American folk, blues, and jazz singer
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14 episodes with Barbara Dane
4 episodes with Barbara Dane
2 episodes with Barbara Dane
2 episodes with Barbara Dane
2 episodes with Barbara Dane
2 episodes with Barbara Dane
2 episodes with Barbara Dane
3 episodes with Barbara Dane
2 episodes with Barbara Dane
Selección musical de Charlie Fáber, director de Sateli3."Out On The Floor" - Dobie Gray"Exit Loneliness Enter Love" - Tommy Mosley"The Duck" - Jackie Lee"Barefootin´" - Robert Parker"Chills and Fever" - Ronnie Love"The Work Song" - Tommy Hunt"Miss Treatment" - The Incredibles"Love Makes The World Go Round" - Deon Jackson"Catch That Teardrop" - The 5 Royales"Girl Watcher" - The O´Kaysions"I´m On My Way" - Barbara Dane"The Ice-Man" - Billy Watkins"Backfield In Motion" - Mel & Tim"I´ve Arrived" - Steve Flanagan"It´s Your Voodoo Working" - Charles Sheffield"Take A Giant Step (Walk On)" - The Profiles"Fortune Teller" - Benny Spellman"I Can´t Get Over Losing Your Love" - The Incredibles"Comin´ Home Baby" - Mel Torme"Lover Come Back To Me" - The Cleftones"Give Our Love A Chance" - Ada Ray Escuchar audio
An old folk song as learned from the singing and guitar of Barbara Dane.
An old folk song as learned from the singing and guitar of Barbara Dane.
Enzo Gentile ricorda Gianfranco Manfredi. Il blues militante di Barbara Dane, comunista e protagonista della stagione di lotte dei '60 e degli anni seguenti. Il cantautore e bluesman Buzzy Lao ci propone alcuni dei suoi blues pacifisti. Il sound di Seckou Keita, il Jimy Hendrix della kora, la magica arpa africana a 22 corde. A cura di Claudio Agostoni. Seckou Keita Music Ricky Gianco #gianfrancomanfredi #barbaradane
Lots of soulful sounds this week as DJ John Mullaney joins Matt in the studio.There's music from Bunny Sigler, Barbara Dane and Roy Ayres, plus a few curve balls from The Clash, The Jam, Blur, Twiggy and Primal Scream.For more info and tracklisting, visit: https://thefaceradio.com/blow-up/Tune into new broadcasts of Blow-Up! Sundays from 8 - 10 AM EST / 1 PM - 3 PM GMT, in association with Brisbane's 4ZZZ.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
durée : 01:00:02 - La Série musicale - par : Zoé Sfez - Reine de la folk, du blues ou encore du jazz, grande voix du mouvement pour la paix aux Etats-Unis, Barbara Dane s'est éteinte à 97 ans. Récit musical d'une vie passée à chanter sa révolte. - réalisation : Thomas Jost
durée : 01:00:02 - La Série musicale - par : Zoé Sfez - Reine de la folk, du blues ou encore du jazz, grande voix du mouvement pour la paix aux Etats-Unis, Barbara Dane s'est éteinte à 97 ans. Récit musical d'une vie passée à chanter sa révolte. - réalisation : Thomas Jost
Hear the final episode in our two-part series celebrating the life and music of Barbara Dane, a legendary, folk, blues, and jazz singer who used her voice to advocate for social justice and civil rights. Dane passed away in October of 2024, she was 97 years old. Listen to a 2018 interview Dane recorded with WFYI's Kyle Long, along with rare recordings from her discography. Barbara Dane began singing on the picket lines of Detroit as a teenager. Politics and activism would remain a central focus of her music. She would go on to record for the biggest labels in American music and collaborate with iconic artists, including Louis Armstrong, Earl Hines, and Lightnin' Hopkins. At the height of the 1960s folk music boom, Bob Dylan called Dane a hero. But Dane never experienced the commercial success of her folk singing peers like Dylan. She refused to compromise her principles for corporate record companies, which led Dane to start her own label in the 1970s, Paredon Records. Through her Paredon label, Dane issued revolutionary music from Palestine, Vietnam, and Cuba. She also released her own recordings on the label, including the 1973 album “I Hate the Capitalist System”. On this edition, we'll discuss Dane's work with Paredon, and her connection to Bob Dylan.
Hear the first episode in our two-part series celebrating the life and music of Barbara Dane, a legendary, folk, blues, and jazz singer who used her voice to advocate for social justice and civil rights. Dane passed away in October of 2024, she was 97 years old. Listen to a 2018 interview Dane recorded with WFYI's Kyle Long, along with rare recordings from her discography. Barbara Dane was born Barbara Jean Spillman in Detroit, Michigan in 1927. She began singing on the picket lines of Detroit as a teenager. Politics and activism would remain a central focus of her music. Dane would go on to record for the biggest labels in American music and collaborate with iconic artists, including Louis Armtstrong, Earl Hines, and Lightnin' Hopkins. At the height of the 1960's folk music boom, Bob Dylan called Dane a hero. But Dane never experienced the commercial success of her folk singing peers like Dylan. She refused to compromise her principles for corporate record companies, which led Dane to start her own label in the 1970s, Paredon Records. Through her Paredon label, Dane issued revolutionary music from Palestine, Vietnam, and Cuba. She also released her own recordings on the label, including the 1973 album “I Hate the Capitalist System”.
William Luck is the guest host this week, with topical selections on the mood of the nation. Tracks from the Salem Travelers (pictured), Capitalaires, Curtis Carrington Family, Alberta Kay Sanders, Barbara Dane feat. the Chambers Brothers, and others.
"REHEARSALS FOR RETIREMENT" WRITTEN AND PERFORMED BY PHIL OCHS-"IF i CAN DREAM" WRITTEN BY EARL BROWN AND RECORDED BY ELVIS PRESLEY IN HONOR OF ROBERT F. KENNEDY JR."THE DAY THE WORLD ENDED" DIRECTED BY ROBERT CORMAN AND NARRATED BY CHET HUNTLEY“There's something about the guy that I love…” This is what Rich remembered that I had said about DJT. I didn't remember saying it, but I think I can relate to the veracity of his accusation. It's the re-incarnation of the Trickster that I recognize from myth - the nihilist Puck, whose talent to amuse - to entertain us as he foments chaos - is something that, I, (as someone who spent half his life trying to understand the nature of charisma) - can appreciate. Rich, as life-long activist, sees it differently: this, he feels, might be, perhaps, the last election he'll see in his lifetime, and the end of every ideal he fought for in his youth. But, he's a scrappy, latter day Dead End Kid, who ain't ready to lie down in darkness. Dig our back and forth debate.-BILL MESNIKLet's get ready to rumble. In the blue corner, a childless, blackish Vice President from Oakland, CA who was inspired by John Coltrane's "A Love Supreme" in her youth and presented with 107 days and a cat sandwich with which to salvage democracy. A piece of cake kids.In the Orange corner, a man with the graceless moves of Jerry Lewis on acid on and who has never met a "fuck you" he didn't like.A piece of drek.Let the games begin.The ball is in your court America.I know you'll do the right thing because it's about feeding your family, right?Wrong. It never was and once again we are forced to never forget.As Robert Duvall recited in "Apocalypse Now", "I love the smell of Napalm in the morning".We do, don't we?Looking at my reflection in the mirror of social change I get it. Policy was replaced by the red carpet pedigree of celebrity and the racist molester won every single demographic he insulted with vitality of an an elderly pro wrestling heel.Orange is now truly the new black and blue.Good luck and Good night.-With gratitude to Norman Mailer, Barbara Dane, Dave Van Ronk, Tuli Kupferberg, Ed Sanders, Muhammad Ali, Joan Baez, Phil Ochs, Hunter S. Thompson, Medgar Evers, Frannie Lou Hamer and Ruby Bridges, the first black child to Integrate an All-White Elementary School in the South, on November 14, 1960, at the age of six.RICH BUCKLAND
“The life and music of Barbara Dane,” from The Harry Bridges Project. The story of America told through its social upheaval, its achievements and, above all, its music. Originally broadcast on WPFW's Labor Heritage Power Hour (10/31/24). On this week's Labor History in Two: The year was 1975; that was the day that the National Organization for Women, or NOW, called for a strike by women across the nation. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory
The life and music of Barbara Dane, on today's Labor Heritage Power Hour Today's labor history: Workers complete Mt. Rushmore Today's labor quote: Barbara Dane @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network
The life and music of Barbara Dane, on today's Labor Heritage Power Hour Today's labor history: Workers complete Mt. Rushmore Today's labor quote: Barbara Dane @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network
We finish up our interview with Matt Hoh and add portions of our webinar with Colonel Lawrence Wilkerson. We hear them talk about Israel, and Ukraine but mostly about the state of the empire and it is not good. They also talk about the nature of military service and the impact it can have on a young person. Col. Wilkerson also talks about our nuclear posture in this dangerous world. We finish with Harvey remembering Barbara Dane and the day she came to the People's House in Clarksville.
