Podcast appearances and mentions of Bobby Brown

Cody Cirillo started his ski career competing on the AFP pro circuit, but huge podiums weren't in Cody's future, graduating from USC magna cum laude all while transitioning his pro ski career from contests to adventure, was the path for Cody. And for the next decade, he's managed to pump out annual ski content, personal project style, while holding down a desk job as a creative director, these days for his longtime sponsor, Faction skis. On the podcast, we talk about Cody's Mongolia film project "150 Hours From Home" (it drops free online today) and Bobby Brown asks the Inappropriate Questions  Cody Cirillo Show Notes: 4:00: Mother Nature Ski Poles, Telluride, Breckenridge, skiing, Freeway Park, competing, and the Orage Masters 19:00: Ski Idaho: With 19 mountains, a ton of snow and no lift lines, why wouldn't you Visit Idaho Best Day Brewing:  All of the flavor of your favorite IPA or Kolsch, without the alcohol, the calories or sugar. 22:00: College, sponsors, travel stories, becoming a designer out of school while still being a seasonal pro skier, Candide, and The Honey House Bus 40:00: Elan Skis:  Over 75 years of innovation that makes you better. Outdoor Research: Click here for 25% off Outdoor Research products (not valid on sale items or pro products) 42:00: Film budgets, changing his ways in the mountains, is he a fitness guy, personal projects,  53:00: Inappropriate Questions with Bobby Brown

While the disciples display great faith and devotion, they often don't comprehend the extent of Christ's power or his ability to provide all that they need. As a means of commenting on their clouded perception of reality, Jesus takes heals a blind man partially before fully opening his eyes (much like the disciples who did not fully comprehend, but whose eyes would later be opened to the truth). Jesus begins to make his way toward Jerusalem, and as he does so, he warns his disciples that he will soon be killed only to rise again from the dead. On the way, Jesus teaches his followers about devotion, faith, divorce, riches, and service.Mark 8 – 1:10 . Mark 9 – 8:11 . Mark 10 – 16:26 . Psalm 19 – 25:36 . Psalm 20 – 27:58 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

The crowds continue to seek after Jesus as His miraculous healings and exorcisms gain notoriety across the land. It's clear that His power and authority over nature, over sickness, and over demons are a surprising and puzzling sight for those encounter these miracles. They incite fear in those who understand the gravity of His power and they spark hope in those who see His compassion. His teaching comes across as strange, yet authoritative, and His wisdom is unparalleled. The religious leaders grow increasingly angry with Jesus, as he continues to rebuke them openly. Jesus directed his ministry and teachings to the Jews first, then the Gentiles, but when a Gentile mother displays both faith and humility, Jesus commends her and heals her daughter.Mark 5 – 1:11 . Mark 6 – 7:54 . Mark 7 – 17:16 . Psalm 18 – 23:33 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

The gospel of Mark is one of the three synoptic gospels, “Synoptic” basically means “seeing the same thing,” the other two of which are Matthew and Luke.  Historical evidence from early church fathers affirms that the apostle Peter is the one who passed these reports on to his attendant and writer, John Mark. Mark's gospel is the shortest, but the most action-packed, as he includes a number of accounts and moves quickly from one scene to the next. connecting his stories with phrases like “immediately,” “just then” and “as soon as.” We also get a sense for how hectic life must have been for Jesus, as crowds push in around him demanding more and more of His time.Mark 1 - 1:08 . Mark 2 - 8:01 . Mark 3 - 13:04 . Mark 4 - 18:13 . Psalm 17 - 24:59 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Charlie Eisenhood and Josh Mansfield discuss the latest MVP offseason sponsorship signings of Aaron Gossage and Silas Schultz as well as a surprise drop of Joey Temali. Then they welcome in Dynamic Discs Brand Manager Bobby Brown for a wide-ranging interview about the past and future of DD.Be sure to join the Ultiworld Disc Golf discord for weekly bonus content in the Live segment, Inside the Circle, available only for subscribers.

The life of Jacob, who is now known as Israel, comes to close as he takes his last breath in Egypt. This is the same Jacob who deceived his father Isaac in order to receive the blessing of the firstborn. Not only does he bless Joseph's sons, he elevates them and makes them a part of his family's inheritance. He continues on with words of prophecy and blessing for the men who would be the representative heads of the twelve tribes of Israel. After Jacob takes his final breath, Joseph's brothers fear that he will seek vengeance, but Joseph doesn't hold a grudge. Instead of seeking vengeance or extracting payment, he brings God's grace, provision, and sovereign orchestration to mind, and ensures them that he will care for their families.Genesis 47 – 2:34 . Genesis 48 – 9:43 . Genesis 49 – 14:06 . Genesis 50 – 19:35 . Psalm 16 – 24:32 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

On our last episode we saw how the Lord orchestrated Joseph's life to save the lives of many in the face of a coming famine. When his brothers show up to ask for food, they don't recognize Joseph, but Joseph recognizes them. He declares them to be spies, and after a series questions, he sends them away and demands that they bring their younger brother back to Egypt to see if they are telling the truth. When their father, Jacob, who is also called Israel, finds out what is required he refuses to part with the son whom he believes to be the last surviving child of his beloved wife Rachel. After a series of negotiations, Israel relents and his sons return to Egypt with Benjamin to get more food.Genesis 42 – 1:13 . Genesis 43 – 8:15 . Genesis 44 – 14:15 . Genesis 45 – 19:28 . Genesis 46:1-27 – 24:30 . Psalm 15 – 28:21 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

