Podcasts about she blinded me

“Eye of the Needle” 30th-anniversary reflections The discover of a wormhole gives the Voyager crew hope that they might soon be home. But there's a catch: the wormhole is just 30 centimeters in diameter. Determined to make use of the anomaly, they figure out how to send a message in a bottle and hope for a response. The answer surprises them. Not only is it from the Alpha Quadrant, it is from a Romulan. Eventually, Janeway convinces the adversary to help them. But their hopes of being rescued are dashed by one more scientific twist. In this episode of To The Journey, hosts C Bryan Jones and Matthew Rushing continue our 30th-anniversary retrospective that will take you through all of Star Trek: Voyager, one episode at a time. In this installment, we discuss “Eye of the Needle,” the story's scientific underpinnings, the crew's hopes of getting home, and the unexpected twist. Chapters Intro (00:00:00) She Blinded Me with Science (00:02:31) Inner Thoughts (00:07:03) Jeri Taylor's Janeway Influence (00:13:42) Size Matters (00:15:48) No Doctor Left Behind (00:23:01) Message in a Bottle (00:35:54) Final Thoughts and Ratings (00:44:52) Closing (00:50:20) Hosts C Bryan Jones and Matthew Rushing Production C Bryan Jones (Editor and Executive Producer) Matthew Rushing (Executive Producer)

Thomas Dolby came to prominence in the 1980s, releasing hit singles including “She Blinded Me with Science” (1982) and “Hyperactive!” (1984). He has also worked as a producer and as a session musician. He is associated with the new wave movement of the early 1980s, a form of pop music incorporating electronic instruments, but Dolby's work covers a wide range of musical styles and moods distinct from the high-energy pop sound of his few, better-known commercial successes. In the 1990s, he founded Beatnik, a Silicon Valley software company which developed the polyphonic ringtone software and created the Nokia tune. Its technology was used in more than half a billion cell phones. He was also the music director for TED Conferences. On the faculty at the Peabody Institute at Johns Hopkins University since 2014, he leads Peabody's Music for New Media program, which enrolled its first students in the fall of 2018. He has received four Grammy nominations, two each in 1984 and 1988 and recently published his first novel, "Prevailing Wind."

The 42cast is proud to welcome back the one and only, Ms. Emma Dumont. In this episode, Emma comes on the show for the inaugural episode of EmandEn where she and Nathan talk about whatever strikes their fancy. This first episode was recorded on 5/27/2023, but various personal and technical hurdles kept us from sharing... The post The 42cast Episode 188 (EmandEn 1): She Blinded Me with Science appeared first on The 42cast.

The 42cast is proud to welcome back the one and only, Ms. Emma Dumont. In this episode, Emma comes on the show for the inaugural episode of EmandEn where she and Nathan talk about whatever strikes their fancy. This first episode was recorded on 5/27/2023, but various personal and technical hurdles kept us from sharing … The 42cast Episode 188 (EmandEn 1): She Blinded Me with Science Read More » The post The 42cast Episode 188 (EmandEn 1): She Blinded Me with Science appeared first on The ESO Network.

Thomas Dolby is a legit artist that unfortunately got pinned as a gimmick in the USA for his "...Science!" persona on MTV, when he had a lot more depth to offer. He is much more than “She Blinded Me With Science”. If you like this record THE GOLDEN AGE OF WIRELESS, and by that I mean the original version from the UK we reviewed that DOES NOT contain “She Blinded Me with Science”, I suggest listening to his follow up album 1984's “The Flat Earth” for more examples of depth as his work is quirky and original and simple quite ahead of it's time. It's a shame USA as usual couldn't wrap its head around artists like Thomas Dolby as over here he's known as a One-Hit Wonder. Over in the UK he's a little more appreciated. Us Americans are simply just stupid people. Forgive me for being apologetic on that.

