Podcast appearances and mentions of Bette Davis Eyes

In this episode, we discuss the songs from the 80's that spent the most weeks at the #1 spot on the pop charts. Be sure to click down to our playlist to listen to the full versions of these great songs.Connect with us at tapeheadspod.comRELATED LINKS:Our Most Weeks At #1 playlist, on SpotifyMadonna,"Like A Virgin" official video, on YouTubePaul McCartney and Michael Jackson, "Say Say Say" official video, on YouTubeIrene Cara, "Flashdance" official video, on YouTubeSurvivor, "Eye of the Tiger" official video, on YouTubeJ. Geils Band, "Centerfold" official video, on YouTubeKenny Rogers, "Lady" official video, on YouTubeBlondie, "Call Me" official video, on YouTubeMichael Jackson, "Billie Jean" official video, on YouTubePaul McCartney and Stevie Wonder, "Ebony and Ivory" official video, on YouTubeJoan Jett and the Blackhearts, "I Love Rock 'n' Roll" official video, on YouTubeThe Police, "Every Breath You Take" official video, on YouTubeLionel Richie and Diana Ross, "Endless Love" official video, on YouTubeKim Carnes, "Bette Davis Eyes" official video, on YouTubeOlivia Newton-John, 'Physical" official video, on YouTube

Kim Carnes never set out to be a pop star. In fact, if you asked her in the early days, she'd probably tell you she just wanted to write songs. But life had a way of nudging her toward the spotlight, and before she knew it, she was belting out hits that defined an era. Growing up in Los Angeles, Kim was the kind of kid who could lose herself in a song, spending hours at the piano, crafting melodies. She started as a songwriter, penning tunes for others long before the world ever heard her own husky, unmistakable voice. Her first real break came when she landed a songwriting contract in the late ‘60s. It wasn't long before people started to notice that this young woman wasn't just writing good songs—she had a voice that could make them unforgettable.In the ‘70s, Kim found herself working with some of the best. She teamed up with David Essex. Their friendship led to collaboration. She also became close with Kenny Rogers. Kim co-wrote Don't Fall in Love with a Dreamer with her husband, Dave Ellingson, and when she and Kenny recorded it as a duet in 1980, magic happened. But it was Bette Davis Eyes that changed everything. The song was originally recorded by Jackie DeShannon in the mid-'70s. But when Kim got her hands on it, she and producer Val Garay transformed it into something completely new. The arrangement was stripped down, the synths were bold, and Kim's raw, smoky vocals carried a haunting kind of power."When I first heard Jackie's version, I loved it," Kim says. "But it was so different from what we ended up doing. The minute we started playing around with it, I knew we had something special. That intro, those drums, the way it just pulls you in—I still get chills when I hear it."When Bette Davis Eyes hit the airwaves in 1981, it was like a shockwave. It climbed the charts fast, sitting at No. 1 for nine weeks—longer than any other song that year. It wasn't just a hit; it was THE hit. Even Bette Davis herself loved it, sending Kim flowers and thanking her for the song that made her a household name all over again. "Getting that letter from Bette Davis was surreal," Kim recalls. "She was so gracious, so kind. She told me she played the song at her parties, which just blew my mind."Kim could have ridden that wave forever, but she was never one to rest on past success. She kept writing, kept recording, and kept working with the people she admired. One of those people was Barbra Streisand."Barbra is a force," Kim says. "When we worked together on Make No Mistake, He's Mine, I knew I had to bring my A-game. She has this presence—she knows exactly what she wants, and she'll work until it's perfect. And that's why she's Barbra Streisand."The song felt like a conversation between two women who knew exactly what heartbreak sounded like. Their voices blended in an unexpected way—Barbra's controlled precision meeting Kim's gravelly warmth—and the result was stunning.Through the ‘80s and into the ‘90s, Kim remained a force in the industry, both as a performer and a songwriter. She wrote for some of the biggest artists out there, proving again and again that she had a gift not just for melody, but for telling stories that stuck with people.Fast forward to today, and Kim is still making music, still revisiting the songs that made her who she is. In 2024, she released Bette Davis Eyes (Kim's Version), a new take on her signature song. This wasn't just a rehash—it was a love letter to the original, re-recorded with some of the same musicians who helped shape it the first time around. "I wanted to do it justice," Kim explains. "I wasn't interested in just re-recording it for the sake of it. I wanted to feel that magic again."And the response? Incredible. Looking back, Kim Carnes' career wasn't about chasing fame—it was about making music that mattered. Whether writing for others or stepping up to the microphone herself, she's always been an artist first. And that's exactly why, all these years later, we're still listening.

(00:00-17:44) Doug used to strip to Bette Davis Eyes. Jackson and Ethan Holliday. Astros clearing money to bring back Alex Bregman? Talkin' fries and short game. Eric Karabell has Arenado going to Seattle. How about those Fightin' Tigers. Talk with your nostrils, man. Billiken Blizzard on Friday. Quiet day for Kelce. (17:52-33:48) Eaters Anonymous. I'll ask the question again, Senator. Some texters like to text in a dozen times or so. Bob Iger lining his pockets. People doing naughty things at the movie theatre. Sports fanatics vs. Disney adults. Jackson's thawing out. (33:57-52:46) Yoko Ono screaming into the mic and playing the bongos. Chiefs stand on business. Heavy push for Tim to become a Senator. Controversial spot on the 4th and 1. Will Spags get another head coaching gig? Is Travis Kelce goign to hang it up? Taking calls on Sports Plus. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-17:44) Doug used to strip to Bette Davis Eyes. Jackson and Ethan Holliday. Astros clearing money to bring back Alex Bregman? Talkin' fries and short game. Eric Karabell has Arenado going to Seattle. How about those Fightin' Tigers. Talk with your nostrils, man. Billiken Blizzard on Friday. Quiet day for Kelce. (17:52-33:48) Eaters Anonymous. I'll ask the question again, Senator. Some texters like to text in a dozen times or so. Bob Iger lining his pockets. People doing naughty things at the movie theatre. Sports fanatics vs. Disney adults. Jackson's thawing out. (33:57-52:46) Yoko Ono screaming into the mic and playing the bongos. Chiefs stand on business. Heavy push for Tim to become a Senator. Controversial spot on the 4th and 1. Will Spags get another head coaching gig? Is Travis Kelce goign to hang it up? Taking calls on Sports Plus. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We're on a break for the holidays, so we've unlocked some classic Patreon episodes. On this bonus pod, we finish off the video commentary on the first episode of our talk show, TNSW Tonight!, and chat about how the WAGP theme songs were made, spending your lottery winnings before you get em, songs with the word precocious in it, and we watch some Mary Poppins and the music video to Bette Davis Eyes.Sign up to our Patreon for a bonus pod each week (that's double the pod!) and other VIP stuff for just $5 a month:https://patreon.com/whatagreatpunkJoin us all in the TNSW Discord community chathttps://tnsw.co/discordWatch our Comedy Central mockumentary series and TNSW Tonight! on YouTube:https://youtube.com/thesenewsouthwhalesTNSW on Spotify:https://open.spotify.com/artist/0srVTNI2U8J7vytCTprEk4?si=e9ibyNpiT2SDegTnJV_6Qg&dl_branch=1TNSW: @thesenewsouthwhalessJamie: @mossylovesyouTodd: @mrtoddandrewshttps://patreon.com/whatagreatpunkhttps://thesenewsouthwhales.comShout-outs to the Honorary Punks of the Pod:Harry WalkomHugh FlassmanZac Arden BrimsClaireJimi KendallEdmund SmithLachy TanDerrotonin69Adjoa Sam

