Podcasts about alone tonight

Ce dimanche 10 novembre, après un congé bien mérité, la joyeuse troupe des Enfants de choeur de Michaël Pachen vous donnent rendez-vous depuis La Ruche théâtre de Charleroi, pour une émission pleine de surprises ! L'invitée du jour est l'ancienne finaliste de The Voice, Essyla ! Connue pour sa voix envoûtante et son style groovy, c'est avec plaisir qu'elle se prête au jeu. Christophe Bourdon fait la promo d'un nouveau logiciel révolutionnaire : le Computer Paramedics Artificial System (CPAS) ! Ce logiciel est capable de remplacer un médecin et de poser un diagnostic à sa place, mais aussi de prescrire un traitement et de rédiger une ordonnance. Preuve à l'appui... Samuel Tits se vante du magnifique cadeau qu'il a offert à sa femme, Tamara Payne se questionne sur les soirées de blanches de P.Diddy, le grande controverse de ces derniers temps. Richard Ruben, lui, se sent abandonné. Marie-Eglantine fera également son grand retour. La carte blanche de cette émission raconte sa journée à Walibi, en pleine période de Halloween... Retrouvez également les incontournables "Questions Google" et le "J'aime/j'aime pas" d'Essyla qui nous en apprend pas mal ! D'ailleurs, la chanteuse belge nous fait l'honneur d'interpréter en live son dernier morceau "Alone Tonight". Une exclu rien que pour les auditeurs des Enfants de choeur ! Les Enfants de choeur vous donnent rendez-vous ce dimanche 10 novembre dès 9h00 sur Vivacité ! Découvrez également l'émission en primeur sur Auvio ce vendredi 8 novembre à 18h00. Merci pour votre écoute Les Enfants de Choeurs, c'est également en direct tous les matins de la semaine vers 8h15 sur www.rtbf.be/vivacité Retrouvez tous les épisodes des Enfants de Choeur sur notre plateforme Auvio.be https://auvio.rtbf.be/emission/les-enfants-de-ch-ur-19357 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Welcome to our 3rd annual International Edition. We hope you are ready to join us as we visit Japan. This week we are looking at 1989's Sweet Home. Come check out this inspiration for Resident Evil with us. Follow us @Reviewedtodeath Music: Street Fighter 2 Stage Select Theme by Yoko Shimomura, Isao Abe, Syun Nishigaki. Developed and published by Capcom Ad music: Alone Tonight by CreatorMix.com Home Sweet Home from Sweet Home by Masaya Matsura All additional music provided by Groove Witness - www.groovewitness.us Read our companion written reviews - imgur.com/user/trojaSpaceBandit

We are continuing our vehicle horror madness with 2001's Joyride. Grab your Candy Cane and join us as we reminisce about all things Steve Zahn. Follow us @Reviewedtodeath Unsolved Mysteries Theme  by Michael Boyd and Gary Malkin Ad music: Alone Tonight by CreatorMix.com Breaking news music and other sound effects provided by www.zapsplat.com Joyride excerpt property of Regency Enterprises, Bad Robot and Live Planet. Trailer by 20th Century Fox All additional  music provided by Groove Witness - www.groovewitness.us Read our companion written reviews - imgur.com/user/trojaSpaceBandit

Reviewed to Death's first annual Shark Week is here! Join us as we discuss the newly released French shark movie Under Paris. Follow us @Reviewedtodeath Ad music: Alone Tonight by CreatorMix.com Breaking news music and other sound effects provided by www.zapsplat.com All additional music provided by Groove Witness - www.groovewitness.us Read our companion written reviews - imgur.com/user/trojaSpaceBandit --- Send in a voice message: https://podcasters.spotify.com/pod/show/reviewedtodeath/message

