Podcasts about tape op magazine

Randy Interviews the Legend Larry Crane!!!! Larry created and runs Tape Op Magazine as well as Jackpot Recording Studios. He has inspired millions of indie DIY musicians around the globe for the last 30 years. GO book time at his studio in PDX and make a record. Tell him Randy sent you. https://larry-crane.com/ https://jackpotrecording.com/contact/ https://tapeop.com/subscriptions/

A recording and mixing engineer who has worked with the likes of Justin Bieber, Snoop Dogg, Meghan Trainor, Poo Bear, and Kehlani, among others. Based in Los Angeles, his work has brought him all over the world and earned him multiple platinum records. He has not only worked with incredible talent in music but also run professional recording studios, worked for publishing companies, worked on shows for major television networks, worked on sports broadcast teams for ESPN, recorded hundreds of audiobooks, worked in live sound, and dabbled in just about every form of professional audio during his journey. He has been featured in Sound On Sound and Tape Op Magazine, among other industry publications. Send your questions or comments about this episode via https://featuredup.com/nhte

Hello friends! Music business consultant, podcaster, writer, musician, and producer, Lisa Machac is my guest for episode 1354! Lisa has a music business coaching company called Little City Sounds, writes for Tape-Op Magazine and is the director for Omni Sound Project, a music production and audio engineering publication, fostering an inclusive and welcoming learning community for music makers of all stripes. Her podcast is called Reference Tracks Podcast and you can find it wherever you pod. She also writes and produces music. Go to www.omnisoundproject.com and www.littlecitysounds.com We have a great conversation about splitting her time between Austin and Montana, navigating the music business, podcasting, modern recording versus old school, songwriting, producing and much more. I had a great time getting to know Lisa. I'm sure you will too. Let's get down!   Get your act together at Space Rehearsal, Recording and Video Spaceatx.com If you feel so inclined. Venmo: www.venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

Award-winning Music biographer Jake Brown has written 50 published books since 2001, featuring many authorized collaborations with some of rock's biggest artists, including 2013 Rock & Roll Hall of Fame inductees Heart (with Ann and Nancy Wilson), living guitar legend Joe Satriani, blues legend Willie Dixon (authorized w/the Estate), country music legends Merle Haggard/Freddy Powers, heavy metal pioneers Motorhead (with Lemmy Kilmister), country rap superstar Big Smo, late hip hop icon Tupac Shakur (with the estate), celebrated Rock drummer Kenny Aronoff, legendary R&B/Hip Hop Producer Teddy Riley, late Funk pioneer Rick James, and Mopreme Shakur. Brown is also author of a variety of anthology series including the superstar country music anthology ‘Nashville Songwriter' Vol I and II; the all-star rock producers anthology ‘Behind the Boards' Vol. 1 and 2; all-star Rock & Roll drummers' anthology ‘Beyond the Beats,' and the ‘Hip Hop Hits' producers' series among many others. Brown recently released the audio books BEYOND THE BEATS, DOCTORS OF RHYTHM and forthcoming SCIENTISTS OF SOUND Record Producers series and PRINCE IN THE STUDIO - The Hits 1977 - 1994 under a long-term deal with Blackstone Audio, and has also appeared as the featured biographer of record on Fuse TV's Live Through This series and Bloomberg TV's Game Changers series, in all 6-parts of the BET “The Death Row Chronicles” docu-series. His books have received national press in CBS News, The Hollywood Reporter, Rolling Stone Magazine, USA Today, MTV.com, Guitar World Magazine, Billboard, Parade Magazine, Country Weekly, Fox News, Yahoo News, etc and writes for regularly for Tape Op Magazine (including the 2015 cover story feature with Smashing Pumpkins frontman Billy Corgan). In 2012, Brown won the Association for Recorded Sound Collections Awards in the category of Excellence in Historical Recorded Sound Research. Make sure to check out this amazing author on his website: www.jakebrown books.com You can listen to the podcast on Apple Podcast, Spotify, Google Podcast, or visit my website www.drkatherinehayes.com

I love the smell of analog tape in the morning! Larry shared tips for mid-side two-track remixing, improving your recording craft, four-track cassettes, mixing She & Him, Pavement, mixing in Pro Tools, and referencing with multiple speakers. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Larry Crane the founder of Tape Op Magazine, owner of Jackpot! Recording Studio, a producer/engineer/mixer, and recording arts educator. He has been on the podcast previously to talk about starting out in a band, launching the magazine TapeOp, producing records and mixing at Jackpot! He also talked about recording and curating the musical archives of Elliott Smith, and lots of other fun stuff. Today we will talk about what's new in the studio, various archival/restoration jobs, and more recording and mixing insights. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars Save up to 50% off products, use code ROCK10 to get an additional 10% https://jzmic.com Use code ROCKSTAR to get 40% off the Vintage series mics plus get a FREE shock mount ($120 value) https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3a4Tsqr69JFhO1nVc3hBPc?si=11cf98f46dc143ae If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/405