This week on Rockonteurs, Gary and Guy chat to the musician, producer, composer, and entrepreneur Thomas Dolby. Thomas emerged as a successful artist in the 1980s with hits such as “Hyperactive” and “She Blinded Me with Science”. As a synth pioneer, he has played with artists from Foreigner, Def Leppard, Thompson Twins and David Bowie. He is also a fantastic storyteller! Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

This week on Rockonteurs, Gary and Guy chat to the musician, producer, composer, and entrepreneur Thomas Dolby. Thomas emerged as a successful artist in the 1980s with hits such as “Hyperactive” and “She Blinded Me with Science”. As a synth pioneer, he has played with artists from Foreigner, Def Leppard, Thompson Twins and David Bowie. He is also a fantastic storyteller! Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.

Watch the video! https://youtu.be/zT-Z5zxw61UIn the News blog post for March 25, 2022:https://www.iphonejd.com/iphone_jd/2022/03/in-the-news620.html NOLA Tornadoes!How Many G's Will Fit Your Needs?Making Your Wi-Fi Fly!Universal Thumbs Up!Do You Have a License to Use that Wallet?She Blinded Me with Smart BlindsThe Gift that Called 911Brett's iTip: Use your Apple Watch to Unlock 1Password on your MacJeff's App: Tweetbot for TwitterNicole Nguyen: 5G Drains Your iPhone's Battery. Here's What You Can Do About It.Jason Cross: What Wi-Fi 6E means for the future of the iPhoneJeff's Review: eero Pro 3-pack -- blanket your home with fast Wi-FiJosh Centers: Using Universal Control in macOS 12.3 Monterey and iPadOS 15.4LIT SOFTWARE: Wirelessly Transfer Files From Your Mac to Your iPad Using Universal ControlJoe Rossignol: Apple Launches Driver's License Feature on iPhone in Arizona, More States Coming SoonBradley Chambers: HomeKit Weekly: Eve Motion Blinds create the smart home environment that we've been dreaming of for decadesWendi Lane: St. Pete woman credits Apple Watch for saving her life, helping doctors discover lung cancerBrett's iTip: Use your Apple Watch to unlock 1Password on your Mac! I just discovered you can do this! Easy to set up, but I think using TouchID is a bit quicker because I have to verify the unlock by clicking the side button on my Apple Watch. Jeff's App: Tweetbot - Only $6/year for a cleaner Twitter interface with almost all of the good features of Twitter, but without the nonsense.Brett Burney from http://www.appsinlaw.comJeff Richardson from http://www.iphonejd.comSupport the show (https://www.buymeacoffee.com/?via=bburney)