Never in my life have I met anyone who felt music so intensely as my father. He could not help listening to it; when he heard music that pleased him he became excited and there was a contraction in his throat; he sobbed and shed tears. The feelings aroused in him were unreasoning emotion and excitement. Sometimes it excited him against his will and even tormented him, and he would say: que me veut cette musique? (what does that music want of me?)  - Tolstoy, C. S., & Maude, A. (1926). Music in Tolstoy's Life. The Musical Times, 67(1000), 516–518.A few weeks ago, while circling the driveway of an elementary school, I received a directive from an old friend via text: listen for nostalgia. Another bell tone followed, delivering a link to an interview about a song I had nearly forgotten in the decade since I last heard it. I am not in the habit of listening to music podcasts. Rarely have I memorized lyrics or researched the story behind a song, believing instead in the primacy of learning a song by heart, through its melodic currents and timbre. But I can understand Tolstoy's question what does that music want of me? If I find myself intrigued by a song, I like to get quiet and listen with my whole body, and then return again and again until the song becomes a friend and I notice myself asking strange questions like what's happening here? and why does this feel meaningful to me?I first heard the song “The District Sleeps Alone Tonight” as a freshman in college. It opens with three incantatory notes from a synthesized organ (C, Dm, Am) and then begins to layer disarmingly self-conscious lyrics, smeared black ink, your palms are sweaty, I'm barely listening, swelling into a melodious revelation: I am finally seeing why I was the one worth leaving. The bridge repeatedly chimes where I am, where I am, offering a gentle allowance to accept where we are and have been.For those of us for whom Washington, DC in the early 2000s was not just a city but the proving ground of our relational lives, “The District Sleeps Alone Tonight” touched a relatable quality of loneliness, an effervescent tension between wanting to sense our worthiness and dignity on one hand, and the public absurdities and private regrets that are emblematic of a certain chapter of life on the other.  From Hrishikesh Hirway's recently remastered interview with Jimmy Tamborello and Ben Gibbard, the unlikely halves of an indie-electronic duo called The Postal Service, I learned some informative details. Their collaboration began at the fringes of their early twenties, when, living in different cities, broke, and barely acquainted, they began mailing fragments of songs back and forth to each other. Fresh musical layers were decanted in the days between sending and receiving them. Gibbard would walk through his neighborhood at night listening to that day's delivery through wire headphones; his mind would slide around with Tamborello's instrumentals until an unexpected image or memory would emerge; then he would pull a notebook out of his pocket and start scribbling. It was a faithful process. They asked another acquaintance, Jenny Lewis, to contribute harmonies, and, after some months, they christened their first and only album Give Up.Give Up was a good one, as it turned out. It is considered a landmark album for its unique fusion of indie-rock and electronic elements; to the artists' surprise, it sold more than a million records. Warm vocals stream above experimental sounds in what Tamborello and Gibbard dubbed an “80's electro-pop revival record.” Even now, the songs feel at once familiar and yet serendipitous. We sense two artists on their way somewhere else, but just available enough to slip into a creative portal meant just for them.Of the album's first song, Gibbard explains that his first love had left him to pursue a job in Washington, DC. A few months later, he was passing through on tour with Death Cab for Cutie. It felt strange to be in the vicinity of her new life, so they arranged a reunion at the venue before the show. The sweaty palms were hers; the smeared black ink, a list of grievances she had inscribed on her skin earlier that day lest she forget one in the bewilderment of the moment. Her confidence was foam, easily dissolving into anxiety, and her yearning was thick with the conviction that some mutual ground could be found, something taken could be given back.I remember the cathartic resonance of chanting I was the one worth leaving with a hundred strangers at The Black Cat in the Spring of 2003. I did not know then about the girl who had stood outside the entrance, heart blazing, nor about the boy's shifty discomfort as ticket holders passed them — I'm staring at the asphalt wondering what's buried underneath. And yet I did know the girl. I understood her longing to be heard and her futile bids for validation. And I knew the boy, his disassociation, his numbing. We recognized some part of ourselves in their awkward grappling as we had all, in one ragged moment or another, subjected our hearts to over-exposure or barely listened for fear of what would spill over.The experience of certain feelings can seem particularly pregnant with desire for resolution: loneliness, boredom, anxiety. Unless we can relax with these feelings, it's very hard to stay in the middle when we experience them. We want victory or defeat, praise or blame. For example, if somebody abandons us, we don't want to be with that raw discomfort. Instead, we conjure up a familiar identity of ourselves as a hapless victim. Or maybe we avoid the rawness by acting out and righteously telling the person how messed up he or she is. We automatically want to cover over the pain in one way or another, identifying with victory or victimhood. – Pema Chodron, “Pema Chodron's Six Kinds of Loneliness”February is advertised for romance – but love is not a narrow teacher. No matter our age or stage of life, we want to believe in our worthiness to be met. We have all failed at one time or another to meet another. The stories we have told ourselves are not special, yet they merit our healing attention. Rather than narrowing our treatment of love, rather than setting ourselves up for disappointment on the axis of praise or blame or any of the worldly winds, could we reframe loneliness as an invitation to a more generous and wakeful experience of love?Beloved Buddhist nun and teacher, Pema Chodron, distinguishes hot loneliness: restless and angsty and pregnant with the desire for resolution; from cool loneliness: an awareness of the groundlessness of life wherein we can observe fear-based patterns without stumbling headlong into them. She explores six facets of cool loneliness that, when integrated through practice over time, amount to a revolution in dignified steadiness, a middle way of presence between the traps of grasping and avoidance. They are “less desire,” or the willingness to be lonely without grasping for a fix – as the Zen master Katagirir Roshi often said, “One can be lonely and not be tossed away by it;” “contentment,” a synonym for accepting the texture of the moment as it is rather than grasping to quell the discomfort; “avoiding unnecessary activities,” an invitation to quit flailing around to escape being with ourselves; “complete discipline,” a willingness to come back again and again, naming and noting and bowing to the profound insolvability of life and our place in it; “not wandering the world of desire,” which is an acknowledgment of false refuge and an invitation to cultivate sobriety in our thoughts and actions; and “not seeking security from one's discursive thoughts,” an antidote to the subtle ways we measure ourselves against self-inflicted and perceived expectations.  Let's be kind, we must remind ourselves, for this is the work of lifetimes. The word “nostalgia” is from the Greek compound nostos (meaning ‘return home') and algos (meaning ‘pain'). Some memories become eddies; once recalled, we can swirl to make meaning of them. The ache of an unfinished conversation can baffle us not for what happened then, which matters little now, but for what it can reveal about the maturation of love. For we are seekers – we study consciousness through its prisms of knowing and not knowing, of forgetting and remembering. When our attention migrates back to a place where we have surprised, disappointed, or even harmed ourselves, it is calling us to recognize and befriend the hidden forces within us that are subject to swirl in the first place.~~~In closing, a small prompt for your consideration: what is a song or a poem or a piece of art or a scene from a movie that stirs your heart to deeper inquiry? What about it draws you closer? Where in your memory does it lead, and how can you more lovingly make sense of or relate to those memories now? What does that music want of you? Get full access to The Guest House at shawnparell.substack.com/subscribe