I saw the power of storytelling and the responsibility we have to share stories to educate and change lives.Dr. Terésa Dowell-Vest is an Associate Professor of Communication at Prairie View A&M University and President of the University Film and Video Association (UFVA), an organization that supports film, television, and media studies in higher education.In this conversation Terésa and I discuss:* The music of Janet Jackson, Prince, and Jimmy Jam/Terry Lewis* Teaching media in a post-truth world* What UFVA is, why it matters, and how professional associations can sharpen teaching and creative practice* What filmmaking trends she sees with her students at Prairie View A&M* The short documentary her students did in collaboration with students from USC (link here)* “The Death of Cliff Huxtable” and the process of separating art from a problematic artistThanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI generated transcript. Don't come for me.BEN: Hi everyone—Ben Guest here. Welcome to The Creativity, Education, and Leadership Podcast. Today my guest is Professor Terésa Dowell-Vest, an associate professor of Communication and Media at Prairie View A&M University and the President of the University Film and Video Association (UFVA).In this conversation we talk Janet Jackson, the media landscape for young people interested in production, what UFVA does, and more. Enjoy.Professor, thanks so much for joining me today.TERÉSA: Thank you. Thank you for having me. It's my pleasure to be here.BEN: I always like to start with a fun question. Senior year of high school—what music were you listening to?TERÉSA: Senior year of high school—1989. 1990 was a great year to be a Janet Jackson fan. *Rhythm Nation* was probably worn out in my car's tape deck. I was a huge fan.BEN: Did you do the choreography?TERÉSA: Oh yes. I can do the hands and all that—the “A‑5‑4.” I would do it, for real.And Janet Jackson was the big one, even though Prince's *Purple Rain* came out a few years earlier. That album was still in regular rotation for me in high school.And then in 1988 New Edition put out *Heart Break*—produced by Jimmy Jam and Terry Lewis. That was such a good time. So yeah: Janet, Prince, New Edition—Jimmy Jam and Terry Lewis were the soundtrack.BEN: '88 was when Bobby Brown's *Don't Be Cruel* came out, right?TERÉSA: Listen, lemme tell you, the eighties to be a teenager in the eighties, to be in your twenties in the nineties. What a time to be alive.BEN: Yeah. I love it. Okay, second fun question. What's your pick for best picture this year?TERÉSA: I'd say *Sinners*. There are a few this year, but funny enough I actually focused more on television—I was obsessed with *Stranger Things* and *Severance* (and one other show I'm blanking on), so I didn't get to the movies as much. But I did see *Sinners* and it really stuck with me. I should preface that by saying I'm not as familiar with the entire pool, but I'm almost confident it'll be a strong contender.BEN: So good. I saw that your MFA thesis was titled *The African American Producer Is the American Griot*. Can you talk about that—maybe even in relation to *Sinners*?TERÉSA: I've always been fascinated by the power of storytelling. My bachelor's degree and my MFA are both in theater because I love live engagement. That also shaped me as a professor—I love being in front of students and engaging in a transactional, interactive way, not just a linear one. Theater and education give me that kind of exchange with an audience.For my graduate thesis I came to know Dr. Maulana Karenga—best known for creating Kwanzaa. He was chair of the Black Studies program at California State University, Long Beach. During my years there (1994–1997), I was the only Black student in the program, and in 1997 I became the first Black person to graduate with my particular degree from that program. Even in the '90s I was thinking: why are we still talking about “firsts” and “onlys”?I wanted to bridge storytelling with the legacy of slavery and survival—my own ancestors were from Virginia, where I was born and raised. Dr. Karenga taught me the concept of the *griot*—the storyteller—and the responsibility that comes with that. In the U.S., storytelling often gets treated as frivolous—an extracurricular, “nice to have.” A lot of Black parents, especially, don't want their kids studying film, theater, or the liberal arts because it doesn't seem like a stable livelihood. I started undergrad as an accounting major and didn't tell my dad I'd switched to theater until graduation day—he found out when they called my name under the College of Arts instead of the College of Business. That's the mindset I came from: my family wanted us to succeed, and the arts read as struggle, not a viable career.But there's honor in being a storyteller. That idea changed how I saw theater.And it was the '90s—*Rent* was happening, and I was in Los Angeles, flying back and forth to the East Coast to see Broadway shows that weren't just entertaining; they were educating and changing lives. I remember *The Life*—not a massive hit, but it told the story of Black and Brown women working as call girls in New York City. You'd think, “Is that a Broadway story?” But the music was outstanding.And there were so many others—*Bring in 'da Noise, Bring in 'da Funk* with Savion Glover, looking at African American history through tap and music. During that period I really saw the power of storytelling—and the responsibility we have to tell stories that educate and change lives.BEN: That's so powerful. The responsibility of storytelling to educate and change lives.TERÉSA: Yeah.BEN: It's one of the things I've often thought as a teacher: I'm a storyteller. How do you construct a lesson so students are receptive? It's like you're telling a story over a unit, a curriculum, or even a single lesson.TERÉSA: When you engage with students and give them permission to share their stories, you're not really “teaching” in the traditional sense anymore. It becomes more like peer engagement than “I'm the teacher, I know the things, and I'm telling you the things.”Students receive it differently when they feel you're invested in who they are—not just their grade.BEN: There's a great quote, I think it's Roger Ebert films, but really stories are empathy machines.TERÉSA: Yeah.BEN: It allows us to walk in someone else's shoes for a moment. There was a reconciliation group in Mississippi whose motto was: “Enemies are people whose stories we haven't heard.”TERÉSA: Incredibly profound. When we think about fear, it's often a lack of understanding—no connection to the thing you're afraid of. Hearing stories can build that connection.BEN: Can you talk about the importance of media education? I'm a documentary filmmaker, documentary filmmaking in today's world where so much of where we are in a post-truth society.TERÉSA: There are mechanics to telling the truth, and mechanics to telling a lie. In fiction you see this a lot—shows like *The Mentalist* or *Law & Order* where someone reads body language, eye movement, and so on to figure out whether someone is lying.What matters for media education is helping students understand the “tells” in information—how to challenge and debunk claims instead of assuming, “Someone told me a thing, so it must be true.”I didn't fully appreciate how urgent that was until the pandemic, when early reporting was all over the place and a lot of it conflicted. Being able to sort honest, vetted information from dishonest or speculative claims mattered in a very concrete way—like realizing you probably shouldn't drink bleach.Coming out of that period, teaching media studies has meant teaching reporting with integrity. You can't just assume something is true—not because people are “bad,” but because people absorb information differently based on what they've experienced.I do a lecture with my senior capstone students on the difference between **knowledge** and **information**. Knowledge is shaped by culture, character, race, gender, where you grew up, what language you speak, what faith you practice—so it can carry bias. Information, on the other hand, is verifiable and can be vetted. 2 + 2 = 4 no matter who you are.Good storytelling—and good journalism—knows how to bridge knowledge and information with integrity. When I have journalism students who lean into opinion-driven news—whether it's Fox, MSNBC, whatever—I tell them: that's playing to an audience's sensibilities. It can be entertaining, but it isn't the same as straight reporting. Then there's reporting that aims to be more information-based—“Here's what happened today.” That also needs to be taught. We're in a moment where students need tools to tell the truth, recognize lies, pick them apart, and trust their internal compass about what's important to share.And Ben—my answers get long. You might have to cut me off.BEN: I'm going to cut you off when what you're saying stops being interesting—so I doubt I'm going to cut you off.You're the President of the University Film and Video Association. For listeners: what is UFVA?TERÉSA: UFVA is a nationally recognized organization of university and college educators and institutions focused on film, television, and media studies—both practice and theory. We're a collective of makers and scholars. Our members hold a range of degrees—MAs, MFAs, MS degrees, PhDs, EdDs.As an organization, we examine how film and television are used—and we keep digging into how the field is evolving through innovation and emerging technology. Each year we host a conference (typically in July) where we share classroom best practices and research, and we analyze how film sparks conversation.You asked me earlier about a front-runner for Best Picture. I think about *Sinners* as a kind of textbook in a lot of ways. One of my students gave an informative speech last semester on the history of hoodoo, and she referenced *Sinners* heavily because it's central to the film. In that moment she used a movie as a learning text.That's what UFVA does: we create space to share those opportunities through research and scholarship, and we bring it back to our students and