The climax of our last chapter is David Bowie's set at Live Aid in the summer of 1985 . Our guest today was alongside him on the Live Aid stage – and in the helicopter on the nerve-wracking ride out to Wembley Stadium. His name is Thomas Dolby, and his time with Bowie is just one entry on his extremely lengthy resume. On his twitter bio, he describes himself as a recovering synth enthusiast, but even that barely scratches the surface. He's best known as a techno-pop pioneer who helped define the sound of New Wave with albums like 'The Golden Age of Wireless' and 'The Flat Earth'.' His immortal 1982 smash “She Blinded Me with Science” seemed to predict his move into the burgeoning Silicon Valley tech sphere in the early ‘90s, when he developed innovative audio software for websites and cell phone ringtones. Between 2002 and 2012 he served as the musical director for TED conferences, and is presently on faculty at Johns Hopkins' Peabody Institute, where he heads up the Music for New Media program.. Dolby was kind enough to share his vast musical insights about David Bowie's work, and also his truly mind-blowing memories performing with Bowie at this historic concert for an audience of a billion people. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Thomas Dolby [00:45] "Urges" The Golden Age of Wireless Harvest ST-12203 1982 First released on Harvest. Urges was purged on the second release. This track features percussion by Andy Partridge. Thomas Dolby [04:25] "One of Our Submarines" The Golden Age of Wireless Capitol Records ST-12271 1983 This re-release removed "Urges" and "Leipzig", and adds this track as well as "She Blinded Me with Science". "One of Our Submarines" is about Dolby's uncle who was a crewman on a British submarine sunk off the coast of Tunisia in WWII. The Drifters [09:34] "Up on the Roof" Golden Hits Atlantic SD 8153 1968 The Goffin and King number that made it number 5 on the charts in 1963. Billy Vaughan and his Orchestra [12:08] "Tequila" Golden Hits Dot Records DLP 25201 1959 Music to dance on bars by. Jay Dodds [15:39] "Thanks for the Memory" Golden Organ Hits Diplomat Records DS2368 1964 I think that memory may be an acid flashback. Shannon and the Clams [18:18] "Rip Van Winkle" Dreams in the Rat House Hardly Art HAR-069 2013 Solid fun from Shannon, Cody, and Ian. Julie Conway and The Bob Prince Quartet [20:29] "Domino" Good Housekeeping's Plan for Reducing Harmony HS 11295 1968 I'll be honest, I was hoping the backing track for this exercise would be Roy Orbison's Domino. Georges Auric [21:41] "Aimez-Vous Cha Cha" Goodbye Again United Artists UAL 4091 1961 I'll admit this was a new one by me, but evidently a well-received film by Anatole Litvak (Sorry, Wrong Number) featuring Yves Montand, Ingrid Bergman, and Anthony Perkins. I'll have to check it out. Elton John [25:49] "Goodbye Yellow Brick Road" Goodbye Yellow Brick Road MCA Records MCA2-10003 1973 Title track from the multi-platinum album that made it to number 2 on the Hot 100. Matthew Sweet [29:04] "Girlfriend" Goodfriend Legacy 88875194311 2016 A Record Store Day release from a few years ago. This is a BBC studio take on the hit single from Girlfriend. The cover is done in the style of Neil Young's Zuma, likely oweing to the version of Cortez the Killer on this album. Ohio Express [31:56] "Yummy Yummy Yummy" Goofy Greats K-Tel NU 9030 1975 This K-Tel record looms large in my childhood. And probably goes a long way to explaining my bubblegum pop predilections. The Rolling Stones [34:20] "Fortune Teller" Got Live If You Want It! Decca 6835 128 1966 Yes indeed, the Allen Toussaint classic unfortunately overdubbed with screaming fans. Paul Simon [37:51] "You Can Call Me Al" Graceland Warner Bros. Records 1-25447 1986 What? It just seemed like the track to choose. Simon & Garfunkel [42:31] "The Big Bright Green Pleasure Machine" The Graduate Columbia Masterworks OS 3180 1968 Great film, great track. Paddy Noonan and his Grand Band [44:14] "Boys from the County Armagh" A Grand Irish Party LSS Tifton International TS 60 1967 I hear Ireland is lovely. Frankie Avalon [46:56] "Beauty School Drop-Out" Grease RSO RS-2-4002 1978 Hooker?! Good heavens! Poor Frenchy. Music behind the DJ: "The Singleman Family Foxtrot" by David Grusin

With this debut album Thomas Dolby merged a synth-driven electronica sound with the new wave sensibility cresting on the airwaves in the early 80's. The Golden Age of Wireless would follow a loose theme of radio and communication in its tracks. Thomas Morgan Robertson's affinity for keyboards, tapes, and electronics earned him the nickname "Dolby" from his friends, and he stuck with it for a stage name after a few legal documents from the Dolby Corporation. This debut album did well on both sides of the Atlantic, and several songs would become staples of both radio and video during this time. So, let's step into this phenomenal new wave album - “it's poetry in motion!” “She Blinded Me with Science” Interestingly, this hit song from the album wasn't actually on the album in it's first US release, but was placed there on the second release. Dolby pitched the video on a storyboard before the song was written. “One of Our Submarines” This eerie track was the "B" side to She Blinded Me with Science. Dolby had an uncle who died on a submarine in World War II. “Airwaves” There were multiple versions of this song, this version being more keyboard-driven. Dolby did much of the instrumental work on this album, but also had a number of guest musicians as well. “Europa and the Pirate Twins” In the story, Europa was a girl from Dolby’s childhood who had to move. They swore that they would be "the pirate twins" forever, but that would not happen after she became famous. Fun fact: Thomas Dolby was the keyboard player behind Foreigner's "Urgent." ENTERTAINMENT TRACK: “Theme from WKRP in Cincinnati” This TV series would finish its run in 1982. STAFF PICKS: “Harden my Heart” by QuarterFlash The lead singer, Rindy Ross, also plays the saxophone. Her husband, Marv Ross, plays guitar in the band. The band still plays from time to time, and is now based in Portland, OR. “Do You Believe in Love” by Huey Lewis and the News Bruce's staff pick highlights the first top 10 hit by what would be a mainstay group of the 80's. The video maintains a humorous edge with the band singing in a girl's bedroom. There are great harmonies in this hit. “Don’t You Want Me Baby?” by The Human League "You were working as a waitress in a cocktail bar when I met you." Brian's staff pick isn't a love song, but a power struggle. This was one of many songs propelled up the charts by the influence of MTV. “Genius of Love” by the Tom Tom Club This dance-oriented song is the only top 10 hit by The Tom Tom Club. Rob shares that this group is a husband and wife team who were originally members of The Talking Heads. They recorded this song while on hiatus from the more famous group. INSTRUMENTAL TRACK: “DNA” by The Flock of Seagulls We close out this episode with an instrumental cut from the band best known for the song "I Ran."

