Podcasts about snedecor

I read from fawn to F distribution.     "F distribution" is also known as "Snedecor's F distribution" which is a really interesting word/name.  https://en.wikipedia.org/wiki/F-distribution     The word of the episode is "faze".     Use my special link https://zen.ai/thedictionary to save 30% off your first month of any Zencastr paid plan.    Create your podcast today! #madeonzencastr     Theme music from Jonah Kraut https://jonahkraut.bandcamp.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube   "The Dictionary - Letter B" on YouTube   "The Dictionary - Letter C" on YouTube   "The Dictionary - Letter D" on YouTube   "The Dictionary - Letter E" on YouTube   "The Dictionary - Letter F" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Phil Snedecor is the author of Making Rain and Other Adventures on the Trumpet, a highly personable and oftentimes entertaining glimpse into the career of a musician who's "done it right". Of course, there have been some pitfalls and mistakes along the way, and Phil doesn't pull any punches about those. But at the end of the day, the short book delivers a ton of value and sage advice for anyone who is looking to "make rain", be it as a musician or in any field.I've featured Phil several times on my Trumpet Dynamics podcast, and now I'm thrilled to be able to share this brand new interview with you!In this interview with Phil Snedecor, you'll discover:-What is a "rainmaker" pertaining to musicians?...03:35-How Phil cut his teeth as a rainmaker by founding the Washington Symphonic Brass...06:10-You won't have a great connection with your audience unless you have a connection among the personnel...11:00-Phil explains the mantra, "The only gig you own, is the gig you own"...16:20-"Mental choreography" and tips on succeeding in high-stress performance situations...21:10-Finish what you start, even when everyone around you thinks you're nuts to do so!...25:30-And much more!Resources mentioned:Hart School Trumpet StudioPhil's websiteWashington Symphonic BrassAll-American Moving CompanyMaking RainHard copyApple BooksAbout the guest:Phil Snedecor attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia, and has appeared as guest principal trumpet with the St. Petersburg (Russia) “Tschaikowski” Orchestra, joining them on their 2012 US Tour. Recently Mr. Snedecor has been in demand as a guest principal with the Pittsburgh Ballet Orchestra and the Louisville Orchestra, and as guest trumpeter for the Boston Pops and Boston Symphony, both at Symphony Hall in Boston and at Tanglewood in Lenox, MA.As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the Beast, Peter Pan, Evita and West Side Story. He has recorded under the RCA, CBS, Gothic, Koss, and Summit labels. Phil's solo CDs, The Lyrical Trumpet I and II are also available on the Summit Label.In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co- founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew's Cathedral, the Basilica at the Shrine of the...

My guest for this episode is Phil Snedecor. Phil is all about the music. A graduate of the Eastman School of Music, Phil built a busy career performing and teaching in the Greater Washington DC area. He is also an accomplished composer and arranger whose etude books have become required material in many Trumpet studios and is currently Trumpet professor at the Hartt School. But whether it's on the stage, in the classroom, or through his prolific writing, Phil always wants to keep the music at the forefront. Check out what Phil has to say about the difference between adjunct and tenure track teaching positions, life outside of the Capital Beltway, mobile warm-ups, the role of a teacher, learning life skills in the practice room, finding balance, studying at Eastman, solving technical problems by playing music, the most common shortcoming of young players, instilling a passion for listening, new voices, why perfect playing isn't always enjoyable, Wynton Marsalis and the cultural impact of music, the inspiration for his etude books, the importance of imagination, writing books for the modern trumpet player, the need for versatility, why he enjoys playing in a variety of musical settings, and so much more. So pour yourself a big glass, pull up a chair, and let the hang begin! -------------------------------------------------------------- Learn more about Phil at: https://www.philsnedecor.com Need etudes? Go to https://www.pasmusic.com Sound like a million bucks without breaking the bank with Barkley Microphones: http://barkleymic.com/ Let Vennture Mouthpieces help you on your search for the perfect mouthpiece. Use the code "TRUMPETGURUS21" to get 10% off your purchase: https://www.vennture.mp/ If you play hard, you need to make sure you show your chops some love with Robinson's Remedies products: bit.ly/ChopLove Let Jose help you master your mental game: bit.ly/MindfulnessSecrets ------------------------------------------------------------- 00:00:00 Intro 00:05:21 The difference between adjunct and tenure tracked teaching positions 00:07:03 Life outside of the Capital Beltway 00:08:50 Mobile warm-ups 00:10:56 The role of a teacher 00:13:23 Learning life skills in the practice room 00:15:52 Finding balance 00:19:09 Studying at Eastman 00:22:47 Solving technical problems by playing music 00:25:49 The most common shortcoming of young players 00:30:04 Instilling a passion for listening 00:33:06 New voices 00:35:23 Why perfect playing isn't always enjoyable 00:38:25 Wynton Marsalis and the cultural impact of music 00:43:14 The inspiration for his etude books 00:46:36 The importance of imagination 00:52:18 Writing books for the modern trumpet player 00:57:22 The need for versatility 01:00:47 Why he enjoys playing in a variety of musical settings 01:03:58 Sound Off 01:09:32 Geared Up 01:13:45 Rapid Fire Round --- Support this podcast: https://anchor.fm/thetrumpetgurus/support