institutions.BEN: You said “best practices,” and I want to come back to that because it's a rabbit hole I love.But first: in an interview you did with the *Journal of Film and Video*, you said you were about to start your UFVA presidency and weren't sure what to expect. Now that you've lived it—how was it?TERÉSA: One of the biggest things I've learned—maybe I've only really realized it in the last couple of months—is that joining an association as an educator keeps the fire hot. It keeps you learning.As UFVA President, I've met so many people who've inspired me. It's not that I want the presidency to end; it's more like, “I need more time to implement everything I'm learning from colleagues.” It also pushed me to partner with other organizations and communities I knew about but hadn't been deeply involved with.I joined UFVA because of the pandemic. Before that I'd never even heard of the University Film and Video Association. I was the kind of person who kept my head down and did my work in my silo, and I was fine with that. But when the pandemic hit, no one knew what to do with film production courses in quarantine.I reached out to colleagues—thinking maybe eight or ten of us would hop on Zoom and talk through hybrid and online teaching. That snowballed. People said, “Can I invite a colleague?” I said yes. I posted on Facebook: if you teach film production or media studies and want to talk about what we're doing this fall, let's meet.Jennifer Proctor replied and asked, “Have you heard of UFVA?” I hadn't. She suggested sharing the call with UFVA, and we kept casting the net. By the time we met, there were 126 professors from around the world—about 100 universities represented, including USC, Ivy League schools, and institutions in Germany and Australia.I ran the meeting as breakout rooms—nine of them—named after Black women in film and television: Shonda Rhimes, Julie Dash, and others. So even in the mechanics of the meeting, people were saying these names and being reminded of who matters in media.Two things came out of that experience. First, UFVA invited me to join the board. I said, “Let me be a member first,” but within a few months I knew: yes, this is where I want to be.Second, I saw the gaps. There was very little representation from HBCUs, and very few Black people involved. Not because UFVA was “bad,” but because people simply didn't know. So I understood my call: help bring people in, build bridges, and create collaboration without turning it into a slogan. I love that we get to do the work without making it a “thing.” That's been the value of the presidency for me.BEN: Love it. Can you talk about with your students at Prairie View, what are some trends you're seeing with what the young people are doing?TERÉSA: Oh, child. They want to be influencers.This is the social media age, and a lot of students see it as the primary industry of their generation—and I get it. If you have enough followers and a couple brands offer deals, it can be real money. I have students with tens of thousands of followers. I'm like, I can barely get my family to like a post. And they're like, “Oh, I do nails,” or “I do lashes,” or “I show my sneaker collection,” and they'll get 10,000 likes every time they post.My reaction is: we need to be teaching this. We need to teach students how to parlay that into careers. Even if I don't personally understand every part of it, that doesn't make it non-viable.It reminds me of when we were in school. The internet wasn't even a thing when I was in college (1990–1994), and then suddenly we were on the edge of being connected to the world. Professors were saying, “This will create cheaters—you'll never look things up in books again.” Sound familiar?Now students are figuring out VR, AR, AI. They're building brands, protecting brands, learning to be CEOs of themselves. That's exciting.BEN: Yeah. I think about that all the time. It's like when people first started writing letters—somebody must have said, “No one's going to talk to each other anymore. They're just going to send letters.”TERÉSA: Exactly. Every generation has a thing—“Who's using this calculator? You need to learn long division.”BEN: I graduated high school in '93, so when you're talking about Janet, my “Janet album” is literally *janet.*—“Again,” “That's the Way Love Goes,” all of that. It's funny how, year by year, the soundtrack shifts just a bit.BEN: Okay—teaching and best practices. What's something you've done in your classroom that really leveled up your teaching?TERÉSA: Oh, wow. Gosh, I think it's less something I've done and more the intention of showing the students that their success is not coming from looking up. It's from looking over. It's the concept that. When you graduate from college, it isn't some executive that's going to give you an opportunity. It's the people you're in the trenches with right now that you're gonna build with right now. So I think the thing that's leveled up my teaching is less a thing that I can show them as much as relationships that I can help them forge and the power of networking. So our program has has a pipeline relationship with the Annenberg School of Communication at the university. The University of Southern California professor Mickey Turner, who's a professor there at USC teaches the senior storytelling for Media course similar to the communication capstone course that I teach here. And so every semester, professor Turner and I collaborate. Those two classes together and we introduced those students to each other through pitches, research topic pitches for their final capstone project. And what they see is. Students at an HBCU or students at this PWI are not different at all. They just, they, live in different states. Perhaps they come from different backgrounds, but by and large, they have similar goals. And we teach them that this is who you need to forge a relationship with because when you are at the stage of making deals or going out and work, this is the person you're gonna want to call. So I think the thing that's leveled up my teaching is my understanding. And my teaching of that understanding of how the industry works and how it can best work for them. Since you no longer have to live in LA or New York to, to make movies people are making movies on their devices. You have to now find your tribe to tell your stories and it can be much more localized. And so I teach them to build their team where they are and not. Go after this aspirational. The only way I can make it if is if I put it in the hands of someone so far away from me. No, put it in the hands of the guy sitting next to you or the young lady that's sitting on this other side and shoot your film, make your short tell the story. Do your podcast. I feel like that's leveled up. The final piece to that USC story is that during the pandemic, five of our students from Prairie View and five students from USC collaborated on a short documentary about the pandemic and how it impacted students at HBCUs, at this HBCU versus how it impacted students at a private, pWI Prairie View is 45 minutes outside of the city of Houston. We're a rural community. We're in the middle of nowhere essentially, whereas USC is in the heart of Los Angeles and those students taught, told an amazing story. I'll send you the link to the film. It's on YouTube. Told an amazing story from two different vantage points. That is a great indication of how education can be collaborative. Just as film is.BEN: Yeah. Before we started recording, we were talking about travel—and it just reminds me: travel is one of the best educations people can get. The more you interact with people from around the country and the world, the more you realize how similar we are and what we want: better lives for our kids and a better world to live in.That feels like a good place to end. For people interested in your work, where can they find you?TERÉSA: A good starting point is **thedeathofcliffhuxtable.com**. That's where you'll find my fan-fiction series—and later scholarly series—about separating the art from the artist when the artist is problematic.Bill Cosby's work touched every stage of my life: as a child I watched *Fat Albert and the Cosby Kids* on Saturday mornings; as a teenager in the '80s I watched the Huxtables and wanted to be part of that world; and in college in the '90s—at James Madison University, a PWI—every Thursday night at 8:30 we gathered to watch *A Different World*, and it made us feel connected in a way.When I think about the more than 60 women who came forward, my first thought is: that many people aren't lying. Even if one person tells the truth, it changes everything.In 2015—around the time the New Yorker reporting was circulating and more women were speaking—I started writing fan fiction centered on the Huxtable family at the moment Cliff Huxtable dies. I “killed” Cliff Huxtable to push back on the idea that Bill Cosby was “America's dad.” That moniker belonged to Cliff Huxtable—a fictional character written by an artist who created something meaningful and also did something horrific.We can't see Cliff the same way because he wears Bill Cosby's face, but they are not the same person—one of them isn't even real. Writing the series helped me illustrate that tension, and it eventually became a scholarly project.During the pandemic we hosted a virtual series with 51 artists, scholars, and actors who read chapters and then joined post-show discussions on the themes. You can find all of that through the website, and it's also the easiest way to contact me.BEN: Wow. Professor, thank you for all the, for your time today, but also for all the good work you're doing in so many different spaces.TERÉSA: Thank you. Thank you. And I look forward to listening to the podcast even more. I'm sorry that I'm just now getting hip to your great work, but I tell you what, I am going to tune in and probably hit you up with some questions and excited remarks shortly thereafter.BEN: I love it.That was my conversation with Professor Dowell-Vest. If you enjoyed it, share it with a friend. Have a great day. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