Thomas Dolby's “She Blinded Me with Science” was a major hit, and he just headlined a festival called FUTVRE LANDS, hosted exclusively on VR platform High Fidelity. They re-created a virtual version of him for the conference! He also co-developed the audio software Nokia used to create its iconic ringtone and is currently a professor at The Peabody Institute at Johns Hopkins University where he is working with students on music composition for non-linear VR uses. Go to justinkbrady.com/podcast for more info.

Women of Science! Join us for some 19th Century STEM stories. Heather Funk tells you about Mary Anning and the origins of "She Sells Sea Shells." Mick Sullivan shares the story of Mary Somerville and the origin of the the word "scientist." Both ladies did remarkable things in the science world at a time when it was pretty uncommon. In addition, Squeeze-bot plays "She Blinded Me with Science," quiz time and more. From Kids Listen member, a History and Music Podcast for young and old alike!

Arin sits with old friend Bill Goldstein to drink whiskey teas and talk music. This is a track packed episode with discussion of religion, Chinese lurkers and the future of music as we know it. //JETHRO TULL, A New Day Yesterday// FLEET FOXES, Mearcstapa// E.L.O, Showdown// HERBIE HANCOCK, Watermelon Man// THE KINKS, Lola// JAY-Z, The Story of O.J// ESPERANZA SPALDING, On the Sunny Side of the Street// KISHI BASHI, Can't let go, Juno// JOHN LENNON, Imagine// BEASTIE BOYS, Make some noise// TALKING HEADS, Sugar on my Tongue// ST. VINCENT, Cruel// OKKERVIL RIVER, The Industry// THOMAS DOLBY, She Blinded Me with Science// PETER GABRIEL, Slow Marimbas// FOUR TOPS, Reach Out// PORTUGAL THE MAN, Feel it Still// INSTAGRAM @limber_wolf// www.limberwolfmusic.com

As I mention at the beginning of this episode, my inner 13-year-old was thrilled at the opportunity to talk to Thomas Dolby about his memoir, The Speed of Sound, because I’d been a big fan of “She Blinded Me with Science” and the album it came off of, The Golden Age of Wireless, for over three decades. But grown-up me was also excited to learn more about the inspiration Dolby took from the ’70s punk scene in London, and about the lessons he learned about himself and his craft while working as a technology entrepreneur in Silicon Valley in the late 1990s and early 2000s.