Send us a textThis episode, we look at what Rolling Stone magazine considers to be the best songs of the 80's.  We have been critical of Rolling Stone in the past for the quality of their lists, and this time is no different.  However, there's some good stuff in this list, which we're happy to acknowledge.  Of course, we point out their failings as well – it'd be no fun if we didn't, would it?! In Rock News, we look at a new album from Coldplay (as if anybody cares!), the trials of Sean “Puffy” Combs, and The Beatles. Our “Album You Must listen to Before you Die” is 1985's The Nation's Saving Grace, by The Fall.  Mick loves it, Jeff doesn't think much of it.   So, what's new? Another fun episode.  Enjoy.  References:  Rolling Stone magazine, 80's, Coldplay, ‘Moon Music', No 1 album, Sean Diddy Coombs, Puff Daddy, Diddy, Cassie Ventura, Beatlemania, Beatles '64, David Tedeschi, Disney+, The Fall, The Nations Saving Grace, John Leckie, Mark E Smith, Can, German, krautrock, Damo Suzuki, DoubleJay, TripleJ, Prince, ‘Kiss', Madonna, ‘Like a Prayer', Grandmaster Flash and the Furious Five, ‘The Message', Michael Jackson, ‘Billie Jean', Public Enemy, ‘Bring the Noise', Whitney Houston, ‘How Will I Know?”, The Go-Gos, ‘Our Lips Are Sealed', Duran Duran, ‘Hungry Like the Wolf', Kate Bush, ‘Running Up That Hill', The Smiths, ‘There Is a Light That Never Goes Out', Husker Du, Minutemen, rap artists, Bowie, Depeche Mode, Culture Club, Clash, Neneh Cherry, U2, Joy Division, AC/DC, “Hell's Bells”, INXS, “Never Tear Us Apart”, Apple music streaming, Leonard Cohen, Tower of Song, Sisters of Mercy, “This Corrosion”, “Floodland”, Jim Steinman, “New Big Prinz”, Frankie Goes to Hollywood, “Relax", Cher, “If I Could Turn Back Time”, Missouri, Bow Wow Wow, “I Want Candy”, Haysi Fantaysee, “Shiny Shiny”, Countdown, Falco, “Rock Me, Amadeus”, A-Ha, “Take on me”, Nena,  99 Luftballon, Kim Carnes, “Bette Davis Eyes”, Shriekback, “Nemesis", parthenogenesis, Samantha Fox, Africa, Toto  Playlist – Episode This is our usual playlist, where we curate a list to play what we've talked about in the episode Playlist – Spotify's complete list  Africa – Mass band  Samantha Fox web site – purely for academic interest! 

This episode features Mossy and Rob choosing their own songs. The program starts with the 1980 Song Of The Year from Kim Carnes, Bette Davis Eyes. It's followed by Australian... LEARN MORE The post Lucky Dip appeared first on Yesterday Once More.

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard's official Song of the Summer. Wait…there's an official Song of the Summer? Isn't that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard's official Song of the Summer. Wait…there's an official Song of the Summer? Isn't that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard's official Song of the Summer. Wait…there's an official Song of the Summer? Isn't that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard's official Song of the Summer. Wait…there's an official Song of the Summer? Isn't that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard's official Song of the Summer. Wait…there's an official Song of the Summer? Isn't that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

“Summer in the City.” “I Feel the Earth Move.” “Bette Davis Eyes.” “Whoomp! There It Is.” “Get Lucky.” “Espresso.” What do these big summer hits all have in common? None of them was Billboard's official Song of the Summer. Wait…there's an official Song of the Summer? Isn't that something that just happens organically? Every year, it seems everybody has an opinion on this musical national pastime. But the Hot 100 often tells a different story. For every “Light My Fire,” “Bad Girls,” “Crazy in Love,” “California Gurls” or “Call Me Maybe”—a hot-weather hit that unites the charts and the punditry—there are confirmed summer smashes that no one would pick out of a lineup, from Zager and Evans to Iggy Azalea. Join Chris Molanphy as he traces the tangled story of how America came to decide there should be one victorious summer hit to rule them all. And he counts down the best Songs of the Summer by decade. Is it getting “Hot in Herre,” or is it just us…? Podcast production by Kevin Bendis. Learn more about your ad choices. Visit megaphone.fm/adchoices

On the Patreon bonus episode of the pod this week we finish off the video commentary on the first episode of our talk show, TNSW Tonight!, and chat about how the WAGP theme songs were made, spending your lottery winnings before you get em, songs with the word precocious in it, and we watch some Mary Poppins and the music video to Bette Davis Eyes. To listen and watch the full episode and support the pod, head over to our Patreon page at https://patreon.com/whatagreatpunkSign up to our Patreon for a bonus pod each week (that's double the pod!) and other VIP stuff for just $5 a month:https://patreon.com/whatagreatpunkJoin us all in the TNSW Discord community chathttps://tnsw.co/discordWatch our Comedy Central mockumentary series and TNSW Tonight! on YouTube:https://youtube.com/thesenewsouthwhalesTNSW on Spotify:https://open.spotify.com/artist/0srVTNI2U8J7vytCTprEk4?si=e9ibyNpiT2SDegTnJV_6Qg&dl_branch=1TNSW: @thesenewsouthwhalessJamie: @mossylovesyouTodd: @mrtoddandrewshttps://patreon.com/whatagreatpunkhttps://thesenewsouthwhales.comShout-outs to the Honorary Punks of the Pod:Harry WalkomHugh FlassmanZac Arden BrimsClaireJimi KendallEdmund SmithLachy TanDerrotonin69Adjoa Sam

He's been behind classic tracks from artists like James Taylor, Linda Ronstadt, Kim Karnes, and Neil Diamond, with a career stretching from 3-track tape to Pro Tools. We talk about what's changed and what remains the same.

