Podcasts about ayseg

Fiquem connosco a falar de livros de forma despreocupada e já sabem que apreciamos imenso o vosso feedback!Boas leituras!Durante este episódio falamos de seguintes livros:“A Vegetariana” de Han KangTrilogia “A Primeira Lei”, de Joe AbercrombieA Lâmina A ForcaA Coroa “Demon Copperhead” de Barbara Kingsolver“Uma Pequena Vida” de Hanya Yanagihara“As Cinco Mães de Serafim” de Rodrigo Guedes de Carvalho“A História de Roma” de Joana Bértholo“A Geração Ansiosa” de Jonathan Haidt“Intermezzo” de Sally Rooney“Patriota” de Alexei Navalny“Orbital” de Samantha Harvey“⁠The Anthropologists” de Aysegül Savas (Edição UK)“Stolen Pride” de Arlie Russell Hochschild (Edição USA)“In Ascension” de Martin MacInnes (Edição USA)“Growth” de Daniel Susskind (Edição UK)“Someone Like Us” de Dinaw Mengestu  (Edição USA)“The Work of Art” de Adam Moss (Edição USA)“Why We're Polarized” de Ezra Klein“Les Gratitudes” de Delphine de Vigan“Bellman Noir Trilogy” by Niklas Natt och Dag1793 1794 1795 “Amy e Isabelle” de Elizabeth Strout“Porque Falham as Nações” de Daron Acemoğlu & James A. Robinson“O Que a Chama Iluminou” de Afonso Cruz

José Raúl Cepeda, Luis Raúl Sánchez y Jaime Vázquez, el “Geek Squad” de Temprano en la Tarde. Segmento 1 El Maestro Hermelindo Ruiz, artista residente de la PUCPR, nos presenta a la artista invitada la Dra. Aysegül Koca. Hablamos de la guitarra clásica y la música clásica. Segmento 2 Ysegül abre con unos minutos de un movimiento musical. Se une el Dr. Sánchez Peraza y habla de la importancia del rol de la universidad en el estudio y promoción de las artes. Segmento 3 Jaime Vázquez y Luis Raúl Sánchez conversan sobre la película “Companion” en cartelera. El concepto de la inteligencia artificial, las “otredades”, los robots, la “esclavitud”. Es película de comedia negra. Segmento 4 Companion continúa la tradición de películas sobre robots e inteligencia artificial. Un reparto joven con experiencia pero poco conocidos. Companion parece ser una inversión exitosa q duplicó en recaudos su presupuesto en pocas semanas.

Im Urlaub verständigen wir uns beinahe selbstverständlich mit Übersetzungs-Apps, meist ausgestattet mit Künstlicher Intelligenz. Doch wie beeinflusst die KI die Arbeit der literarischen Übersetzer:innen? Aysegül Acevit hat nachgefragt. Von Ayse Acevit.

This week's guest is Aysegul Savas, whose mesmerising third novel, The Anthropologists is about a great many things. It's about what it means to leave one's home. It's about attempting to lay down roots elsewhere. It's about the mystery, banality, and all-consuming nature of love. It's about the dynamics of friendship, and how those are stress-tested by life. It's about growing up and growing old. It's about how our lives are shaped by rituals…and by the lack of them. And it's about how anxiety-inducing it can be trying to buy a flat. More concretely, The Anthropologists is about Asya and Manu, young expats in an unnamed foreign city. Asya is a documentary maker, Manu works for an NGO. They lead a care-free, meticulously tended-to life of nights out, mornings in, coffees and pints with friends, and evenings of poetry with their eccentric upstairs neighbour. But all of this—its sustainability, its “realness”— is called into question by their decision to begin flat-hunting, as well as by other life changes—changes that are in their lives, but out of their control.Buy The Anthropologists here: https://www.shakespeareandcompany.com/books/the-anthropologists*Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in The New Yorker, The Paris Review, Granta, and elsewhere. She lives in Paris.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Beißt er an oder beißt er nicht an? Über sechseinhalb Millionen Menschen in Deutschland fragen sich das mindestens einmal im Jahr. Sie sind Freizeit-Angler und immer für einen guten Fang zu haben. Aysegül Acevit hat einige besucht. Von Aysegül Acevit.

