Podcast appearances and mentions of kimberly chrisman campbell

This week Maureen Taylor, The Photo Detective, is joined by Dr. Kimberly Chrisman-Campbell, an award-winning fashion historian and curator from Los Angeles, as well as the author of multiple books on fashion history.The two discuss skirts and how one piece of clothing can help us learn about history and how the skirt showed changes in ideals toward women and fashion, as well as how we present ourselves to the world based on what we wear.  Related Episodes:Episode 210:  The Dress Diary of Anne Sykes with Dr. Kate Strasdin Episode 167: Victorian Photo Studio SecretsLinks:Dr. Kimberly Chrisman-Campbell Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Dr. Kimberly Chrisman-Campbell is an award-winning fashion historian, curator, and journalist based in Los Angeles. She is the author of Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette (Yale, 2015), Worn on This Day: The Clothes That Made History (Running Press, 2019), The Way We Wed: A Global History of Wedding Fashion (Running Press, 2020), Red, White, and Blue on the Runway: The 1968 White House Fashion Show and the Politics of American Style (Kent State University Press, 2022), and Skirts: Fashioning Modern Femininity in the 20th Century (St. Martin's Press, 2022). She has written about fashion, art, and culture for The Atlantic, The Washington Post, Politico, Slate, and The Wall Street Journal and has appeared on NPR, the Biography Channel, and Reelz, along with several podcasts. She was a 2020-21 NEH Public Scholar and a 2021-22 USC Libraries Fellow. As well as writing books and articles, she does writing, lecturing, curating, and consulting for museums, universities, and the entertainment industry.About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo-related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.comDid you enjoy this episode? Please I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

**Adult content and gore will be discussed during this episode - starting at 22:58. Please feel free to stop at this point and we shall see you next week : ) **  

*Disclaimer*  We speak about adult themes and baby loss during this episode.  Baby loss is mentioned during the timestamp of 46:30 - 47:55. Please skip this part if you need to.    Welcome to our first of four special Summer series episodes.  Today we are taking a departure from talking about the British Royal Family and turning the tables to the 18th Century French Queen, Marie Antoinette.   Rachael has been busy researching the rise of Marie Antoinette and in today's episode we answer the questions:   What age was Marie Antoinette when she got married? Why did Marie Antoinette marry Louis XV? What the Royal Court of Versailles really like? How long did it take to produce an heir to the French throne?   Grab a cuppa and enjoy.   

O que você diria ao descobrir que um antigo motivo de bullying escolar virou alvo de desejo nas redes sociais? Algo que te fez sofrer com apelidos e brincadeirinhas em que todos viam graça menos você? Agora imagine descobrir que essa característica que povoa seus antigos traumas virou um novo trend de beleza, digno das páginas do New York Times. O jornal americano conta que milhares de pessoas estão se submetendo a picadas de agulhas embebidas em pigmentos para ganhar sardas no nariz e nas bochechas. Ou seja, o antigo motivo de tormento escolar se tornou a mais recente obsessão do TikTok. Ao longo da história, as sardas frequentemente foram vistas como imperfeições. Mas essa visão mudou entre meados e o final do século 20, quando um bronzeado –e as sardas que o acompanhavam— viraram um símbolo de status, algo que assinalava uma vida de lazer, comentou Kimberly Chrisman-Campbell, historiadora da moda especializada no período moderno inicial. Na década de 1990, graças à modelo Twiggy e à cantora Jane Birkin, além do movimento cultural "youthquake" dos anos 1960, as sardas começaram a ser associadas a uma aparência juvenil. No início da década de 2000, passaram a ser bem-vistas nas passarelas e campanhas de publicidade. E, em 2018, a decisão de Meghan Markle de adotar um look mais natural em seu casamento com o príncipe Harry levou a uma onda de imitadoras buscando adotar as sardas. O Mulheres Reais vai ao ar às segundas-feiras, a partir das 8h, no Jornal Eldorado. O podcast é apresentado por Luciana Garbin e Carolina Ercolin e está disponível em todas as plataformas de áudio.See omnystudio.com/listener for privacy information.