XRadioX Fans!We rejoin our heroes as they are faced with deciding if Sonny will come home?Will The Police answer the musical 911 call from within the house?Is "Bette Davis Eyes" a super fun pop song?  SHOULD it be on Jeff's playlist?  Is it... Unforgettable?Or is it forgettable.Can these friends Change The World with a little help from Dionne and her friends?Is Jeff broadcasting from a coffee can?  A box?  A closet?  Your mom's basement?Is Jayce being abducted by aliens mid podcast?Eric... Willy... Dionne... Kim... More Eric...  Shawn... Sting...  Wilson...  Phillips... The World... Chicago...  They're all here!  Battling.  Singing.  And all being done with NO AUTO TUNE!!!Tune in for this final part of our first ever XRadioX March Music Madness Bracket that was unfortunately delayed to April for your listening pleasure.You won't be sorry.  (No actual guarantees that you actually won't be sorry, but I thought the drama of the statement would be pertinent considering the implied drama of all the other statements made.)Enjoy!Send feedback to xradiox.feedback@google.comp.s.  Happy Birthday to My Brother.  This episode is posting on your b-day.  This episode isn't directly for you but lets pretend it is because I forgot to get you anything.  ;)

You can now join our mailing list and have access to all our videos. https://lp.constantcontactpages.com/sl/9qk7AEYGet your own “Rock History Music” baseball cap https://rock-history-music-store.creator-spring.com/listing/rock-history-music-hatIf you would like to donate to "Rock History Music"https://www.paypal.com/donate/?hosted...Support “Rock History Music” on Patreonhttp://patreon.com/rockhistorychannelsSupport the show

Paddy and Maz spoke with Kim Carnes about her time at the making of "We are the World" and also about her hit track "Bette Davis Eyes"See omnystudio.com/listener for privacy information.

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Theo tells the story of the Los Angeles singer/songwriter's 1981 movie star name-dropping synth-rock chart-topper. Hosted on Acast. See acast.com/privacy for more information.

Cartoonist Nate Powell joins the show to talk about his career and upcoming graphic novel, Fall Through. Powell discusses promoting comics, the social media environment, his love of the X-Men, how his varying interests affect him as a cartoonist, the overlap between comics and music, Swallow Me Whole's position in his career, March's impact, the big emotions of Fall Through, the universal nature of youth, the pandemic and Haim's impact on the book, Diamond Mine, his band Soophie Nun Squad, music world specifics, his process, what keeps him focused on comics, and more.

"Les inconnus connus" d'Éric Russon : Les yeux de Kim. L'écrivain français Philippe Besson pour son nouveau roman "Un soir d'été" (Julliard) et pour la nouvelle édition de "Bonjour Tristesse" de Françoise Sagan, qui fête cette année ses 70 ans (publié le 15 mars 1954) et dont il signe la préface. « Nous étions six – cinq garçons et une fille – insouciants, frivoles, joyeux, dans un été de tous les possibles. Pourquoi a-t-il fallu que l'un d'entre nous disparaisse ? » S'inspirant d'une histoire vécue, Philippe Besson retrace un drame de sa jeunesse, survenu dans l'île de Ré, un soir de juillet, au milieu des années 80… "J'entends des voix" de Laurence Bibot : La voix des femmes de... Le talk-show culturel de Jérôme Colin. Avec, dès 11h30, La Bagarre dans la Discothèque, un jeu musical complétement décalé où la créativité et la mauvaise foi font loi. À partir de midi, avec une belle bande de chroniqueurs, ils explorent ensemble tous les pans de la culture belge et internationale sans sacralisation, pour découvrir avec simplicité, passion et humour. Merci pour votre écoute Entrez sans Frapper c'est également en direct tous les jours de la semaine de 11h30 à 13h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Entrez sans Frapper sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8521 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

VINTAGE-FUTURISM STORYTELLER KELLY DECO RELEASES NEW LYRIC VIDEO, “CREATURE DREAMS” FROM HIS LATEST ALBUM CONSTELLATION PRODUCED BY FIVE-TIME GRAMMY WINNER VAL GARAY (LINDA RONSTADT, JAMES TAYLOR, KIM CARNES): SPECIAL EVENT ON INTERVIEWING THE LEGENDS. Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho. Steeped in the magic and mystery of an artist's life in the Hollywood movie machinery, vintage-futurism storyteller Kelly Deco moves through space and time with imaginary twists on figures we sometimes see in the sky and know in our hearts. The stars first aligned for Kelly in 1990 when the release of “Big Fish” and the independently produced video for “No Reality” (directed by Wayne White, three-time Emmy award winning designer for Pee-Wee's Playhouse and Peter Gabriel's “Big Time”) became widely publicized. The “No Reality” clip was played on numerous nationwide video programs. In 1991 it garnered national attention; it ultimately charted in Billboard's “Viewers Top Request,” and was the most requested video on Night Tracks. Deco's latest album Constellation was produced by legendary and Grammy award winning music producer Val Garay (Linda Ronstadt, James Taylor, Kim Carnes, etc.) and released through Deko Entertainment.   Val Garay is a legendary producer and engineer who has garnered 5 Grammy wins, over 100 gold and platinum records, an Emmy nomination, and over 125 million worldwide record sales. Val's award-winning work with James Taylor, Kim Carnes, Elton John, The Motels, Bonnie Raitt, Pablo Cruise, Neil Diamond, Ringo Starr, Linda Ronstadt, and more, is just the beginning. The album has eleven brand new songs with standout tracks “Automat Girl”, “David Bowie's Brain”, and the latest single and video “Creature Dreams” As Deco states, "You are from the sky. Do you wonder why?” If you are looking for Retro-futuristic, rock, love, and fantasy. Songs with a mix of old 70s rock and futuristic spins on Bowie, Meatloaf, Anthony Newley, and an eclectic mix, Constellation is the album for you. PLEASE WELCOME SINGER/SONGWRITER/GUITARIST KELLY DECO AND GRAMMY AWARD WINNING PRODUCER / ENGINEER AND SONGWRITER VAL GARAY TO INTERVIEWING THE LEGENDS …     PURCHASE CONSTELLATION BY KELLY DECO PRODUCED BY VAL GARAY View the lyric video for “Creature Dreams: at https://youtu.be/xLwekLw3KWE Purchase the album at https://kellydeco.com/ If you are looking for Retro-futuristic, rock, love, and fantasy. Songs with a mix of old 70s rock and futuristic spins on Bowie, Meatloaf, Anthony Newley, and an eclectic mix, Constellation is the album for you.   FOR MORE INFORMATION ABOUT KELLY DECO And VAL GARAY VISIT KELLY DECO https://kellydeco.com/ Kelly Deco official website https://www.facebook.com/KellyDecoMusic Facebook https://twitter.com/kellydeconow Twitter https://www.instagram.com/kdeconow/ Instagram https://www.youtube.com/channel/UCSd8LIMe3CZ9Pe1thz--yVQ YouTube https://open.spotify.com/artist/0PWegddliEwu6SPj18Iepg Spotify VAL GARAY http://www.valgaray.com/ Official site     Support us on PayPal!

