Podcasts about Peabody Institute

We're talking about the potential DC disaster in Congress' new budget and we're talking about what the latest Washington Post tumult means for DC. Plus, everything you need to know about renting chickens in the DMV. Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can also become a member, with ad-free listening, for as little as $8 a month. Learn more about the sponsors of this February 28th episode: The Peabody Institute of The Johns Hopkins University District Bridges Interested in advertising with City Cast? Find more info HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

It has been a long and cold winter, but things are finally looking up. The temperatures are in the 60's this week! Sunset is finally past 6 pm! Hallelujah. The City Cast DC team is here with recs to make sure you don't squander this upcoming month of warmth and sunshine, including outdoor workout classes and places to drop your compost. If you're new here, welcome! We've put together a starter pack for you, with episodes and articles to welcome you to the City Cast DC community.  For even more tips on how to make the most of March in DC, check out Hey DC's take on what to do this month. If you enjoyed today's interview with District Bridges' Director of Storytelling and Marketing, Anna Claire Walker, learn more here. Learn more about the sponsors of this February 27th episode: The Peabody Institute of The Johns Hopkins University District Bridges Interested in advertising with City Cast? Find more info HERE Learn more about your ad choices. Visit megaphone.fm/adchoices

Another week, another layer of confusion for federal workers: this time in the form of an email telling them to list their accomplishments … or else. Amidst all the chaos, so many employees are looking for their next gig. Maybe even in the restaurant industry. Axios' Anna Spiegel is here to break it down for us.  Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can also become a member, with ad-free listening, for as little as $8 a month.  Learn more about the sponsors of this February 26th episode: The Peabody Institute of The Johns Hopkins University District Bridges Interested in advertising with City Cast? Find more info HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

DC can be a hard place to raise kids. So how can new parents make the most of life in the District? Courtney Whittington, founder of the group DC Area Moms, is here to share her tips for new parents in DC.  Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can also become a member, with ad-free listening, for as little as $8 a month. Learn more about the sponsors of this February 25th episode: The Peabody Institute of The Johns Hopkins University District Bridges Interested in advertising with City Cast? Find more info HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Washington Post's Philip Kennicott is here to tell us the ways Donald Trump's takeover of the Kennedy Center could do massive damage — but maybe not the exact damage a lot of people are predicting. Want some more DC news? Then make sure to sign up for our morning newsletter Hey DC. You can also become a member, with ad-free listening, for as little as $8 a month. Learn more about the sponsors of this February 24th episode: The Peabody Institute of The Johns Hopkins University District Bridges Interested in advertising with City Cast? Find more info HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

PLEASE SUPPORT THIS WORK: https://www.patreon.com/mannyfacesLupe Fiasco, now a rap professor at Johns Hopkins' Peabody Institute, continues his work bringing hip hop into academia, but his "Endless LUP" collaboration with MIT to create AI-generated Lupe Fiasco rap songs has ignited controversy. Critics argue that using AI to produce music, especially from a cultural icon like Lupe, risks further gentrifying hip hop and stripping it of its authentic roots. This excerpt from our full live broadcast dives into the ethics of AI in music, the intersection of technology and culture, and the broader implications for the future of hip hop education.----Hip-Hop Can Save America! with Manny Faces is a Manny Faces Media production, in association with The Center for Hip-Hop Advocacy.LINKS AND RESOURCES:SHOW WEBSITE: https://www.hiphopcansaveamerica.comON YOUTUBE: https://www.hiphopcansaveamerica.com/watchMANNY FACES: https://www.mannyfaces.comNEWSLETTER (free!): https://mannyfaces.substack.comSUPPORT QUALITY INDIE HIP HOP JOURNALISM: https://www.patreon.com/mannyfacesManny Faces Media (podcast production company): https://www.mannyfacesmedia.comThe Center for Hip-Hop Advocacy: https://www.hiphopadvocacy.orgSPONSORS / FRIENDS:The Mixtape Museum: https://www.mixtapemuseum.orgHip-Hop Hacks: https://www.hiphophacks.comHip-Hop Can Save America! is produced, written, edited, smacked, flipped, rubbed down, and distributed by Manny Faces. Eternal thanks to Consulting Producer, Sommer McCoy.

On this episode I chatted to the Maestro Alexander Mickelthwate about his journey from Germany to OKC. Born and raised in Frankfurt, Germany, Mickelthwate grew up in a home filled with classical music. He received his degree from the Peabody Institute of Music, and has worked with orchestras in Atlanta, Winnipeg and Los Angeles. He is Music Director Emeritus of the Winnipeg Symphony Orchestra in Canada, and in 2022, accepted the position of Music Director for the prestigious Bear Valley Music Festival in Bear Valley, California. In early 2023, Mickelthwate traveled to Hanoi where he was Guest Conductor at the Vietnam National Symphony Orchestra. Since he's been in Oklahoma, Mickelthwate has received numerous awards and honors, including being twice-named “The Face of Music” by 405 Magazine. The OKC Friday newspaper named him one of the “Top 50 Most Powerful,” and the Ladies Music Club of Oklahoma City lauded him “Musician of the Year.” https://www.okcphil.org/about-us/history/alexander-mickelthwate/ Huge thank you to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Diffee Ford Lincoln Third generation Oklahoma business, the Diffee family continues to do business the right way, the family way. Go to www.diffeeford.net for all your new and used car needs and follow them on instagram www.instagram.com/diffee_ford Dog House OKC - When it comes to furry four-legged care, our 24/7 supervised cage free play and overnight boarding services make The Dog House OKC in Oklahoma City the best place to be, at least, when they're not in their own backyard. With over 6,000 square feet of combined indoor/outdoor play areas our dog daycare enriches spirit, increases social skills, builds confidence, and offers hours of exercise and stimulation for your dog http://www.thedoghouseokc.com/ #ThisisOklahoma

The the Williamsburg Youth Orchestra collaborated with the Peabody Institute of Johns Hopkins University to update original scores for a performance during Yorktown Day on Oct. 19, 2024.

Judith Krummeck's The Deceived Ones reinterprets the classic Twelfth Night in a contemporary Baltimore setting. Her new novel chronicles the journey of twins, Vira and Sevastyan, a brother and sister from Ukraine who escape their war-torn homeland and come to Charm City. Vira is a talented musician, who becomes begins working on a new opera at the Peabody Institute in the Mount Vernon neighborhood. Inspired by Shakespeare, Krummeck weaves a fun and poignant tale, replete with mistaken identities, heartfelt ardor, and a bit of mischief. This episode originally aired May 7, 2024.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

Thomas Dolby came to prominence in the 1980s, releasing hit singles including “She Blinded Me with Science” (1982) and “Hyperactive!” (1984). He has also worked as a producer and as a session musician. He is associated with the new wave movement of the early 1980s, a form of pop music incorporating electronic instruments, but Dolby's work covers a wide range of musical styles and moods distinct from the high-energy pop sound of his few, better-known commercial successes. In the 1990s, he founded Beatnik, a Silicon Valley software company which developed the polyphonic ringtone software and created the Nokia tune. Its technology was used in more than half a billion cell phones. He was also the music director for TED Conferences. On the faculty at the Peabody Institute at Johns Hopkins University since 2014, he leads Peabody's Music for New Media program, which enrolled its first students in the fall of 2018. He has received four Grammy nominations, two each in 1984 and 1988 and recently published his first novel, "Prevailing Wind."

Judith Krummeck's The Deceived Ones reinterprets the classic Twelfth Night in a contemporary Baltimore setting. Her new novel chronicles the journey of twins, Vira and Sevastyan, a brother and sister from Ukraine who escape their war-torn homeland and come to Charm City. Vira is a talented musician, who becomes begins working on a new opera at the Peabody Institute in the Mount Vernon neighborhood. Inspired by Shakespeare, Krummeck weaves a fun and poignant tale, replete with mistaken identities, heartfelt ardor, and a bit of mischief.Email us at midday@wypr.org, tweet us: @MiddayWYPR, or call us at 410-662-8780.

WBCQ/The Planet airdate - 4/6/24 Interview conducted on 3/20/24 Welcome to Fluxedo Junction! Each episode we bring you the best music of all genres from throughout the world, and this week we'll be speaking with guitarist, record producer, composer, writer, and filmmaker David Starobin. David Starobin is a highly honored figure in the world of classical guitar. Called "arguably the most influential American classical guitarist of the 20th century by Soundboard magazine), Starobin was inducted into the Guitar Foundation of America's Hall of Fame in 2011, was awarded Lincoln Center's Avery Fisher Career Award (in 1988), and is the dedicatee of more than three hundred new compositions including music by composers Elliott Carter, George Crumb, Poul Ruders and Gunther Schuller. A native of New York City. Starobin performs on both nineteenth century and modern guitars, and has received Grammy nominations as guitarist and as Classical Producer of the Year. In 1981, he founded Bridge Records, a record company which has been honored with 36 Grammy nominations. Starobin is a co-founder of the guitar department at the Curtis Institute of Music, and also teaches at Manhattan School of Music, where he was the holder of MSM's Andres Segovia Chair. Starobin studied guitar with Manuel Gayol, Alberto Valdes Blain and with Aaron Shearer at the Peabody Institute. His musical compositions are published by Editions New Rochelle (New York) and Edition Wilhelm Hansen (Copenhagen). His latest release on Bridge Records, Virtousi, is an homage to seven leading composer/guitarists of the past two centuries. Virtuosi presents eight previously unissued tracks, alongside remastered versions of five Starobin classics. More information is available at bridgerecords.com