Haare sind persönlich. Zugleich haben sie aber auch immer eine gesellschaftliche und kulturelle Bedeutung. Das zeigt die Foto- und Video-Ausstellung "Grow It, Show It!" im Folkwang Museum in Essen. Aysegül Acevit über Kunst, Haare und die Botschaft dahinter. Von Ayse Acevit.

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park." Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release? Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with Aysegül Savas' distinctive elegance, warmth, and humor. Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in the New Yorker, the Paris Review, Granta, and elsewhere. She lives in Paris. Recommended Books: Hugh Raffles, The Book of Unconformities Alisa Gabbert, Any Person is the Only Self Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park." Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release? Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with Aysegül Savas' distinctive elegance, warmth, and humor. Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in the New Yorker, the Paris Review, Granta, and elsewhere. She lives in Paris. Recommended Books: Hugh Raffles, The Book of Unconformities Alisa Gabbert, Any Person is the Only Self Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park." Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release? Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with Aysegül Savas' distinctive elegance, warmth, and humor. Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in the New Yorker, the Paris Review, Granta, and elsewhere. She lives in Paris. Recommended Books: Hugh Raffles, The Book of Unconformities Alisa Gabbert, Any Person is the Only Self Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Asya and Manu are looking at apartments, envisioning their future in a foreign city. What should their life here look like? What rituals will structure their days? Whom can they consider family? As the young couple dreams about the possibilities of each new listing, Asya, a documentarian, gathers footage from the neighborhood like an anthropologist observing local customs. "Forget about daily life," chides her grandmother on the phone. "We named you for a whole continent and you're filming a park." Back in their home countries parents age, grandparents get sick, nieces and nephews grow up-all just slightly out of reach. But Asya and Manu's new world is growing, too, they hope. As they open the horizons of their lives, what and whom will they hold onto, and what will they need to release? Unfolding over a series of apartment viewings, late-night conversations, last rounds of drinks and lazy breakfasts, The Anthropologists (Bloomsbury, 2024) is a soulful examination of homebuilding and modern love, written with Aysegül Savas' distinctive elegance, warmth, and humor. Aysegül Savas is the author of the acclaimed novels Walking on the Ceiling and White on White. Her work has been translated into six languages and has appeared in the New Yorker, the Paris Review, Granta, and elsewhere. She lives in Paris. Recommended Books: Hugh Raffles, The Book of Unconformities Alisa Gabbert, Any Person is the Only Self Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Döner und Baklava – daran denken die meisten Deutschen, wenn es um türkische Speisen geht. 1972 wurde der erste Döner in Deutschland verkauft. Doch die Vielfalt der türkischen Küche ist kaum bekannt. Aysegül Acevit stellt sie vor. Von Aysegül Acevit.

This week, Liberty and Kelly discuss Butts, House of Yesterday, A Heart That Works, and more great books. Follow All the Books! using RSS, Apple Podcasts, or Spotify and never miss a book. And sign up for the weekly New Books! newsletter for even more new book news. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. BOOKS DISCUSSED ON THE SHOW: Butts: A Backstory by Heather Radke House of Yesterday by Deeba Zargarpur Tell Me How to Be by Neel Patel Never Ever Getting Back Together by Sophie Gonzales A Heart That Works by Rob Delaney She and Her Cat by Makoto Shinkai, Naruki Nagakawa, Ginny Tapley Takemori (translator) All the Blood We Share: A Novel of the Bloody Benders of Kansas by Camilla Bruce Sunburn by Andi Watson and Simon Gane PAPERBACK RELEASES: White on White by Aysegül Savas  Black Cake by Charmaine Wilkerson Apparently There Were Complaints: A Memoir by Sharon Gless The Duchess Countess: The Woman Who Scandalized Eighteenth-Century London by Catherine Ostler Cameron Battle and the Hidden Kingdoms by Jamar J. Perry Here's to Us by Becky Albertalli, Adam Silvera Factory Girls by Michelle Gallen WHAT WE'RE READING: White Out by Nicola Yoon, Dhonielle Clayton, Angie Thomas, Ashley Woodfolk, Nic Stone, and Tiffany D. Jackson The Sleeping Car Porter by Suzette Mayr Chain-Gang All-Stars by Nana Kwame Adjei-Brenyah For a complete list of books discussed in this episode, visit our website. Learn more about your ad choices. Visit megaphone.fm/adchoices

Vor den ersten Tonträgern konnte man Musik nur live in einem Konzert erleben. Dann kamen die Phonographen - und mit ihnen auch ein völlig neues Verständnis von Klang und Musik. Wie Schallplatte, CD und Streaming unser Musikhören verändert hat, dazu hat Aysegül Acevit recherchiert. Von Ayse Acevit.