In Wat blijft aandacht voor de nieuwe biografie over de Zeeuwse schrijver en dichter Hans Warren. Hij maakte naam als natuur-poëet, maar werd bekend bij het grote publiek met zijn publicatie van Geheim Dagboek waar tussen 1981 en 2009, 22 delen van verschenen. Hij was bedaard, rustig en bijna wel verlegen, maar in zijn Geheim Dagboek volgden uitspatting na uitspatting. In De Opperhuidmens beschrijft zijn voormalige liefde Mario Molegraaf het leven van Warren voordat ze elkaar ontmoette en hoe het voor Warren was om te leven als huisvader en homoseksueel in een tijd waarin dat nog niet vanzelfsprekend was. Lara Billie Rense praat met Molegraaf over hoe het was om te leven met Waren en waarom hij 23 jaar na dato alsnog een vuistdikke biografie over hem schreef. In het tweede uur en de podcast van Wat blijft: In de podcast Wat Blijft hoor je de komende weken de 12-delige serie Grote Geesten over indrukwekkende denkers uit de Humanistische Canon. Van Aristoteles tot Hannah Arendt en van Simone De Beauvoir tot James Baldwin. Wat hebben zij betekend? Wat kunnen we leren van hun leven en denken? En hoe leven zij voort? In de vierde aflevering volgt Inge ter Schure het spoor terug van natuur- en wiskundige Emilie du Châtelet. Du Châtelet, geboren in gegoede Parijse kringen, bleek op jonge leeftijd hoogbegaafd. Haar vader, eerste secretaris en introducteur des Ambassadeurs van koning Lodewijk XIV van Frankrijk, benoemde haar gebrek aan schoonheid en huurde de beste docenten voor haar in. Tijdens haar verblijf aan het Hof van Versailles vond ze een geschikte echtgenoot in markies Du Châtelet en zodoende kreeg Emilie, geboren Le Tonnelier de Breteuil, deze naam. Drie kinderen later, Emilie was inmiddels 24 jaar, gingen ze gescheiden van elkaar leven. Eerst kreeg Emilie een verhouding met de hertog van Richelieu, daarna ontmoette ze verlichtingsfilosoof Voltaire, met wie ze een jarenlange onstuimige verhouding kreeg. Ze was voor hem een grote bron van inspiratie en hij noemde haar 'een groot man wiens enige gebrek was dat ze een vrouw was'. Ze ontwikkelde zich tot een briljante wis- en natuurkundige. Op haar sterfbed vertaalde ze de Principia Mathematica van Isaac Newton in het Frans en voorzag het van commentaar. Deze vertaling is in het Franse taalgebied nog steeds toonaangevend. Emilie stierf al op 42-jarige leeftijd, vlak na de geboorte van haar vierde kind. Inge ter Schure sprak met wetenschapsjournalist en deeltjesfysicus Margriet van der Heijden, onderzoeker bij CERN (European Organization for Nuclear Research) Jorinde van de Vis en het Vlaamse echtpaar Frank Verstraete, professor in de kwantumfysica en Céline Broeckaert, schrijver en theatermaker. Presentator: Lara Billie Rense Redactie: Jessica Zoghary, Nina Ramkisoen, Geerte Verduijn, Sushmita Lageman Eindredactie: Bram Vollaers Productie: Mare de Vries
Breaking News!FILM PREMIEREMaureen Gosling'sTHE 9 LIVES OF BARBARA DANE"The amazing story of Barbara Dane, a powerful radical citizen-artist whose magnificent voice and uncompromising dedication to freedom, social justice and global liberation, continues to ring." --Danny Glover, Executive ProducerWATCHTRAILERhttps://www.youtube.com/watch?v=bdkTz4Lihmwhttps://www.barbaradane.net/DOC 'N ROLL FESTIVALOctober 27th, 2024 @ 5:30pmLONDON - BARBICAN CINEMA 3Director, Maureen Gosling will lead Q&A after screeningBARAKAN MUSIC FILM FESTIVALSeptember 9th-19th, 2024TOKYODirector, Maureen Gosling at Sept 9th screeningNote from Bill:5 years ago, about this time of year, Rich approached me about celebrating the extraordinary life of one of his major influences - (he had brought her to our high school in the late 60s to participate in a benefit concert to raise money for Native American schools). I had a lot to learn because Barbara Dane's career spanned most of the 20th century and a good chunk of the present one. And, I was grateful for the study.Starting out as a teenager from Detroit, Barbara Jean Spillman began singing with Louis Armstrong, and went on to become a sensation in the world of jazz. But, she was too big for that container - she went on to become one of the most influential folk music activists and label owners in history. Upon learning of her passing last week at the age of 97, it seemed fitting that we revisit that special archival episode. Listen, and be amazed!"Bessie Smith in Stereo" said jazz critic Leonard Feather in Playboy magazine when Barbara Dane burst onto the scene in the late '50s. In 1958 Time magazine said of her: "The voice is pure, rich...rare as a 20 karat diamond." To Ebony magazine, she seemed "startlingly blonde, especially when that powerful dusky alto voice begins to moan of trouble, two-timing men and freedom... with stubborn determination, enthusiasm and a basic love for the underdog (she is) making a name for herself...aided and abetted by some of the oldest names in jazz who helped give birth to the blues..." The seven-page Ebony article--their first feature story about a white woman (Nov., l959)-- was filled with photos of Dane working with Memphis Slim, Willie Dixon, Muddy Waters, Clara Ward, Mama Yancey, Little Brother Montgomery and others...
Mourning the death this week of Barbara Dane: American singer and activist with over 6 decades as a leading light in folk, blues and jazz. She was 97, and was still singing at least until the age of 95! Looking back at the Celtic Colours Festival in Cape Breton - what a fabulous time we had over there! Hard to believe we saw so much incredible scenery, drove almost 3,000km around the island, experienced the rich music and culture and history of that small - furthest - corner of this amazing country, and came back relatively unscathed 8 days later! Played a fair few new releases and threw in some local concert previews, and some Halloween songs, too.
