Podcasts about Foreigner

In this episode, Jeanne shares her inspiring journey of moving from the United States to Portugal with her family. After a year of planning, including selling their home and navigating the complexities of moving abroad, they settled in Caldas da Rainha, a town known for its artistic community and proximity to Lisbon. Jeanne also delves into her experiences with the Portuguese language, sharing the challenges and triumphs of learning it through classes and a study group. She highlights the significance of language in building relationships and feeling at home in a new country. Additionally, she introduces her innovative language game, "Catch the Lingua," designed to make learning Portuguese fun and engaging. Throughout the conversation, Jeanne offers valuable insights and encouragement for anyone considering a similar move, emphasizing the importance of embracing discomfort and seeking community support.1. Etsyhttps://catchthelingua.etsy.com/listing/4411925829/catch-the-lingua2.Facebookhttps://www.facebook.com/CatchtheLingua/3. Youtubehttps://www.youtube.com/@CatchtheLíngua

There's a magic and intrigue about rock music and radio from the mid to late 70's into the 80's. I'm talking Foreigner, Boston, Journey, Genesis and so many more in the genre known as AOR. That stands for Album Oriented Rock. Paul Rees has published an incredible oral history of those years with his new book, "Raised On Radio: Power Ballads, Cocaine and Payola - The AOR Glory Years." I'm a bit of a music (and radio) nerd so I've been loving my experience with this book. Paul talked to all of the heavy hitters from the time period and got the behind the scenes stories we, as fans, don't usually get to hear. I hope you enjoy our conversation.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Pastor Kurt Hoover gives us the word "Foreigner" to study from Deuteronomy 10!

The Krewe wraps up Season 6 with an episode looking back at the highs, the lows, & what's to come! Join Doug & Jenn for listener feedback and behind-the-scenes stories as they put a bow on the 6th chapter of KOJ Podcast! ------ About the Krewe ------ The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy! ------ Support the Krewe! Offer Links for Affiliates ------ Use the referral links below & our promo code from the episode! Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season! Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan!  ------ JSNO Upcoming Events ------ JSNO Event Calendar Join JSNO Today!

In Episode 318, audio engineering veterans Robert Scovill and Geoff McKinnon of EAW join the hosts to . discuss the evolution of adaptive sound systems, the unique aspects of EAW loudspeakers like Anya, and the real-world applications of adaptive technology in live sound. The conversation also touches on the challenges and misconceptions surrounding adaptive audio and the importance of technology training and education in the industry.McKinnon is the senior director of engineering at EAW. With 10 patents spanning acoustics and system design, he has been a primary driver behind the company's ADAPTive line and the new NTX and NT series. Leading the engineering team out of EAW's new headquarters in Franklin, MA, he's at the forefront of the use of DSP and physical design to solve some of the hardest problems in pro audio—basically making sure the signal is “perfect” before it leaves the box.Scovill, who serves as senior live sound market specialist for EAW, is a 45-plus year veteran of professional concert sound and recording and has mixed over 4000 live events of every scale imaginable over the course of his storied career. His engineering and production talents have been enlisted by a “Who's Who” of music Hall of Fame acts including Kenny Chesney, Tom Petty & The Heartbreakers, Matchbox Twenty, Jackson Browne, Rush, Def Leppard, Foreigner, Prince and numerous others.Scovill's body of live sound and recording work has garnered numerous industry accolades, including six TEC Awards, three PLSN Parnelli Awards, and multiple nominations for the CMA touring award, winning his first in 2022. He's also been a multi-year nominee for Mobile Production's “Top Dog” Award along with being an inaugural nominee for the Pensado Award for live sound excellence. In 2018 Robert was awarded the Lindenman Award for excellence in audio presentations at the Norwegian Sound Symposium. Since 2019, he's served as a first call FOH mixer for television events such as THON, The Latin Grammy's POTY, The MTV Video Music Awards and The Rock and Roll Hall of Fame Inductions, in which he received his first Emmy nomination in 2023.Episode Links:The ADAPTive Advantage: How It Works, Why It Wins WebinarRobert Scovill Talks ADAPTive Driver DensityEAW Adaptive Series SystemsEpisode 318 TranscriptNOTE: Mike Green, the artist who performs “Break Free” that opens every episode, has some new music hitting the market starting today, available on all streaming platforms as well as DSPs that support spatial audio. And, Mikegreenmusic.com will direct folks to pre-order the vinyl release, or allow them to purchase singles individually.Connect with the community on the Signal To Noise Facebook Group and Discord Server. Both are spaces for listeners to create to generate conversations around the people and topics covered in the podcast — we want your questions and comments!Also please check out and support The Roadie Clinic, Their mission is simple. “We exist to empower & heal roadies and their families by providing resources & services tailored to the struggles of the touring lifestyle.”The Signal To Noise Podcast on ProSoundWeb is co-hosted by pro audio veterans Andy Leviss and Sean Walker.

Remember God loves you so much he sent his Son Jesus Christ to take the punishment for your sins. You are of great value. Jesus loves you and He is just a prayer away! This episode includes AI-generated content.

