Podcast appearances and mentions of Stephen Malkmus

Peter Negroponte is the drummer and a founding member of Guerilla Toss.  Guerilla Toss's newest single, Psychosis Is Just A Number, produced by Stephen Malkmus, is out now via Sub Pop Records.  Peter shares his early experiences with music growing up in Manhattan, eventually attending a music conservatory and how that all led to forming Guerilla Toss. Peter and Joe dig into some drum talk, discuss the bands writing and recording process's and the two compare their views on “overproduction” We have a look into how band translates their records into live performance, and we learn why Stephen Malkmus came to produce the new single. Guerilla Toss Sub Pop Records

David Longstreth is here to discuss David Longstreth's Song of the Earth, Performed by Dirty Projectors and s t a r g a z e, life in Los Angeles in a tumultuous ecological era, working with s t a r g a z e and the influence of Gustav Mahler, the revenge of the Earth, orcas, and using gardens as a metaphor, despair and the Beatles, why Phil Elverum from Mount Eerie might be the poet laureate of nature, working with Steve Lacy, loving Stephen Malkmus and Pavement, production ideas, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Support vish on Patreon!Related episodes/links:Ep. #951: Mark Ibold, Scott Kannberg, Jeffrey Lewis Clark, Jed I. Rosenberg & Brian Thalken on ‘Louder Than You Think: A Lo-Fi History of Gary Young and Pavement'Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #918: Mount EerieEp. #910: The Hard QuartetEp. #481: David BermanEp. #114: Nat Baldwin of Dirty ProjectorsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

La propuesta de este capítulo es conocer buena parte de la obra de Grateful Dead a través de Covers que han hecho otros artistas. Haremos un recorrido por buena parte de su obra a través de dieciséis canciones que encontramos en once de sus discos. Y para esta noble tarea me voy a basar en una cajota de cinco cds que se publicó en 2016, Day of the Dead, un disco tributo a Grateful Dead impulsado por The National y otros artistas que se publicó a beneficio de la Red Hot Organization, para recaudar fondos para la cura del Sida y otras enfermedades relacionadas. En el disco participan grandísimos nombres como Bill Callahan, The War on Drugs, Stephen Malkmus, Wilco, Mumford and Sons, Kurt Vile, Sharon van Etten, The Flaming Lips, Courtney Barnett, Anhoni, Lucinda Williams o el mismísimo Bob Weir entre otros. Contamos detalles de los grupos que traigo a este especial y de la historia de Grateful Dead, banda formada a principios de los sesenta que pronto se convirtieron en máximos exponentes de la contracultura y el movimiento hippie; del rock psicodélico y del sonido de San Francisco, consolidándose como una de las bandas más innovadoras del rock. Muy influenciados por la psicodelia, fusionaron con maestría estilos como el folk, rock, blues, jazz o country y los disfrutamos con: KURT VILE & THE VIOLATORS (con J. Mascis) - Box Of Rain (American Beauty) THE WAR ON DRUGS - Touch of Grey (In The Dark) HISS GOLDEN MESSENGER – Brown Eyed Women (Europe´72 / From The Mars Hotel) THE TALLEST MAN ON EARTH - Ship of Fools (From The Mars Hotel) MOSES SUMNEY, JENNY LEWIS & FRIENDS – Cassidy (Reckoning) THE WALKMEN – Ripple (American Beauty) BONNIE "PRINCE" BILLY - If I Had the World to Give (Shakedown Street) PHOSPHORESCENT (con JENNY LEWIS & FRIENDS) – Sugaree (García) THE NATIONAL - Morning Dew (Grateful Dead) COURTNEY BARNETT - New Speedway Boggie (Workingman´s Dead) THIS IS THE KIT - Jack-A-Roe (Reckoning) THE LONE BELOW & FRIENDS - Me and My Uncle (Skull and Roses) ED DROSTE (con BINKI SHAPIRO & FRIENDS) – Loser (García) UNKNOWN MORTAL ORCHESTRA - Shakedown Street (Shakedown Street) WILCO (con BOB WEIR) - St. Stephen (Aoxomoxoa) PERFUME GENIUS, SHARON VAN ETTEN & FRIENDS - To Lay Me Down (Reckoning)

This week we continue Pavement Week on Revolutions Per Movie with episodes celebrating Pavement to the max.  For today's episode (#4 of 5) we talk to filmmaker Alex Ross Perry who directed the new kaleidoscopic documentary Pavements.  We discussed Alex's formative years working at the legendary Kim's Video in NYC, how Alex broke away from traditional music documentaries to make Pavements, the truth hidden within the fiction of the biopic segments of the film, the earnest nature of musical theater and creating the Pavement jukebox musical, seeking music video bootlegs in the 90s, how the surprise viral hit of Pavement's 'Harness Your Hope' changed the trajectory of the film, creating the myths of a band like Pavement, the band's restrictions for the making of the film, how Joe Keery of Stranger Things was always the first choice to play Stephen Malkmus in the film, how Alex purposely wrote the worst possible Pavement biopic using real dialogue from Pavement, the Lollapalooza mud slinging show, how to know when a potentially endless documentary is done, Malkmus' reaction to the Pavement Museum that was built for the film and more.So, as they say in the film, let's give 100% of the 50% that we know is possible from Pavement on episode 4 of Pavement Week on Revolutions Per Movie.PAVEMENTS:https://pavements.official.film/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

La propuesta de este capítulo es conocer buena parte de la obra de Grateful Dead a través de Covers que han hecho otros artistas. Haremos un recorrido por buena parte de su obra a través de dieciséis canciones que encontramos en once de sus discos. Y para esta noble tarea me voy a basar en una cajota de cinco cds que se publicó en 2016, Day of the Dead, un disco tributo a Grateful Dead impulsado por The National y otros artistas que se publicó a beneficio de la Red Hot Organization, para recaudar fondos para la cura del Sida y otras enfermedades relacionadas. En el disco participan grandísimos nombres como Bill Callahan, The War on Drugs, Stephen Malkmus, Wilco, Mumford and Sons, Kurt Vile, Sharon van Etten, The Flaming Lips, Courtney Barnett, Anhoni, Lucinda Williams o el mismísimo Bob Weir entre otros. Contamos detalles de los grupos que traigo a este especial y de la historia de Grateful Dead, banda formada a principios de los sesenta que pronto se convirtieron en máximos exponentes de la contracultura y el movimiento hippie; del rock psicodélico y del sonido de San Francisco, consolidándose como una de las bandas más innovadoras del rock. Muy influenciados por la psicodelia, fusionaron con maestría estilos como el folk, rock, blues, jazz o country y los disfrutamos con: KURT VILE & THE VIOLATORS (con J. Mascis) - Box Of Rain (American Beauty) THE WAR ON DRUGS - Touch of Grey (In The Dark) HISS GOLDEN MESSENGER – Brown Eyed Women (Europe´72 / From The Mars Hotel) THE TALLEST MAN ON EARTH - Ship of Fools (From The Mars Hotel) MOSES SUMNEY, JENNY LEWIS & FRIENDS – Cassidy (Reckoning) THE WALKMEN – Ripple (American Beauty) BONNIE "PRINCE" BILLY - If I Had the World to Give (Shakedown Street) PHOSPHORESCENT (con JENNY LEWIS & FRIENDS) – Sugaree (García) THE NATIONAL - Morning Dew (Grateful Dead) COURTNEY BARNETT - New Speedway Boggie (Workingman´s Dead) THIS IS THE KIT - Jack-A-Roe (Reckoning) THE LONE BELOW & FRIENDS - Me and My Uncle (Skull and Roses) ED DROSTE (con BINKI SHAPIRO & FRIENDS) – Loser (García) UNKNOWN MORTAL ORCHESTRA - Shakedown Street (Shakedown Street) WILCO (con BOB WEIR) - St. Stephen (Aoxomoxoa) PERFUME GENIUS, SHARON VAN ETTEN & FRIENDS - To Lay Me Down (Reckoning)

This week's guest has poured a lot of passion and creativity into dog advocacy. Happy to welcome to the show Janet Weiss, the heralded drummer behind Sleater-Kinney, Stephen Malkmus and The Jicks, The Shins and her long time band Quasi. Janet introduces us to her 7 year old Heeler Dizzy and pays respects to her "equal" Mac and her anxious girl Isobel. Great talk that covers her car accident that left her laid up for three months, the Drum-a-thon she put on that raised over $20k for her local dog rescue and her foray into pet portraits that she paints onto bass drum heads. Janet gave some well deserved shout outs to three great organizations starting with One Tail at a Time Dog Rescue PDX whose mission is to improve the lives of companion animals by providing humane, individualized care and a chance to know the comforts of a loving home through advocacy, education, and support of those in need. To adopt, foster, volunteer or donate visit otatpdx.orgHigh praise also goes out to Oregon Dog Rescue who are devoted to placing dogs in the best homes and assuring the long-term success of the adoption. To adopt, foster, volunteer or donate go to oregondogrescue.org to learn more.Lastly, there's Oregon Humane Society who are the largest animal welfare organization in the Northwest and offer a wide variety of services from pet adoption, training, humane law enforcement, veterinary care, humane education, and disaster response. For the many ways to get involved and support their mission go to oregonhumane.orgFor more pics and clips of Janet and her pack follow the show on Instagram @rockerdogpodcast

