Podcasts about Circe

Two bonus episodes in two weeks, what is even happening! Well, The Odyssey happened — and after reading and writing about Matt Damon for this week's newsletter, I knew I wanted to talk and think more about the adaptation itself. Or, more specifically: the women of The Odyssey and Nolan's struggle to write women in his films. Oh, and their hair, of course — which is why Sarah Mesle, preeminent hair scholar, was the first person I emailed. We have an upcoming episode of the regularly scheduled pod with Sarah all about her forthcoming book Tangled: Seven Iconic Moments in White Women's Hair and What They Tell Us About Power, Pleasure, and Complicity, but for now, enjoy as we talk about Calypso's balayage, what Circe's hair could've (and should've) done, how Nolan created a world without female armpits, and so much more. Just remember these bonus episodes are a bit more off-the-cuff and unpolished — we think of them as the beginning of a conversation, not the end. So let's continue in the comments! (And if you'd like access to this paid podcast-subscriber-only episode, you can upgrade your Culture Study subscription SO EASILY here. If you have any issues, just email me at annehelenpetersen @ gmail dot com) Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world.Got a question to submit, a prompt for Ask Anne Anything, or an idea for a future episode? Tell us here.Catch up on everything else happening in the Culture Study universe here.Transcripts will be available here within 24 hours of publishing. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Ben and Rob are joined this week by a very special third mast, guest host Amber Poppit for an episode covering Christopher Nolan's The Odyssey, the $250 million, 100% IMAX 70mm adaptation of Homer's original road trip gone wrong epic.Starring Matt Damon as Odysseus, the King of Ithaca who spends a decade failing to simply go home, alongside Tom Holland as his son Telemachus and Anne Hathaway as long suffering wife Penelope, The Odyssey rounds out its absurdly stacked cast with Robert Pattinson, Lupita Nyong'o, Charlize Theron as Circe, and Zendaya as Athena; the goddess whose entire arc has the internet arguing about whether she's a deity, a vision, or a guilt trip with cheekbones. It is, depending on who you ask, either Nolan's most ambitious swing yet or yet another film maker desperately trying to get Matt Damon home.Ben, Rob, and Amber dig into the "shot entirely on IMAX film" claim and what that actually means for a movie shot across real-world locations instead of a soundstage, the casting choices that had half of Film Twitter cheering and the other half frothing at the mouth, what this interpretation of Homer's The Odyssey is doing for culture and cinema as a whole, Ben proves without a doubt that we live in a time of apparent magic and the 3 embark on a journey almost as epic as The Odyssey itself. USUAL DISCLAIMER; everything said about ancient Greek mythology should be independently verified.And finally... what does it really mean?!CONSUUUME to find out all this and much, much more!PLUS we have a Patreon with EXCLUSIVE content just for you starting at less than £2 a month - Click the link below!Find us on your socials of choice at www.linktr.ee/everymovieeverpodcastGET 20% OFF CINEWORLD UNLIMITED MEMBERSHIP WITH DISCOUNT CODE: ' TEL013 ' You're Welcome!

Prima dell'Odissea di Christopher Nolan, del 70mm IMAX e di un cast pieno di star hollywoodiane, la televisione italiana aveva già affrontato il viaggio di Ulisse. Nel 1991 Beppe Recchia trasformò il poema di Omero in un musical comico di due puntate per Canale 5, convocando praticamente metà della televisione commerciale italiana. In questo speciale di Spin-Off mettiamo quindi a confronto due adattamenti appartenenti a universi completamente diversi. Da una parte Christopher Nolan, Matt Damon, Anne Hathaway, Tom Holland, Robert Pattinson, Zendaya, Jon Bernthal e un budget gigantesco. Dall'altra Andrea Roncato nei panni di Ulisse, Moana Pozzi come Penelope, Francesco Salvi come Telemaco e Polifemo, Teo Teocoli come Antinoo e Gerry Scotti nel ruolo di Menelao. Senza dimenticare Corinne Cléry come Circe, Umberto Smaila come Zeus, Iva Zanicchi come Giunone, Gigi Sammarchi come Mercurio e Davide Mengacci nel ruolo del narratore. Analizziamo cinque momenti presenti in entrambe le versioni: il cavallo di Troia, l'incontro con Polifemo, la trasformazione dei compagni di Ulisse in maiali, il canto delle Sirene e la prova finale dell'arco. Nolan costruisce un universo mitologico credibile e spettacolare. Recchia realizza invece gli Avengers della Fininvest: parodie musicali, doppi sensi, effetti speciali discutibili, balletti e alcune delle battute più imbarazzanti mai trasmesse in prima serata. Il risultato è un'opera caotica, sguaiata, sessista e completamente fuori controllo. Ma proprio per questo rappresenta perfettamente la televisione italiana dei primi anni Novanta e continua a essere infinitamente più affascinante di qualsiasi prodotto moderno costruito appositamente per diventare trash. L'Odissea di Nolan è chiaramente il film migliore. Quella di Beppe Recchia, però, è il reperto televisivo che nessuno avrebbe più il coraggio di produrre. (00:00) Disclaimer iniziale (00:22) Introduzione all'Odissea di Beppe Recchia (03:01) Il cast dell'Odissea di Recchia vs il cast dell'Odissea di Nolan (12:14) I 5 momenti più memorabili dell'Odissea di Recchia (19:05) Riflessioni finali sul trash italiano anni '90 Learn more about your ad choices. Visit megaphone.fm/adchoices

There was SO much to say about Christopher Nolan's The Odyssey that we couldn't fit it into one episode — we tried, we failed miserably, and honestly we're thrilled about it, so you're getting a two-parter.This is Part 1, where we set sail into the three-hour epic everyone's been waiting for. We get into the Trojan Horse reimagining that traces back to the Troy movie Nolan never made, and the brutal sacrifice that recontextualises the whole opening. We defend the Cyclops (hear us out — on a rewatch, he's the victim).We break down the slow, skin-crawling transformation scene that out-brutals every battle. And we get into why the first woman to translate The Odyssey, absolutely hates this film — the missing sex, the grim food, all of it. It's epic, brutal and occasionally unhinged. Part 2 drops soon.TAKE THE SPILL QUIZ HERETHE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/Support Independent Women’s Media. Support independent women's media The Out Loud hosts have handpicked their all-time favourite reads and one subscriber is winning the entire 12-book stack. Subscribe to Mamamia here to be automatically entered to win. Current subscriber? You're already in the draw. T&Cs apply.Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

What does a Greek myth about a banished witch have to do with Christian faith and the Bible? Dr. Elizabeth Arnold explores how Madeline Miller's novel Circe invites us to think about vulnerability, agency, and what it means to be made in the image of a God who chose to be embodied. If you've ever wondered how stories outside the Bible can deepen your understanding of theology and everyday life, this conversation is for you.Learn more at https://candlerfoundry.emory.edu/Dr. Arnold reflects on the power of words, the gift of mortality, and the creative potential we all share—connecting ancient myth to the heart of Christian belief. Join the conversation and discover how literature can spark new questions about faith, ministry, and what it means to live fully.Follow The Candler Foundry on Instagram: https://www.instagram.com/candlerfoundry/

Visionary Activist Show 7.30.26 #KPFA 2 pm pt/#KPFK 7.31 wee hours and 1 pm pt…. Ritual Bonfires – or Arson – take your pick. Create Ritual or Live Melodrama The Guiding astro*mytho narrative: Lughnasa – Mid-Summer – One of the 4 cross-quarter holy days – called the 4 gates of power…. when Power is especially enthused to be invited in to the Community of Creation…. Now through Friday August 7th which be exact mid-season… Tis the season for on-going exorcisms of all the demons harmful to life…. We continue what was begun last week with Maryan Ishami and the Zar… Underneath the rubble of Malefactor cruelty and bombing, stirs the antidote of powerful human ritual…. The Odyssey, the film excludes the real Circe, so we welcome the real Circe, and all Troubadour bards and Trickster Women, excluded by orthodoxy …. The Odyssey be in the memosphere, finding our way home…to protect home – Chaco Canyon…..   Full Moon Cazimi tide – Cazimi – Arabic astro term meaning “in the heart,” when a planet is conjunct the Sun – Tis Jupiter was Cazimi Sun at 6+ Leo , which be “the constellations of the night sky glow blazingly in the desert – the endless unfolding wonder of creation….” So let's get “astonished.” (From which “stoned” is derived.) Twas on the Full Moon Cazimi tide that troubadour bard Glen Hansard – rode out of this world on his motorcycle…whose life we honor, and all musician – troubadour bards dedicated to Community well-being…. as Culture Doctors In full Irish tradition, as Seán Pádraig O'Donoghue oft says – “Let's see the long-ago dead, emerging to welcome the recently dead” – to help us befoibled humans out….   The post Create Ritual or Live Melodrama appeared first on KPFA.

Good morning, afternoon, and evening! What's old is new, and we mean really old! Set sail with Bodio, Kaylie, and Gibby as they try to voyage home for years and years, getting distracted by side quests, lotus flowers, and the raging vortex of celebrity cameos! But will they sink or swim? Will they succumb to Soup Time with Circe? Can Matt Damon finally stop getting lost? Tune in and find out! Also included: Hot Greek Summer, CINEMA, and Ryan Reynolds. Not included: context for that last topic.