Everybody's Free vs. Cold As Ice - Rozalla vs Foreigner (Remix)

When you give, it's really nothing to do with the thing itself. The thing itself is just the box. The container. What's inside the box is you. You give yourself. The gift is the giving. Receiving is about what you get. Giving is always about giving yourself. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In this episode, Daniel Daly shares his journey into real estate investment in Portugal, detailing how he transitioned from having no knowledge to acquiring multiple properties in just a year. He talks about the idea of lifestyle alignment, emphasizing choices that support the kind of life he wants to build rather than focusing purely on money. Daniel discusses his extensive research process, which led him to choose Porto as his primary investment location due to its favorable market conditions, accessibility, and vibrant culture. He also discusses the importance of surrounding himself with a strong, trustworthy local network to make living and working abroad smoother. Throughout the conversation, he reflects on the realities of managing properties and the role of hospitality and customer service. This episode is a treasure trove of insights for anyone interested in real estate investment, particularly in the European market.LinkedIn Address: linkedin.com/in/daniel-daly1 Podcast Episodes: https://open.spotify.com/playlist/7IsjSDplrWUmOcTvbkxpFK?si=TwKc-9i1RLWOa_2MKLPGdg Website: www.globalipllc.com  / aimhighnow.com 

Dieter and Jake are also listening to offers. READ The Hutch Report and get Jake's Behind the Curtain Draft Film, War Room Newsletter + Offseason Mailbags.https://hutchreport.substack.com Membership gives you the ability to live comment on streams, the draft guide, as well as early access to videos, exclusive shout-outs, and emojis. LIKE, SUBSCRIBE and COMMENT below https://www.youtube.com/@UClOAXPVw-sZ9QM0Kfw9DFaA Follow us:Jake on Twitter: https://twitter.com/hutchdieselDieter on Twitter: https://twitter.com/dieterOn Instagram: https://www.instagram.com/dieterhutch/ Chapters (00:00:00) - Foreigner and Hutch: Brian Florey's Job(00:05:23) - The 49ers' Tight End Coach(00:11:36) - Willie Willingham on the Transition Tag(00:16:28) - Jerry Rice On A Golf Cart(00:20:09) - Jimmy Ward on Raheem Morris' Role(00:24:58) - Do the 49ers Need a McDonald's Defense?(00:29:27) - NFL Head Coaching Hires(00:33:53) - Andy Reid on Sean McDermott's Offensive Hiring(00:38:06) - Jim Harbaugh Hires DC Candidate Chris O' Leary(00:42:58) - Jets HC hire is a death knell(00:47:54) - Zach Robinson Getting Fired From Oklahoma State(00:50:22) - Former 49ers Executive Discusses Bringing Him Back into the Fold(00:55:43) - Do we think the Rams should trade the first round pick for a(01:02:11) - No trade for tight end Mac Jones

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rock'n'roll rainbow this week you'll find … ... the Wuthering Heights instagram gold-rush … licensing Foreigner and Lynyrd Skynyrd: when is a band not a band? .. what Michael Jackson asked the Superbowl promoter … one long video for Charli XCX: “if that film was playing in my back garden I'd draw the curtains” … Bob Dylan & Kurtis Blow, Kate Winslet & ‘Weird Al' Yankovic: a brief history of weird duets … a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (“Disgusting!” – D Trump) … what a 1969 Rock Encylopedia said about “the poets and minstrels of our time” … “biopics are designed for people who don't know the subject” ... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue? … whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés! … “that's the biggest power station in Western Europe – and I know the manager!”: our love for Alan Bennett … plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

On this video edition of the show Lou Gramm one of the greatest voices in rock music joins us to talk about his 56 years in the music businees and we loo forward to the release of his new studio solo album "Released" coming in March

After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rock'n'roll rainbow this week you'll find … ... the Wuthering Heights instagram gold-rush … licensing Foreigner and Lynyrd Skynyrd: when is a band not a band? .. what Michael Jackson asked the Superbowl promoter … one long video for Charli XCX: “if that film was playing in my back garden I'd draw the curtains” … Bob Dylan & Kurtis Blow, Kate Winslet & ‘Weird Al' Yankovic: a brief history of weird duets … a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (“Disgusting!” – D Trump) … what a 1969 Rock Encylopedia said about “the poets and minstrels of our time” … “biopics are designed for people who don't know the subject” ... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue? … whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés! … “that's the biggest power station in Western Europe – and I know the manager!”: our love for Alan Bennett … plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Legendary Irish rock vocalist Robin McAuley returns for his third appearance on the show to discuss the latest album from his supergroup Black Swan. Paralyzed drops February 27 from Frontiers Music and is a high-energy, melodic rock tour de force from this all-star group of musicians that also includes guitarist Reb Beach (Winger, Whitesnake), bassist Jeff Pilson (Dokken, Foreigner), and drummer Matt Starr (Mr. Big, Ace Frehley). In addition to making Paralyzed, Robin spoke about touring in support of his 2025 solo album, Soulbound, making videos for the new Black Swan album, his love of macabre subject matter, his vision for Stan Decker's amazing cover art, and more. Please hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, and Bluesky. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com. I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more. 