Richard Antoine White (RAW Tuba) is principal tubist with the New Mexico Philharmonic, principal tuba of the Santa Fe Symphony, and a full professor of tuba at the University of New Mexico. But for more reasons than those, he has been an inspiration for those of us familiar with his life and work. For the first four years of his life, he was homeless and living on the streets of Baltimore, yet today his life is one of success and giving. If you don't know of him, I think you will find his story incredibly inspirational.In Part 1, I ask Richard to speak of his early life, first growing up on the streets of Baltimore, then being adopted by his grandparents at the age of four, learning the tuba and entering the Baltimore School for the Arts, and finally studying with David Federle at the Peabody Institute, followed by studies with Daniel Perantoni at the Jacobs School of Music at Indiana University, where he was the first African American tubist to earn a doctorate.[Subscriber Content] In Part 2, we follow Richard's journey as he won a spot with the New Mexico Symphony and then, when the orchestra failed, helped to found the New Mexico Philharmonic, of which he is still a member. I ask him about his amazing project, the RAW Tuba Ranch, which will be open for people from the age of 5 to 100. I also ask him about his participation in the Slavery Reenactment project, which changed his view on life. Throughout our conversation, Richard talks about his philosophy of life and his appreciation of hard work. "The best part about every day is that you're not done yet."Dorico Professional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Today's episode features an interview with pianist and teacher, Jacob Silver. He teaches full-time out of his Brooklyn studio. Jacob faced an injury in graduate school where he reached out to Taubman expert, John Bloomfield. Jacob was able to retrain under the direction of John Bloomfield. His website references that 6 out of 10 musicians have debilitating pain. We get into this epidemic that faces musicians in both the jazz and classical worlds.   And, stay tuned until the end of the episode where Jacob turns the table and begins to interview me! We get really personal about the idea of bringing hope for pianists around the world. Here is Jacob's website: www.jacobsilverpiano.comJacob Silver graduated with a Bachelor of Music from The Peabody Institute of Johns Hopkins University. He then went on to get his Masters of Music at Manhattan School of Music.Jacob has 15 years of experience and is an incredibly in demand teacher. Known for breaking down the fundamentals of piano technique for all ages and styles. He gives students the tools to solve playing problems on their own and develop a fluid piano technique. He specializes in teaching and applying the Taubman approach. A revolutionary piano technique developed by Dorthy Taubman and continued on by the Golandsky Institute. The technique teaches pianists how to play any repertoire, no matter how difficult, with ease and utmost musicality. It focuses on a piano technique free of pain, stress, or fatigue.Jacob discovered the Taubman approach after being injured during his masters program. The Taubman approach allowed him to fully recover and play even better than he had before. 60% of musicians will develop a disability over the course of their lifetime. Jacob recovered and is driven by making sure every student he works with has the tools to prevent playing injury. He also works with pianists who are currently injured to help them retrain and heal.His performance career has taken him around the globe. Touring with Jazz groups in Japan and Singapore. As a composer, his works have been featured by the American Studio Orchestra in Baltimore, MD.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

Jennifer Rosenfeld is the creator of The White Rose, a podcast and musical based on the true story of a student-led resistance movement in Nazi Germany. In addition to writing the music and lyrics, she performed on the recording as a pianist and singer. Previously, Jennifer composed the music for the 15-minute musical Fears Anonymous, which debuted at the 2018 Hollywood Fringe Festival, presented by New Musicals Inc.Jennifer is a leading arts entrepreneurship educator, speaker, and coach. Since 2010 she has advised and consulted for individual artists, educational institutions, and arts non profit organizations, on projects ranging from developing new artistic and education programs, to curriculum design and organizational culture. From 2019-2021 she ran the 6 Figure Musician Entrepreneur program and live virtual Intensive, an entirely online education program which has provided musicians and creatives around the world with the skills to gain financial independence through creating profitable online education and coaching businesses.Her clients have included members of major orchestras, university faculty, celebrated jazz artists, and Broadway performers. She has consulted for organizations including USC Radio Group, the Peabody Institute, Stanford University, University of Miami, and Beth Morrison Projects. Jennifer's first entrepreneurial adventure began in 2009 when she co-founded iCadenza with her high school best friend Julia Levitan. Over the course of ten years leading the company and then embarking on her own path - both as an entrepreneur and artist - she has developed a unique and often contrarian perspective on the relationship between art, commerce, health and sustainability, and how to maximize independence for artists. She is an advocate for new financial models in the performing arts industry that are centered on education, in order to enhance profitability and creative freedom - both for individuals and organizations. Learn more in her interview with Erik Gensler for the CI to Eye podcast.Many of her current and former clients run successful, profitable, and highly impactful businesses, proving that musicians (and all creatives) absolutely have the ability to be good at the “business side”, debunking the myths of the starving and helpless artist.Jennifer co-authored the book Awakening Your Business Brain: an iCadenza Guide to Launching Your Music Career. She received her BA in History and Russian Literature and her JD/MBA from Stanford University. Since completing her graduate programs, she has independently pursued extensive continuing studies in composition, song writing, piano, voice, and much more - in order to be ready and able to create The White Rose, a project that began as a seed of an idea in 2009. She believes that it is never too late to pursue your creative dreams and artistic development, no matter your age or background.Jennifer's brilliant musical The White Rose       https://www.thewhiterosemusical.com/Jennifer's company In previous episodes I have mentioned the 10 DVD's that provide the foundation for the Taubman Approach. Those DVD's are only available at www.taubman-tapes.com or at www.ednagolandsky.com. There are limited editions available and so for the holidays, why don't you explore this amazing approach by purchasing a set.

8. novembrī Ģertrūdes ielas teātrī (Ģertrūdes ielā 101a) gaidāma kameroperas "Monstera Deliciosa" pirmizrāde, par kuru "Neatliekamajā sarunā" plašāk stāsta dramaturģe Linda Krūmiņa un komponiste Līva Blūma. Sarunājamies par muzikālās izrādes protoversiju, ko varēja pieredzēt festivāla "Sansusī" viesi, un kas izrādes tapšanā mainījies kopš tā laika. Linda un Līva stāsta par dramaturģijas un muzikālā materiāla niansēm, par stāstu vākšanu no sievietēm Igaunijā un Latvijā, un izrādes tapšanu plašākā mērogā. Raidījumā gūstam ieskatu izrādes muzikālajā materiālā. *** Monstera Deliciosa ir ložņājošs vīteņaugs ar milzīgām, robotām lapām, kas jau vairāk nekā 30 gadus bijis populārs dekors poliklīnikās, skolās, bibliotēkās, dzīvokļos un privātmājās. Labvēlīgos apstākļos monstera aug strauji un izplešoties piepilda telpu ap sevi. Kopjot augus un citu cilvēku labsajūtu, neredzamu rūpju darbu ik dienu veic arī sievietes mums līdzās, aizpildīdamas tukšās vietas sabiedrības ainavā. Izrādē "Monstera Deliciosa" uz skatuves satiekas četras dažādu paaudžu sievietes, kas, izdziedot citu sieviešu stāstus, stāsta arī savējos. Biezi saaugušajā skaņu ainavā līdzās sadzīvo sabiedriskās tualetes dežurantes ikdienišķās raizes un jaunas ekofeministes rūpes par vidi sev apkārt, vēlme līdzsvarot un stiprināt brīžiem tik trauslās saites, kas vieno un tur mūs kopā. Librets tapis, satiekot un uzklausot Latvijā un Igaunijā dzīvojošas sievietes, kas ikdienā rūpējas par augiem un cilvēkiem sev līdzās, savukārt oriģinālmūzika veidota, transformējot kameroperas žanru caur  latviešiem un igauņiem kopīgo kora dziedāšanas tradīciju. Starp melnzemi un plastmasas ziediem radošā komanda meklē veidus, kā augt, uzplaukt un būt kopā vienam ar otru pasaulē, kurā mītam. Radošā komanda  Režija, librets: Barbara Lehtna (EE) Dramaturģe, režisores asistente: Linda Krūmiņa Komponiste: Līva Blūma Mūzikas un skaņu režisore: Lilita Dunska Scenogrāfe un kostīmu māksliniece: Karolina Poska (EE) Scenogrāfes asistente: Signija Joce Gaismas: Jūlija Bondarenko Solistes: Kristīne Fedotova, Ilze Kalniņa, Marta Lortkipanidze, Kristīne Medne Klavieres: Līga Paegle Sitaminstrumenti: Karīna Mazūra Libretu latviešu valodā atdzejojusi Anna Auziņa Barbara Lehtna ir igauņu skatuves māksliniece. 2021. gadā viņa ieguvusi maģistra grādu performatīvās prakses specialitātē ArtEZ Mākslas universitātē Nīderlandē, kur pētīja ētikas, rīcībspējas un kvīru jautājumus līdzdalīgās performances kontekstā. 2021. gadā Barbara tika izvēlēta par vienu no Eiropas tīkla BePart (Art Beyond Participation) māksliniecēm, bet kopš 2022. gada viņa ir Latviju pārstāvoša māksliniece domnīcā Baltic Current. Barbara interesējas par skatuves mākslas žanru sapludināšanu un iespējām veicināt izmaiņas apkārtējā sabiedrībā, kā arī jau ilgstoši pēta personīgās atmiņas un pieredzes stāstus, radošo praksi balstot stāstu stāstīšanas (storytelling) tehnikā. Barbara uzskata, ka mākslai jābūt intīmai un vienmēr politiskai. Līva Blūma ir latviešu komponiste un kora dziedātāja. Ieguvusi maģistra grādu kompozīcijā Džonsa Hopkinsa Universitātes Pībodija institūtā (Peabody Institute of the Johns Hopkins University Baltimorā, ASV) 2021. gadā, bakalaura grādu kompozīcijā Jāzepa Vītola Latvijas Mūzikas akadēmijā 2018. gadā, kā arī kordiriģenta un kora dziedātāja kvalifikāciju Rīgas Doma kora skolā 2014. gadā. Līvas radošie impulsi kā komponistei rodami dzejā, vizuālajā mākslā, medicīnā un dabā, savukārt vokālo darbu pamatā komponiste pielieto dažādus avotus sākot no 16.gs. angļu dzejniekiem, beidzot ar mēstuļu epastiem un sludinājumiem.  Rezultātā rodas skaņu pasaule, kas ir fantastiska un dīvaina, bet vienlaikus vitāla un nemitīgi ritmiska. Linda Krūmiņa ir dejas un teātra dramaturģe. Ieguvusi maģistra grādu Dejas mākslā Latvijas Kultūras akadēmijā, kā arī regulāri papildinājusi zināšanas vietēja un starptautiska mēroga meistarklasēs. Lindas radošo darbu pamatmērķis ir veidot iespēju satikties un sarunāties caur mākslas notikumu, neatkarīgi no žanra vai medija, un viņu interesē dokumentālu un sociopolitiski nozīmīgu skatuves darbu veidošana. Viņas profesionālajās interesēs ietilpst tēmas ar neviennozīmīgiem viedokļiem, kuras būtu nepieciešams aktualizēt caur diskusijas veicināšanu un izpratnes paplašināšanu.   