Cathy and Todd discuss the most recent summer blockbuster, The Odyssey, Christopher Nolan’s take on Homer’s epic and why a 2,700-year-old story about identity, home, and longing still hits just as hard today. From the Cyclops to the Sirens to Circe, they trace the myths and monsters and what those stories still reveal about who we are, and why the humanities matter to a thriving culture. It’s also a conversation about disguise and belonging, and why it’s so hard to come home when the choices of war change the world and leave shame behind. Subscribe to Cathy's weekly Zen Moment and upgrade to hear a weekly Zen Moment podcast hosted by Cathy and Todd! Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World

Today on Ascend: The Great Books Podcast, Deacon Harrison Garlick delivers an unapologetically curmudgeonly critique of Christopher Nolan's new film The Odyssey.Check out our LIBRARY on the great books. https://www.patreon.com/cw/greatbooks/collections23 Raw Thoughts on the New Odyssey Movie https://www.patreon.com/greatbooks/posts/23-quick-on-164190324SEE OUR SCHEDULE BELOW!Fresh off a twelve-week deep dive into Homer's epic with thousands of listeners, Deacon argues that the movie is no mere adaptation but a modern ideological rewriting that flattens Homer's rich characters, mutes the divine, and replaces sacred myth with progressive lessons about shame, war, race, and power.From Odysseus reduced to a guilt-racked figure who “defies the gods,” to the deliberate recasting and reframing of Helen, Menelaus, Circe, Athena, and even guest-friendship itself, Deacon contends that Nolan's version marries cultural illiteracy with calculated compromise—and that both the film and the culture's eager defense of it reveal far more about us than about Homer.Yet this is more than a film review. Deacon uses the movie as a lens to examine how stories shape a civilization's soul, why myths matter more than mere fiction, and why Christians and lovers of the Western tradition must resist the slow leftward drift of endless compromise.SCHEDULEJuly 28, 2026 - Holy Eros: An exploration of eros in Plato, the Bible, and Christian thoughtAugust 4, 2026 - Plato's HipparchusAugust 11, 2026 - Plato's LoversAugust 18, 2026 - Plato's Hippias MinorAugust 25, 2026 - Plato's IonSeptember 1, 2026 - Enduring Chill by Flannery O'ConnorSeptember 8, 2026 - Red Shadows by Robert E. HowardSeptember 15, 2026 - Chivalry by Neil GaimanCHAPTERS (Updated)00:00 — Intro: why this review matters01:00 — Piety toward Homer and the problem with the film03:05 — Why the movie is not a “conservative Trojan horse”05:05 — The danger of relativism and compromise07:10 — Myth vs. fiction: why adaptation matters10:10 — Odysseus as a shame-filled hero12:50 — Menelaus, Helen, and the film's cultural messaging15:30 — How Nolan flattens characters and tension18:05 — Penelope and the loss of the rooted-bed scene21:10 — Casting, modern language, and suspension of disbelief23:55 — Calypso and the removal of Odysseus's moral triumph26:25 — Athena as shame and post-traumatic projection29:55 — Nolan's treatment of the Trojan War32:55 — The Lystragonians and armor/costume criticism35:05 — The cult of Nolan vs. the cult of Homer37:00 — Gods, superstition, and the muted divine39:15 — The slaughter of the suitors41:10 — Guest-friendship, Xenia, and Christian themes43:00 — Circe, the deer, and the soul of the crew44:55 — Pacing, emotional investment, and the bardKEYWORDSChristopher Nolan Odyssey movie review, Homer Odyssey film adaptation critique, Ascend the Great Books Podcast, Deacon Harrison Garlick, cultural illiteracy in modern cinema, myth versus fiction in storytelling, Odysseus shame and guilt, Nolan casting controversies Helen Menelaus, Circe Athena Penelope Telemachus character changes, xenia guest friendship Golden Rule, Trojan War regret in film, Defy the Gods tagline analysis, classical education and Great Books, piety toward Homer, liberalism compromise in culture, upcoming Plato Republic study, Holy Eros episode, short Platonic dialogues Hipparchus Lovers Hippias Minor Ion, Short Story September Flannery O'Connor Robert E. Howard Neil Gaiman Melville, and Western civilization sacred myths.

Well heck, everyone else and their scylla is talking about the Odyssey so we might as well too.After watching Christopher Nolan's brilliant new blockbuster, and after Andrew read two different translations, we talked about what we thought of it, reminisced about some of our favorite parts (Circe! And that Cyclops!) and addressed a few of the more controversial aspects of the film.Today's root beer is Frostop.Intro and Outro music by Stockmusic331 on Pond5Send us Fan Mail

En este episodio de Películas e Ideología, Balam y Christian analizan La Odisea de Christopher Nolan, para ambos la película del año. Más que una reseña, una lectura ideológica y filosófica de la interpretación que hace Nolan del clásico de Homero: no el viaje del héroe fundacional, sino su deconstrucción.Lo que atraviesa el episodio:• El IMAX y la ambición artística de Nolan: primera película grabada íntegramente con estas cámaras, y por qué eso no es "elitismo" sino esfuerzo creativo frente a la lógica costo-beneficio de la industria cultural• Nolan como resquicio de arte dentro de Hollywood (junto a Denis Villeneuve)• La estructura del recuerdo: la Odisea narrada desde la memoria no fiable de Odiseo, y por qué el final confirma en vez de "girar"• Civilización y barbarie (Benjamin): "nosotros somos los pueblos del mar" — la barbarie nace dentro de la propia civilización• El caballo de Troya como ruptura de un pacto civilizatorio: la "ley de Zeus" leída como universalidad (derechos humanos, el lazo social de Freud, la cortesía en Kant)• Resonancias geopolíticas: Troya como pretexto (rutas comerciales), Trump, Irán, Maduro y la astucia de la razón• Circe y "vuelvan a su disfraz": la guerra que convierte a los hombres en cerdos• Las sirenas: cómo Nolan representa lo irrepresentable silenciando el canto (y el eco de Dialéctica de la Ilustración de Adorno y Horkheimer)• El regreso imposible a casa: Odiseo como mendigo, el desarraigo, Arendt y "la casa es el lenguaje", frente a la regresión spielbergiana al "cuarto de niños"• Atenea con el rostro de la niña decapitada: la culpa que retorna como fantasma• Por qué el mito olvida el horror, y la advertencia final del caballo ardiendo• Penélope con más agencia, y el cine de Nolan como reflexión sobre el individuo, la responsabilidad y el precio de los actos⚠️ El episodio contiene spoilers de La Odisea (2026)

Send us Fan MailThe first commercial film ever shot entirely on IMAX, and it earns every frame of that scale. Matt Damon carries this movie on his back, leading a stacked ensemble through Nolan's near-perfect vision of Homer's epic — Robert Pattinson quietly gives the best performance in the film as the suitor Antinous, John Leguizamo is devastating as the loyal, half-blind Eumaeus, and Elliot Page's Sinon, Himesh Patel's Eurylochus, Samantha Morton's Circe, and Charlize Theron's Calypso all land. Nolan tells the Sack of Troy three separate times across the film, each retelling peeling back more of the cost of how they actually won.Robbie caught the 7:45am 70mm screening at Harkins Arizona Mills with his wife Amy. One of the most well-paced and intense films he's seen, period.Rating: ⭐⭐⭐⭐½Letterboxd: https://boxd.it/fk9SKFMore at geekonfilm.com#TheOdyssey #ChristopherNolan #MattDamon #IMAX #geekonfilmSupport the show

In this episode, I tell you the story of the Odyssey, and as in previous mythology videos I discuss a few historical and literary aspects. If you want to know about the lotus-eaters, the cyclopes, the sirens, Aeolus, Circe, Scylla and Charybdis, Calypso, and many more things, relax and enjoy the long journey Odysseus will have to endure to be reunited with his wife Penelope and his son Telemachus. This podcast is entirely scripted and recorded by real people, it includes no AI, and mid-roll ad breaks are turned off so that you can relax without interruption. TIMESTAMPS: 00:00 The End of Troy 05:39 The Odyssey 20:40 The Odyssey's non-linear Plot 27:04 Telemachus' Journey 38:52 Odysseus' Character 45:08 Aeolus 55:02 The Underworld 1:04:28 The Disaster 1:09:00 Return of the King #sleep #documentary #bedtimestory #asmr #sleepstory #greek #mythology #odyssey Welcome to Lights Out Library Join me for a sleepy adventure tonight. Sit back, relax, and fall asleep to documentary-style bedtime stories read in a calming ASMR voice. Learn something new while you enjoy a restful night of sleep. Listen ad free and get access to bonus content on our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/LightsOutLibrary621⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Enjoy my audiobook on Ancient Egyptian History, Myths & Mysteries: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/6mCqX5FoO6uCilrWCS8mB9?si=e1ecb983d2534d69⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LightsOutLibraryov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   ¿Quieres escuchar en Español? Echa un vistazo a La Biblioteca de los Sueños! En Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/1t522alsv5RxFsAf9AmYfg⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasts.apple.com/us/podcast/la-biblioteca-de-los-sue%C3%B1os-documentarios-para-dormir/id1715193755⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ En Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@LaBibliotecadelosSuenosov⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