After 40 days of relentless rain, you need our little ray of sunshine. And here we all are! Sitting in the rock'n'roll rainbow this week you'll find … ... the Wuthering Heights instagram gold-rush … licensing Foreigner and Lynyrd Skynyrd: when is a band not a band? .. what Michael Jackson asked the Superbowl promoter … one long video for Charli XCX: “if that film was playing in my back garden I'd draw the curtains” … Bob Dylan & Kurtis Blow, Kate Winslet & ‘Weird Al' Yankovic: a brief history of weird duets … a walk-on forest, 300 extras, 29 hidden messages: how can you top Bad Bunny? (“Disgusting!” – D Trump) … what a 1969 Rock Encylopedia said about “the poets and minstrels of our time” … “biopics are designed for people who don't know the subject” ... Paul Anka did Smells Like Teen Spirit? The Flaming Lips did Kylie Minogue? … whippets, flat caps, bottles of stout: begone hoary old Yorkshire clichés! … “that's the biggest power station in Western Europe – and I know the manager!”: our love for Alan Bennett … plus Top Gear, M*A*S*H, Twins Peaks, Arena (by Brian Eno) and birthday guest Paul Monaghan on great TV theme tunes.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Am Rosenmontag wird es bunt, laut und ein bisschen verrückt – und das nicht nur in den Fastnachts- und Karnevalshochburgen, sondern auch bei uns im Podcast. In dieser Folge der Meilensteine werfen wir einen Blick auf die Highlights 2026. Welche Highlights erwarten euch in den kommenden Monaten bei uns im Meilensteine-Podcast? Welche legendären Alben nehmen wir unter die Lupe? Und was hat es mit dem SWR Podcastfestival in Mannheim auf sich? In diesem Jahr haben wir Großes vor! Statt einer klassischen Folge zu einem legendären Pop- oder Rockalbum bieten wir euch heute einen umfassenden Ausblick auf das, was 2026 bei den Meilensteinen passiert. Unsere Hosts Frank König und Patrick Schütz verraten, auf welche Folgen sie sich persönlich besonders freuen, und sie geben euch exklusive Einblicke in die Pläne abseits des Podcasts. Ein absolutes Highlight: Die Meilensteine sind auf dem SWR Podcastfestival in Mannheim – und ihr könnt mit dabei sein. Aber das ist nicht alles. Merkt euch den 11. April 2026 vor, denn an diesem Tag könnt ihr die Meilensteine-Crew live erleben! Beim SWR Podcastfestival in der alten Feuerwache in Mannheim präsentieren Frank König, Katharina Heinius, Stephan Fahrig und Patrick Schütz eine ganz besondere Folge. Im Mittelpunkt steht eines der wohl einflussreichsten Alben der Musikgeschichte: "Purple Rain" von Prince. Den Link zu den Tickets findet ihr in unseren Shownotes. Für die Veranstaltung hat sich das Team einige Highlights ausgedacht. Darüber hinaus seid ihr herzlich eingeladen, Fragen zu stellen und so Teil dieser besonderen Podcastfolge zu werden. Nach der Veranstaltung könnt ihr Frank, Katharina, Stephan und Patrick persönlich kennenlernen und so auch einen Blick hinter die Kulissen des Podcasts bekommen. Ein Highlight des Jahres wird der (vermeintliche) Abschied der deutschen Punkrock-Legenden Die Toten Hosen. Gehen Campino und Co. mit ihrer Tour "Trink aus! Wir müssen gehen" in den wohlverdienten Ruhestand? Bevor es so weit ist, möchten wir euch die Möglichkeit geben, das Kultalbum der Toten Hosen für eine Meilensteine-Folge zu bestimmen. Stimmt jetzt ab und entscheidet, welches Album wir in diesem Jahr gebührend feiern sollen. Den Link zur Abstimmung findet ihr in den Shownotes. __________ Über diese Songs sprechen wir im Podcast (09:11) – "The Rock Show" von Blink182(10:14) – "Clint Eastwood" von Gorillaz(10:57) – "Song 2" von Blur(13:35) – "Monkey's World" von Damon Albarn(14:39) – "Purple Rain" von Prince(19:32) – "Juke Box Hero" von Foreigner(20:59) – "Urgent" von Foreigner(22:10) – "The Temples Of Syrinx" von Rush(22:56) – "Sledge Hammer" von Peter Gabriel(23:41) – "Can Can" von Buena Vista Social Club(24:04) – "Graceland" von Paul Simon(24:54) – "E-Bow The Letter" von R.E.M.(26:07) – "Hotel California" von Eagles(29:53) – "3-Tage-Bart" von Die Ärzte(30:57) – "Azzuro" von Die Toten Hosen(31:21) – "Hier kommt Alex" von Die Toten Hosen(31:57) – "Bonnie & Clyde" von Die Toten Hosen(35:00) – "Polizist" von Extrabreit(35:40) – "Wannabe" von Spice Girls(36:15) – "Fight For Your Right (To Party)" von The Beastie Boys(36:38) – "Dancing Queen" von ABBA__________ Alle Shownotes und weiterführenden Links zu dieser Folge findet ihr hier: https://x.swr.de/s/meilensteinehighlights2026 __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