When Joseph is sold into slavery it seems that he has lost it all, except that Joseph has not lost what is most important: he hasn't lost God's divine and unmerited favor. Through Joseph, God divinely orchestrates the salvation of His people, sustaining the entire country of Egypt as well as the surrounding nations during a period of severe drought. His circumstances seem devastating in the short term, but once God's plan becomes clear, the Scriptures say that Joseph forgets his former trouble. As we're told in Romans 8:28 “We know that all things work together for the good of those who love God, who are called according to His purpose.”Genesis 38 – 1:22 . Genesis 39 – 7:22 . Genesis 40 – 11:16 . Genesis 41 – 14:55 . Psalm 13 – 25:03 . Psalm 14 – 26:02 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

As we get to know the sons of Jacob, you'll start to realize that the apple doesn't fall too far from the tree. Having learned the art of deception from their father, they use it to their own advantage time and again. For example, they are rightly enraged after their sister is defiled by the local chief's son, but they use their anger as an excuse to deceive, then slaughter an entire city. Later, God officially gives Jacob the name of Israel, and directs his family to relocate to Bethel. There we learn more about Rachel's firstborn son Joseph, whom Israel favors above all his other sons. If that wasn't enough to draw the ire of his brothers, Joseph begins to have dreams where he is exalted above the rest of his family, and uses them as an occasion to gloat.Genesis 34 – 1:20 . Genesis 35 – 7:04 . Genesis 36 – 11:47 . Genesis 37 – 17:25 . Psalm 11 – 24:08 . Psalm 12 – 25:11 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Whitney Houston: “The Voice,” the myth, the legend. She sang her way into the hearts of America, moving a nation and bearing the weight of its attention on her psyche. As her star grew, Whitney faced backlash, questions about her identity, and intense intrusion into her personal life. In the first of two parts, Lena and Alissa chart the young Whitney's rise to fame, her essential early relationships with Robyn Crawford and Bobby Brown, and the start of struggles that would eventually lead to her untimely end.  This episode was first published on 09/10/2020. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Jacob and his father-in-law Laban simply don't get along, and let's be honest, it's not because they are morally upstanding people with a difference of opinions, it's because they both practice deception to their own advantage. The daughters of Laban aren't too dissimilar, and their pettiness is made apparent in today's text. As a means of trying to gain flocks for himself, Jacob practices strange husbandry, proving not only that he has no idea how breeding works, but that it is by the grace of God, not by Jacob's skills, that his flocks increase. He and his father-in-law get into an argument and go their separate ways. Later, Jacob wrestles with a man who is also somehow a representative God, and the Lord renames him “Israel” b/c he has wrestled with both man and God and won.Genesis 30 – 1:12 . Genesis 31 – 8:15 . Genesis 32 – 18:34 . Genesis 33 – 23:39 . Psalm 10 – 26:56 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Today, Jacob the deceiver lives up to his name. With the help of his mother Rebekah, he goes to great lengths to disguise himself from his blind and aging father, tricking him into thinking that he is older brother Esau so that he might receive his father's blessing. Jacob and Rebekah come up with a way to trick Isaac yet again, and Isaac sends Jacob to another country to get a wife for himself, thereby escaping the wrath of Esau. Later, Jacob gets a taste of his own medicine when Laban tricks him into marrying his oldest daughter Leah when he had intended to marry Rachel.Genesis 26 – 1:09 . Genesis 27 – 7:19 . Genesis 28 – 16:19 . Genesis 29 – 20:06 . Psalm 9 – 26:12 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