Playlist mensuelle de Sophian Fanen, de Kit Sebastian à Barbara Dane et le duo instrumental Hadouk dans la #SessionLive. Tous les mois Sophian Fanen chronique 5 nouveautés. Voici son choix pour cette fin octobre :- Kit Sebastian, Metropolis, tiré de l'album New Internationale (Brainfeeder, 2024)- Avec pas d'casque, Accepter le mystère, tiré de l'album Cardinal (Bravo musique, 2024)- Broadcast, Valerie, tiré de la compilation «Distant Call - Collected Demos 2000-2006» (Warp Records, 2024)- Cheb, B'lil F'sma, single (ZRMOMIYAPHONE, 2024)- Barbara Dane (1927-2024) and the Chambers Brothers, It Isn't Nice, tiré de l'album Barbara Dane and the Chambers Brothers (Folkways Records, 1966). Puis nous recevons Hadouk dans la #SessionLive pour la sortie de l'album Le Concile des Oiseaux, incluant Le Bal des Oiseaux (1996) donc double album !L'ultime album du duo Hadouk célèbre 30 ans de carrière : une poésie instrumentale, une ode au vivant et à la nature par les magiciens Didier Malherbe et Loy Ehrlich. En toute liberté, l'histoire de ces deux instrumentistes hors normes s'est écrite sur plusieurs décennies. Didier Malherbe et Loy Ehrlich se rencontrent en 1970. Le premier fait partie du légendaire groupe de rock progressif Gong ; le second se fond dans les musiques africaines avec les groupes West African Cosmos, Touré Kunda et de Youssou N'Dour. Ensemble, sur le socle d'une amitié indéfectible et d'une grande complicité artistique, ils fondent Hadouk en 1995. Un premier disque a vu le jour en 1996, Le Bal des Oiseaux. Réédité en 2024, il entre en résonance avec Le Concile des Oiseaux, le dixième et dernier album du duo publié cette même année. De l'un à l'autre, Hadouk boucle harmonieusement un cycle initié il y a trente ans. Hadouk incarne une poésie soutenue par une curiosité des sons et des instruments, des rythmes inspirés par la nature et le vivant. Une symphonie conjuguant l'Orient, l'Afrique et l'Occident, les mélodies traditionnelles et l'improvisation du jazz. Amoureux du verbe et des fusions, artisans de la fantaisie, leur philosophie est celle du voyage intérieur. Les flûtes, ocarinas, le doudouk et le soprano de Didier Malherbe se marient aux claviers, vièles, à la kora et au guembri de Loy Ehrlich, produisant une musique métisse et organique, dans un langage onirique célébrant le Tout-monde. Des mélopées ancestrales aux transes gnawa, des effluves arméniennes au blues malien, Hadouk est un conte qui s'écoute grâce à l'imaginaire sans limite de ces deux magiciens. Après une dizaine d'albums à son actif et avec ce nouvel et dernier opus Le Concile des Oiseaux, Hadouk renoue avec la forme de ses origines : le duo. Didier Malherbe et Loy Ehrlich proposent une musique épurée où l'on retrouve tous les ingrédients qui ont fait l'originalité et la saveur du groupe : des mariages insolites d'instruments et de sonorités, créant la possibilité d'un folklore du monde… imaginaire. Conçu comme le miroir de leur premier disque, le morceau Hadouk Song en ouverture, sur un duo kora / doudouk, est une reprise du thème Hadouk qui inaugurait l'album Le Bal des Oiseaux. De la même manière, le percussionniste Steve Shehan, qui avait participé à l'enregistrement d'un morceau en 1996, apporte cette fois sa contribution sur le titre éponyme Le Concile des Oiseaux. Dix compositions pour un voyage intemporel avec la compagnie “Air Hadouk” : zéro émission de CO2 et dépaysement garanti ! Titres interprétés au grand studio- Hadouk Song Live RFI Loy : kora, Didier : doudouk- Loukoumotive, extrait Le bal des Oiseaux- LHaj Bawu Blues Live RFI Loy : gumbri hajouj, Didier: flûte chinoise bawu. Line Up : Didier Malherbe (doudouk, flûte), Loy Erhlich (kora, guembri).Son : Mathias Taylor, Benoît Letirant.► Album Le Concile des Oiseaux (DuNose Prod, sortie 25 octobre 2024).CD 1 ⎮ Le Concile des Oiseaux (2024) Didier Malherbe : doudouk, flûtes, flûte Bawu, ocarinas, khaen. Loy Ehrlich : hajouj, awicha, gumbass, kora, ribab, cellito d'amore, laouto, percussions, osmose keyboard. Le Concile des Oiseaux Steve Shehan : balais berbères. Tao Ehrlich: cymbales.CD 2 ⎮ Le Bal des Oiseaux (1996) Didier Malherbe : doudouk, flûtes, ocarinas, soprano, clarinette bambou, guimbarde, zeff, percussions. Loy Ehrlich : hajouj, awicha, kora, sanza M'bira, bolong, ukulélé, claviers, tablas, percussions Marsyas Steve Shehan : calebasse, shekéré. YouTube - Facebook - Site.Hadouk en concert le 5 décembre 2024 au New Morning, Paris.
Playlist mensuelle de Sophian Fanen, de Kit Sebastian à Barbara Dane et le duo instrumental Hadouk dans la #SessionLive. Tous les mois Sophian Fanen chronique 5 nouveautés. Voici son choix pour cette fin octobre :- Kit Sebastian, Metropolis, tiré de l'album New Internationale (Brainfeeder, 2024)- Avec pas d'casque, Accepter le mystère, tiré de l'album Cardinal (Bravo musique, 2024)- Broadcast, Valerie, tiré de la compilation «Distant Call - Collected Demos 2000-2006» (Warp Records, 2024)- Cheb, B'lil F'sma, single (ZRMOMIYAPHONE, 2024)- Barbara Dane (1927-2024) and the Chambers Brothers, It Isn't Nice, tiré de l'album Barbara Dane and the Chambers Brothers (Folkways Records, 1966). Puis nous recevons Hadouk dans la #SessionLive pour la sortie de l'album Le Concile des Oiseaux, incluant Le Bal des Oiseaux (1996) donc double album !L'ultime album du duo Hadouk célèbre 30 ans de carrière : une poésie instrumentale, une ode au vivant et à la nature par les magiciens Didier Malherbe et Loy Ehrlich. En toute liberté, l'histoire de ces deux instrumentistes hors normes s'est écrite sur plusieurs décennies. Didier Malherbe et Loy Ehrlich se rencontrent en 1970. Le premier fait partie du légendaire groupe de rock progressif Gong ; le second se fond dans les musiques africaines avec les groupes West African Cosmos, Touré Kunda et de Youssou N'Dour. Ensemble, sur le socle d'une amitié indéfectible et d'une grande complicité artistique, ils fondent Hadouk en 1995. Un premier disque a vu le jour en 1996, Le Bal des Oiseaux. Réédité en 2024, il entre en résonance avec Le Concile des Oiseaux, le dixième et dernier album du duo publié cette même année. De l'un à l'autre, Hadouk boucle harmonieusement un cycle initié il y a trente ans. Hadouk incarne une poésie soutenue par une curiosité des sons et des instruments, des rythmes inspirés par la nature et le vivant. Une symphonie conjuguant l'Orient, l'Afrique et l'Occident, les mélodies traditionnelles et l'improvisation du jazz. Amoureux du verbe et des fusions, artisans de la fantaisie, leur philosophie est celle du voyage intérieur. Les flûtes, ocarinas, le doudouk et le soprano de Didier Malherbe se marient aux claviers, vièles, à la kora et au guembri de Loy Ehrlich, produisant une musique métisse et organique, dans un langage onirique célébrant le Tout-monde. Des mélopées ancestrales aux transes gnawa, des effluves arméniennes au blues malien, Hadouk est un conte qui s'écoute grâce à l'imaginaire sans limite de ces deux magiciens. Après une dizaine d'albums à son actif et avec ce nouvel et dernier opus Le Concile des Oiseaux, Hadouk renoue avec la forme de ses origines : le duo. Didier Malherbe et Loy Ehrlich proposent une musique épurée où l'on retrouve tous les ingrédients qui ont fait l'originalité et la saveur du groupe : des mariages insolites d'instruments et de sonorités, créant la possibilité d'un folklore du monde… imaginaire. Conçu comme le miroir de leur premier disque, le morceau Hadouk Song en ouverture, sur un duo kora / doudouk, est une reprise du thème Hadouk qui inaugurait l'album Le Bal des Oiseaux. De la même manière, le percussionniste Steve Shehan, qui avait participé à l'enregistrement d'un morceau en 1996, apporte cette fois sa contribution sur le titre éponyme Le Concile des Oiseaux. Dix compositions pour un voyage intemporel avec la compagnie “Air Hadouk” : zéro émission de CO2 et dépaysement garanti ! Titres interprétés au grand studio- Hadouk Song Live RFI Loy : kora, Didier : doudouk- Loukoumotive, extrait Le bal des Oiseaux- LHaj Bawu Blues Live RFI Loy : gumbri hajouj, Didier: flûte chinoise bawu. Line Up : Didier Malherbe (doudouk, flûte), Loy Erhlich (kora, guembri).Son : Mathias Taylor, Benoît Letirant.► Album Le Concile des Oiseaux (DuNose Prod, sortie 25 octobre 2024).CD 1 ⎮ Le Concile des Oiseaux (2024) Didier Malherbe : doudouk, flûtes, flûte Bawu, ocarinas, khaen. Loy Ehrlich : hajouj, awicha, gumbass, kora, ribab, cellito d'amore, laouto, percussions, osmose keyboard. Le Concile des Oiseaux Steve Shehan : balais berbères. Tao Ehrlich: cymbales.CD 2 ⎮ Le Bal des Oiseaux (1996) Didier Malherbe : doudouk, flûtes, ocarinas, soprano, clarinette bambou, guimbarde, zeff, percussions. Loy Ehrlich : hajouj, awicha, kora, sanza M'bira, bolong, ukulélé, claviers, tablas, percussions Marsyas Steve Shehan : calebasse, shekéré. YouTube - Facebook - Site.Hadouk en concert le 5 décembre 2024 au New Morning, Paris.