The first episode of Song Exploder, about The Postal Service song "The District Sleeps Alone Tonight," came out 10 years ago, in January 2014. To celebrate the 10th anniversary of the podcast, we're doing what bands do, and putting out a deluxe, expanded edition of our very first release: this version features a new interview, new insights, and new pieces of the song and demo. The Postal Service formed in 2001. Their debut album came out in 2003, and it was a game changer. Their combination of electronic music and indie rock not only sold over a million copies; their songs were everywhere on TV and in film, and influenced a generation of artists. Last year, they played sold-out concerts across the US in celebration of the 20th anniversary of the album, and there are more shows to come in 2024. A few weeks ago, I spoke to Ben Gibbard, and I combined that with my original interview from 2013 with Jimmy Tamborello. And here, together, the two of them tell the story of how they made their song “The District Sleeps Alone Tonight.” For more, visit songexploder.net/postal-service-deluxe.

The 2021/22 #ChampionsLeague final between #Liverpool and #RealMadrid was probably the most exciting one nil match you'll ever see. Liverpool huffed and puffed but when all is said and done, the Karim rises to the top lol - we know he didn't score but this has been his year. Tune in to hear what we have to say about this years final #WeKnowItAll

If TVK is a success at all it's because of people like Will Clegg. Will is not only a talented storyteller and producer, he's been responsible for introducing me to many of the other wonderful storytellers in the New York area who have appeared on the show in the last year or two. For that generosity, I owe him a great debt. Thanks, Will!As I mentioned in the closing credits this week, Will's story this week is a "beat" in a full one-man show he recently produced at New York's Frigid Festival called The Lonely Road.  Keep an eye out for potential tour dates for that show (and check out Will's website to have a look at some of the pictures he show on his road trip).Will is also one of the founding producers of the Awkward Teenage Years  storytelling series. You can follow them on Instagram, Twitter, Facebook and Twitch (?). You can also follow Will directly on Twitter and the 'gram.Make sure you follow The Volume Knob on Twitter, Instagram, Facebook or at our website volumeknob.net.And if you have a story about the song that saved your life be sure to send it to me at volumeknobpod@gmail.com.

