Podcasts about henri chopin

A poesia sonora ontem e hoje!– Henri Chopin –  Rouge– Henri Chopin - Double Extension– Erin Gee - Mouthpiece 36 - Part 1 com Ekmeles– Erin Gee - Mouthpiece 36 - Part 2 com Ekmeles– Nobuo Kubota & W. Mark Sutherland– Double Talk– Annika Socolofsky - They Tell Us WeProdução, gravação, edição e locução: marcelo brissacMúsica “Drácula” usada no prefixo e sufixo, autoria de marcelo brissac e livio tragtenberg

Es poesía en la que, más allá de utilizar la palabra como mero vehículo del significado, la composición del poema o el texto se estructuran en sonidos que requieren una realización acústica. La salida del poema de la página impresa empieza a verse en los primeros años del siglo XX._____Has escuchadoGrosso modo (1990) / Flatus Vocis Trio. Bartolomé Ferrando, Fátima Miranda y Llorenç Barber, voces. Xiu-Xiu Records (1990)Inger permutaciones (1971) / Juan Eduardo Cirlot. Javier Maderuelo, voz. E. G. Tabalet (1996)Les gouffres des bronches sont des cavernes infinies. Fresques de l'impalpable voix (1990) / Henri Chopin. Henri Chopin, voz. Grabación en directo de la interpretación en Garage Caméléon, Besançon, el 3 de febrero de 1995. Erratum Musical (2021)You're the Guy I Want to Share My Money With. I Don't Need It, I Don't Want It, and You Cheated Me Out of It (1981) / John Giorno. John Giorno, voz. Giorno Poetry Systems (1981)_____Selección bibliográficaBULATOV, Dmitry (ed.), Homo sonorus: una antología internacional de poesía sonora. Consejo Nacional para la Cultura, 2004CHOPIN, Henri, Poésie sonore internationale. Jean-Michel Place, 1979FERRANDO, Bartolomé, “Del fragmento, la repetición, el ritmo, la permutación, la aleatoriedad y la indeterminación en la poesía fonética y sonora”. Revista de Bellas Artes: Revista de Artes Plásticas, Estética, Diseño e Imagen, n.º 6 (2008), pp. 59-68—, El arte de la performance. Mahali, 2009*GONZÁLEZ AKTORIES, Susana, “Poesía sonora, arte sonoro: un acercamiento a sus procesos de semiosis”. Acta Poética, vol. 29, n.º 2 (2008), pp. 375-392HILDER, Jamie, “Concrete Poetry and Conceptual Art: A Misunderstanding”. Contemporary Literature, vol. 54, n.º 3 (2013), pp. 578-614*KOSTELANETZ, Richard, “Text-Sound Art: A Survey”. Performing Arts Journal, vol. 2, n.º 2 (1977), pp. 61-70*LABELLE, Brandon y Christof Migone (eds.), Writing Aloud: The Sonics of Language. Errant Bodies Press, 2001LAFUENTE, José María (ed.), José Luis Castillejo y la escritura moderna. Ediciones La Bahía, 2018*MARÍN SÁNCHEZ, Eduardo Jesús, La poética del fragmento y del intervalo en la poesía experimental sonora de Bartolomé Ferrando. Tesis doctoral, Universidad Miguel Hernández de Elche, 2013MOLINA ALARCÓN, Miguel, “La poesía sonora de las últimas tres décadas en el panorama valenciano (1980-2012)”. En: Los últimos 30 años del arte valenciano contemporáneo. Editado por Román de la Calle. Real Academia de Bellas Artes de San Carlos, 2012PIQUER, Ruth, “Ultraísmos y retornos: poesía, música y plástica en las revistas de vanguardia (1918-1923)”. En: Sinergias para la vanguardia española (1898-1986). Editado por Ruth Piquer. Libargo, 2016*SARMIENTO, José Antonio, La otra escritura: la poesía experimental española, 1960- 1973. Ediciones de la Universidad de Castilla-La Mancha, 1990—, Las veladas ultraístas. Ediciones de la Universidad de Castilla-La Mancha; Centro de Creación Experimental, 2013*WENDT, Larry, “Sound Poetry: I. History of Electro-Acoustic Approaches II. Connections to Advanced Electronic Technologies”. Leonardo, vol. 18, n.º 1 (1985), pp. 11-23**Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Neste episódio:01 – Henri Chopin – Sol Air - 9'50”02 – Jacques Donguy – Sampling (fragmento) - 2'45”03 – Philippe Castellin – Editoast - 2'14”04 – Paul Dutton com Five Men Singing - Nosing - A Round - 4'13”Total: 19'02”Produção, gravação, edição e locução: Marcelo Brissac.Música “Drácula” usada no prefixo e sufixo, autoria de Marcelo Brissac e Livio Tragtenberg.