Damon Johnson joined Jeremy White to discuss his upcoming album "Magnolia Medicine" with Brother Cane, releasing April 17th, and the new single "Nothing to Lose" which dropped on Valentine's Day. Damon shared his excitement about the album's production with Marty Fredrickson and the band's plans for summer tour dates. They also discussed Damon's ongoing role with Lynyrd Skynyrd, how fan's reacted to the lineup changes and summer tour with Foreigner, his days touring with Van Halen in the 90's and much more! They also discussed the challenges of promoting rock music in the current music landscape and the importance of maintaining authenticity in the genre.

Boaz sees Ruth in need and then goes above and beyond in helping her. This reflects both God's attitude towards us and sets an example for how we are called to meet the needs around us.

Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Paul Rees' Raised on Radio: Power Ballads, Cocaine and Payola - the AOR Glory Years 1976-1986 (De Capo, 2026) is a massively entertaining oral biography of the golden era of critically derided yet monumentally popular radio rock, when Journey, Boston, REO Speedwagon, Toto, and more ruled the airwaves Paul Rees' Raised on Radio is, remarkably, the first biography of the (at the time) critically derided and yet massively popular AOR (album-oriented rock) bands whose heyday was 1976-1986, when groups like Journey, Boston, Foreigner, Toto, and REO Speedwagon sold many millions of albums, toured stadiums, and whose songs continue to stream in record numbers. Many of them still tour. And sure, they were punching bags for the elitist rock critics more interested in covering punk and new wave, terminally uncool, and never fashionably cutting edge, but their music was, and is, the soundtrack to so many people's lives. Who among music fans (of a certain age) didn't pump their fist to "Don't Stop Believin'" (long before The Sopranos), play air guitar to "More Than a Feeling," bellow along with Toto's "Africa," or have their heart broken to the strains of "Can't Fight This Feeling"? Even better: their tour stories and the tales of making the music are as entertaining and eye-opening as any of the antics from the annals of rock and roll history. Cocaine use was rampant, intra-band fighting was par for the course, and for better or worse, the groups' members lived life to excess. In so many ways, it was these artists' music (they are responsible for the power ballad) and lifestyles that led directly to the soon-to-follow hair metal scene. And in spite of what the critical establishment wrote, it turns out the music has aged . . . rather well! Raised on Radio is a stadium-sized, massively entertaining oral history in the bestselling tradition of Meet Me in the Bathroom, Nothin' But A Good Time, and Please Kill Me, capturing a time and a place that was as big and booming and as unabashed as the music that provided its soundtrack. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

BIGFORK COMMUNITY PLAYERS TRT: 8:39 ***FEB 2-MARCH 1 “THE FOREIGNER”

Eric Sanderson is a producer, mixer, engineer, and session musician with over 307 million streams from a career spanning two decades.His recent works include producing and mixing a Billboard Top 10 single for the band Nicotine Dolls, mixing a film for Philip Glass and Godfrey Reggio, and opening Harbor Studios, a 2,000-square-foot recording studio in Red Hook, Brooklyn.As a founding member of Augustines, Sanderson toured worldwide and built a reputation for crafting dynamic, compelling records. He has worked with artists such as Nicotine Dolls, Death Cab for Cutie, Wild Rivers, Foreigner, etc. Eric is also a regular collaborator and band mate with Grammy Award winning producer, Peter Katis (The National, Interpol, Jonsi) Thanks for listening!!! Please Follow us on Instagram @hiddentracks99Pre and Post roll music brought to you by @sleepcyclespa

Say hello to bassist #JeffPilson!Interview coming soon!

We were joined by #Foreigner bassist #JeffPilson (#Dokken, #Dio) who says the guys in and around the band found several unfinished tracks from their classic era that they plan to work on. Hell yeah!!!Full interview coming soon!SHOW CREDITS: Diamond Dave Kinchen & Emerald Shane McEachern (hosts). Intro/close made in part w/ Drum Pad Machine (DPM). Instagram: @RockNationsDK Twitter: @RockNationsDK. Facebook: @RockofNationsDK.