This week, I explore the life of Elizabeth Bathory, the infamous Hungarian countess who is widely considered to be history's most notorious female serial killer. The legend surrounding Elizabeth, aka Countess Dracula, or The Blood Countess, remains that she was a bloodthirsty killer who tortured and murdered hundreds of young girls (mainly peasants), bathing in their blood in the belief that it would keep her young and beautiful. While it is impossible to know the exact number of The Blood Countess' victims, it is estimated that she may have been responsible for the deaths of up to 650 girls. Elizabeth Bathory remains one of the most intriguing and terrifying figures in history, a woman whose legend has endured for centuries. While the exact truth of her crimes may never be known, the impact she had on history is undeniable. Her story is a reminder of the darkest aspects of human nature and the power of legend to shape our understanding of the past.If you liked what you heard today, give the podcast a like, review, and subscribe. Follow F**k That on Facebook, TikTok and Twitter @fthatpodInstagram @fthat_podThank you to this week's sources: Infamous Lady The True Story of Countess Erzsebet BáthoryKimberly L. Craft The Blood Countess: The Life and Crimes of Elizabeth BathoryValentine Penrose The Legend of Elizabeth Bathory: Blood Bath Discovery Channel Elizabeth Bathory: The Blood CountessDrea Knufken, All That's Interesting, 2019. The True Story of Elizabeth Bathory: History's Most Prolific Female Serial KillerNatasha Ishak, The Lineup, 2020 The Woman Who Killed for BeautyDaisy Dunn, BBC, 2019 Reinventing the 'Blood Countess': Bathory in Popular CultureAnna Kornbluh, Journal of Dracula Studies, 2008. The Countess and the FeministsVictoria Nelson, The New York Times, 1994 Countess Elizabeth Bathory: A Female Dracula?Kimberly Chrisman-Campbell, History.com, 2019 The Blood Countess: Elizabeth Bathory, Vampire or Victim? Anne McDonnell, Smithsonian Magazine, 2012

On February 29, 1968, Lady Bird Johnson hosted the first–and last–White House Fashion Show. The fashion show, intended both to highlight the fourth largest industry in the United States and to promote domestic tourism, inadvertently became one of the many PR missteps of the Johnson administration, as it occurred in the midst of the Tet Offensive. Just one month later LBJ announced on national television that he would not seek reelection, and today the fashion show is largely forgotten.  Joining me to help us understand how and why Lady Bird Johnson ended up hosting a White House Fashion Show, and why it was never repeated, is fashion history Dr. Kimberly Chrisman-Campbell, author of Red, White, and Blue on the Runway: The 1968 White House Fashion Show and the Politics of American Style. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode is “The Stars and Stripes Forever March,” composed by John Philip Sousa and performed by the United States Marine Corps Band; the audio is in the public domain. The episode image is from the 1968 “Discover America” White House Fashion Show, available via the National Archives (NAID: 218517833, Local ID: 306-SSA-68-8218-CC5), and is in the public domain. Additional Sources: “Claudia Alta Taylor ‘Lady Bird' Johnson,” The White House. “The Environmental First Lady,” Lady Bird Johnson Wildflower Center, The University of Texas at Autin. “Spotlight: 1968 White House Fashion Show,” by Kaitlyn Crain Enriquez, National Archives - The Unwritten Record, August 10, 2021. “The White House Fashion Show [video],” White House Historical Association, posted on YouTube on June 14, 2022. “The 1968 Fashion Show, the History Lesson Melania Missed,” by Kimberly Chrisman-Campbell, Politico, March 5, 2018. “Why the First White House Fashion Show Was Also the Last,” by Kimberly Chrisman-Campbell, Slate, October 10, 2014. “Discover America Scarf,” Frankie Welch's Americana: Fashion, Scarves, and Politics, UGA Special Collections Library Online Exhibitions. “TET: Who Won?” by Don Oberdorfer, Smithsonian Magazine, November 2004. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the UK, just over half of people above the age of 16 are married. Whether in a registry office, a place of worship or a remote beach somewhere sunny, each of these couples will have had to do some form of planning. Guest lists, cake, flowers and, of course, outfits.Today Betwixt the Sheets, Kate is speaking to Kimberly Chrisman-Campbell about wedding dresses. When might you have worn the same dress day to day? When did white become the norm in western countries? And what is a decoy bride?Produced by Charlotte Long and Sophie Gee. Mixed by Joseph Knight. For more History Hit content, subscribe to our newsletters here. Hosted on Acast. See acast.com/privacy for more information.