Beth covers “Sexy Eyes” by Dr. Hook and Amy covers “Bette Davis Eyes” by Kim Carnes.  Listen to the songs first before Amy & Beth ruin them for you.Email us at amyandbetharesorry@gmail.comVisit us on Instagram at https://instagram.com/sorryiruinedthatsong?igshid=1cqqhy050qg8qListen to our Spotify Playlist here:https://open.spotify.com/playlist/4TWLMgrKwCQzh24umxIB5R?si=zUmNWqQfRwCBVzvExGLSvACheck us out on TikTok: https://vm.TikTok.com/TTPdMmQJS8/Logo artwork by: http://www.etsy.com/uk/shop/MollyPukes

Der Kalte Krieg verfestigte sich weiter auf politischer Ebene und auf kultureller Ebene gab es eine kreative Explosion nach der anderen. Wir haben das vor allem an der Musik gemerkt, weil es so viele Songs gibt, die uns bis heute verfolgen. 1981 hatte ei e Menge davon, wie ihr in Folge 20 von Tales of Us selbst feststellen könnt. Auch in der Technik gab es auch viele Milestones in 1981: Die CD, den Sinclair Spectrum ZX81 Heimcomputer, Microsoft brachte MS-DOS in der Version 1.0 an den Start und IBM ließ den ersten IBM-PC auf die Menschheit los. Ronald Reagan wurde Präsident in den USA, Francois Mitterand in Frankreich und Mubarak in Ägypten. Auch aus Hessen gibt es für 1981 Bemerkenswertes zu vermelden: Die Alter Oper wurde wieder eröffnet und der Start des Ausbaus des Frankfurter Flughafens musste durch Polizei und Grenzschutzbeamte geschützt werden. Dies und mehr erfahrt ihr dieses Mal. Viel Spaß!Folgende Songs haben wir heute auf die Playlist gesetzt:Kim Carnes: Bette Davis EyesVisage: Fade to GreyFür Euch stehen folgende Songs zur Auswahl:Depeche Mode: Just Can't Get EnoughKim Wilde: Kids in AmericaPhil Collins - In The Air TonightDie "Mother of all Playlists" findet ihr bei Spotify und AmazonMusic.Erreichen könnt ihr uns untertalesofus.de oder über Facebook und Instagram

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Ein Lied über eine Hollywood-Schauspielerin – genauer gesagt über ihre Augen – war 1981 in den USA das beliebteste Lied überhaupt: «Bette Davis Eyes». Seinen Ursprung hat der Song in den 70er-Jahren, die kalifornische Sängerin Kim Carnes machte ihn aber in den 80ern zum verführerischen Überhit.

Producer Rob is joined in-studio by Dan Holmes, of The Screaming Chokos, a legendary local band! Hear them reminisce about Toowoomba's music scene, before Dan RIPS THROUGH a cover of the Kim Carnes classic, "Bette Davis Eyes"!See omnystudio.com/listener for privacy information.

Topics include “in this house” signs, the song Bette Davis Eyes, the new Dune trailer, the Great North, cats (good & bad),  Marjorie Taylor Green, ”digital only fashion”, and some real talk about the Handmaid's Tale (tv). Plus, a 2006 Cosmo tells us ladies to stop nagging and let our guys be “quirky.” And finally, we F**k/Marry/Kill three famous “Roses”…in honor of our mothers.*This episode is dedicated to Arnold the cat (and not Danny).

Kim Carnes, Jackie DeShannon, Donna Weiss, Val Garay, and me.

Hey Scaredy Cats. Welcome back to the month of camp carnage. I know, I know, no one goes to camp in January, but when you're stuck in the frozen tundra that is Ontario in the winter, you gotta do what you gotta do. As a kid growing up in the eighties, slashers were all the rage. Some of the first horror movies I saw were eighties slashers. So, I definitely have a soft spot for them and the more ridiculous the better. When I heard that there was a love letter to the subgenre with a soft marshmallow centre, I knew it was the kind of movie that I needed in my life. Did I mention that I listened to Bette Davis Eyes on repeat back in the day? Ok, so you couldn't exactly listen to something on repeat back then. You had two options. You either made a tape with just that song on it OR you would take a couple of minutes, rewind and play again. But I digress. Let's head to Camp Blue Finch and meet some new camp counsellors and the menacing killer who's going to ruin all the sexy times and fun. It's time to meet THE FINAL GIRLS. I'm your host Sherri and this is just your friendly reminder that as always there will be loads of spoilers, so if you haven't seen the movie, go watch it! Otherwise, proceed at your own risk. Joining us today are Katie and Nick! Contact/Follow UsEmail: scaredycats.podcats@gmail.comTwitter: @CatsScaredyInstagram: @scaredycatsthepodcastHive: @scaredycatsthepodcastTwitch:  scaredysherriLetterboxd: @scaredysherriYouTubeExtra LifeGive our guests a follow as well!Katie:Twitter: @katie_usuallyInstagram: @katiesingsthoughSchitt's Simply the Best Podcast:Instagram: @schittssimplythebestpodcastApple: https://podcasts.apple.com/ca/podcast/schitts-simply-the-best-the-podcast/id1470807845NickTwitter: @vnvdiakH.P. Lovecast: Twitter: @HPLovecastApple: https://podcasts.apple.com/us/podcast/h-p-lovecast-podcast/id1508892873Support the show

Merriam-Webster's Word of the Day for January 2, 2023 is: precocious • prih-KOH-shus • adjective Precocious means "having or showing mature qualities at an unusually early age." It can also mean "exceptionally early in development or occurrence." // A precocious musician, he's been performing concerts since the age of seven. // She was a precocious child who could read before she started school. See the entry > Examples: "Songs aside, the musical [Matilda] follows the plot of [Roald] Dahl's book pretty closely, chronicling the life of Matilda Wormwood, a precocious and sweet child who feels misunderstood by everyone both at home and at school." — Emma Dibdin, Town & Country, 17 June 2022 Did you know? Precocious got its start in Latin when the prefix prae-, meaning "ahead of," was combined with the verb coquere, meaning "to cook" or "to ripen." Together, they formed the adjective praecox, which meant "early ripening" or "premature." By the mid-1600s, English speakers had turned praecox into precocious and were using it especially to describe plants that produced blossoms before their leaves came out. Within decades, precocious was also being used to describe humans who developed skills or talents sooner than others typically did. Pop music lovers may recall the lyric "She's precocious!" from "Bette Davis Eyes," although the song itself was something of a late bloomer: originally released in 1974 by Jackie DeShannon (and cowritten by DeShannon and Donna Weiss), it didn't become a hit until Kim Carnes' Grammy Award-winning version was released in 1981.

