Podcasts about finally richard

OK, there is a lot going on with this scene, so let's attempt to summarize! Queen Elizabeth and the Duchess of York (Richard's mother) are grieving over their children and grandchildren. Former Queen Margaret secretly watches, and then comes forward to share they are not the only ones who've suffered. King Richard is passing by with his army, and the Duchess gives him a piece of her mind. Finally Richard is alone with Elizabeth and begins to talk with her about her daughter—also named Elizabeth—and the plans Richard has for her. So buckle in! Richard III - Act 4, Scene 4: “Teach me how to curse mine enemies” DIRECTOR: Liz Swain DRAMATURG: Gideon Rappaport MARGARET: Veralyn Jones RICHARD: Michael Kirby DUCHESS: Maggi Veltre ELIZABETH: Morgan Ring Fantastic work in Shakespeare's Richard III from May 2021. After only a few weeks of work, the cast and director continue to work on and discuss the process. Part of The Rehearsal Room series. Prefer to watch the session? Find it here on YouTube! -- Get your copy of "10 Ways to Stop Worrying and Start Working!" See additional content on Facebook, Twitter, Instagram, and YouTube.

Join Richard in this weeks veg grower podcast. This week Richard is answering some listener questions received recently. Also a conclusion to this tears soil additive experiment as well as the latest from Richard's plots. The diary This week Richard has sown some swiss chard. A firm favourite for its colourful leaves and stalks as well as great use in the kitchen. Richard also has continued mulching beds on the allotment using grass clippings. Something he is in the habit of doing lately. Finally Richard has now completely chopped down the willow tree in his back garden. A task he has wanted to do for a while. Find out more by listening to this weeks podcast. Listener questions Questions are always greatly received on this podcast and this week Richard has answered a few questions he has received. What can I use as mulch?Can I use wood chips in a vegetable clamp to store potatoes?Why are my chillies very mild? Finally the conclusion to the soil amendment experiment.

Nick Angstadt (@NickVanExit) is joined by Richard Stayman aka @MavsDraft to react to the nothing that the Dallas Mavericks did in the NBA Draft. Then they breakdown some of the big winners and losers around the league. What are the Rockets doing, the Knicks did some weird things, why did the Grizzlies trade up for a project, and more questions. Then the guys dive into the Russell Westbrook trade to the Los Angeles Lakers. How do the Lakers think this will end? Who else will even be on the Lakers and what does this mean for the Mavs in Free Agency (it's probably good). Finally Richard breakdown the 4 Undrafted Free Agents that the Mavericks added and explains who has the best chance to make the roster. Subscribe to our Youtube Channel: Locked On Mavericks Follow/Subscribe Anywhere: linktr.ee/LockedOnMavs Support Us By Supporting Our Sponsors! | Offers from our sponsors: lockedonpodcasts.com/offers Built Bar — Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15” and you'll get 15% off your next order. BetOnline AG — There is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus. Rock Auto — Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Indeed — Get started RIGHT NOW with a FREE SEVENTY-FIVE DOLLAR SPONSORED JOB CREDIT to upgrade your job post at Indeed.com/locked Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nick Angstadt (@NickVanExit) is joined by Richard Stayman aka @MavsDraft to react to the nothing that the Dallas Mavericks did in the NBA Draft. Then they breakdown some of the big winners and losers around the league. What are the Rockets doing, the Knicks did some weird things, why did the Grizzlies trade up for a project, and more questions. Then the guys dive into the Russell Westbrook trade to the Los Angeles Lakers. How do the Lakers think this will end? Who else will even be on the Lakers and what does this mean for the Mavs in Free Agency (it's probably good). Finally Richard breakdown the 4 Undrafted Free Agents that the Mavericks added and explains who has the best chance to make the roster.Subscribe to our Youtube Channel: Locked On MavericksFollow/Subscribe Anywhere: linktr.ee/LockedOnMavsSupport Us By Supporting Our Sponsors! | Offers from our sponsors: lockedonpodcasts.com/offersBuilt Bar — Built Bar is a protein bar that tastes like a candy bar. Go to builtbar.com and use promo code “LOCKED15” and you'll get 15% off your next order.BetOnline AG — There is only 1 place that has you covered and 1 place we trust. Betonline.ag! Sign up today for a free account at betonline.ag and use that promocode: LOCKEDON for your 50% welcome bonus.Rock Auto — Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you.Indeed — Get started RIGHT NOW with a FREE SEVENTY-FIVE DOLLAR SPONSORED JOB CREDIT to upgrade your job post at Indeed.com/locked Learn more about your ad choices. Visit podcastchoices.com/adchoices