New Jack Swing kicked the door open in the late 80s and rearranged the furniture. Born at the crossroads of slick R&B vocals and the punchy swagger of hip hop beats, it fused polished melodies with drum machine snap, sampled funk, and a streetwise pulse. Teddy Riley was the mad scientist at the center of it all, wiring together sounds that felt futuristic and familiar at the same time. Artists like Bobby Brown, Janet Jackson, Guy, Keith Sweat, and Bell Biv DeVoe turned dance floors into pressure cookers, where romance, bravado, and pure groove all bounced to the same rhythm When Dave and Rob dive into New Jack Swing, they will be stepping into an era where R&B stopped tiptoeing and started strutting, and they will be picking their personal favorites from the genre along the way. This style dominated the late 80s and early 90s by changing how songs were produced, how artists moved, and how hip hop and R&B talked to each other. Expect a rundown of the songs that defined the sound for them, because New Jack Swing did not just soundtrack a moment, it defined an attitude Apple: https://podcasts.apple.com/us/podcast/totally-80s-and-90s-recall/id1662282694    Spotify: https://open.spotify.com/show/11dk5TUoLUk4euD1Te1EYG?si=b37496eb6e784408    Amazon: https://music.amazon.com/podcasts/1960c8f9-158d-43ac-89a6-d868ea1fe077/totally-80s-and-90s-recall    YouTube Podcasts: https://youtube.com/playlist?list=PLH9lGakNgCDZUkkHMUu88uXYMJu_33Rab&si=xo0EEVJRSwS68mWZ   Contact Us: Website: https://totally80s90srecall.podbean.com/  Email: 80s90srecall@gmail.com LinkTree:https://linktr.ee/80s90srecall  Voicemail #: (509) 426-4542    Playlists: Spotify: https://open.spotify.com/playlist/64WiYudzrtZCjE9HfAogdT?si=6gLFbrWjTyqY8kKtNVjn0w    Apple: https://music.apple.com/us/playlist/80s90s-new-jack-swing/pl.u-9N9L1N3s7Y6Wq9?ls   Amazon: https://music.amazon.com/user-playlists/65c1976794114d21a215dc7e68a729b7sune?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_XM7iQG0NCCJ79JZDSALnDyMVD

Today, God calls Abraham to do something that most of us would consider unthinkable, especially because we have the privilege of knowing God's character through the whole counsel of Scripture: He asks Abraham to sacrifice his son Isaac as an offering to the Lord. Abraham trusts the Lord, and as the author of Hebrews later notes, “He considered that God was able even to raise him from the dead, from which, figuratively speaking, he did receive him back.” As you listen, consider the parallels between this sacrifice and the sacrifice of Christ, who did not have a ram to be His substitute, but who, instead, was the sacrifice Lamb who became our substitute.Genesis 22 – 1:10 . Genesis 23 – 5:57 . Genesis 24 – 9:04 . Genesis 25 – 21:23 . Psalm 8 – 26:41 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

In today's episode, the Lord visits Abraham by sending three messengers to his home. He reveals that in a year's time he will give Abraham a son through his wife, Sarah. He also reveals that he is sending his messengers to Sodom and Gomorrah, because the wickedness of the people has grown so severe that it calls for complete annihilation. Before they are sent out, Abraham pleads with the Lord to spare the righteous and the Lord finally agrees that if even ten righteous people are found there, he will not destroy it. The angels rescue Lot, but as we will soon see, sin continues to flourish. Later, a son is born to Abraham and is named, “Isaac,” which means, “He laughs.”Genesis 18 – 1:15 . Genesis 19 – 7:42 . Genesis 20 – 14:43 . Genesis 21 – 18:58 . Psalm 6 – 24:14 . Psalm 7 – 25:35 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Today we get to see the Lord's faithfulness to a sinful man who doubts, who wavers, who makes poor decisions, but who ultimately responds to the Lord's instruction. It would be hard to argue that the Lord chose Abram because of his upstanding moral qualities, however, as his flaws aren't covered up or diminished. Instead, in God's own kindness, He makes promises to Abram, promises that will last from one generation to the next, on and on through the ages. The Lord makes these promises, not because Abram deserves it or because His holy hands would be tied without Abram's cooperate; instead, through his work in Abram's life God will show the world his steadfast love and sovereign provision.Genesis 14 – 1:17 . Genesis 15 – 5:34 . Genesis 16 – 9:09 . Genesis 17 – 13:20 . Psalm 5 – 18:50 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

After we wade through genealogies of Noah's sons, we encounter the tower of Babel, a monument to man's rebellion against God. Being made in the image of God, these men imitate their creator by creating, which is all well and good, except that they defy God's command to fill the earth and attempt to rob God of glory by making a name for themselves. God graciously uses language to scatter them so they can see the expansive majesty of His Creation rather than stare at the cute little tower they've made. In time, Abram is born, and God makes great promises as He calls Abram to follow His commands.Genesis 10 – 1:11 . Genesis 11 – 4:42 . Genesis 12 – 9:35 . Genesis 13 – 13:03 . Psalm 3 – 16:11 . Psalm 4 – 17:20 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Noah is often portrayed as a cartoonish old man surrounded by cute animals all smiling happily from their little boat; but the reality of the flood was far more grueling than the nursery murals suggest. Imagine what it would be like to survive an apocalyptic flood where almost everyone you know is destroyed and you're stuck in a crowded, floating menagerie. Noah is rightly credited as brave and faithful to the Lord, but the Bible doesn't allow us to think that the flood has solved the problem of sin. Even faithful Noah, who diligently constructed a massive vessel and survived destruction, was imperfect and flawed.Genesis 5 - 1:15 . Genesis 6 - 4:56 . Genesis 7 - 9:35 . Genesis 8 - 13:42 . Genesis 9 - 17:24 . Psalm 2 - 22:07 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

So much could be said about these first four chapters as Genesis 1-4 lays a foundation for the rest of Scripture. We learn about a God who creates all things out of His own volition in a way that is well-ordered and executed simply by proclamation. Special attention is given to the creation of mankind in God's own image and God's generous provision for man both before and after sin. Here, too, we see man's relationship with God fall from one of peace, unity, and harmony into one of disorder and division as man rejects God's good design and sins against His Maker.Genesis 1 - 1:12 . Genesis 2 - 7:13 . Genesis 3 - 12:10 . Genesis 4 - 18:11 . Psalm 1 - 23:20 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