Lee Mills is internationally recognized as a passionate, multifaceted and energetic conductor. In naming Mills as the ‘New Artist of the Month' for March 2022, Musical America praised his ‘omnivorous musical temperament eager to try out highly contrasting musical styles and approaches.'As you'll hear, Lee left his mark wit the Seattle Symphony during the COVID pandemic, stepping in at crucial times. The League of American Orchestras selected Lee Mills for the 2018 Bruno Walter National Conductors Preview where he conducted the Nashville Symphony Orchestra. In 2017 he was selected as a semi-finalist in both the Sir Georg Solti International Conducting Competition and the Opera Royal de Wallonie-Liege International Opera Conducting Competition. In addition, he conducted alongside David Robertson in the highly acclaimed U.S. Premiere of John Cage's Thirty Pieces for Five Orchestras with the Saint Louis Symphony.    At the invitation of the Baltimore Symphony Orchestra Music Director Marin Alsop, he received the prestigious BSO-Peabody Institute Conducting Fellowship in 2011. Under the tutelage of Gustav Meier and Marin Alsop, Mills received his Graduate Performance Diploma and Artist's Diploma in Orchestral Conducting at the Peabody Institute. He was a conducting fellow at the American Academy of Conducting at Aspen during the summers of 2012 and 2013, working closely with Larry Rachleff, Robert Spano and Hugh Wolff. Lee Mills graduated cum laude from Whitman College, where he studied with Robert Bode.

Recognized worldwide as a leading low brass performer, teacher, scholar, and author, Douglas Yeo is Clinical Associate Professor of Trombone at University of Illinois at Urbana-Champaign for the 2022–2024 academic years. From 1985-2012, he was bass trombonist of the Boston Symphony Orchestra and before coming to Boston, he was a member of the Baltimore Symphony Orchestra, a free-lance musician in New York City, and a high school band director. He served as Professor of Trombone at Arizona State University from 2012–2016 and has also been on the faculties of New England Conservatory of Music and the Peabody Institute of Johns Hopkins University. Since 2019, he has been trombone professor at Wheaton College (Illinois). He received his Bachelor of Music degree from Wheaton College (1976)—where he studied trombone with Edward Kleinhammer (bass trombonist of the Chicago Symphony, 1940–1985)—and his master's degree from New York University (1979). In 2014, Douglas Yeo was the recipient of the International Trombone Association's highest honor, the ITA Award, given to him “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance.” He has written dozens of book chapters and articles for many publications including the International Trombone Association Journal, the Historic Brass Society Journal, the International Tuba Euphonium Association Journal, and the Galpin Society Journal, and is the author of The One Hundred: Essential Works for the Symphonic Bass Trombonist (Encore Music Publishers), Serpents, Bass Horns and Ophicleides at the Bate Collection (University of Oxford Press), and co-author (with Edward Kleinhammer) of Mastering the Trombone (Ensemble Publications). His most recently published books are Homer Rodeheaver and the Rise of the Gospel Music Industry (2021, co-authored with Kevin Mungons, University of Illinois Press), and An Illustrated Dictionary for the Modern Trombone, Tuba, and Euphonium Player (2021, Rowman & Littlefield). His instructional DVD and seven solo recordings have received critical acclaim as have his 12 music arrangements that are published by G. Schirmer, International Music, Southern Music, and De Haske Music. As a teacher, Douglas Yeo has given master classes and recitals on five continents and has held residencies around the world including the International Trombone Festival (seven times), the Banff Center (Canada), the Hamamatsu International Wind Instrument Academy and Festival (nine times) and the Nagoya Trombone Festival (Japan), the International Trombone and Tuba Festival (Beijing), and the Dutch Bass Trombone Open (Holland). His website, yeodoug.com (1996), was the first site on the Internet devoted to the trombone, and his blog, thelasttrombone.com—Occasional thoughts on Life, Faith, and the Trombone—was launched in 2016. He is a Yamaha performing artist. Video links (three links): Elizabeth Raum, Turning Point https://youtu.be/yzHZW0zF_K4 Girolomo Frescobaldi, recomposed by Eddie Koopman, Canzone https://youtu.be/Sk2BiD2FUYM John Stevens, The Chief; Steven Verhelst, A Song for Japan https://youtu.be/pPVxhmcMJ8g

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

As I learned from Hollis Robbins's monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers. Today's guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom's Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006). Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies. John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/poetry

#263 In this mind-blowing episode, Guy welcomed Dr. Todd Ovokaitys back to the podcast. Dr. Todd discussed his specialization in stem cell therapy and how he uses light and sound to guide the stem cells within the body. They also delve into the topic of Kundalini, with Dr. Todd sharing his personal experience and its impact on his work. According to Dr. Todd, rejuvenating the body allows individuals to reset their biological clock and gain an additional three years for personal development. These extra years can be dedicated to various practices like diet, exercise, lifestyle changes, meditation, yoga, martial arts, and manifestation techniques. This extended time provides an opportunity to delve deeper into these practices and explore different modalities and disciplines.  Dr. Todd also highlighted the synchronicity and serendipity that often occur when individuals are ready to learn and grow. He stressed the significance of being open to new knowledge and the guidance of inspired teachers and masters who appear when the student is prepared. By continuously exploring and expanding their potential, individuals can evolve and become ageless.  Overall, this episode emphasizes the interconnectedness of rejuvenating the body and exploring one's potential. By reversing the aging process, individuals can create more time for personal growth and continuously push the boundaries of their capabilities.This episode is packed with incredible insights that you won't want to miss. Check it out and share with others who would benefit from this information. About Dr. Todd: Dr. Todd Ovokaitys M.D did his undergraduate studies at Northwestern University in Evanston, Illinois.  After 2 years hee was accepted to an accelerated medical training program at Johns Hopkins University Medical School in Baltimore, Maryland. During this time Dr. Todd also studied voice and classical guitar at the Peabody Institute. He received both BA and MD degrees from Johns Hopkins University. Dr. Todd's subsequent training included an Internship and Residency at Georgetown University Hospital in Washington, DC. He was invited to be a Chief Medical Resident in the Georgetown University system, responsible for the teaching program of medical students, interns, and residents. While at Georgetown, Dr. Todd experienced a deep insight into an elegant method for matching the vibrational states of biological molecules to neutralize toxins and enhance human biochemical functions. He ultimately co-developed a fundamentally new laser electromagnetic resonance technology called QiLaser. Dr. Ovokaitys's Qi laser technology platform also has the potential to stimulate the cellular regeneration pathways by direct application to the body. The range of modalities also includes the state of the art of stem cell therapies, particularly amplified umbilical cord blood stem cells as well as autologous stem cells derived from the person being treated that are then concentrated and delivered back to the person from whom they were derived. Dr Todd also leads Gematria, a nutritional research and development firm. Key Points Discussed:  (00:00) - The Mind-Blowing Potential of Stem Cell Therapy with Light & Sound (05:51) - Stem cell explanation. (09:30) - Teratomas and ethical implications. (15:09) - Stem cell therapy delivery.  (19:54) - VSELs: Extraordinary Stem Cells. (27:58) - Stem cell regeneration and rejuvenation. (30:13) - The Horvath clock.  (38:07) - Kundalini and rainbow spectrum.  (41:20) - DNA as information encyclopedia.  (45:26) - DNA as a geometric structure.  (51:24) - Exploring human potential.  (57:24) - Pineal tones and performance. (01:01:12) - Metabolic ways to turn back the clock. Dr Todd Ovokaitys' Website:drtoddo.com Todd's Book:drtoddo.com/growing-younger-book The Victory Song:drtoddovokaitys.com/tones-w-lyrics The Book of Knowledge:Info@gematria.com     About me:My Instagram: www.instagram.com/guyhlawrence/?hl=en Guy's websites:www.guylawrence.com.au www.liveinflow.co

IN THIS EPISODE JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast Follow us on social media! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com Join our book club for the month of July! This summer's book: Bel Canto by Ann Patchett Performing Arts and Health at the Peabody Institute and Johns Hopkins School of Medicine https://magazine.peabody.jhu.edu/2023/06/13/kris-chesky-appointed-johns-hopkins-university-bloomberg-distinguished-professor-in-performing-arts-and-health-at-the-peabody-institute-and-the-school-of-medicine/ Sphinx Virtuosi's Debut Album Out Digitally July 28 on Deutsche Grammophon https://www.sphinxmusic.org/sphinx-virtuosi-songs-for-our-times Sphinx is hiring: Manager of Leadership Programs https://www.sphinxmusic.org/manager-of-leadership-programs Human Design https://www.myhumandesign.com/ https://www.ouiwegirl.com/astrology/your-guide-to-human-design https://humandesignsystem.co/en/ Support Josh Jones https://www.drummojo.com Black Excellence: Robert Young https://www.robertyoungsax.com/bio Piece of the Week: Ethiopia's Shadow in America - Florence Price https://www.youtube.com/watch?v=zBEJhGaGMks&themeRefresh=1

Today, it's Midday on the Arts. We begin with a conversation about a program designed to help further the educations and careers of young people of color in classical music. It's called Shared Voices, and it connects students studying at HBCUs with the top schools of music and conservatories across the country. It is the brainchild of Denyce Graves, one of the most acclaimed opera singers of her generation. As a performer, teacher and the founder and artistic director of the Denyce Graves Foundation, she has been a fierce advocate for artists of color, and a leader in advancing diversity, equity and inclusion in classical music. Denyce Graves is the Rosa Ponselle Distinguished Faculty Artist in Voice at Johns Hopkins University's Peabody Institute here in Baltimore. She also teaches at the Julliard School in New York City, and at the University of Toronto. She joins us on Zoom… And with Tom in the studio is JoyAnne Amani Richardson. She's an acclaimed pianist, composer and conductor, who serves as the Music Director of the Denyce Graves Foundation.  (Photo credit: Denyce Graves-Montgomery by Devon Cass)See omnystudio.com/listener for privacy information.

