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Meditación del retiro mensual del mes de abril, publicada en la página web del Opus Dei. Imagen: By Alonso López de Herrera - FAG2fNQmSGzPHw at Google Cultural Institute maximum zoom level, Public Domain.
Den svenska stormaktstiden var präglad av krig, nedkylning av klimatet, farsoter och svält. De omfattande utskrivningarna till militärtjänst var i det närmaste fördröjda dödsdomar. Men det fanns samtidigt en annan verklighet i den lilla världen med lekar, festligheter och kärlek.Både barnen och vuxna lekte under stormaktstiden, en del lekar känner vi fortfarande igen. Och den folkliga kärleken och kulturen var friare än den religiösa ortodoxin accepterade. Dessutom avlöste festerna med uppenbart hedniskt ursprung varandra. Påbuden från kyrkan hade ofta ingen effekt på folkets traditioner.I den nymixade reprisen av avsnitt 108 av podden Historia Nu samtalar programledare Urban Lindstedt med Annika Sandén, docent i historia och aktuell med boken Fröjdelekar – Glädje, lust och nöjen under svensk stormaktstid.Kyrkan försökte strama upp allmogens moral. År 1608 infördes Mose lag från Gamla testamentet i lagboken. Men kyrkans förbud hade svårt att rå på allmogens hedniska traditioner där vissa som midsommar levt kvar till våra dagar.Bild: Bondbröllop (1568) av Pieter Bruegel d.ä, Google Cultural Institute. Public domain Vill du stödja podden och samtidigt höra ännu mer av Historia Nu? Gå med i vårt gille genom att klicka här: https://plus.acast.com/s/historianu-med-urban-lindstedt. Hosted on Acast. See acast.com/privacy for more information.
It's the Season 14 finale! We meet Skinder Hundal MBE who is the British Council's Director of Arts!!!! We discuss his extraordinary career in Visual Arts including recently working with Sonya Boyce, for the 2022 British Pavilion, who won the Golden Lion prize for her exhibition 'Feeling Her Way', which runs until 27th November.Before joining British Council, Hundal was CEO/Director of New Art Exchange, a contemporary arts space in Nottingham where he worked for 12 years to create connections between the UK and overseas through arts and cultural projects. Working across art forms, his international experience includes projects for La Biennale di Venezia, TED Global, Google Cultural Institute and for the UK's official arts programme for the First World War Centenary, 14-18 Now.Major projects under his tenure at New Art Exchange includes Here, There & Everywhere, an ambitious international programme of artistic development, cultural exchange and artist residencies between the UK and Africa, South Asia, South Korea, Middle East, North America and Europe.Skinder Hundal is Executive Producer and co-Artistic Director of the UK's original South Asian outdoor festival, Nottingham Arts Mela, and a Board member at Artist News (a-n) and Tom Dale Dance Company. In 2019, he was awarded an MBE for his contribution to visual arts.As Director of Arts, British Council, Hundal oversees multiple art forms, including: Architecture, Design and Fashion; Film; Literature; Music; Theatre and Dance; and Visual Arts. The British Council's major arts activity includes cultural programmes for annual bilateral seasons such as UK/Italy 2020 and UK/Australia 2021-22; the British Pavilion exhibitions at La Biennale Arte and La Biennale Architettura, Venice; and the Market Focus Cultural Programme at the London Book Fair."Connecting, engaging and sharing knowledge through arts and culture is now more important than ever. I believe artists and cultural professionals help challenge, provoke and make sense of the world, so I'm looking to connect the unique and diverse UK's arts scene with many brilliant artists and organisations around the world in my role at British Council.' Skinder Hundal MBEFollow @SkinderHundal and @BritishArts on Instagram, or @SkinsBC on Twitter. Learn more: https://www.britishcouncil.org/arts and explore the British Council Visual Arts Collection here: http://visualarts.britishcouncil.org/collectionThanks for listening to Season 14!! We will be back next week with a whole new series 15!!! Plus we will be announcing some very exciting news next week. WATCH THIS SPACE!!! Enjoying the podcast? Follow us and say hello via our Instagram: @TalkArt Hosted on Acast. See acast.com/privacy for more information.