Music:Wilco "Jesus, Etc."David Bowie "Changes"Jackie DeShannon "Bette Davis Eyes" original (1974)Q. How are you doing?When was the last time it was acceptable to reply "I'm great!"?We conclude somewhere around the summer of 2016. Pre-Trump, Pre-pandemic.7 minMichael talks about his early experiences with books12 minOur last tennis match in San Francisco (Summer, 2007)Michael moves to Nicaragua for a year.15 minA Drive North from SF to Portland, Oregon (March 2014) 20 minDealing with GriefMichael's mom died of cancer in 2014 and his dad died of cancer this summer. 25 minThe Holidays36 minFamily Games The computer game The Oregon Trail has biblical overtones.  38 minMichael's dad worked as a computer engineer at IBMThe family moved from Westchester, New York to Portland, Oregon in the early 1990s.45 minHyphenated Names50 minDepression - Overt Depression versus Covert Depression54 minMichael's GrandfatherMichael describes his father's father. Michael thinks about his dad's upbringing and how it impacted his dad. Michael has letters from the 1970s, written by his grandfather, annotated by his grandmother. 63 minMichael's Dad, near the end of his life. After 14 months and four rounds of chemotherapy for pancreatic cancer, Michael's Dad chose the "Death with Dignity" option (Oregon law) that allows a person who is suffering with a terminal illness to end their life. Michael describes the experience of getting the news of his father's choice. 68 minDeath with Dignity Michael describes the process of his parents dying and the "Death with Dignity" option for terminally ill people and talks about the end of each of his parents lives.79 minLife is Fragile89 minPerfect Day PublishingMichael is publishing the tenth book under Perfect Day Publishing, a small press he started in 2012. The next book to be released is: Staring Contest: Essays about Eyes by Joshua James Ambersonhttps://joshuajamesamberson.commusic clip: "Bette Davis Eyes" original by Jackie DeShannon (1974)95 minCopy-Editing, Publishing Process98 minWhat Does Reading Mean Today? We discuss different types of reading and writing and how our culture is changing around reading habits.Podcast recommendation - On Reading and the BrainEzra Klein with Maryanne Wolfhttps://podcasts.apple.com/us/podcast/this-conversation-about-the-reading-mind-is-a-gift/Maryanne Wolf is a researcher and scholar at U.C.L.A.'s School of Education and Information Studies. Her books “Proust and the Squid: The Story and Science of the Reading Brain” and “Reader, Come Home: The Reading Brain in a Digital World” explore the relationship between the process of reading and the neuroscience of the brain. In Wolfe's view, our era of information overload represents a historical inflection point where our ability to read — truly, deeply read, not just scan or scroll — hangs in the balance.

Fashion guru Efrain answers your beauty questions ~ The Best of the Beekeeper Era 1. Original Sinsuality (1 April 2005 - Clearwater, FL) 2. Blood Roses (14 August 2005 - Detroit, MI) 3. Past the Mission (26 August 2005 - Montreal, QUE) 4. Barons of Suburbia (11 September 2005 - Concord, CA) 5. Suede (11 August 2005 - Tampa, FL) 6. Space Dog (24 April 2005 - San Francisco, CA) 7. Sleeps With Butterflies (28 June 2005 - Frankfurt, GER) 8. Like A Prayer (6 July 2005 - Florence, ITA) 9. Bette Davis Eyes (16 September 2005 - Phoenix, AZ) 10. Liquid Diamonds (7 July 2005 - Rome, ITA) 11. Marys of the Sea (10 April 2005 - Hartford, CT) 12. Apollo's Frock (23 August 2005 - Saratoga Springs, NY) 13. General Joy (18 May 2005 - Melbourne, AUS) 14. Hotel (16 September 2005 - Phoenix, AZ) 15. The Beekeeper (28 August 2005 - Rochester Hills, MI) 16. Cars and Guitars (8 September 2005 - Woodinville, WA) 17. Jamaica Inn (5 September 2005 - Denver, CO) 18. Sister Janet (3 June 2005 - London, ENG) 19. Taxi Ride (19 August 2005 - Holmdel, NJ) 20. Toast (17 September 2005 - Los Angeles, CA)

Studying the lyrics to Bette Davis Eyes by Kim Carnes and Piece Of My Heart by Janice Joplin as we look at the energy of card numbered three in the Major Arcana

We are coming at you LIVE from the PODCAST PARTY HOUSE!!!!We are joined by Mike & Wayne from The Cookie & Cream Podcast as well as the regular 1001 crew to do our very first face-to-face podcasts and it is a BLAST!!!Why does Kim Carnes carry around an actress's eyes with her like she Crumb for AHHHH! Real Monsters? We find out!  If you enjoy our podcast and can afford to shoot some shrapnel our way we would be absolutely bloody stoked about it! You can sign up for as little as $2 a month and receive bonus episodes, extra content and even be a guest on the podcast if you're keen! Jump on our Patreon page now and sign up! Please tell your mates about the podcast and jump on Apple Podcasts/iTunes and give us a 5-star review!Blessington Support the podcast when you buy a Blessington watch! Use the promo code “1001songs” at checkout. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

We'll tell you for sure that one song got into the Hall of Songs from our recent election, the 32nd overall. But two? In the 1980s? Is it possible?Listen to get the full results of the latest vote. You'll hear what happens to songs like current smash hit "Running Up That Hill" and former smash hit "Bette Davis Eyes" ... and everything in between.