Should you buy 10 of everything you need? Larry talked about Jackpot! Recording Studio, recording and archiving Elliott Smith's music catalog, mixing on a console vs Pro Tools, recording a song quickly, and audio restoration tips in iZotope RX. Get access to FREE mixing mini-course: https://MixMasterBundle.com My guest today is Larry Crane the founder of Tape Op Magazine, and owner of Jackpot! Recording Studio, a producer/engineer/mixer, and a recording arts educator. He has been on the podcast previously to talk about starting out in a band, launching the magazine TapeOp, producing records and mixing at Jackpot! Recording Studio, Recording and curating the musical archives of Elliott Smith, and lots of other fun stuff. Today we will talk about what's new in the studio, various archival/restoration jobs, and more recording and mixing insights. THANKS TO OUR SPONSORS! https://UltimateMixingMasterclass.com https://www.solidstatelogic.com https://www.Spectra1964.com https://MacSales.com/rockstars https://iZotope.com/Rockstars use code ROCK10 to get 10% off any individual plugin https://jzmic.com use code ROCKSTAR to get 40% off the Vintage series mics https://www.adam-audio.com https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% off https://www.thetoyboxstudio.com/ Listen to this guest's discography on Spotify: https://open.spotify.com/playlist/3a4Tsqr69JFhO1nVc3hBPc?si=b0a38235b29f42ba If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/385

Pete Weiss is a New England-based producer/engineer/mixer/musician. His unfussy, organic, "artist first" work has earned him a reputation as an outstanding producer who can adapt to many musical genres and is unafraid to ignore stylistic convention. Notable artists Weiss has worked with include Charlie Chesterman, Chris Brokaw, Peter Holsapple, Kustomized, Slim Cessna's Auto Club, Doug Yule, Moe Tucker, The Upper Crust, Aimee Mann, Lee Ranaldo, Bell X1, Willard Grant Conspiracy, Two Dollar Pistols, Bow Thayer & Levon Helm, Hayley Thompson-King and many others. In 1989 he co-founded Zippah Studio in Boston. In 2004, he built and opened Verdant Studio, an "open room" retreat-style studio with artist lodging in rural Vermont which he operated until late 2020, when he returned to Boston to concentrate on mixing and mastering at Jade Cow Music Post Production Services. When not in the studio, Weiss fronts the instrumental band The Weisstronauts and is a member of the experimental pop collective known as Sool.  Since 2017, he has collaborated with eclectic vocalist/songwriter Hayley Thompson-King.  He released a solo album in 1996 and three albums while fronting the subversive Pete Weiss & the Rock Band from 1995-2000. He has scored four independent films, "Methods" (1998), "Metal" (2001), "Bad Gravity" (with Sool 2006), and "The Arcadian Ideal" (2007). He is a Senior Contributor for Tape Op Magazine, writing reviews of audio equipment as well as conducting interviews with recording industry figures. Over the years he has served on many panels & workshops at Tape Op's and Potluck Audio's conferences. In the early 1990's Weiss authored two books on baseball, "Baseball's All Time Goats" and "Longshots!", both published by Adams Media. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working with track limitations Owning a retreat-style studio Finding clients while working in the middle of nowhere Attended sessions vs unattended sessions Setting guidelines for clients Working in an open-concept studio The relationship between kick and bass guitar: how to get the low-end feeling balanced How to track bass guitar The keys to getting a great guitar tone Making time for experimentation during a session To learn more about Pete Weiss, visit: https://www.weissy.com/ To learn more tips on how to improve your mixes, visit https://masteryourmix.com/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Episode 108. Larry Crane joins James MacMillan to discuss his decades long career. They dive into his work as a producer and as the owner of Tape Op Magazine, the state of the music industry, and more. --- Support this podcast: https://anchor.fm/statesidepodcast/support

Episode 108. Larry Crane joins James MacMillan to discuss his decades long career. They dive into his work as a producer and as the owner of Tape Op Magazine, the state of the music industry, and more. --- Support this podcast: https://anchor.fm/statesidepodcast/support