On this week's episode, we are joined by the legend Kevin McDonald of The Kids In The Hall, who talks about his upcoming rock opera, Superstar (A Rock Opera), and the films and music that influenced it.  We also discuss Kevin's love of musicals, why comedians want to be musicians and vice versa, Kevin discovering Jesus Christ Superstar and the effect it had on him, the musicality of Kevin's voice in his comedy, writing the Kids In The Hall sketches ‘The Suburbs', ‘Daddy Drank, and ‘The Bass Player,' why rock operas are always so dire and full of trauma, how hard it is to write an ending for a sketch, Monty Python, Phantom Of The Paradise, Hedwig & The Angry Inch, why Kevin chooses to turn truly painful moments in his life into his comedy, Chris' Colonel Jeffrey Pumpernickel concept LP with Stephen Malkmus & Ann Magnuson, how Kevin wrote his rock opera lyrics and melodies, the magic of Dave Hill, upsetting Flo and Eddie references in Kevin's rock opera, Paul Williams, The Mountain Goats, why "rock music" in a rock opera often rings false, who should direct the film the version of Kevin's rock opera and more!So, let's do our vocal exercises before hitting the stage on this week's episode of Revolutions Per Movie!KEVIN McDONALD:See Superstar (A Rock Opera) Live At Soho Playhouse March 19-23, 2025Tickets: www.sohoplayhouse.com/upcoming-events/kevin-mcdonald-superstarREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Super-Special-not-so-Secret Friend Don returns to the diningroom table for another thrilling bonus episode. Deon and Jay welcome his ass with arms wide open, as Lightnin' Lickers are want to do. Twelve crackin' tracks are lifted from wax and stitched back onto a mixtape after an in-depth discussion of the artists who created said cuts takes place. It's good to be back. Happy (Merry) St. Patrick's Day (Bay City Christmas)!Sonic contributors to the latest bonus episode of Lightnin'Licks Radio podcast include: Max Heath, Prince and the Revolution, Alan Silvestri, Nitty Gritty Dirt Band, Arc of All, Junkyard Band, Roberta Flack, Donald Trump, Jimmy Webb, The Beatles, Tim Hardin, Holland Dozier Holland, Paul Simon, Art Garfunkel, Chris Whitley, Bonnie Tyler, Jim Steinman, Missing Persons, Mitchell Froom, Guns N' Roses, Stephen Malkmus, the Jicks, KMFDM, MC 900 Ft. Jesus, Beck, Revolting Cocks, Led Zepplin, Greta Van Fleet, Grace Slick, Bjork, Black Flag, Grateful Dead, Henry Rollins Band, Mike Judge's Beavis & Butthead, A Tribe Called Quest, Ubiquity, Digible Planets, Abe Jefferson, Billy Woods, ELUCID, Raekwon the Chef, Outkast, Ms. Judy, Quelle Chris, Don Messick as Zorac, Sade, Mr. K and Boyd Jarvis.Jay noted he was snacking on the sonic deliciousness of theSound Symposium, Noel and the Red Wedge, Wartime, and Fazerdaze.Deon is with Sarah Shook and the Disarmers, Pavement, Roy Ayers, Cavalier and Child Actor. Don suggested checking out the Hard Lessons, Balthazar, S.G. Goodman, and MaidaVale. In a world full of and Stephen Millers and Ted Cruzes, be aMr. Studinger or a Tom Cedarberg. Share joy and buy music from your local record store. We suggest Electric Kitsch in beautiful Bay City, Michigan.  BONUS #25 mixtape:[SIDE 1] (1) S.G. Goodman - If You Were Someone I Loved {edit} (2) Pavement - Grounded (3) Noel & the Red Wedge - Special to You (4) Balthazar - Bunker (5) Roy Ayers - Slow Motion (6) Wartime - The Whole Truth [SIDE 2] (1) The Sound Symposium - America (2) The Hard Lessons - Milk & Sugar (3) Cavalier & Child Actor - Judy is Forever (4) Fazerdaze - A Thousand Years (5) MaidaVale - Daybreak (6) Sarah Shook & the Disarmers - Backsliders

Oliver plays favourite tracks from heavy psych rockers Dead Meadow. Plus a new acoustic track from Jason Isbell, and a celebration of records by Pavement's Stephen Malkmus and alternative country legends The Jayhawks. Follow @asonicyouthpodcast on Insta and Facebook. This show is part of the Free FM 89.0 YOUTH ZONE. Made with support of NZ on Air.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Andy Cohen and Tim Midyett from Silkworm discuss the new Developer reissue, our shared experience at a memorial for Steve Albini this past summer where Joel RL Phelps joined them for their first Silkworm set together in 30 years, monumental news about upcoming Silkworm shows, revisiting Developer's lyrical themes and Albini's sounds, rarities, including a Bob Dylan song performed with Pavement's Stephen Malkmus, Midyett's band Mint Mile making a new album with Albini a week before he died and what his loss means to Silkworm, forthcoming solo music, other future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #910: The Hard QuartetEp. #869: Steve AlbiniEp. #840: Mint MileEp. #514: Steve Albini and Silkworm's Andy Cohen and Tim MidyettEp. #369: Andrew Cohen & Light ComaEp. #70: Joel RL PhelpsEp. #52: Tim Midyett of Bottomless Pit Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

It's 2025, but the Lickers are still snackin' on the sonic deliciousness that was brought to the table in the year of Our Lord 2024. Pull up a chair, slap on a bib, and join Jay, Deon, and Don for an intimate dinner party fit for rock & roll royalty. Sonic contributors to the forty-second episode of Lightnin' Licks Radio podcast include: Brothers Johnson, M.M. Knapps, James Todd Smith, The Last Poets, an uncleared sample from the west coast gangster rap label that shall not be named, Parliament Funkadelic, The Honey Drippers, Harry Shearer, Howard Shore, Memphis Horns, Eric B. & Rakim, Young-Holt Unlimited, Kool & the Gang, Ronny Bell, Ethan Klein, Hasan Piker, Jaime Grace, Xmal Deutschland, Anja Huwe, JW Francis, Dehd, Dream Eagles, Heavy Dreams, Pernice Brothers, Jack Black, Scud Mountain Boys, Chappaquiddick Skyline, Joe Pernice, Kim Gordon, The Pixies, Kim Deal, The Breeders, Jessica Pratt, Tanukichan, Smiling Friends, Koji Kondo, Shallac, Stephen Malkmus, Matt Sweeny, Jim White, Emmett Kelly, The Hard Quartet, Rolling Stones, the Rapture, Merv Griffin, fcukers, Beck, Them, Cindy Lee, Women, Shadow Show, Fab 5 Freddy, Nonjuror, and The Clockers.   2024 Leftovers mixtape: [SIDE 1] (1) Anja Huwe - O Wald (2) Shellac - WSOD (3) Dehd - Dg Days (4) Pernice Brothers - Hey, Guitar (5) Kim Dal - Big Ben Beat (6) Jessica Pratt - Life Is [SIDE 2] (1) JW Francis - Coming up for Air (2) Shadow Show - Mystic Spiral (3) fcukers - Homie Don't Shake (4) The Hard Quartet - Rio's Song (5) Cindy Lee - All I Want is You (6) Tanukichan - Low Resist the bad shit. Rock good music. Invite you friends over for drinks (Blue Chair Bay?) and shop at you local record shop (our favorite is Electric Kitsch).

Welcome to our first full episode of the new year as Louie, Ryan & Al have a barber shop conversation about the Indie legends Pavement and their music video for their hit, "Cut Your Hair."

Jim White is the drummer for legendary Australian instrumental band Dirty Three, as well as new group The Hard Quartet, with Stephen Malkmus, Matt Sweeney, and Emmett Kelly. The Hard Quartet is currently touring Australia - get tickets from feelpresents.com.

Stephen Malkmus of Pavement and The Hard Quartet supergroup discusses his record collecting history and hobby, the curation and rarities of his collection and more. Topics Include: Discussion of California fires affecting friends and family Malkmus planning upcoming Australia tour dates Past experiences touring Australia - good venues and hospitality Planning to watch Australian Open tennis in Melbourne Record store habits in Chicago area Sold eight feet of records to Portland dealer Keeps records with sentimental value over others Considering organizing valuable records for emergency evacuation Owns rare Australian records from Bondi Beach dealer Band of Light, Buffalo, Carson among Australian collection Collecting New Zealand Flying Nun and Expressway records Prefers finding records in wild over online purchases Interest in outsider music and private press records The Shags mentioned as reference for outsider music Gary Higgins' "Red Hash" mentioned as great private press Values original pressings over reissues, condition less important Not particularly interested in promo or white label releases Discusses Led Zeppelin records and Robert Ludwig pressing Moved from LA to Stockton around age eight Played in Stockton punk band Straw Dogs Opened for major hardcore bands like Black Flag Tales of Terror band mentioned as influential Authorities from Stockton discussed - "Soundtrack for Trouble" First vinyl appearance was Slay Tracks release Early Matador Records special releases with dinosaur stamps Influenced by Swell Maps and Beat Happening Early Sub Pop and Homestead Records were influential Hard Quartet project confirmed as ongoing, not one-off Band recorded together, avoiding remote recording methods Discusses song "Renegade" and its evolution Compression techniques used on "Renegade" discussed Looking for Roy Rutanen record while in Australia Found Bram Stoker record in Gold Coast charity shop Uses phone to research records while shopping Values surprise discoveries in record stores most Tickets for The Hard Quartet Australian tour Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Jake Morris, the longtime drummer for Stephen Malkmus and the Jicks, joins the podcast for a rambling chat about his love of Steely Dan, Malkmus, indie rock touring, and his own excellent new solo album The Long Goodbye. A member of The FM Podcasts Network.