¿PODRÍA LA IA TOMAR EL CONTROL DEL PLANETA? Y LOS SECRETOS OCULTOS DE LA ODISEA: EL CÓDIGO ESOTÉRICO DE HOMERO 1 ER PODCAST DEL MISTERIO EN HABLA HISPANA DESDE 1993 TEMPORADA 32 DE LA LUZ DEL MISTERIO Vive el Misterio... Pasa, ponte cómodo y disfruta... FROM LONDON: Esta semana vivimos uno de los momentos más extraordinarios de la historia. La realidad avanza a una velocidad que supera a la ciencia ficción, mientras antiguos conocimientos parecen esconder respuestas que aún hoy siguen desafiando nuestra comprensión. Esta semana analizamos uno de los acontecimientos tecnológicos más inquietantes de los últimos tiempos: OpenAI reconoce un incidente sin precedentes, en el que un agente de inteligencia artificial realizó un ciberataque autónomo durante una prueba de seguridad, reabriendo el debate sobre hasta dónde puede llegar la autonomía de las máquinas y cuáles son los verdaderos límites de la inteligencia artificial. Además, nos adentramos en un futuro que ya ha comenzado. Los mayores expertos advierten que, en un plazo relativamente corto, podría haber más robots que seres humanos en funcionamiento en todo el planeta. Humanoides, asistentes inteligentes, vehículos autónomos y sistemas robotizados transformarán nuestra forma de vivir, trabajar e incluso de entender qué significa ser humano. ¿Estamos preparados para convivir con una inteligencia cada vez más autónoma? Y como tema central de esta apasionante edición, emprendemos un viaje fascinante a uno de los textos más enigmáticos de la Antigüedad: LOS SECRETOS OCULTOS DE LA ODISEA: EL CÓDIGO ESOTÉRICO DE HOMERO ¿Fue La Odisea mucho más que un relato épico? ¿Ocultó Homero un conocimiento reservado únicamente para los iniciados? Descubriremos las claves simbólicas del viaje de Ulises, el significado oculto de los cíclopes, las sirenas, Circe, Calipso y el descenso al inframundo. Analizaremos cómo este extraordinario poema puede interpretarse como un auténtico mapa iniciático del despertar de la conciencia, un legado de sabiduría transmitido durante casi tres mil años y que continúa revelando sorprendentes secretos a quienes saben leer entre sus líneas. Tecnología que desafía nuestra comprensión... robots que anuncian una nueva era para la humanidad... y los misterios ancestrales de uno de los libros más influyentes de todos los tiempos. Una edición imprescindible de La Luz del Misterio que une el futuro más inquietante con la sabiduría más antigua. Porque, a veces, las respuestas al mañana llevan miles de años esperándonos. Un programa para quienes sienten que las estrellas no solo iluminan la noche, sino también el camino interior; para quienes creen que el conocimiento, la espiritualidad y el universo forman parte de una misma realidad. La Luz del Misterio, con Julio Barroso. COMPARTE EL PROGRAMA EN TU RED SOCIAL. GRACIAS POR FORMAR PARTE DE LA LUZ DEL MISTERIO Y AYUDARNOS A DAR LUZ AL MISTERIO. Contacta con La Luz del Misterio en el Whasapp 0044 7465 232820 Un viaje apasionante hacia la historia de ser humano que puedes conocer a través de La Luz del Misterio en London Radio World y sus plataformas. ——————————————————— Síguenos a través de: edenex.es ZTR Radio.online London Radio World En Ivoox Itunes Spotify Amazon YouTube HAZTE FAN DE LA LUZ DEL MISTERIO EN: https://www.ivoox.com/ajx-apoyar_i1_support_29070_1.html Más información: laluzdelmisterioradio.blogspot.com laluzdelmisterio@gmail.com WHATSAPP: 0044 7465 232820 @laluzdelmisterio

¿PODRÍA LA IA TOMAR EL CONTROL DEL PLANETA? Y LOS SECRETOS OCULTOS DE LA ODISEA: EL CÓDIGO ESOTÉRICO DE HOMERO 1 ER PODCAST DEL MISTERIO EN HABLA HISPANA DESDE 1993 TEMPORADA 32 DE LA LUZ DEL MISTERIO Vive el Misterio... Pasa, ponte cómodo y disfruta... FROM LONDON: Esta semana vivimos uno de los momentos más extraordinarios de la historia. La realidad avanza a una velocidad que supera a la ciencia ficción, mientras antiguos conocimientos parecen esconder respuestas que aún hoy siguen desafiando nuestra comprensión. Esta semana analizamos uno de los acontecimientos tecnológicos más inquietantes de los últimos tiempos: OpenAI reconoce un incidente sin precedentes, en el que un agente de inteligencia artificial realizó un ciberataque autónomo durante una prueba de seguridad, reabriendo el debate sobre hasta dónde puede llegar la autonomía de las máquinas y cuáles son los verdaderos límites de la inteligencia artificial. Además, nos adentramos en un futuro que ya ha comenzado. Los mayores expertos advierten que, en un plazo relativamente corto, podría haber más robots que seres humanos en funcionamiento en todo el planeta. Humanoides, asistentes inteligentes, vehículos autónomos y sistemas robotizados transformarán nuestra forma de vivir, trabajar e incluso de entender qué significa ser humano. ¿Estamos preparados para convivir con una inteligencia cada vez más autónoma? Y como tema central de esta apasionante edición, emprendemos un viaje fascinante a uno de los textos más enigmáticos de la Antigüedad: LOS SECRETOS OCULTOS DE LA ODISEA: EL CÓDIGO ESOTÉRICO DE HOMERO ¿Fue La Odisea mucho más que un relato épico? ¿Ocultó Homero un conocimiento reservado únicamente para los iniciados? Descubriremos las claves simbólicas del viaje de Ulises, el significado oculto de los cíclopes, las sirenas, Circe, Calipso y el descenso al inframundo. Analizaremos cómo este extraordinario poema puede interpretarse como un auténtico mapa iniciático del despertar de la conciencia, un legado de sabiduría transmitido durante casi tres mil años y que continúa revelando sorprendentes secretos a quienes saben leer entre sus líneas. Tecnología que desafía nuestra comprensión... robots que anuncian una nueva era para la humanidad... y los misterios ancestrales de uno de los libros más influyentes de todos los tiempos. Una edición imprescindible de La Luz del Misterio que une el futuro más inquietante con la sabiduría más antigua. Porque, a veces, las respuestas al mañana llevan miles de años esperándonos. Un programa para quienes sienten que las estrellas no solo iluminan la noche, sino también el camino interior; para quienes creen que el conocimiento, la espiritualidad y el universo forman parte de una misma realidad. La Luz del Misterio, con Julio Barroso. COMPARTE EL PROGRAMA EN TU RED SOCIAL. GRACIAS POR FORMAR PARTE DE LA LUZ DEL MISTERIO Y AYUDARNOS A DAR LUZ AL MISTERIO. Contacta con La Luz del Misterio en el Whasapp 0044 7465 232820 Un viaje apasionante hacia la historia de ser humano que puedes conocer a través de La Luz del Misterio en London Radio World y sus plataformas. ——————————————————— Síguenos a través de: edenex.es ZTR Radio.online London Radio World En Ivoox Itunes Spotify Amazon YouTube HAZTE FAN DE LA LUZ DEL MISTERIO EN: https://www.ivoox.com/ajx-apoyar_i1_support_29070_1.html Más información: laluzdelmisterioradio.blogspot.com laluzdelmisterio@gmail.com WHATSAPP: 0044 7465 232820 @laluzdelmisterio

Versión en audio del tercer vídeo de la serie «El viaje de Odiseo» del canal de YouTube.Cada vez que dejas el móvil en otra habitación para poder dormir estás repitiendo la maniobra más inteligente de la Odisea. Hace 2.800 años, Odiseo ordenó a sus propios remeros que lo ataran al mástil para poder oír el canto de las sirenas y sobrevivir para contarlo. Hoy la psiquiatría lo llama, con esas palabras exactas, el «contrato de Ulises».En este episodio: la flor de loto que borra el deseo de volver a casa (y por qué duele menos y por eso es peor), Circe y los hombres convertidos en cerdos —con la mente humana intacta dentro—, el moly que Hermes le da a Odiseo y que dos neurólogos identificaron en 1983 con una flor que hoy es un fármaco contra el alzhéimer, y el canto de las sirenas, que no promete placer: promete conocerte. Tres trampas, tres defensas —huir, entender, atarse por adelantado— y un poema que resulta ser el mapa más antiguo que existe de la adicción.Soy David García, cirujano vascular y divulgador de mitología en Mitos y Más.▶ Versión en vídeo, con las ilustraciones del episodio:https://youtu.be/djkDn8-Ghlc⏮ Capítulo anterior del viaje — el truco del Cíclope y el error que delata a todo troll anónimo:https://www.youtube.com/watch?v=rqbRNaplMoM

Amy drops an emergency Unspooled episode to unpack Christopher Nolan's epic take on The Odyssey, joined by USC classics professor Lucas Herrenroeder. Together they compare Homer's original poem with Nolan's bold reinterpretation, exploring everything from its Bronze Age authenticity and towering Cyclops sequence to the film's treatment of Circe, the sirens, and the gods themselves. Along the way, they debate what Nolan changes, what he leaves behind, and how his version reframes Odysseus as a flawed hero. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Comprar o audiobook da Odisseia: https://bwlnk.com/9786554851879...Apoiar o Noites Gregas: https://noitesgregas.com.br/apoiar...Noites Gregas foi ao cinema conferir a Odisseia de Christopher Nolan. Neste episódio, o professor Cláudio Moreno compara o filme com o poema de Homero, destacando acertos, invenções e ausências em episódios como o Ciclope, o Cavalo de Troia e a descida ao mundo dos mortos, além do tratamento dado a personagens como Penélope, Circe, Calipso, Atena e Nausícaa.

Christopher Nolan's The Odyssey is one of the biggest films of 2026—but does it live up to Homer's legendary epic? Marisa Serafini, Demetri Panos, and Phil Svitek break down the story, explain the ending, compare Nolan's adaptation to the original poem, discuss what changed from Homer's Odyssey, and examine why the film resonates with modern audiences.They also dive into the filmmaking itself, including the groundbreaking IMAX production, practical effects, cinematography, performances from Matt Damon, Anne Hathaway, John Leguizamo, and the themes of war, guilt, leadership, and redemption that define Nolan's interpretation.Whether you're looking for The Odyssey ending explained, a Christopher Nolan The Odyssey review, Odyssey vs. Homer differences, or a behind-the-scenes discussion of how one of 2026's biggest movies was made, this episode has you covered.Topics Introduction and spoiler warning First reactions to The Odyssey Why the pacing works—or doesn't Nolan's nonlinear storytelling How faithful is it to Homer? The emotional heart of Odysseus Calypso, Circe, and the mythological changes The true meaning behind the ending What the movie says about war and civilization Best performances: Matt Damon, Anne Hathaway, and John Leguizamo How Nolan filmed The Odyssey in IMAX Practical effects vs. CGI Reception Selected Sources Reddit: Outdoor IMAX vignetting discussion The Hollywood Reporter: The Odyssey box office previews Variety: How Nolan changed Homer's Odyssey The Hollywood Reporter: Christopher Nolan on making The Odyssey Associated Press: Greek translators discuss The Odyssey Variety: Why there aren't more IMAX 70mm screens Slate: Anne Hathaway as Penelope YouTube: The Odyssey interview and promotional feature YouTube: The Odyssey on The Tonight Show Starring Jimmy Fallon YouTube: The Odyssey on The Daily Show