A native of Hong Kong, Henry Wong has lived in the U.S. since attending high school at St. John's Preparatory School in Minnesota. He attended Penn State University as a Biology major, and worked in a neurology lab at Johns Hopkins School of Medicine. In 1990, his hobby took over, and he founded the trendsetting record store An die Musik in Towson. It was the first in the nation to sell CDs without the long cardboard boxes and the first to establish listening stations for any disc in the store, earning them such attention as an article in Newsweek Magazine. He also established partnerships with organizations that contracted him to sell CDs during their performance, including the BSO and Baltimore Opera Company, and in DC with the Kennedy Center, Blues Alley and many Embassies. In addition, he staged regular CD signings and live performances and refreshments in the retail store.Reacting to changes in the retail music industry, he moved the business to Mt. Vernon in 1997, and added live music presentations under the moniker An Die Musik Live. The venue is an intimate listening room on the second floor of an historic Baltimore townhouse, located in the heart of the Mt. Vernon Cultural District. Voted several times as one of the top 100 jazz venues in the world by Downbeat Magazine, An die Musik Live has presented over 4,500 shows.Long before the current pandemic, Wong has had to innovate and re-engineer the business in response to economic and social challenges, including increased competition by big box retailers, 9/11, music downloading, the housing market bust, and Baltimore's civil unrest. By always operating as part of the community—and in service to musicians—people have rallied around his efforts to remain a vibrant part of Baltimore's arts scene.His latest innovation is adapting his business to live streaming concerts. He has relied on friends, consulted tech industry leaders, and recruited Peabody Institute sound engineering graduate students to create the model and continually improve it. But it's more than just a way to remain open for business—he encourages audience members to add donations to further help the artists. In addition, he has been consulted by other arts organizations who are navigating the same challenges.Image creditCreators & Guests Rob Lee - Host Henry Wong - Guest The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.THE TRUTH IN THIS ART IS SUPPORTED IN PART BYThe Gutierrez Memorial FundThe Robert W. Deutsch Foundation ★ Support this podcast ★

Tony Prisk is in his eleventh season playing second trumpet with the Philadelphia Orchestra. Prior to taking the job in Philly, Tony played second trumpet with the Houston Symphony.See a pattern developing? It's not an accident, and it's not because Tony doesn't have what it takes to be "the man".In this episode, we discuss the value of specializing in a niche, such as playing second trumpet in a major symphony, (and why some people feel like they're "settling" for their position in the Philadelphia Orchestra), an exhortation on Charlier's Etude #2, why our ego often gets in the way of finding our purpose as musicians and as human beings, and much more.Here's a bit of what you'll hear in this episode:-Tony describes life in a top 5 orchestra...01:15-Putting the ego aside, and embracing the role you've been given...06:20-Tony's personal trumpet journey...08:15-How you "tell a story" with written music notes on a page...16:30-Is self-expression or "blending" the ideal in an orchestra?...23:50-The value of specializing in a role such as second trumpet in an orchestra...33:45-The advice Tony Prisk would tell his younger self...41:15-Plus whatever your discerning ears deem worthy of your time and interest...About the Guest:Anthony Prisk joined The Philadelphia Orchestra as second trumpet in August 2013. He came from the Houston Symphony, where he was second trumpet for 11 seasons, and the New World Symphony, where he was a trumpet fellow for four seasons. In the past 20 years he has played internationally with several orchestras and music festivals, including the Los Angeles Philharmonic, the Grant Park Festival Orchestra, the Montreal Symphony, the Boston Symphony, the Moscow Philharmonic, and many others. He has participated in several music festivals, including Classical Tahoe, the Cabrillo Music Festival, the Spoleto Festival USA, the Tanglewood Music Center, the Pacific Music Festival, the Music Academy of the West, and the Aspen Music Festival. Mr. Prisk won two international trumpet competitions through the International Trumpet Guild and Second Prize in the National Trumpet Competition. He was a soloist with the New World Symphony, the Temple Wind Symphony, the Texas Medical Center Orchestra, and several youth orchestras. He can be heard on numerous recordings with The Philadelphia Orchestra, the Houston Symphony, the New World Symphony, the Spoleto Festival Orchestra, and the McGill Symphony. Teaching is a passion for Mr. Prisk. He is currently on the faculty at Temple University and the Peabody Institute in Baltimore. He can also be found teaching at summer music festivals including the Philadelphia International Music Festival, the Luzerne Music Center, and the Monteux School and Music Festival. He is also involved with the All City program sponsored by The Philadelphia Orchestra.Mr. Prisk received his bachelor's degree from the University of Illinois, where he studied with Ray Sasaki and Michael Ewald, and his master's degree from McGill University, where he studied with Paul Merkelo. His other main influences were John Hagstrom, Michael Sachs, and David Bilger. Mr. Prisk is originally from Lombard, IL, in the suburbs of Chicago and currently resides in South Philadelphia.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Javier Diaz is a percussionist, educator, and composer active in New York City. Javier regularly plays with the American Symphony Orchestra, chamber music groups, and Latin Jazz/Afro-Cuban folkloric groups in the New York area. He has performed with the Los Angeles Philharmonic, the Metropolitan Opera Orchestra, New York Chamber Symphony, New Jersey Symphony, New York Pops, New York Perspectives Ensemble, John Adams' Zankel Hall New Music Band, and the Hilliard Ensemble. He has been the principal percussionist in the Broadway productions of Guys and Dolls, Phil Collins' Tarzan, The Wiz, Women on the Verge of a Nervous Breakdown, Rocky, Ain't Too Proud: The Life and Times of The Temptations, Gloria Estefan's On Your Feet!, and Once on This Island.Javier's studio credits include Steven Spielberg's West Side Story, Lin Manuel Miranda's In The Heights, ECM's Tituli (with the Hilliard Ensemble) by Stephen Hartke, two albums with David Sanborn, including Time and the River (produced by Marcus Miller), award-winning films such as Tango Flush and Jesus Camp, and many TV and radio commercials. As an Afro-Cuban/Pop percussion specialist, Javier has appeared with: Sean Kingston, Diana Ross, Gladys Knight, Chaka Khan, Patty La Belle, Lázaro Galarraga's Afro-Cuban All Stars, percussionists Angel Luís Figueroa, Cándido Camero, Román Díaz, Pedro Martínez, The Pan-American Jazz Band, The Ethnix, Anette Aguilar's Latin Jazz Group, Marta Topferova, Edmar Castañeda, Tribal Sage World Music duo project with multi-percussionist Roger Squitero, World Percussion group Kalunga, and the New York World Music Institute. An active educator,Javier has taught concert percussion at El Sistema de Orquestas Juveniles e Infantiles de Venezuela, the University of Connecticut, Rutgers University, Queens College (CUNY), New York University, and at his private teaching studio in New York City and New Jersey. He has also taught Afro-Cuban percussion seminars, classes, and clinics at the Peabody Institute, University of Southern California, Percussion Artists Workshops Los Angeles/New York, Los Angeles School District, The Juilliard School, Rutgers University, Queens College, New York University, Boston Conservatory, University of Minnesota, and Mannes School of Music in New York City.Mr. Diaz currently teaches the Afro-Latin percussion survey at the Juilliard School and directs the Afro-Cuban Percussion Ensemble at Rutgers University. His most recent book on Afro-Cuban percussion, The Afro-Cuban Handbook, has become an instant classic of the percussion literature. As a composer, Javier has written chamber music, solo pieces, orchestral works, and electronic music.He has been commissioned by the Aspen Music Festival, New York University, and the University of Southern California. An alumnus of El Sistema de Orquestas Juveniles e Infantiles de Venezuela and the Aspen Music Festival, Javier holds a BM from the University of Southern California, a MM from The Juilliard School, and a DMA from The Graduate Center (City University of New York).Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Midday on Music continues now in the studio of our sister station, WTMD in Towson, where we are fortunate to be joined by members of the Mount Vernon Virtuosi Cello Gang. The founder of the Virtuosi is Amit Peled, an internationally acclaimed ‘cellist and conductor and, for the past two decades, a professor at Hopkins' Peabody Institute conservatory. Peled founded the Mount Vernon Virtuosi five years ago to provide professional opportunities for young musicians, and to bring music to people young and old throughout the Baltimore-Washington area, in venues that are not restricted to just concert halls. The Mount Vernon Virtuosi Cello Gang is a rotating ensemble composed of Peled and five of his gifted Peabody student cellists who frequently tour the country. The Gang currently includes Shawn Hsu, Paul Lee, Rachel Taylor, Natalia Vilchis and Jiaoyang Xu. For today's Midday mini-concert, the group performs three distinctive works beautifully arranged for six cellos: Georg Golterman's Serenade, Op.119, No. 2; Sergei Rachmaninoff's Vocalise; and a Brett Howland medley arrangement of Leonard Cohen's Hallelujah and George David Weiss's What a Wonderful World. You can find video of today's performances by the Mount Vernon Virtuosi ‘Cello Gang on the WYPR YouTube page. Amit Peled and his Cello Gang's performance today previews their concerts in Montgomery County, Maryland, this weekend. They'll be playing on Saturday, December 10 at 4pm at the Spencerville Church in Silver Spring.On Sunday, December 11, they will play two shows at the Bender Jewish Community Center in Rockville, at 2:00 and 4:00pm. Click the links for more details.See omnystudio.com/listener for privacy information.