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Bob Nastanovich, Rebecca Clay Cole from Pavement is here to discuss her Elephant 6 Recording Co. community, Pavement's influence on it, and the recent and painful losses they've endured, the rise of Neutral Milk Hotel, how she got into playing music and embraces "sideman" roles, the beginning and end of her supergroup Wild Flag and Stephen Malkmus' quiet role in that, joining Pavement and her thoughts about the various aspects of the forthcoming film Pavements, which she is in, current projects like Clay Cole, future plans, and much more.Support vish on Patreon! Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:Ep. #933: Alex Ross Perry, Scott Kannberg, and Robert Greene on ‘Pavements'Ep. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #910: The Hard QuartetEp. #839: Mary TimonyEp. #756: QuasiEp. #678: Mark IboldEp. #677: PavementEp. #392: Stephen MalkmusEp. #373: Pavement's Bob Nastanovich and Steve WestEp. #165: Bob Nastanovich of Silver JewsEp. #74: Stephen MalkmusSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

MMT50 - 203Welcome to another episode of the Pavement Top 50 Countdown! This series delves into the top 50 tracks by the legendary indie rock band Pavement, based on votes from our dedicated fanbase. Hosted by jD, this countdown celebrates Pavement's influential sound and the unique style of Stephen Malkmus and company.In this episode, we continue our journey through the top Pavement songs, with commentary on each track's lyrical depth, musical impact, and the stories behind the scenes. Whether you're a longtime Pavement fan or new to the scene, this countdown offers fresh insights and nostalgic moments for all listeners.Highlights of This Episode:• Featured Tracks: We dive into Pavement's iconic songs that shaped 90s indie rock, including fan favorites and hidden gems.• Behind the Lyrics: Insightful discussions on the meaning and themes behind each song, led by jD and special guests.• Band's Impact on Indie Rock: Explore how Pavement influenced the genre and left a lasting legacy in the music industry.• Listener Engagement: Fan stories and experiences that showcase the impact of Pavement's music on their lives.Join our community and connect with other Pavement fans:• Facebook Group: facebook.com/groups/meetingmalkmus• Social Media: Follow us on Twitter and Instagram @meetingmalkmus for updates and exclusive content.For more information or to get in touch, email us at jd.meetingmalkmus@gmail.com, and visit our website at dewvre.com/tthtop40 for additional resources.Listen in, share your favorite Pavement memories, and let's celebrate this amazing band together!Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

MMT50 - 204Welcome back to Meeting Malkmus, the ultimate Pavement podcast where indie rock enthusiasts and fans alike count down the top 50 Pavement songs. Join jD and Tristan from Amsterdam as they dive deep into Pavement's best tracks, analyzing the stories, sounds, and cultural moments behind each one. Whether you're a long-time fan of Stephen Malkmus and Pavement or discovering this legendary indie rock band for the first time, you're in for an insightful, nostalgic journey through the iconic music of the ‘90s.In this Episode: • Discover which Pavement song lands in the countdown this week. • Hear fan insights and personal stories that make Pavement's music resonate even today. • Join us for an in-depth look at Pavement's unique influence on the indie rock scene and how they shaped a generation of music lovers.Why Tune In?This countdown is your gateway to all things Pavement, offering a fan-driven perspective into the band that defined the slacker rock vibe. Every episode highlights a new track, featuring listener polls and your very own submissions on the top Pavement songs. Whether it's exploring the laid-back sounds of Crooked Rain, Crooked Rain, or discussing live concert experiences, we're here to celebrate Pavement's legacy together.Don't Forget to Connect: • Twitter & Instagram: @meetingmalkmus • Email: jd.meetingmalkmus@gmail.com • Website: dewvre.com/tthtop40 • Join the Community on Facebook: facebook.com/groups/meetingmalkmusStay tuned as we inch closer to the number one track, and thank you for being part of the Meeting Malkmus journey. Let's relive Pavement's most iconic moments, one track at a time.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Jake Morris is a multi-instrumentalist and songwriter based in Portland, Or. Outside of drumming for Stephen Malkmus and the Jicks, he releases solo records under the name Street Nights. His most recent record, The Long Goodbye is out now via his own label, Community Guidelines. Jake and Joe talk about their early drums lessons and Jake shares how a Living Color song sent him on the path of self-education.  He tells us why a more methodical approach to recording the new record was a more satisfying process and allowed him to not only be more focused, but more creative. The two discuss the current climate of touring, why it's more difficult and why they still pine for performing live. They share their election day experiences, compare the films The Long Goodbye and Fletch, and we hear a couple new tunes. Street Nights Episode supported by Izotope Ep supported by our friends @izotope. Izotope cyber week starts now! Head over to izotope.com now to and get massive savings on all their production software. Use code FRET10 at check out. Its black bundle Friday at @izotope NOW! Massive savings on All software bundles. limited time only.  11.29-12.02. Get the best deals of the year now. FRET10 Episode supported by Distrokid Check out the Distrokid App!

MMT50 - 205Welcome back to The Pavement Top 50 Countdown, where we dive deep into the best of Pavement, the iconic 90s indie rock band fronted by Stephen Malkmus. Join us as we rank Pavement's top songs from fan-favorite hits to hidden gems that define the band's unique sound and legacy in indie rock.In this episode, we're getting closer to the top tracks as Rohit from Mombai and jD announce song number 5 on the Countdown. Whether you're a longtime fan or new to the world of Pavement, this countdown is designed to give you fresh insights into their music, the creative genius of Malkmus, and how Pavement influenced a generation of indie music. So, tune in for our take on these essential Pavement songs, and see where your favorite tracks land on the list.Episode Highlights:• A breakdown of Pavement's most influential tracks• Nostalgic and insightful discussions on Pavement's discography• Personal anecdotes and fan stories on what these songs mean to us• Why these songs define the indie rock genre and remain fan favoritesSocials and More:• Connect with us on Facebook for episode updates and more Pavement discussions: facebook.com/groups/meetingmalkmus• Email us at jd.meetingmalkmus@gmail.com to share your own favorite Pavement moments.• Visit our website at dewvre.com/tthtop40 for show archives and other Dewvre podcasts.• Follow us on social media: @meetingmalkmus for countdown updates, indie rock inspiration, and everything Pavement!This structure highlights the unique aspects of the countdown, encourages fan engagement, and makes the show's indie-rock focus clear. Let me know if you'd like any more tweaks!Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Hard Quartet is a new four-piece composed of Stephen Malkmus, Emmett Kelly, Matt Sweeney and Jim White, each of whom boasts big bona fides and decades of output in indie rock. The band's sonically diverse self-titled debut record on Matador features the members taking turns on lead but always gelling thanks to their affinity for each other and the "social experience" of music-making. Hear Kelly and Sweeney discuss the LP and the enviable, agenda-free hang that is The Hard Quartet.

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MMT50 - 208: The Pavement Top 50 CountdownIn this episode of Meeting Malkmus: A Pavement Podcast, jD Dew is joined by Pavement superfan Patrice from Richmond as they dive into song #8 on the countdown. Together, they unpack the nostalgia, indie rock essence, and lyrical introspection that makes Pavement such a beloved bandk. From origin stories to unforgettable live performances, this episode is a heartfelt exploration of Pavement's legacy.Episode Highlights: • Pavement's Indie Rock Impact – Discussing Stephen Malkmus's songwriting style and the band's journey from Slanted and Enchanted to Terror Twilight. • Fan Origin Stories – Patrice shares her Pavement journey, from her early days with Last.FM to traveling internationally for Pavement shows. • Live Show Memories – Reliving standout moments from Pavement's 2022 tour, including the Central Park and Iceland residencies. • Pavement Cover Bands and Indie Scene Insights – A deep dive into the 90s revival through cover bands, concert costs, and more.About the Pavement Top 50 Countdown:Each week, jD counts down the essential Pavement tracks as chosen by fans. Don't miss the final reveal of the Top 50 songs and insider stories about Stephen Malkmus and the band's journey through the indie rock scene. Episodes drop every week, leading up to the top track chosen by listeners.Connect with Us: • Email: jd.meetingmalkmus@gmail.com • Website: dewvre.com/meetingmalkmus • Facebook Group: facebook.com/groups/meetingmalkmus • Socials: @meetingmalkmus on all platformsThanks for tuning in to Meeting Malkmus. Subscribe to stay on the journey as we continue the countdown of Pavement's most memorable tracks!Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Decoy is back with WASTOIDS Music News, where he drops a heap of music stories on you. We're brought to you by Hello Merch, which allows bands to make whatever merch they can dream up—like deathdrinks, a cocktail recipe book companion to Survival Guide's 2023 Double Helix Records album deathdreams. With deathdrinks, she concocted a distinct beverage for each song on the album, ranging from simple stirred, tiki and dessert drinks, to blended fare and mocktails. It's up for pre-order now, along with gear and music.Plus, new music from Northwest Indiana's Cloakroom—think The Cure meets My Bloody Valentine; tour news from Stephen Malkmus of Pavement, Matt Sweeney, Jim White, and Emmett Kelly's indie rock supergroup The Hard Quartet and noise rockers A Place to Bury Strangers and a look at the metal core true crime saga of ‪As I Lay Dying! Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