Food , particularly take away, is discussed at length . Possibly because Richard is in Lockdown again .Andrew is vegetarian & Richard is fascinated with his late night eating choices .Particularly on the Gold Coast where there is not much ....at all .Venn diagrams feature heavily , Andrew realises he is caught between mocking carnivores and rabid Vegans . Richard is delighted there's another Venn diagram analogy .Chinese and Japanese traditional weaponry some how becomes a topic .In particular the 3 section staff and Nunchaku . Richard explains the hidden trap in using a Nunchaku .Stuck in Lockdown Richard turns to Andrew for advise on a cycling trainer and app . Andrew doesn't cycle but his brother is a triathlete and Richard is a big believer in passive knowledge gain .Finally Richard tells Andrew of the most unlikely club in the world . He goes on to share a heart-warming story from his childhood .They both agree that nether of them want to be a member .

The search for compelling films continues. With the film industry still pulling itself out of the covid-fog, Richard takes a look at less high-profile films. First he examines 'Cherry', the semi-autobiographical story of a veteran who is forced to turn to a life of bank robbing to fund his addiction. Directed by the Russo brothers, this film takes a look at a wide range of complex issues and Tom Holland delivers an amazing performance. Next up is 'Dark Web: Cicada 3301' which is based on true events and follows a computer hacker who gets on the radar of a secret society of cyber-criminals. Directed by Alan Ritchson this film examines the threats we face in an ever growing digital society. After that Richard declares war on the romance genre by taking the film 'Trust' to task. The story of a couple that has their loyalty put to the test when they each are faced with temptation. Finally Richard takes a look back at 'The Godfather' to commemorate its 49th anniversary.As always, if you enjoyed this episode, follow us and subscribe to the show: you can find us on iTunes or on any app that carries podcasts as well as on YouTube. Please remember to subscribe and give us a nice review. That way you’ll always be among the first to get the latest GSMC Movie Podcasts.We would like to thank our Sponsor: GSMC Podcast NetworkAdvertise with US: http://www.gsmcpodcast.com/advertise-with-us.htmlWebsite: http://www.gsmcpodcast.com/Movie-podcast.htmlITunes Feed : https://itunes.apple.com/us/podcast/gsmc-movie-podcast/id1116274617 GSMC YouTube Channel: https://www.youtube.com/watch?v=tX3_EvbHp08&list=PLF8Qial15ufrmDabMk03LCx49N85Bxv71Twitter: https://twitter.com/GSMC_MoviesFacebook: https://www.facebook.com/gsmcmovie/Disclaimer: The views expressed on the GSMC Movie Podcast are for Movie purposes only. Reproduction, copying or redistribution of The GSMC Movie Podcast without the express written consent of Golden State Media Concepts LLC is prohibited.