This week Aysegül Savaş joined Adam live in our writer's studio to discuss White on White, her book about art and artists, parents and their children, beauty and class, as well as the quest for perfection and the compromises we make in pursuit of it. White on White was called "marvelous" by Lauren Groff and "gentle, mysterious and profound” by Marina Abramović.Buy White on White here: https://shakespeareandcompany.com/I/9780593330517/white-on-white-a-novelBrowse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore*A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio.In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas.What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos.White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare.*Ayşegül Savaş is the author of Walking on the Ceiling. Her work has appeared in The New Yorker, The Paris Review, Granta, and elsewhere. She lives in Paris.Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel Feeding Time here: https://shakespeareandcompany.com/S/9781910296684/feeding-timeListen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1 Get bonus content on Patreon See acast.com/privacy for privacy and opt-out information.

This week Aysegül Savaş joined Adam live in our writer's studio to discuss White on White, her book about art and artists, parents and their children, beauty and class, as well as the quest for perfection and the compromises we make in pursuit of it. White on White was called "marvelous" by Lauren Groff and "gentle, mysterious and profound” by Marina Abramović. Buy White on White here: https://shakespeareandcompany.com/I/9780593330517/white-on-white-a-novel Browse our online store here: https://shakespeareandcompany.com/15/online-store/16/bookstore * A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio. In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas. What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos. White on White is a sharp exploration of empathy and cruelty, and the stunning discovery of what it means to be truly vulnerable, and laid bare. * Ayşegül Savaş is the author of Walking on the Ceiling. Her work has appeared in The New Yorker, The Paris Review, Granta, and elsewhere. She lives in Paris. Adam Biles is Literary Director at Shakespeare and Company. Buy a signed copy of his novel Feeding Time here: https://shakespeareandcompany.com/S/9781910296684/feeding-time Listen to Alex Freiman's Play It Gentle here: https://open.spotify.com/album/4gfkDcG32HYlXnBqI0xgQX?si=mf0Vw-kuRS-ai15aL9kLNA&dl_branch=1

After her mother's death, Nunu moves from Istanbul to a small apartment in Paris. One day outside of a bookstore, she meets M., an older British writer whose novels about Istanbul Nunu has always admired. They find themselves walking the streets of Paris and talking late into the night. What follows is an unusual friendship of eccentric correspondence and long walks around the city. M. is working on a new novel set in Turkey and Nunu tells him about her family, hoping to impress and inspire him. She recounts the idyllic landscapes of her past, mythical family meals, and her elaborate childhood games. As she does so, she also begins to confront her mother's silence and anger, her father's death, and the growing unrest in Istanbul. Their intimacy deepens, so does Nunu's fear of revealing too much to M. and of giving too much of herself and her Istanbul away. Most of all, she fears that she will have to face her own guilt about her mother and the narratives she's told to protect herself from her memories. A wise and unguarded glimpse into a young woman's coming into her own, Walking on the Ceiling is about memory, the pleasure of invention, and those places, real and imagined, we can't escape --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pbliving/message Support this podcast: https://anchor.fm/pbliving/support

Visueel beperkte theatermaakster Aysegül Karaca kreeg corona en moest haar werkzaamheden noodgedwongen helemaal stil leggen. Bram Lieftinck praat met haar in zijn Villa509 Binnenkort staat Aysegül weer op de planken met haar voorstelling, Ik zie, ik zie wat jij niet ziet Confronterend en hartverwarmend levensverhaal van Ayşegül, een jonge Turks-Nederlandse actrice en zangeres. Ze ontroert en laat je lachen. Ayşegül is geboren met een oogafwijking waardoor zij door het leven gaat met een zicht van 20 procent. Ze ziet wazig. Net zoals wij onder water zien. Ze groeide op in een gezin waarin ze moest opboksen tegen de eeuwenoude mannencultuur, waar uithuwelijking de norm was. In Ik zie, ik zie wat jij niet ziet staat Aysegül op. Met humor en kracht confronteert ze haar publiek met haar persoonlijke verhaal. Verrassend onthult zij haar familiegeheim en deelt haar ervaring van het niet kunnen zien. Een muzikale voorstelling waarin Turkse zang en spel elkaar speels afwisselen.