Earlier this year, Above & Beyond performed some of their best-loved songs acoustically as part of a 15-piece band, across four sold out shows at London's famous Porchester Hall. The response from fans was overwhelming and led to two sold-out nights at The Greek Theater in Los Angeles in October, described by Billboard Magazine as "one of the finest and more memorable shows in EDM history." Above & Beyond partnered with THUMP on the production and filming of the London shows to create a concert film that captures the Porchester Hall performances and the story behind the acoustic project. The songs performed at Porchester Hall also form the basis of the "Above & Beyond Acoustic" studio album, which was recorded in the spring and summer of 2013 and features a 24-piece orchestra.  Setlist: 0:00 Intro/interview 3:00 Small Moments (instrumental) 7:00 Miracle 11:57 You Got To Go 17:45 Satellite/Stealing Time 22:53 interview on how they work 26:05 Thing Called Love 30:40 Can't Sleep 35:50 Sun and Moon 40:52 Good For Me (instrumental outro at 45:45) 47:28 Above and Beyond origins 50:33 Sirens Of The Sea 55:34 Love Is Not Enough 1:01:14 On A Good Day 1:05:54 Alone Tonight 1:11:45 Making Plans 1:16:20 last interview segment 1:19:33 credits with continued audio Team UNPLUGGED.

'Above & Beyond Acoustic: Live at the Hollywood Bowl' is now available to watch in full. About the film: In 2016, Jono Grant, Tony McGuinness and Paavo Siljamäki (aka Above & Beyond - one of the world's most successful dance acts) left the electronic music world behind, embarking on an ambitious 'acoustic' world tour that culminated at the Hollywood Bowl, Los Angeles. In front of a sold out crowd and accompanied by a 34-piece orchestra, Above & Beyond showcased two hours of songs from their much-loved archive, completely reimagined for one of the world's most famous stages. Directed by Paul Dugdale (The Rolling Stones' ‘Olé, Olé, Olé') for Scheme Engine. 1. Hello (00:02:00) 2. We´re All We Need feat. Zoë Johnston (00:05:17) 3. Blue Sky Action feat. Cobi (00:11:50) 4. Miracle feat. Justine Suissa (00:17:25) 5. Sticky Fingers feat. Cobi (00:22:19) 6. Counting Down The Days/Liquid Love feat. Natalie Holmes (00:27:50) 7. Satellite/Stealing Time feat. Justine Suissa and Cobi (00:34:25) 8. No One On Earth feat. Zoë Johnston (00:40:25) 9. On My Way To Heaven feat. Cobi (00:45:23) 10. Another Chance feat. Justine Suissa (00:50:45) 11. All Over The World feat. Cobi (00:55:50) 12. Peace Of Mind feat. Zoë Johnston (01:01:25) 13. Black Room Boy feat. Tony McGuinness (01:08:00) 14. Thing Called Love feat. Cobi (01:12:40) 15. Save Me feat. Zoë Johnston (01:17:40) 16. Alone Tonight feat. Cobi (01:24:10) 17. On A Good Day feat. Justine Suissa (01:31:00) 18. Sun & Moon feat. Cobi (01:36:08) 19. Good For Me feat. Zoë Johnston (01:42:35) In the credits, Alchemy feat. Zoë Johnston (01:51:47) Mostra meno Team UNPLUGGED.

Poetry

SECOND SHOW JUNE 30, 2021 - Daily News and Comedy ShowSupport the show (https://www.buymeacoffee.com/derekosheashow)

Red Rock Relationships - EP 010 - Swipe Left, Right - Im Alone Tonight

welcome to the union

Mar Sulaika has gone into seclusion this month so she can create,create, create. Agnes has a few guests lined up for future episodes but tonight she's flying solo so decided to revisit the music of the 70s and 80s - the tunes that we knew, we loved, that became brain worms that wouldn't leave us alone! Notes; Van Morrison song:  Moondance!  how could she forget that one? Lynard Skynard: one film was Muscle Shoals, the other one is still in hiding. Let us know what you're drinking and thinking at https://pissedonpodcast.com/join-the-conversation/ If you're interested in making contact: https://twoboomerwomen.com/contact/   Thanks for joining us... me... Have a great weekend!