Christmas rescues, sensible children, torches/flashlights and acceptable risk.In the second episode your hosts Richard Prideaux and Ben G address some of the feedback which has been sent via any means possible. They then turn to a couple of news items from the past month, including a successful retrieval of 2 young skiers in Canada and some interesting social media comments following a Christmas day rescue.Then Luke Stonestreet joins in to discuss torches and illumination. We get a potted history of handheld and head mounted torches and discuss exactly how many lumens are actually useful in the realms of SAR.Finally Richard and Ben have a face to face discussion about acceptable risk in both training and the real thing.News-Young skiers rescued-Man wild camping on Christmas Eve rescuedGear-Maglite-LED Lenser-Olight-Petzl-Coast-Cyalume

On this week's The Richard Crouse Show Podcast we meet: James Purefoy, direct from the south west of England, via Zoom. If you were a fan of HBO's “Rome,” you know him as joyfully decadent Roman general and politician Mark Antony. Perhaps you were a fan of “The Following,” which saw him play a college professor-turned-serial-killer and cult leader for three seasons opposite Kevin Bacon. The versatile actor has a list of credits as long as my arm including the film he joins me to talk about today, “Fisherman's Friends.” No, it's not about the cough drops… it is a is a good-natured crowd pleaser about a real life singing group from Cornwall in England who went from singing at the local pub, when they weren't on the water making a living, to producing the biggest selling traditional folk album of all time. Purefoy plays Jim, the leader of the group, who was initially skeptical about their chances for success outside their tiny village. When we did this interview he was sitting in his garden, and proudly showed me all the produce he's been growing since the beginning of the pandemic. That also means that from time to time you'll hear a bird chirping or a bit of wind… it's not your speakers, it's just nature on Purefoy's property. Then we spend time with Rod Lurie, a West Point graduate who became a film critic and was once banned from screenings for referring to Danny DeVito as “a testicle with arms.” He is a journalist and author and, since 1999, a filmmaker. In this interview we talk about West Point, why he stood at attention at a screening of “Poltergeist” and, of course, his latest film, “The Outpost.” It's an intense recreation of the Battle of Kamdesh, a bloody 2009 confrontation that saw 400 Taliban fighters attack Combat Outpost Keating in Afghanistan, a station manned by 53 American soldiers and just days before it was to be disbanded. Critics are raving about the film. “IndieWire” said that Rod shot “much of the 45-minute long ambush in hectic, agile long-takes that allows him to capture the Battle of Kamdesh for all of its terror, and with a clarity that allows us to feel that terror in our bones." The film is also being praised by veterans, including those who fought in the battle, for its realistic depiction of warfare and the life of a soldier. “The Outpost” is available now on VOD, wherever you legally rent or buy movies. Finally Richard welcomes Phil Dellio, author of "You Should've Heard Just What I Seen: Pop Music at the Movies and on TV."  

On this week's The Richard Crouse Show Podcast we meet: James Purefoy, direct from the south west of England, via Zoom. If you were a fan of HBO’s “Rome,” you know him as joyfully decadent Roman general and politician Mark Antony. Perhaps you were a fan of “The Following,” which saw him play a college professor-turned-serial-killer and cult leader for three seasons opposite Kevin Bacon. The versatile actor has a list of credits as long as my arm including the film he joins me to talk about today, “Fisherman’s Friends.” No, it’s not about the cough drops… it is a is a good-natured crowd pleaser about a real life singing group from Cornwall in England who went from singing at the local pub, when they weren’t on the water making a living, to producing the biggest selling traditional folk album of all time. Purefoy plays Jim, the leader of the group, who was initially skeptical about their chances for success outside their tiny village. When we did this interview he was sitting in his garden, and proudly showed me all the produce he’s been growing since the beginning of the pandemic. That also means that from time to time you’ll hear a bird chirping or a bit of wind… it’s not your speakers, it’s just nature on Purefoy’s property. Then we spend time with Rod Lurie, a West Point graduate who became a film critic and was once banned from screenings for referring to Danny DeVito as “a testicle with arms.” He is a journalist and author and, since 1999, a filmmaker. In this interview we talk about West Point, why he stood at attention at a screening of “Poltergeist” and, of course, his latest film, “The Outpost.” It’s an intense recreation of the Battle of Kamdesh, a bloody 2009 confrontation that saw 400 Taliban fighters attack Combat Outpost Keating in Afghanistan, a station manned by 53 American soldiers and just days before it was to be disbanded. Critics are raving about the film. “IndieWire” said that Rod shot “much of the 45-minute long ambush in hectic, agile long-takes that allows him to capture the Battle of Kamdesh for all of its terror, and with a clarity that allows us to feel that terror in our bones." The film is also being praised by veterans, including those who fought in the battle, for its realistic depiction of warfare and the life of a soldier. “The Outpost” is available now on VOD, wherever you legally rent or buy movies. Finally Richard welcomes Phil Dellio, author of "You Should've Heard Just What I Seen: Pop Music at the Movies and on TV."

