Podcast appearances and mentions of bernard herrman

Our final podcast of the year is the fifth annual Nialler9 Podcast Awards.Niall and Andrea hand out gongs in categories:Best live TV and web video performances, sax solo of the year, the Andre 3000 award for best guest verse, best film soundtrack, song featured in a TV show, duds of the year, the heroes and villains of 2024 (Irish artists at SXSW, Drake, Spotify and more), best rap beat, trend of the year, the award for best music with annoying vocalist (hi Geordie Greep), sample, disappointments, pop artist, single released after critically-acclaimed album that was better than the album (hi Mk.Gee), quote of the year, funniest moment of the year (hi Grimes at Coachelly), club track of the year, best song about Palestine, favourite song that sounds like Bernard Herrman's Psycho score and best cover song of 2024.Dig in, and talk to you next year.Niall and Andrea xShow notes:Support Nialler9 on Patreon, get event discounts, playlists, ad-free episodes and join our Discord communitySongs played on the Nialler9 Podcast Spotify PlaylistListen on Apple | Android | ACAST | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Hosted on Acast. See acast.com/privacy for more information.

Primer programa de l'any dedicat a les bandes sonores de cinema. Aquest nou cap

Tota la m

Un nou programa de bandes sonores, amb quatre protagonistes d'excepci

Nou cap

Listen to this special episode from another podcast you'll love called McCartney: A Life in Lyrics from iHeart Media, MPL and Pushkin Industries. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

Here's a preview from a podcast from iHeart Media, MPL and Pushkin Industries, McCartney: A Life in Lyrics. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

Here's a preview from a podcast from iHeart Media, MPL and Pushkin Industries, McCartney: A Life in Lyrics. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

Here's a preview from a podcast from iHeart Media, MPL and Pushkin Industries, McCartney: A Life in Lyrics. Face cream, a Bristol liquor business, and a lifelong reverence for the elderly are just a few of the rather ordinary and disparate inspirations Paul McCartney brought together in the creation of a masterpiece: “Eleanor Rigby.” In this episode, McCartney and Paul Muldoon tease out the song's lyrical inspirations and discuss the influence a Bernard Herrman score for a Hitchcock film had on the lead single from 1966's “Revolver." Hear McCartney: A Life in Lyrics every Wednesday, available wherever you get your podcasts. (The series was produced by Pejk Malinovski and Sara McCrea; edited by Dan O'Donnell and Sophie Crane; mastered by Jason Gambrell with sound design by Pejk Malinovski. And executive produced by Leital Molad, Justin Richmond, Lee Eastman and Scott Rodger.Thanks to Lee Eastman, Richard Ewbank, Scott Rodger, Aoife Corbett and Steve Ithell.)See omnystudio.com/listener for privacy information.

Chris Mottola is in his fifth decade as a Republican media consultant, with nearly 400 campaigns under his belt - including seven presidential campaigns and working with eleven US Seantors and six governors. His client list includes the highest echelons of GOP names like Bush, Dole, McCain, Giuliani, Specter, Rubio, Pataki, Sununu, Frist & many more. In this conversation, we talk his nearly lifelong passion for film, the non-political techniques he's brought to his political work, what drew him into campaigns, lessons learned from some of the smartest operatives who preceded him, and the stories behind some of his most memorable campaigns and effective TV ads.IN THIS EPISODEChris's roots as a Philly kid…The movie that ignited Chris's passion for film at age 7…Chris breaks down his embrace of “formalism” in filmmaking…A memorable first press conference in his first real political job…Handling over 50 spots in one cycle as a young NRCC production staffer…Chris tells lessons learned from legendary admakers Bob Goodman and Charles Guggenheim…Chris on the influence of “his favorite person on campaigns" , pollster Arthur Finkelstein…Chris talks some of his signature wins in Wisconsin and Florida as he establishes himself as a media consultant…Chis explains how a narrow loss to Patty Murray in the 1992 Washington Senate race that spurred his growth as a consultant…Chris's work for longtime PA Senator Arlen Specter and the drama around his 2009 party switch…Chris's time riding the campaign bus with Bob Dole in 1996…Chris on his work for colorful Montana Senator Conrad Burns…The story behind Chris's creation of the first gay rights spot for a Republican Senator…Three techniques that make Chris's spots a little different…Chris's 1970s moonlighting as an offensive football guru…How Chris embraced women voiceover artists…Why Philadelphia over-indexes on political media consultants and production talent… AND 80/20 questions, Adagio for Strings, JJ Balaban, the barbers' union, Brian Bellick, Ed Blakely, Don Bonker, Bertolt Brecht, Tom Brokaw, Buckely v. Valeo, the C&S Club, the Capitol Hill Club, Jimmy Carter, Alex Castellanos, Ronald Castille, Rod Chandler, commuter schools, Gary Cooper, Earl Cox, Mouse Davis, Dickens' novels, Fund for a Conservative Majority, David Garth, Tony Earl, Wilson Goode, Rod Goodwin, Bill Green, Gary Hart, Jesse Helms, Bernard Herrman, Edward Hopper, the Houston Gamblers, Asa Hutchinson, Peter Jennings, Andi Johnson, Ted Kennedy, laundry lists of grievances, Connie Mack, Buddy MacKay, Joseph Mankiewicz, David Marsden, George McGovern, Sally Mercer, Michealangelo's Pieta, Jack Mudd, Mike Murphy, Patty Murray, Neil Newhouse, old auctioneers, Neil Oxman, George Pataki, pearl clutching, potato peelers, Hester Prynne, Jerry Rafshoon, Dan Rather, Resonance Theory, the run-and-shoot, Tony Schwartz, Doc Schweitzer, seersucker suits, Judy Shepard, Matthew Shepard, Saul Shorr, Don Sipple, Gordon Smith, Bob Squier, Greg Stevens, stick time, Temple University, Tommy Thompson, Pat Toomey, the Voight-Kampff test, Bill Walsh, the World Football League, you bet....& more!