Dr. Snedecor intercedes for the people of God for healing and deliverance in mind, body, and spirit. Enter into his courts with thanksgiving and praise whether your in your home, on your job, or walking along your way. Lift your hands and open your heart and receive your blessing under the sound of her voice. We touch and agree in Jesus Name! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/candace-robinson2/message Support this podcast: https://anchor.fm/candace-robinson2/support

I was going to wait a couple of weeks to publish this episode with Phil Snedecor, but I thought I just played his episode from five years ago last week on the feed, why not just put it up this week? So here we go. In this episode, we dove deep into a lot of really interesting topics, including a continuation on what it means to be nervous versus confident, and how the two intersect in an ideal world. We also talked about how to teach students how to teach themselves to be the best player that they can be, how to know when is enough air to say what we want to communicate with our horn, how to make the difficult things effortless, and much more. We were also treated to my wife Sana being on the call with Phil and myself, and she asked some very poignant questions as well. So enjoy it! In this conversation with Phil Snedecor, you will hear: -Phil gets us up to speed on his whereabouts trumpet wise... -What does it mean when we get nervous?... -When to teach, and when to teach how to teach... -Arnold Jacobs and "singing air"... -More vibration, not more air... -How to make the difficult things easy... -What personalities are naturally attracted to trumpet?... -What it was like to record the Carnaval album with Wynton Marsalis... -And much more! Resources mentioned: Video: https://youtu.be/zxHo1CLtiDo ("Gone but Not Forgotten") https://www.pasmusic.com/PAS_Music/New_Releases.html (New releases on PAS Press) https://youtube.com/playlist?list=PLJ_xOYrmXUOxGBqGBWcd3TwK9sGr6pKwa (Phil's YouTube playlist) Here are the pics Phil mentioned of the recording session w/ Wynton: http://www.jns.media/wp-content/uploads/2022/03/Attachments-Snedecor-links.zip (Attachments-Snedecor links) About the guest: Phil Snedecor is Associate Professor of Trumpet at the http://www.hartford.edu/hartt/ (Hartt School) (of the University of Hartford) in Hartford, CT, and a former faculty member at The Peabody Conservatory, George Mason University and at Towson University. He has written a series of brass etude books that are required repertoire at many colleges and conservatories. His arrangements and compositions have been performed throughout the United States, Europe, Asia and Australia. Phil attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. He is Principal Trumpet in the Harrisburg (PA) Symphony Orchestra and former Co-Principal Trumpet in the Concert Artists of Baltimore. Mr. Snedecor has performed and toured throughout the United States, Europe and Asia. In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co-founded The Washington Symphonic Brass, a 17-piece professional brass ensemble. They perform regularly for the Washington National Cathedral, St. Matthew's Cathedral, the Basilica at the Shrine of the Immaculate Conception, and with the Washington Choral Arts Society at the Kennedy Center. They were the official instrumental ensemble for the Papal visit of 2008 in Washington DC and are heard regularly in their own concert series in DC, Maryland and Virginia. Their critically acclaimed CDs are available on the Summit and Warner Classics labels. Phil's innovative programming and arranging for the WSB has led to several guest conductor appearances, most recently with the River City Brass Band (Pittsburgh) and the Breckenridge (CO) Brass. As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the...

Its so rare in modern Politics to hear sombody gush about their Love of the Lord. It almost seems out of place and as if God and Politics can't be residents of the same sentence without it being insanely divisive.But hold the presses, Insert the Mayor of the Great City of Hobart Indiana...Mayor Brian Snedecor. Listen to him explain his decision precision process. Listen how he handles enevitable criticism. Spoiler alert his armor is the Armor of God. His means by which he measures his inclinations to respond and decide are influenced by his desire to please the Lord and do what's right for the community as a whole. That's a bullet proof Philosophy.Somebody please help us find our mic...cuz The Mayor kept on drop'n it. Boom!So Get to clicking, What are you waiting for. All the good stuff is on the other side of the Click!