Richard chats with Lisa Byrne, the Director of McClelland Sculpture Park about the announcement of the Southern Way McClelland Commission 2021. The sculptures are initially exhibited for a period of four years at one of two sites beside the highway, before finding a permanent home at the sculpture park. The 2021 Commission recipient, Manon van Kouswijk, is a jeweller, which will be reflected in her piece Peninsula Pearls, due to be unveiled in spring, next year.Richard follows with a conversation with Spiro Economopoulos, the Program Director of Melbourne Queer Film Festival, which had to cancel it's 2020 program only days after launching in March due to Covid-19. They've returned with a special Online MQFF streaming Festival built around representing the diversity of queer stories.Finally Richard talks with Simon Abrahams, the Creative Director and CEO of Melbourne Fringe about their new festival, VCR Fest 2020. Melbourne Fringe have engaged big-name artists to create special online content, including a new work by Zoë Coombs Marr. Abrahams hopes to be able to keep artists in paid work and to continue the important contribution of arts to the community.

Richard chats with Gideon Obarzanek and Hannah Fox, the co-artistic directors of RISING, a new festival taking the place of Melbourne Festival and White Night. RISING has put a call-out for new works from Victorian artists  with the aim to showcase pieces that are bold, outside of the box and very Melbourne.Richard also speaks with Senator Sarah Hanson-Young about the Green's push for a generous new arts package. For Hanson-Young it's about what kind of society we want to build with the stimulus that will necessarily take place after COVID. She shares the adage that "it's the squeaky wheel that gets the grease".Finally Richard chats with Tahli Corin who is one of the co-creators of Mountain Goat Mountain. Corin says that part of their inspiration for the work was reading that theatre was not just a place for people to enjoy productions, but to connect. As such they have created an online, interactive theatre experience designed for the whole family to enjoy together.

With the 2020 Toyko Olympics being cancelled, Michael, Ian and Richard use this opportunity explore Performance Enhancing Drugs or PEDs. Apart from Little D's, the boys find out new side effects from PEDs in a new game called, Dope-a Duck. Finally Richard shares his Knee Snap story on this week's recurring segment, Round the Campfire.

Richard talks to Annika Kristensen, the Senior Curator of The Australian Centre for Contemporary Art (ACCA) about a call-out to artists to submit proposals for the creation of new digital works. Kristensen says that the challenges of this time present an opportunity for ACCA to fulfil their mission statement which is to “do art differently”. Sarah Lyons, the Senior Education and Audience Engagement Officer at Bunjil Place Gallery joins Richard to discuss their digital programs through #ArtsInIsolation. Lyons says that this is an exciting time to trial a new way of doing things and hopes that they take these new practices into the future.Finally Richard talks with Michael Fitzgerald, the Editor of Art Monthly Australiasia, a visual arts magazine that lost funding in the last Australia Council grants round. Fitzgerald says “it means basically we’re having to do what we’ve always done which is to be creative, entrepreneurial, and pulling rabbits out of the hat”

Richard talks to artist, facilitator, educator and play specialist Cat Sewell about tapping into kids’ innate ability to play.Then he talks to Nicole Beyer, who is the Executive Director of Theatre Network Australia, about the latest funding round from The Australia Council for the Arts. Beyer says that it’s vital for people to advocate for the arts sector in the face of ongoing cuts.Finally Richard speaks with Angela Savage who is the Director of Writers Victoria. She says that the pandemic might be a good time for some people to write, but perhaps not everyone. She advises that the writing process requires space for quiet reflection and a lot of hard work.