On this episode of Exclusively Van Halen on Johnny Beane TV, we dive into one of the most intense turning points in rock history—when Van Halen lost David Lee Roth and nearly tore themselves apart in the studio. “He locked himself in the studio and threatened to burn the tapes…”—a dramatic stand-off that symbolized the chaos inside the band. But with the arrival of Sammy Hagar and help from Mick Jones of Foreigner, Van Halen regrouped, reloaded, and proved the April Fool's Day announcement was no joke. We break down how the band rebounded from losing a superstar frontman and came back stronger—ultimately winning the “war” and launching a new era that took them straight to the top of the charts. SUBSCRIBE FOR MORE CONTENT! Never Miss a New Video! Subscribe ⇢ https://www.youtube.com/user/johnnybeane?sub_confirmation=1 ► Make sure to CLICK the

The Torah commands us not to cause unnecessary suffering to animals, Not just for the sake of the animal, but because cruelty damages the human soul. Parshas Mishpatim is about caring when no one is looking. The Torah demands kindness precisely where there is no gratitude, no recognition. Animals won't thank you. In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In this conversation, Kalie and James Muscat discuss the recent presidential elections in Portugal, the structure of the government, and the implications for foreigners living in the country. They explore the political landscape, including the rise of the Chega party and the election of Antonio Seguro as president. James emphasizes the importance of immigration and the need for moderate policies moving forward, while also addressing concerns about the polarization of politics in Portugal.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In Episode 344 of History in Five Songs with Martin Popoff, Martin explores how famously British and international bands—from Yes and Black Sabbath to Bowie, Foreigner, and Peter Gabriel—gradually absorbed American members, not to “become American,” but through creative instinct, convenience, touring realities, and fresh energy that subtly reshaped their sound and identity. Yes – “Cut from the Stars” Foreigner – “Lonely Children” Sepultura – “Unconscious” Rainbow – “Freedom Fighter” Peter Gabriel – “The Family and the Fishing Net” Learn more about your ad choices. Visit megaphone.fm/adchoices

A young American YouTuber builds a life in a remote town in the southern Philippines.Then armed men—posing as police—drag him from his home and force him onto a boat headed out to sea.No proof of life. No body. Tons of questions.Source Material:https://apnews.com/article/philippines-reported-abduction-american-sibuco-a7708d6483d43616df8cbddf65aed84e https://apnews.com/article/philippines-kidnapped-american-eastman-d57427b3dce0ff2acc4714c48ed46ab6 https://www.reuters.com/world/asia-pacific/kidnapped-us-national-feared-dead-philippines-police-say-2024-12-05/ https://apnews.com/article/kidnapped-american-elliot-onil-eastman-sibuco-southern-philippines-d75607aa99d778f91a3a3ef85581518b https://www.cbsnews.com/news/elliot-eastman-philippines-youtuber-shot-during-kidnapping-likely-dead/ https://vtdigger.org/2024/12/05/police-say-they-believe-vermonter-abducted-in-philippines-has-died-citing-suspects-testimony/ https://www.gmanetwork.com/news/topstories/regions/926870/persons-of-interest-elliot-eastman-zamboanga-sibugay-clash/story/ https://newsinfo.inquirer.net/2012797/american-vlogger-died-during-abduction-pnp https://www.abs-cbn.com/news/regions/2025/1/9/police-arrest-alleged-mastermind-in-abduction-of-american-vlogger-elliot-eastman-1728 https://www.philstar.com/nation/2025/01/10/2413152/brains-eastman-kidnapping-arrested https://mindanews.com/top-stories/2025/01/prime-suspect-in-eastman-abduction-arrested/ https://www.pna.gov.ph/articles/1241408 Music Credit:1. CAN'T SLEEPMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/locran/cant-sleepLicense code: HAVIXRYL3KM0XULJ 2. LIGHTLESS DAWNMusic from #Uppbeat (free for Creators!):https://uppbeat.io/t/kevin-macleod/lightless-dawnLicense code: PFYUGTZVDWOCBNLK3. DARK FOGMysteriousSuspensefulMusic2018-11-03_-_Dark_Fog_-_David_Fesliyan.mp34. SOLVING THE CRIME2021-09-06_-_Solving_The_Crime_-_David_Fesliyan.mp3Connect with us: killerhearttohearts@gmail.comFollow us on: Tik TokFollow us on: InstagramLike us on: FacebookFollow us on: Twitter

What actually makes a mix feel musical before you ever touch an EQ? Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Eric Sarafin, better known as Mixerman - a gold- and platinum-selling producer, mixer, and engineer with credits ranging from The Pharcyde and Tone-Lōc to Ben Harper, Lifehouse, Barenaked Ladies, Foreigner, and Pete Murray. He's also the author of Zen and the Art of Mixing, Zen and the Art of Producing, Zen and the Art of Recording, and his newest book, Mixerman's Ultimate Guide to Producing Records, Music & Songs.   In this episode, Eric and I get straight into what really makes mixes work - not plugins, presets, or loudness targets, but arrangement, balance, and the way instruments naturally interact. We talk about masking as something musical rather than something to eliminate, why most of the "music" lives in the midrange, and how perceived loudness comes from balance, not hype at the top or bottom.   We also dig into how listening quietly can reveal problems faster, why speed and familiarity with your tools matter more than features, and how motion and distortion bring life to otherwise static tracks. Eric shares his perspective on working fast, stepping away to regain objectivity, and making decisions that serve the song instead of the tech.   Along the way, we cover practical mic strategies for home studios, why placement matters more than price, and how knowing why you're choosing a tool is more important than following trends. This one is about thinking musically first - and letting the mix follow.     THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Muso: https://credits.muso.ai/profile/925b8031-48bb-40d5-af32-c289cd7663a7   If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/544