Larry Crane is the editor and founder of Tape Op Magazine (est.1996), owner of Portland's Jackpot! Recording Studio (est.1997), a freelance producer/engineer/mixer who has worked internationally, and archivist for the Estate of Elliott Smith.   He's worked with artists like Sleater-Kinney, The Decemberists, Jenny Lewis, M. Ward, The Go-Betweens, Elliott Smith, Stephen Malkmus, Wooden Shjips, Quasi, David J, She & Him, Richmond Fontaine, and more.    His music recording courses at Linkedin Learning feature over 12 hours of real recording tips and tricks. He's spoken on and moderated panels about recording for TapeOpCon, SXSW, NXNW, NARAS, AES, and CMJ.    He has worked in the past as a record label owner, radio station music director, DJ, record distributor sales, freelance music journalist, and bass player (in bands since 1984, including Elephant Factory, Vomit Launch, and the Sunbirds).   In 2019 he was inducted into the Oregon Music Hall of Fame.    IN THIS EPISODE, YOU'LL LEARN ABOUT: Adapting to new technologies Amp Sims vs real amps Creative ways of finding your unique sound Imitation vs originality: How they affect your productions Avoiding the trap of constantly wanting to experiment Why the simple approach is often best when recording and mixing Setting expectations for your sessions How to make your sessions faster To learn more about Larry Crane, visit: https://larry-crane.com/   To learn more about Jackpot Recording, visit: http://jackpotrecording.com/   To learn more about TapeOp, visit: https://tapeop.com/   To learn more tips on how to improve your mixes, visit https://masteryourmix.com/   Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/   Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/   Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community   To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android.   Have your questions answered on the show. Send them to questions@masteryourmix.com   Thanks for listening! Please leave a rating and review on iTunes!

In 2002, for issue 27 of Tape Op Magazine, I visited Jim Eno and Britt Daniel of the band Spoon at Jim's converted 2-car garage studio in Austin, Texas, to talk about making records. It's now 20 years later, and Spoon's 10th album, Lucifer on the Sofa, is out. I talked to Jim about his Public Hi-Fi Studio – the multi-story building that replaced his garage – Spoon's new album, and gender inequality in the studio over Zoom. Enjoy! Sponsored by Audix https://audixusa.com

Larry and I have a great talk about his early life, performing in the seminal indie rock band Vomit Launch, how he found his way into recording and mixing music, his enormously successful Jackpot! Studios in Portland, Oregon, and how he simultaneously founded one of the greatest music recording magazines of all time, Tape Op. Larry also shares incredible personal experience and insight into the amount of dedication it takes to succeed in the industry. --- Support this podcast: https://anchor.fm/ted-marotta/support

My guest today is Jessica Thompson a GRAMMY-nominated mastering and restoration engineer, audio preservation specialist, and educator. She has digitized, restored, and revived historic recordings for artists ranging from jazz pianist Erroll Garner to blues and folk revolutionary Barbara Dane, from Ethiopian keyboardist Hailu Mergia to proto punk band Jack Ruby, from anarcho-punk band Crucifix to synthesizer legend Pauline Anna Strom.   She masters music both new and old and has worked on records for Michael Daves, Flipsyde, Matthew McNeal, International Dub Ambassadors, Teno Afrika, Occurrence, and many more.  She sometimes writes gear reviews for Tape Op Magazine and contributed a chapter on "Mastering the Sonics of Historic Recording Media" for the book Music Preservation and Archiving Today.   She currently serves as President of the San Francisco Chapter of the Recording Academy. In her spare time, she likes to ride steel bikes and walk her dog, Eddie. Thanks so much to Ian Brennan for making our introduction! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 20% off The Pop Filter https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://carltatzdesign.com/Mixroom-Mentor http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/6kbid1aHWyvUO1fnACzR7a?si=3f602b0abcd3468d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/310

Larry Crane is the founder and creative force behind Tape Op Magazine and is a legendary producer/engineer at Jackpot! Studios in Portland that he started with Elliott Smith in 1997. We explore his journey from Chico CA and his early band Vomit Launch, their successes and ultimate demise, his initial hatred of Portland to the full embrace it is today, and how meeting amazing people is the main thrill for him with Tape Op, a magazine with a subscription rate the biggies would kill, or die for. 