Send us comments, suggestions and ideas here! In this week's episode we invite our friend Julian the Philosopher back on the show to discuss the mythic source material from which Christopher Nolan's new film is based: The Odyssey. We discuss not just Nolan's new film, but Homer's Iliad and Odyssey, quite a bit of the historical context around these works of epic poetry, how these stories were thought of initially, criticized by Plato, recontextualized by Virgil, translated countless times and transformed into Nolan's new blockbuster film. As part of our larger conversation, we discuss the dichotomy between the Homeric hero and the Platonic Hero of the mind, considering how each incarnation of the story fits into this framework or not. Thank you and enjoy the show :) Check out Julian the Philosopher here:https://www.youtube.com/@JulianSoloninkahttps://medium.com/@jsolonin In this week's episode we discuss:-The Homeric Hero-Nolan's Odysseus-The Emily Wilson Translation -The Presence / Absence of Gods-Hanging of the Servants-The Life and Times of Homer -The People From the Sea-Achilles and the Ethiopian FleetIn the extended episode available at www.patreon.com/TheWholeRabbit we go off script to discuss: -Virgil's Aeneid-The Telegony-Rome, Ancestors of Troy -The Christianization of The Odyssey-The Boatman Charon-John the Baptist-The Sirens-Philip K. Dick, Christ and the SacramentsThis discussion was impelled by the research and study of Julian Soloninka with additional contributions made by Luke Madrid, Heka Astra, Mari Sama and Tim Hacker. Recorded in unscripted, Socratic discussion style.I did have notes ready but I did not use them. They are available for our rabbit tier. Good stuff in there. We just didn't talk about it! Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSupport the show

Odissea di Christopher Nolan è davvero un capolavoro oppure il regista ha costruito soprattutto il più grande evento cinematografico dell'anno? In questa puntata di Spin-Off analizziamo con spoiler il film interpretato da Matt Damon, confrontando tre opinioni diverse su pregi, difetti e scelte più controverse dell'adattamento. Partiamo dal ritmo estremamente veloce, che costringe Nolan a comprimere molte tappe del viaggio di Ulisse: le Sirene, Circe, Calipso, Polifemo, Scilla e Cariddi. Discutiamo anche dei dialoghi a volte troppo moderni, delle scene meno riuscite e della capacità del regista di costruire personaggi femminili complessi e memorabili. Passiamo poi ai punti più alti del film: la conquista di Troia, gli uomini chiusi nel cavallo, il nubifragio, l'incontro con Tiresia nell'Ade, lo scontro finale con i Proci e le interpretazioni di Matt Damon, Robert Pattinson, Anne Hathaway e Benny Safdie. Ampio spazio anche alla colonna sonora di Ludwig Göransson, al confronto tra IMAX 70mm, 70mm e sala tradizionale e alla capacità di Nolan di trasformare ogni sua uscita in un evento mondiale. Analizziamo infine il significato del viaggio di Ulisse: il trauma della guerra, il senso di colpa, il karma che collega la distruzione di Troia al ritorno a Itaca e il passaggio di testimone verso Telemaco. Chiudiamo affrontando le polemiche sul casting, le accuse di scarsa fedeltà a Omero e la guerra tra chi considera Nolan infallibile e chi sembra volerlo demolire a prescindere. Odissea è davvero un capolavoro o il suo successo dipende soprattutto dall'hype? Attenzione: la puntata contiene spoiler completi sul film. (00:00) Cold opening(03:17) Lati negativi Odissea (Aldo)(07:43) Lati negativi Odissea (Fabri)(16:26) I personaggi femminili nei film di Nolan(25:16) The Walking Odyssey(26:11) Lati negativi Odissea (Fede)(28:33) Lati positivi Odissea (Fabri)(32:28) Lati positivi Odissea (Aldo)(37:24) Lati positivi Odissea (Fede)(41:10) Critiche sterili smontate una per una(49:11) La love story tra Xena e Ulisse(50:00) Saluti finali Learn more about your ad choices. Visit megaphone.fm/adchoices

Everybody's talking about Christopher Nolan's latest film...and so are we! We've got Eurovangelists co-host Dimitry Pompée with us to discuss the first movie ever shot in 70mm IMAX film, adapted from one of history's oldest and most famous works of literature...it's THE ODYSSEY! Then we'll talk about some of the books we read in high-school that have been (or should be) adapted for the big screen. What's Good? Alonso: vegetables that don't give you explosive diarrhea Drea: Blue Diamond Dill Pickle Nut-Thins Dimitry: The Ottoman Empire (Rise of Empires: Ottoman on Netflix) Kevin: the Other Mommy trailer ITIDICHollywood Deems the Box Office “Back” – Big TimeA Rotoscoped TEXAS CHAIN SAW MASSACRE is in production The Odyssey/We Bought a Zoo meme A Letterboxd List: High-School Reads Staff Picks Alonso: The Good House Drea: The Return Dimitry: Polite Society Kevin: The Long Walk and other great movies to fall asleep to, if you're Kevin Listen to Eurovangelists! Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinmaxfilm Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

In a time of apparent movie magic, Christopher Nolan has released his latest critical and box office sensation, The Odyssey. Nick and Sophia do a deep dive into Nolan's new adaptation of Homer's epic poem, detailing their favorite moments from the film, like Odysseus' journey to Hades, battle against the Cyclops, and run-in with Circe. They rave about Matt Damon and Anne Hathaway's performances as Odysseus and Penelope, discuss their own familiarity with the story, and share what makes Nolan's adaptation unique. It's safe to say they'll be talking about the film for the entirety of awards season. Finally, as is tradition with big summer blockbusters, Nick and Sophia play a round of Smash or Pass with characters from the film.Follow Nick @sauerkraut27Follow Sophia @sophia_cimFollow the pod @OscarWildPodMusic: "The Greatest Adventure" by Jonathan Adamich

Christopher Nolan takes on one of the most influential stories ever written but does The Odyssey live up to the hype?   In this episode of Scene It Before, we break down Christopher Nolan's adaptation of The Odyssey, discussing what worked, what didn't, and whether this epic adventure belongs among Nolan's best films. We dive into the performances from Matt Damon and the supporting cast, the controversial casting and historical accuracy debates, the film's structure, standout sequences like the Cyclops and Circe, and why the third act delivers one of the movie's biggest payoffs.   We also rank The Odyssey against Nolan's previous films, predict its Oscar chances, and discuss whether this ambitious adaptation ultimately hits or misses.   00:00 Intro 02:33 First Impressions 04:58 Casting & Historical Accuracy Controversy 09:38 Spoiler Discussion Begins 11:20 Story Structure & Pacing 16:50 The Best Island Sequences 25:16 Why the Third Act Works 28:09 Is Christopher Nolan Losing His Touch? 34:06 Oscar Predictions 37:17 Ranking Christopher Nolan Movies 41:01 Fantasy Movie Draft Update Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tem gente saindo do cinema enjoada. De verdade. E não é reclamação sobre o roteiro, é o corpo reagindo à escala monumental do IMAX de 70mm que Christopher Nolan usou para filmar A Odisseia do início ao fim, algo inédito na história do cinema de ficção. Nolan foi ao mar aberto, filmou em condições reais e conseguiu deixar até a própria equipe passando mal entre uma tomada e outra.Matt Damon interpreta um Odisseu que os debatedores comparam a um "Oppenheimer de armadura", um homem assombrado pela culpa de ter criado uma arma que mudou a guerra para sempre. Mas o que mais gerou barulho nas redes antes da estreia foram as escolhas de elenco: Lupita Nyong'o como Helena de Tróia, Elliot Page como Sinon e Travis Scott como um bardo grego. Cada uma dessas decisões carrega uma justificativa que vale a pena ouvir com atenção.Rafael Arinelli, Wesley Ferreira e Rafael Gonzaga discutem os efeitos práticos de A Odisseia, os paralelos com toda a filmografia de Nolan, e uma crítica que não pode ficar de fora: as mulheres do poema original ficaram mesmo à altura na tela?Prepare o estômago e vá com tudo.• 05m56: Pauta Principal• 1h20m25: Plano Detalhe• 1h31m15: EncerramentoOuça nosso Podcast também no:• Spotify: https://cinemacao.short.gy/spotify• Apple Podcast: https://cinemacao.short.gy/apple• Android: https://cinemacao.short.gy/android• Deezer: https://cinemacao.short.gy/deezer• Amazon Music: https://cinemacao.short.gy/amazonAgradecimentos aos padrinhos: • André Marinho Moreira• Bruna Mercer• Charles Calisto Souza• Daniel Barbosa da Silva Feijó• Diego Alves Lima• Eloi Xavier• Guilherme S. Arinelli• Thiago Custodio Coquelet• Wilmar Arinelli Jr• William SaitoFale Conosco:• Email: contato@cinemacao.com• X: https://cinemacao.short.gy/x-cinemacao• BlueSky: https://cinemacao.short.gy/bsky-cinemacao• Facebook: https://cinemacao.short.gy/face-cinemacao• Instagram: https://cinemacao.short.gy/insta-cinemacao• Tiktok: https://cinemacao.short.gy/tiktok-cinemacao• Youtube: https://cinemacao.short.gy/yt-cinemacaoApoie o Cinem(ação)!Apoie o Cinem(ação) e faça parte de um seleto clube de ouvintes privilegiados, desfrutando de inúmeros benefícios! Com uma assinatura a partir de R$30,00, você terá acesso a conteúdo exclusivo e muito mais! Não perca mais tempo, torne-se um apoiador especial do nosso canal! Junte-se a nós para uma experiência cinematográfica única!Plano Detalhe:• (Rafa Gonzaga): Série: Prazer Máximo Garantido• (Rafa Gonzaga): Minissérie: Pela Metade• (Wesley): Curta: Junho Ainda• (Wesley): Série: Twin Peaks• (Wesley): Filme: Tróia• (Rafa): Substack: Desembrulhando Palavras• (Rafa): Substack: Aquilo Ali• (Rafa): Artigo: A Odisseia: o que esperar do encontro da realista arte de Nolan com a mitologia de Homero?Edição: ISSOaí