-Opening remarks from James Newcomb...00:47 -How to channel nervous energy into positive results...03:10 -Intro to Phil Snedecor...08:20 -How Phil deals with "stage fright"...10:50 -Phil's "worst performance moment"....13:25 -Fooling yourself into playing better than you're capable of...16:15 -How to prepare for the big performance...20:05 -Phil on the hot seat...23:03 5 minutes before the gig Best performance related advice Dealing with stage fright Non-musical activity that leads to success as a musician The Dream Gig Resources mentioned: -Trumpet Dynamics episode with David Dash

A stay at home mom, full time student in environmental management—also holding a degree in safety— and a veteran are a few of the labels this guest sports. Meet Janette Snedecor. She's a gym junkie and body building competitor. If you've ever wondered what a day in the life may look like then this is a fabulous conversation you'll love. There can be some mind games that can happen in her sport and we talk of those and about body image. She says you get “prep googles" and you can't see what other people see as it becomes a constant pursuit. “You know you spent time cutting weight that isn't healthy and you have to watch for eating disorders.” But the satisfaction is huge. Janette gives us a look into the bodybuilding world and competition. Nutrition is a huge aspect of her life and she is a baking enthusiast, so we talk about the sweet spot of balance. Finding time for what Janette calls her nerdy side— to play video games —actually played a dual role in her life to connect her to her boyfriend, now husband, while they were stationed in different locations. Once you start talking to Janette you find that all of her activities serve a purpose in her life. For instance the lifting weights was an activity that she and her husband started together and she found a passion that led her into the competition world where she competes in bikini. We talk about what it's like to be overseas with your kids with the aspects and lifestyle you have adjust to. Navigating the school system and figuring out the options can bring tremendous anxiety. Moving and restarting allows you to both recreate and to have new experiences. Janette's philosophy is that you live once and she wants to enjoy what she is doing. In one place too long creates an itch so trying new experiences allows that change or new feeling to surface and she does focus on herself some. Making a long distance relationship was what kept her running to the gym. It has become a me time and one that avoided conflict. Being a body builder takes a lot of time and you have to be congnesent of your priorities and if you are capable to separate the responsibilities of family and the draw to work on yourself— she says “you're golden”. She loves old school gyms and her goals include opening a gym when they retire We talk relationship and how you figure out how not to stress the relationship or the family. Most parents instill specific characteristics in their children that set their values and life tone—Janette says that confidence, nutrition, and the idea to look at mommy and understand that it's okay to be scared and still do or perform is important as she raises her daughters. Finding a balance comes through being scheduled and disciplined, as well as listening to your partner for cues when you need to change how you present or react. You'll hear how she is intentional in approaching life. We discuss how she's grounded and that Janette turns to her mom for advice and mentoring and her spouse. You can follow her instagram @janettesnedecor Tune in! Music “STOMP” is used by permission from the artist Donica Knight Holdman and Jim Huff

On this episode of Talk To A Doc we're sitting down with one of our favorite Docs to talk about life as a hospitalist and a teacher. Dr. Ruth Franks Snedecor is an academic hospitalist in Phoenix and takes us to school on what the life of a hospitalist is like, how we teach new doctors, the scourge of face blindness, why are there so many Game of Thrones characters, end of life care, and so much more! This is a longer episode, but we literally and/or figuratively couldn't cut anything out and you'll be glad we didn't! Check your cognitive bias at the door and enjoy!

LIU Sports Information Director Casey Snedecor takes part in the NEC's Developing Women Leaders podcast series.

Phil Snedecor reflects on the state of trumpet during the pandemic, his group the Washington Brass, teaching at the Hartt School of Music, and some great pedagogy! Enjoy this interview from May 8, 2020