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices

While the story of women's liberation has often been framed by the growing acceptance of pants over the twentieth century, the most important and influential female fashions of the era featured skirts. Suffragists and soldiers marched in skirts; the heroines of the Civil Rights Movement took a stand in skirts. Frida Kahlo and Georgia O'Keeffe revolutionized modern art and Marie Curie won two Nobel Prizes in skirts. When NASA put a man on the moon, “the computer wore a skirt,” in the words of one of those computers, mathematician Katherine G. Johnson. As women made strides towards equality in the vote, the workforce, and the world at large, their wardrobes evolved with them. They did not need to "wear the pants" to be powerful or progressive; the dress itself became modern as designers like Mariano Fortuny, Coco Chanel, Jean Patou, and Diane von Furstenberg redefined femininity for a new era. Kimberly Chrisman-Campbell's Skirts: Fashioning Modern Femininity in the Twentieth Century (St. Martin's Press, 2022) looks at the history of twentieth-century womenswear through the lens of game-changing styles like the little black dress and the Bar Suit, as well as more obscure innovations like the Taxi dress or the Pop-Over dress, which came with a matching potholder. These influential garments illuminate the times in which they were first worn―and the women who wore them―while continuing to shape contemporary fashion and even opening the door for a genderfluid future of skirts. At once an authoritative work of history and a delightfully entertaining romp through decades of fashion, Skirts charts the changing fortunes, freedoms, and aspirations of women themselves. Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1 Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Dr. Kimberly Chrisman-Campbell is an award-winning fashion historian, curator, and journalist based in Los Angeles. As well as writing books and articles, she does writing, lecturing, curating, and consulting for museums, universities, and the entertainment industry. She has written about fashion, art, and culture for “The Atlantic”, “Politico”, “Slate”, “The Wall Street Journal” and “The Washington Post” and has appeared on NPR, the Biography Channel, and Reelz. Find out more at KimberlyChrisman-Campell.com. Find out more about the Zestful Aging Podcast at ZestfulAging.com

