonne M. Morgan  A Kenya Adventure Are you ready for an adventure in Kenya? After singing "Jesus Loves the Little Children" in Sunday School, Mary has many questions about children in other countries. When her parents learn about a mission trip to Kenya, they decided to experience another culture as a family. Mary encounters many trials on her Kenyan adventure. In the end, she learns that she and her new friends aren't different, and Jesus loves all children. Through colorful illustrations and engaging storytelling, "Mary the Missionary" teaches important lessons about acceptance, empathy, and love. As Mary meets children from different cultures and backgrounds, she learns to see the world through their eyes and understand the unique challenges they face. Along the way, she also discovers the unifying power of faith and how it transcends all barriers. Learn more about Yvonne on her WEBSITE and follow her on GoodReads and BookBub. Like to listen on the go? You can find Because Fiction Podcast at: Apple Castbox Google Play Libsyn RSS Spotify Amazon and more!

On this episode of Currently Reading, Kaytee and Mary are discussing: Bookish Moments: local bookish get togethers and summer reading Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: why middle grade and YA are perfect reads for summer The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site) .  .  .  .  1:54 - SEND IN YOUR LISTENER PRESSES!! *Send us a voice memo with your name, where you're from, the title and author of the book you are pressing, a little about it and why you love it! Send your press to our email address currentlyreadingpodcast @ gmail . com by June 20th 4:12 - Our Bookish Moments Of The Week 4:35 - God of the Woods by Liz Moore 5:23 - Prodigal Summer by Barbara Kingsolver 6:31 - Literally A Bookshop 7:58 - Our Current Reads 8:03 - Greenteeth by Molly O'Neill (Mary) 10:36 - Ace of Spades by Faridah Abike-Imiyide (Kaytee) 11:41 - A Good Girl's Guide to Murder by Holly Jackson  12:10 - Where Sleeping Girls Lie by Faridah Abike-Imiyide 14:17 - Roland Rogers Isn't Dead Yet by Samantha Allen (Mary) 16:16 - Patricia Wants to Cuddle by Samantha Allen 16:36 - Real Queer America by Samantha Allen 17:06 - Deaf Utopia by Nyle DiMarco (Kaytee)  22:34 - The Scholar and the Last Faerie Door by HG Parry (Mary) 25:03 - The Magician's Daughter by HG Parry  25:13 - Divine Rivals by Rebecca Ross 25:43 - Twenty-Four Seconds From Now… by Jason Reynolds (Kaytee) 29:55 - Summer Is For The Youths 34:58 - The Eye of the World by Robert Jordan 39:07 - The Summer of Jordi Perez (and the Best Burger in Los Angeles) by Amy Spalding 39:12 - Fat Chance Charlie Vega by Crystal Maldonado 41:03 - A Wish in the Dark by Christina Soontornvat 41:30 - Swim Team by Johnnie Christmas 41:46 - Starfish by Lisa Fipps 43:12 - The Girl Who Drank the Moon by Kelly Barnhill  43:13 - The Ogress and the Orphans by Kelly Barnhill 44:56 - Scythe by Neal Shusterman 44:58 - A Curse So Dark and Lonely by Brigid Kemmerer 47:24 - The Wretched Waterpark by Kiersten White (Sinister Summer #1) 47:28 - The Pumpkin Princess and the Forever Night by Steven Banbury 49:28 - The Sun Does Shine by Anthony Ray Hinton (young readers version) 49:39 - Stamped by Ibram X. Kendi and Jason Reynolds 49:44 - Stamped from the Beginning by Ibram X. Kendi 50:15 - Punching the Air by Ibi Zaboi and Yusef Salaam 50:28 - The Black Flamingo by Dean Atta 51:04 - Dreamland Burning by Jennifer Latham 51:45 - The Millicent Quibb School of Etiquette for Young Ladies of Mad Science by Kate McKinnon 53:02 - Meet Us At The Fountain 53:12 - I wish that everyone would add a middle grade or YA read to their TBR this summer. (Mary) 54:21 - I wish for a bookish road map. (Kaytee) 55:05 - The Anxious Generation by Jonathan Haidt 55:19 - After This by Claire Bidwell Smith (amazon link) 55:41 - Infused by Henrietta Lovell   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. June's IPL is brought to us by one of our anchor stores, Schuler Books in Michigan Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!