Get more at podsematary.com! Read our afterthoughts for this episode at https://twitter.com/PodSematary/status/1549195416930885632 CW: Suicide, Sexual Assault, Sexual Harassment, Homophobia It's Meta Week on Pod Sematary! Chris & Kelsey are self-referential and silly. Don't think too hard about it. The Classic Film: Gremlins 2: The New Batch (1990) "The Gremlins are back, and this time, they've taken control of a New York City media mogul's high-tech skyscraper” (IMDb.com). Gremlins 2 was a too-late sequel to a pop culture phenomenon that didn't feel like the original at all. But if you can get over that, it sure is a lot of stupid fun. The Modern Film: The Final Girls (2015) "A young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom's most famous movie. Reunited, the women must fight off the film's maniacal killer” (IMDb.com). The Final Girls is a love letter to—not a takedown of—slasher films from the 80s. The logic may not work, but who cares, really? Audio Sources: "Bette Davis Eyes" written by Donna Weiss & Jackie DeShannon and performed by Kim Carnes "Cherry Pie" written by Jani Lane and performed by Warrant "The Final Girls" (2015) produced by Groundswell Productions "Gremlins" produced by Warner Bros. & Amblin Entertainment "Gremlins 2: The New Batch" produced by Warner Bros. & Amblin Entertainment "Hollywood Sequel Doctor" (Key and Peele S05E08) produced by Monkeypaw Productions, et al. "Joker" (2019) produced by Warner Bros., et al. "Looper" (2012) produced by TriStar Pictures, et al. "My Name is Bruce" produced by Dark Horse Entertainment & Image Entertainment "Spaceballs" produced by Brooksfilms & Metro-Goldwyn-Mayer

The 1980s were headed into frightening times politically. The threat of war and potential nuclear conflict was pervasive. So naturally music would reflect the times, right? Sure thing....Bette Davis Eyes, Nine To Five (Morning Train), This Ole' House, You Weren't In Love With Me, and Just The Two Of Us were what people were buying – they reflect the times, right? Welcome to episode 96 of See Hear Podcast. Okay, okay.....I loaded up some songs that were the antithesis of the films under question, but just wanted to make a point that what was popular in the mainstream was still a long way from the more edgy music that rock fans were taking joy and catharsis in. While a lot of the new wave of music wasn't necessarily focusing on the fears of the world, its often jittery nature and aggressive sounds surely reflected the state of the world (that's my theory and I'm sticking with it). Tim and Bernie look at a pair of films released in 1981. For the main part, they discuss Urgh! A Music War, a concert film showing the diversity of the “new wave” / post punk bands of the era. How else are you going to find a connection between Klaus Nomi, XTC, Gary Numan and The Cramps? It's a great time capsule of the era showing that musicians didn't choose (at least at first) to play it safe, but still found varying levels of success. They also look at a film more musically focused called Dance Craze – a concert film featuring a range of bands from the British ska revival of the late 70s / early 80s. While any of these bands could have easily fit into Urgh! A Music War, it's great that Dance Craze exists as a companion piece. Later in the show, I speak with director and friend of the show, Skizz Cyzyk about a documentary he's been working off and on for many years called Urgh! Revisited. Acknowledging that there's not much information out there about U!AMW, Skizz has interviewed a range of musicians from the original film about their recollections of the era, and how the film got made. Hopefully, he gets to finish it and put some perspective on a cherished film without much documented history. Our huge thanks to Skizz for joining us. U!AMW can be found on Kanopy in some regions, or at https://archive.org/details/urghamusicwar Dance Craze is on Youtube at https://www.youtube.com/watch?v=CVexewVb2B4 You can find out info about Skizz's film and music adventures at http://www.skizz.net/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en You can download the show by searching for See Hear on whatever podcast app you favour. Learn more about your ad choices. Visit megaphone.fm/adchoices

The 1980s were headed into frightening times politically. The threat of war and potential nuclear conflict was pervasive. So naturally music would reflect the times, right? Sure thing....Bette Davis Eyes, Nine To Five (Morning Train), This Ole' House, You Weren't In Love With Me, and Just The Two Of Us were what people were buying – they reflect the times, right?Welcome to episode 96 of See Hear Podcast.Okay, okay.....I loaded up some songs that were the antithesis of the films under question, but just wanted to make a point that what was popular in the mainstream was still a long way from the more edgy music that rock fans were taking joy and catharsis in. While a lot of the new wave of music wasn't necessarily focusing on the fears of the world, its often jittery nature and aggressive sounds surely reflected the state of the world (that's my theory and I'm sticking with it).Tim and Bernie look at a pair of films released in 1981. For the main part, they discuss Urgh! A Music War, a concert film showing the diversity of the “new wave” / post punk bands of the era. How else are you going to find a connection between Klaus Nomi, XTC, Gary Numan and The Cramps? It's a great time capsule of the era showing that musicians didn't choose (at least at first) to play it safe, but still found varying levels of success. They also look at a film more musically focused called Dance Craze – a concert film featuring a range of bands from the British ska revival of the late 70s / early 80s. While any of these bands could have easily fit into Urgh! A Music War, it's great that Dance Craze exists as a companion piece.Later in the show, I speak with director and friend of the show, Skizz Cyzyk about a documentary he's been working off and on for many years called Urgh! Revisited. Acknowledging that there's not much information out there about U!AMW, Skizz has interviewed a range of musicians from the original film about their recollections of the era, and how the film got made. Hopefully, he gets to finish it and put some perspective on a cherished film without much documented history. Our huge thanks to Skizz for joining us.U!AMW can be found on Kanopy in some regions, or at https://archive.org/details/urghamusicwarDance Craze is on Youtube at https://www.youtube.com/watch?v=CVexewVb2B4You can find out info about Skizz's film and music adventures at http://www.skizz.net/If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens.....See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com.Send us feedback via email at seehearpodcast@gmail.comJoin the Facebook group at http://facebook.com/groups/seehearpodcastCheck out the Instagram page at www.instagram.com/seehearpodcast/?hl=enYou can download the show by searching for See Hear on whatever podcast app you favour.