Hosted by Andrew Keen, Keen On features conversations with some of the world's leading thinkers and writers about the economic, political, and technological issues being discussed in the news, right now. In this episode, Andrew is joined by Kimberly Chrisman-Campbell, author of Skirts: Fashioning Modern Femininity in the Twentieth Century. Dr. Kimberly Chrisman-Campbell is an award-winning fashion historian, curator, and journalist. She has worked as a consultant and educator for museums and universities around the world. She is the author of Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, Worn on This Day: The Clothes That Made History, The Way We Wed: A Global History of Wedding Fashion, and Red, White, and Blue on the Runway. She frequently writes about fashion, art, and culture for scholarly journals and news outlets including The Wall Street Journal, The Washington Post, The Atlantic, and Politico, and has appeared on NPR, the Biography Channel, Reelz, and numerous podcasts. She lives in Los Angeles. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're joined by fashion historian Dr. Kimberly Chrisman-Campbell for a fun, thoughtful conversation on women's ever-changing relationships with clothing. We explore the historical context of natural fibers and wedding gowns, and discuss the influence of the Industrial Revolution on our wardrobes. Kimberly discusses iconic styles we love today, like wrap dresses and body-cons, through their original influences and social contexts. We reflect on some of our favorite fashion moments and icons - from Princess Diana and Marie Antoinette, to the supermodels of the 1990s. Dr. Kimberly Chrisman-Campbell is a fashion historian, curator, journalist, and best-selling author. She is currently a fellow at USC Libraries. Kimberly connects on Twitter as @HottyCouture and curates @WornOnThisDay. Skirts: Fashioning Modern Femininity In The Twentieth Century releases September 6. Thanks to our sponsor! Use ECOCHIC for 15% off sitewide at DameProducts.com. Find me online - @ecochicpodcast on Instagram + @lauraediez on Tiktok. Email me at laura@lauraediez.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Queer suffragists were central to the women's suffrage movement in the United States from its earliest days. However, in a movement that placed great importance on public image in service of the goal of achieving the vote, queer suffragists who pushed the boundaries of “respectability” were sometimes ostracized, and others hid their queerness, or had it erased by others. Joining me to help us learn about queer suffragists is historian Dr. Wendy Rouse, Associate Professor in History at San Jose State University. Dr. Rouse is the author of a new book from New York University Press, Public Faces, Secret Lives: A Queer History of the Women's Suffrage Movement.  Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. Image Credit: “Carrie Chapman Catt (1859–1947) and Mary Garrett Hay (1857–1928) casting ballots, presumably during the midterm elections, November 5, 1918.” Carrie Chapman Catt Papers, Manuscript Division, Library of Congress (128.00.00) Additional Sources: “When lesbians led the women's suffrage movement,” by Anya Jabour, The Conversation, January 24, 2020. “How Queer Women Powered the Suffrage Movement,” by Maya Salam, The New York Times, August 14, 2020. “Carrie & Mollie & Anna & Lucy: Queering the Women's Suffrage Movement,” by Susan War, American Experience, PBS, October 23, 2020. “The Very Queer History of the Suffrage Movement,” by Wendy Rouse, National Park Service. “The Queer Suffragists Who Fought for Women's Right to Vote: New research shows that women's right to vote, now a century old, was won by a distinctly LGBTQ+ group of activists,” by Sarah D. Collins, Them, August 14, 2020. “When American Suffragists Tried to ‘Wear the Pants,” by Kimberly Chrisman-Campbell, The Atlantic, June 12, 2019. “The Unconventional Life of Mary Walker, the Only Woman to Have Received the U.S. Medal of Honor: Dress reformer, women's rights activist, and all-around pioneer,” by Anika Burgess, Atlas Obscura, September 27, 2017. “Annie Rensselaer Tinker (1884-1924) Of East Setauket And NYC: Philanthropist, Suffragist, WWI Volunteer In Europe,” by Catherine Tinker, Long Island History Journal, 2017. Related Episodes: Sophonisba Breckinridge Alice Dunbar-Nelson Mary Ann Shadd Cary Mabel Ping-Hua Lee Zitkála-Šá The Suffrage Road Trip of 1915 Fashion, Feminism, and the New Woman of the late 19th Century Learn more about your ad choices. Visit megaphone.fm/adchoices

So much is trending in pop culture news. We have questions — and answers.  First up: Rapper Young Thug was indicted with 27 other members of his crew for gang related charges.  Then: What's the latest in the Johnny Depp. v. Amber Heard trial? We'll catch you up on the highlights since Heard took the stand.  And: Why were people mad at Kim Kardashian for wearing the iconic Marilyn Monroe dress to the Met Gala? A fashion historian gives us the tea. Next: What does being “wrongfully detained” mean in the case of WNBA star Brittney Griner? We called up a sports reporter to explain. But our biggest question of the week: What's going on at Netflix? Lately, things don't look too great over at the streaming giant. Last month, the company announced it's lost 200,000 subscribers this year, and expects to lose more. Its stock continues to drop, costing the company billions.  The prices for subscriptions have gone up, and there's also been real talk about a crackdown on password sharing — meaning no more using ex's account.  And just two weeks ago, Netflix layed off a number of employees — including many women of color — from their fan site Tudum, and others on their marketing team.  The streaming giant has long been ahead of the game, but is it finally falling behind the competition in the streaming wars? We chat with two reporters who break down what all of these changes at Netflix mean for our queues and our wallets. You'll hear from: Dr. Kimberly Chrisman-Campbell, award-winning fashion historian, curator, and journalist  Meredith Cash, sports reporter for Insider Rani Molla, senior data reporter at Recode Dawn Chmielewski, U.S. entertainment business correspondent at Reuters and co-author of "Binge Times" Want more Skimm?  Sign up for our free daily newsletter Subscribe and leave us a review wherever you get your podcasts Skimm'd by Senior Producer and Host Bridget Armstrong. Produced by Alaisha Key.  Engineered by Andrew Callaway. TheSkimm's senior director of audio is Graelyn Brashear.