The CBS Radio Workshop was an experimental dramatic radio anthology series that aired on CBS from January 27, 1956 until September 22, 1957. They produced 86 episodes. It was one of American network radio's last attempts to hod on to, and perhaps recapture, some of the audience they had lost to television in the post-World War II era. They had some outstanding directors: William N. Robson, Elliott Lewis, Antony Ellis, Jack Johnstone, Dee Engelbach, and Tony Schwartz. Bernard Herrman, Jerry Goldsmith, Ray Noble and Leith Stevens composed the musical scores. It was a great battle, but we all know who won the war! One very good thing is that all 86 of the episodes have been preserved. This track will live in the "Mystery-Crime" Playlist

STEALING. Any professional thief will tell you: If you're going to steal, steal big. There's evidence to suggest that the bigger the theft, the less the consequences. A good example is our government's debt of over 30 trillion dollars. The only people who will be punished for that historic financial fiasco will be the American people and not the 30, 40, or 50 year career politicians that created it. Today when groups of people loot a store, professional thieves say that's small potatoes. Some retail stores won't arrest you if you steal less than a couple hundred dollars. And why not? Our Consumerist Economy demands you get more. MUSIC Hans Zimmer,James Howard,Franz Waxman,Bernard Herrman

Antes de cruzar el charco rumbo a Hollywood, Wim Wenders adaptó con brillantez el tercer libro de los que dedicó Patricia Highsmith a Tom Ripley. Este amigo americano tiene hechuras de cowboy, Dennis Hopper pasea su sombrero por un Hamburgo gris, portuario y frío. La otra cara de la moneda, Zimmerman – Bruno Ganz- sabe que tiene los días contados, el honrado hasta entonces dueño de una tienda de marcos atisba la oportunidad de dejar una importante cantidad de dinero a su familia, se trata de un encargo, es el juego de Ripley, un marchante de arte de ojos penetrantes. Aún habrá otro otro tipo llamado Minot – Gérard Blain-. Dos extraños de pronto en su apacible existencia. Zimmerman debe aprender a matar. El vínculo cada vez más estrecho entre el ciudadano alemán y el forastero americano desconcierta a la esposa – Lisa Kreuzer-, un recelo comprensible ante las extrañas apariciones de un vaquero con Polaroid. El padre de familia rompe uno de sus marcos en un gesto furioso, está asustado, no es un asesino, sencillamente no sabe controlar el maremágnum en que se ha metido. El espectador va sintiendo esa misma inquietud e intenta atar cabos. Zimmerman mira a los ojos a su víctima en el metro de París, un asesino a sueldo en su primer trabajo. Nicholas Ray, Sam Fuller, Jean Eustache, y otros cineastas irán haciendo acto de presencia a lo largo del film. Ray también estaba gravemente enfermo, pero de verdad, estremece con sus ademanes de galápago pintor, un muerto en vida confinado. Ripley hace creer al mundo que el pintor ya está muerto para que sus cuadros sean más valiosos. Los acontecimientos se desglosan en un montaje hábil, la excelente forma de rodar de Wenders y su colaborador Robby Müller , los trávelins, los picados, los planos fluyen con dinamismo. La banda sonora de Jürgen Knieper recuerda el suspense del Bernard Herrman de Psicosis o Con la muerte en los talones en las escenas de los crímenes, perfectamente hiladas. Esta noche nos dirigimos hacia la playa en una ambulancia… Salvador Limón, David Velázquez. Raúl Gallego y Zacarías Cotán