Los cambios del oscarizado director en la epopeya griega indignan a los puristas. Hablamos de este nuevo clásico con el escritor Javier Negrete. En esta nueva entrega del pódcast Par Impar emitida en esRadio, los presentadores Juanma González y Dani Palacios, junto al escritor y especialista Javier Negrete, analizan una muy peculiar adaptación cinematográfica de La Odisea que supuestamente ha dirigido el cineasta Christopher Nolan. Los contertulios destripan esta hipotética superproducción con un tono cargado de humor y crítica, comparando la visión de Nolan con el mito clásico de Homero. La conversación se centra inicialmente en las decisiones técnicas y narrativas de la película, destacando el uso obsesivo del formato IMAX por parte de Nolan. Este sistema, aunque visualmente imponente, dificulta enormemente la filmación de las coreografías de combate en espacios cerrados. Los presentadores comparan este estilo con el de la película Troya, dirigida por Wolfgang Petersen, donde los enfrentamientos entre Brad Pitt y Eric Bana alcanzaron una cota de realismo y espectacularidad difícil de superar. Uno de los temas clave del debate es la representación de la ley de Zeus o la hospitalidad griega (xenia), un elemento sagrado en los poemas homéricos. El invitado Javier Negrete, autor de la novela Odisea editada por HarperCollins, explica cómo en la película de Nolan este concepto se simplifica para convertirlo en una suerte de justificación moral para la matanza final de los pretendientes, adaptándolo al estilo oscuro y denso del director. En cuanto al reparto, destaca la elección de Matt Damon para encarnar a un Ulises que se aleja del héroe astuto clásico para mostrarse como un soldado traumatizado y consumido por la culpa tras la caída de Troya, un enfoque muy en la línea de producciones como Oppenheimer. La actriz Anne Hathaway asume el papel de Penélope, logrando dotar de gran carga dramática a sus escenas frente a un joven Telémaco interpretado por Tom Holland. La película no escatima en licencias creativas y polémicas, como la inclusión del personaje de Sinón, interpretado por Elliot Page, que pertenece en realidad al ciclo troyano de la Eneida de Virgilio. Por su parte, la actriz Zendaya da vida a una Atenea que en esta versión no es una deidad física, sino una representación psicológica de la mala conciencia del protagonista, un recurso muy habitual en la filmografía de Nolan. La mitología fantástica se reinterpreta bajo un prisma de terror y ciencia ficción. El Cíclope es retratado como un gigante mutante con una deformidad ocular vertical, un diseño que combina efectos prácticos con CGI y que recuerda al Grendel de la película Beowulf de Robert Zemeckis. Del mismo modo, la escena de Circe —interpretada por Samantha Morton— se transforma en un pasaje de body horror donde los hombres se convierten en cerdos mediante impactantes efectos físicos. Finalmente, el análisis de la secuencia de las Sirenas y el regreso a Ítaca desvela la maestría de Nolan en el uso del recurso sonoro, ensordeciendo el ambiente para resaltar la música mientras los marineros usan cera en los oídos. Para cerrar la emisión, los presentadores repasan otras adaptaciones populares de la obra, como la comedia O Brother, Where Art Thou? de los hermanos Coen o la mítica versión teatral de El Joglars en los años setenta, concluyendo que esta original propuesta consigue acercar la literatura clásica al gran público.

The Odyssey (2026) Directed by: Christopher Nolan Written by: Christopher Nolan Starring: Matt Damon, Anne Hathaway, Tom Holland, Robert Pattinson, Charlize Theron, Samantha Morton, Zendaya, Lupita Nyong'o, Elliot Page, John Leguizamo, Benny Safdie, Jon Bernthal, Himesh Patel, Mia Goth, Bill Irwin, Travis Scott IMDB: [IMDB LINK] Episode Summary In this episode of Mindframes, Michael and Dave discuss The Odyssey (2026), Christopher Nolan's three-hour adaptation of Homer — a $250 million epic and the first narrative feature shot entirely on IMAX 70mm. The discussion covers Nolan as an auteur and whether the "never made a bad movie" claim holds up, the practical-effects approach to the Cyclops and Circe, the deliberately cold Northern palette imposed on the Mediterranean, Ludwig Göransson's score, and an ensemble so large the hosts concede they can't get to everyone. After the ratings, the spoiler section turns to the film's central choice: the Olympian gods have been removed while the monsters remain, and what that does to Odysseus' moral agency. Comparisons range across Nolan's own filmography, Troy, The Northman, and the sword-and-sandal epics of the 1950s and '60s. Reviews Michael: 4.5 / 5 — came out thinking four, and it has only grown in his esteem since. Praises the baseline of visual and musical quality, Damon working better as a lead than expected, and a supporting cast that carries every stop on the journey. Docks it for a cast so crowded it distracts, and for an ending too in love with its own moralism. Dave: 4.5 / 5 — would watch it again in a heartbeat. Calls it a film that grabs hold of empire, heroism, reverence, and humility all at once, and rates the separation of gods from monsters as pitch perfect. His one dent in the fender: the film plays a little episodic, a series of very large encounters rather than a single build. Thematic Discussion The Odyssey removes the Olympians but keeps the monsters. Circe, the Sirens, and the Cyclops are all simply part of the natural world here; it's Athena and Zeus who stay shadowy and inferred. Michael's reading is that this absence exists to hand moral agency back to Odysseus — if the gods were visibly steering, his guilt over the Trojan Horse wouldn't be his to carry. That guilt is framed through xenia, the Greek code of hospitality. Odysseus offered a gift that turned out to be murder, and comes to believe that breaking that norm is what set his civilization's collapse in motion. The hosts draw the parallel to the erosion of political and social norms in contemporary America, and to the film's closing turn — the Bronze Age is ending because of the Sea Peoples, and the Greeks realize they are the Sea Peoples. The episode's central disagreement is over Athena. Dave reads her as constructed: she wears the face of a priestess Odysseus watched his own men murder in her temple, and the film is showing how humans build gods out of guilt and the sense that something is sacred. Michael pushes back that the film sustains a genuine ambiguity — the idea that gods appear in human form is planted repeatedly, and the priestess is decapitated at the exact moment Athena's statue is, which leaves open that Odysseus may believe they killed a god. He points to the same ambiguity in the Cyclops' cry to Poseidon, which some of the crew claim to hear and neither Odysseus nor the audience does. Neither host resolves it, and both prefer it that way. Michael's position is that the ambiguity is the answer rather than the absence of one — something underpins their world that they don't fully see and are damaging anyway, whether that's Zeus and Poseidon or simply decency and the value of human life. Dave, arriving from a position of religious faith, says he likes that Odysseus has to live in the same uncertain world the rest of us do. The structural evidence they land on: Homer ends with a deus ex machina, Athena descending to stop the cycle of revenge. Nolan cuts it. Nobody intervenes, so Odysseus abdicates, gives the throne to Telemachus, and sails west with Penelope — a change that hands the ending's moral weight entirely to the man. Timestamps Time Segment 00:00 Intro & setup 05:08 Nolan's filmography — is he an auteur? 08:51 Practical filmmaking and visual style 09:37 IMAX 70mm and the limits of the format 14:40 Hoyte van Hoytema 17:16 Why the Mediterranean looks cold 19:39 Ludwig Göransson's score 25:20 Travis Scott, the bard, and the casting discourse 28:56 The ensemble 39:39 Reviews & ratings 49:56 Spoiler section begins 52:18 Xenia and the collapse of norms 54:50 The gods and moral agency 56:12 The Athena reveal 1:01:46 The case for ambiguity 1:05:03 "We're the Sea Peoples" 1:09:02 The ending Nolan changed 1:19:36 Final interpretation debate — are the gods there? 1:26:49 Closing thoughts Films & Directors Mentioned Memento — Christopher Nolan Inception — Christopher Nolan The Prestige — Christopher Nolan Interstellar — Christopher Nolan Dunkirk — Christopher Nolan Tenet — Christopher Nolan Oppenheimer — Christopher Nolan Troy The Northman Dune Saving Private Ryan Fruitvale Station — Ryan Coogler Creed — Ryan Coogler Black Panther — Ryan Coogler Sinners — Ryan Coogler Minority Report The Whale Anemone Disclosure Day — Steven Spielberg Barbie Michael John Ford and Monument Valley Hans Zimmer The sword-and-sandal epics of the 1950s and '60s Contact Web: https://mindframesfilm.com Facebook: Mindframes Network: Now Playing Network Email: info@mindframesfilm.com

Langoy 428 | En este nuevo episodio del Langoy, Carlos, Jakeline, Sol y Daniela se sumergen de lleno en La Odisea, la nueva adaptación cinematográfica dirigida por Christopher Nolan. ¿Cómo logra Nolan adapta la obra homérica a través de sus clásicas obsesiones? ¿Vale la pena la experiencia IMAX en Lima? ¿Qué tan bien logra la película humanizar a Odiseo a través de la culpa, y qué dice sobre la vulnerabilidad de las mujeres en tiempos de guerra? ¿Funciona el casting? ¿Y por qué la escena de Circe se roba la película? Todas esas preguntas y más serán resueltas en este episodio. Y a ti, ¿qué te pareció La Odisea? Si les gustó este episodio, déjenlo saber en los comentarios. Recuerda que puedes ayudarnos a seguir haciendo el podcast posible aquí.See omnystudio.com/listener for privacy information.