MMT50 - 209In this episode of Meeting Malkmus, we're diving into the Top 50 Countdown of Pavement's most essential tracks with our special guest, Robbie from Grimsby! Join host JD as they discuss some of Pavement's most iconic songs, explore the evolution of the band's sound, and reminisce about personal stories of discovering Pavement.Robbie shares his Pavement origin story—from being introduced to the seminal indie rock band during his college years to falling in love with albums like Crooked Rain and Wowie Zowie. Together, they discuss why albums like Bright in the Corners may take time to appreciate and how the narrative around these classic records has evolved.Key Segments: • [1:57] – Robbie's Pavement Origin Story: Discover how Robbie from Grimsby found Pavement during the Twilight era and why Crooked Rain became his favorite. • [4:31] – The Slow Burn of Bright in the Corners: Robbie reflects on how this album grew on him over time, and why Wowie Zowie clicked instantly. • [7:28] – Ranking Albums: Robbie reveals his current go-to Pavement album, why Slanted and Enchanted holds a special place and the emotional connection that certain albums carry. • [23:43] – Free Association in Pavement Lyrics: Robbie dissects the free-associative lyrics of Pavement, sharing his theories on Stephen Malkmus's writing process.Join us as we geek out on Pavement songs, dissect indie rock history, and debate the Top 50 Pavement Countdown. Is your favorite track ranked where it should be? Find out as JD and Robbie hash it out!Stay Connected with Meeting Malkmus: • Twitter: @meetingmalkmus • Facebook: facebook.com/groups/meetingmalkmus • Website: dewvre.com/meetingmalkmus • Email: jd.meetingmalkmus@gmail.comDon't forget to tune in next week as we continue the Top 50 Countdown of the greatest Pavement tracks, chosen by you!This episode was a fun journey through the seminal indie rock band's catalog. If you're a diehard Pavement fan, this episode is a must-listen!Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to another episode of Meeting Malkmus, where we're counting down the Top 50 Pavement songs as voted by fans. This week, we dive into song #10 on the list, the fan-favorite “Elevate Me Later” from Crooked Rain, Crooked Rain. Join host jD and special guest Jen Echo as they reminisce about the band's seminal moments, tour stories, and the unique relationship fans have with Pavement's music.From Pavement's early days and Slanted and Enchanted to their cult status in 90s alternative music, this episode is filled with personal fan anecdotes, live concert memories, and a deep dive into why this indie rock band still resonates decades later. Whether you're a long-time fan or new to the band, this episode will give you a fresh perspective on Pavement's iconic songs.Episode Highlights: • [00:05] – Introduction to the Pavement Top 50 Countdown: Recap of the journey so far, and the importance of “Elevate Me Later” in the Pavement discography. • [01:55] – Jen Echo shares her Pavement origin story and how she first discovered the band while working at an independent record store in the 90s. • [03:22] – Discussing the mystery behind Pavement's cryptic early years and the appeal of albums like Slanted and Enchanted. • [04:41] – The story of how Pavement built their underground reputation, including details from their early singles and why they connected with indie rock fans before mainstream success. • [05:56] – Jen recounts her experience seeing Pavement live in Columbus, Ohio, in 1992, during the Slanted and Enchanted tour. • [07:24] – Fan stories from Crooked Rain, Crooked Rain tour stops, including surreal concert experiences and a backstage moment with Stephen Malkmus. • [09:06] – The history of Pavement's live performances and how the band evolved over the years, with a focus on the energy of early concerts. • [10:36] – Jen recalls attending a 1994 concert where fans encountered the band before the show, marking one of her earliest in-person experiences with the group. • [13:09] – The iconic moment when Pavement played an entire set of chronological songs from their discography in a rare Milwaukee show, surprising even their most dedicated fans. • [16:13] – What Pavement meant to the indie rock scene, with a focus on their DIY ethos and how their music resonated with both critics and underground fans. • [20:10] – Jen's personal anecdotes about being one of the few female superfans during Pavement's early years and her unique backstage experiences with the band. • [22:32] – The emotional weight of Pavement's 1999 shows, leading up to their first breakup, and how fans, including Jen, coped with the band's hiatus. • [23:00] – Discussion on how Pavement's 2010 reunion tour brought their music to a new generation of listeners and re-energized their fanbase. • [25:35] – jD and Jen explore the deep-cut tracks from Slanted and Enchanted and Watery, Domestic, and how these B-sides influenced Pavement's lasting legacy. • [29:06] – Final thoughts on the enduring popularity of “Elevate Me Later” and why it deserved its place in the Top 10. • [30:00] – Reflections on Pavement's role in the 90s alternative music scene, including their influence on indie bands that followed.Key Topics Covered: • Pavement songs: Breaking down “Elevate Me Later” and why it stands out in the Top 50 Pavement countdown. • Indie rock culture: How Pavement helped define the 90s alternative music scene. • Behind-the-scenes stories from Pavement's tours and their connection with superfans. • Stephen Malkmus and Scott Kannberg (Spiral Stairs): Personal fan interactions with these key members of the band. • Nostalgic fan anecdotes about catching Pavement at pivotal moments during the Crooked Rain, Crooked Rain and Slanted and Enchanted tours.Follow and Join the Conversation: • Instagram & Twitter: @meetingmalkmus • Facebook: facebook.com/groups/meetingmalkmus • Website: www.dewvre.com/meetingmalkmusBe sure to connect with other Pavement fans, share your favorite tracks, and stay updated on future episodes of the countdown! Don't forget to subscribe and leave a review.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