On today's episode, Scott interviews Dr. Javier Nero, the Lead Trombonist with The U.S. Army Blues in Washington, D.C, an Arranger, Composer and Educator. He earned his Bachelor of Music degree from the Juilliard School, a Master of Music degree from the University of Miami, and a Doctor of Musical Arts degree from the Frost School of Music at the University of Miami. His list of accomplishments include three albums of original compositions and arrangements, leader of his jazz septet and jazz orchestra, and a new upcoming album, “ Kemet The Black Land”, set to be released in the near future. My guest is also a member of the jazz faculty at the Peabody Institute of the Johns Hopkins University, in Baltimore, Maryland. This diverse musician, arranger, composer, and educator, certainly GOT CHOPS! Follow Javier on Website: www.javiernero.com Instagram: @drjaviernero YouTube: https://www.youtube.com/channel/UCAkb5qZjPDZdI11VEFMztGg Facebook: https://www.facebook.com/javier.nero Follow Got Chops on Instagram: @gotchopspodcast Listen to Got Chops Podcast on - Spotify: https://open.spotify.com/show/6Pjh7tC3aTpeMFEhmn4fp4?si=699ae5b84e544cb5 - Apple Podcasts: https://podcasts.apple.com/us/podcast/got-chops/id1587699754 - Anchor: https://anchor.fm/gotchops - YouTube: https://www.youtube.com/playlist?list=PLp5wwP8DvMPkqI4VM2VMlcufn6a-CzlHM Follow Scott on Instagram: @scottgrimaldimusic Twitter: @GrimaldiMusic Website: www.grimaldimusic.com --- Send in a voice message: https://anchor.fm/gotchops/message

Juliano Dutra Aniceto is one of the most significant upcoming conductors of his generation, having worked in the symphonic and in the operatic fields. Currently, Juliano is developing his doctorate studies at The Peabody Institute of the Johns Hopkins University, under the mentorship of Maestro Marin Alsop, where he served as her graduate assistant. Juliano has appeared as guest conductor and music director in operatic productions in the United States and in South America, having conducted the Baltimore Symphony Orchestra, the Peabody Symphony Orchestra, the São Paulo State Youth Orchestra, São Pedro Opera House, the East Carolina University Symphony Orchestra, ECU Opera Theatre, the São Paulo University Symphony Orchestra, among others. Juliano is recognized by his versatility among genres, with 12 operatic and 3 music theater productions in his repertoire, including titles as Humperdinck's Hänsel und Gretel (North Carolina, 2019), Mozart's Die Zauberflöte (Brazil, 2017), Rossini's L'italiana in Algeri, Cimarosa's Il Matrimonio Segreto, Janáček's Katja Kabanová and Věc Makropulos, among others. In 2022, Juliano served as music director and conductor in the recording of the opera Lily, by Garth Baxter. At Peabody, Juliano is the recipient of the “Artistic Excellence Scholarship.” Juliano also serves as the Executive Assistant for the Taki Alsop Conducting Fellowship and as Hugh Hawkins Fellow researcher at The Johns Hopkins University (2021). Juliano has participated in masterclasses with Marin Alsop (his mentor), Kurt Masur, Claudio Cruz, Johannes Schlaefli, Isaac Karabtchevsky, Ernani Aguiar, Martin Schmidt, and Osvaldo Ferreira. Juliano Aniceto was born in São Paulo – Brazil, started his music education in a social program and, from an early age, his talent was recognized: reviews of his concerts, as a flute soloist, classified him as “A soloist with great future” (Invitation to the Classics, Clovis Marques). In 2022, Juliano joins the Hopkins Symphony Orchestra in the position of Assistant Conductor.The Truth In This ArtThe Truth In This Art is a podcast interview series supporting vibrancy and development of Baltimore & beyond's arts and culture. To find more amazing stories from the artist and entrepreneurial scenes in & around Baltimore, check out my episode directory. Stay in TouchNewsletter sign-upSupport my podcastShareable link to episode ★ Support this podcast ★

Today I am speaking with Dr. Todd Ovokaitys. We discuss all things stem cells, from what stem cells are to the different types of stem cells, how the procedure works, and all of the potential benefits. Learn more about Dr. Todd here: https://drtoddo.com About Dr. Todd Dr. Todd did his undergraduate studies at Northwestern University in Evanston, Illinois. After 2 years he was at the top of his class with a 4.0 GPA (out of 4.0). He was one of 26 students in America accepted to an accelerated medical training program at the prestigious Johns Hopkins University Medical School in Baltimore, Maryland. In the course of this work, he was elected to Phi Beta Kappa at this institution. During this time Dr. Todd also studied voice and classical guitar at the Peabody Institute. He received both BA and MD degrees from Johns Hopkins University. Dr. Todd's subsequent training included an Internship and Residency at Georgetown University Hospital in Washington, DC. He was invited to be a Chief Medical Resident in the Georgetown University system, responsible for the teaching program of medical students, interns, and residents. This honorary position was followed by the completion of a two-year Fellowship in Pulmonary and Intensive Care Medicine, also at Georgetown University Hospital. While at Georgetown, Dr. Todd experienced a deep insight into an elegant method for matching the vibrational states of biological molecules to neutralize toxins and enhance human biochemical functions. Pursuing this insight, he moved to Southern California and constructed a platform with the assistance of Scottish physicist Scott Strachan. This colleague had won the Enterprise Scotland Award from Prince Charles for laser measurement devices. Scott Strachan also contributed to the creation of real time ultrasound, the technology that uses sound waves to view internal organs with precision. Since 2005, Dr. Ovokaitys has been an Associate Professor of Medicine at Louisiana State University. This appointment has been for developing research into metabolic mechanisms for improving the condition of persons with HIV infection. Dr. Ovokaitys is also a high level consultant for anti-aging and regeneration medicine. His realm of expertise includes the best of conventional and complementary, metabolic and nutritional medicine.

We open with a selection from Albeniz's Granada...as performed by Tom's next guest, Emmanuel Barrueco. He is an internationally acclaimed performing artist and teacher. He lives here in Baltimore, and he serves on the faculty of the Peabody Institute. He has toured the world and recorded many albums. He and his wife are the founders of the Baltimore Classical Guitar Society, which is sponsoring a prestigious competition this weekend.Emmanuel Barrueco joins us on Zoom… The Final Round of the Baltimore International Guitar Competition continues this weekend, tonight, tomorrow night and Sunday afternoon. For more information about the public concerts, follow the link.See omnystudio.com/listener for privacy information.

Dorothy James is a Brooklyn based puppeteer and maker of tiny things. She has puppeteered for Wakka Wakka (Made in China, 59E59 Theaters, FigurTeatret i Nordland; The Immortal Jellyfish Girl, FigurTeatret), Nick Lehane and Derek Fordjour (SELF MUST DIE: Fly Away, Petzel Gallery), Basil Twist (Hansel & Gretel, Michigan Opera Theatre), Molly Smith (Snow Child, Arena Stage), AchesonWalsh & Radio City (The New York Spectacular…) Unknown Mortal Orchestra (“That Life”), BBC (Moon and Me), Amazon (Patriot), and Apple TV+ (Hello Tomorrow!). As a creator, Dorothy uses table top, shadow, rod, and paper cut puppetry to create otherworldly narratives that meld the grotesque with a sense of innocence. She is the co-creator of Bill's 44th, a wordless puppet show for adults which was named a New York Times Critic's Pick and has performed in NYC at Dixon Place and in Chicago at the Chopin Theater as a part of the 2022 Chicago International Puppetry Festival. Her paper cut stop-motion film Lethologica was an official selection of Chicago's Big Teeth Small Shorts Film Festival and the Upstate NY Horror Festival. Andy Manjuck is a Brooklyn-based artist. He is a company member of Wakka Wakka ("Baby Universe," "Saga," "Made in China," "The Immortal Jellyfish Girl"), and has worked with Robin Frohardt ("The Pigeoning," "The Plastic Bag Store"), Nick Lehane ("Chimpanzee," and "Fly Away" – a collaboration with Derek Fordjour's SELF MUST DIE exhibition, Petzel Gallery), Unknown Mortal Orchestra (“That Life,” Double Solitaire), Doug Fitch ("Petrushka" with the NY Philharmonic Orchestra, and Oregon Symphony), Apple TV+ ("Hello Tomorrow!"), BYUtv ("9 Years to Neptune"), and Betty Productions ("4th Islamic Solidarity Games Opening Ceremonies," Baku, Azerbaijan, "48th National Day Celebration," Abu Dhabi, UAE). He co-founded the arts collective Eat Drink Tell Your Friends ("Lectures," "Photo & Supply). He has also designed and taught at the Peabody Institute at John Hopkin's University. Andy's most recent work, "Bills 44th" was named a New York Times Critic's Pick and has performed at Dixon Place, St Ann's Warehouse, and at the Chopin Theater as part of The Chicago International Puppet Theater Festival in 2022. In this episode we chat about landing on puppeteering as a career, valuing your creative family, keeping a creative project going through tough times, Andy and Dorothy's puppet show baby: Bills 44th, and the melding of luck and hard work. --- Support this podcast: https://podcasters.spotify.com/pod/show/ongoingness/support