Adattamento e messa in voce di Gaetano Marino

Jazz Tangcay of Variety joins us to discuss The Odyssey. We talk through the box office and enjoy her review for about 25 minutes more of Non-Spoilers before we dive into each of the film's major set pieces in our Spoiler Section. Make sure to follow Jazz Tangcay on social media, on Rotten Tomatoes, and of course, enjoy all of her work at Variety. https://variety.com/author/jazz-tangcay/ And if you want to listen to a much longer Non-Spoiler section, then go back to Part 1 of our Film Study on The Odyssey where we go a full 75 minutes of Non-Spoilers and Oscars Lens discussions. NON-SPOILER REVIEW SECTION: Rewatch Experiences - 2:26 Updated Reception Scores - 6:16 Box Office - 9:12 Jazz Tangcay's Review - 16:38 What's the early Oscar buzz? - 19:04 Her process and plans to cover the film this season - 22:41 SPOILER FILLED REVIEW: The Prologue - 26:33 Cyclops Puppets & The Practice Effects Imperative - 31:08 Troy & Popcorn Buckets & Production Design - 36:56 Laestrygonians, Dolphins & Hot Tickets - 42:05 Circe, Dolby Sound Mix Scares & Samantha Morton Hype - 47:36 Hades & His Stylistic Statement - 51:37 The Sirens, Damon Superlatives & A Tom Holland Defense - 54:50 Charbydis & Scylla and Understanding VFX - 58:18 Modern Day Themes & Smart Decisions - 1:01:08 Filming Techniques Used In That Finale - 1:08:21 OUTRO: Two nitpicks - 1:11:26 Re-Ranking The Acting Performances on Rewatch - 1:13:10 The last few nitpicks - 1:15:20 Final Grades - 1:22:19 The Words of Wisdom today are to follow Jazz Tangcay on Instagram: https://www.instagram.com/jazzt21/ Follow her on X/Twitter: https://x.com/jazzt And make sure to subscribe to her podcast alongside Clayton Davis & Co at Variety's Awards Circuit. https://variety.com/t/awards-circuit-podcast/ Also please follow us on Letterboxd. We just joined Letterboxd, but we already have 2 reviews and 5 lists posted with a whole lot more coming. https://letterboxd.com/MikeMikeOscarAM/

This episode of All Pop, No Culture is led by a full spoiler discussion of Christopher Nolan's The Odyssey. Kevin and Andrew both give the nearly three-hour epic an 8 out of 10, praising its extraordinary IMAX presentation, real-world locations, practical effects, and enormous ensemble cast. They examine Matt Damon's performance as Odysseus, Anne Hathaway's emotional work as Penelope, Tom Holland's portrayal of Telemachus, Robert Pattinson's villainous turn, and John Leguizamo's quietly essential role. The conversation also covers Zendaya's symbolic appearance as Athena, the Cyclops and Circe sequences, Nolan's potential future in horror, and the movie's larger argument that victory in war rarely feels like victory to the people who survive it. Lauren reviews The Invite, Olivia Wilde's comedy-drama about two married couples confronting intimacy, resentment, parenthood, and the uncomfortable truths hidden inside long relationships. She also recommends the Broadway production of Every Brilliant Thing, an interactive one-person play starring Tracee Ellis Ross that explores depression, grief, suicide, and the many small reasons life remains worth living. Kevin closes with a recommendation for Shrinking, the Apple TV+ dramedy starring Jason Segel, Harrison Ford, and Jessica Williams. The episode also includes quick discussions of X-Men '97 and a Lost rewatch.

¿Es la Odisea simplemente una historia de monstruos y naufragios, o el primer gran tratado sobre la reconstrucción del alma humana traumatizada por la guerra? Ante el esperadísimo estreno cinematográfico de Odisea el próximo 17 de julio, en Antena Historia nos echamos a la mar para destripar, ola a ola, el peso real del texto fundacional de la cultura occidental. De la mano de Antonio Cruz Medina y todo el equipo, nos alejamos de los fuegos artificiales de Hollywood para sumergirnos en la psicología del héroe, el contexto de la Edad del Bronce y la profunda carga mística que Homero legó a la humanidad. Dejamos atrás las cenizas humeantes de Troya y la terrible soberbia (hibris) de los vencedores para acompañar al hombre de los mil caminos, el polýtropos, en un viaje de veinte años de vuelta a su hogar. ️ ¿QUÉ ENCONTRARÁS EN ESTE EPISODIO? BLOQUE 1: El fin de la guerra y la maldición de los Nostoi. Analizamos cómo el brutal saqueo de Troya desató la cólera divina. De la fuerza bruta de la Ilíada a la astucia de la Odisea . ¿Quién es verdaderamente Odiseo? BLOQUE 2: La Telemaquia y el colapso de Ítaca. Viajamos a una patria usurpada por los pretendientes que violan la sagrada hospitalidad. El tapiz de Penélope como suspensión del tiempo y el viaje iniciático del joven Telémaco para convertirse en hombre. BLOQUE 3: El gran viaje mitológico y espiritual. Desgranamos los episodios más icónicos: el rechazo a la inmortalidad en Ogigia, el debate civilizatorio con el Cíclope Polifemo (y la trampa lingüística de Outis), la degradación moral de Circe, el desgarrador descenso al Hades, el canto de nostalgia de las Sirenas y el trágico dilema de Escila y Caribdis. BLOQUE 4: El retorno del mendigo y la venganza purificadora. El regreso bajo el disfraz de la indigencia extrema. La conmovedora lealtad del siervo Eumeo, la trágica muerte del fiel perro Argos, el misticismo armónico del arco de Éurito y el juicio final contra los pretendientes en el salón del palacio. BLOQUE 5: Claves críticas para la película del 17 de julio. Te damos las herramientas históricas y narrativas definitivas para juzgar si la nueva adaptación cinematográfica respeta la hondura de Homero o se queda en un mero espectáculo de efectos especiales. FUENTES Y LECTURAS RECOMENDADAS: La Odisea de Homero (Traducción recomendada de Carlos García Gual o Emilio Crespo). El mundo de Odiseo de M.I. Finley. El héroe de las mil caras de Joseph Campbell. ¡QUEREMOS SABER TU OPINIÓN! ¿Cuál es tu pasaje favorito de la Odisea? ¿Crees que la nueva película estará a la altura de la épica homérica o recortará la vital importancia de la Telemaquia? Déjanos tu comentario aquí abajo. ¡Os leemos a todos! Si te gusta nuestro trabajo, no olvides darle a "Me gusta", suscribirte al canal de Antena Historia y compartir este episodio en tus redes. Tu apoyo es el viento que empuja nuestra balsa de vuelta a Ítaca. Presentación y dirección: Antonio Cruz Medina. ¡Que la historia os sea leve, y que los vientos os sean propicios! -------------------------------------------------------------------------------------------------- Antena Historia te regala 30 días PREMIUM Disfruta de todo el contenido sin interrupciones y con ventajas exclusivas en iVoox: https://www.ivoox.com/premium?affiliate-code=b4688a50868967db9ca413741a54cea5 Producción y realización: Antonio Cruz ️ Edición: Antena Historia Antena Historia forma parte del sello iVoox Originals Visita nuestra web: https://antenahistoria.com YouTube: Podcast Antena Historia Correo: antenahistoria@gmail.com Facebook: Antena Historia Podcast Twitter: @AntenaHistoria Telegram: https://t.me/foroantenahistoria Apoya el proyecto: Donaciones en PayPal ¿Quieres anunciarte en Antena Historia? Ofrecemos menciones, cuñas personalizadas y programas a medida. Más información en Antena Historia – AdVoices Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Welcome to Contemplations with me, Hardeep Kaur. Today we are contemplating a particular kind of alienation that occurs in a world where technology grows in primacy. The work of Günther Anders emerges as a guiding provocation - in a world where humans become obsolete in the shadow of technologies that overpower their makers, a sense of shame emerges, which in turn further unmoors, and untethers us from all that feels familiar. The mythic figures of Prometheus and Circe are called upon to explore what can be done to re-negotiate a new relationship to belonging to the world.If something resonates, or speaks to you in this Contemplation, I'd love to hear from you.If you're ready, let's contemplate.HProduced by: ⁠⁠⁠⁠⁠⁠⁠⁠perse.london⁠ ⁠⁠⁠⁠⁠⁠⁠ x ⁠⁠⁠⁠⁠⁠The Architecture of Contemplation⁠⁠⁠⁠⁠⁠Voice + Contemplation: Hardeep Kaur ⁠⁠⁠⁠⁠⁠⁠⁠@hardeep.earth⁠⁠⁠⁠⁠Ratings and reviews are so appreciated - it's heartening and always edifying, to hear what lands for you.

The Odyssey - Ep. 405 The journey home begins! This week the Normies set sail into the epic world of Christopher Nolan's The Odyssey, tackling Homer's timeless tale through the lens of one of modern cinema's most ambitious filmmakers. From breathtaking practical spectacle and mythic monsters to Nolan's signature twists of time, memory, and destiny, the hosts break down how this legendary voyage was reimagined for the big screen. Did the film live up to its monumental expectations? Which performances stole the show? And where does The Odyssey rank among Nolan's incredible filmography? Hoist the sails, beware the Cyclops, and chart a course for adventure as we journey across the wine-dark sea with The Odyssey—only on Normies Like Us! Insta @Normies_Like_Us https://www.instagram.com/normies_like_us/ @_j__a___c___o__b_ https://www.instagram.com/_j__a___c___o__b_/ @Mike_Has_Insta https://www.instagram.com/mike_has_insta/ https://letterboxd.com/BabblingBrooksy/ https://letterboxd.com/hobbes72/ https://letterboxd.com/mikejromans/

A história do Ocidente tem suas raízes fincadas na jornada de um homem tentando retornar ao seu lar. Escrita por Homero no século VIII a.C., a Odisseia é a pedra angular da literatura ocidental e o alicerce de conceitos vitais para a nossa civilização. Neste vídeo, exploramos a tumultuada travessia de Odisseu (Ulisses) após o fim da Guerra de Troia, enfrentando a ira do deus Poseidon, os perigos do Ciclope Polifemo, a magia de Circe e o canto das sereias. Analisamos como a astúcia de Penélope, o amadurecimento de Telêmaco e a sabedoria estratégica de Odisseu moldaram o arquétipo do herói ocidental, onde a inteligência e a resiliência prevalecem sobre a força bruta. Descubra como essa epopeia mitológica influenciou obras ao longo dos séculos e serve como um manual atemporal sobre os desafios da existência humana.