MMT50 - 211In this week's episode of Pavement Top 50 Countdown, host jD is joined by Pavement superfan Martel for a deep dive into one of the top tracks in the band's catalog as the countdown continues to edge closer to the Top 10.Martel shares his Pavement origin story, recalling the magic of discovering the band back in 1994 when he first heard the Crooked Rain album. From teenage weekends at record shops to hearing those first iconic notes, Martel reflects on the life-changing moment when he became hooked on Pavement. He also recounts memories of the band's live performances, from major festivals like Reading to more intimate shows, including their legendary 1999 gig in Hull.jD and Martel discuss the unique melodic style and abstract lyrics of the featured track, diving into the mysteriousness and artistic creativity that defines Stephen Malkmus's songwriting. They explore how Pavement's music, much like the band itself, holds layers of meaning that reveal themselves over time. The two also touch on Pavement's other standout albums, including Slanted and Enchanted, Wowie Zowie, and Watery Domestic, appreciating how the band's work continues to stand the test of time.Listeners will enjoy thoughtful conversations about the band's place in 90s alternative music, the allure of their cryptic album artwork, and the continued fan devotion seen during the band's reunion tour.Tune in to hear the next track on the countdown and join jD and Martel as they celebrate the legacy of Pavement, one essential song at a time.Key Topics: • [00:52] Martel's first encounter with Pavement's music through Crooked Rain • [02:20] Pavement's distinctive sound, songwriting, and cryptic lyrics • [05:17] Iconic live performances from Reading Festival to their intimate 1999 Hull gig • [06:23] The enduring legacy of albums like Slanted and Enchanted and Wowie Zowie • [17:11] The excitement around Pavement's reunion tour and hopes for future music from Stephen MalkmusDon't miss the countdown as we get closer to unveiling the Top 10 tracks!Connect with Us:Follow the podcast on social media and stay up to date: • Instagram and Twitter: @meetingmalkmus • Facebook: facebook.com/groups/meetingmalkmusJoin the conversation, share your thoughts on Pavement's music, and let us know where your favorite tracks land on the countdown!Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Yes, I have incorporated all the keywords into the show notes. Here is the updated version with all the keywords included:---**Show Notes: MMT50 - 212**Hey there, Pavement aficionados! jD is back with another episode of our Top 50 Countdown on the *Meeting Malkmus* podcast, exploring the essential tracks by the seminal indie rock band, **Pavement**. This week, we're diving into track number 12 on the countdown.Joining jD is Pavement superfan **Tim from Portland**, and trust us, you don't want to miss this one. It's a rollercoaster ride through **'90s indie rock** nostalgia, **Pavement concert stories**, and a heartfelt plea to support live music.---**Episode Highlights:****[0:00] Introduction and Tim's Pavement Origin Story**- **Discovering Pavement through the College Music Journal:** - Tim shares how he first stumbled upon Pavement in the summer of '94 through the *College Music Journal*, a pivotal moment in his journey into **'90s indie rock**. - *"Yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones... been cranking it ever since."*- **First Impressions of 'Crooked Rain, Crooked Rain':** - His immediate obsession after purchasing Pavement's seminal album, *Crooked Rain, Crooked Rain*. - *"Right out of the gate, this album was different, and I applauded that."***[1:57] Early Live Shows and Military Gear Coincidence**- **First Pavement Concert Experience in the San Diego Music Scene:** - Tim talks about seeing Pavement live for the first time in January '96 at Montezuma Hall, San Diego State University—a highlight in his **Pavement concert memories**. - **Silkworm as the Opening Act:**  - The concert featured **Silkworm** as the opening act, adding to the night's **indie music nostalgia**. - *"We decided to dress up... everyone put on some sort of military garb."*- **Serendipitous Moment with the Band:** - The hilarious coincidence of the band also wearing military attire, showcasing the quirky connection between Pavement and their fans. - *"We all looked at them and then at each other and just started laughing."***[4:13] Following the Band and Memorable Performances**- **Photographing Pavement at Bimbo's 365 Club:** - Tim recalls capturing the band during a show at **Bimbo's 365 Club in San Francisco**, adding to his collection of **Pavement fan experiences**. - *"I have some great shots from there... there was definitely, you know, kind of a whole San Francisco vibe going on."*- **Tibetan Freedom Concert Adventure [7:11]:** - Get the lowdown on Tim's experience at the massive **Tibetan Freedom Concert** in San Francisco, featuring a lineup that included **Sonic Youth** and cemented **Pavement's influence on indie rock**. - *"There were, I think, like a hundred thousand people there... It was a total bottleneck of a festival."***[9:05] Unforgettable Gigs and Onstage Antics**- **Mark Ibold's Onstage Incident:** - Hear about bassist **Mark Ibold's** mysterious onstage moment in Pomona, one of the more intriguing **Pavement concert stories**. - *"He couldn't play; he couldn't finish a song... the show ended shortly after that."*- **Bob Nastanovich's Live Performances:** - Discussing **Bob Nastanovich's** energetic contributions during live shows, highlighting the band's dynamic stage presence.**[11:01] Accidental HBO Appearance**- **HBO Reverb Special Featuring Pavement:** - Learn how Tim unknowingly became part of the **HBO Reverb Pavement** special during a gig at Cane's in San Diego, a unique highlight in his **Pavement concert memories**. - *"We didn't even know that was happening... Spiral was like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it."***[12:20] Deep Dive into Track #12**- **Why Track #12 Matters in Pavement's Discography:** - Tim breaks down why this song is in his personal top five, offering insightful **Pavement song analysis**. - *"This song, you know, it's awesome. It's got rockets; it goes."*- **Personal Connection and Indie Music Nostalgia:** - How the song's themes resonate with Tim's own travels and experiences across California, enhancing his **indie music nostalgia**. - *"I know all the places it talks about... Hearing this the first times, we were just like, 'Who are these guys? What are they doing singing about our places?'"*- **The Quintessential Pavement Vibe:** - Discussing how Pavement's songs often mean everything and nothing all at once, reflecting their unique place in **alternative rock**. - *"It has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."***[18:49] The Pavement Ethos and Live Music Today**- **Stephen Malkmus and the Band's Stance on Fame:** - Reflect on **Pavement's** unique approach to art over commercial success, and how **Stephen Malkmus** embodies this ethos. - *"They lean more art rather than commercialized... They always look painfully uncomfortable."*- **Memorable 2010 Reunion and 2022 LA Show:** - Tim and jD reminisce about the **Pavement 2010 reunion tour** and their first meeting at the epic **Pavement 2022 LA show**, standout events in the **Pavement fan community**. - *"Everybody that was there really wanted to be there... It just checked all the boxes for me."***[29:11] Support Live Music: An Impassioned Plea**- **Get Out and Go to Local Music Venues:** - Tim urges listeners to support live music by attending shows at local venues and supporting **local music venues in Portland** and beyond. - **Quote:** *"Go out, spend some money, and support the arts. When you go to a concert—even if you only stay for four songs—it has a positive impact on your body and your soul."*- **Local Venue Shoutouts in the Portland Music Scene:** - Tim mentions his favorite spots in the **Portland music scene**: Turn Turn Turn, the Kenton Club, and the Fixin' To, encouraging listeners to experience the thriving local music scene.---**Join the Conversation:**- **Twitter:** [@meetingmalkmus](https://twitter.com/meetingmalkmus)- **Facebook Group:** [facebook.com/groups/meetingmalkmus](https://facebook.com/groups/meetingmalkmus)- **Website:** [jd.meetingmalkmus.com](http://jd.meetingmalkmus.com)---**Extra Nuggets:**- **Exclusive Live Recording:** - Tim shares a rare live version of a song from Pavement's Toronto show. It's raw, it's real, and it's right here on the *Meeting Malkmus* podcast.- **Fun Fact:** - Did you know jD used an abacus and a goat with an extra leg to tabulate your Top 20 ballots in the **Pavement Top 50 Countdown**? Don't ask.- **Akin to a Pavement Band Interview:** - This episode feels like an intimate **Pavement band interview**, offering deep insights into the band's history and impact on **indie music**.- **Indie Music Podcast Community:** - As part of the broader **indie music podcast** scene, *Meeting Malkmus* continues to bring you in-depth discussions and interviews with **Pavement superfans** and insiders.---So grab your headphones, crank up the volume, and let's get amped together on this **indie rock** journey through Pavement's legacy.---Transcript: [0:00] Previously on the Pavement Top 50: That's right, song number 13 on the countdown is "Shady Lane," J vs. S. Ralph from Lincolnshire, what is your initial thought about this song?"Well, it's an amazing song. It's an amazing song. I mean, I think it might be—maybe I'm putting it third on my ranking of 'Brighten the Corners.' And I would almost say, you know, 'Brighten the Corners' is my favorite Pavement, so it is super up there. It's brilliant.""Hey, this is Westy from the rock and roll band Pavement, and you're listening to The Countdown."[0:39] "Hey, it's JD here, back for another episode of our Top 50 Countdown for seminal indie rock band Pavement. Week over week, we're going to count down the 50 essential Pavement tracks that you selected with your very own top 20 ballots. I tabulated the results using an abacus and a goat with an extra leg—don't ask. How will your favorite song fare in the ranking? You'll need to tune in to find out, so there's that."This week, we're joined by Pavement superfan Tim from Portland. Tim, how's it going, motherfucker?""Hey, hey, hey, it's going, motherfucker. It's going great.""That was very Canadian of me, motherfucker. Let's get right to it; let's not mess around here, let's not dilly-dally. Talk to me about your Pavement origin story.""Who? I discovered them through—I believe through College Music Journal, which was a publication back in the '90s. It was kind of—""I don't think so.""Okay. It was like a half-sized magazine, so I think it was an evolution from zines. I don't know. Anyways, I read a record review of 'Crooked Rain.'"[1:57] "And that's when I was introduced to them. So this was, you know, '94—summer of '94 probably—because I had just left uni and got a house with friends. And yeah, I ran down to Tower Records in San Diego and got the CD along with a few other ones. I would get this College Music Journal and read reviews and go buy albums; that was kind of my thing. So yeah, went down and got 'Crooked Rain' and have been cranking it ever since.""Yeah. So what was it like the first time you spun it?""Oh man, I loved it. You know, I had just graduated from uni; I was an art and business major of all things, and I was into everything that wasn't normal—trying, anyways. And that's what Pavement was for me, you know? Right out of the gate, this album was different, and I applauded the—I don't know, there's this sense of, like Beavis and Butthead said, trying and not trying, and I love that about this. I recently heard Jack Black say—somebody asked him what kind of bands he's into, and he's like, 'I only want to listen to bands'—this is an old interview—but he said, 'I only want to listen to bands who kick ass, who fucking take names.' And I was like, oof, I wonder if Jack Black's a Pavement fan because they do—they do, but they don't. But I love that about them."[3:40] "That, to me, oozed alternative. So yeah. But I didn't see them play live for, oh, a year and a half later. I was just this morning looking up shows I went to.""Oh, really?""Yeah. About half the shows I went to were before 2000 and half after. So the first time I saw them was in San Diego in '96 in January, and that was really fun. Just a quick story on that one."[4:13] "I went with a gang of friends, and they were playing at San Diego State University at this place called Montezuma Hall. I would say it holds like, I don't know, 500 people or something—not big. We were all pre-partying and talking about what we were going to wear; we decided to dress up. So everybody put on some sort of military garb—fatigues, whether pants or shirts or hats or what have you—which kind of looked like normal cool kid wear at the time. Then we go to the show, and Pavement walked out on stage, and they were in full military gear. Steve West had a safari hat with mosquito mesh draped over his shoulders, and he had his raccoon eyes—you know, paint around his eyes—and everybody was wearing military stuff, all the guys in the band.""Did you guys catch wind of that beforehand?""No, it was totally coincidental. We all looked at each other because we knew they were dressed up—they went out of their way—and we all looked at them and then at each other and just started laughing. It was a comical moment, and that was such a good show. JD, kind of like our LA show in May of '22, that first show in January of '96 was fucking awesome. They went nuts. After their encore, Malkmus said something to the effect of—they came back out and he was like, 'San Diego, huh? San Diego's alright. You guys think San Diego's okay? Yeah, San Diego's alright.' And then he said something like, 'Let's fucking fuzz out San Diego.' And then they just went into their last three songs.""Wow.""And just destroyed them. They were so, so good. I kind of followed them a little bit after that. I saw them in San Francisco weeks later; it was so fun for me, I had to get more.""Were they playing 'Brighten' stuff at this point? Because 'Brighten' was going to come out next year. Was it pretty much all 'Wowee'?""You know, I had a couple setlists pulled up. I have to go back and look. I'm not sure.""And my other question is, that San Diego show—was it opened by Silkworm?""Yeah, that was the one. They came out with, I don't know, '30s or '40s-looking sailor suits.""What the hell?""Like Navy sailor suits.""I guess San Diego, huh?""They looked cute. At the time, we had an amazing army surplus store downtown, and I just figured these guys went and hit it up."[7:11] "That's awesome.""None of them seemed sober that night. They were going for it. I saw them play in San Francisco after that and actually photographed that show at Bimbo's 365. I have some great shots from there.""Is that a good venue?""Yeah, it was cool. A cool bar-club, smallish—you know, medium-small size. There was definitely a whole San Francisco vibe going on. I brought some friends to that one from San Diego as well; instant fans. Then the Tibetan Freedom Concert in San Francisco the next summer.""You saw that?""Yeah.""That was kind of typical, you know, festival-type Pavement show.""Sure.""Quick and dirty. We were way in the back."[8:11] "Lots of people?""Oh, hordes. I think there were like a hundred thousand people there or something.""Holy shit.""It was giant. We were kind of there for the whole experience—you know, Beastie Boys.""So they did a show in New York City and one in San Francisco?""Yeah, June of '96.""How have we never talked about this before? I don't think we've ever talked about you going to Tibetan Freedom.""Yeah, it was amazing. I drove my truck and had like four people in the back of the camper shell. We just piled in, and it literally took us like five hours to drive two miles to get out of the city. It was a total bottleneck of a festival. That was one of my first festivals where I thought, 'You know, might not really need to go to festivals,' but I continued."[9:05] "The next time I saw them was the following year at this club called Soma in San Diego. That was a great show—small to medium-sized again. They didn't play in San Diego a whole heck of a lot. Then I saw them at the Glass House in Pomona, which is out in the desert east of LA. Ibold, at one point during the show, just kind of lost it—like his brain left his body.""Or he had a serious gear malfunction?""Because he couldn't play, and the show kind of ended.""Yeah, he couldn't play, he couldn't finish a song—he just couldn't do it. The show ended shortly after that. I remember everybody on stage going, 'What's the deal? What's going on?' Malkmus or Ibold had some sort of breakdown or meltdown. Something happened. Stuff started kicking, I don't know.""A couple of years later, at Cane's in San Diego—Cane's was a bar where they filmed the HBO Reverb special.""Oh, really?""Yeah, I went to that. We didn't even know that was happening. We just thought we were going to a Pavement gig.""Right.""Walked in—and I have so many stories about seeing these guys—walked in and Spiral was standing right there, just hanging out by himself. I said to him, 'What's going on tonight? What's up with all the cameras?' And he's like, 'Oh, they're doing some fucking HBO show.' He didn't seem happy about it, and that was kind of the vibe of the whole gig that night—they were punching the card, you know.""They're sort of shy that way, right?""Yeah. I think—I don't know, man."[11:01] "They're a different band, right? They lean more art rather than commercialized.""Yeah.""And I think when you produce something that way, you obviously don't care if you're making Billboard Top 100. So if someone approaches you and they're like, 'Hey, I'm Mike Jones from HBO Reverb. We'd love to film you guys; you're hot right now,' what's your reaction if you're Pavement? You're like, 'Fuck. Okay, here's another drill we got to do and get over with,' you know?""Yeah.""They always look painfully uncomfortable. Like that Jay Leno performance and even the one on—was it Conan when they did the 2010 reunion? Or maybe it was Jimmy Fallon, I'm not sure.""All I remember is the Leno one.""Yeah, that one's so awkward.""It's so good though.""That personifies them, you know.""They were a little more experienced by '99. By then they'd been playing a bit. Then I saw them at the Hollywood Bowl for the 2010 show with Sonic Youth."[12:20] "Amazing lineup.""Yeah. Both of those shows, in my opinion, were like, get it done. The highlight of all of it—I was hoping at one point either Malkmus coming out and playing with Sonic Youth or Thurston coming out and playing with Pavement.""Didn't happen though.""It seemed like such an opportunity.""Yeah. I was thinking, this might not happen ever again. These guys have to get on stage and play together.""Yes.""And they didn't. The highlight was at the Hollywood Bowl—there's this half wall around the orchestra pit, like out in the crowd, that separates the orchestra pit from box seats, which is kind of where we were. Bob paraded that catwalk—that half wall. He went back and forth—you probably could guess what song he was screaming a chorus to—but he was like, 'I'm trying' all the way across that thing. It's probably like 50 or 60 paces across; it's like a half-circle.""Oh, wow.""It was so fucking cool. Then at the end, even Malkmus was like, 'We're out of here. We're going to the Speedy Ortiz show,' or some shit like that. It was just lights out, you know."[13:41] "Damn.""But then it was a long, long time until I saw them at the Fonda with you, my friend.""Yeah.""That was our first meeting.""Yeah. My hair was too long for you.""Oh my gosh. I'm so glad you canceled your dreads appointment for the next day.""Yes. Well, I was going to ask you to just pour some Coke in my hair and roll them, but we didn't know each other that way.""Denny's at 3 a.m., or whenever we were there.""That's right. That was such a good show. That was so amazing. I know you've mentioned it, but man, that was such a good show. It just checked all the boxes for me. There was so much excitement, so much buzz in the air in that venue. Everybody that was there really wanted to be there. It felt like there weren't sort of pretentious Hollywood people just showing up because it's Pavement, you know.""Yeah. Well, except—maybe you caught a glimpse of this—except the short girl that got in the fight with the other gal there. We saw a chick fight at a Pavement gig in 2022. It was kind of weird. It was kind of awesome. I doubt either of those gals—or maybe one of them, maybe the taller one—is listening, but man, one of them got sent down, like down to the floor from our platform. That was amazing. When I saw that happen, I was like, 'Fuck yes.'"[15:25] "Because it just gave me reassurance that the vibe of Pavement—being all of these different things in indie alternative music, whatever—is still alive. To have something like that at a show. Way better than the 2010 reunion. That holds a special place in my heart because it was my first time seeing them. It was in Central Park; it was really cool. But seeing them with you that night was definitely the best show I've ever seen.""Yeah.""Yeah. Maybe of all the shows I've ever seen, not just Pavement—it was very good.""Yeah.""So anyways, we saw them in '22 a bunch, and I think I counted—from what I could remember—like 12 times I've seen them. So half before 2010, half after.""That's pretty cool.""Yeah. They've always been, you know, sure, superfan status. But more as time goes by, they're kind of a classic for me. If I want to put on something, I usually reach for an album—actual vinyl instead.""Which one is the one you go to? Do you have them all on vinyl?"[16:55] "No, I don't think so.""Okay."[17:00] "I go to 'Crooked Rain.'""Oh, okay.""That's the one I was first introduced to.""Yeah.""You know, it checks the boxes for me. It's got a big start. It's got a great song number three.""Yeah. We love your number three.""I know. It's got a great midway point. It's got an instrumental—'5 + 4 = Unity,' or '5 - 4 = Unity.' And it's got a lot of staple items that make Pavement Pavement that you can pick out from the beginning to the end of their recordings. It has a little bit of 'Wowee' in it to me. It's a really good mix of who they are.""Yeah, if there was a Pavement Bingo card, you would definitely get a line.""Yeah.""Maybe even a full box.""Yeah, 'Hit the Plane Down'—you couldn't get more punky than that for Pavement.""Yeah.""You know, it's got a hit, 'Cut Your Hair.'""Yeah.""It's got it all. 'Silence Kid.' When I first put this on, from song one, it became my go-to for when I kicked off things like road trips or moved into a new house. Anytime I've begun something monumental in my life, I would put this album on. It's such a good start. I clearly remember when I moved to LA, set up my stereo, and I put this album on.""Oh yeah.""It just gets me in a really fun, good mood. Creative, too.""Yeah, I like that with 'Pot Hot.'"[18:49] "It makes me fun and creative.""Me too. Well, what do you say we take a quick break and then come back and reveal track number 12? We are almost in the top 10, my friend.""All right.""We'll be right back."[19:04] "Hey, this is Bob Nastanovich from Pavement. Thanks for listening. And now, on with the countdown.""Twelve."[21:46] "All right. Track number 12 on the countdown. I couldn't imagine a better person to do this song, having spent some time in SoCal. It's 'Unfair'—the South taking what the North delivers.""That's right.""Were you delivering to the North?""I mean, when I sucked and kissed, it's sour.""This song, you know, it's awesome. On the album, it could be a song three for me. It's got rockets; it goes. That's amazing. I'm so glad it's number 12. That's in the top 20, so it definitely should be. It's really high up there for me; it's probably in my top five.""Oh, wow.""So yeah, I'm happy. I've already answered my 'Is it properly ranked' question.""Oh yeah, big time.""I love this one. I mean, it really personifies Pavement—being from Stockton, Sacto area, all of that. This song is about the supposed battle between the North and South of California. I know all the places it talks about. I've been to Shasta many times. We had family living for many years in the Tahoe area; we know all these places. And I guess the jury's still out on where that North-South boundary line really is, because I think this song—"[23:27] "Malkmus likely wrote this song. I think he's just not having the South. He's really dissing it. There's a total vibe here of him just dissing the South.""So it's amazing.""Well, we've seen in his later life him moving to Portland, your hometown. He didn't move to LA. He didn't pack up and move to LA or Nashville, I suppose, would be the other big music place. But yeah, he went to Portland and went with that indie vibe rather than that corporate vibe. So I wonder if he gets that feeling or something.""Yeah, I don't know. It's good—you know, I went back, I was searching through some of those gigs I went to, and I believe it was the San Francisco show I saw in '96 that they closed with 'Unfair.' I'll have to go back and look at this.""Oh, wow.""Such a good song for a closer, leaving on high energy."[24:35] "And just when you think you've maxed out energy-wise, you get to that chorus—a sort of chorus."[24:47] "You know, 'the foothills of our mind,' and when he's just screaming, it goes into a second gear or a third gear and really picks up steam. It's so good.""Yeah, I used to put this on mixtapes.""Oh, you did? That's cool.""Yeah, like road trip mixtapes. It feels really road-trippy to me because he's name-checking all that geography.""Yeah, yeah. That last question in the song, 'To the last psychedelic band'—are they talking about themselves? Is that giving themselves kudos? I don't know. I would love to find that out. But yeah, this song really hits home for me. I drove California so many times; I know all these places. Hearing this the first times—even talking about Shasta early on in the song, verse two—I mean, at the time, my roommate was from Redding, which is adjacent to Mount Shasta. So we were just like, 'Who are these guys? What are they doing singing about our places?' Where are they from? Stockton, which is hilarious because he's like, in the song—"[26:16] "He says, 'This ain't no Bakersfield' or whatever the line is.""Yeah.""And Bakersfield really is not that much different from Stockton.""Oh, no?""They're both armpit cities.""Oh, really?""Just armpit cities, yeah.""Like industrial or something?""Yeah, like farm—ag cities. They're just kind of wastelands.""Oh, wow.""But yeah, I dig this song, dude. It's something you can sing along to and scream along to. It's not a quiet song.""Great to drive to.""Yeah. I'm so glad it's number 12. I would rather have heard it was in the top 10, but I'll take it as number 12. That way, it's still more special for me because it didn't make it to the top 10.""Yeah.""And it would have been my drift. That's kind of like the Pavement thing—like, you don't know us, but you might know us, you know?""Oh, you're a Pavement fan. Okay. Yeah, you seem like that. I've heard people say that before.""But great, you film hack. I don't need your fade. There are so many good lines in here. There's a theme, but it's kind of all over, which is what I love about these guys. Also, one thing that really vibed with me in the mid-early '90s with these guys is the lyrics not meaning shit a lot of the time, because everything we were listening to around then—there was so much cheese, bro, in rock and indie and alternative. So much music that I just had a hard time being a fan of. I'm not a big singer-songwriter guy. I like quite a bit, but it's not my favorite genre. So to get somebody putting a song together like this—it has kind of a theme but is totally non sequitur at the same time—it's right up my alley. It's cool."[28:27] "That is very cool. Well, thanks so much for coming out today and doing this. This has been great.""Yeah, JD. It's been great. Thanks for doing what you do because there's no one like you who could put this together. So we're all grateful.""Buddy, thanks so much.""Yeah, thank you."[28:48] "That's—I don't know what else to say. That's pretty fucking cool of you to say. Thanks.""From Portland.""And now I'm going to go back into game show host mode. Tim from Portland, do you have anything you would like to plug?"[29:11] "Yeah, I just want to tell everybody out there to get off your ass and go to a gig. Go to a show. Go to your local bar that has a stage. Go to your venue that holds less than 250 people.""Nice.""And support the arts, you know? When you go to these places—here in Portland, Oregon, I have three great places within three or four miles: Turn Turn Turn, the Kenton Club, which is just down the hill from me, and the Fixin' To in St. John's. These are all amazing places to experience live music. If you go in and you pay $10, you don't buy a drink—that $10 is generally going to the band.""Fucking right.""If you don't buy a drink or some food, the bar isn't making any money. Go out, spend some money, and support the arts. This is supporting the arts, and it's such an awesome thing to do. When you go to a concert—even if you hear a gig and only stay for four songs—it has a positive impact on your body and your soul. We walk away with heightened endorphins, and it feels good. You ever leave a show where you're just like, 'God damn, that was amazing. I feel so good. I wish I could do that all over again.' That's the chase, and that's supporting the arts. Everybody's got to keep getting out and doing that. I'm not talking about the mega stadium shows or the big festivals—if you can afford to go to that enormous dome, go for it. I'm talking about hitting up your local spots, your local venues. And if you don't have any, then find the amazing ones and do a road trip. Just get out and go to some shows. That's my plug."[30:50] "That's nice. I like from where you came. So there's that. Hey, it's JD here, checking in from the present. That's right—it's October the 4th today. That episode with Tim and I was recorded way back in February—the Ides of February, in fact. So, you know, as I'm editing this episode—and hey, listen, I don't do a whole lot of editing; I want this to be sort of authentic and real and, you know, all the rest of that shit. So, listening back, Tim's impassioned plea for live music made me think of some of the gigs that we've been to. Tim and I were talking; he's like, 'Hey, remember the Toronto show where they played "Unfair"?' And I was like, 'Fuck yeah, do I?' And he's like, 'I have a file.' And I was like, 'Ooh, send it my way, motherfucker.' Here it is. This is 'Unfair,' live from Toronto, on 'Meeting Malkmus,' a Pavement podcast."[34:47] "All right, man. Thanks, buddy. Well, thanks again. That's what I got for you. Wash your goddamn hands."[34:53] "Thanks for listening to 'Meeting Malkmus,' a Pavement podcast, where we count down the top 50 Pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email: jd.meetingmalkmus at gmail.com."Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Steven and Ian begin this week's episode by discussing Ian's upcoming trip to London, which is quickly interrupted by a quick rant by Steven about the (improving!) state of tour T-shirts (4:06). Then the guys commence a conversation about Pitchfork's recent list of the best albums of the 2020s, and what some notable exclusions and slights say about the changing critical narrative for the decade (12:23). After that, they take stock of a big release day for albums and review the latest from Wild Pink (30:59), former Black Midi frontman Geordie Greep (37:12), and the new supergroup The Hard Quartet fronted by Stephen Malkmus (45:41).In Recommendation Corner, Ian talks up the emo band Ceres and Steven reps for the fine indie-heartland rock group Trace Mountains (51:04).New episodes of Indiecast drop every Friday. Listen to Episode 209 here and subscribe wherever you get your podcasts. You can submit questions for Steve and Ian at indiecastmailbag@gmail.com, and make sure to follow us on Instagram and X (formerly Twitter) for all the latest news. We also recently launched a visualizer for our favorite Indiecast moments. Check those out here.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week on the show, we're pleased to present a conversation with Matt Sweeney. He's lived a truly dazzling life in music. After coming up playing with the great band Chavez, he contributed to masterworks of indie rock—including records by Cat Power and Bonnie “Prince” Billy, with whom he crafted the monumental 2005 classic Superwolf, a classic in the Aquarium Drunkard canon. He's also worked as an in-demand session player, working on recordings for the likes of Cat Stevens, Johnny Cash, Neil Diamond and other legends. Is Matt the only guy to play on both a Current 93 and Dixie Chicks project? We suspect so. His new band is called The Hard Quartet, which finds him joined by Stephen Malkmus of Pavement and The Jicks, Emmett Kelly of The Cairo Gang, and Jim White of The Dirty Three.  Their self-titled debut is out this Friday, October 4th. To quote from Jennifer Kelly's Aquarium Drunkard review of their self-titled album: “The term ‘supergroup' gets thrown around a lot, and it often means nothing more than ‘these people have all been in other bands.' But the Hard Quartet is a true super group, composed of four guys who have made their mark in music.”   Sweeney's a great conversationalist, and this talk gets into the new record, the philosophy of bass playing, the band's Monkees-like identity, the return of his web series Guitar Moves and much more. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Stephen Malkmus and Matt Sweeney discuss their band the Hard Quartet and its new, self-titled debut LP, living in places like Chicago and New York City, the memorial weekend event for Steve Albini that Matt and I attended in Illinois this past July and playing complicated games of dice, the friendship that Stephen and Matt shared with the late David Berman and fresh perspectives on the time Berman, Stephen, and Bob Nastanovich infamously heckled Nirvana, how the Hard Quartet all became friends and eventually started this band where all the guitarists take turns playing bass, the stories behind some of the songs and sounds by the Hard Quartet, the Edmonton Oilers and Neil Young's iconic father, the late hockey writer, Scott Young, Matt's amazing video series Guitar Moves, what's next for the Hard Quartet, other future plans, and much more. Support vish on Patreon! Follow vish online.Related episodes/links:Ep. #890: Man ManEp. #869: Steve AlbiniEp. #677: PavementEp. #591: Matt SweeneyEp. #492: I Remember Me and David BermanEp. #481: David BermanEp. #392: Stephen MalkmusEp. #373: Pavement's Bob Nastanovich and Steve WestEp. #165: Bob Nastanovich of Silver JewsEp. #74: Stephen MalkmusEp. #38: Krist NovoselicSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