Acerca de este episodio En este episodio del podcast conversaremos con Dalia sobre su trayectoria como periodista, artista visual y su particular estilo fotográfico. Acerca de Dalia Ferreira Dalia Ferreira es una artista visual y periodista venezolana radicada actualmente en Francia. Su experiencia como periodista la puso en contacto con la fotografía documental, un medio que ahora utiliza como base para sus obras de arte. Durante la década de los 90, se desempeñó como fotógrafa y periodista de El Diario de Caracas, a cargo de 2 secciones exitosas como El Juglar de la Ciudad y La Publihistorieta, donde comenzó a experimentar con montajes, fotografías e ilustraciones con un toque humorístico sobre el mudo de la publicidad. Dalia cuenta con una amplia experiencia en medios como radio, cine y televisión. Su incursión en diferentes medios de comunicación le ha merecido el reconocimiento por sus intervenciones digitales que abordan la temática urbana en forma crítica y con toques de humor e ironía, y hasta la fecha ha participado en más de 30 exposiciones de arte y 13 exposiciones individuales. En 2005 se hace merecedora de un reconocimiento especial en el Salón Nacional de la Fotografía. Universidad Central de Venezuela. Obra: Homero en Carraca / Matt Groenning featuring Michelena. En 2014 fue la primera artista latinoamericana seleccionada por Google Cultural Institute como Google Open Gallery Artist. Más de Dalia Ferreira: https://www.daliaferreira.art https://www.instagram.com/daliaferreira/ https://opensea.io/daliaferreira https://www.pinterest.com/ferreiradalia/ |https://www.youtube.com/user/ferredalia/ https://www.instagram.com/boomartcommunity https://boomartcommunity.com ************************************************ Apoya este proyecto invitándonos un café https://www.buymeacoffee.com/SMDAPodcast Más sobre el Podcast: https://www.instagram.com/sinmarcadeagua_podcast/ Espacio conducido por Yessica Duque https://www.instagram.com/yessica_duque_photography/ https://yessicaduque.com Asistente de Producción: Mónica Correa https://www.instagram.com/laprofemon Web: https://monicacorrea.com Nueva Imagen: Sergio Sojo https://www.instagram.com/sojostudio
Pahari paintings marked the end of the long standing themes and subjects of God, royal ways of exquisite living and love commissioned by the Rajput rulers. Image Credits: qgGV_J7YgKTe9A at Google Cultural Institute; Written and hosted by: Ayushi Chaurasia
In this week's episode, we take a look at the Incas, one of the Indigenous Peoples of the Americas. Read our blog post Would you rather read about the Inca Empire? Click here: The Inca Empire. If the link doesn't work, copy and paste this URL into your browser - https://wisuru.com/history/inca-empire/ Summary The Inca Empire The Inca civilization started as a pastoral society around 1200 AD. But it is not clear where they were before that. The Inca did not have a writing system. So, we have to rely on their creation myths [Citation 1]. The Inca passed down these creation myths from generation to the next orally. According to one of these creation myths, they were created by their sun god. He then sent his four sons and four daughters to lead them. But eventually only one of these four sons, Ayar Manco, lived, and founded the Inca civilization. He led the Inca to Cusco, where they settled around 1200 AD. Cusco, the place where the Inca settled, was located at the focal point of two previous empires. So, the Inca used their infrastructure to expand rapidly. The Inca first started their expansion under their fourth emperor Mayta Capac. But their expansion really started to gather speed, under their ninth emperor Cusi Inca Yupanqui, also known as Pachacuti. Under his rule, the Inca Empire expanded rapidly. Pachacuti changed the form of governing, by implementing the system of Tawantinsuyu. Inca government Under this system, the capital city Cusco was at the center of the Empire. This is where the Inca emperor lived. It was surrounded by four Suyus on four sides (See picture below). Each Suyu was further divided into provinces and each of these provinces were further subdivided into Ayllus. Ayllu is a collection of families, which, in effect, acted as a single large family. Inca social structure While the Inca Empire was regionally divided as explained above, it was socially divided into four classes: 1. Sapa Inca - the Inca emperor 2. Royalty - The Sapa Inca's family and relatives 3. Nobility - People who helped run the empire, like high priests, military officers, artisans, architects, and local leaders. 