Rooftop Chats; Satan’s Hernia Exam; Paint It Black; Dr. Ikon Wants Pants Too; Strangers in a Weird World; Frelson & Blurdock: Attorneys at Law; Martian Marshal Mayhem; The New Dynamic Duo; The Iceman Cometh; She Blinded Me with Science!; Uncool Baby; Automaton Autonomy; They Yabba-Dabba Did It; The Implication of Maria; Rise of the Red Locust; IISG: Lightning Round!; LBCBR: The Thrilling Adventure Hour (Batman #24 - 7:58, Rock Candy Mountain #3 - 16:16, Superman #24 - 18:06, Deathstroke #20 - 20:30, Doctor Strange #20 - 23:34, Rocket #2 - 28:22, Redline #4 - 31: 08, Avengers #8 - 33:32, Iceman #1 - 35:55, The Unstoppable Wasp #6 - 40:16, Babyteeth #1 - 43:49, Magnus #1 - 45:46, Flintstones #12 - 48:36, Jessica Jones #9 - 43:45, Champions #9 - 56:56, Is It Still Good? - 1:00:46, LBCBR: Captain Atom #84 - 1:08:52) Podcast theme: The Spontaneous Elk Reunion (The Fish Who Saved The Planet) / CC BY 4.0

In this episode of On Set with Errol Koenig, Errol talks to Composer and Professor at Johns Hopkins University Thomas Dolby. They discuss his career in the industry, from a rock star with his hit single "She Blinded Me with Science" to composing for feature films such as Fever Pitch, Gothic, We're Back a Dinosaur's Story, and Howard the Duck.

Wrapping up the final installment of BPM Edition 2009 v1, I take you on a journey of some serious electro-funk.  As promised, I've added some sweet re-makes from the 90's.  First up, is the Buzz Junkies take on the massive Darude classic "Sandstorm".  Okay, that song is really early millennium, so it's a couple of years off, but who's counting?  Anyhoo, for those too young to remember, this was so big, it even got played on top 40 radio.  It spurned so many remixes (official and unofficial) it was nauseating.  Then came the mashups.  OMG, I can't begin to tell you how many of those there were (and you thought "Pjanoo" mashups were overdone).  Regardless, the BJs took this one by the horn and blow it through the roof!  Then we've got "Sweet Dreams" a remake of the LaBouche classic, though the vocals aren't up to par when compared to Melanie Thornton (may she rest in peace), but the ReCover Project lay on a nice electro layer and dropped the cheesy rap for the perfect trip down memory lane that can still fill floors.  This, of course, is followed by the Ruffneck classic "Everybody Be Somebody" which made an appearance on one of my 90's classic editions from last year.  Thomas Gold and Matthias Menck give it a serious electro workout that's not only worthy of the original but damn near surpasses it!  I also had two 80's remakes ("Electric Avenue" and "She Blinded Me with Science") that were decent enough, but still not worthy of this mix.  Possibly the biggest surprise in this category is "Magic" by Vinny Troia & Dave Aud?.  Why?  Because this is actually a remake of an old Barry Manilow tune "Could This Be Magic" from the seventies that was later turned into a #1 disco hit for none other than Donna Summer.  Granted, they dropped the over the top drama of Barry's original and left out the sweeping strings of Donna's version, and just left the lyrics, re-creating a different song altogether.  Is it great?  Not really, but I was intrigued by the way they used the lyrics to create an entirely new song, thus its inclusion. Other songs definitely worth mentioning are the Freemasons' re-rub of "If" originally from their "Shakedown" album a couple of years back.  In fact, I think this is probably the sixth or seventh release from that album that got re-worked for single release.  If you remember Gusto' "Disco's Revenge" and Katherine Ellis' "Touch Me" originally appeared on that album and went on to greater heights in clubland during 2008.  Probably the song that surprised me the most is Kidda's "Under the Sun".  Used in a Bacardi commercial, it apparently was floating around the Internet last year, but didn't get an official release until mid-November.  How I managed to miss this is beyond me, because this song absolutely rocks!  Just think of the good old days when Fatboy Slim was rocking it with the likes of "I See You Baby" and "Rockafeller Skank" and you'll get the picture.  Equally, the Jason Heard vs. Flashlight "My Girl" is a dirty, nasty romper with a funky guitar riff that will stick in your head long after you leave the club.  I expect huge things for this song in the coming months.  Rounding out the mix you get "Everybody" by Russia's Rudenko.  While it may be too soon to tell, he is someone you might want to watch because this song is smoking! As I got down to the end of the mix, I still had a handful of great tunes that I didn't use.  So, I've moved those off to the side for use in the next BPM installment, probably sometime in March or after WMC.  Weather is really cooperative today and it looks like we're going to have a fabulous weekend so mixing won't be in the cards as Rick and I will certainly take advantage of the beautiful weather.  Nevertheless, I promise to have the 2009 Winter Edition up and ready by the end of next week.  I hope everyone has a fantastic weekend and I'll catch you guys next week.  Until then.ENJOY! Album : BPM Edition 2009 v1 | Take 5 Genre : Electro, Funky, House, Progressive