The 1980s were headed into frightening times politically. The threat of war and potential nuclear conflict was pervasive. So naturally music would reflect the times, right? Sure thing....Bette Davis Eyes, Nine To Five (Morning Train), This Ole' House, You Weren't In Love With Me, and Just The Two Of Us were what people were buying – they reflect the times, right?Welcome to episode 96 of See Hear Podcast.Okay, okay.....I loaded up some songs that were the antithesis of the films under question, but just wanted to make a point that what was popular in the mainstream was still a long way from the more edgy music that rock fans were taking joy and catharsis in. While a lot of the new wave of music wasn't necessarily focusing on the fears of the world, its often jittery nature and aggressive sounds surely reflected the state of the world (that's my theory and I'm sticking with it).Tim and Bernie look at a pair of films released in 1981. For the main part, they discuss Urgh! A Music War, a concert film showing the diversity of the “new wave” / post punk bands of the era. How else are you going to find a connection between Klaus Nomi, XTC, Gary Numan and The Cramps? It's a great time capsule of the era showing that musicians didn't choose (at least at first) to play it safe, but still found varying levels of success. They also look at a film more musically focused called Dance Craze – a concert film featuring a range of bands from the British ska revival of the late 70s / early 80s. While any of these bands could have easily fit into Urgh! A Music War, it's great that Dance Craze exists as a companion piece.Later in the show, I speak with director and friend of the show, Skizz Cyzyk about a documentary he's been working off and on for many years called Urgh! Revisited. Acknowledging that there's not much information out there about U!AMW, Skizz has interviewed a range of musicians from the original film about their recollections of the era, and how the film got made. Hopefully, he gets to finish it and put some perspective on a cherished film without much documented history. Our huge thanks to Skizz for joining us.U!AMW can be found on Kanopy in some regions, or at https://archive.org/details/urghamusicwarDance Craze is on Youtube at https://www.youtube.com/watch?v=CVexewVb2B4You can find out info about Skizz's film and music adventures at http://www.skizz.net/If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens.....See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com.Send us feedback via email at seehearpodcast@gmail.comJoin the Facebook group at http://facebook.com/groups/seehearpodcastCheck out the Instagram page at www.instagram.com/seehearpodcast/?hl=enYou can download the show by searching for See Hear on whatever podcast app you favour.

The 1980s were headed into frightening times politically. The threat of war and potential nuclear conflict was pervasive. So naturally music would reflect the times, right? Sure thing....Bette Davis Eyes, Nine To Five (Morning Train), This Ole' House, You Weren't In Love With Me, and Just The Two Of Us were what people were buying – they reflect the times, right? Welcome to episode 96 of See Hear Podcast. Okay, okay.....I loaded up some songs that were the antithesis of the films under question, but just wanted to make a point that what was popular in the mainstream was still a long way from the more edgy music that rock fans were taking joy and catharsis in. While a lot of the new wave of music wasn't necessarily focusing on the fears of the world, its often jittery nature and aggressive sounds surely reflected the state of the world (that's my theory and I'm sticking with it). Tim and Bernie look at a pair of films released in 1981. For the main part, they discuss Urgh! A Music War, a concert film showing the diversity of the “new wave” / post punk bands of the era. How else are you going to find a connection between Klaus Nomi, XTC, Gary Numan and The Cramps? It's a great time capsule of the era showing that musicians didn't choose (at least at first) to play it safe, but still found varying levels of success. They also look at a film more musically focused called Dance Craze – a concert film featuring a range of bands from the British ska revival of the late 70s / early 80s. While any of these bands could have easily fit into Urgh! A Music War, it's great that Dance Craze exists as a companion piece. Later in the show, I speak with director and friend of the show, Skizz Cyzyk about a documentary he's been working off and on for many years called Urgh! Revisited. Acknowledging that there's not much information out there about U!AMW, Skizz has interviewed a range of musicians from the original film about their recollections of the era, and how the film got made. Hopefully, he gets to finish it and put some perspective on a cherished film without much documented history. Our huge thanks to Skizz for joining us. U!AMW can be found on Kanopy in some regions, or at https://archive.org/details/urghamusicwar Dance Craze is on Youtube at https://www.youtube.com/watch?v=CVexewVb2B4 You can find out info about Skizz's film and music adventures at http://www.skizz.net/ If you've been enjoying the show, please consider giving us a favourable review on iTunes and let your friends know that our show exists. If you don't enjoy the show, tell your adversaries to tune in. We don't care who listens..... See Hear is proudly part of the Pantheon Network of music podcasts. Check out all the other wonderful shows at http://pantheonpodcasts.com. Send us feedback via email at seehearpodcast@gmail.com Join the Facebook group at http://facebook.com/groups/seehearpodcast Check out the Instagram page at www.instagram.com/seehearpodcast/?hl=en You can download the show by searching for See Hear on whatever podcast app you favour. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on "The Greatest Song Ever Sung (Poorly)," Adam and Ed reminisce about some fantastic karaoke regions--from Japan and the Phillipines, to New York City, Portland Oregan, Florida and, of course, western Pennsylvania, where they both cut their baby karaoke teeth and became the karaoke-obsessed people they are today. Naturally, the Karaoke Bullpen Trivia Challenge has a place connection, too, as Ed quizes Adam about places in songs. Some of the great karaoke bars mentioned: Winnie's in NYC and Backstreets Sports Bar in Cape Coral, Florida. And, of course, the idea of finally taking this podcast on the road and hitting up some new towns and making some new friends along the way. Speaking of new friends--the guys are then joined by Jennifer Howell of the "Every Rom Com" podcast, who has also done a lot of karaoke in her time--everywhere from Massachusetts to Korea to Portland, Oregon. She shares some of her favorite karaoke places and memories and brings some of her movie love in as well before playing the "Hit Me with Your Best Shot" quickfire game. And, for the first time this season, the show features its guest singing karaoke! As always, you can find more info on the website (https://www.sungpoorly.com), and on social media--the show is @sungpoorly on Twitter, Facebook, Instagram, and now even Tiktok. You can reach Adam and Ed via email by sending a message to sungpoorly@gmail.com. Theme song: "Gasoline" by Ben Dumm and the Deviants. Make sure to check out Ben's newest music at The Ben Dumm 3. Jennifer Howell is the host, producer and editor of Every Rom Com, the podcast that has fun taking romantic comedies seriously. When she's not podcasting, Jennifer works as a page at the Madison Public Library, spends time with her husband and cat, and tries to figure out the perfect ending for her horror screenplay. Jennifer spent time as a karaoke nerd at the Ambassador in Portland, Oregon, before moving to Busan and Gyeongju, South Korea to teach English from 2009-2016. Her favorite karaoke songs include “Don't Stop Me Now”, “Wannabe”, “Bette Davis Eyes”, “Dancing in the Dark” and her special party trick of singing Disney's “Colors of the Wind” in German.