Today, the contested future of SF's Great Highway. Then, a community group that's building trust for better health. And, we honor Barbara Dane's life and revolutionary music.
durée : 00:59:17 - Banzzaï du jeudi 17 octobre 2024 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé.
On this bank holiday in the states Dom and I celebrate the working people around the world. Lots of traditional americana music, punk, New Orleans soul and loads more. DJ John Henry appreciates the effort! Music; Silhouettes, R.E.M., The Specials, Valerie June, Gil Scott-Heron, Lucinda Williams, Charley Crockett, Our Native Daughters, Barbara Dane, Lou Reed, John Cale, Lee Dorsey, Billy Bragg…For more info and tracklisting, visit: https://thefaceradio.com/worldy/Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Mondays from 10 AM - 12 Noon EST / 3- 5 PM GMT.//Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.
Sintonía: "Johnny Be Good" - Johnny Winter1. "Wild Woman" - Imelda May2. "Eyes On The Motorway" - Wilko Johnson3. "Scratch Back" - Nikki Hill4. "The Snake" - Al Wilson5. "99 Lbs" - Anne Peebles6. "Damn Right It´s Good" - Gwen McRae7. "I´m On My Way" - Barbara Dane8. "That´s Why I Cry" - Varetta Hill9. "Bop-a-Lena" - Ronnie Self10. "Travelin´ Shoes" - Charlie Crockett11. "I Got Burned" - The Bamboos12. "It´s Your Voodoo Working" - Charles Shefield13. "Door Poppin´" - Carol Fran & Clarence Hollimon14. "Been Stupid Again" - Public Image Ltd (P.I.L.)Todas las músicas seleccionadas y presentadas por Tencho (Sergio Pérez Heredia), desde el estudio 204 de la Casa de la Radio en Prado del ReyContacto: tencholupe.blogspot.comEscuchar audio
Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues Maureen Gosling, filmmaker and film editor, discusses the films of noted documentary director Les Blank (1935-2013), which whom she collaborated for several years, along with her own career, in this interview with host Richard Wolinsky. A Retrospective of the films of Les Blank can be seen at Pacific Film Archive June 7 to July 27, 2024. Les Blank is best known for “Burden of Dreams,” an award winning documentary detailing the efforts of German director Werner Herzog in making his film “Fitzcarraldo” in the Peruvian jungle. Les Blank's work, though, focuses on the music and culture of the New Orleans and Louisiana, and the American South, with forays into the lives of several musicians, including rock legend Leon Russell. Maureen Gosling worked as a sound recordist and editor (and co-filmmaker) on several of Les Blank's films. Among her own films are There Ain't No Mouse Music: The Story of Chris Strachwitz and Arhoolie Records and The Nine Lives of Barbara Dane. Complete 45-minute Interview. Paul Auster (1947-2024), in conversation with host Richard Wolinsky, recorded October 2, 2002 while on tour for his novel “The Book of Illusions.” Second of two parts. This segment of the interview has never aired. Paul Auster, who died on April 30th, 2024 was a world-renowned novelist, memoirist, and film-maker whose works were translated into forty languages. His career as a writer began with a well-received memoir, The invention of Solitude in 1982, and took off in 1987 with the publication of three connected novellas titled The New York Trilogy. His fame and success grew over the following years. He moved into film-making with the screenplays for two movies directed by Wayne Wang, Smoke and Blue in the Face, and then wrote and directed his own film, Lulu on the Bridge. Complete 48-minute Interview. Review of “The Lehman Trilogy” at ACT Toni Rembe Theatre through June 23, 2024. Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival See website for highlights from the 10th Annual Bay Area Book Festival, June 1-2, 2024. Book Passage. Monthly Calendar. Mix of on-line and in-store events. Books Inc. Mix of on-line and in-store events. The Booksmith. Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC). Upcoming readings to be announced. African American Art & Culture Complex. See website for calendar. Alter Theatre. See website for upcoming productions. American Conservatory Theatre The Lehman Trilogy by Stefano Massini . Adapted by Ben Power, directed by Sam Mandes, May 25-June 23, Toni Rembe Theater. Aurora Theatre The Lifespan of a Fact by Jeremy Kareken & David Murrell and Gordon Farrell, June 21-July 21. Streaming: July 16-21. Awesome Theatre Company. Por La Noche (By Night), October 11 – 26, 2924. See website for information. Berkeley Rep Galileo, World Premiere Musical, book by Danny Strong, with Raul Esparza, extended to June 23, Roda Theatre. Mother Road by Octavio Solis, June 14-July 21, Peets Theatre. Berkeley Shakespeare Company. See website for upcoming shows. Boxcar Theatre. The Speakeasy. Must close June 29, 2024 Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: Company, June 5-29, Orpheum. Mrs. Doubtfire, July 2-28. Girl from the North Country, July 30-Aug 18, Golden Gate. See website for events at the Orpheum, Curran and Golden Gate. Broadway San Jose: Peter Pan, June 25-30. California Shakespeare Theatre (Cal Shakes). As You Like it, September 12 – 29. Center Rep: Cabaret, May 26 – June 23, Lesher Center for the Arts. Central Works Accused by Patricia Milton, July 13 – August 11. Cinnabar Theatre. La Boheme June 21 – July 5. Club Fugazi. Dear San Francisco ongoing. Check website for Music Mondays listings. Contra Costa Civic Theatre In Repertory: Hamlet and Rosencranz and Gildenstern Are Dead, September 7 – 22. Curran Theater: Sesame Street Live, Say Hello, June 7-8; The Cher Show, June 19-23. Custom Made Theatre. In hibernation. Cutting Ball Theatre. See website for upcoming shows. 42nd Street Moon. Bright Star postponed. Golden Thread Conversations with Artists via Zoom and Howlround TV, through June 13, 2024. Hillbarn Theatre: Always…Patsy Cline, August 22 – September 15. Lorraine Hansberry Theatre. See website for upcoming productions. Magic Theatre. Garuda's Wing by Naomi Iizuka, June 5-23. Marin Theatre Company Yaga by by Kurt Sondler, October 10 – November 3, 2024. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC) tick..tick..BOOM by Jonathan Larson, through June 16, 2024. Ride the Cyclone by Jacob Richmond & Brooke Maxwell, September 20 – October 20. Oakland Theater Project. Ghost of King Created by and featuring Michael Wayne Turner III June 6-23, 2024. Odd Salon: Upcoming events in San Francisco & New York, and streaming. Pear Theater. Chaplin and Keaton on the Set of Limelight by Greg Lam, June 28 – July 21, 2024. Presidio Theatre. See website for complete schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. The Glass Menagerie by Tennessee Williams, May 2 – June 15. SFBATCO I, Too, Sing America, Grace Cathedral, June 13-15. See website for upcoming streaming and in- theater shows. San Jose Stage Company: Dirty Rotten Scoundrels. June 5 – 30. Shotgun Players. Best Available by Jonathan Spector. May 18 – June 16. Website also lists one night only events at the Ashby Stage. South Bay Musical Theatre: Mary Poppins, the Broadway Musical, May 18 – June 8. Saratoga Civic Theater. Stagebridge: Shady Manor, a musical play by Prescott Cole. June 14-16. 2501 Harrison St., Oakland. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino Four Play by Jake Brunger, June 13 – July 7, 2024. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand. TheatreWorks Silicon Valley. Being Alive: A Sondheim Celebration June 5-20, Mountain View Center for the Performing Arts.. Word for Word. See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org The post Bookwaves/Artwaves – June 6, 2024: Maureen Gosling, The Films of Les Blank; Paul Auster Part Two appeared first on KPFA.
Maureen Gosling, filmmaker and film editor, discusses the films of noted documentary director Les Blank (1935-2013), which whom she collaborated for several years, along with her own career, in this interview with host Richard Wolinsky. A Retrospective of the films of Les Blank can be seen at Pacific Film Archive June 7 to July 27, 2024. Les Blank is best known for “Burden of Dreams,” an award winning documentary detailing the efforts of German director Werner Herzog in making his film “Fitzcarraldo” in the Peruvian jungle. Les Blank's work, though, focuses on the music and culture of the New Orleans and Louisiana, and the American South, with forays into the lives of several musicians, including rock legend Leon Russell. Maureen Gosling worked as a sound recordist and editor (and co-filmmaker) on several of Les Blank's films. Among her own films are There Ain't No Mouse Music: The Story of Chris Strachwitz and Arhoolie Records and The Nine Lives of Barbara Dane. The post Maureen Gosling: The Films of Les Blank appeared first on KPFA.