Megan Ihnen is a “new music force of nature.” The act of live performance is integral to Megan's work and her performances thrive on elaborate sound worlds and fully-developed dramatic interpretations. Through narrative and non-narrative musical storytelling, she explores the subjects of memory, nostalgia, the perception of time, and relationships. Whether through chamber music, staged recitals, opera, or large ensemble soloist work, she emphasizes the full range of vocal sounds, timbres, colors, and uses that characterize the 21st century voice. Megan is a prolific new music vocalist who has appeared with the International Contemporary Ensemble, Fifth House Ensemble, Latitude49, Great Noise Ensemble, Stone Mason Projects, Rhymes With Opera, SONAR new music, and more. She has sung with many outstanding performers including Nadia Shpachenko, Michael Hall, Gregory Oakes, Nick Zoulek, Hillary LaBonte as well as premiered the work of Mara Gibson, Griffin Candey, Garrett Schumann, Christian Carey, Alan Theisen, Anna Brake, D. Edward Davis, and more. A gifted narrative and non-narrative musical storyteller, Megan's performance work explores the depths of memory, nostalgia, the perception of time, and complex relationships. Ihnen's interpretations of modern and contemporary repertoire have garnered growing acclaim. She is particularly recognized as an excellent recitalist. Her This World of Yes program of contemporary music for voice and saxophone with Alan Theisen explores the themes of pathways, choices, and duality through the work of contemporary composers such as Jessica Rudman, Michael Young, and Michelle McQuade Dewhirst. This World of Yes has been performed across the United States including appearances in Kansas City, New Orleans, Atlanta, Washington D.C., Detroit, and Baltimore. With performances in Washington D.C., Baltimore, Colorado Springs, and Kansas City, Ms. Ihnen has worked with violinist Martha Morrison Muehleisen and Rome Prize winner video artist Karen Yasinsky to take audiences on a profound journey through György Kurtág's Kafka Fragments through video and sound. Finally, Ihnen's Single Words She Once Loved is a performance that centers around the ideas and effects of memory, dementia, and time. It is a deeply personal exploration of the dueling forces of ‘eternal sunshine of the spotless mind' and ‘God gave us memories so that we may have roses in winter'. Single Words She Once Loved features compositions by David Smooke, Ryan Keebaugh, Daniel Felsenfeld, Jeffrey Mumford, and more. Megan has enjoyed performing as part of Tuesdays @ Monk Space, Access Contemporary Music Thirsty Ears Festival, NEXTET, Ethos NewSound, 6:30 Concert Series, International U.S. Navy Saxophone Symposium, SPLICE Festival, Oh My Ears, Second Sunday Concert Series at Boston Sculptors Gallery, Winifred M. Kelley Music Series at Salisbury House, and more. She has appeared with Zeitgeist New Music, ÆPEX Contemporary Performance, Detroit New Music “Strange Beautiful Music Marathon”, Omaha Under the Radar Festival, Works and Process at the Guggenheim Series, Notes on Fiction Series at the Center for Fiction, New Music Gathering, Contemporary Undercurrent of Song Project, American Opera Theatre, Vivre Musicale, UCCS Music/Peak Frequency Creative Arts Collective, Harford Community College Sunday Afternoon Concert Series, and Silver Finch Arts Collective. In the spring of 2017, Megan undertook a fundraising project for her first album, “Sleep Songs: Wordless Lullabies for the Sleepless.” She commissioned over 25 diverse composers from the United States and abroad to write brief, wordless lullabies for mezzo-soprano. Megan has also had recordings on Navona Records, Hoot/Wisdom Recordings, I CARE IF YOU LISTEN Fall 2015 Mixtape, and the CarpeDM Seize Des Moines “Music Mix: Volume III” which was featured at the 2016 SXSW Festival. As a chamber musician, Megan is proud to have trained at the following summer festivals: impuls International Ensemble and Composers Academy for Contemporary Music, Summer Institute for Contemporary Performance Practice (SICPP), Fresh Inc Festival, Bang on a Can Summer Music Festival at MASS MoCA, and MusicX. Her devotion to the proliferation of new music extends beyond the commissioning and performing of music to teaching, workshopping, and mentoring of emerging artists in the field. She also works to increase the visibility and influence of new music through writing on the subject for multiple online and print publications. As a curator, she selected twenty songs for mezzo-soprano and piano for the NewMusicShelf Anthology of New Music. Mezzo-Soprano, Vol. 1 includes works by: Michael Betteridge, Mark Buller, Stephen DeCesare, Douglas Fisk, Matt Frey, Jodi Goble, Ricky Ian Gordon, Cara Haxo, Cameron Lam, Cecilia Livingston, Shona Mackay, Tony Manfredonia, Nicole Murphy, Eric Pazdziora, Frances Pollock, Julia Seeholzer, Alan Thiesen, Dennis Tobenski, Moe Touizrar, and Ed Windels. Megan was honored to receive a Phyllis Bryn-Julson Award for Commitment to and Performance of 20th/21st Century Music in 2009 and a Maryland State Arts Council Individual Artist Award in Classical Music: Solo Performance in 2014. She was an accomplished violist and drama student before pursuing degrees in music and vocal performance from Augustana University and the Peabody Institute of Johns Hopkins University. Ihnen has been a board member for Baltimore Concert Opera and HOWL performing arts ensemble. Megan is a devoted teacher who recently shepherded studios at Drake University Community School of Music, Southwestern Community College School for Music Vocations, and Graceland University before taking on communications roles at Nief-Norf, Live Music Project, and New Music USA. She has also been a resident faculty artist for the UMKC Summer Composition Workshop and the Mostly Modern Festival. In addition to UMKC, Megan has presented her popular masterclasses, workshops, and lectures a Bowling Green State University, Xavier University of Louisiana, New Music Gathering, Iowa Thespian Festival, UNCG Greensboro, and Florida Atlantic University. She was also a Visiting Artist for Louisiana State University for the 2018-2019 academic year. In addition to being an avid podcast listener, Ihnen enjoys drinking good coffee, joking around with her sisters, tweeting about contemporary poetry, and watching Law & Order. She has grand dreams that one day her dog, Hunter, will be the best dog in the neighborhood. She lives in New Orleans, LA and out of her suitcase equally.

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Watching from afar as war and devastation unfold moved two Peabody Institute doctoral candidates, Ukrainian flutist Denis Savelyev and Russian classical saxophonist Nikolai Klotchkov -- to help. They chose the universal language of music. We get a preview of their benefit concert. Links: Ukraine Benefit Concert event information, Ukrainian humanitarian aid donation link. (must specify Ukrainian aid) See omnystudio.com/listener for privacy information.

Nina DeCesare was recently in San Francisco as the guest artist for the 2022 San Francisco Winter Bass Bash.  We talk about her recital, her recent faculty appointment to the Peabody Institute, and much more.   Enjoy. and be sure to follow Nina on her website, Instagram, and YouTube Channel!     Subscribe to the podcast to get these interviews delivered to you automatically!   Check out our Online Sheet Music Store with 100+ wide-ranging titles for bassists.   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle. Check out my Beginner's Classical Bass course and Intermediate to Advanced Classical Bass course, available exclusively from Discover Double Bass.   Thank you to our sponsors!   Upton Bass String Instrument Company - Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players.   Dorico - Dorico 4 is here to supercharge your workflow. Steinberg's latest major version of music notation and composition software for macOS & Windows is packed with powerful new features that are designed to accelerate your workflow and make it quicker and easier than ever to go from inspiration to finished product. If you're a composer, arranger or orchestrator, you'll be delighted by the sophisticated new tools on offer – and there are improvements across the whole application, whatever your focus. For more information and to download a free 30-day trial  of Dorico 4 visit steinberg.net/dorico.   theme music by Eric Hochberg

In June 2019, Carin Morrell joined the University of Maryland, Baltimore (UMB) as the first Public Information Officer (PIO) for the Police Department and Office of Emergency Management. As PIO, she's a social media manager, photographer, videographer, graphic designer, speechwriter, website developer, and crisis communicator. She manages media inquiries, community complaints, and all public-facing messaging for a police department of 200+ men and women (plus one dog), as well as UMB's newest department, the Office of Emergency Management.  Prior to joining UMB, Morrell spent three years as PIO for the Maryland Department of Health Office of Preparedness and Response, where she managed all public-facing communications related to public health emergencies for the State of Maryland. In 2019, she was selected to present a social media accessibility poster at the National Preparedness Summit. She was recognized by Governor Hogan's Office of Communications for social media management and routinely ran the Maryland Emergency Management Agency Joint Information Center during graded statewide and national exercises. Morrell has also served as communications coordinator for the Peabody Institute of The Johns Hopkins University and spent years producing newscasts at WBAL-TV and WISC-TV. Morrell taught news reporting at Loyola University Maryland, led nationwide social media campaigns, spearheaded departmental website redesigns, and developed branding and marketing strategies for state political campaigns. She earned a master's degree from the University of Wisconsin-Madison School of Journalism and Mass Communication in 2012 and is currently earning a second master's degree in strategic communications from the University of Maryland Global Campus.Carin's Linked in link Support the show (https://t.co/GOmAg9X6e8?amp=1)