durée : 01:27:47 - Rumon Gamba, chef d'orchestre (2/2) - par : François-Xavier Szymczak - La discographie du chef d'orchestre Rumon Gamba est aussi pléthorique qu'originale, de Vincent d'Indy à Bernard Herrman, en passant par George Auric et Ralph Vaughan Williams...

durée : 01:26:24 - Rumon Gamba, chef d'orchestre (1/2) - par : François-Xavier Szymczak - La discographie du chef d'orchestre Rumon Gamba est aussi pléthorique qu'originale, de Vincent d'Indy à Bernard Herrman, en passant par George Auric et Ralph Vaughan Williams...

ENJOY THIS REMAKE OF A CLASSIC OTR SHOW BY SOLE TWIN AUDIOS!  Synopsis: Radio DJ Smiley Smith is known for pulling elaborate stunts for his listeners, but when he ventures into the house known as the "Death Trap," he may just get more than he is bargaining for.  Featuring the voice talents of: Alexa Chipman as the Announcer  John Bell as Smiley Smith  Dean T Moody - as the OTRT Ad/Charles MacDonald   Pete Lutz as Mr. Thorpe  Jerry Kokich as Mr. Reed  CREW: Directed and produced by Rachel Pulliam  Cover artist: Rylir  Music: Dr. Ross Bernhardt  Suspense theme: by Bernard Herrman (re-imagined by David Krause) Sound Effects were provided by www.freesound.org

Sole Twin Audios presents the premiere of our first episode of Old-Time Radio Theater, Season 1: "Short Order" a re-creation of the classic SUSPENSE episode. Featuring the voice talents of:  Sharon Grünwald as the Announcer  Dean T Moody - the OTRT Ad   Joe Stofko - as Bailey   Skyeman/Caller - as Johnson  Robin Robbins - as The Stranger  Nick Dunlap - as Officer Ryan  Greg Gidney - as the First Customer Brad Colbroock - as the Second Customer  CREW:  Cover artist: Rylir   Music: Dr. Ross Bernhardt  Suspense theme: by Bernard Herrman (re-imagined by David Krause)  Sound Effects were provided by www.freesound.org

Sole Twin Audios presents "Ghost Hunt" Featuring the voice talents of: Alexa Chipman as the Announcer John Bell as Smiley Smith - https://thebatfry.com/ Dean T Moody - as the OTRT Ad/Charles MacDonald - www.deantmoodyvoice.com Pete Lutz as Mr. Thorpe - https://naradaradio.libsyn.com/ Jerry Kokich as Mr. Reed - http://www.jerrykokichvoiceactor.weebly.com CREW: Directed and produced by Rachel Pulliam - https://www.castingcall.club/m/soletwinaudios Cover artist: Rylir - https://www.castingcall.club/m/Raylir Music: Dr. Ross Bernhardt - https://www.youtube.com/channel/UCqf62Q5GBu6q842Gs34fDow/featured Suspense theme: by Bernard Herrman (re-imagined by David Krause) Sound Effects were provided by www.freesound.org and featured sounds from the following members: Vinyl Surface Noise 02 – Stratocube Static – g_lowing Chair – 14G_Panska_Kaminkova_A Open Door Close – Amholma STE-003 – higginsdj Crash – bone666138 squeak_01 – joedeshon Dog Running – Dog's nails on laminated floor – DamienMinnie Bat wings – Gammelsmurfen Opening Window Into Cold Area – Steph_Nii Lusia – Karola3206 Whining Puppy (Shih Tzu) – noellenichols Unlocking the wooden room door with a key sound effect – Garuda1982 Super 8 mm setting up projector – Eelke SFX Ambiance: Electrical Equipment – trullilulli Footsteps, Tile, Male Sneakers, Medium Pace – SpliceSound footsteps on wood – Mydo1 Footsteps Wooden Stairs Squeaking 2 – RutgerMuller Button Click 06 – Fats Million footsteps – wood01 – Anthousai A Walk with stop – straget CarDoorOpenClose4 – phenoxy Sea – Waves – Wind – Globofonia R03-40-Old Auto In And Stop – Craigsmith Veteran car – juskiddink