"Rubriche d'aria” è a cura di Juan Pablo Macías e Alessandra Poggianti ed è uno dei canali di "On Air", il nuovo progetto dell'associazione Carico Massimo, dedicato all'aria. Il nuovo appuntamento è con la critica e curatrice Eva BrioschiTutto d'un fiato, Eva Brioschi ci offre una dissertazione sull'aria, dalla sua corrispondenza con la libertà, alle diverse modalità in cui i corpi entrano in rapporto con essa, fino ad approdare all'opera di Henri Chopin. L'artista francese (Parigi, 1922), negli anni 50 riceve in regalo un magnetometro ed inizia a sperimentare la lingua, lavorando sugli stessi fonemi, sulla voce, sul corpo. La voce, potente e libera, captata elettronicamente, diventa una esperienza sensoriale totale. Il fine ultimo è la libertà come reazione al logocentrismo.

No programa:01 – Henri Chopin – Crescendo aux vocème (fragmento) – 3'26”;02 – Richard Kostelanetz – No, I'm Richard Kostelanetz – 3'28”;03 – Brenda Hutchinson – Long tube trio (fragmento) – 4'14”;04 – Kesken – Babel Airport – 3'08”;05 – Jean-Pierre Bobillot & Jean-Louis Houtchard – Owde to Philmay – 3'58”;06 – Ilmar Laaban – Vesi ise – 3'41”;Total: 21'55”.Produção, gravação, edição e locução: Marcelo Brissac.Música “Drácula” usada no prefixo e sufixo, autoria de Marcelo Brissac e Livio Tragtenberg.

Our guest for Episode 5 of Anechoic Chamber is Enzo Minarelli, who, since the early Seventies, has been active in the field of linear and visual poetry, performing several one-man shows while also editing and releasing records, CDs and DVDs. He is the main theorist of Polypoetry - whose first Manifesto was published by Minarelli in 1987 - and the publisher of the vinyl series 3ViTre Records, producing about twenty records both on 7” and LP. He has also founded the 3Vitre Archive of Polypoetry which can now be consulted permanently at Lincoln Center in New York and at Bologna University. As a scholar and researcher about orality and poetry, his essays and books are a well-known reference on the subject. His sound and visual works are in the collections of national and international musea, libraries and archives. As a video-poet, he has produced many video-poems and video sound poetry installations since the early 80s. For this discussion, Minarelli provides a valuable primer on sound poetry in general, dispelling numerous myths about the form while also touching upon its most essential qualities. Discussion topics: Is technology essential to sound poetry? / not “performance art” or music / Henri Chopin, Bernard Heidsieck: two different poetic perspectives on language / relationship to the “avant-garde” + being comfortable with tradition a la Dick Higgins / Can sound poetry be comedy? / Losing control of the audience / different meanings of silence in performance: beyond John Cage / “Urloh” + “Howl”: an example of art meeting life Sounds used in this episode: Enzo Minarelli “Urloh (1984)” (previously appeared in Polipoesia mon Amour [2005] and Voice Studies London [2015]) / "Voci Nell Italia di Fine Secolo" / "Gran Amor Platonico" / Additional atmospheric sounds created by TBWB exclusively using interview footage from this episode as a sound source. Cover image: “Urloh” schematic by Enzo Minarelli. Anechoic chamber links: Artist web links: http://www.3vitre.it https://www.enzominarelli.com donate via Paypal: tbwb@protonmail.com all other queries: core@tbwb.net

LFI #6 : Between cats and and dogspar Théo Robine-Langlois1- La fusée Interplanétaire - Henri Chopin (générique de l’émission)2- 36 chiens, dont... - George Perec3- Drop it likes it’s hot - Snoop Dogg, Pharell Williams4- Eat my pussy Right - Lil Kim5- The Labyrinth Scored or the Purrs of 11 Cats (excerpt) - Terry Fox6- Pussy taste Like Kush - Gangsta Boo7- Pitbull - Booba8- Chien et Chat - Maurice Lemaître9- Muselière - Guizmo10- I wanna be your dog - Sid Vicious11- Slob on my Cat - La Chat12- So when are we gonna fuck - Grace Jones & Eddie Murphy