From her hometown of Beijing, China, to the “live from New York” set of Saturday Night Live, Teng Chen continues to blaze a trail and rock it in the male-dominated field of audio engineering. Since earning a master's degree at the Peabody Institute of The Johns Hopkins University, Teng has collaborated with the Baltimore Symphony Orchestra and The Philadelphia Orchestra, and worked on major events including the Super Bowl, the Rock and Roll Hall of Fame Induction, and the MTV Video Music Awards. And she's also the audio supervisor and engineer for the SHE ROCKED IT podcast! You will no doubt be inspired by how Teng has followed her creative calling with passion and persistence. In this episode, you'll hear:[2:15] How Teng held her own as one of very few women in her university music program and early engineering jobs[05:24] Why she wanted to come to the U.S. to pursue a career in the entertainment industry[13:51] A behind-the-scenes glimpse into Teng's current job on Saturday Night Live (SNL)[19:06] Why Teng is excited to elevate and amplify women's voices as SHE ROCKED IT's audio engineer[20:42] The importance of being a mentor to young women[25:47] Reflections on anti-Asian violence in NYC[29:32] Teng's one tip to ROCK ITLinks from the episode: Teng's website: https://www.tengchenaudio.com/ Teng on Instagram: https://www.instagram.com/tengfoodpanda Saturday Night Live: https://www.nbc.com/saturday-night-live Join the SHE ROCKED IT Rockstar Network:SHE ROCKED IT is a podcast and virtual community dedicated to raising the volume on women's voices. We believe that when women listen to, learn from, and lift one another up, we can ALL soar to greater heights. We invite you to join our ROCKSTAR NETWORK of creative, courageous women:Subscribe to our podcast and leave a reviewSign up for our email list at www.sherockedit.com Join us on Instagram at https://www.instagram.com/sherockedit 

Wyn and Kate chat with Peter Jacobson, a transformative coach, conductor and teacher.  They explore what comes through in creating and performing music from under the noise.  They also chat about flowing with the river of life as opposed to listening to our “clever computers”.  Peter, Wyn and Kate also discuss consciousness, fresh thinking, and the willingness to be in the space of not-knowing.   Peter's Website: www.totalvocalfreedom.com Peter's Bio: Peter Jacobson is the Founder and Executive Director of Total Vocal Freedom. He is an AmSAT-certified (American Society of the Alexander Technique) teacher of the Alexander Technique. He is a graduate of Alexander Technique Mid-Atlantic, where he trained with Nancy Romita and Wendy Salkind. Jacobson began his teacher training at Alexander Technique Urbana, where he studied from Rose Bronec and Rick Carbaugh. His training took place over three years (1600 hours). A singer, multi-instrumentalist, conductor and music educator, he discovered the Alexander Technique over 13 years ago after suffering from back pain and tendinitis while pursuing his music studies. In addition to his private teaching, Jacobson has taught workshops and group classes to musicians at Peabody Conservatory (Baltimore, MD), Towson University (Towson, MD), Gettysburg College (Gettysburg, PA) and the Orchestra Institute of Napa Valley (Yountville, CA). Concurrent with his Alexander Technique teacher training, Jacobson has earned advanced degrees in Conducting from University of Illinois, the Peabody Institute of the Johns Hopkins University and is a Certified Transformative Coach.   If you have any questions or comments for Wyn or Kate, please email us! Also, if you have a topic or question that you would like us to chat about, please reach out!  We'd love to hear it! wyn@wynning.co.uk kate@katerobertscoaching.com

Jennifer Rosenfeld was the co-founder of iCadenza (a career consultancy for classical musicians) and Cadenza Artists (performing arts talent agency), She has helped thousands of musicians launch ground breaking artistic projects that got them noticed, negotiate better for themselves and earn more money, and step into the careers they've always dreamed of. Her clients are not starving artists or fresh-out-of-conservatory musicians. Her clients include Grammy-award-winning soloists and ensembles, acclaimed composers and directors, tenured professors at top universities, members of premier symphony orchestras, and leaders of major arts organizations who are not content to settle with the status quo of their highly successful careers. She has taught at and/or consulted for major universities and conservatories, including Stanford University, the Peabody Institute at Johns Hopkins University, the Frost School of Music at the University of Miami, MIT, and more. She has also written the book Awakening your Business Brain with her business partner Julia (used in university classrooms all over the US), which is literally about how creative people have a total leg up when it comes to the business side of their careers. Check out her website to learn more about her coaching! https://jenniferrosenfeld.com/ Find your host, Grace Lamb, on social media: Instagram: https://www.instagram.com/gracesviolin/ Youtube: https://www.youtube.com/c/gracesviolin Website: https://gracecolbylamb.com/ If you have any questions or topics you would like covered on the show please contact me at b4thestage@gmail.com https://www.facebook.com/b4thestage/ https://www.instagram.com/b4thestage/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/b4thestage/message

My guest today is composer Alexandra Garner, who actually never intended to work in music at all. Growing up Alex thought she was going to become an illustrator and draw covers for The New Yorker magazine. Becoming a composer never crossed her mind and she even assumed that composers were just “dead guys in powdered wigs”. It wasn't until she enrolled in an electronic music class during her freshman year of college, that she realized she could make her own sounds from scratch and combine them into anything she wanted. She has been praised as highly lyrical and provocative of thought by the San Francisco classical voice, mesmerizing by the New York times, and her music Regularly performed as the composer in residence of the Seattle Symphony. Links Website: https://alexandragardner.net/ Twitter: https://twitter.com/alexgardner Instagram: https://www.instagram.com/alexgardner/ Email: alex@alexandragardner.net Alexandra's composition "Coyote Turns"  Honesty Pill Links Online Business Accelerator 2.0 six month program Free Resource Library Facebook Group Mailing List About Alexandra Praised as "highly lyrical and provocative of thought" (San Francisco Classical Voice),"mesmerizing" (The New York Times), and "pungently attractive" (The Washington Post), the music of composer Alexandra Gardner (b. 1967) is thrilling audiences and performers alike with a clear, expressive sound and a flair for the imaginative and unexpected. She composes for varied instrumentations and often mixes acoustic instruments with electronics, blending lyricism, rhythmic exploration, textural constructions, and a love of sonic storytelling. Alexandra's compositions are regularly featured at festivals and venues around the world, including the Aspen Music Festival, Beijing Modern Festival, Centro de Cultura Contemporania de Barcelona, Festival Cervantino, Grand Teton Music Festival, The Kennedy Center, The Library of Congress, Merkin Hall, Strathmore Music Center, Symphony Space, and the Warsaw Autumn Festival. As the Seattle Symphony 2017-18 Season Composer-in-Residence, Alexandra spent several months in Seattle for composing and educational projects. Her new symphonic work, Significant Others, was commissioned by SSO and premiered on the orchestra's subscription series under the baton of Music Director Ludovic Morlot. She also led workshops with LGBTQ+ youth affected by homelessness to create a collaborative composition entitled Stay Elevated, which was performed by musicians of the symphony at the Seattle Art Museum, and directed the Merriman Family Young Composers Workshop, leading 10 pre-college students in a 12-week program culminating in a performance of world premieres. Recent projects include Fade for flute and soundtrack, commissioned by the National Flute Association, Hummingbird Dreams, commissioned by Astral Artists for pianist Natalia Kazaryan, and an adaptation of her orchestra work Just Say Yes for a consortium of wind ensembles. Current works in progress include a quartet for Sandbox Percussion and a work for flute, harp, and percussion commissioned by the American Harp Society. Among Alexandra's honors and awards are recognitions from American Composers Forum, ASCAP, Mid-America Arts Alliance, DC Commission for the Arts and Humanities, The National Endowment for the Arts, The Netherland-America Foundation, and the Smithsonian Institution. She is a recipient of the Vassar College W.K. Rose Fellowship in the Creative Arts, a 2018 Rubys Artist Project Grant from the Robert W. Deutsch Foundation, and most recently a 2020 Maryland State Arts Council Individual Artist Award. She has conducted residencies at the Atlantic Center for the Arts, Harvestworks, Liz Lerman Dance Exchange, The MacDowell Colony, and Willapa Bay AiR, and spent two years as a visiting composer at the Institut Universitari de l'Audiovisual in Barcelona, Spain. Her music is recorded on the Innova, Ars Harmonica, and Naxos labels. For the past several years, Alexandra has maintained a private teaching studio and coaching business. She helps composers lead creative and fruitful musical lives through coaching and mentoring, giving masterclasses and workshops, and facilitating dialog and discussion related to artistic career development and the nature of creativity. Alexandra holds degrees from The Peabody Institute of The Johns Hopkins University and Vassar College. She lives in Baltimore, MD with her wife and their very bossy cat Longfellow. For more information, please visit www.alexandragardner.net.

Alex is a Composition undergraduate student at the Peabody Institute of Johns Hopkins University. You can find his music on Sound Cloud and YouTube: https://soundcloud.com/alex-rotundo https://www.youtube.com/channel/UCEXvE5Fn7m77hKMnB-6xMLg