For this month's episode we've gone back to ten years, only a few years before the podcast began to talk about our favourite songs of 2014, including trve kvlt black metal, avant garde noise, sparkly pop bangers, swedish alt country, & kraut influenced post rock. We also discuss whether Elbow make suitable gym music, global conspiracy theories involving giant stone owls, and songs that sound like you're about to be burned in a wicker man.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year.Bands featured in this episode include (In alphabetical order, no spoilers here!) - Alcest, Alvvays, Babymetal, Devandra Banhart, Beck, Charly Bliss, Elbow, EMA, First Aid Kit, Ben Frost, Grouper, Ben Howard, King Creosote, Jenny Lewis, Stephen Malkmus & The Jicks, J Mascis, Mayhem, Mogwai, Opeth, Public Service Broadcasting, Röyksopp & Robyn, Run The Jewels, Svalbard, Swans, Taylor Swift, Thou, Ultimate Painting, Sharon Van Etten, Warpaint, & James Yorkston.Find all songs in alphabetical order here - https://open.spotify.com/playlist/2juBbBjb0YxzF6VMAvNIEi?si=4334ba0599c44034Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes (which need updating but I plan on doing them over the next month or so), you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdgIan's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqAand Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9NwThe playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Helen Jackson-BrownRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Part of the We Dig Podcasts network along with Free With This Months Issue & Pick A Disc.Twitter – https://twitter.com/wedigmusicpcast/Instagram - https://www.instagram.com/wedigmusicpcast/Facebook - https://www.facebook.com/wedigpusicpcast/Find our other episodes & podcasts at www.wedigpodcasts.com 