Every time Jason Baldinger writes a new book, it’s his best book, and so for this new podcast we have a hard time, because Jason is here to talk about two new books: The Better Angels of our Nature and Everyone’s Alone Tonight, co-written with the great Kansas City poet James Benger. In the course … Continue reading Episode 78: The Better Angels of Our Nature

We're back off of a two-week hiatus! Catch up on the last 2-weeks of the crew's life, What's new with Meezy? What shows did Rezz watch? What has Nick been cooking? Tune in to find out on this week's episode. While you're listening to this episode make sure you use our hashtag #TextualTuesday! Talk to us, we talk back. WMEZ's Baby Maker of the week- "Alone Tonight " by Taylor Belle. IG @Textuallyactivepod @_Rezz @Meezyblvd Twitter @textuallyactpod @GetYouARezz @GrillieBeaman @Meezyblvd Remember to send your listener letters to textuallyactivepod@gmail.com __________________ WMEZ PLAYLIST: Apple: https://itunes.apple.com/us/playlist/textually-active-presents-wmezs-baby-maker-playlist/pl.u-RRbVo12sxqbr4B Spotify: https://open.spotify.com/user/1254604806/playlist/2Z4ID9q9Sz0Maegewih9LG?si=lrmdplZaSH65UmPkgXu7Rw Tidal: https://tidal.com/playlist/08088e48-a086-4307-b215-495f19e095b2

So Slick Alone Tonight

The DRD crew get together and continue discussing their favourite albums. Kristi and Tim bond over Ben Gibbard, Marc is confused at why people like happy fun music and we learn that counting is very, very, very difficult for all of us.

Peter Orner Not Alone Tonight at Least ~Co-presented by the Bolinas Library, The New School at Commonweal, and Point Reyes Books~ Join us for a reading and conversation with TNS Host Steve Heilig and writer Peter Orner. Peter teaches at the Warren Wilson MFA Program for Writers as well as at San Francisco State University, where he is currently chair of the Creative Writing Department. He is a member of the Bolinas Volunteer Fire Department. Peter Orner Chicago-born Peter Orner has lived in the San Francisco Bay area for sixteen years. He is the author of two novels (The Second Coming of Mavala Shikongo, 2006, Love and Shame and Love, 2010) and two story collections (Esther Stories, 2001, and Last Car Over the Sagamore Bridge, 2013), as well as the editor of two oral histories (Voice of Witness). Orner’s fiction and non-fiction has appeared in the New York Times, the Atlantic Monthly, Granta, The Paris Review, McSweeney’s, The Southern Review, and many other publications. His stories have been anthologized in Best American Stories and twice received a Pushcart Prize. Orner has been awarded a the Rome Prize, a Guggenheim Fellowship, a two-year Lannan Foundation Literary Fellowship, as well as a Fulbright to Namibia. A new book of oral history set in Port-au-Prince, Haiti, co-edited with Evan Lyon, will be published in January, 2017. Find out more about The New School at tns.commonweal.org.

Talking about Gabbby and Simone's hair problem and The sheriff who got into Formation with Beyonce.. and more how I hate broken promises..

Talking about Gabbby and Simone's hair problem and The sheriff who got into Formation with Beyonce.. and more how I hate broken promises..

Alone Tonight by deepolsky

Who Is Your Patternclick HERE to playWho do you follow in life? What should my family look like? What does a real man or real woman look like? How do I know if I'm following the right people to achieve what I want in my life?  So many times in our life we look to people to find what the pattern is to follow.  Sometimes it's our parents or friends and can even be someone who mentored us in life.  Join the SLSRadio crew as we talk about the topic called"Who Is Your Pattern"Playlist:Chris Cobbins -DanceSPZRKT ft L9:23rd -Lookin GoodDeraj ft Canon - What You SaySocial Club - ft Chris Batson - WaitingDa-Vid ft Kaybee & Servant - BugattiDerek Minor - Who You KnowGS ft Bizzle - Like That ThoMr. Del ft Young Memphis - I'm GhostMike REAL - So High UpPettidee ft Dj Dex - Not WelcomeZiklag Boyz -Wired Up007 & Gifted da Flamethrowa ft Zeeda & Von Won - That KnockMarz Ferrer ft. JGivens -BlurDae-Lee ft Chris Brown -Life Is WorshipRadikal Hughes ft Sevin And Bizzle  -Alone TonightThi'sl -Ring the Alarm (Oh Lord)Ruslan -Out of ItDillon ft Kadence -Do It AnywayStephen the Levite ft Chris Jackson-143Skrip -When The Beat DropErica Diamonds ft Monolog -Fallin'