In this week's episode: Is there any substance to the government's new drugs agenda? In The Spectator this week Fraser Nelson writes the cover story on the government's new 10 years drugs plan and finds that while on the surface this seems like a new war on drugs, it might actually have some thoughtful and effective policies buried within it. Fraser is joined on the podcast by Christopher Snowden, the head of lifestyle economics at the Institute of Economic Affairs. (00:52) Also this week: Can Islam save Britain's churches? Britain has for a long time now has been becoming a more and more secular nation. This has meant that many churches that used to have full pews are at risk of turning into luxury flats or another Tesco Express. But in this week's Spectator, Tanjil Rashid highlights another destiny for these buildings. Conversion into mosques. In the piece, he argues these buildings should continue being a place of faith even if that faith is not Christian. He joins Lara along with Christopher Howse, the author of many a book about religious history and architecture. (13:46)    And finally: Are we witnessing the twilight of the necktie?  Lockdowns meant we all got used to working from home, which resulted in a much more casual dress code. It feels very strange to wear a suit around your own house. But Jonathan Miller is worried that this may lead to the end of the necktie, a fashion accessory he believes is an important symbol of traditional masculinity. He joins Lara to expand on that idea along with fashion historian Dr. Kimberly Chrisman-Campbell. (25:47) Hosted by Lara Prendergast Produced by Sam Holmes Subscribe to The Spectator today and get a £20 Amazon gift voucher: www.spectator.co.uk/voucher  Listen to Lara's food podcast Table Talk: https://www.spectator.co.uk/podcasts/table-talk 

In this week's episode: Is there any substance to the government's new drugs agenda? In The Spectator this week Fraser Nelson writes the cover story on the government's new 10 years drugs plan and finds that while on the surface this seems like a new war on drugs, it might actually have some thoughtful and effective policies buried within it. Fraser is joined on the podcast by Christopher Snowden, the head of lifestyle economics at the Institute of Economic Affairs. (00:52) Also this week: Can Islam save Britain's churches? Britain has for a long time now has been becoming a more and more secular nation. This has meant that many churches that used to have full pews are at risk of turning into luxury flats or another Tesco Express. But in this week's Spectator, Tanjil Rashid highlights another destiny for these buildings. Conversion into mosques. In the piece, he argues these buildings should continue being a place of faith even if that faith is not Christian. He joins Lara along with Christopher Howse, the author of many a book about religious history and architecture. (13:46)    And finally: Are we witnessing the twilight of the necktie?  Lockdowns meant we all got used to working from home, which resulted in a much more casual dress code. It feels very strange to wear a suit around your own house. But Jonathan Miller is worried that this may lead to the end of the necktie, a fashion accessory he believes is an important symbol of traditional masculinity. He joins Lara to expand on that idea along with fashion historian Dr. Kimberly Chrisman-Campbell. (25:47) Hosted by Lara Prendergast Produced by Sam Holmes Subscribe to The Spectator today and get a £20 Amazon gift voucher: www.spectator.co.uk/voucher  Listen to Lara's food podcast Table Talk: https://www.spectator.co.uk/podcasts/table-talk 

Have you ever wondered why people say, “Put your thinking cap on”? Do you know what a “Yankee Doodle Dandy” is? Tune into this week's episode to find out! Join fashion historian Kimberly Chrisman-Campbell as she tells us the stylish stories behind fashion-inspired words and phrases people still use today. From mad hatters to forgetful actors, this episode will get you talking all about fashion. About the Host Dr. Kimberly Chrisman-Campbell is an award-winning fashion historian, curator, and journalist based in Los Angeles. She has written about fashion, art, and culture for The Atlantic, The Washington Post, Politico, and The Wall Street Journal. About Honest History Honest History creates award-winning books, magazines, and this show for young historians across the world. Our mission is to inspire kids to create a positive impact on history themselves. Learn more at honesthistorymag.com and @honesthistory. Credits This episode was written by Heidi Coburn and produced by Randall Lawrence. Original theme music was written and recorded by Luke Messimer.   More Enjoy this episode? Share with your friends and don't forget to rate and review. See you next time!