Konishiki Yasokichi (Saleva'a Fuauli Atisanoe) is a cultural ambassador and sumo legend from the island of Oʻahu. He became the first non-Japanese-born wrestler to reach Ozeki, the second highest possible rank in the sport. During his career, he won the top division championship on three occasions and came very close to becoming the first foreign-born grand champion, or Yokozuna. At his peak weight of 287 kilograms or 633 pounds, he was also at the time the heaviest wrestler ever in sumo earning him the nicknames “Meat Bomb” and most famously, “The Dump Truck”. After retiring from sumo in 1997, he transitioned to a successful post-sumo career in entertainment, music, and philanthropy.In this special Keep it Aloha on the Road episode sponsored by @HawaiianAirlines  we talk about growing up in Hawai'i, getting scouted for sumo, moving to Japan with nothing, his legendary sumo career, life lessons, career after sumo, his sumo tours, and and so much more. Enjoy!Find Konishiki here: https://www.instagram.com/konishikiyasokichi/Buy our merch:

As children marry, family dynamics change; they build their own homes, and they create new and separate lives. It's a different dynamic. Family get-togethers, Shabbos and Festivals become more like the ingathering of the clan rather than those intimate  In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

From Astro Boy to Gundam to real-world robots like ASIMO and Pepper, Japan's fascination with robots runs deep. This week, the Krewe is joined by author, cultural commentator, & robot enthusiast Matt Alt to explore how robots became heroes instead of threats in Japanese pop culture and how those sci-fi dreams quietly shaped Japan's modern relationship with technology, AI, and everyday automation. From giant mecha and cyborg icons to robot cafés and beyond, we dig into why Japan seems so comfortable living alongside machines in an episode that's equal parts nostalgia, culture, and future tech.------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts.  Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram: @kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast, LinkedIn: Krewe of Japan LinkedIn Page, Blue Sky Social: @kreweofjapan.bsky.social, Threads: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ Support the Krewe! Offer Links for Affiliates ------Use the referral links below & our promo code from the episode!Support your favorite NFL Team AND podcast! Shop NFLShop to gear up for football season!Zencastr Offer Link - Use my special link to save 30% off your 1st month of any Zencastr paid plan! ------ Matt Alt Links ------Matt's WebsitePure Invention - Publisher's PageMatt's NewsletterPure Tokyoscope PodcastMatt on IG------ Past Matt Alt Episodes ------Akira Toriyama: Legacy of a Legend ft. Matt Alt (S5E3)The History of Nintendo ft. Matt Alt (S4E18)How Marvel Comics Changed Tokusatsu & Japan Forever ft Gene & Ted Pelc (Guest Host, Matt Alt) (S3E13)Yokai: The Hauntings of Japan ft. Hiroko Yoda & Matt Alt (S2E5)Why Japan ft. Matt Alt (S1E1)------ Past KOJ Pop Culture Episodes ------Enjoying Shojo Anime & Manga ft. Taryn of Manga Lela (S5E18)The History & Evolution of Godzilla ft. Dr. William (Bill) Tsutsui (S5E1)Thoughts on Godzilla Minus One ft. Dr. William (Bill) Tsutsui (S4Bonus)Japanese Mascot Mania ft. Chris Carlier of Mondo Mascots (S4E8)Tokusatsu Talk with a Super Sentai ft. Sotaro Yasuda aka GekiChopper (S4E6)The Evolution of PokéMania ft Daniel Dockery [Part 2] (S4E3)The Evolution of PokéMania ft Daniel Dockery [Part 1] (S4E2)Japanese Independent Film Industry ft. Award Winning Director Eiji Uchida (S3E18)Talking Shonen Anime Series ft. Kyle Hebert (S3E10)Japanese Arcades (S2E16)How to Watch Anime: Subbed vs. Dubbed ft. Dan Woren (S2E9)Manga: Literature & An Art Form ft. Danica Davidson (S2E3)The Fantastical World of Studio Ghibli ft. Steve Alpert (S2E1)The Greatest Anime of All Time Pt. 3: Modern Day Anime  (2010's-Present) (S1E18)The Greatest Anime of All Time Pt. 2: The Golden Age  (1990's-2010's) (S1E16)The Greatest Anime of All Time Pt. 1: Nostalgia (60's-80's) (S1E5)We Love Pokemon: Celebrating 25 Years (S1E3)------ JSNO Upcoming Events ------JSNO Event CalendarJoin JSNO Today!

This episode dives into the side of moving abroad most people overlook: the psychological shift. Siddartha breaks down the four ways people respond to a new culture—and why true integration, not assimilation, is what actually leads to long-term fulfillment. They explore the hidden crossroads many expats hit around year two and again years later, moments that quietly determine whether life abroad thrives or unravels. The takeaway is clear: moving countries will change you—having the right framework helps you turn that change into growth instead of burnout.

In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

Remember God loves you so much he sent his Son Jesus Christ to take the punishment for your sins. You are of great value. Jesus loves you and He is just a prayer away! This episode includes AI-generated content.