My guest today is Larry Crane, the editor and founder of Tape Op Magazine (est. 1996), owner of Portland’s Jackpot! Recording Studio (est. 1997), a freelance producer/engineer/mixer who has worked internationally, and archivist for the Estate of Elliott Smith. He's worked with artists like Sleater-Kinney, The Decemberists, Jenny Lewis, M. Ward, The Go-Betweens, Elliott Smith, Stephen Malkmus, Wooden Shjips, Quasi, David J, She & Him, Richmond Fontaine, and more. His music recording courses at Linkedin Learning feature over 12 hours of real recording tips and tricks. He's spoken on and moderated panels about recording for TapeOpCon, SXSW, NXNW, NARAS, AES, and CMJ. He has worked in the past as a record label owner, radio station music director, DJ, record distributor sales, freelance music journalist and bass player (in bands since 1984, including Elephant Factory, Vomit Launch, and the Sunbirds.) In 2019 he was inducted into the Oregon Music Hall of Fame. Thanks to our sponsors! OWC: Other World Computing: https://www.OWC.com WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars. JZ Microphones: https://usashop.jzmic.com Spectra1964: https://www.spectra1964.com Presonus Studio One: https://www.presonus.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/247

In this episode, Dan and Julie Kathryn (I AM SNOW ANGEL) discuss a variety of things, including her creative process producing the new album MOTHERSHIP in Ableton Live, as well as her live performance setup, and more. Julie Kathryn is a NYC based dream-pop artist with credits as a sound designer for Ableton and Splice. She has worked alongside Hans Zimmer and been featured in Music Tech Magazine, Tape Op Magazine, and is the co-founder of Female Frequency, a collective for female music producers. Stay connected with I AM SNOW ANGEL (Julie) at the following links: http://www.iamsnowangel.com/ https://www.facebook.com/iamsnowangel/ https://www.instagram.com/i_am_snowangel/ https://twitter.com/I_Am_SnowAngel Join the Live Producers membership and access Ableton Live webinars, feedback on your projects by Dan Giffin, online courses, and more... CLICK HERE TO JOIN

Larry Crane is a recording engineer and owner of Portland's Jackpot! Recording Studio, and the editor for Tape Op Magazine.  He is also the music catalog archivist for Elliot Smith, following the singers death in 2003.  Hear about his journey to Portland from Northern California in the early 1990s, and how his love of music lead to opening up what has become known as Portland's most important recording studio.

Episode #37: When recording engineer Larry Crane started Tape Op Magazine in 1996, he printed the first issue on legal paper and Xeroxed 500 copies to send to his friends. Branded as “the creative music recording magazine,” that first issue set Tape Op up to be one of the best resources for new and established engineers, gaining a readership of over 60,000. On this episode of The Future of What, we celebrate Tape Op's 20th anniversary with an extended interview with Crane. We talk about what it takes to sustain an independent (free!) publication, adapting to new technology in recording, and why he has continued to distribute print issues. We also talk to longtime Tape Op admirers and notable producers Tucker Martine and Tyler Stone. Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl

Larry Crane runs Jackpot! Recording Studio and Tape Op Magazine. He's also the archivist of Elliott Smith's catalog. Larry talks with Portia about his time working with Elliott and putting together the upcoming 'Either/Or: Expanded Edition.' Subscribe to The Future of What on iTunes: http://apple.co/1P4Apk0 Follow us: Twitter: http://bit.ly/2gOYMYM Facebook: https://www.facebook.com/thefutureofwhat/ Instagram: http://bit.ly/1L6T8fl

GUEST: LARRY CRANE. Today we are joined by our friend Larry Crane of Jackpot! Recording Studio and Tape-Op Magazine! Jackpot is celebrating 20 years of his studio and has some of the greatest stories of all time, including how he and Elliot Smith originally started the studio. Plus, Sarah calls her Dad to verify whether or not a person can have an indentation on their head from headphones. Don't forget that FER BINGO NIGHT is Feb 2nd at LANDMARK SALOON with REYKA VODKA and prizes from ASYLUM!

The eponomous producer behind Elliott Smith’s Either/Or and editor of Tape Op Magazine shared some of his stories and where he sees the future of recording.   Featuring Music by The Secret Sea, Elliott Smith and Summer Cannibals   The episode was sponsored by Tumbleweed Creative Gritty Birds is produced by Jeni Wren Stottrup with the support of XRAY.FM.  This week’s board operator is Dannon Drips.  The episode was transcribed by Christina Donaldson. The episode was transcribed by Christina Donaldson, Amit Erez and Chris Martell.