Sole Twin Audios presents "The Lottery" Rated: PG Featuring the voice talents of: Robin Robbins as the Announcer Dean T Moody - as the OTRT Ad/Old Man Warner - www.deantmoodyvoice.com Gina Moravec as Mrs. Summers/Mrs. Graves - https://www.castingcall.club/m/ginam Larry Groebe as Mr. Summers - https://www.youtube.com/channel/UCZ_WYmC39lplIqZ5VZtdQqw (Project Audion) Julie Hoverson as Mrs. Delacroix - http://www.19nocturneboulevard.net/ Austin Mosher as Dicky Delacroix J. S. Farrington as Bill Hutchinson - https://www.castingcall.club/m/jackalert Dorothy Farrington as Davy Hutchinson - https://www.castingcall.club/m/iris_voice Christina Roberts as Laura - https://www.castingcall.club/m/cashlinsnow John Bell as John Gunderson, the School Master - https://thebatfry.com/ Sharon Grünwald as Tessie Hutchinson - www.sharongrunwaldva.com Daniel Gurzynski as Mr. Martin - https://www.castingcall.club/m/radioeng Mark Dreisonstok as The Man Pete Lutz as Mr. Graves - https://naradaradio.libsyn.com/ Jessica Matthews as Mrs. Martin Geri Elliff as Mrs. Dunbar Crowd Voices were performed by Cordelia Dreisonstok, Scotty Farrington, and the Lottery cast. CREW: Directed and produced by Rachel Pulliam - https://www.castingcall.club/m/soletwinaudios Music: Dr. Ross Bernhardt - https://www.youtube.com/channel/UCqf62Q5GBu6q842Gs34fDow/featured Suspense theme: by Bernard Herrman (re-imagined by David Krause) Sound Effects were provided by www.freesound.org and featured sounds from the following members: Snoring Ambiance – Piggimon Flappy Bed Covers – Diegolar Chewing Cereal – Luthien22 Spoon Clanking in a Ceramic Bowl - Simosco Farm Ambiance – ramiro1007 Chickens – Dann93 Gravel Footfall Countryside – Yap_Audio_Production Rural Farmland Ambiance – billgrip Horse Drawn Carriage on Board – Sirderf "Ambience, Children Playing, Distant, A.wav" by InspectorJ (www.jshaw.co.uk)of Freesound.org Running Dirt Tennis Shoes – Worthahep88 Murmuring Crowd – DigestContent Quiet Town Ambiance – Deleted User Walk Dirt Path Forest – ShelbyShark Outdoor Community Festival – Kyles 09 Man Walking Stairs - 14GPanskaHonc_Petr Paper Unfolding Refolding – Brokenphono Paper – Izmraul Opening a Small Cardboard Box – Aiwha People_Laughing_Outdoors_001 – Martina Leitschuh Box Opening Closing – Emile99 Wooden Box Slipped Open Closed – Jack Freedmon5712 Large Crowd Medium Distant Stereo - eguobyte Impact-stone - Kasparsj

Note: This episode was initially produced and directed by Rachel Pulliam for "Dream Realm Enterprises" under the title, "Showcase Classics" and premiered at the Mutual Audio Network as a double-feature along with "That Thing in the Window." Sole Twin Audios presents "Dark Journey" Featuring the voice talents of: Bruce Busby as the Announcer Dean T. Moody as the OTRT Ad Rhiannon McAfee as Alice Kristy Glick as Anne Heath Martin as the Conductor CREW: Directed and produced by Rachel Pulliam - https://www.castingcall.club/m/soletwinaudios Music: Dr. Ross Bernhardt - https://www.youtube.com/channel/UCqf62Q5GBu6q842Gs34fDow/featured Suspense theme: by Bernard Herrman (re-imagined by David Krause) Sound Effects were provided by www.freesound.org

Note: This episode was initially produced and directed by Rachel Pulliam for "Dream Realm Enterprises" under the title, "Showcase Classics" and premiered at the Mutual Audio Network as a double-feature along with "Dark Journey." Sole Twin Audios presents "That Thing in the Window" Featuring the voice talents of: Bruce Busby as the Announcer Dean T. Moody as the OTRT Ad Pete Lutz as Martin Aimes Eleicie Krawiec as Mary Glenn Hascall as Mr. Hanson Margaret Ashley as Miss Landis Jerry Kokich as Sargent Holly Stevenson as Vivian Landis John Bell as Ronald CREW: Directed and produced by Rachel Pulliam - https://www.castingcall.club/m/soletwinaudios Music: Dr. Ross Bernhardt - https://www.youtube.com/channel/UCqf62Q5GBu6q842Gs34fDow/featured Suspense theme: by Bernard Herrman (re-imagined by David Krause) Sound Effects were provided by www.freesound.org