Bob and Brad drop a bonus episode to react to Christopher Nolan's The Odyssey — Bob's seen it twice and lays out a full theory of late-period Nolan as a career-long meditation on deception scaling from the individual (Memento) to the civilizational (Oppenheimer, now this), landing at 8.5/10. Brad went on a friend's fifteen-minute-notice invitation the night before, having just reread the poem, and comes in at 7/10 — arguing Nolan strips the Odyssey of its color and intimacy in service of a theme he calls narcissistic (that my generation broke the world for the next one). Both agree the cast is stacked but not showcased, that Circe's body horror rules, and that Hoyte van Hoytema's desaturated house style has now officially become a problem. Brad sips an Ardbeg Uigeadail in honor of Odysseus; Bob is drinking coffee because the movie kept him up too late.For longer episodes and special bonus content, consider joining our Patreon for as little as $3/mo!Film & Whiskey InstagramFilm & Whiskey FacebookFilm & Whiskey TwitterEmail us!Join our Discord server!For more episodes and engaging content, visit Film & Whiskey's website at www.filmwhiskey.com.

“I want someone who has regrets. I want someone who's learned the hard way. I want someone who understands that life is made of those messy compromises.” — Joel Christensen on the Odysseus he hopes to see in Matt Damon Christopher Nolan's The Odyssey is out — the controversial movie of the year, much of the controversy raging before anyone had seen a frame. So, before either of us had seen the epic, I talked to the CUNY classicist Joel Christensen, author of the timely Why Odysseus? Survivor, Scoundrel, (Anti)hero. What, I asked Christensen, did he most dread about Hollywood's treatment of his beloved Odyssey? His answer: a hero too noble to be interesting. The Odysseus of the epic is a survivor, a scoundrel, an antihero — the master sergeant who does what needs to be done, from engineering the Trojan Horse to making sure Hector's infant son doesn't survive it. Christensen's worry about Matt Damon came down to one word: too likeable. What he wanted instead was a man with regrets — De Niro in Raging Bull rather than anybody noble. So did Christensen get the Odysseus he wanted? Below is his review, written after seeing the film when it came out. Postscript: Joel Christensen's Verdict on the Film Nolan's Odyssey is not Homer's Odyssey. This should be clear to anyone. Nolan faced an almost impossible task well: ancient audiences knew the story already. Modern audiences do not, so he created a ring structure with the beginning union of Penelope and Odysseus anticipating the reunion at the end, also introducing plot elements like the dog Argos and the pin by which Penelope will recognize Odysseus. The film is not Homer. Homer's power is poetry; the film's is image. Some of the images are striking: the scene when Circe turns his men into animals is the most arresting in the whole movie, showing everything that can be done with visceral imagery and a slight adaptation (Circe here is a survivor of sexual assault). The changes made to the plot such as omitting the Phaeacians, Nestor, Laertes, the bed and more are not as jarring as some of the general decisions. Calling “Zeus' Law” “do unto others…” makes an understandable translation to a Christian context, but it is somewhat nonsensical for Homer. Depicting a mutilated Helen is a strange decision that I am struggling with. What the movie gets right is making humans responsible for their own suffering. In a novel take on Odysseus as a traumatized warrior, the hero spends seven years with Calypso eating Lotus to forget the loss of his men. Damon, too likeable, regrets the trick of the Trojan Horse after witnessing the slaughter during the sack of Troy. We find out as well that the “sea people” from history, bringing an end to the “civilization” are actually the Greeks returning from the Trojan War and suffering for the transgressions they committed there. Is this ending an echo of Zeus' plan to end the race of heroes in the Trojan War? Is it an allegory for our civilizational collapse in the future thanks to technology, environmental catastrophe, and fascism? Any potential social critique dissipates with the movie's end. The traumatized veteran turns out to be merciful and kills only some of the suitors, showing many mercy. Then, guilty of violating “Zeus' Law”, Odysseus happily goes into exile with Penelope, leaving Telemachus to be king. There's no way to make Homer's Odyssey into a film and convey all its ambiguity and depth. That would be an unfair expectation. Nolan's film is a compelling spectacle and it makes me wonder more about how it reflects who we are as an audience. Do we need the hero to be ultimately good, even if he messed up? Are we so simple that we need to hear about Zeus' Law and the Sea People so repetitively? I fear that in this age where fiction and fact are so hard to disentangle, that we long for narratives that are just simpler. We don't get the Odyssey we want; we get the one we deserve. Five Takeaways •       A Complicated Man: The Translation Problem. Every word of Homer carries echoes no English can hold, and the fights over Nolan's dialogue replay the fights over translation. Emily Wilson detonated a controversy by rendering polytropos — poly, many; tropos, turn — as “a complicated man,” alluding at once to Odysseus's travels and the many forms of his character; Daniel Mendelsohn's “man of roundabout ways” does the work too, if you can stop thinking about rotaries. Even the objection to Tom Holland's Telemachus saying “dad” collapses on inspection: Telemachus uses the colloquial form in Homer. And the “authentic” dialect purists want was an artificial amalgam that no ancient Greek ever spoke. •       The Culture Wars Come for Homer. Nobody remembers a brouhaha over Wolfgang Petersen's Troy — a pretty bad movie, Christensen notes — but Nolan's Odyssey generates more controversy than a scholar can track daily. Lupita Nyong'o's Helen is attacked as inauthentic by one side and as cultural appropriation by the other; since 2015, classicists have watched the Western tradition weaponized by the alt-right while their own field argues about who owns it. Christensen's advice channels the epic itself: between Scylla and Charybdis, take Scylla. You'll lose six men. The alternative is losing the ship — and if the story doesn't persuade in three hours, nobody will remember the armor anyway. •       The Valence of Violence. Modern audiences are more accustomed to represented violence than any in history — you don't need Natural Born Killers when Twitter serves unverifiable clips from Gaza and Iran. The question Christensen brings to the film is what the violence is for. Uberto Pasolini's The Return gave Ralph Fiennes's Odysseus a steady, untroubled thump of arrows; the epic's own slaughter of the suitors, read closely, approaches Tarantino-adjacent parody. And the hardest tests are the atrocities the adaptations always cut: the mutilation of the goatherd Melanthius, and Telemachus hanging the enslaved women. Does the violence glorify the hero — or show what even the best of us are capable of? •       Keep Penelope Ambiguous. The great interpretive question of the Odyssey is when Penelope knows the beggar is her husband — the suitors, dead in the underworld, are convinced she was in on it all along. The epic grants her remarkable intelligence and agency, then reins it in: Agamemnon's ghost praises her by way of insulting all women, and she vanishes from the text. Christensen's advice to Nolan wouldn't be Margaret Atwood's Penelopiad, which centers the women's voices; it would be more screen time and total ambiguity — no access to her mind, a wife who matches her husband in wits and may even have outwitted him. Though based on Nolan's arc, he doubts we'll get a woman at the center. •       Survivor, Scoundrel, (Anti)hero. Christensen's worry about Matt Damon was simple: too likable. Odysseus is the master sergeant — the one who takes the hard orders, tricks Achilles into the war, engineers the Horse, and makes sure Hector's infant son doesn't survive to rebuild Troy. The ancient hero is neither good nor ...

Story 1- Emy and her friend were surrounded by spirits while at school one nightStory 2- Circe shares about a little girl she played with after school WATCH in Youtube youtube.com/@philippinecampfirestoriesLISTEN via: bit.ly/PhCampfireStories Like, Follow and Join us in our social media channels!Email Address: campfirestoriesph@gmail.comFacebook: https://www.facebook.com/campfirestoriesphInstagram: https://www.instagram.com/campfirestoriesphTikTok @campfirestoriesphFB Group Messenger: https://m.me/ch/AbYMxBMNFZA6gEpa/ You can send over your support thru the following platforms:Patreon patreon.com/campfirestoriesphPaypal earlm.work@gmail.comGCash +639178807978 Audio Production by The Pod Network Entertainment #podcastph #philippinecampfirestories #santelmosociety #pinoyhorror #pinoypodcast #horror #horrortok #horrorstory #horrorstories #tagaloghorrorstories #tagaloghorror #tagaloghorrorstory #ghostmode #tagaloghorror #kakatakotFor any collaboration, brand partnership, and campaign run inquiries, e-mail us at info@thepodnetwork.com.Support this show http://supporter.acast.com/philippinecampfirestories. Hosted on Acast. See acast.com/privacy for more information.

Oscar-winning filmmaker Christopher Nolan's larger-than-life cinematic style is well suited for Homer's "The Odyssey," and his adaptation of the epic tale sails impressively onto the silver screen. Big ideas and big themes dominate the big screen in this ancient horror story. Matt Damon leads a strong ensemble as Odysseus, the morally conflicted king of Ithaca who must face down demons of all sorts as he questions his bloody role in the Trojan Wars, embarks on an ill-advised adventure, angers the gods...and just wants to go home. A notable cast aids Nolan's vision that puts an emphasis on violent conflict, symbolizing Odysseus' inner turmoil. The acting honors go to Robert Pattinson as the duplicitous, scheming Antonius and Smantha Morton as the wily witch Circe. While it's guilty of some clunky dialogue and a few minor missteps, "The Odyssey" is an impressive old school Hollywood spectacle that demands to be seen on the biggest screen possible. The Hulu sports drama "They Fight" is the kind of movie that you root for. It's a true story, its inspirational themes resonate, and the cast is fine. Problem is, the execution is so bland and conventional, that the story never ignites as it should. Based on a 2017 documentary of the same name, "They Fight" is about a boxing coach recently released from prison, played by Andre Holland, who works with a group of Washington DC adolescents. Wendell Pierce runs a gym that gives Andre a chance to see if he can redeem himself and inspire the kids toward a championship. It's well intentioned, but the sluggish story fails to score a knockout.