Wrapping up the final installment of BPM Edition 2009 v1, I take you on a journey of some serious electro-funk.  As promised, I've added some sweet re-makes from the 90's.  First up, is the Buzz Junkies take on the massive Darude classic "Sandstorm".  Okay, that song is really early millennium, so it's a couple of years off, but who's counting?  Anyhoo, for those too young to remember, this was so big, it even got played on top 40 radio.  It spurned so many remixes (official and unofficial) it was nauseating.  Then came the mashups.  OMG, I can't begin to tell you how many of those there were (and you thought "Pjanoo" mashups were overdone).  Regardless, the BJs took this one by the horn and blow it through the roof!  Then we've got "Sweet Dreams" a remake of the LaBouche classic, though the vocals aren't up to par when compared to Melanie Thornton (may she rest in peace), but the ReCover Project lay on a nice electro layer and dropped the cheesy rap for the perfect trip down memory lane that can still fill floors.  This, of course, is followed by the Ruffneck classic "Everybody Be Somebody" which made an appearance on one of my 90's classic editions from last year.  Thomas Gold and Matthias Menck give it a serious electro workout that's not only worthy of the original but damn near surpasses it!  I also had two 80's remakes ("Electric Avenue" and "She Blinded Me with Science") that were decent enough, but still not worthy of this mix.  Possibly the biggest surprise in this category is "Magic" by Vinny Troia & Dave Aud?.  Why?  Because this is actually a remake of an old Barry Manilow tune "Could This Be Magic" from the seventies that was later turned into a #1 disco hit for none other than Donna Summer.  Granted, they dropped the over the top drama of Barry's original and left out the sweeping strings of Donna's version, and just left the lyrics, re-creating a different song altogether.  Is it great?  Not really, but I was intrigued by the way they used the lyrics to create an entirely new song, thus its inclusion. Other songs definitely worth mentioning are the Freemasons' re-rub of "If" originally from their "Shakedown" album a couple of years back.  In fact, I think this is probably the sixth or seventh release from that album that got re-worked for single release.  If you remember Gusto' "Disco's Revenge" and Katherine Ellis' "Touch Me" originally appeared on that album and went on to greater heights in clubland during 2008.  Probably the song that surprised me the most is Kidda's "Under the Sun".  Used in a Bacardi commercial, it apparently was floating around the Internet last year, but didn't get an official release until mid-November.  How I managed to miss this is beyond me, because this song absolutely rocks!  Just think of the good old days when Fatboy Slim was rocking it with the likes of "I See You Baby" and "Rockafeller Skank" and you'll get the picture.  Equally, the Jason Heard vs. Flashlight "My Girl" is a dirty, nasty romper with a funky guitar riff that will stick in your head long after you leave the club.  I expect huge things for this song in the coming months.  Rounding out the mix you get "Everybody" by Russia's Rudenko.  While it may be too soon to tell, he is someone you might want to watch because this song is smoking! As I got down to the end of the mix, I still had a handful of great tunes that I didn't use.  So, I've moved those off to the side for use in the next BPM installment, probably sometime in March or after WMC.  Weather is really cooperative today and it looks like we're going to have a fabulous weekend so mixing won't be in the cards as Rick and I will certainly take advantage of the beautiful weather.  Nevertheless, I promise to have the 2009 Winter Edition up and ready by the end of next week.  I hope everyone has a fantastic weekend and I'll catch you guys next week.  Until then.ENJOY! Album : BPM Edition 2009 v1 | Take 5 Genre : Electro, Funky, House, Progressive

These are bloopers from Episode 4: She Blinded Me with Sega. Enjoy! Episode 5 is a week away!