On this episode Richard discusses ways artists are staying connected to their community and work throughout the pandemic.He speaks with Fleur Kilpatrick for their regular segment Shoot the Messenger. However, instead of discussing live theatre they discuss some of the interesting works and collaborations appearing online. Richard then speaks with Adrian Collette AM. Collette is the CEO of Australia Council for the Arts which is the Australian government’s arts funding and advisory body. The discussion centres around the reallocation of funding to better serve the arts community during the pandemic. Next Richard speaks with Kate Ryan who is the curator of children’s programs at the NGV. The NGV has organised online activities to keep kids creative and engaged in the arts.Finally Richard speaks with fashion illustrator Angie Rehe about ways people can improve their drawing skills. Rehe said “learning to draw is really learning to see”, and shares activities to help focus the brain on drawing literally rather than symbolically.

On this episode of SmartArts, Richard explores the creative ways that arts workers are adapting to the pandemic.He talks to Tai Snaith about the art projects she's doing with her kids. Tai is looking for the positives, which for her is spending time with her family enjoying the natural world.Richard talks to Greta Bradman of the Arts Wellbeing Collective about ways for arts workers to look after their mental health in this time of uncertainty for the industry. She says that as well as exercising for our bodies, people should be exercising their minds, their creativity and their social heart.Finally Richard talks to Bryony Nainby who is the director of Craft Gallery and the curator of Objects Of Love, which is an exhibition of artworks that symbolise love across a diversity of cultures. Originally intended to be a live exhibition, the Craft Gallery have moved to a virtual exhibition on their website.

On this week’s episode Richard explores the impact of COVID-19 on the arts sector.Richard talks to Daniel Santangeli, Artistic Director & Co-CEO of Footscray Community Arts Centre which is a part of the Arts West Alliance. Footscray Community Arts Centre have shut their doors out of respect for the members of their community who are most at risk during this crisis, especially those with a disability and Indigenous Australians. However, they are keeping the space open just for artists with a disability. They are hoping to provide a place where there’s a reduced risk of infection for these practitioners to work. Footscray Community Arts Centre are also advocating for the government to provide an arts stimulus package, so the arts sector can do what it does best, “which is provide community connection through creativity”.Next Richard talks to Esther Anatolitis from the National Association for the Visual Arts. Her organisation is keeping track of the disruption to the arts industry and is also lobbying the government for a stimulus package. She hopes that the Australian government will rediscover its role through its handling of the crisis.Finally Richard talks with Amelia Wallen who is the Director of West Space. West Space have just moved to a new location in Collingwood. They were preparing to put on their first exhibition in their new gallery when they had to postpone due to the pandemic. They are currently working on ways to make the work accessible to the public through this crisis. Wallen says that the exhibition is timely in that it’s “looking at the different conditions under which artists produce work and this is a condition unlike no other.”

Richard speaks with playwright Merrilee Moss about her new work Running with Emus. Moss was inspired to write this work when she moved to a country town and was "thrust into the role of outsider, otherwise known as blow-in".Then Richard talks with Sam Strong the director of the new version of David Williamson's play Emerald City, which has been put on to celebrate Williamson's 50th year as a playwright. Strong believes that people have a right to represent their own stories in their own voice. He says that this play was originally groundbreaking in representing an Australian story in an Australian voice, and such works have since helped people of other groups to do the same.Finally Richard interviews artist Matthew Sleeth about his work A Drone Opera. This work is the culmination of ongoing multi-disclipinary practice around the themes of surveillance, fetishisation of technology, and the military aspect of drones.

Richard talks to David Woods and Jon Haynes about The Importance of Being Earnest. They discussed how to move a classic work like this beyond being “comfort food” for the audience.Richard then spoke to Victor Griss from Counihan Gallery. The gallery is expanding and has three new exhibitions. f_OCUS features women’s works from their collection. Histrionic and Screen Time examine the interconnected phenomena of online culture and surveillance culture.Finally Richard spoke to playwright Kim Ho about The Great Australian Play. This play explores the story of Lasseter’s Reef. Kim feels that the DNA of colonial Australia can be distilled into the folly of this expedition.