©Photo courtesy of Chris Collie. Melissa Bianca Amore is an Australian/Italian international curator, art critic and independent scholar based in New York. Her primary area of exploration surrounds the study of phenomenology, the limitations of perceived space and interactive spatial aesthetics. A highly acclaimed critic and essayist, Amore has written for leading publications and authored exhibition catalogues since 2005.  Amore is currently a visiting critic and curator for selected organizations and academic institutions including Parsons School of Design, The New School University, New York; Residency Unlimited, New York and Art Omi Artists Residency, New York.Amore co-founded, alongside William Stover, a non-profit arts organization titled Re-Sited, which re-evaluates the architecture of “site” and the “conceptual space”- its materiality, particularities and relationship to the work of art. Re-Sited examines the spatial intersections between sculpture, architecture and space. The collaborative recently curated Traveling Spaces, a group exhibition that addressed ideas of “site” and “space” and questioned how we travel and move through space. The exhibition featured a series of site interventions and perceptual interruptions, which included works by Caroline Cloutier and Willem Besselink. In 2017, Re-Sited curated Sites of Knowledge at Jane Lombard Gallery, New York. Sites of Knowledge examined spatial semiotics and language as a visual structure of knowledge, and included works by Richard Artschwager, Henri Chopin, Sophie Tottie and Michael Rakowitz. Amore curated a solo exhibition titled ThreeFold, on Australian/American installation artist Natasha Johns-Messenger, at El Museo de Los Sures, in New York. ThreeFold was a large-scale site installation, an optical prism, predominantly made of mirrors and periscopic devices. Amore has also been the curatorial advisor for public art-work commissions both locally and in Australia, and continues today to advise for a private dealer based in New York City, alongside her curatorial projects.  In 2012, Amore was appointed the Creative Director and Senior Curator for a non-profit arts organization, NotFair, in Melbourne, Australia. NotFair is a curated art fair-launching emerging and undiscovered contemporary artists across the Asia Pacific Region. Amore curated a large-scale exhibition Bal Taschit Thou Shalt Not Destroy, in 2006, at the Jewish Museum of Australia. The exhibition featured over thirty-five artists who examined early scripture including, readings from the Torah, the Talmud and biblical prescriptions about structures of knowledge and the environment.  Amore held the position as Exhibition Manager and Artist Liaison at Arc One Gallery, Melbourne, Australia for over seven years, where she managed Australia's most important contemporary artists. She received a Masters of Fine Arts (MFA) in Art Criticism and Writing, at SVA, New York in 2014, and a Degree in Philosophy, History of Ideas, and a B.A in Creative Writing (Literature) and Art History (Minor) in 2005, Melbourne Australia, where she graduated with honors and also commenced a bachelor of psychology for two years.