Ein Honky Tonk Song mit Rumpelklavier auf einem Album einer Künstlerin, die ihre besten Tage hinter sich hatte - aber der Text faszinierte Kim Carnes und deswegen arbeitete sie auch besonders hart am Arrangement ... mit extremen Erfolg - die Fakten dazu in der Episode. Die Episode zu den Byrds: https://100malmusiklegenden.de/2021/02/07/mr-tambourine-man-the-byrds/ Die Episode zu Elvis: https://100malmusiklegenden.de/2021/02/07/heartbreak-hotel-elvis-presley/ Jetzt neu, der Pro Kanal mit Musikspecials, bei ApplePodcasts https://podcasts.apple.com/de/channel/100malmusiklegenden/id6442680593 oder unter https://100malmusiklegenden.de/membership-join/ Mein Facebook Profil: https://www.facebook.com/markus.dreesen Mein Instagram Profil: https://www.instagram.com/markusdreesen/?hl=de Könnt mir gerne folgen, gibt da immer wieder Updates zum Podcast und sonst so ... Offizielle Playlists: https://music.apple.com/de/playlist/100malmusiklegenden/pl.u-JjM2F9Nv5z (Apple) https://open.spotify.com/playlist/6RGcoNO671nOMpYRkTTQLV (Spotify) Songvorschläge, Episodensuche und T-Shirts unter 100malmusiklegenden.de! Infos zu möglichen Werbekooperationen unter https://100malmusiklegenden.de/werbung

Val Garay is a legendary Producer/Engineer with a career spanning almost 4 decades when he started as a young singer/songwriter in the late 60's. He's garnered over 100 gold & platinum records with total record sales over 125,000,000 worldwide. He's been Nominated for Grammy's on 9 different occasions and won for the “Record of the Year & Song of the Year” with Bette Davis Eyes in 1981 and an Emmy Nomination for Neil Diamond's TV Special, “Glad You're Here With Me Tonight”. He's worked with such legendary artists as , Linda Ronstadt, James Taylor, Kim Carnes, The Motels, Jackson Browne, JD Souther, Sarah Brightman, Santana, Elton John, Bonnie Raitt, Andrew Gold, Frankie Valley & The Four Seasons, Marvin Gaye, Dolly Parton, Eric Carmen, Kenny Rogers, Neil Diamond, Joan Armatrading, Randy Meisner, Jennifer Warnes, Seals & Crofts, The Mama's & Papa's, Queensryche, Orleans, Donald Byrd & The Blackbyrds and the list continues. IN THIS EPISODE, YOU'LL LEARN ABOUT: How to create a snowball of success in the industry Balancing your “sound” with the vision of the artists you work with Should you put songs out frequently or is it better to wait? “Letting go” with your music Giving back to younger generations How to get a balance of all of your drum kit tracks (without even turning on your monitors) The secret to getting drums and bass to feel balanced The 6 different mixes he makes for every artist he works with Reimagining songs in different genres   To learn more about Val Garay, visit: http://www.valgaray.com/   To learn more tips on how to improve your mixes, visit https://masteryourmix.com/   Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/   Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/   Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community   To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android.   Have your questions answered on the show. Send them to questions@masteryourmix.com   Thanks for listening! Please leave a rating and review on iTunes!

La cantante estadounidense Kim Carnes ganó el premio Grammy a “Mejor canción del año” y alcanzó reconocimiento mundial con su tema éxito de 1981 “Bette Davis eyes” (Los ojos de Bette Davis). Así la escuché yo… La canción de Kim Carnes es en realidad una nueva versión del tema que coescribiera y grabara siete años antes la artista Jackie DeShannon en 1974 bajo el título “Bette Davis eyes”. ¿Y tú, conocías la versión original? Autoras: Donna Weiss & Jackie DeShannon (estadounidenses) Bette Davis eyes - Kim Carnes (1981) "Mistaken identity" álbum (1981) Kim Carnes (nombre real Kim Carnes Ellingson, estadounidense) Ganó el Grammy a Mejor canción del año Bette Davis eyes - Jackie DeShannon (1974) "New arrangement" álbum (1974) Jackie DeShannon (nombre real Sharon Lee Myers, estadounidense) ___________________ “Así la escuché yo…” Temporada: 4 Episodio: 24 Sergio Productions Cali – Colombia

Jim takes a trip to the desert island to play the song "Bette Davis Eyes" by Kim Carnes. The 1981 song is often thought of as just another one-hit wonder, but Jim highlights not only Carnes's signature vocals but also the use of a unique instrument. Join our Facebook Group: https://bit.ly/3sivr9T Become a member on Patreon: https://bit.ly/3slWZvc Send us a Voice Memo: https://bit.ly/2RyD5Ah

In which the four wise men and women from the mountain come down to discuss the film, _The Watcher in the Woods_ for the beleaguered people. Released in 1980, directed by John Hough and Vincent McEveety (uncredited), and the film stars Bette Davis, Carroll Baker, David McCallum, Lynn-Holly Johnson, Kyle Richards, and many others. It was filmed in England, distributed by Buena Vista Distribution.

Bette Davis è considerata una delle più grandi attrici della storia del cinema mondiale per il suo talento unico, il suo carisma e la sua presenza scenica, un mito intramontabile che ha dato vita a personaggi di donne dal carattere forte e deciso. A differenza di molte altre sue colleghe, non ha mai puntato sulla bellezza o il sex appeal, che pure possedeva, ma sulla sua abilità recitativa, tanto da accettare spesso ruoli in cui si doveva invecchiare o imbruttire. Memorabili sono rimaste alcune sue interpretazioni in film come "Che fine ha fatto Baby Jane?", "Piano… piano, dolce Carlotta", "Angeli con la pistola", "Eva contro Eva", "Lo scopone scientifico", per le quali ha ricevuto ben dieci Nomination all'Oscar, vincendone due. Famosissima la sua acerrima rivalità con l'altra grande star dell'epoca, Joan Crawford, rivalità che si dice fosse solamente un'invenzione pubblicitaria delle major cinematografiche, ma della quale ancora si parla oggi. La sua caratteristica fisica più distintiva, gli occhi grandissimi ed espressivi, ha fatto sì che negli anni settanta le venisse dedicata la canzone Bette Davis Eyes, interpretata da Jackie DeShannon, ma portata al successo da Kim Carnes nel 1981. Autore: Simona Capodanno Playlist Bette Davis Eyes - Kim Carnes Nights on Broadway - Bee GeesI want to vanish - Elvis CostelloStarlight - Lou Reed & John CaleThe best years of our lives - Cockney RebelHard to be sure - Matthew Fisher I hate you - Stranglers I keep a close watch - John Cale

Mike Bianco is an acclaimed Tattoo Artist from San Francisco, Member of Ink Fusion and Licensed Lucas Film Ltd Tattoo Artist. Mike is a Pop Culture and cinema buff. Chris Whited from Kirkbride Recordings joins us.