Richard talks with Miranda Hill, the director of Homophonic, which is a Midsumma show of queer contemporary classical music. Then he speaks with Declan Greene, director of Feather in the Web, which is a contemporary Australian play with a very unusual and challenging main character. Declan describes the play as "super fun and then then it's super not fun". Finally Richard speaks with Tomas Parrish who plays the lead role in When the Light Leaves which is a play about assisted dying. If you find that topic challenging, you can stop the podcast at 30 minutes.

Richard and Bernard Caleo discuss comics in the monthly Drawn Out segment. This month they talk about Ubby’s Underdogs by Brenton McKenna and My Big Life by Bailey Sharpe.Then Richard talks to Ben Northey, the conductor of Melbourne Symphony Orchestra, about the upcoming performance of 2001: A Space Odyssey. Ben discusses the role of a conductor and how he found himself in this role of artistic leader and “benevolent dictator”.Finally Richard talks to playwright Lachlan Philpott and musician Paul Mac about their upcoming show The Rise and Fall of Saint George. This work is based on real events experienced by Paul Mac during Australia’s same sex marriage referendum.

Richard talks to Wesley Enoch, the Artistic Director of Sydney Festival 2020. They discuss Sydney Festival's extraordinary contribution of commissioning 46 new works from both Australian and International artists.Following that Richard talks to Women's Circus Executive Producer Devon Taylor and Creative Director Penelope Bartlau about their new show Drill. Drill explores the alternative history of the drill hall within which Women's Circus meets. Their focus on women, trans and non-binary stories subverts the history of this previously male-only space.Finally Richard talks to Curator Victor Griss and Artists Janelle Low and Frances Tapueluelu about the upcoming show at Counihan Gallery Language and Liberty. This is the latest in the Moreland Summer Show series, which features work from the plethora of artists living within Moreland. The theme Language and Liberty is a tribute to both Noel Counihan's involvement in free speech campaigns, and the 2019 UNESCO Year of Indigenous Languages.

Richard starts the show with the Drawn Out comics segment with Bernard Caleo. The discussion has a focus on new works by Australian artists. They discuss Deep Breaths by Chris Gooch, Bad Gateway by Simon Hanselmann, The Chant of the Big Black Birds by Simon McKeown, and The Adventures of Anders by Gregory Mackay.Next up Richard talks to Anni Davey, who's the Artistic Director of The Flying Fruit Fly Circus, about the upcoming Borderville Circus Festival. The Flying Fruit Fly Circus has been an integral part of the Albury Wodonga community teaching generations of kids circus. This event will celebrate that history and bring successive generations of graduates and volunteers together.Finally Richard talks to Carolyn Fraser who is the Lead Curator of the State Library of Victoria's new gallery space and the exhibition Velvet, Iron and Ashes. The exhibition is about local history and the title refers to three artefacts - Ned Kelly's armour, the famous cricket ashes, and a dress created for the pagent of nations event held at Melbourne's centenary. Carolyn draws fascinating links between these objects and others in the exhibition.

Richard talks to Iain Grandage, the artistic director from the Perth Festival, about the 2020 program. Iain is the first Perth local to hold this position and has brought a strong Indigenous focus to the program. Next up is writer/director Krystalla Pearce and writer Maja Amanita discussing the new show She Is Vigilante. This is a series of short plays put on by Theatre Works. The show had an open call for both writers and actors with the aim of opening up the theatre to new practitioners and audiences. The theme She Is Vigilante was chosen with the aim of providing complex roles for women.Finally Richard talks to curator Diane Soumilas and author Colin Smith regarding Stories in clay: Arthur Merric Boyd Pottery at Glen Eira City Council’s Gallery. Arthur Boyd is described as an artist who was ahead of his time and was continually reinventing and expressing himself in extraordinary ways.