Hello Everyone and welcome back to The Business Lieder Podcast. I'm breaking my Corona slump and releasing two brand new episodes with the amazing Aubrey Foard of the Baltimore Symphony and Seth Horner of the North Carolina Symphony. This is a great time for a tuba twofer because Aubrey and Seth, along with a few other tuba geniuses are hosting a very exciting bootcamp for tuba and euphonium players next week! The camp is called Back to School Tune-Up With The Pros and the faculty is amazing. These virtuosos come from some of the top orchestras in the country and can be heard in movies like the live-action Lion King, IT 2, and Batman vs. Superman. This bootcamp is a week-long with lessons, masterclasses, evening Q&A sessions and panel discussions all for $260. The website is www.tubabootcamp.com or find them on Instagram @backtoschooltuneup, and I highly encourage you to attend if you are able. All that being said, I am very excited to introduce today's guest, Seth Horner. I've known Seth for a few years now and he is one of the smartest and kindest musicians you'll ever come across. I think you will really love hearing his story and approach to life and the instrument. I've attached his bio below for your reading pleasure:A native of Eugene, Oregon, Seth Horner joined the North Carolina Symphony as Principal Tuba in 2017. Horner was the acting principal tuba of the Baltimore Symphony Orchestra for three seasons and held faculty appointments teaching tuba and euphonium at Towson University and the Peabody Institute of the Johns Hopkins University. At the age of 19, Seth served a one-year position as principal tuba of the Colorado Symphony Orchestra under Marin Alsop, and has held positions as the principal tuba of the West Virginia Symphony and the Oregon Ballet Theatre Orchestra. Horner attended the Peabody Institute, and was an honors graduate of the University of Oregon and valedictorian of his class at the Curtis Institute of Music.Horner performed frequently with the Baltimore Symphony Orchestra (BSO) prior to assuming a full-time position in 2014 including the BSO's west coast tour and its 2010 and 2014 Carnegie Hall appearances with Marin Alsop. He can be heard on the BSO's two most recent albums featuring the symphonies of Leonard Bernstein conducted by Marin Alsop. Horner has also performed with the Philadelphia Orchestra, National Symphony Orchestra, Kennedy Center Opera House Orchestra, New Jersey Symphony Orchestra, Louisville Orchestra, Oregon Symphony, and New World Symphony among others. He has made chamber music appearances with the Washington Symphonic Brass, the Bay Street Brassworks, and the Clipper City Brass. Horner was a featured soloist with the Capital Wind Symphony in Vienna, VA, and received honorable mention at the 2010 International Tuba and Euphonium Conference.Seth Horner has served as a faculty member for Carnegie Hall's National Youth Orchestra of the United States of America as well as Carnegie's NYO2. In the summer, he has been on the faculty of Wyoming Seminary's Performing Arts Institute in Kingston, PA, as instructor of tuba and euphonium as well as performing with the Oregon Bach Festival and Britt Festival orchestras. Horner has been a visiting instructor at the University of Oregon and Ithaca College.

Dr. Thema Bryant-Davis is a licensed psychologist, ordained minister, and sacred artist who has worked nationally and globally to provide relief and empowerment to marginalized persons. Dr. Thema, a professor at Pepperdine University, is a past president of the Society for the Psychology of Women. Her contributions to psychological research, policy, and practice have been honored by national and regional psychological associations. Dr. Thema earned her doctorate from Duke University, completed her post-doctoral training at Harvard Medical Center, and is a past American Psychological Association representative to the United Nations. She has served as a mental health media consultant for numerous print, radio, and television media outlets, including but not limited to the Huffington Post, NPR, CBS, Oxygen, CNN, BET, TV One, Lifetime, and We TV. Dr. Thema has edited and co-edited books on recovery from sexual violence, spirituality and religion in women's lives, and womanist and mujerista psychologies. She is the author of the critically-acclaimed books Tweets for the Soul: When Life Falls Apart, Thriving in the wake of trauma: A multicultural guide, Mangos and Manna and The Birthing of a Lioness and is the recording artist on the CD Sky: An upbeat black girl's song. Her work is based in an interdisciplinary understanding of spirituality, gender, culture and psychology. Dr. Thema received her doctorate from Duke University in Clinical Psychology with a focus on the cultural context of trauma recovery, as well as the intersection of gender and racial identity. She completed her post-doctoral training at Harvard Medical Center's Victims of Violence Program. From 2001-2004, she served as Sr. Staff Psychologist and Coordinator of the Princeton University SHARE Program, a counseling, education, training, and policy program aimed at addressing assault, harassment, and abuse. Dr. Thema was a faculty member at Lesley University in Boston and then the California State University of Long Beach. She is a tenured professor of psychology at Pepperdine University where she teaches on Trauma in Diverse Populations and Clinical Skills. She is a contributing author in the books The Psychology of Racism, The Complete Guide to Mental Health for Women, and Featuring Females: Feminist Analyses of the Media. Dr. Thema served for three years as an American Psychological Association representative to the United Nations where she advocated for mental health and human rights globally. She served for an additional three years to the Committee on International Relations in Psychology; during that time she was elected chairperson and spear-headed initiatives in response to the crisis in Darfur. She was appointed the Global and International Issues Chairperson for the Society for the Psychology of Women and later became president of the Society for the Psychology of Women, creating the society's first film, CEU online program, task force on the trafficking of women, and task force on spirituality and religion in women's lives. Dr. Thema is a trained dancer and actress, having completed studies at The Baltimore School for the Arts, The Peabody Institute, The Liberian National Cultural Arts Center and the Boston University Theater Institute. From 2000 - 2001, she was the Artistic Director of the Blackout Boston Arts Collective and won the Nuyorican Queen of Slam competition, and has coached poets across the country. Her play entitled Upbeat was performed in New York at the Urban Arts Theater Festival in 2003. Dr. Bryant-Davis is an ordained minister in the African Methodist Episcopal Church. She leads a community mental health bible study at Walker Temple AME Church in Los Angeles and lives by words from her mother, Rev. Cecelia Williams Bryant, who states “God is speaking. My life is God's vocabulary.” Cash App: $Thevwi PayPal: virtuouswomaninc@yahoo.com --- Support this podcast: https://anchor.fm/the-full-set-podcast/support

Paul Krauss MA LPC sits down with singer-songwriter Cameron Blake to discuss songwriting in a way that humanizes the voices and stories of the times we live in. Cameron and Paul discuss the universal appeal of music in our lives and how it can open us to new experiences and perspectives if allow our hearts to truly listen. Paul discusses his experiences hearing Cameron Blake perform his new album live in 2019 and how some of the stories that were told brought up both existential and emotional reactions. Cameron shares the story of his life in music as well as his composition of his new album, which was written during a week at a silent retreat and is rich with honest and raw human stories. Cameron shares about his writing process and lyrics and what inspires his writing. Many songs are also shared. If you like music and philosophy, you will love this episode! Also Discussed: Saying things through art that you might not say from a podium, personal and collective inspiration for songwriting, feeling changed from music, writing from the perspective of a character, channeling emotions into songs, trauma, Woody Guthrie, Thomas Merton, silent retreat, not giving up your power, the recent Syrian conflict, talking about politics without polarizing people, Bob Dylan, humanizing stories and people, war, walking into the black, anesthetizing news, simple answers, complicated situations, the root of all war is fear, acceptance, Tolstoy, everyone wants to change the world but no one wants to change themselves, empathy, avoidance, reflection, Goya, learning violin, Michigan, Baltimore Maryland, folk tradition, music for the people, jazz musicians, classical musicians,——Greta Thunberg, reducing carbon emissions, the complicated issues of energy, changing perspectives, transformation, rebirth, climate change increasing global terrorism, Portugal, carpe diem, existential themes, six minutes and twenty seconds, Emma Gonzalez , Joan Baez, dissociation, little time to reflect, emotional maturity, Leonard Cohen, heavy metal, releasing a new album, using your voice, telling stories no matter where you are. Michigan-born Cameron Blake is most passionate about engaging with the parts of us that are fragile and vulnerable. This is reflected most deeply in his songs, which have touched the hearts of people all over the world. Ranging from gospel-fired, high energy roots rock to introspective folk, Cameron's music is as diverse as his personal story. He began composing and playing the violin at the age of twelve; a talent that would eventually culminate in a Master's Degree from the Peabody Institute of Music in Baltimore. Compassion, curiosity and a fair share of burnout took him beyond the walls of the practice room and out on the street, where he regularly worked and communed with the poor. Sharing what he experienced was the starting point for a new career path as a singer-songwriter. He taught himself piano and guitar, quickly immersed himself in the Baltimore music scene and took his individual brand of chamber folk on the road. After meeting the love of his life and moving back to Michigan to raise a family, Cameron's artistry bloomed into full maturity with the release of Alone On The World Stage (2015). Recorded with nothing more than voice, guitar and occasional piano, the record garnered international acclaim for its subject matter; a heart-rending, poetic and poignant picture of the issues that face the world we live in today. His keen eye for detail and skill for getting inside of characters to reveal flesh and blood human lives continued with the release of Fear Not (2017); a lush, masterfully orchestrated album that tackles the complex subject of fear. The album has earned praise from the likes of The Huffington Post, No Depression and Paste in the US and was released throughout Europe on the Netherlands based record label Continental Song City in 2018. If you've seen him before, you know that Cameron's performances leave a lasting, emotional impact.  Whether it's performing as a front man or a soloist, in a sold-out amphitheater or an intimate club, Cameron gives himself fully to his audience.  Described as “brilliant” (Baltimore City Paper), “impressive” (Local Spins) and “beautiful” (Washington Times), Cameron's soulful baritone voice, powerful lyrics and physical presence make him one of Michigan's most original and compelling live performers. Paul Krauss MA LPC is the Clinical Director of Health for Life Grand Rapids, home of The Trauma-Informed Counseling Center of Grand Rapids. Paul is also a Private Practice Psychotherapist, EMDRIA Consultant in Training (CIT), host of the Intentional Clinician podcast, Behavioral Health Consultant, Clinical Trainer, and Counseling Supervisor. Paul is now offering consulting for a few individuals and organizations. Paul is the creator of the National Violence Prevention Hotline (in progress)  as well as the Intentional Clinician Training Program for Counselors. Questions? Call the office at 616-200-4433.  If you are looking for EMDRIA consulting groups, Paul Krauss MA LPC is now hosting weekly online and in-person groups.  For details, click here.  
Original Music: ”Shades of Currency" [Instrumental] from Archetypes by PAWL (Spotify) Original Songs by Cameron Blake utilized in this episode: After Sally from Fear Not (2017) North Dakota from Alone on the World Stage (2015) Queen Bee from Fear Not (2017) How Dare You from the forthcoming album Walking Into the Black (2020) Henny Penny from the forthcoming album Walking Into the Black (2020) Wailing Wall from Fear Not (2017) Fear Not from Fear Not (2017) Sandtown from Fear Not (2017) Check out Cameron Blake on Spotify   Michigan Mental Health Counselors Association is working to increase the availability of quality mental health services statewide, increasing education, promoting best practices, and working to keep Licensed Professional Counselors and other professionals accessible by the public.