Ayşegül bir gün 1975'de yazılmış bir aşk mektubu bulur. Bulduğu gün çok manidardır. Ayrıca bulduğu yer de öyle. Bu bir işaret midir? Dünya bize işaret verir mi yoksa biz mi cok fazla yorum yapariz? Sahi en son ne zaman bir aşk mektubu yazmıştım ben Ayşegül? Çok zaman geçtiği için, oturup hemen bir tane mektup yazdım. Hemde askli olanından. Sonu seni seviyorumla biten. Mutlaka da seni özledim diye bir kaç satır barındıran. Üzgünüm, bu mektubu sana yazmadim Aysegül. Ama seni de severim. Neden olmasin. Peki, bir insan 1975'ten bu yana sakldiği mektupları neden atar? Ve aklima takilan, Mahmut kim? E bizim de bir teorimiz var! Aldatma, entrika ve ölüm.

Bu bölümü kimseyle yan yana gelerek cekmedim. Cünkü ne diyor devlet insanlari, evden cikmayin, kimseyle temas etmeyin. E Aysegül bana sarilmadan yapamiyor...dedim en iyisi sen Türkiye'den bildir, ben de Almanya'dan bildireyim durumlari. Teknoloji sayesinde, farkli ülkelerden baglanip, ilerde tarih kitaplarinda yazacak olan konuyla ilgili bir bölüm cektik. Nereye gitsem, kiminle konussam, dünya gündeminden kacmak mümkün degil. Belki zaten kacmak dogru degil. Biz de gözlemlediklerimizi anlattik. Medyadan ve olanlardan etkilenip, kafasi kesilmis saskin tavuklar gibi, iksiran tiksiran insan görünce nasil ürperdigimizi, mesleklerimizi korkularimiza ragmen yine de devam ettirdigimizi konustuk. Ben artik "karamsar" aciklamalardan biktigimdan, olaya biraz farkli sekilde bakmaya calisiyorum. E diyorum tarihi bir an'a denk geldik, ilerde torun torbaya anlaticak cok sey oldu. Hem zaten askerlik hatiram da yok. Eger dünyanin sonu geldiyse de, en azindan nasil bir son olduguna sahit oldum. Bu da bir sey...Kafam artik tabula rasa istiyor! Ama bu uzun bir süre mümkün degil. Belki de bu olaylar, tam da bir tabula rasa baslangici olabilir. Ah evet...güzel olan kimse ne olacagini tam kestiremiyor. Insan bu kez kendi kendine kaldi. Kendi mantigi, kendi önlemleri, kendi inanci, kendi gücü...dünya durdu, ucuslar azaldi, hava temizleniyor, hizli bir sekilde tükettigimiz her sey yavasladi. Patronlarin deli gibi isci calistirmasi, is adamlarin ordan oraya toplantilara ucmasi, fotografcilarin dünyanin dört bir yaninda fotograf cekmesi, online alisverislerdeki kargo yogunlu, para tüketimi ve sayabilecegim her sey...durdu! Bu, az biraz da olsa, ilginc gelmesiyle birlikte...hosuma bile gidiyor! Bir büyügünün sana DUR demesi gibi. Tesekkürler Aysegül.

Hello everyone! This week it's Penelope Fletcher, who runs The Red Wheelbarrow Bookshop in Paris.  If you want to find the shop, it's at 9 Rue de Médicis, 75006. Here are all the books that Penelope mentioned, in order: Books for adults Stories from the Magic Canoe of Wa'xaid, by Cecil Paul.  A Moveable Feast, by Ernest Hemingway. Selected Letters, by Madame De Sevigne. The Autobiography of Alice B. Toklas, by Gertrude Stein. The Flight Portfolio, by Julie Orringer. Almost French, by Sarah Turnbull. Circe, by Madeline Miller. Walking on the Ceiling, by Aysegül Savas. Demystifying the French, by Janet Hulstrand. Books for children Paris Chien, Adventures of an Expat Dog, by Jackie Clark. Marielle in Paris, by Maxine Schur. I'm sure you can find these and more at The Red Wheelbarrow. Check out the site here. Support the Earful Tower on Patreon here for more info on events like the coffee tasting mentioned in today's episode. And a grand merci to Fat Tire Tours, who are offering a ten percent discount on worldwide tours if you use the code word Earful at the checkout. Find out more here.     