4. Commoners - Farmers, shephers, and slaves. Thus by using a good governing system and a strict social hierarchy, the Inca emperor was able to rule the empire easily. Factors that contributed to the Inca Empire's expansion There were several factors that contributed to the rapid growth of the Inca Empire into the largest empire in the world at that time. Some of these factors were: 1. Efficient road system [Citation 2] 2. Superior farming system 3. Expertise in architecture 4. Religious tolerance The downfall of the Inca Empire Thus, the Inca Empire was prospering greatly in the 16th century. But everything changed suddenly, when the Spanish arrived in Central America. The diseases they spread, reached South America, even before the Spanish reached there. So, many Incas died. The Inca Emperor, and his crown prince were among them. So, left without an emperor, the Inca Empire was in chaos. A civil war started, many people died, and five years later, a leader emerged. But he was tricked by the Spanish, arrested, [Citation 3] and eventually killed (See painting below). Without a strong leader to lead them anymore, the Inca Empire slowly disintegrated, and ended in the year 1572. Citations https://en.wikipedia.org/wiki/History_of_the_Incas https://www.history.com/topics/south-america/inca http://www.discover-peru.org/category/history/history-inca-culture-civilization/ Resources Map of Cusco and four Siyus - http://www.socialhizo.com/images/edad_antigua/incas/ubicacion-geografica/ Inca social classes - https://www.sutori.com/story/inca-empire--YhYJNUQ98ECxTnbyG2LfoWCS Death of the last Inca emperor - By Luis Montero (Piura, 1826 - Callao, 1869) – painter (Peruvian)Born in Piura. Dead in Callao.Details of artist on Google Art Project - LgEg2gaAx_wK1w at Google Cultural Institute maximum zoom level, Public Domain, https://commons.wikimedia.org/w/index.php?curid=21855697 Donation link Do you like our work and want to donate to us? You can do so by using this Patreon link: https://www.patreon.com/wisuru Contact me Have some suggestions to share with us? Just tweet to us using our Twitter link: https://twitter.com/WisuruBiography
Women21Century is an open-source data feminist project that has received contributions from all around the world. W21 is an ongoing participatory art project focusing on post-feminism and intersectional practice in art, science, culture, and technology. We aim to map feminist practice and to write a collaborative manifesto for the digital era, with deep considerations of gender, class or race. ►► More info on the event page ►► Participate in the project W21 20/21 theme is dis/embodiment. ►► Lito Kattou and Kay Watson This talk explored how Digital Art, with its capacity to replicate and virtualise our reality, can help to redefine our notion of ‘being humans'. Drawing from the postfeminist writings of Rosi Braidotti, artist Lito Kattou explores the way we interact with the world by creating installations that keeps human characteristics as part of their ambiguous forms, implying in this way morphological conversations and adaptations. As part of her residency for 89plus curated by Hans Ulrich Obrist and Simon Castets at Google Cultural Institute in Paris in 2017, Kattou realised San, an ungendered AI hybridly conceived with the human, divine, and animal traits, living in the Red Lake in Mitsero, Cyprus – recreated by Kattou as a real-time digital environment. About @AgoraDigitalArt Agora Digital Art is a certified social enterprise. We are one of the most dynamic creative hubs in London. We champion artists who have something to say. We bring diverse communities and artists together. With your generous support, we will build the best digital network. ►► Donate via Paypal #Women21Century #W21 #AIArt #AgoraDigitalArt #DigitalArtNetwork #AgoraNetwork #DigitalArt #NewMediaArt
What exists? George Berkeley argued that the only things that exists are minds and ideas. Find out more about this odd but strangely compelling view on this episode of the egg timer. Art Attribution: By John Smibert - 1wEMkObfE2BRpQ at Google Cultural Institute maximum zoom level, Public Domain, https://commons.wikimedia.org/w/index.php?curid=21869417
Howdy y’all! Nikki Petersen is an American-born film director and producer living in Paris. She owns a creative agency whose client list includes Vogue, ABC, CNN, BBC, and the Google Cultural Institute. She also works as a Production and Development Executive at YouTube, supervising their non-fiction content. Over the past decade, Nikki has produced hundreds of documentaries, news reports, films, advertisements, and television shows in both the U.S. and France. Today we talk about some of her fantastic projects, her career in producing nonfiction content, her thoughts on women breaking the glass ceiling and more! Nikki Petersen, ladies and gents. Personal shoutout to you all for sticking around and listening to these ladies stories—it has been a fantastic ride and more is always on the way! Take care of yourself and vote! Even if you have to wait in line for 61/2 hours later like I did , vote! Ta ta!NP's 'Gram: @nikkipetersenfilmNP's IMDb: https://www.imdb.com/name/nm3906730/NP's Website: www.nikkipetersenfilm.comSSR ‘Gram: @ajsoreelSSR Twitter: @shessoreelSSR Shownotes: https://shessoreel.com/episode/nikki-petersen/#ShesSoReel #AJsSoReel*This episode includes affiliate links for which I may make a small commission at no extra cost to you should you make a purchase. Read my disclaimer for further info.*