This week's show, after a 1964 Zombies zip: brand new Snuff, La Luz, Cloud Nothings, Buffalo Tom, Magnet School, Carla Olson, and Keith Richards, plus Catherine Wheel, Ray Charles, Kinks, Barbara Dane, Gladiators, Beatles, and Johnny Cash; and R.I.P. S...
This episode of The Other Side of the Bell, featuring jazz trumpeter/cornetist Marc Caparone, is brought to you by Bob Reeves Brass. Marc has been listening to classic jazz his entire life and is dedicated to keeping the traditions of the great early jazz trumpet players alive. His specialties are the jazz trumpet styles of the 1920's and ‘30s, and he also has a deep interest in jazz history that started when he began collecting records as a teenager. Marc has performed and recorded with many groups around the world including the High Sierra Jazz Band, Hal Smith's Rhythmakers with Rebecca Kilgore, Narvin Kimball's All Stars, Carl Sonny Leyland, Dave Stuckey's Hot House Gang, Dave Stuckey's Hoot Owls, Clint Baker's New Orleans Jazz Band, the Reynolds Brothers, The Western Swing All Stars and Barbara Dane, and with bands led by his wife, vocalist Dawn Lambeth. For several years Marc performed at Disney California Adventure as a member of the Ellis Island Boys. In addition to leading his own groups he has also put together groups to back up blues legends Little Charlie Baty and Duke Robillard. Marc is a regular member of the Holland-Coots Quintet, and Carl Sonny Leyland's Boogie Woogie Boys and leads the Sierra Stompers and the Back O Town All Stars. In 2022 he was inducted into the Western Swing Society Hall of Fame. To grab an appointment or find out more about Bob Reeves Brass at TMEA, use this link.
Bayside High School in Queens, New York began an early celebration of its 80th anniversary, making it one of the oldest public schools in the five boroughs.At a ceremony Saturday, U.S. Rep. Grace Meng (D-Flushing), state Assemblyman Ed Braunstein (D-Bayside) and state Sen. Tony Avella (D-Bayside) gathered with students, staff and alumni of the storied school to mark the occasion. The lawmakers presented proclamations declaring the importance of the school and the significance of the anniversary.Opened in 1936, and built during the Great Depression, Bayside High School was the first in the city to be constructed with federal funds from the New Deal-era Public Works Administration. The school cost $2.5 million.Gregg Sullivan, chairman of the Friends of Bayside High School, ran through many of the great historical events the school had borne witness to.“This school takes us through a number of great human events,” he said. “The Great Depression, World War II, the Korean and Vietnam wars and the J.F.K. assassination.The school was also home to the very first Folk and Rock Concert to benefit education in Native American schools in the United States as produced by student Rich Buckland.The historical significance of the school, and its 80 years as a single entity, were themes each speaker touched on.“You have to love what Bayside has been and is for the community,” Avella said. “It is a historic school.”Principal Michael Athy, speaking about his vision of the school—past, present and future—said the success of Bayside is due to its legacy as one of the most rigorous and community-oriented schools in the city.
The 9 Lives of Barbara Dane celebrates the extraordinary life of the political activist and musician. The Right to Read highlights the fight for child literacy.
#chambers #gospelmusic #mississippi #blues #musichistoryMark talks with legend and Chambers Brothers founder Willie Chambers about starting the band. Recording with Bob Dylan and Barbara Dane. Turning down Woodstock and performing at Newport. Alice Cooper living in their band house and told by Clive Davis that he would not allow them to record "Time Has Come Today" which became their signature hit.
Barbara Dane has led a groundbreaking life. In the 1950s she became a popular blues singer and performed with many leading musicians of the time including Louis Armstrong, Muddy Waters, Willie Dixon, Memphis Slim, Lightnin' Hopkins and many others. She eventually largely dropped out of the commercial music world to focus on activism becoming involved in the civil rights movement as well as the GI resistance movement during the Vietnam War. She and her husband Irwin Silber started the record label called Paredon to release music from freedom struggles across the globe. Dane also released her own recordings on Paredon–one was titled, “I Hate the Capitalist System.” In 2018 Barbara Dane stopped by the Democracy Now studio to talk about her remarkable life and play a few songs. Smithsonian Folkways has just released a new retrospective titled, “Barbara Dane: Hot Jazz, Cool Blues and Hard-Hitting Songs.”
Barbara Dane has led a groundbreaking life. In the 1950s she became a popular blues singer and performed with many leading musicians of the time including Louis Armstrong, Muddy Waters, Willie Dixon, Memphis Slim, Lightnin' Hopkins and many others. She eventually largely dropped out of the commercial music world to focus on activism becoming involved in the civil rights movement as well as the GI resistance movement during the Vietnam War. She and her husband Irwin Silber started the record label called Paredon to release music from freedom struggles across the globe. Dane also released her own recordings on Paredon–one was titled, “I Hate the Capitalist System.” In 2018 Barbara Dane stopped by the Democracy Now studio to talk about her remarkable life and play a few songs. Smithsonian Folkways has just released a new retrospective titled, “Barbara Dane: Hot Jazz, Cool Blues and Hard-Hitting Songs.”
Willie Chambers (born March 3, 1938) is a singer, guitarist, and former member of The Chambers Brothers, a rock band in the 1960s with hits "In The Midnight Hour", "I Can't Turn You Loose", and "Time Has Come Today". He continues to be a regular attraction at various venues in Los Angeles and further afield. Early career Edit Originally from Carthage, Mississippi, the Chambers Brothers first honed their skills as members of the choir in their Baptist church. This arrangement ended in 1952 when the eldest brother, George, was drafted into the Army. George relocated to Los Angeles after his discharge, and his brothers soon joined him. Beginning in 1954, the foursome played gospel and folk music throughout the Southern California region, but remained little known until 1965 when they began performing in New York City. Consisting of George (September 26, 1931 – October 12, 2019)[5] on washtub bass (later on bass guitar Danelectro and Gibson Thunderbird), Lester (b. April 13, 1940) on harmonica, and Willie (b. March 3, 1938) and Joe (b. August 22, 1942) on guitar, the group started to venture outside the gospel circuit, playing at coffeehouses that booked folk acts. They played at places like The Ash Grove, a very popular Los Angeles folk club. It became one of their favorite haunts and brought them into contact with Hoyt Axton, Ramblin' Jack Elliott, Reverend Gary Davis, and Barbara Dane. When Dane spotted the brothers there, she knew they would be perfect to do these freedom songs that people wanted to hear then. Dane became a great supporter, performing and recording with the brothers. With the addition of Brian Keenan (January 28, 1943 – October 5, 1985) on drums, Dane took them on tour with her and introduced them to Pete Seeger, who helped put the Chambers Brothers on the bill of the 1965 Newport Folk Festival. One of the songs they performed, "I Got It", appeared on the Newport Folk Festival 1965 compilation LP, which was issued on the Vanguard label. They were becoming more accepted in the folk community, but, like many on the folk circuit, were looking to electrify their music and develop more of a rock and roll sound. Joe Chambers recalled in a May 1994 Goldmine article that people at the Newport Folk Festival were breaking down fences and rushing to the stage. "Newport had never seen or heard anything like that." After the group finished and the crowd finally settled down, the MC came up and said "Whether you know it or not, that was rock 'n' roll." That night they played at a post-concert party for festival performers and went to a recording session of the newly electrified Bob Dylan. Shortly after appearing at Newport, the group released its debut album, People Get Ready. The group recorded "All Strung Out Over You" which was composed by Rudy Clark. It was released on Columbia 4-43957 on December 19, 1966. It was rushed out by Columbia after the label had rejected an early version of "Time Has Come Today". "All Strung Out Over You" became a regional hit for the group which gave them the opportunity to re-record "The Time Has Come Today".
Today, we hear how an art exhibit in San Francisco by Black women and femmes addresses societal pains and healing. The correlation between African American and Indigneous freedom. Then, a reading from local folk, blues and jazz legend Barbara Dane. Plus, we learn how Barbara Dane's work led her to become a champion for the emerging cause of women's rights.