With wedding season in full bloom, we discuss the history of wedding fashion with Kimberly Chrisman-Campbell, author of the book The Way We Wed: A Global History of Wedding Fashion. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

To commemorate Dressed's first trip to Versailles, we revisit our interview with Kimberly Chrisman-Campbell about Rose Bertin, the star fashion designer of Queen Marie Antoinette. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

On this week's exciting edition of The Book and Film Globe Week in Review podcast, recorded live on Clubhouse, editor Neal Pollack rants about Michael Lewis and COVID-19, Jake Harris breaks down the Golden Globes controversy, Stephen Garrett reviews ‘The Underground Railroad,' Sara Stewart lights into ‘The Woman in the Window,' “a power smoothie of unreliable female narrator books.” Meanwhile, Kimberly Chrisman-Campbell undresses ‘Halston,' Katie Smith reviews the Philadelphia accent work in ‘Mare of Easttown,' and much more. Join us! You will be happy.

Before the pandemic, we were the show that invited scholars, makers, and professionals out to brunch for informal conversations about their work, and we look forward to being that show again one day. But for now, we’re recording remotely to maintain physical distancing.It’s still a pretty fantastic job.This is our season 4 finale, and we’re taking a look back—not at the history of this podcast, but at the history of fashion, and our guide is a great one.Kimberly Chrisman-Campbell is an award-winning fashion historian, curator, and journalist and a 2020–21 National Endowment for the Humanities Public Scholar. Her work has appeared in The Atlantic, The Washington Post, Politico, and The Wall Street Journal, and she is the author of three books, including Worn on This Day: The Clothes That Made History, which had its origins as a Twitter account and was published in 2019 by Running Press.While we had a lot of questions for her about Worn on This Day—how she found an article of clothing tied to every day of the year, what kind of history this approach allowed her to write, why she picked what she did for the September 11th entry—we also talked about the distinctive role fashion plays in the human story.We asked Kimberly about her NEH project, as well, and learned a little bit about American fashion designer Chester Weinberg, whom she’s hoping to reintroduce to a large audience. And then there was her most recent book, The Way We Wed: A Global History of Wedding Fashion, a sequel of sorts to Worn on This Day.Fun fact there: The white wedding dress? Not as traditional as you might think.LINKSKimberly’s Books: Worn on This Day: The Clothes That Made History and The Way We Wed:  A Global History of Wedding FashionWorn on This Day Twitter:  @WornOnThisDayEpisode Transcript

A new, bold generation of women leaders is ascending in America. They haven’t entirely ditched the pantsuit, but they have embraced eye-catching colors, up-and-coming designers, and statement-making clothes and accessories. Which means these women have also opened themselves up to the risks—and rewards—inherent in such choices. This past election cycle had no shortage of iconic fashion moments, from Vice President Kamala Harris accepting victory in suffragist white to Michelle Obama's "VOTE" necklace (by Los Angeles designer BYCHARI) going viral. Meanwhile, the fashion industry itself is being called on to take stronger political stances and right wrongs, past and present, particularly when it comes to issues of race, labor, and gender. Are we entering a new era of intertwined fashion and politics—and if so, what does it mean for these industries and institutions, and for the rest of us? What can the history of women and fashion in the political arena teach us about the perils and potential of statement-making—and sometimes barrier-breaking—style? Studio One Eighty Nine co-founder and president Abrima Erwiah, fashion designer Bibhu Mohapatra, and fashion historian and author Kimberly Chrisman-Campbell visited Zócalo to discuss the past and present of women’s fashion in American government, and what’s next. This Zócalo/Natural History Museum of Los Angeles panel discussion was moderated by Vanessa Friedman, fashion director and chief fashion critic at the New York Times. Read more about our panelists here: https://zps.la/3cjL6OA For a full report on the live discussion, check out the Takeaway: http://zps.la/3tBT4v3 Visit https://www.zocalopublicsquare.org/ to read our articles and learn about upcoming events. Twitter: https://twitter.com/thepublicsquare Instagram: https://www.instagram.com/thepublicsquare/ Facebook: https://www.facebook.com/zocalopublicsquare LinkedIn: https://www.linkedin.com/company/z-calo-public-square