Sole Twin Audios presents the premiere of our first episode of Season 1, "Short Order." To read a review about this production, click here: https://mdtheatreguide.com/2022/07/audio-review-short-order-and-2462-from-sole-twin-audios/ Featuring the voice talents of: Sharon Grünwald as the Announcer - www.sharongrunwaldva.com Dean T Moody - the OTRT Ad - www.deantmoodyvoice.com Joe Stofko - as Bailey - https://www.castingcall.club/m/joe-stofko Skyeman/Caller - as Johnson - https://www.castingcall.club/m/durtle-turtle Robin Robbins - as The Stranger - https://www.castingcall.club/m/robinrvo Nick Dunlap - as Officer Ryan - https://www.castingcall.club/m/nickdunlap Greg Gidney - as the First Customer - https://www.castingcall.club/m/pawpaw-greg Brad Colbroock - as the Second Customer - www.bradcolbroock.com CREW: Cover artist: Rylir - https://www.castingcall.club/m/Raylir Music: Dr. Ross Bernhardt - https://www.youtube.com/channel/UCqf62Q5GBu6q842Gs34fDow/featured Suspense theme: by Bernard Herrman (re-imagined by David Krause) Sound Effects were provided by www.freesound.org and featured sounds from the following members: Old-Rotary-Phone-Ringing-Western-Electric-Bell – mycompasstv Heavy-Phone-Up-And-Down-Near-Mono - stubb Restaurant Room Tone – pbrproductions Sh_Shop_Door_Bell_OpenClose – Shall555 Old Cash Register Open and Close with a Bing – clubmydia+ Walking away and returning boots on hardwood floor – CastIronCarousel Counting Money - PuZZeIZ Money4 – florian_reinke Handling Money (bills) – Contadordehisto Footsteps Wood-01 - Anthousai Washing Dishes – Vampirella17 Cup Set Down – aldenroth2 Set Plate Down – Kane53126 Pouring Coffee to a Mug – lartti Meat on the Grill – ToniTobe Grilling Meat – Joanaseabra Plate and Mug on Table – Woodstokk Audio_Riggs_Paper Coffee Cups – AudioRiggs Foley, Room-tone, Small Room – Yake01 Mopping – 16G_Panska_Veinlich_Jakub 60_writing - Leoctiurs Special thanks: J. S. Farrington - https://www.castingcall.club/m/jackalert - provided the effect of a telephone getting smashed.

"Miss Daisy Hawkins picks up the rice in a church where a wedding has been". This line came to Paul while sitting at a piano in Jane Asher's parent's house. Paul then took these lyrics to John's house where Ringo added the 'darning the socks' line and George added, 'look at all the lonely people.' With that, the beautiful and haunting Eleanor Rigby was born. Billy and Jay go deep on this one!Learn the names of all of the string players and why George Martin had to flex on them. Which version of the Eleanor Rigby Origin story do Billy and Jay think is the most likely story? You'll hear a lot of familiar names in this episode as well - they discuss the connection that Paul's Dad, Mal Evans, Donovan, Vivaldi, Bernard Herrman, Jerry Lieber and the band America all have with Eleanor Rigby. Jay and Billy also discuss the interesting reasons people have given when requesting this song to be played live - THE UNDERTAKER! This is the perfect episode to listen to if you find yourself darning your socks in the night when there's nobody there. We hope you care! Enjoy Eleanor Rigby!"

Welcome to It's A Wonderful Podcast!! Veering into slightly unusual territory on this week's main show as Nolan joins Morgan to talk an under-the-radar 70s Horror movie where a mutant baby goes on a killing spree. With special effects by Rick Baker, a score from Bernard Herrman and plenty of thought provoking metaphors, this is much more than the splatterfest you may think; IT'S ALIVE (1974)!! IT'S A WONDERFUL PODCAST SHIRTS: https://www.teepublic.com/user/g9design Sub to the feed and download now on Anchor, Apple Podcasts, Spotify, Stitcher & more and be sure to rate, review and SHARE AROUND!! Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Morgan: https://twitter.com/Th3PurpleDon Nolan: https://twitter.com/nolandean27 Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Bernard Herrman, compositeur et chef d'orchestre américain qui doit notamment sa réputation internationale aux musiques qu'il écrivit pour les films d'Alfred Hitchcock.