Howdy y’all! Nikki Petersen is an American-born film director and producer living in Paris. She owns a creative agency whose client list includes Vogue, ABC, CNN, BBC, and the Google Cultural Institute. She also works as a Production and Development Executive at YouTube, supervising their non-fiction content. Over the past decade, Nikki has produced hundreds of documentaries, news reports, films, advertisements, and television shows in both the U.S. and France. Today we talk about some of her fantastic projects, her career in producing nonfiction content, her thoughts on women breaking the glass ceiling and more! Nikki Petersen, ladies and gents. Personal shoutout to you all for sticking around and listening to these ladies stories—it has been a fantastic ride and more is always on the way! Take care of yourself and vote! Even if you have to wait in line for 61/2 hours later like I did , vote! Ta ta!NP's 'Gram: @nikkipetersenfilmNP's IMDb: https://www.imdb.com/name/nm3906730/NP's Website: www.nikkipetersenfilm.comSSR ‘Gram: @ajsoreelSSR Twitter: @shessoreelSSR Shownotes: https://shessoreel.com/episode/nikki-petersen/#ShesSoReel #AJsSoReel*This episode includes affiliate links for which I may make a small commission at no extra cost to you should you make a purchase. Read my disclaimer for further info.*
Den svenska stormaktstiden var präglad av krig, nedkylning av klimatet, farsoter och svält. De omfattande utskrivningarna till militärtjänst var i det närmaste fördröjda dödsdomar. Men det fanns samtidigt en annan verklighet i den lilla världen med lekar, festligheter och kärlek.Både barnen och vuxna lekte under stormaktstiden, en del lekar känner vi fortfarande igen. Och den folkliga kärleken och kulturen var friare än den religiösa ortodoxin accepterade. Dessutom avlöste festerna med uppenbart hedniskt ursprung varandra. Påbuden från kyrkan hade ofta ingen effekt på folkets traditioner.I avsnitt 108 av podden Historia Nu samtalar programledare Urban Lindstedt med Annika Sandén, docent i historia och aktuell med boken Fröjdelekar – Glädje, lust och nöjen under svensk stormaktstid.Kyrkan försökte strama upp allmogens moral. År 1608 infördes Mose lag från Gamla testamentet i lagboken. Men kyrkans förbud hade svårt att rå på allmogens hedniska traditioner där vissa som midsommar levt kvar till våra dagar.Bild: Bondbröllop (1568) av Pieter Bruegel d.ä, Google Cultural Institute. Public domain See acast.com/privacy for privacy and opt-out information. See acast.com/privacy for privacy and opt-out information.
Currently, I'm focused on a special series exploring equality, justice, and anti-racism. Today, I'm speaking with Bryon Summers who lives in New Jersey. I contacted Bryon after seeing this photo on Instagram. I explained to him that this is why I contacted him. The podcast starts with his response to my confirmation. Bryon Summers has honed his craft as a portrait photographer, capturing classical images of guests of the hip hop and culture podcast, "The Combat Jack Show", in addition to hosting two of his own weekly photography based podcasts, "We're Getting Better" and "Shooting With Shooters". Since moving to New York in 2013, Summers has worked on personal photography projects that eventually led to art exhibitions in New York and Washington, DC after taking the stage at a Creative Mornings New York event, Bryon was bitten by the speaking bug. Since then he has used his experiences in media, fine arts and personal life to share with audiences. In addition to creating 'We're Getting Better". Summers has held educational workshops at universities and agencies about diversity in the media. In 2016, Summers has turned his attention to helping to change the negative narrative of black men with the goal of photographing 1000 men and boys with the "We Love You" project. The series was installed as a mural in DC, as well as online with the Google Cultural Institute. Amongst other topics, Bryon and I talk about social change movements, being a black man in America and racism, demonstrating and other forms of activism. Find more work from Bryon including his social links via the weloveyouproject.com and bryonsummers.com. Find the full show notes at https://changesbigandsmall.com/36 Join the Changes Big and Small Facebook group - https://www.facebook.com/groups/changesbigandsmall1/ The post Using Photography in Anti-Racism Protests appeared first on Changes BIG and small.