Study the daily lesson of Sefer HaMitzvos for day 336 with Rabbi Mendel Kaplan, where he teaches the mitzvah in-depth with added insight and detail.

Cut from various projects and produced between Berlin and Melbourne over the last fifteen years, LAN label head and hardware specialist Willis Anne digs through his archives to deliver mix made up of 100% unreleased and forthcoming material. @willis-anne Q. Being a mix comprised solely of your own music – a housier than usual deep dive into the unreleased archives of your wide ranging back catalogue, how did you come up with the concept for the mix, and how would you say your sound has evolved over the years? A. My first love is hip-hop and house music, that's how I started making music. Over time I moved into more abstract and experimental territories, before eventually bringing all those elements together into something more hybrid. I still make house music, but today I'm mostly known for hybrid music, and playing wide-ranging, dynamic sets across genres, which is also what I explore with my alias FOREIGNER. I've known Melbourne Deepcast for a long time, even before moving to Australia, so I was honoured to be invited! There are so many strong mixes on the platform, and I wanted to do something special. I thought - why not record a mix made entirely of my own productions! I properly dig into my archives, and as a result it includes unreleased material from different periods, as well as a few upcoming tracks. In that sense, the housier focus makes this mix a bit of a rare snapshot. Q. Looking back, where were you looking to gather inspiration when producing these tracks? I know you were living in Berlin for quite a few years, who or what was inspiring your creative process back then? A. Beyond Berlin's DJ culture, I was especially inspired by artists performing live in clubs. That period aligned with my hardware-only approach, and I went deeper into that way of working. I was strongly influenced by the left-field hardware house scene at the time, particularly artists from L.I.E.S. Records like Steve Summers and Bookworms. Spending time with them, jamming, and being close to that environment had a big impact on my process. Many labels and artists working in that space emerged and flourished during the 2010s, and that era shaped a good part of the music in this mix. Q. I know you've been a driving force behind hardware based electronic music production here in Melbourne over the past couple of years with JAM, your open invitation electronic jam sessions.. Tell us about your idea for these community jam sessions, and what has been the most rewarding part of the whole process? A. JAM takes effort to run, but it's a very special project. People are genuinely grateful for the space, and it's rewarding to see how much they enjoy connecting and making music together. The idea is to make access easy and remove intimidation, and that approach really works. What I find most rewarding is seeing beginners gain confidence and have fun. People who don't know each other come together, start jamming, and create something on the spot. That sense of openness and shared experience is what makes JAM meaningful for me.

Send us a textOn this episode we list some upcoming rock releases for the month of February 2026, hear new music from Def Leppard, Lou Gramm of Foreigner, and a surprising delivery from Megadeth. We reminisce on some underrated 80s pop music. We play “Poorly Explained Movies”, MixTape, and climb the Wall of Tunes for an 80s pop version of a 70s prog/rock group. #defleppard #genesishttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

Parshas Beshalach is about memory and forgetting. How can a People who has just witnessed miracles that shook the world—the plagues, the Exodus, the splitting of the sea—only days later, forget? They panic. They complain. They say, "Was it for the lack of graves in Egypt that you took us out to die in the wilderness…?" How can you forget something so overwhelming? In 1972, Rabbi Yaakov Asher Sinclair opened SARM Studios the first 24-track recording studio in Europe where Queen mixed "Bohemian Rhapsody". His music publishing company, Druidcrest Music published the music for The Rocky Horror Picture Show (1973) and as a record producer, he co-produced the quadruple-platinum debut album by American band "Foreigner" (1976). American Top ten singles from this album included, "Feels Like The First Time", "Cold as Ice" and "Long, Long Way from Home". Other production work included "The Enid – In the Region of the Summer Stars", "The Curves", and "Nutz" as well as singles based on The Hitchhiker's Guide To The Galaxy with Douglas Adams and Richard O'Brien. Other artists who used SARM included: ABC, Alison Moyet, Art of Noise, Brian May, The Buggles, The Clash, Dina Carroll, Dollar, Flintlock, Frankie Goes To Hollywood, Grace Jones, It Bites, Malcolm McLaren, Nik Kershaw, Propaganda, Rush, Rik Mayall, Stephen Duffy, and Yes. In 1987, he settled in Jerusalem to immerse himself in the study of Torah. His two Torah books The Color of Heaven, on the weekly Torah portion, and Seasons of the Moon met with great critical acclaim. Seasons of the Moon, a unique fine-art black-and-white photography book combining poetry and Torah essays, has now sold out and is much sought as a collector's item fetching up to $250 for a mint copy. He is much in demand as an inspirational speaker both in Israel, Great Britain and the United States. He was Plenary Keynote Speaker at the Agudas Yisrael Convention, and Keynote Speaker at Project Inspire in 2018. Rabbi Sinclair lectures in Talmud and Jewish Philosophy at Ohr Somayach/Tannenbaum College of Judaic studies in Jerusalem and is a senior staff writer of the Torah internet publications Ohrnet and Torah Weekly. His articles have been published in The Jewish Observer, American Jewish Spirit, AJOP Newsletter, Zurich's Die Jüdische Zeitung, South African Jewish Report and many others. Rabbi Sinclair was born in London, and lives with his family in Jerusalem. He was educated at St. Anthony's Preparatory School in Hampstead, Clifton College, and Bristol University. A Project Of Ohr.Edu Questions? Comments? We'd Love To Hear From You At: Podcasts@Ohr.Edu https://podcasts.ohr.edu/