Dylan can't be in for the show, so Scott is left to his own devices...He manages to make an...exciting announcement?

Our first guest on Song Exploder is Jimmy Tamborello, aka Dntel, aka one half of The Postal Service (the other half being Ben Gibbard of Death Cab for Cutie). Jimmy breaks down the song The District Sleeps Alone Tonight, and talks about his instruments, his influences, and accidentally making a loop out of Jenny Lewis's backing vocals.

Ronski Speed Рон Шнайдер - Ronski Speed (Ронски Спид) - музыкальную карьеру начал в 1997 году, и практически сразу вошел в "орбиту" известного немецкого лейбла Euphonic. В самом начале, Ronski Speed активно сотрудничал с другим молодым и талантливым продюсером по имени Ральф Мюллер (Ralf Muller) - Sonorous. Общими усилиями ребята оборудовали студию и начали работать над первыми шедеврами. Выпустив пару дебютных работ, имевших переменный успех, ребята "нечаянно" создали свой первый хит. Им стала работа "Glass Garden" - изначально это была ambient-композиция, выпущенная в качестве би-сайда на CD-сингле Sonorous 1999 года - "Did You Ever Dream?". Годом позже, парни создали "танцевальную" версию этого трека, которую постиг колоссальный успех. Небольшой тираж промо-пластинок вызвал неплохой ажиотаж, а сам Пол ван Дайк (Paul van Dyk) назвал "Glass Garden" своим любимым треком. В последствии, сингл переиздавался в различных странах несколько раз. В 2006-м, Рон и дальше продолжает поражать всех своими новыми красивыми работами. Под именем Sun Decade он выпускает третий сингл "Have it All", а также делает несколько качественных ремиксов на Above & Beyond "Alone Tonight", Luminary "Wasting", Carl B "Social Suicide" и другие треки. Его новый сингл "The Space We Are" в ремиксе от John O'Callaghan моментально получил поддержку таких грандов, как Judge Jules, Armin van Buuren, Ferry Corsten, Paul van Dyk, Above & Beyond, Markus Schulz, а по итогам года занимает 13 место в A State Of Trance Radio Show Top 20. Ronski Speed впервые выступает в Китае и Таиланде, становится хедлайнером ночи в легендарном Лос-Анджелесском клубе Spundae. В октябре он возвращается в сотню лучших ди-джеев планеты по версии журнала DJ Mag, занимая 87 место в рейтинге . 01 Jonathan Allyn - Near You (Jaytech Remix ) [Ava] 02 Dirty Vegas - Tonight (Above & Beyond Remix) 03 Mark Marberg with Kyau & Albert vs. Skytech - Grrreat Cardboard Box (Jason Mill ClubMash) 04 Ronski Speed ft. Ana - Deep Devine (Gareth Emery Remix) [Euphonic] 05 Lange ft. Sarah Howells - Let It All Out (Ronski Speed Remix) [Lange] 06 Stoneface & Terminal - St. Francis Foley (Club Mix) [Euphonic] 07 Activa pres. Solar Movement - Eclipse (Mat Zo Remix) [Anjuna Beats] 08 John O'Callaghan ft. Lo-Fi Sugar - Never Fade Away (Giuseppe Ottaviani Remix) [Armada] 09 Xgenic - Daylight (Origfinal vs. Jonas Hornblad Remix) [Infrasonic] 10 RST & Jared Knapp - Encompass (Club Mix) [Yakuza] 11 Suncatcher - Good Morning (Original Mix) 12 Ben Gold - Today (Thomas Datt Dub Mix) [Kill The Lights] 13 Ronski Speed - Aural Slave (Thomas Datt Remix) [Euphonic]