Get over two hours of FREE Mix Training, Multitracks, and eBook at... MixMasterBundle.com My guest today is Larry Crane, editor and founder of Tape Op Magazine (started in 1996). He is also owner of Portland’s Jackpot! Recording Studio (since 1997). Larry is a freelance producer/engineer who’s worked nationwide, and is also the archivist for the Estate of Elliott Smith. His career has taken him down many paths working as a record label owner, radio station music director, DJ, record distributor in sales, freelance music journalist, book editor, and bass player playing in bands since 1984, including Elephant Factory, Vomit Launch and the Sunbirds. Get full show notes at RecordingStudioRockstars.com

MARK RUBEL has taught audio, music technology, music business, and the history of rock to thousands of students since 1985. He has taught at various colleges and universities, and served as the Audio and Recording Director at Eastern Illinois University’s $70 million Doudna Arts Center.Mark has recorded and produced extensively since 1980, both at his Pogo Studio in Champaign, Illinois and elsewhere. His list of clients includes Hum, Alison Krauss, Rascal Flatts, Fall Out Boy, Ludacris, Adrian Belew, Luther Allison, Jay Bennett, Melanie, Ian Hobson, Henry Butler and many more. For the Wall to Wall/Ellnora Guitar Festival, he has recorded Los Lobos, Calexico, Ani DiFranco, The National, Junior Brown, Derek Trucks, Taj Mahal and many others.He serves as panelist, moderator, lecturer, workshop leader and recording judge at numerous audio conferences, including national and regional Audio Engineering Society Conferences, the Tape Op and Potluck Conferences, SXSW, and many more. He is on the national board of SPARS (the Society of Professional Recording Services) and also belongs to NARAS, AES, ASCAP, MEIEA and EARS.Mark is a musician, recording engineer and producer, and also works as a consultant and legal expert witness in the fields of audio and copyright. He has written occasionally in such publications as Mix Magazine and for Tape Op Magazine, for whom he interviewed Les Paul.

MARK RUBEL has taught audio, music technology, music business, and the history of rock to thousands of students since 1985. He has taught at various colleges and universities, and served as the Audio and Recording Director at Eastern Illinois University’s $70 million Doudna Arts Center.Mark has recorded and produced extensively since 1980, both at his Pogo Studio in Champaign, Illinois and elsewhere. His list of clients includes Hum, Alison Krauss, Rascal Flatts, Fall Out Boy, Ludacris, Adrian Belew, Luther Allison, Jay Bennett, Melanie, Ian Hobson, Henry Butler and many more. For the Wall to Wall/Ellnora Guitar Festival, he has recorded Los Lobos, Calexico, Ani DiFranco, The National, Junior Brown, Derek Trucks, Taj Mahal and many others.He serves as panelist, moderator, lecturer, workshop leader and recording judge at numerous audio conferences, including national and regional Audio Engineering Society Conferences, the Tape Op and Potluck Conferences, SXSW, and many more. He is on the national board of SPARS (the Society of Professional Recording Services) and also belongs to NARAS, AES, ASCAP, MEIEA and EARS.Mark is a musician, recording engineer and producer, and also works as a consultant and legal expert witness in the fields of audio and copyright. He has written occasionally in such publications as Mix Magazine and for Tape Op Magazine, for whom he interviewed Les Paul.

When recording engineer Larry Crane started Tape Op Magazine in 1996, he printed the first issue on legal paper and Xeroxed 500 copies to send to his friends. Branded as “the creative music recording magazine,” that first issue set Tape Op up to be one of the best resources for new and established engineers, gaining a readership of over 60,000. On this episode of The Future of What, we celebrate Tape Op's 20th anniversary with an extended interview with Crane. We talk about what it takes to sustain an independent (free!) publication, adapting to new technology in recording, and why he has continued to distribute print issues. We also talk to longtime Tape Op admirers and notable producers Tucker Martine, Tyler Stone, and Dave Gross. Featuring music recorded at Jackpot! by: The Corin Tucker Band The Thermals Witchypoo

Working Class Audio Session #050 with Larry Crane!!! Larry Crane has been involved in music since the late seventies, when he self-released home recordings of his own music. Since then he’s been a musician, record producer/engineer/mixer, Tape Op Magazine founder and editor, book editor, studio owner, archivist, disc jockey, small label owner and even a record distributor employee. From […] The post WCA #050 with Larry Crane appeared first on Working Class Audio.

Support Sound Design Live on Patreon for as little as $1: https://www.patreon.com/sounddesignlive In this episode of Sound Design Live I talk with Larry Crane about why he started Tape Op, techniques for mixing bands in small venues, and how to be more visible to new clients. All music in this episode by http://soundcloud.com/larry-crane except for ​Coast To Coast​ by Elliott Smith http://sounddesignlive.com/larry-crane-tape-op-magazine/