This week, Liberty and Trisha discuss The Invited, Mama's Boy, Let's Tell This Story Properly, and more great books. This episode was sponsored by Amazon Kindle Unlimited, A Prince on Paper by Alyssa Cole, and the audiobook edition of Cape May by Chip Cheek. Pick up an All the Books! 200th episode commemorative item here. Subscribe to All the Books! using RSS or iTunes and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. Books discussed on the show: The Invited: A Novel by Jennifer McMahon Mama's Boy: A Story from Our Americas by Dustin Lance Black Hot Dog Girl by Jennifer Dugan That Kind of Guy (Ravenswood Book 3) by Talia Hibbert Let's Tell This Story Properly by Jennifer Nansubuga Makumbi Park Avenue Summer by Renée Rosen What My Mother and I Don't Talk About: Fifteen Writers Break the Silence by Michele Filgate The Library of Ever by Zeno Alexander What we're reading: LGBTQ Fiction and Poetry from Appalachia by Jeff Mann and Julia Watts The Killer Across the Table: Unlocking the Secrets of Serial Killers and Predators with the FBI's Original Mindhunter by John E. Douglas and Mark Olshaker More books out this week: Strangers Assume My Girlfriend Is My Nurse by Shane Burcaw A Prince on Paper: Reluctant Royals by Alyssa Cole Silver Meadows Summer by Emma Otheguy Origin of a Hero (She-Ra Chapter Book) by Tracey West and Amanda Schank Spring: A Novel (Seasonal Quartet) by Ali Smith Walking on the Ceiling: A Novel by Aysegül Savas The Socialist Manifesto: The Case for Radical Politics in an Era of Extreme Inequality by Bhaskar Sunkara The Unbound Empire (Swords and Fire) by Melissa Caruso Like Lions: A Novel by Brian Panowich Aru Shah and the Song of Death (Pandava Series) by Roshani Chokshi Picture (New York Review Books Classics) by Lillian Ross and Anjelica Huston Cannonball by Kelsey Wroten Grace: Based on the Jeff Buckley Story by Tiffanie DeBartolo and Pascal Dizin Brief Chronicle of Another Stupid Heartbreak by Adi Alsaid A Good Enough Mother: A Novel by Bev Thomas Cape May: A Novel by Chip Cheek African Samurai: The True Story of Yasuke, a Legendary Black Warrior in Feudal Japan by Thomas Lockley and Geoffrey Girard Lie With Me: A Novel by Philippe Besson, Molly Ringwald (translator) Waste Tide by Chen Qiufan, Ken Liu (Translator) Springtime in a Broken Mirror by Mario Benedetti, Nick Caistor (Translator) No Shadow of a Doubt: The 1919 Eclipse That Confirmed Einstein’s Theory of Relativity by Daniel Kennefick Getting Hot with the Scot by Melonie Johnson Never a Bride: A Duke's Daughters Novel by Megan Frampton The Regency Years: During Which Jane Austen Writes, Napoleon Fights, Byron Makes Love, and Britain Becomes Modern by Robert Morrison The Besieged City by Clarice Lispector and Benjamin Moser At Home in the Dark by Lawrence Block Cruel Fate by Kelley Armstrong The Unlikely Adventures of the Shergill Sisters: A Novel by Balli Kaur Jaswal Little Darlings: A Novel by Melanie Golding From Scratch: A Memoir of Love, Sicily, and Finding Home by Tembi Locke Trespass: Ecotone Essayists Beyond the Boundaries of Place, Identity, and Feminism by May-lee Chai The Lazarus Files: A Cold Case Investigation by Matthew McGough The Republic: A Novel by Joost de Vries, Jane Hedley-Prole (translator)

Det er ikke lenge siden Aysegül tok utfordringen som ny leder for Gjensidige i Sverige. Med 14 års fartstid i selskapet har hun lært mye på veien til toppen. Vi har tatt turen til Stockholm for å høre mer om hva hun har drevet med den første tiden som leder i et "fremmed land", og hennes tanker om lederrollen.