This week, Rory's Cousin Owen drops in to hijack the podcast with a Cutwater-themed episode and a surprise game. Owen has a gripe about someone from last week's episode, a defense of Irish goodbyes, and the importance of never showing up empty-handed. Plus, Burna Boy, Drake, and Bobby Brown vinyls! Follow Rory: @itsRORYjames Subscribe and follow us at @superexcitedpod Stream Rory James: Acquired Taste

For more information visit commuterbible.org or patreon.com/commuterbible  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

On today's episode, there is celebration in heaven over the just destruction of Babylon, the great prostitute. By contrast, the marriage supper of the Lamb is announced, and His bride is dressed in fine linen, representing the righteous acts of the saints. The beast, the kings of the earth and their armies, and the false prophet are all thrown into the lake that burns with sulfur. Satan is bound in the abyss for a thousand years, then released in order to deceive the nations and gather them for battle against the saints, but they, too, are handily defeated. After the great white throne judgment, John sees the New Jerusalem, a city of glorious prosperity and security, illumined by the glory of God.Revelation 19 - 1:11 . Revelation 20 - 5:49 . Revelation 21 - 10:22 . Revelation 22 - 16:02 . Psalm 150 - 20:36 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

As God's wrath is poured out in seven phases, you'll be reminded of the plagues poured out on Egypt when pharaoh refused to let God's people leave and go to the Promised Land. Water turns to blood, the people are stricken with sores, demonic spirits appear like frogs, enormous hail stones fall, all under the direction of God Almighty and his angels. Following the seventh bowl of God's wrath, we'll read a post-script that section that tells us more about the great city named “Babylon,” her relationship with the beast, and the nature of her sins against God.Revelation 16 - 1:11 . Revelation 17 - 5:20 . Revelation 18 - 10:45 . Isaiah 66 - 17:31 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Revelation is full of imagery and symbolism that continues to spark discussion and debate among believers, but the overall impression that we should get from these prophecies is that the end is under God's full control; in his sovereignty and power He will execute his just wrath upon those who oppose Him, and those who trust Him are secured eternally, though not without temporary hardship. The beast will oppose God's witnesses and deceive many. The dragon, Satan, will fight for glory and wage war against God's people. Even so, neither the beast, nor the dragon, nor their followers will escape God's justice and wrath. God's faithful ones will be avenged and delivered.Revelation 11 - 1:09 . Revelation 12 - 5:19 . Revelation 13 - 9:14 . Revelation 14 - 14:21 . Revelation 15 - 19:29 . Isaiah 65 - 21:34 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

In our last episode, Jesus appeared to the apostle John with instructions for seven churches. After this, John sees God seated on His throne, attended by four living creatures and 24 elders in white robes. One like a slaughtered lamb appears in the midst of the throne to open a scroll that has seven seals. In today's episode, the lamb begins to open those seals. The first four seals release riders on horses, each with a different supernatural task. The fifth seal prompts the souls of those slain for their faithfulness to cry for justice. The sixth seal induces chaotic natural catastrophes and reveals those coming out of the great tribulation. Finally, the seventh seal prompts seven angels with trumpets.Revelation 6 - 1:14 . Revelation 7 - 4:58 . Revelation 8 - 10:07 . Revelation 9 - 13:00 . Revelation 10 - 17:07 . Isaiah 64 - 19:49 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Sometimes when you're studying the Bible you can get so deep into study that you miss the forest for the trees. Such is often the case with the book of Revelation, as we try to peer deeply into symbolism and the order of events to decipher what the end of days will look like. One big takeaway that we ought not miss is this: Jesus is absolutely glorious and eternally victorious. Take notice of the sheer amount of text used to describe the glory that John sees and the ways that those in heaven acknowledge King Jesus. Be encouraged by this simple, yet profound truth: Christ reigns with authority and power over the heavens and over all creation.Revelation 1 – 1:10 . Revelation 2 – 5:38 . Revelation 3 – 13:10 . Revelation 4 – 18:16 . Revelation 5 – 20:59 . Isaiah 63 – 24:38 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Not much is known about the prophet Malachi, (whose name means “my messenger”), but contextual clues suggest that this was written after the exile had ended. Enthusiasm for right worship of God had waned, and Malachi exhorts the priests to honor the Lord. Uniquely, Malachi presents his prophesy using a conversational pattern between the priests and the Lord God, wherein God makes a claim, the priests respond by asking questions, and subsequently the Lord answers. This book is a mixture of indictment and hope, pointing those who are indifferent to God's ordinances to worship rightly while encouraging the faithful to stay the course and receive the Lord's favor.Malachi 1 - 1:12 . Malachi 2 - 5:05 . Malachi 3 - 10:16 . Malachi 4 - 14:36 . Isaiah 61 - 16:12 . Isaiah 62 - 19:00 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

We are back with another fire episode, diving into the age-old question: Women's Intuition—Truth or Myth?

In our final episode in the book of Zechariah, the prophet proclaims that Jerusalem will be secure from warring nations. They will be blessed further through spiritual reconciliation with God. He will pour out a spirit of grace and prayer on the house of David and on Jerusalem, and they will mourn for the one they pierced. On that day a fountain will be opened to wash away their sin and impurity. Living water from Jerusalem will flow in abundance, Like the prophet Isaiah, Zechariah predicts that the nations will come from all around to worship the God of Israel.Zechariah 12 - 1:15 . Zechariah 13 - 4:33 . Zechariah 14 - 7:39 . Isaiah 59 - 12:55 . Isaiah 60 - 17:50 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Zechariah prophesies that judgment is coming for Zion's enemies, but in a surprising reversal after their punishment, God will call them to be a part of his people as a remnant. Later, Zion is called to rejoice, for their king is coming. He is described as being victorious, righteous and humble all at once, even riding a donkey instead of a mule as was customary for kings. The Lord promises to restore his people and defend them from their enemies. Finally, Zechariah takes on the role of a shepherd of those sheep who were raised for purpose of being slaughtered as a symbolic parallel, for the shepherds had not cared for them; they only used them for personal gain.Zechariah 9 - 1:09 . Zechariah 10 - 5:25 . Zechariah 11 - 9:07 . Isaiah 57 - 13:19 . Isaiah 58 - 18:09 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