Mayor Brian Snedecor: Processing Protests as Christians Support this podcast

Today we're going to cover the Atanasoff–Berry computer (ABC), the first real automatic electronic digital computer. The Atanasoff-Berry Computer was the brainchild of John Vincent Atanasoff. He was a physics professor at Iowa State College at the time. And it's like he was born to usher in the era of computers. His dad had emigrated to New York from Bulgaria, then a part of the Ottoman Empire, and moved to Florida after John was born. The fascination with electronics came early as his dad Ivan was an electrical engineer. And seeking to solve math problems with electronics - well, his mom Iva was a math teacher. He would get his bachelors from the University of Florida and go to Iowa State College to get his Masters. He'd end up at the University of Wisconsin to get his PhD before returning to Iowa State College to become a physics professor.  But there was a problem with teaching physics. The students in Atanasoff's physics courses took weeks to calculate equations, getting in the way of learning bigger concepts. So in 1934 he started working on ideas. Ideas like using binary algebra to compute tasks. Using those logic circuits to add and subtracted. Controlling clocks, using a separate memory from compute tasks, and parallel processing. By 1937 he'd developed the concept of a computer. Apparently many of the concepts came to him while driving late at night in the winter early in 1938. You know, things like functions and using vacuum tubes. He spent the next year working out the mechanical elements required to compute his logic designs and wrote a grant in early 1939 to get $5,330 of funding to build the machine. The Research Corporation of New York City funded the project and by 1939 he pulled in a graduate student named Clifford Berry to help him build the computer. He had been impressed by Berry when introduced by another professor who was from the electrical engineering department, Harold Anderson. They got started to build a computer capable of solving linear equations in the basement of the physics building. By October of 1939 they demonstrated a prototype that had 11 tubes and sent their work off to patent attorneys at the behest of the university.  One of the main contributions to computing was the concept of memory. Processing that data was done with vacuum tubes, 31 thyratrons, and a lot of wire. Separating processing from memory would mean taking an almost record player approach to storage.  They employed a pair of drums that had 1600 capacitors in them and rotated, like a record player. Those capacitors were stored in 32 bands of 50 and because the drum rotated once per second, they could add or subtract 30 numbers per second. Thus, 50 bits. The concept of storing a binary bit of data and using binary logic to convert that into more of a zero or one was the second contribution to computing that persists today.  The processing wasn't a CPU as we'd think of it today but instead a number of logic gates that included inverters and input gates for two and three inputs. Each of these had an inverting vacuum tube amplifier and a resistor that defined the logical function. The device took input using decimals on standard IBM 80-column punched cards. It stored results in memory when further tasks were required and the logic operations couldn't be handled in memory. Much as Atanasoff had done using a Monroe calculator hooked to an IBM tabulating machine when he was working on his dissertation. In many ways, the computer he was building was the next evolution from that just as ENIAC would be the next evolution after. Changing plugs or jumpers on the front panel was akin to programming the computer. Output was also decimal and provided using a display on the front panel. The previous computers had been electro-mechanical. Gears and wires and coils that would look steampunk to many of us today. But in his paper Computing Machine For the Solution Of Large Systems of Linear Algebraic Equations (http://jva.cs.iastate.edu/img/Computing%20machine.pdf), Atanasoff had proposed a fully digital device, which they successfully tested in 1942. By then the computer had a mile of wire in it, weighed 700 pounds, had 280 vacuum tubes, and 31 thyratrons.  The head of the Iowa State College Statistics Department was happy to provide problems to get solved. And so George W. Snedecor became the first user of a computer to solve a real problem. We have been fighting for the users ever since. But then came World War II. Both Atanasoff and Berry got called away to World War II duties and the work on the computer was abandoned.  The first use of vacuum tubes to do digital computation was almost lost to history. But Mauchly, who built ENIAC would come later. ENIAC would build on many of the concepts and be programmable so many consider it to be the first real computer. But Atanasoff deserves credit for many of the concepts we still use today, albeit under the hood! Most of the technology we have today didn't exist at the time. They gave us what evolved into DRAM. And between them and ENIAC, was Konrad Zuse's Z3 and Colossus. So the ‘first computer” is a debatable topic.  With the pioneers off to help win the war, the computer would go into relative obscurity. At least, until the computer business started to get huge and people didn't want to pay Mauchly and Eckert to use their patent for a computer. Mauchly certainly would have known about the ABC since he saw it in 1941 and actually spent four days with Atanasoff. And there are too many parallels between them to say that some concepts weren't borrowed. But that shouldn't take anything away from any of the people involved. Because of Atanasoff, the patents were voided and IBM and other companies saved millions in royalties. ABC would be designated an official IEEE Milestone in 1990, 5 years before Atanasoff passed away.  And so their contributions would be recognized eventually and those we can't know about due to their decades in the defense industry are surely recognized by those who enable our freedoms in the US today. But not to the general public. But we thank them for their step in the evolution that got us where we are today. Just as I think you dear listener for tuning in to this episode of the history of computing podcast. We are so lucky to have you. 