Ronski Speed Рон Шнайдер - Ronski Speed (Ронски Спид) - музыкальную карьеру начал в 1997 году, и практически сразу вошел в "орбиту" известного немецкого лейбла Euphonic. В самом начале, Ronski Speed активно сотрудничал с другим молодым и талантливым продюсером по имени Ральф Мюллер (Ralf Muller) - Sonorous. Общими усилиями ребята оборудовали студию и начали работать над первыми шедеврами. Выпустив пару дебютных работ, имевших переменный успех, ребята "нечаянно" создали свой первый хит. Им стала работа "Glass Garden" - изначально это была ambient-композиция, выпущенная в качестве би-сайда на CD-сингле Sonorous 1999 года - "Did You Ever Dream?". Годом позже, парни создали "танцевальную" версию этого трека, которую постиг колоссальный успех. Небольшой тираж промо-пластинок вызвал неплохой ажиотаж, а сам Пол ван Дайк (Paul van Dyk) назвал "Glass Garden" своим любимым треком. В последствии, сингл переиздавался в различных странах несколько раз. В 2006-м, Рон и дальше продолжает поражать всех своими новыми красивыми работами. Под именем Sun Decade он выпускает третий сингл "Have it All", а также делает несколько качественных ремиксов на Above & Beyond "Alone Tonight", Luminary "Wasting", Carl B "Social Suicide" и другие треки. Его новый сингл "The Space We Are" в ремиксе от John O'Callaghan моментально получил поддержку таких грандов, как Judge Jules, Armin van Buuren, Ferry Corsten, Paul van Dyk, Above & Beyond, Markus Schulz, а по итогам года занимает 13 место в A State Of Trance Radio Show Top 20. Ronski Speed впервые выступает в Китае и Таиланде, становится хедлайнером ночи в легендарном Лос-Анджелесском клубе Spundae. В октябре он возвращается в сотню лучших ди-джеев планеты по версии журнала DJ Mag, занимая 87 место в рейтинге .

Due to a very hectic past week, this weeks show is one of my compilations, Trancendance5: The Bajorins Session. But as a bous...it is 80 minutes. That's right....20 bonus minutes....or 33% longer...however you want to look at it. So, turn it up and enjoy!1. Miikka Leinonen presents Denver - End of Days (eBAM's All I Did Was Speed It Up Mix) 2. Apogee - Shimmering (Marcos Euphonic Remix) 3. Armin Van Buuren - Shivers 4. Above & Beyond - Alone Tonight (Original Mix) 5. Hidden Logic presents Luminary - Wasting (Ronski Speed Remix) 6. Armin van Buuren feat Racoon - Love You More (Vocal Mix) 7. Agnelli & Nelson feat The Burn - Shivver (John O'Callaghan Mix) 8. Alex Gold - Stranded In Paradise (Agnelli & Nelson Mix) 9. John O'Callaghan & Bryan Kearney - Exactly 10. DT8 Project feat. Mory Kanti - Narama 11. Vinny Troia Presents Jaidene Veda - Flow (Gareth Emery remix) 12. Marco V - More Than A Life Away (Extended Album Mix)

Due to a very hectic past week, this weeks show is one of my compilations, Trancendance5: The Bajorins Session. But as a bous...it is 80 minutes. That's right....20 bonus minutes....or 33% longer...however you want to look at it. So, turn it up and enjoy!1. Miikka Leinonen presents Denver - End of Days (eBAM's All I Did Was Speed It Up Mix) 2. Apogee - Shimmering (Marcos Euphonic Remix) 3. Armin Van Buuren - Shivers 4. Above & Beyond - Alone Tonight (Original Mix) 5. Hidden Logic presents Luminary - Wasting (Ronski Speed Remix) 6. Armin van Buuren feat Racoon - Love You More (Vocal Mix) 7. Agnelli & Nelson feat The Burn - Shivver (John O'Callaghan Mix) 8. Alex Gold - Stranded In Paradise (Agnelli & Nelson Mix) 9. John O'Callaghan & Bryan Kearney - Exactly 10. DT8 Project feat. Mory Kanti - Narama 11. Vinny Troia Presents Jaidene Veda - Flow (Gareth Emery remix) 12. Marco V - More Than A Life Away (Extended Album Mix)