We're picking up where we left off in the collection of visions that Zechariah saw, today looking at visions six, seven and eight. The vision of the flying scroll is an indication that God's just law is about to be executed in the land. Wickedness is personified as a woman who is taken captive and sent away to Babylon to be worshiped. The eighth vision, like the first, includes four horses who patrol the earth, signifying God's sovereignty over all creation. After this Zechariah addresses questions of fasting and declares that a day of fruitfulness and feasting is coming for those who seek the Lord.Zechariah 5 - 1:11 . Zechariah 6 - 3:20 . Zechariah 7 - 6:55 . Zechariah 8 - 9:40 . Isaiah 56 – 14:38 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

"I'll say the m word, I don't care." We're diving hog first into another local hour, talking about the Miami Hurricanes and Notre Dame Fighting Irish. Mike Ryan has been digesting Notre Dame podcasts non-stop in preparation for an upcoming chicken s**t press conference and is ready to start breaking down the upcoming Texas A&M game. David dives in stub first and reveals he thought Millie Bobby Brown was Bobby Brown and Whitney Houston's child. Plus, Amin is sick. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The prophet Zechariah was a contemporary of the prophet Haggai; both prophesy to those exiles returning to Jerusalem, but while Haggai focuses mainly on rebuilding the temple, Zechariah sees visions of a future king. As such is the case, the Gospels of Matthew, Mark, Luke, and John incorporate more passages from Zechariah than from any other prophet. In today's reading, Zechariah prophesies through night visions; we'll cover 5 out of 8 of them in this episode. One is of horsemen who patrol the world, another of horns and craftsmen, another of a man who surveys and measures Jerusalem, a fourth of the high priest Joshua and a servant called the Branch, and a fifth of a gold lampstand.Zechariah 1 - 1:13 . Zechariah 2 - 5:39 . Zechariah 3 - 8:53 . Zechariah 4 - 11:12 . Isaiah 54 - 13:58 . Isaiah 55 - 18:04 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

In Peter's second letter, the apostle writes to encourage the church to confirm their calling and election by exercising the divine power given to them for life and godliness. Peter warns them against false teachers who claim Christ but in reality are self-glorifying and treacherous, exploiting the church in their greed with made-up stories. Finally, Peter encourages the church to patiently await Christ's second coming, for the judgment of the wicked is sure. Since this is a short epistle we'll have a double dose of Isaiah, reading chapters 52-53, wherein the suffering servant is pierced because of our rebellion and crushed because of our iniquities, but we are healed by his wounds.2 Peter 1 - 1:13 . 2 Peter 2 - 4:59 . 2 Peter 3 - 9:42 . Isaiah 52 - 13:44 . Isaiah 53 - 17:09 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Like Jonah before him, the prophet Nahum preaches devastation and ruin for Ninevah, the capital of Assyria, a place of unparalleled power and wealth. Though they thought themselves to be secure from danger, their downfall came after nearby rivers flooded the city and destroyed part of the city wall, allowing Babylon to enter easily and set it ablaze. Later in Habakkuk, the prophet of the same name is recorded speaking to the Lord on behalf of his people. He openly and honestly struggles with understanding why God would allow injustice to prevail. By his conversation with the Lord, we are reminded of the sovereign power and authority of God, who calls the righteous to live by faith.Nahum 1 - 1:15 . Nahum 2 - 4:27 . Nahum 3 - 7:20 . Habakkuk 1 - 12:54 . Habakkuk 2 - 16:20 . Habakkuk 3 - 20:55 . Psalm 149 - 25:02 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

The prophet Zephaniah extends an urgent invitation to seek the Lord and only the Lord. At the time of Zephaniah's prophecy, even the priests in the house of the Lord were worshipping other gods. He predicts that a day of the Lord is approaching to eliminate those who rebel against Him, but in His grace, he will leave a meek and humble remnant. Later, in 2 Thessalonians, Paul writes to the church concerning how they should live in light of Christ's impending return. Rather than live idle lives, they are encouraged to work until that day comes, giving glory to God by loving each other well and committing themselves to faithful obedience.Zephaniah 1 – 1:09 . Zephaniah 2 – 5:02 . Zephaniah 3 – 8:47 . 2 Thessalonians 1 – 14:41 . 2 Thessalonians 2 – 16:55 . 2 Thessalonians 3 – 19:59 . Psalm 148 – 22:56 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

As we finish out the second half of the book of Micah, we'll immediately see another crystal clear prophecy; this one predicts that the coming Messiah will be born in Bethlehem, a small town that was unlikely to have anything significant take place within it. God promises that one day he will remove those earthly and idolatrous occupations which keep his people from worshipping him rightly, asserting that nations who have not obeyed him will receive his anger and wrath. Finally, Micah looks past the coming destruction of Israel to declare the future hope of redemption for those who repent from their sin and serve the Lord.Micah 5 - 1:08 . Micah 6 - 4:07 . Micah 7 - 8:38 . Isaiah 50 - 13:36 . Isaiah 51 - 16:30 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

The countdown is on and Hot House Hours has your NYE sorted with 3 hours of nostalgia taking us back to classic songs from Wham, Bobby Brown, The Doors, Pink, Kate Bush, Cyndi Lauper, Maroon 5, Bruno Mars, Dua Lipa, Rihanna, Whitney Houston, Oasis, The Verve and so much more! 1. She Wants (Nu Disco Mix) - Jackers Revenge [Booth Busters]

Given the time frame established by the prophet himself, Micah's prophecies are astoundingly clear and accurate, as he clearly pronounces the fall of Samaria, the destruction of Jerusalem, and the coming captivity in Babylon. The people had grown comfortable in religious activity but they were excusing sin and denying the possibility of judgment. He urges God's people to consider the nature and character of God Himself, and in so doing, they ought to repent in light of his justice and holiness.Micah 1 - 1:13 . Micah 2 - 4:40 . Micah 3 - 8:44 . Micah 4 - 11:34 . Isaiah 48 - 15:17 . Isaiah 49 - 20:06 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Joel is one of the shortest books of the Old Testament and is divided in two parts. The first half describes a plague of locusts that invade the land and destroy the land's produce, threatening the survival of animals, people, and even grain offerings before the Lord. That section ends with a plea for God's people to confess their sins, transitioning to the second half of the book, which contains promises of the Lord to restore and rebuild his people and the land. Interpreters debate about the relationship between the locusts & the army; is the army a swarm of locusts, or is Joel comparing the people of the army to that of a swarm of locusts? Maybe both! Regardless, the promises of God to restore repentant people resound w/ hope & joy.Joel 1 – 1:11 . Joel 2 – 4:45 . Joel 3 – 12:35 . Isaiah 47 – 16:49 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