We're so grateful to the Mayor of Hobart, Brian Snedecor, for taking time out of his schedule to talk with us about COVID-19 and local government reactions. NOTE: We recorded this episode as news was breaking from the Indiana Governor's office regarding the Shelter in Place order that will begin at 11:59 on Tuesday, March 24 and last through April 6, 2020. All Hobart community buildings will be closed, but workers are offering remotely. Welcome to the "work from home" club, Mayor! Please subscribe, rate and review this episode so that it becomes easier for others to find it. Support this podcast

Tonight I'm joined by independent sound designer Matt Snedecor to continue talking about the technical side of audio work as we discuss The Rise Of Skywalker, sound editing, foley, LA 92, and ambisonics. Buy Matt's work here, here, and here. Show music by Reed Love and OGRE. Support the show!

TBJ132: Phil Snedecor on diagnosing playing issues, his new publications and the challenges of small-holed instruments. Phil returns to the show to share even more wisdom and shares takeaways from his studies with Arnold Jacobs. From his bio: Phil Snedecor is Associate Professor of Trumpet at the Hartt School (of the University of Hartford) in Hartford, CT, and a former faculty member at The Peabody Conservatory, George Mason University and at Towson University. He has written a series of brass etude books that are required repertoire at many colleges and conservatories. His arrangements and compositions have been performed throughout the United States, Europe, Asia and Australia. Phil attended the Eastman School of Music in Rochester, New York, where he received the prestigious Performers Certificate and was a member of the premiere brass quintet, the Canterbury Brass. While earning his degrees in trumpet performance and literature, he also studied arranging and composition with Professor Rayburn Wright, formerly arranger for Radio City Music Hall. Mr. Snedecor is a former member of the Baltimore Symphony Orchestra and has held one-year positions with the National Symphony, the Kennedy Center Opera House Orchestra and the Baltimore Opera. He is Principal Trumpet in the Harrisburg (PA) Symphony Orchestra and former Co-Principal Trumpet in the Concert Artists of Baltimore.  Mr. Snedecor has performed and toured throughout the United States, Europe and Asia. In 1993 Mr. Snedecor and National Symphony Principal Trombonist Milton Stevens co-founded The Washington Symphonic Brass, a 17-piece professional brass ensemble.  They perform regularly for the Washington National Cathedral, St. Matthew’s Cathedral, the Basilica at the Shrine of the Immaculate Conception, and with the Washington Choral Arts Society at the Kennedy Center. They were the official instrumental ensemble for the Papal visit of 2008 in Washington DC and are heard regularly in their own concert series in DC, Maryland, and Virginia. Their critically acclaimed CDs are available on the Summit and Warner Classics labels. Phil’s innovative programming and arranging for the WSB has led to several guest conductor appearances, most recently with the River City Brass Band (Pittsburgh) and the Breckenridge (CO) Brass. As a show player, he has performed in the touring productions of Guys & Dolls, Phantom of the Opera, Beauty and the Beast, Peter Pan, Evita and West Side Story. He has recorded under the RCA, CBS, Gothic, Koss, and Summit labels. Phil’s solo CDs, The Lyrical Trumpet I and II are also available on the Summit Label. In 2012, Mr. Snedecor founded the DC Pops Orchestra, a 30-piece ensemble featuring some of the best Jazz and crossover artists in the region. This group has provided music for the elite of Washington in prestigious venues such as the National Building Museum and Mellon Auditorium. In this fun and lively discussion, we cover: #picklesforjeff Phil's triumphant return His gig at Hartt Hearing auditions Diagnosing problems with new students Studying with Arnold Jacobs Helping students become more efficient Effortless playing Translating Jacobs' ideas to trumpet playing Small-holed instruments Efficiency vs. effort Moo-ing into the horn Faux whistling No exploding heads Tuda Sean Reusch FB post Parker Mouthpieces, what kind of hole can we design for you? Phil's new tuba book Dave Zerkel Phil's other etude books The difference in how he marketed the two tuba books The importance of video in promoting his materials The gear he used to make his new videos and recordings Multi-clam clips Editing Engenuity by Anthony DiLorenzo's trumpet concerto with the Harrisburg Symphony Teaching himself video editing Life is figuring stuff out Curiosity is key Creating your own "thing" The importance of asking questions Ego-based fear Banff Wayne Gretzky LINKS: Phil's website Phil's Hartt School bio Washington Symphonic Brass Music of New England PAS Music TBJ46 with Phil Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Tonight I'm joined by independent sound designer Matt Snedecor to dive into the technical side of audio work as we discuss Revoice Pro, Pono, Sturgill Simpson, Tool, print-through, and lots of other things I have no clue about. Buy Matt's work here, here, and here. Show music by Reed Love and OGRE. Support the show!