S4 Ep25 DR. KIMBERLY CHRISMAN-CAMBELL: fashion historian, curator, and journalist - on how a piece of clothing goes from being owned by someone, to “vintage,” to its life in a museum.  Listen and subscribe on: iTunes | Spotify | Stitcher | Google Play | or wherever you get your podcasts! Please rate & review the show so more vintage lovers find this community. Pre-Loved Podcast is a weekly interview show about rad vintage style with guests you’ll want to go thrifting with. Find the show on Twitter at @PreLovedPod and follow @emilymstochl and  #PreLovedPod for updates on future episodes. This episode of Pre-Loved Podcast is sponsored by Depop. Depop Depop is a fashion marketplace with over 18 million users (including me, and many of you) in 147 countries who are all about rare, reworked, vintage, thrifted, secondhand, and sustainable fashion.  If you’re looking for a way to update your wardrobe that’s better for your wallet and the planet, download Depop, or head over to Depop.com to shop and discover unique fashion from all over the world.  Pre-Loved Podcast: Dr. Kimberly Chrisman-Campbell Today we’re speaking with Dr. Kimberly Chrisman-Campbell, and she is an award-winning fashion historian, curator, and journalist. She is the author of Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, and Worn on This Day: The Clothes That Made History. I wanted to have Kimberly on the show to discuss fashion history because it’s a different kind of “pre-loved” -- we love these clothes we see in museums in a different way from their original owners.  We talk about fashion history in a museum context, how a piece of clothing goes from being “vintage” and owned by a person to belonging to a museum collection, and some -- of the many! -- fascinating stories of pieces she’s worked with. And so much more! Thanks for listening, let’s dive right in!  All the Episode Links: Dr. Kimberly Chrisman-Campbell’s website @HottyCouture @WornOnThisDay Some of Kimberly’s public lectures on YouTube Eighteenth-Century Studies academic journal Costume Society of America Caring for Your Treasures Caring for Your Family Treasures book  Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette Worn on This Day: The Clothes That Made History Jackie Kennedy pink suit Americans buy about 7o pieces of clothing per year The Way We Wed: A Global History of Wedding Fashion - due out December 2020 * For more good stuff every week be sure you get our newsletter! It’s called The French Press and you can sign up here.  **Pre-Loved Podcast stickers are on sale now! PayPal me $4.00 USD at this link, or to @Emily-Stochl on Venmo and provide your address, and I will ship you a sticker anywhere in the world! You can also use the link paypal.me/prelovedpod or Venmo @Emily-Stochl to send a donation in support of the show. Please know that I am always grateful for your support monetary or otherwise, but especially thankful if you are able and want to help float along the show in this way during uncertain times.  ***Our Depop shop is @prelovedpod if you want to find some vintage gems and support the show.  Pre-Loved Podcast is created by Emily Stochl of Brume & Daisy. Follow me on Instagram, Twitter, and Brume & Daisy blog. 