Mark sits down with legendary, folk, jazz and blues vocalist Barbara Dane for a conversation about music, activism and her influence on popular music. Barbara has performed with everyone from Louis Armstrong to Pete Seeger to Lightening Hopkins and Muddy Waters to Bob Dylan and Joan Baez. Barbara talks about being pulled from a Louis Armstrong European Tour by the FBI and playing with Hugh Hefner on Playboy After Dark. Mark Hummel's Website www.markhummel.com Patreon https://www.patreon.com/markhummel Produced by Accidental Productions www.accidentalproductions.net Please check out our sponsors Seydel Harmonicas https://www.seydel1847.de Electro Fi Records http://www.electrofi.com Mountain Top Productions & Records https://www.westcoastblues.com
This week on Chasing Artists with XENJA we chat with actor Ian Ruskin about his three solo shows on the lives of Harry Bridges, Thomas Paine, and Nicola Tesla. Guest Bio Ian is a graduate of the Royal Academy of Dramatic Art. He founded The Harry Bridges Project in 2000 and has written, performed and produced many plays and radio and film documentaries, including From Wharf Rats to Lords of the Docks about labor leader Harry Bridges. He has performed the play over 250 times to approximately 50,000 people, including the English and Scottish Houses of Parliament. The film version, directed and shot by multi-Academy Award winner Haskell Wexler, aired nationwide on PBS for 4 years, making the film available to 150 million Americans. He has completed a new radio documentary A Wild Woman Sings the Blues about the life and work of Barbara Dane and is working on a treatment for a feature film based on the 1934 San Francisco General Strike. His play To Begin the World Over Again: the Life of Thomas Paine continues his mission to present the stories of forgotten and misunderstood heroes from American and European history. Performances have included The American Philosophical Society, Harvard Law School, Conway Hall in London, the Annual Meeting of the Organization of American Historians and in Boston's Faneuil Hall. NETA distributed the film of a live performance, also shot by Haskell Wexler, and 180+ stations aired it in 2017 and 2018. He has also completed and began performing his new one-man play about “the man who invented the 20th century” Nikola Tesla. Magic and Lightning: into the Mind of Nikola Tesla. Venues have included The American Philosophical Society and Theatre West in Los Angeles. Links to Guest http://www.ianruskin.org/ http://theharrybridgesproject.org/index.html http://www.thelifeofthomaspaine.org/ http://www.theteslaproject.org/ https://www.youtube.com/watch?v=ysfz71XihXQ&t= https://www.youtube.com/watch?v=3uKn37_WPoY Links to XENJA @iamxenja www.xenja.org www.xenja.bandcamp.com Produced by XENJA Music by XENJA Audio Editing by High Noon Audio
William Faulkner and the Civil War - Michael Gorra The Not Old Better Show, Smithsonian Associates Series Welcome to The Not Old Better Show on KSCW. That's Barbara Dane and The Chambers Brothers playing ‘It Isn't Nice” their version of the popular politically charged gospel and civil rights song. I hope you're enjoying a wonderful Saturday morning. So great to be with you today, following, of course, another excellent Community Chat with Gary Cohen, and good morning and welcome to the Not Old Better Show on KSCW. As part of our Smithsonian Associates Art of Living series, we have another excellent interview today for you with author, historian, award-winning, Pulitizer Prize finalist writer Michael Gorra. Michael Gorra will be presenting at the upcoming Smithsonian Associates program via Zoom, Sept 27, 2021, and details, and more information can be found on our website, and we'll be talking about another author, William Faulkner. He was an uncompromising modernist, a great chronicler of the American South, and inspiration—as well as an immovable obstacle—for the generations of writers who followed. William Faulkner (1897–1962) stands as one of the greatest, and one of the most problematic figures in American literature. Faulkner was Mississippi-born—a white man of his time and place who did not always rise above it. Yet his work also provides a burning account of the intersection of race, region, and remembrance: a probing analysis of a past that we have never yet put behind us. He set almost all his work in what he called an “apocryphal” territory, the imaginary Yoknapatawpha County in northern Mississippi. He carried characters and plotlines over from one book to another, as if the land itself were sprouting a story in which everything and everyone was connected. Michael Gorra will be reading to us from his new book, ‘The Saddest Words,' so stick around for this enlightening, historical interview with Michael Gorra. My thanks to Michael Gorra for his time, expertise, and thoughtful preparation in joining me today. My thanks to My thanks, always, to the Smithsonian team for all they do to support the show. Of course, my thanks to you, our wonderful Not Old Better Show audience here on KSCW. Please keep your emails coming to me at info@notold-better.com. Remember, let's talk about better. The Not Old Better Show on KSCW. Thanks, everybody. "But what really matters in his Mississippi isn't finally the lost war, the Lost Cause; nor is it the quarrel between the mythic grace of the Old South and the grasping hands of the New. What matters are all of the wasted years since. What matters is the century between the Emancipation Proclamation and the Voting Rights Act of 1965. The legacy--the final meaning--of the Civil War lives on in the things undone, the work unfinished and the wounds unbound; it lives in the continued resistance to any attempt at amelioration. It lives in our quarrels; it lives today in the battle of the blue and the red." FOR MORE DETAILS, PLEASE CLICK HERE: https://smithsonianassociates.org/ticketing/subscriptions/series/?id=175498&utm_source=SI-Trumba-Calendar&utm_medium=SIWeb&utm_campaign=2021FY-Trumba-SA-ev&utm_content=SA-Trumba-event&tmssource=254086
My guest today is Jessica Thompson a GRAMMY-nominated mastering and restoration engineer, audio preservation specialist, and educator. She has digitized, restored, and revived historic recordings for artists ranging from jazz pianist Erroll Garner to blues and folk revolutionary Barbara Dane, from Ethiopian keyboardist Hailu Mergia to proto punk band Jack Ruby, from anarcho-punk band Crucifix to synthesizer legend Pauline Anna Strom. She masters music both new and old and has worked on records for Michael Daves, Flipsyde, Matthew McNeal, International Dub Ambassadors, Teno Afrika, Occurrence, and many more. She sometimes writes gear reviews for Tape Op Magazine and contributed a chapter on "Mastering the Sonics of Historic Recording Media" for the book Music Preservation and Archiving Today. She currently serves as President of the San Francisco Chapter of the Recording Academy. In her spare time, she likes to ride steel bikes and walk her dog, Eddie. Thanks so much to Ian Brennan for making our introduction! Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://JZmic.com Use coupon ROCKSTARS to get 20% off The Pop Filter https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off https://carltatzdesign.com/Mixroom-Mentor http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/6kbid1aHWyvUO1fnACzR7a?si=3f602b0abcd3468d If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/310
Vemod, kraft och hopp. Det är kampsångens tre grundläggande beståndsdelar, ljudligt illustrerat i vår specialpodd. I avsnittet, som ursprungligen lades ut av Journalistpodden 2017, hörs i tur och ordning Nationalteatern, Barbara Dane och Peter Licht.
When Detroit-born singer and organizer Barbara Dane attended the 1967 Festival de la Cancion Politica in Havana it sparked a bold idea: she would launch a grassroots record label to curate music from the world's revolutionary anti-colonial movements. Thus was born Paredon Records. Forget everything you've learned about the protest music of the 1960's and tune in as Ryan and Riot-Folk alum turned public radio producer Mark Gunnery speak with Barbara about the vision behind Paredon, the incredible artists she collaborated with and her defiant journey as a blacklisted leftist musician in the Cold War. --- Support this podcast: https://anchor.fm/ryanharveymusic/support
As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles. She left the mainstream music industry and became a revolutionary music producer – literally. Spurred by Fidel Castro’s international gathering of protest singers, Dane created a record label that published the sounds of social change around the world, and inspired generations of protest music to come.
As an up-and-coming young blues singer in the 1950s, Barbara Dane faced a choice: fame and fortune, or her principles. She left the mainstream music industry and became a revolutionary music producer – literally. Spurred by Fidel Castro’s international gathering of protest singers, Dane created a record label that published the sounds of social change around the world, and inspired generations of protest music to come.
From the third floor of a Northeastern suburb, tonight's episode finds your faithful deejay, Frozen Lazuras, spinning choice cuts from The Tragically Hip, Mercury Rev, Barbara Dane, KRS-One, Frat Dad, and so many more. Come for the pudding. Stay for the wrist.
Lana's cover of “Doin' Time”, Super Mario Theme, brief clip from “Nolia Clap” by UTP, “I Hate The Capitalist System” by Barbara Dane, the beautiful piano stylings of legendary Ethiopian nun Emahoy Tsegué-Maryam Guèbro, a reversed clip from Kanye's “Wolves” makes its 2nd appearance on the Petroleum Boogie, anti-imperialist and anti-capitalist wisdom from Zack de la Rocha, I read my poem “RIP James Gandolfini”, audio from a documentary about Pat Tillman, a Nils Lofgren song that was used beautifully in a Sopranos episode, the final rap battle from 8 Mile, and Eamon's iconic Bush Era heartbreak jam, “Fuck It”
Music From Africa to China to Mexico to Louisiana to The Great White North. Happy Birthday to Steve Winwood and Barbara Dane and Happy World Fiddle Day to one and all! The show ended with a sudden burst of laughter. This is good!!