John Calder (1927-2018) was a giant of 20th century literary publishing, and a champion of free speech. Best known for publishing Samuel Beckett's novels and poetry, he brought much of the most innovative European literature of the 20th century to an English-speaking audience, ultimately won a landmark obscenity trial over Hubert Selby Jr's 'Last Exit to Brooklyn' and has inspired several generations of exciting writers and publishers. Joining Juliet to discuss Calder's life and legacy is Alex Kovacs, author of 'The Currency of Paper' (2013), who worked in Calder's bookshop in London in 2008-10. Alessandro Gallenzi's obituary for John Calder: https://www.theguardian.com/books/2018/aug/21/john-calder-obituary Huw Nesbitt's interview with John Calder (2008) - https://www.vice.com/en_uk/article/nndv5k/john-calder-443-v15n12 SELECTED REFERENCES HENRI ALLEG, La Question (1958) - https://en.wikipedia.org/wiki/La_Question Lord Altrincham - https://en.wikipedia.org/wiki/John_Grigg,_2nd_Baron_Altrincham Fernando Arrabal - http://www.arrabal.org/ ANTONIN ARTAUD, Collected Works (vols. I-IV) Howard Barker AUBREY BEARDSLEY, Under the Hill - https://en.wikipedia.org/wiki/Under_the_Hill SAMUEL BECKETT, The Unnameable (1953) and Waiting for Godot (1953) William S. Burroughs Steven Berkoff Peter Brook JOHN CALDER, The Philosophy of Samuel Beckett (2001) and The Theology of Samuel Beckett (2012) JOHN CALDER, Pursuit (2001) - https://almabooks.com/product/pursuit-memoirs-john-calder/ Henri Chopin - https://www.richardsaltoun.com/artists/35-henri-chopin/overview/ COPI, Eva Perón (1970) - https://www.newstatesman.com/blogs/music-and-performance/2012/04/parodying-eva-perón Ashley Dukes - https://en.wikipedia.org/wiki/Ashley_Dukes Marguerite Duras JEAN GENET, The Maids (1947) Allen Ginsberg John Glassco The Godot Company - https://actors.mandy.com/uk/company/18184/the-godot-company Grove Press OWEN HATHERLEY, A Guide to the New Ruins of Great Britain (2010) RAYNER HEPPENSTALL, The Woodshed (1962) and Raymond Roussel: A Critical Guide (1966) ALGER HISS, In the Court of Public Opinion (1957) - https://www.thecrimson.com/article/1957/5/17/hiss-defends-position-in-public-opinion/ I Shot Andy Warhol (dir. Mary Harron, 1996) Eugène Ionesco B. S. Johnson GEORG KAISER, From Morning to Midnight (1912/16) - https://www.cineaste.com/spring2011/from-morning-to-midnight-web-exclusive/ Anna Kavan ALEX KOVACS, The Currency of Paper (2013) - https://www.newstatesman.com/books/2013/09/currency-paper-alex-kovacs-how-capitalism-affects-art VLADIMIR MAYAKOVSKY, The Bathhouse (1930) HENRY MILLER, Sexus (1949) and Tropic of Cancer (1934) EDDIE MILNE, No Shining Armour (1976) - https://www.marxists.org/history/etol/newspape/isj/1976/no093/rees.htm Carole Morin Olympia Press (Maurice Girodias) - https://bookblast.com/blog/spotlight-maurice-girodias-olympia-press-indie-publishers-remembered/ Peter Owen (publisher) Luigi Pirandello ANN QUIN, Berg (1964) and (1969) - http://thequietus.com/articles/24056-ann-quin-lara-pawson-stewart-home-juliette-jacques-lee-rourke-isabel-waidner ALAIN ROBBE-GRILLET, Jealousy (1957) - http://conversationalreading.com/alain-robbe-grillet-and-jealousy/ Raymond Roussel Nathalie Sarraute Jean-Paul Sartre HUBERT SELBY JR, Last Exit to Brooklyn (1966) - https://www.theguardian.com/books/2018/aug/01/last-exit-to-brooklyn-hubert-selby-appeal-1968 Yulian Semyonov - https://en.wikipedia.org/wiki/Yulian_Semyonov Claude Simon T. Dan Smith - https://www.chroniclelive.co.uk/news/north-east-news/stories-shocked-tyneside-high-rise-7236347 Roland Topor Alexander Trocchi TRISTAN TZARA, Seven Dada Manifestos - https://www.goodreads.com/book/show/80258.Seven_Dada_Manifestos_and_Lampisteries Kenneth Tynan - https://www.theguardian.com/arts/critic/feature/0,,567652,00.html Snoo Wilson Olwen Wymark Contemporary publishers: And Other Stories; Dalkey Archive Press; Fitzcarraldo Editions; Galley Beggar; Melville House.

Slowscan is an obscure avant-garde record label that publishes audio-art vinyls and cassettes from its archive. Based in the middle of Holland, the label is run by Jan van Toorn, ex-electronic music student from the Institute of Sonology in Utrecht, today curator of audio art exhibitions. Special mention should be made of the quality in the design of the releases. The episode features: David Rosenboom, Glenn Frew, Robert Filliou, Al Hansen, Henning Christiansen, Richard Maxfiel, Henri Chopin and William Levy.

Programme de GAELLE THEVAL & ANNE-CHRISTINE ROYERE pour webSYNradio : DES CHEMINS PARALLELES N'EXCLUENT PAS FLIRTS, TENDRESSES , VIOLENCES, PASSIONS - POESIE SONORE ET MUSIQUE ELECTRO ACOUSTIQUE. Avec les sons de Edgar Varèse, Bernard Heidsieck, Stockhausen, ArThur Petronio, Henri Chopin, Alvin Lucier, François Dufrêne, Michèle Métail, Pierre Henry, Pierre Schaeffer, Luc Ferrari, Steve Reich, John Giorno, Gil J. Wolman, Michèle Métail et Louis Roquin, Jacques Sivan et Cédric Pigot, Anne-James Chaton, Andy Moor & Alva Noto.