Kimberly Chrisman-Campbell ผู้เชี่ยวชาญด้านประวัติศาสตร์แฟชั่นให้สัมภาษณ์กับ Quartz ถึงเทรนด์การแต่งตัวที่เปลี่ยนไปหลังวิกฤต COVID-19 คนจะแต่งตัวสบายมาทำงานกันมากขึ้น การใส่สูธทำงานมีแนวโน้มลดน้อยลง หลังจากวิกฤตคลี่คลาย คนจะอยากมา Shopping แต่คิดเยอะในการซื้อมากขึ้น และมีโอกาสกลับเข้าสู่เทรนด์การแต่งตัวแบบ Minimalism ที่เน้นความเรียบง่าย  

Kimberly Chrisman-Campbell ผู้เชี่ยวชาญด้านประวัติศาสตร์แฟชั่นให้สัมภาษณ์กับ Quartz ถึงเทรนด์การแต่งตัวที่เปลี่ยนไปหลังวิกฤต COVID-19 คนจะแต่งตัวสบายมาทำงานกันมากขึ้น การใส่สูธทำงานมีแนวโน้มลดน้อยลง หลังจากวิกฤตคลี่คลาย คนจะอยากมา Shopping แต่คิดเยอะในการซื้อมากขึ้น และมีโอกาสกลับเข้าสู่เทรนด์การแต่งตัวแบบ Minimalism ที่เน้นความเรียบง่าย  

Kimberly Chrisman-Campbell ผู้เชี่ยวชาญด้านประวัติศาสตร์แฟชั่นให้สัมภาษณ์กับ Quartz ถึงเทรนด์การแต่งตัวที่เปลี่ยนไปหลังวิกฤต COVID-19 คนจะแต่งตัวสบายมาทำงานกันมากขึ้น การใส่สูธทำงานมีแนวโน้มลดน้อยลง หลังจากวิกฤตคลี่คลาย คนจะอยากมา Shopping แต่คิดเยอะในการซื้อมากขึ้น และมีโอกาสกลับเข้าสู่เทรนด์การแต่งตัวแบบ Minimalism ที่เน้นความเรียบง่าย

Fashion Historian Dr. Kimberly Chrisman-Campbell joins me in discussing how and when women were finally able to wear pants, which is a shockingly recent acquisition. Then, an extremely charming interview with a gal who remembers when pants became a thing, and her daughter who led her elementary school to pants emancipation.  Follow Dr. Chrisman-Campbell on Instagram:@wornonthisday Follow Outfit on Instagram: @hellenorosevelt

Kimberly Chrisman-Campbell joins us to discuss her new book Worn on this Day: the Clothes That Made History. From Olympic uniforms to coronation gowns, Kimberly explores momentous moments in dress history one day at a time.  Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Kimberly Chrisman-Campbell, fashion historianSaturday, August 24, 2019Fashion historian Kimberly Chrisman-Campbell examines how the sumptuous fashions of the mid-18th century inform our interpretations of three exquisite French paintings on loan to the Norton Simon from The Frick Collection.Presented in conjunction with The Sweetness of Life: Three 18th-Century French Paintings from The Frick Collection, on view June 14–September 9, 2019.

If Marie Antoinette was the Queen of Fashion, Rose Bertin was her "Minister of Fashion." Find out more about Bertin and the extravagances of eighteenth century fashion in our conversation with expert Kimberly Chrisman-Campbell. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Kimberly Chrisman-Campbell, art historian and journalist, reveals the scholarship and science behind Project Blue Boy, The Huntington's two-year effort to conserve one of Western art's greatest masterpieces.

Kimberly Chrisman-Campbell, art historian and journalist, reveals the scholarship and science behind Project Blue Boy, The Huntington's two-year effort to conserve one of Western art's greatest masterpieces for the 2018 Founder's Day lecture.

Kimberly Chrisman-Campbell, art historian and journalist, reveals the scholarship and science behind Project Blue Boy, The Huntington’s two-year effort to conserve one of Western Art’s greatest masterpieces, in this annual Founder's Day lecture.

Fashion historian Kimberly Chrisman-Campbell discusses one of the most exciting, controversial, and extravagant periods in the history of fashion: the reign of Louis XVI and Marie-Antoinette in 18th-century France. She explores the exceptionally imaginative and uninhibited styles of the period leading up to the French Revolution, as well as fashion’s surprising influence on the course of the Revolution itself. This is part of the Wark Lecture Series at The Huntington.