May 4, 2020 was the 50th anniversary of the Kent Stae Massacre. For many of us from that generation this was a turning point. Unarmed college students killed by gunfire from the Ohio National Guard. Many of us have never recovered from the shock of that day. On this week’s program, we feature classic music from the period and some new songs written today about the incident, including songs from Barbara Dane, Neil Young, Joni Mitchell, Gordon Thomas Ward, Magpie and many more. Return to a dark time in American History … this week on The Sing Out! Radio Magazine. Episode #20-19: Four Dead in Ohio Host: Tom Druckenmiller Artist/”Song”/CD/Label Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways Malcolm Dalglish & Grey Larsen / “Thunderhead” / Thunderhead / Flying Fish Neil Young / “Ohio” / Live at Massey Hall 1971 / Reprise Pete Hamill w/ Bill “Rosko” Mercer / “Four Children Still Dead” / Murder at Kent State / Flying Dutchman Barbara Dane / “The Kent State Massacre” / I Hate the Capitalist System / Smithsonian Folkways Graham Nash / “Military Madness” / Songs for Beginners / Atlantic Magpie / “Kent” / Give Light / Sliced Bread Peter, Paul & Mary / “The Great Mandella (The Wheel of Life) / Album 1700 / Warner Brothers The Byrds / “Draft Morning” / The Notorious Byrd Brothers / Columbia Malcolm Dalglish & Grey Larsen / “Springwater at Jerry's” / Thunderhead / Flying Fish Gordon Thomas Ward / “Four Angels” / Eiderdown / Self Produced Pete Seeger / “The Quiet Joys of Brotherhood” / God Bless the Grass / Columbia Phil Ochs / “The War is Over” / Single / A+M Joni Mitchell / “The Fiddle and the Drum” / Clouds / Reprise Crosby, Stills, Nas & Young / “Find the Cost of Freedom” / So Far / Atlantic Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways
Where does it all start? Sully believes it begins with "the dangers of government." The abuse of power, fear mongering, paranoia, deception and cover ups- that's where it, starts. It, has a consequence. People begin to pay attention, begin to doubt and question the motives of their government. When "the people" begin to act and demand accountability and transparency, people in power start to get caught. People like Joseph McCarthy and Richard Nixon. Movements and scenes emerge like the SDS (Students for a Democratic Society), The Black Panthers and The Weather Underground. Both Ken Hughes' book, Chasing Shadows and Ronald Brownsteins', The Second Civil War, are the blueprints for these two episodes, while Good Morning Vietnam, Apocalypse Now and the documentary The Weather Underground directed by Sam Green and Bill Siegel help provide humor and context. All of this set on a backdrop of folk, punk and rock music. What was the media's impact on students and civilians alike by televising the Vietnam War? Who was the Dragon Lady and why were the Paris peace talks sabotaged? What were the political identities of newspapers and how did people rely on such magazines as Time and Life? As these questions find answers, more questions undoubtedly unfold. Whether you are a Republican, Democratic, Socialist, Communist, Liberal or maybe just a punk, this is the historical hootenanny to listen to. Let the likes of Nina Simone, The Temptations, Dead Kennedys, and Barbara Dane chime into the conversation with such song's as "I wish I knew how it would feel to be free", "Holiday in Cambodia", and "Ballad of the Unknown Soldier". These songs and their lyrics hold as much weight about this era as any book or conversation. Much like the Folk Music Revival so eloquently documented in the book "Folk City: New York and the American Folk Music Revival" by Stephen Petrus and Ronald D. Cohen, John Flanagin brings thoughtful nuanced sensibilities to a time when everyone was being sent, in the words of Joe Strummer, "straight to hell." List of songs that are in this episode and songs that should be:russian roulette, exhuming mccarthy, straight to hell, charlie don't surf, holiday in cambodia, ballad of the unknown soldier, I don't want your millions mister, ball of confusion, ride of the valkyries, run through the jungle, I wish I knew how it would feel to be free, funkier than a mosquito's tweeter, draft dodger rag, subterranean homesick blues, hurricane, shot of love, ohio, for what it's worth, ripple, dire wolf, hyperbolicsyllabicsesquedalymistic, going in circles, why do I keep fuckin' up, after the gold rush (full album), comes a time (full album), hot buttered soul (full album), black moses (full album), wake of the flood (full album), terrapin station (full album).
Where does it all start? Sully believes it begins with "the dangers of government." The abuse of power, fear mongering, paranoia, deception and cover ups- that's where it, starts. It, has a consequence. People begin to pay attention, begin to doubt and question the motives of their government. When "the people" begin to act and demand accountability and transparency, people in power start to get caught. People like Joseph McCarthy and Richard Nixon. Movements and scenes emerge like the SDS (Students for a Democratic Society), The Black Panthers and The Weather Underground. Both Ken Hughes' book, Chasing Shadows and Ronald Brownsteins', The Second Civil War, are the blueprints for these two episodes, while Good Morning Vietnam, Apocalypse Now and the documentary The Weather Underground directed by Sam Green and Bill Siegel help provide humor and context. All of this set on a backdrop of folk, punk and rock music. What was the media's impact on students and civilians alike by televising the Vietnam War? Who was the Dragon Lady and why were the Paris peace talks sabotaged? What were the political identities of newspapers and how did people rely on such magazines as Time and Life? As these questions find answers, more questions undoubtedly unfold. Whether you are a Republican, Democratic, Socialist, Communist, Liberal or maybe just a punk, this is the historical hootenanny to listen to. Let the likes of Nina Simone, The Temptations, Dead Kennedys, and Barbara Dane chime into the conversation with such song's as "I wish I knew how it would feel to be free", "Holiday in Cambodia", and "Ballad of the Unknown Soldier". These songs and their lyrics hold as much weight about this era as any book or conversation. Much like the Folk Music Revival so eloquently documented in the book "Folk City: New York and the American Folk Music Revival" by Stephen Petrus and Ronald D. Cohen, John Flanagin brings thoughtful nuanced sensibilities to a time when everyone was being sent, in the words of Joe Strummer, "straight to hell." List of songs that are in this episode and songs that should be:russian roulette, exhuming mccarthy, straight to hell, charlie don't surf, holiday in cambodia, ballad of the unknown soldier, I don't want your millions mister, ball of confusion, ride of the valkyries, run through the jungle, I wish I knew how it would feel to be free, funkier than a mosquito's tweeter, draft dodger rag, subterranean homesick blues, hurricane, shot of love, ohio, for what it's worth, ripple, dire wolf, hyperbolicsyllabicsesquedalymistic, going in circles, why do I keep fuckin' up, after the gold rush (full album), comes a time (full album), hot buttered soul (full album), black moses (full album), wake of the flood (full album), terrapin station (full album).
durée : 00:59:46 - Où allons nous ? - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat
This week on Definitely Dylan Live, we freestyle on Dylan’s remarkable love for Jimmy Buffett, whatsoever the studio drama could have been that inspired the song “Dirge” from 1974’s Planet Waves, and whether it was Dylan or Earl Scruggs that was more nervous when the two met and recorded East Virginia Blues at Scruggs’ house. Here’s the link to Barbara Dane’s haunting version of “When I Was a Young Girl”, which came up while we were discussing “Where Teardrops Fall” from 1989’s Oh Mercy, and its interesting connections to the well-traveled cowboy folk classic “Streets of Laredo”.Finally, to demonstrate how the @defdylan Twitter account pulls no punches when it comes to bold opinions, this week’s show closes with the greatest song ever written*, Dylan’s heartbreaking “Standing in the Doorway” from 1997’s Time Out of Mind. *views subject to change at any time, no notice required. Playlist:DirgeStreets of Laredo - Joan Baez (Live in Concert)Where Teardrops FallEast Virginia Blues (with Earl Scruggs & Friends)Standing In The Doorway
To celebrate the new WFYI documentary The Revolutionist: Eugene V. Debs, I'll be featuring an hour of protest music - including a look back to my 2018 interview with musician/activist Barbara Dane.