Title IX! The landmark federal civil rights law that requires gender equality in all aspects of publicly-funded education. Today I'm talking with my best lady pal Casey Snedecor, the Assistant Director of Athletics/Director of Media Relations at LIU Brooklyn. We're talking life before Title IX, why we all should care about it, and its future (like what Betsy Devos has done to overhaul Title IX and narrow the definition of sexual harassment). FAQs http://www.ncaa.org/about/resources/inclusion/title-ix-frequently-asked-questions   45th Anniversary Report and other links from the NCAA http://www.ncaa.org/about/resources/inclusion/title-ix-45-years   The Hunting Ground http://thehuntinggroundfilm.com/   Article on women in coaching http://www.ncaa.org/static/champion/where-are-the-women/index.html  

Tonight I'm talking ADR, Snakes and Arrows, and Dolby Vision in part 2 of my conversation with Matt Snedecor. Music for the show provided by OGRE.

Tonight I'm talking audio engineering, sound design, Succession, The Florida Project, and Death Race in part 1 of my conversation with Matt Snedecor. Music for the show provided by OGRE.

Phil Snedecor, a trumpet player with a lucrative and varied career came on to share his insights on creating a classical career design on your OWN terms.   Here's what we covered on the show:   - How to *quickly* establish yourself as a freelancer in a brand new (to you) area...even if you don't know a soul...so you can get some gigs and get paid!   - What it *actually* means to "take ownership" of your career NOW (and from the moment you step out of undergrad)   - How to know if the ensemble or group you want to start has a better than average chance of being successful in your community or city (most people don't consider this before launching one!)   - What your day should ACTUALLY consist of if you want to build a personally satisfying and financially successful career   ...and much more For more about Phil Snedecor: http://www.philsnedecor.com/Phils_website/Home.html Thank you to FICKS MUSIC for providing the hosting for the show. When you need great sheet music at an affordable price, look NO FURTHER than FICKS MUSIC. Order NOW and get 10% off your order for being a Crushing Classical listener by using the code CRUSH https://www.ficksmusic.com/  

Today we're sitting down with Phil Snedecor who teaches at the Hart School of Music in Hartford, Connecticut and he has played with pretty much every kind of ensemble you can think of including the Baltimore Symphony, the National Symphony and the Washington Symphonic Brass.

Phil Snedecor, Associate Professor of Trumpet at the Hartt School and co-founder and conductor of the Washington Symphonic Brass joins Andrew & Lance in a nearly step-by-step examination of how to succeed in music. Phil has extensive experience as a player, arranger, conductor, teacher, composer and booker and explains the importance of putting in an honest to goodness eight hour day. He explains how to break into a new market, how to be part of the solution rather than part of the problem and the importance of believing in your product. One of his key pieces of advice to younger players is for them to think in terms of developing a brand devoted to long term income generation. Easier said than done and Phil shows players the way. And we still find time to make fun of trumpet players. Links: Personal site Hart School bio Publications Washington Symphonic Brass Lessons From a Streetwise Professor   Want to help the show? Take a minute to leave us a rating and a review on iTunes. You can help offset the costs of producing the show by making a small donation at https://www.patreon.com/thebrassjunkies. Your support is greatly appreciated! Produced by Joey Santillo

Professor Barbara Snedecor, director of the Elmira College Center for Mark Twain Studies, in upstate New York, describes for host Matthew Stevenson and Tom Leonard the octogonal study where Twain wrote Huckleberry Finn, Tom Sawyer, and many other books at his Elmira summer home.

Today on the 5: I recently watched Skyfall again while Snedecor was in town, and the more I watch the more one glaring issue pops up over and over for me. Why did Silva need a villainous backstory?

This week: Matt Snedecor returns! Continue the discussion in our forums! Music for the show provided by George Carpenter.

This week we've got a great show for you as we bring in an old friend for a very entertaining interview. Matt Snedecor is our guest for about 2 hours, and in that time you'll hear about his many experiences as an audio engineer. We cover his progression from starting out at the Hit Factory in NYC to doing all the footsteps you'll ever hear in Skate 2. Along the way, you'll hear Lando be the mature interviewer and I will play the part of juvenile idiot. Enjoy! Opening Music: "Alive WIP v2" by George CarpenterClosing Music: "Born Under A Bad Sign" performed by The Great Oglee Moglee Blues Band