On his second missionary journey recorded in Acts, Paul stopped in the port city of Thessalonica, preached in the synagogue, and a church formed in the city. In just a few short weeks, a riot began, and Paul was forced to leave the fledgling church body. Here in today's passage, Paul attempts to answer some unresolved questions that they have covering an array of topics. Though they had some misunderstandings, overall, they appear to be a faithful, God-fearing church, laboring side-by-side while looking for the Lord's return.1 Thessalonians 1 - 1:09 . 1 Thessalonians 2 - 2:58 . 1 Thessalonians 3 - 7:43 . 1 Thessalonians 4 - 9:51 . 1 Thessalonians 5 - 12:56 . Isaiah 46 - 16:49 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Contrary to Victorian era illustrations and Michelangelo's chubby cherubs in the Sistine Chapel, angels are always described as glorious and fear-inducing.  Whenever someone sees a vision of an angel in Scripture, the person who sees them is dumbfounded and crippled by fear. In most instances, the angel has to tell the person not to fear and followed by supernatural help to recuperate. Such is the case with Daniel, who receives an interpretation of his vision from an angel. There's far too much to talk about concerning the historical fulfillment of Daniel's vision, but the prophesy moves from near future to the end of days when it is mentioned that the king will do whatever he wants.Daniel 10 - 1:12 . Daniel 11 - 5:12 . Daniel 12 – 15:11 . Isaiah 45 - 18:18 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

We are now in the second half of Daniel which focuses on the dreams and visions that Daniel himself received. These visions include imagery of beasts, animals, and horns, representing kingdoms and the kings who come from them. Some of what Daniel sees is explained within the text itself while some remains the topic of debate and speculation to this day. Some, however, has clearly been fulfilled, like the goat which tramples the ram. The goat is the Greek Empire and it's conspicuous horn is Alexander the Great, who trampled the Medo-Persia empire only to die suddenly at the peak of his power. Antiochus emerges from one of the four new kingdoms, a ruler who persecutes the Jews, stops regular sacrifices, and defiles the temple.Daniel 7 - 1:09 . Daniel 8 - 8:12 . Daniel 9 - 14:39 . Isaiah 44 - 21:51 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

There are a few different ways to look at the structure of the book of Daniel, and one of them is to note that the first six chapters are comprised of narratives that contain prophecy, while the last six chapters are prophecies that contain history. These next three chapters each happen in successive time periods under successive kings whom Daniel served under, however, later chapters do not maintain chronological order. Each account shows God's supreme authority over all kings and kingdoms. Those who attempt to thwart the Lord's plans and the Lord's ways are all shown to be weak and easily dismissed.Daniel 4 - 1:11 . Daniel 5 - 10:57 . Daniel 6 - 19:09 . Isaiah 43:14-28 - 25:50 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

The book of Daniel is an extraordinary account of a young Judean exile who receives interpretation and prophecy from the Lord while serving foreign kings. Of particular significance in today's passage is the statue that Nebuchadnezzar sees in a dream. The statue's head of gold represented Babylon; its silver chest and arms: the Medo-Persian empire; the bronze stomach and thighs: the Greek empire; the legs of iron: the kingdom of Rome; and the mixed clay and iron feet: a continuation of Rome in later times. Finally, the rock represents the kingdom of God in Christ, as it easily destroys the manmade statue, enduring forever and spreading throughout the earth.Daniel 1 - 1:11 . Daniel 2 - 4:43 . Daniel 3 - 16:19 . Isaiah 43:1-13 - 23:30 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

The disciple Jesus loves, better known as John, continues to give us his account of the crucifixion and resurrection of Jesus. As in the rest of his gospel, John points out the ways in which the death of Jesus fulfilled the Scriptures that preceded him. While all of the gospel accounts include the resurrection of Jesus, each one gives unique perspectives from the participants of what happened afterward. After Jesus reveals himself to Mary Magdelene, we read three accounts of Jesus appearing to the disciples as a group. John writes all of this so that you may believe that Jesus is the Messiah, the Son of God, and that by believing you may have life in his name.John 19 - 1:17 . John 20 - 9:45 . John 21 - 16:25 . Isaiah 42 - 22:05 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

As Jesus walks to the garden where he will spend his final moments with the disciples, he continues to divulge the relationship between the persons of the Trinity. The Spirit comes from the Father and submits to the Son. The Son commands the Spirit but submits to the Father. And the Father has authority over the Son and the Spirit while still honoring both as equal in divinity. Jesus prays for His present disciples as well as those who will believe in the future, asking that they might know the Father's love and that they might be protected from the evil one. Finally, Jesus is captured and sent to trial before the Jews and before Pilate.John 15:26-27 – 1:11 . John 16 - 1:28 . John 17 - 7:34 . John 18 - 11:47 . Isaiah 41 - 20:11 .  :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org

Here in John's gospel, we get a lengthy behind-the-scenes look at the Last Supper. As Jesus eats the Passover meal with his disciples, he knows that the hour of His crucifixion is drawing near. As both Lord and servant, Jesus leads by example and washes the disciples' feet and commands them to love one another. It's revealed that Judas will betray Jesus, and he departs from the other disciples to execute his plan. Jesus reveals the nature of the relationships within the triune Godhead, describing how the Father, the Son, and the Holy Spirit relate to one another. Finally, Jesus tells his disciples that they should expect to be persecuted by the world.John 12 – 1:10 . John 13 – 9:25 . John 14 – 15:31 . John 15 – 20:44 . Isaiah 40 – 24:47 . :::Christian Standard Bible translation.All music written and produced by John Burgess Ross.Co-produced by Bobby Brown, Katelyn Pridgen, Eric Williamson & the Christian Standard Biblefacebook.com/commuterbibleinstagram.com/commuter_bibletwitter.com/CommuterPodpatreon.com/commuterbibleadmin@commuterbible.org