Stephen Malkmus is a musician best known for the band Pavement. He's in a new band called The Hard Quartet, and their debut record is out soon on Matador. We chat about Guttfeld! and Trump at a New York Bitcoin bar, which episodes he's listened to, trucker hats and haircuts, cigarettes and humidity, moving to Chicago and Berlin, all the times people have tried to fight him, the guy who tried to shoot trump looks more like Tony Hawk, tennis talk, his airport vibe, his daughter met Diplo, recording in Malibu at Rick's, and uncut virgin vinyl. instagram.com/stephenmalkmus twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, in observance of International Talk Like A Pirate Day (9/19), Steve has an hour of pirate songs.  We will hear the artists Adam & The Ants, Stephen Malkmus, The Duke Spirit, The Pogues, Norah Jones, The Shins, Mad Caddies, Cool Ya Jets, The Darkness, Pulp, Tygers Of Pan Tang, Abney Park, Thomas Dolby (with E. Van Halen), Iron Maiden, The Vandals and George Harrison. On the Air on Bedford 105.1 FM Radio      *** 5pm Friday ***      *** 10am Sunday ***      *** 8pm Monday *** Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app! Twitter: @SUBedford1051  ***    Facebook: SuburbanUndergroundRadio   ***    Instagram: SuburbanUnderground   ***    #newwave #altrock #alternativerock #punkrock #indierock

What's up? Ya dig?Stephen Malkmus has a new project plus the return of a band who've just released their first new track in FORTY YEARS! 