In Episode 343 of History in Five Songs with Martin Popoff, Martin explores how famously British and international bands—from Yes and Black Sabbath to Bowie, Foreigner, and Peter Gabriel—gradually absorbed American members, not to “become American,” but through creative instinct, convenience, touring realities, and fresh energy that subtly reshaped their sound and identity. Yes – “Cut from the Stars” Foreigner – “Lonely Children” Sepultura – “Unconscious” Rainbow – “Freedom Fighter” Peter Gabriel – “The Family and the Fishing Net” Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Kalie from ExpatsEverywhere interviews Dr. Lynae Brayboy, who shares her journey of moving to Portugal and establishing OvomCare, a fertility clinic in Cascais. Dr. Brayboy discusses the advantages of Portugal's fertility laws, which allow for greater freedom in reproductive choices compared to the U.S. She highlights the serene environment of Cascais, which is conducive to patients undergoing fertility treatments, and explains how the clinic caters to a diverse clientele, including many expats. Dr. Brayboy also touches on her personal experiences with living in Berlin, and the differences in the culture. The episode concludes with Dr. Brayboy's insights on the quality of life in Portugal, including safety, education, and the benefits of dual citizenship, making it a desirable place for families and professionals alike.ovomcare.com +1 272 999 6155hello@ovomcare.com https://www.instagram.com/ovomcare 

In this conversation, Josh and Jonny from Millennials with Money discuss the shifting appeal of Portugal and Spain for expatriates, particularly focusing on the impact of recent legislation on immigration and property investment. They explore the cost of living in both countries, the cultural preferences of expatriates, and the importance of personal finance in navigating life abroad. The discussion highlights the challenges and opportunities faced by digital nomads and property investors in the current economic climate.

From Argentinian beef to German cars, a freshly inked deal between the EU and a bloc of South American countries should ease trade barriers—and is a sign of global trade's topsy-turvy time. Foreigner-bashing is politically fashionable in Japan, but focuses on the wrong problems. And a look at Parkrun, a free weekly event that has unwittingly made many Britons healthier.Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

From Argentinian beef to German cars, a freshly inked deal between the EU and a bloc of South American countries should ease trade barriers—and is a sign of global trade's topsy-turvy time. Foreigner-bashing is politically fashionable in Japan, but focuses on the wrong problems. And a look at Parkrun, a free weekly event that has unwittingly made many Britons healthier.Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

What happens when you sit down with an engineer who helped define multiple eras of music - from Foreigner to Timbaland - and he tells you the secret is still just listening for what feels good? Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Jimmy Douglass, legendary producer, mixer, and engineer whose career spans more than five decades. Jimmy began as a teenager at Atlantic Records in New York, making tape copies and quietly slipping into the back of sessions, where he learned by watching giants like Tom Dowd, Arif Mardin, and Jerry Wexler. He grew up in the era when you had to earn your way into the control room, and those lessons shaped everything that came after. Jimmy talked about working on classic records for Foreigner, including helping mix Follow You, Follow Me when Genesis was still emerging, and cutting his teeth editing music for radio versions - including early work on King Crimson. He also shared memories of the post-punk era, mixing records for Gang of Four and Television, including the iconic Marquee Moon, and how those productions influenced his sense of space, energy, and performance. Then Jimmy walked us into the world that many people know him for - his long-running creative partnership with Timbaland. He explained how Tim's rhythmic sensibility forced him to rethink timing, movement, and pocket, and stories of respectful sessions working with Snoop Dogg.   We also talked about longevity: how Jimmy stays inspired, how he keeps reinventing himself, why he still chases accidents and surprises in the studio, and the challenge of balancing instinct with intention across 50 years of making records. If you love stories from inside the control room or want to understand how great mixers think, this episode is loaded with wisdom and wild history.   https://metalliance.com/ https://www.sheencenter.org/events/detail/studio-confidential-1   THANKS TO OUR SPONSORS! http://UltimateMixingMasterclass.com https://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off! https://www.native-instruments.com Use code ROCK10 to get 10% off! https://www.adam-audio.com/ https://www.spectra1964.com https://gracedesign.com/ https://pickrmusic.com  https://RecordingStudioRockstars.com/Academy https://www.thetoyboxstudio.com/ Listen to the podcast theme song "Skadoosh!" https://solo.to/lijshawmusic Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/6voPl0icbbrLKCh7MqFiHe?si=7MKSFLWmT76HunqSyUQHLg If you love the podcast, then please leave a review: https://RSRockstars.com/Review   CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRoockstars.com/540