Everyday I watch one minute of the 1963 movie Dementia 13, which I have never seen. Today I watched minute 8 and went on many tangents, including one on Bernard Herrman. 08/06/2020 Theme Music: "The Black Cat" by Aaron Kenny

Can Roger sneak up to Vandamm's house while Bernard Herrman's orchestra keeps playing?

Para los amantes de las bandas sonoras, versión íntegra del especial que ‘Estamos de Cine' ha dedicado a la impagable aportación del compositor Bernard Herrman a películas emblemáticas y decisivas del director Alfred Hitchcock. Ángel Luque y Roberto Lancha plantean una hipnótica sesión de ‘músico-terapia' en la que las composiciones para ‘Vértigo', ‘Psicosis', ‘Marnie la ladorna' o ‘Con la muerte en los talones' sirven para conocer las claves de unos de los matrimonios artísticos más prolíficos de la historia del cine. Que lo disfrutéis.

Entramos en la pomada del año. Llegan días de vino, rosas y nervios, muchos nervios y suspense para los aspirantes a los Goya y a los Oscars de Hollywood. Un suspense que va a envolver, de principio a fin, el capítulo de esta semana de ‘Estamos de Cine'. Comenzaremos emulando a uno de los directores del año en España: Paco Plaza. Como ha hecho él en su aclamada y nominada ‘Verónica', recurriremos a ‘Héroes del Silencio' para abrir una sesión hipnótica que nos permitirá conocer cara a cara sus impresiones sobre su primer largometraje en solitario y sus opciones en la gala del 3 de febrero. Recuperados de la sugestión de ‘Verónica', en nuestra sala de noticias ‘Newsroom', Marta Lobera nos desglosará los titulares que debes conocer de esta semana: Los Premios Feroz de la prensa española, las nominaciones a los Oscar y otras sorpresas. Tampoco faltaremos a nuestra cita a pie de sala con Alberto Luchini para evaluar una de las carteleras más completas de las últimas semanas. Amor, sensibilidad, humor a la francesa y mucha acción gracias a los estrenos de ‘Call me by your name', ‘Ce'st la vie', ‘El pasajero' y ‘El corredor del laberinto: la cura mortal'. Y tras la información y la crítica, será el momento de abandonarnos al diván de Ángel Luque para hacer ‘musicoterapia'. Nada mejor que afrontar esta etapa de suspense y nervios que rendir tributo al gran maestro del género, Bernard Herrman, y dejar que las composiciones que creó para grandes obras de Hitchcock como ‘Vértigo', ‘Psicosis' o ‘Con la muerte en los talones' nos sirvan para disfrutar de una gran sección musical y sacudirnos miedos y agobios.

On today's podcast adventure, Adolfo Acosta and Mark Espinosa go into deep analysis on the Alfred Hitchcock classic, VERTIGO.On this show, Adolfo & Mark discuss:• Their favorite Hitchcock films• Hitchcock's epic run in the 1950s and early 1960s that included canon classics like REAR WINDOW, NORTH BY NORTHWEST, VERTIGO, PSYCHO and THE BIRDS• The origins of VERTIGO•How the opening chase scene is ultimately irrelevant to the plot•VERTIGO's connection to the New York production of SLEEP NO MORE•How Hitchcock leads the viewer into what they think is a supernatural mystery, and then completely switches gears on them, two years before PSYCHO would also manipulate viewer expectations• The themes of overwhelming guilt and dangerous obsessions• Bernard Herrman's musical score• The "Vertigo" shot• In a Hitchock film, the story is less important than visual impact•The film's COMPLETE snub at the Academy Awards• Phallic symbols and necrophilia? Yes, Hitchcock slipped that into this film• Plus side discussions of CITIZEN KANE, THE SHINING, ROOM 237, JAWS and KNIGHTY KNIGHT BUGSWEBSITEEssentialFilmsPodcast.comEMAILEssentialFilmsPodcast@gmail.comFACEBOOKhttps://www.facebook.com/The-Essential-Films-130585803634489TWITTER@EssentialFilms@FPMoviePodcast@Adolfo_Acosta@Sportsguy515

On this day in 1911, film composer Bernard Herrman was born. Here Idris Godowin gives us a snapshot of his enormous decade spanning career working with some of the most important names in cinema.