Programme de HEIKE FIEDLER pour webSYNradio : avec des sons, des mots et l'engagement de Anna Akhmatova, Joan La Barbara, Olga Rozanova, Franz Mon + Tera de Marez Oyens, Heike Fiedler + Marie Schwab + Steve Buchanan, Sainkho Namchylak, Dorothea Schurch + Thomas Lehn, Beth Anderson, Zuzana Husarova, Vincent Barras + Jacques Demierre, Jaap Blonk, Ernst Jandl, Kathy Acker, John Giorno, Jorg Piringer, Henri Chopin, Gherasim Luca, Anne Pitteloud + Sylvain Thévoz + Dominique Ziegler+ Heike Fiedler + Philippe Rahmy + Miruna Coca-Cozma + Manuel Tornare, IMO insub meta orchestra, Pete Ehrnrooth

Programme de JULIA DROUHIN pour webSYNradio : MAGNETIC PLAYLIST avec des sons de Matthew BROWN, Henri CHOPIN, Delia DERBYSHIRE, Luc FERRARI, Beatriz FERREYRA, Bernard HEIDSIECK, Pierre HENRY, Emmanuelle GIBELLO, Christina KUBISCH, Alvin LUCIER, Ilhan MIMAROGLU, Anton MOBIN, Frédéric MALKI, Aki ONDA, OGROB, Bernard PARMEGIANI, PEOPLE LIKE US, TAPETRONIC, Gregory WHITEHEAD…

Sun Ra - Constellation ■ P.K.D. - Conversations & Ideas ■ George Engler - Dance of the Unknown ■ Dwight Frizzell - O What A Joy It Is To Know You Have A Turtle Heart ■ Idea Fire Company - Hydropeplynes ■ Eraserhead - Industrial Wasteland ■ Vladimir Ussachevsky - Suite From "No Exit" ■ Cleve Pozar - The Winged Coyote ■ Adam Bohman, Dylan Nyoukis & Friends - A.D.D. ■ Underwater Sounds Of Biological Origin ■ Preggy Peggy & The Lazy Babymakers - The Mysticism Of My Fucking Sound ■ Henri Chopin - 2500 les Grenouilles d'Aristophane ■ Harry Smith - Boy Am I In Trouble ■ Basil Kirchin - Prelude and Dawn ■ Silk Dune - Crescent (excerpt) ■ Mark Lord - Fluid Film Car Undercoating ■

Playliste de Christophe Manon pour webSYNradio : Jours redoutables avec Pierre Albert-Birot, Antonin Artaud, John Ashbery, Charles Bernstein, Jean-Louis Brau, Camille Bryen, William S. Burroughs, John Cage, Augusto de Campos, Louis-Ferdinand Céline, Henri Chopin, Robert Creeley, François Dufrêne, John Giorno, Pierre Guyotat, Raoul Hausmann, Ernst Jandl, Joachim …,...

Playliste de Jacques Marie Bernard pour webSYNradio : Rencontres réelles et imaginaires sur webSYNradio qui font virevolter en figures, bagarres et autres banquets sonores Luc Ferrari et Cathy Berberian, Marilyn Monroe et Liza Minnelli, Nino Rota et Erik Satie, Sun Ra, Darius Milhaud et les Dadas, Alain Kan et Frank Royon, Pierre Schaeffer et Igor Stravinsky, Pierre Henry et Beethoven, John Cale et Terry Riley, Les Residents et les Ramones, Robert Wyatt et Sinatra, Janis Joplin et Raoul Haussman, Krzysztof Penderecki et Luciano Berio, John Cage et Marcel Duchamp et Philip Glass, Henri Chopin et John Zorn …

How to speak modern... modern, like, 3 decades ago "How To Speak Modern" by Michael O'Brien and John Elk Intro messages from The Rockford Files and "Say Hello To Rockford" Gil Scott Heron: "The Revolution Will Not Be Televised" T-Rex: "Children Of The Revolution" The Bowery Riots: "Can't Get Out" The Last Poets: "This Is Madness" Rick Harris: "Is It Real? (excerpt)" Mix of various sound poems by Henri Chopin featuring excerpt of his essay "Why I Am The Author of Sound Poetry and Free Poetry" Gogol Bordello: "60 Revolutions" B.B. Gabor: "Moscow Drug Club" & "Soviet Jewelry" The Modern Lovers: "Modern Lovers" Subscribe to my YouTube channel: transpondency Subscribe to transpondency.blip.tv email: suburban@transpondency.com myspace: transpondency