Richard starts the show with an interview with playwright Jamaica Zuanetti about her show Thigh Gap, which is showing at La Mama. It is a dark comedy for, by and about millenial women.Next up we hear from Matt Lutton regarding the Malthouse 2020 program. In their 30th year Malthouse have created a program that encapsulates the very DNA of the Malthouse, and celebrates local artists.Richard then talks to Dancehouse artistic director Angela Coquet and dancer and choreographer Jozsef Trefeli about their new show Swiss Style. This show is looking at Geneva-based contemporary dance, within the context of rising national identitarianism and a multicultural Geneva.Finally Richard interviews Kurt Kansley who is a cast member of the new theatre production Ragtime, which will be showing at the Arts Centre. This play is based on "the great American novel" by E. L Doctorow. It's set at the dawn of a new century when a golden age of optimism was gripping America, and everything seemed possible.

Richard talks to Simon Abrahams, the creative director & CEO of Melbourne Fringe. The Fringe has set up a new home called Common Rooms at Trades Hall where they will be running productions throughout the year. He hopes the shows will capture The Fringe's feeling of rebellion, inclusivity and support of independent arts.Next Richard talks to playwright, director, performer and producer Rebecca Lister about her new work 2:20AM. The play covers the sensitive topic of suicide from the perspective of four people who have come together for a creative writing course. It's based off of Rebecca's experiences as a social worker, arts worker and a person who has been bereaved by a suicide. It has been created in association with Support After Suicide, SANE Australia and Jesuit Social Services and it will be having a metropolitan and regional tour in areas around Victoria that are particularly effected by suicide. If this interview brings up any issues you can call Lifeline on 13 11 14.Finally Richard talks to director Shareena Clanton and cast member Corey Saylor-Brunskill about their upcoming theatre production Conversations With The Dead. This is a work by Richard Frankland about his experiences working on the Royal Commission into Aboriginal Deaths in Custody. The work is put on by Ilbijerri Ensemble and is a part of Future Echoes, which is a new initiative by the Arts Centre Melbourne to put on works by young artists.

Richard talks to Petra Kalive about her new musical theatre work, which is an adaptation of Miles Franklin's classic My Brilliant Career. The production will involve a core cast of professionals with students in supporting roles, and will be showing at Monash University's Alexander Theatre.Next Richard speaks to Stewart Laing who's the director of The End of Eddy, which will be showing at the Malthouse Theatre. This work centres around the experiences of a gay teenage boy in a small community in the north of France. The work has been aimed at a teenage audience in the hope of reaching out to people experiencing similar issues.Richard then speaks to Antony Hamilton artistic director of the contemporary dance company Chunky Move regarding his work Token Armies, which will be showing at the Melbourne International Arts Festival. The work aims to push the boundaries of contemporary dance and explore how the biological world intersects with a world that is constructed. Richard describes Chunky Move's work as "innovative, engaging and exciting."Finally Richard talks to Mama Alto regarding the work Gender Euphoria, which is a celebration of gender identitiy. This work will be performed as part of the Melbourne International Arts Festival at the Famous Spiegeltent.

Brewers with a dramatic comeback win over the Cardinals but still concerns over Milwaukee's starting rotation. B.J. and Brian give you their predictions of the final two pairings Sunday at the Masters and the two disagree on golf etiquette. Finally Richard from Niemuth's Southside Market stops by to crack open another 6-pack.

Sorting through the Brewers injuries on the pitching staff and how does that affect the rotation. Also the boys continue their debate on the NIT. What to make out of the Bucks and the realistic fact they won't be hosting a first round series. Finally Richard stops by from Niemuth's Southside Market to chat craft beer.

One of the more looser shows as B.J. and Brian recap Giannis' Valentine's Day in the Triple Double. Patrick Herb of UW Athletics joins the show ahead of Frank Kaminsky's big night. Finally Richard from Niemuth's Southside Market swings by to break down some craft beer and B.J. cracks open a cider for Brian to try.