British director Christopher Nolan discusses his biggest cinematic blockbuster yet: The Odyssey, which stars Matt Damon, Anne Hathaway, Tom Holland and more, in his retelling of Homer's epic poem about the warrior Odysseus's battles with ancient Greek monsters like the Cyclops, Circe and the Sirens on his quest to return to his family after the Trojan War.We talk with Tom Kiehl, CEO of the industry body UK Music, about the government's recent announcement of plans ‘to turn up the music business,' with new powers and investment. Is it something new or a rehash of old ideas? A new adaptation of Little House on the Prairie by Laura Ingalls Wilder has just been released on Netflix. Samira is joined by author Tracy Chevalier and Laura Ingalls Wilder's biographer Pamela Smith-Hill to discuss the series and the enduring appeal of the stories.Candice Carty-Williams' breakthrough 2019 novel Queenie became a bestseller, made the publishing industry sit up and was adapted into series for Channel 4. Now she is back with her trademark blend of comedy and politics with Queenie is Working on It, a sequel which explores topics of fertility, sex and body image for a young black woman in contemporary Britain. Presenter: Samira Ahmed Producer: Andrea Kidd

ACOFAE Podcast Presents: This Wicked Fate: "Mer-Hoes." In a rare instance of, oh my gosh we need to immediately read book 2, Laura Marie and Jessica Marie are doing just that and continuing on with poison plants in This Wicked Fate! Briseis is having a little family reunion, her auntie Circe has come back from the dead? and has a plan to reunite the Heart. Mo is depressed and catching strays, and the entire family is struggling with finding their place, their purpose, and their calling. A travel book to its core, This Wicked Fate, takes the reader on a journey to mysterious islands filled with monsters and gods that may or may not be totally helpful. The unconditional love that was so prevalent in book 1 is just as strong here, and it is a joy to witness. "To love and be loved in return." TW / CW: death of a parent For additional TW/CW information for your future reads, head to this site for more: https://triggerwarningdatabase.com/ Spoilers: This Poison Heart by Kalynn Bayron, This Wicked Fate by Kalynn Bayron Mentions: This Poison Heart, *Thank you for listening to us! Please subscribe and leave a 5-star review and follow us on Instagram at @ACOFAEpodcast and on our TikToks! TikTok: ACOFAELaura : Laura Marie ( https://www.tiktok.com/@acofaelaura) ACOFAEJessica : Jessica Marie (https://www.tiktok.com/@acofaejessica) Instagram: @ACOFAEpodcast https://www.instagram.com/acofaepodcast/ @ACOFAELaura https://www.instagram.com/acofaelaura/

This Friday, “The Odyssey,” directed by Christopher Nolan, hits theaters. Even before the movie's release, though, it's proving to be a cultural event. Spirited discussions of Nolan's cinematic interpretation of the epic poem already abound online, and they are likely to intensify after the public sees the film. Why does a 12,000-line poem that is nearly 3,000 years old still feel resonant today? In this episode of “The Sunday Daily,” Natalie Kitroeff talks about the “Odyssey” with two writers who have produced some critically acclaimed and widely read modern interpretations of Greek classics: Emily Wilson, the first woman to translate the “Odyssey” from ancient Greek, and Madeline Miller, the author of the best-selling novels “Circe” and “Song of Achilles.” On Today's Episode: Emily Wilson, a professor, classicist, author and translator of the “Odyssey” Madeline Miller, the author of “Circe,” “Song of Achilles” and other books Background Reading: We'll Help You Find Your Next Great Book. (Spoiler: It's the ‘Odyssey.') The First Woman to Translate the ‘Odyssey' Into English Book Review: Turning Circe Into a Good Witch Photo: Melinda Sue Gordon/Universal Pictures Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What if the world's most famous homecoming was really a nightmare of monsters, gods, and one very stubborn king trying to get back to Ithaca?In our new series Tristan Hughes and classicist Dr. Emily Hauser dive into Homer's Odyssey, an epic of shipwrecks, sorcery, giants and divine meddling, where Odysseus is never quite sure whether the next shore will save him or destroy him.They trace his journey from the ruins of Troy to Calypso's island, the Phaeacians, Circe, the Cyclops, and even the Underworld, asking what kind of hero Odysseus really is, and why his story has lasted for more than 2,500 years.Ahead of the release of Christopher Nolan's new epic film, get across the story and all the key characters and plot lines, including rich historical context.MOREThe IliadListen on AppleListen on SpotifyHomerListen on AppleListen on SpotifyWe're going on *TOUR* to Australia and New Zealand! - grab your tickets here.The Ancients is now on YouTube! Watch here: @TheAncientsPodcastPresented by Tristan Hughes. Edited by Natasha Hughes. The producer is Joseph Knight. Video producer is McKenna Fernandez. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic SoundsThe Ancients is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week PLUS early access ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  Hosted on Acast. See acast.com/privacy for more information.

If you can't tell your Eurylochus from your Telemachus, fear not: Your primer on “The Odyssey” is here, just in time for Christopher Nolan's new film adaptation of the 3,000-year-old epic. Madeline Miller, who reinvented “The Odyssey” in her best-selling novel “Circe,” explains why you shouldn't be intimidated by the classic. Plus, our critic at large A.O. Scott explains how nearly every genre out there — sci-fi, romance, bloody revenge and more — can be found in this poem's sprawling tale. Books and Other Works Discussed on This Episode: “Philoctetes,” by Sophocles “The Iliad,” by Homer “The Penelopiad,” by Margaret Atwood “Watership Down,” by Richard Adams “Aeneid,” by Virgil “I, Tituba, Black Witch of Salem,” by Maryse Condé “An American Marriage,” by Tayari Jones “The Buddha in the Attic,” by Julie Otsuka Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of The Moon in Carolina, host Shelby Bundy explores three of mythology's great shapeshifters — Circe, Proteus, and the selkie — and the thread they share: the one who changes is the one who sees most clearly. Circe's transformations reveal what was already running beneath the surface of her visitors; Proteus releases the truth only when you hold him through every form he takes; the selkie's two natures are both completely real, and the tragedy is the world's inability to hold them both at once. Circe by Madeline Miller- Get it Here

Dan narrates his own epic retelling of the Odyssey - following Odysseus' route around the Mediterranean. He tells the story of the many trials and tribulations the Greek hero faces on his 10-year journey home to his kingdom of Ithaca. From the Trojan War in Turkey to Cyclops' cave, to the clutches of Circe on her island near Sicily (we think), Dan travels to some of the real-world locations that could have inspired Homer and tries to make sense of what happens on the voyage.Written by Dan Snow, produced by Mariana Des Forges and edited by Dougal PatmoreYou can watch Dan's adventures in Greece in his Odyssey documentary on the History Hit TV platform. Sign up at https://www.historyhit.com/subscribe.We need your help! Let us know what you want from Dan Snow's History Hit by filling in our anonymous survey here: https://forms.gle/PvgayWLkWGjYT4St6Dan Snow's History Hit is now available on YouTube! Check it out at: https://www.youtube.com/@DSHHPodcastYou can also email the podcast directly at ds.hh@historyhit.com. Hosted on Acast. See acast.com/privacy for more information.

Recorded by Jesse Lee Kercheval and Silvia Guerra for Poem-a-Day, a series produced by the Academy of American Poets. Published on July 6, 2026. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.poets.org⁠

In this episode, we're going to look at the ImpossibleQuest he's calling “The Witch's Test.” Now, mythology is full of witches, sorcerers, mages, and other magical types – but they don't all put heroes to specific tests. In Greek mythology, Circe and Medea do more to help Odysseus and Jason than to test them, and other witches like Grimhilde in Norse mythology are just interested in getting their own way, by whatever means necessary – the heroes are just obstacles to them. There are some, though, who take it upon themselves to make heroes prove themselves. So let's hear a few of their stories! Visit the World of Mythik website to learn more and to contribute your theories to our board! All stories told on Myths & Muses are original family-friendly adaptations of ancient myths and legends. Stories from ancient mythology can also sometimes deal with complicated topics for young listeners — to the mortal parents and caretakers reading this, we encourage listening along with your young demigods to help them navigate those topics as they explore these epic tales. [Transcript for Episode 5] If you'd like to submit something creative you've done inspired by the stories in Myths & Muses, use this form (with a Mortal Guardian's permission!). ----more---- Stuff to Read:  BBC: Baba Yaga: The Greatest Wicked Witch of All? Baba Yaga at the World History Encyclopedia Who is Baba Yaga? Vasilisa the Beautiful: A Russian Fairy Tale Marya Morevna Louhi, Mistress of Pohjala Stuff to Watch: Our curated YouTube playlist for the stories in this episode!  

It's the Summer at Kame House and this year, the Subs Lie Dubs Lie G-Team is back to give their review on 2026's Gundam theatrical hit, Gundam Hathaway: Sorcery of Nymph Circe! While this entry may require some knowledge of the Universal Century's most impactful events in its later years, Dee, Jay and LJ look into the events throughout Hathaway Noa's struggles against his past, the Earth Federation and his yearning for Gigi Andalucia to show how it serves both newcomers and die-hard Gundam fans.Follow The Lookout Network on Twitter: @TheLookoutRNCFollow Dee on Twitter: @DeeWeTrustFollow Jay on Twitter: @VersaceVegeta_ Follow LJ on Twitter: @onlyatlj

On this episode of Peace Bound and Down: A Wonder Woman Podcast, Sean is joined by Billy D, host of Magazines and Monsters and many other shows, to discuss Wonder Woman Vol. 2, Issue 19! It's finally time for Diana to face off with her nemesis, Circe! Can Diana survive? Is Julia a secret bada$$? And what happened to Mindi Meyer? This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Fire & Water website: http://fireandwaterpodcast.com Fire & Water Facebook page: https://www.facebook.com/FWPodcastNetwork Fire & Water on Twitter/X: https://x.com/FWPodcasts Fire & Water on Bluesky: https://bsky.app/profile/fwpodcasts.bsky.social Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Promos: Magazines and Monsters Bringing a little peace to man's world each month.