EVERY OTHER KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Ryan Kattner discusses the new Man Man album, Carrot on Strings, his recent move from California to New York and the many places he has lived, his love of film and his interactions with and roles he's had in the movie business, the 2024 NBA Finals and players he finds appealing, wanting to write a stadium anthem, our love for Stephen Malkmus and Pavement, future and hope for future film and music projects, tour dates, other future plans, and much more.Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #882: IslandsEp. #815: Geordie GordonEp. #678: Mark IboldEp. #677: PavementEp. #562: Bill CallahanEp. #392: Stephen MalkmusEp. #373: Pavement's Bob Nastanovich and Steve WestSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Part 2 of my conversation with guest Phil Stacey about the music of 2008. Show notes: Phil's #5: My Morning Jacket changes things up Jay's #5: Big space rock ripper from Black Mountain Phil's #4: Springsteen-inspired indie rock from the Gaslight Anthem Jay's #4: Stephen Malkmus gets jammy  Phil's #3: Tom Petty's early band Mudcrutch gets back together Jay's #3: Sloan with an economical power pop release Phil's and Jay's #2: Dark, inspired record from the Gutter Twins Phil's #1: Brooding classic from Death Cab for Cutie  Jay's #1: The Hold Steady hits an anthemic peak  Craig Finn is an atypical yet terrific frontman Favorite songs: "Stay Positive" (Jay), "I Will Possess Your Heart" (Phil) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Part 1 of my conversation with guest Phil Stacey about the music of 2008. Show notes: In '08, Phil became a dad M.I.A. with the Clash fakeout intro Phil's non-top 5s: The Hold Steady, Stephen Malkmus, Vampire Weekend, TV on the Radio, the Raconteurs, Beck, R.E.M., JJ Grey and Mofro, Sloan, Drive-By Truckers, Black Keys The Kelly Gruber Effect The other Phil Stacey releases his debut album, as did Scarlett Johansson and Bronson Arroyo Jay's non-top 5s: Nick Cave and the Bad Seeds, Black Angels, Foxboro Hot Tubs, Destroyer Green Day was punk until they weren't Phil: Hearing the Kinks for the first time To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Enquanto o movimento grunge vivia seus últimos momentos e a disputa entre Blur e Oasis atraíam as atenções para o britpop, os californianos do Pavement seguiam seu próprio caminho. Para celebrar a volta da banda ao Brasil e o aniversário de 30 anos de "Crooked Rain, Crooked Rain" (1994), obra que apresentou o trabalho do grupo encabeçado por Stephen Malkmus à uma parcela ainda maior do público, Cleber Facchi (@cleberfacchi) e Vinicius Felix (@telefonemas) conversam sobre o disco que revelou preciosidades como "Cut Your Hair", "Range Life" e "Gold Soundz". Gostou do podcast? Então apoie a gente em ⁠⁠padrim.com.br/podcastvfsm

En este episodio conversamos sobre “Crooked Rain, Crooked Rain”, el segundo álbum de Pavement, lanzado el año 1994.

Cade and Diane discuss two films directed by Kelly Reichardt: First Cow (2019) and Certain Women (2016). Watch the video version at: ⁠⁠⁠⁠⁠⁠YouTube.com/@CadeThomas/streams⁠⁠⁠⁠⁠⁠ Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Two hosts. One rambling conversation. Each film is our first time watching them. We often go off-topic. First Cow is a 2019 American drama film directed by Kelly Reichardt, from a screenplay by Reichardt and Jonathan Raymond based on Raymond's 2004 novel The Half-Life. It stars John Magaro, Orion Lee, Toby Jones, Ewen Bremner, Scott Shepherd, Gary Farmer, Stephen Malkmus, Alia Shawkat, and Lily Gladstone. Certain Women is a 2016 American drama film edited, written, and directed by Kelly Reichardt. Based on "Native Sandstone", "Travis, B." and "Tome"—three short stories from Maile Meloy's collections Half in Love and Both Ways Is the Only Way I Want It—it stars Laura Dern, Kristen Stewart, Michelle Williams, Lily Gladstone, James Le Gros, and Jared Harris.

This week on Transmissions: Conner Habib. He's the author of the Pen/Faulkner award longlisted horror novel, Hawk Mountain, and the host of the weekly podcast Against Everyone with Conner Habib. Informed by his practice of Anthroposophy and Christian mysticism, AEWCH focuses on the esoteric and ventures into strange and unusual places, touching frequently on Habib's spiritual views while also exploring his views on sex work, his interest in art and literature, punk rock ethos, and his singular conversational style.  This last September, Habib devoted a whole month to exploring the mystic possibilities of music with guests like Bonnie Prince Billy and Nina Persson of the Cardigans, and he's featured guests like Ian McKaye, Stephen Malkmus, and Ted Leo, so we pick up where that series left off and dive into the musical, occult, and conversational deep end. Next week on Transmissions? Penelope Sheeris—director of The Decline and Fall of Western Civilization series, Wayne's World, and host of Peter and the Acid King, a podcast dedicated to the mysterious life and death of Peter Ivers.

Part 1 of my conversation with guest Phil Stacey about the music of 2003. Show notes: In 2003, Jay had a toddler and found out another kid was on the way Started downloading a lot of music via blogs Jay saw Pat DiNizio, Gord Downie, Radiohead, Guster Phil got engaged, saw a lot of Red Sox games Coed softball struggles 50 Cent had the #1 song of the year A lot of number bands on the charts What's the deal with Kid Rock? Phil's non-top 5s: TV On the Radio, Warren Zevon, Jason Molina, Black Keys, Jet, Outkast, Ween, Lucinda Williams, Bowie Jay's non-top 5s: Gord Downie, Electric Six, Dizzee Rascal, Stephen Malkmus, Zeppelin To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Stephen Malkmus joins Andy Richter to discuss Pavement's latest reunion, fatherhood, 1980's radio rock, the high school suspension that won't leave Stephen's Wikipedia page, and much more.This episode was recorded on June 15, 2023.

Part 1 of my conversation with guest Phil Stacey about the music of 2001. Show notes: In 2001, Jay found out he was going to be a dad and also went back to his old employer Jay turned 34, Phil turned 32 Phil got divorced 9/11 was a defining generational moment Jay: Saw concerts by Radiohead, Gord Downie, Tragically Hip, PJ Harvey, Built to Spill, Buddy Guy Apple launched iTunes music store and the iPod Napster got sued into oblivion Pop was big but garage rock started getting popular Lifehouse had the #1 single of the year? Scott Stapp wrote a pump-up song for the Marlins Phil got recruited by a Scientologist Phil's non-top 5 albums: Gorillaz, R.E.M., DMB, Black Rebel Motorcycle Club, Fugazi, Stephen Malkmus, Pete Yorn, Ryan Adams, Bob Dylan  To be continued Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

It's so great having our buddy Nils Bernstein drop by the studio. Nils is a man of many skills, and we talk about his great new book, The Joy of Oysters. Nils is the food editor for Wine Enthusiast magazine, and he has written and developed recipes for places like Bon Appétit, Epicurious, GQ, and the New York Times. But Matt knows Nils best as a former music publicist, working with bands like Interpol, Stephen Malkmus, and Nirvana while holding key positions at Sub Pop and Matador Records. We talk about his musical past, what is was like being in the room when "Smells Like Teen Spirit" was first played live, as well as a deep love of the bivalve. We loved catching up with Nils Bernstein, and we hope you enjoy this conversation.Also on the show, Aliza and Matt talk about three things that are getting them excited right now, including chicken sandwiches at the Fly, Bawi Agua Fresca, a new NA beer, and Nightingale Ice Cream Sandwiches. MORE FROM NILS BERNSTEIN:Shell Shocked: Why It's More Important Than Ever to Consider the Oyster [Wine Enthusiast]All the Ways to Pair Pinot Grigio with Food, from Cheese to Fish [Wine Enthusiast]A Taco-Filled Eating Tour of California's Salinas Valley [Wine Enthusiast]Bad Waitress [Dirt]FOLLOW, FOLLOW, FOLLOW:instagram.com/nilsbernsteininstagram.com/mattrodbardinstagram.com/taste

Today we discuss creativity with the mind of Dr Tucan Taylor Michaels, drummer & producer with international banging tune-makers Superorganism, one of the most ingenious, innovative, inventive, experimental and original bands of recent times, often using extremely random objects as instruments as a back drop to colourful pop perfection. We also explore playing their first ever show on Later with Jools Holland no less, the merits of forming online, onstage tech failures, mixing Jungle and collaborating with Stephen Malkmus. “Production can't cover a bad song.” We are also joined by Bastian Hues who asks questions as an emerging artist. Do follow us on Insta, Twitter and Facebook by searching @thestageleftpod, we get a little adrenaline kick when we see a new follower, which is something we should probably speak to our therapist about. Thanks!

Dave and Chris sit down with author and critic Hua Hsu to talk through his new book, 'Stay True'—a searing memoir of friendship disrupted by sudden tragedy, and (for Dave) an almost unsettlingly relatable portrait of 1990s life. Also: vocal aromas, circular breathing, feeling like the stuff you like is better than everything else, defining yourself through arcana, going on the internet for the first time, Berry Gordy's 'The Last Dragon,' East Coast Asian friction, distributed Chinatowns, raw marinated crab, teaching at a factory for hip young people, being really into quinoa, Dave Chang at 18, the doomsday outlook, Stephen Malkmus and George Clinton, EQ love languages, 'Gilmore Girls,' Gavin Rossdale, Y2K fears, and listening to the 'Pulp Fiction' soundtrack from beginning to end. Hosts: Dave Chang and Chris Ying Guest: Hua Hsu Producers: Sasha Ashall, Jordan Bass, and Lala Rasor Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is the free first half of Office Hours. Watch or listen to the full two hours with more Pavement, more Colu Henry, participate in the "Benson" remix challenge and get tons of other stuff at patreon.com/officehoursliveThe OHL vs. Pavement tennis challenge was issued and accepted! Find out who won and get into the post-game convo with Stephen Malkmus, Bob Nastanovich and Steve West from the band, plus cook book author (and Tim's cousin!) Colu Henry.Tim Heidecker is taking his "No More Bullshit" stand-up character and his Very Good Band on tour this summer for the first-ever two-act evening of Tim Heidecker comedy and music! Dates & tickets at timheidecker.com/liveFind everything else at officialofficehours.com See acast.com/privacy for privacy and opt-out information.