Laura Bocquillon is Head of Marketing and Operations at Ulule's North American headquarters based in Montreal. Ulule is the leading impact crowdfunding platform. Her main focus is to empower entrepreneurs and creators move from idea to action, with the goal of supporting the birth of solutions that will fuel a more diverse and sustainable world. Prior to this role, Laura worked in Paris on bringing cultural experiences online with the Google Cultural Institute and France's largest online cultural media, Artips. --- Support this podcast: https://anchor.fm/freeman-means-business/support
Today we look at the world of 360 Video- we tout it, we criticize it, we discuss the biggest market for it. If anyone is going to attend SIGGRAPH 2019 this year, please come visit us in person at Booth #647/649 and try our Digital Human Project. Enjoy! Show Notes 02:45 Google Carboard History https://en.wikipedia.org/wiki/Google_Cultural_Institute 04:31 Jaunt VR https://variety.com/2015/digital/news/jaunt-virtual-reality-disney-evolution-media-65-million-1201598574/ 12:43 Samsung GearVR John Carmack https://www.engadget.com/2014/09/04/samsung-gear-vr-john-carmack/ 15:38 Android Poll https://www.androidpolice.com/2017/03/19/weekend-poll-do-you-regularly-use-vr/ 19:16 ARtillery Studies (paywall) https://arinsider.co/ 21:33 Challenges of 360/VR https://fortune.com/longform/virtual-reality-struggle-hope-vr/ 29:18 The Nun VR Experience https://www.youtube.com/watch?v=evzsN1BGR6A 34:41 Adult VR content https://venturebeat.com/2018/07/23/porn-and-games-are-the-biggest-drivers-of-vr-revenues/ 40:39 Future of VR Video https://uploadvr.com/jason-rubin-oculus-quest-index-rift-go/ 44:03 Disney Kite’s Tale https://vrscout.com/news/first-look-disney-vr-film-a-kites-tale/ 55:44 Lightning Round
Famed for his 1991 international bestselling novel Generation X which popularised the titular term, the Canadian Douglas Coupland is celebrated both as a writer and an artist. He is often preoccupied with our relationship to work. He has published 13 novels, two short stories collections, seven works of nonfiction (including a biography of the philosopher Marshall McLuhan, who coined the expression “the medium is the message”), and is currently a Financial Times columnist. In his art he has investigated pop culture and the military, in various media. He has been an artist in residence at the Google Cultural Institute in Paris. His 2018 installation Vortex, at the Vancouver Aquarium, invited visitors to “take an imaginative journey to the Great Pacific Garbage Patch and immerse yourself in the ocean plastic pollution crisis”. The big thinker speaks with Vincent Heeringa. Supported by NZ Contemporary Art Trust and Canada Council for the Arts.
Whether it be tech giants facing Congressional committees or the Google Cultural Institute showing people the power of facial-recognition algorithms, El Kaiser and J.D. have things to say about it all. Also in the mix: Several states and advocacy groups have fired up the Lawsuit Machine and aimed it at the Federal Communications Commission’s recent … Continue reading PTJ 259: Face Time →
A digital edition of Saturday Review presented by Antonia Quirke. Crown Heights is a new on-demand film based on an episode of NPR's This American Life, telling the true story of Trinidadian teenager Colin Warner's twenty year wrongful incarceration. The Miniaturists takes a long-running short play night and turns it into a podcast with five new short plays from up and coming British playwrights. The reviewers explore the world's greatest and strangest museums, galleries and monuments with Google Cultural Institute. The story of a refugee's journey across the sea is rendered in an interactive graphic novel format in Nam Le & Matt Huynh's The Boat. Antonia's guests are Inua Ellams, Andy Riley and Errollyn Wallen. The producer is Caitlin Benedict.
Yonca is vice-president of marketing for pan-EMEA at Google, Brunini’s team is spread across 30 countries in Europe, the Middle East and Africa. She is also a founding board member of the Google Cultural Institute, sits on the board of the Marketing Society, is a member of the Natural History Museum’s digital advisory board and is on the committee of the Prince’s Trust Women’s Leadership Group, which was founded by the Prince of Wales and is dedicated to helping underprivileged young women get their lives on track.
This episode the TSS team talk about ways to use images such as National Archives worksheet, Thinglink, P.O.S.E.R.S., Gallery Walks and Student Documentaries. Plus they share where teachers can find images to use in their classes from Flickr, Library of Congress, Met Museum, University of Bristol, and the Google Cultural Institute. Plus others ideas, resources and rabbit holes to go down.
문화의 빅뱅은 어떤 모습일까요? 구글 문화원(Google Cultural Institute)와 아트 프로젝트를 총괄하는 아밋 수드에게는 생생하고 현장감 넘치는 디테일로 세계의 가장 위대한 예술 작품과 문화유산 컬렉션을 볼 수 있는 인터넷상의 플랫폼입니다. 수드와 구글 상주 예술가인 시릴 디안과 함께 구글 문화원에서 하는 놀라운 실험들의 체험판을 같이 체험해보시고 예술와 문화에 대한 접근성이 높은 흥분되는 미래도 엿보세요.
It’s your great great great grandmomma’s feminism! Jacqui and LeMar commemorate Women’s Equality Day with a quick lesson in its history. Then, they discuss the progress women have (and haven’t) made since 1920 and dispel myths about feminism that somehow still infect us. Related Links Pathways to Equality – Google Cultural Institute 2014 Presidential Proclamation […]