To celebrate the new WFYI documentary The Revolutionist: Eugene V. Debs, I'll be featuring an hour of protest music - including a look back to my 2018 interview with musician/activist Barbara Dane.
To celebrate the new WFYI documentary The Revolutionist: Eugene V. Debs, I'll be featuring an hour of protest music - including a look back to my 2018 interview with musician/activist Barbara Dane.
Of course, following the sad news of David Berman's untimely demise recently we thought it fitting to play Silver Jews. David Berman was a wonderful man and his music reflects this. More on David Berman later on, because we have much more besides. SALES bookend the show with flavours of Joy Division and Suzanne Vega. There is some promise as we expect a Chinese takeaway delivery only to be reminded it's New Year and no such delicious meal is in sight. We discover that making music purely for your own enjoyment is a thing. Sir Woman was doing just this, much like Keaton Henson whom has graced the show previously. But Sir Woman isn't the only one and we have more secretive music makers being showcased on the show in coming weeks. Over nineties music making sensation Barbara Dane sings of the binds of conjugal felicity in her wonderful Single Girl. You think you know about protest singers? Woody, Bob and Pete? Be prepared to relearn what you think you know as Barbara Dane towers above them all. Is there anything else? There sure is. Flogging Molly mix never ending Irish reels with rock and roll and send us heading for the dance floor. And finally, before the close of the show we introduce you to The Local Honeys. Straight out of Kentucky these two ladies are the real deal. Banjo player Montana Hobbs and guitarist Linda Jean Stokley manage to blend bluegrass foot stompers with sweet Appalachian mountain harmonies. Able to drive hard fiddle based tunes, sing the high lonesome sound and tell a damn good story these girls are destined for great things. You can even hire them out for your own events via their website! Chinese New Year SALES Random Rules Silver Jews Making Love Sir Woman Single Girl Barbara Dane Devil's Dance Floor Flogging Molly The Junkman The Local Honeys Renee SALES David Berman - the legacy of beautiful music remains The first time I met David Berman was at a backyard party at Grimey’s Records in Nashville. One of the fun ideas Grimey’s cooked up that day was to have a “Meet and Greet The Nashville Indie Rockers” table, and at this table was David Berman, Kurt from Lambchop, and me. I found David Berman funny, avuncular, and sweet. Not many people came up to talk to us - most of the people at the party already knew us, and we probably all felt a little silly and embarrassed sitting there. It felt a little like that scene in Spinal Tap when no one shows up for the autograph signing at the record store. Kurt killed time by drawing ‘blind caricatures’ of us by placing a blindfold on his face and drawing our portraits from memory. I still have mine. David had with him two old Silver Jews 7” singles he was trying to sell. A young woman eventually came up and asked about them. “They’re $3 each,” David told her. “I only have $5,” said the girl. “That’s OK, take them,” said David, handing her the records. “I’m not here today to make money. I’m here to make friends.” 2008 low point In 2008 I was at a very low point in my life. I was in the midst of what is often euphemistically known as a “messy divorce” and was about to be dropped from my label. Also being informed, while on tour, that the record store I managed back home was to close, leaving me unemployed. I had been abandoned by both my band and my then-wife in the middle of a grueling five-week tour across the US. The final two weeks of this tour were dates opening for Silver Jews. By this point on the tour I was traveling alone. I was already friends with guitarist William Tyler and bassist Cassie Berman. The latter of whom played bass in a short-lived band I was in at the time called HP Witchcraft. I didn’t really know the rest of the band very well. Word spreads quickly in our small circle of indie rockers. By the time I met up with the Silver Jews crew in New Orleans, everyone had already heard about my recent run of hard luck. The entire band and crew made me feel very welcome at a time when I really needed it. It felt good to be among friends. They were sympathetic but not pitying or meddlesome.Each of them made an effort, despite their demanding schedules, to hang out with me and make sure I was OK. A few of them even offered to travel with me and keep me company on the road. David Berman in particular was a good friend to me during this time despite people constantly seeking his attention and tugging on his sleeve. David Berman to the rescue On the last night of the tour, at the Echoplex in LA, I was asked to join the band onstage for the last song of their set, “Punks in the Beerlight.” Cassie and guitarist Peyton Pinkerton quickly ran through the chords of the song with me backstage. Cassie told me she’d cue me when it was time to join the band onstage. David Berman was blind as a bat. He also didn’t like to wear his glasses onstage. When it came time for me to accompany the band on “Punks In The Beerlight,” David saw me approach, but didn’t recognize me at first, only seeing the shape and shadow of a big guy hopping up onstage and fiddling with an amplifier. Oh, well, I guess they’re pulling the plug on us, sorry. The crowd booed. David Berman Myopic misunderstanding In his blindness, David, having momentarily forgot about the plan for me to sit in with the band. He thought I was a security guard cutting the power and coming to tell him the show was past curfew and they had to stop. “No, David, that’s James!” explained Cassie. Everyone laughed. It was a memorable moment and I still smile when I think about it. The last time I spoke to David he suggested I call my new band “Orangutan Menopause.” Then he apologized for not being more present during the tour years earlier when he knew I was going through so much gnarly shit. I told him truthfully that I never felt that he was anything but present. Those last shows of the tour with Silver Jews might have saved my life. At the very least, if he and his band hadn’t been as generous, sweet, and hospitable to me as they were, I almost definitely would have bailed on the remainder of the tour and God only knows what else. David is still there for me, as he is for so many of you, when I listen to his songs. Though it will be a while before I am able to listen to them again, I expect that they will remain just as beautiful as before, if a lot sadder. To the max. Written by James Jackson Toth and published on Aquarium Drunkard Further reading - The David Berman interview
Host Kyle Long reflects on the amazing guests this year on Cultural Manifesto - from jazz icon Herbie Hancock, to folk music pioneer Barbara Dane. For the next couple weeks on Cultural Manifesto we look back at some of Kyle's favorite interviews and music of 2018, and look ahead to 2019. On this episode, words and music from: soul music outsider Swamp Dogg, The Beach Boys' Brian Wilson, Ryan Lott of Son Lux, 24 Carat Black's C Niambi Steele, trombonist and Tribe Records' co-founder Phil Ranelin, George Benn and Kenny Simms of the legendary Indianapolis jazz fusion band Merging Traffic, singer-songwriter Yadin Kol, and soul singer extraordinaire Keiana Whatley.
Host Kyle Long reflects on the amazing guests this year on Cultural Manifesto - from jazz icon Herbie Hancock, to folk music pioneer Barbara Dane. For the next couple weeks on Cultural Manifesto we look back at some of Kyle's favorite interviews and music of 2018, and look ahead to 2019. On this episode, words and music from: soul music outsider Swamp Dogg, The Beach Boys' Brian Wilson, Ryan Lott of Son Lux, 24 Carat Black's C Niambi Steele, trombonist and Tribe Records' co-founder Phil Ranelin, George Benn and Kenny Simms of the legendary Indianapolis jazz fusion band Merging Traffic, singer-songwriter Yadin Kol, and soul singer extraordinaire Keiana Whatley.
Host Kyle Long reflects on the amazing guests this year on Cultural Manifesto - from jazz icon Herbie Hancock, to folk music pioneer Barbara Dane. For the next couple weeks on Cultural Manifesto we look back at some of Kyle's favorite interviews and music of 2018, and look ahead to 2019. On this episode, words and music from: soul music outsider Swamp Dogg, The Beach Boys' Brian Wilson, Ryan Lott of Son Lux, 24 Carat Black's C Niambi Steele, trombonist and Tribe Records' co-founder Phil Ranelin, George Benn and Kenny Simms of the legendary Indianapolis jazz fusion band Merging Traffic, singer-songwriter Yadin Kol, and soul singer extraordinaire Keiana Whatley.
Proposte e riflessioni musicali di fine 2018: Bowie, John Cage, Honkeyfinger, Stooges, Zeena Parkins, Tommy Johnson, Barbara Dane, Miles Davis, Soweto Kinch, Gil Scott Heron, Blind Willie McTell, Vladimir Sofroniski, Luciano Berio, David Greilsammer
Filmmakers Maureen Gosling (BURDEN OF DREAMS) and Jed Riffe (THE LONG SHADOW) have joined forces with producer (and daughter of Barbara Dane) Nina Menéndez (TROPICOLA), to begin production on a feature-length Dane Documentary, "On My Way".
Hurdy Gurdy Womens Songs across a variety of issues and topics, from racism to sexism, patriarchy and inequality. Here's the playlist: 1. Barbara Dane “I Hate the Capitalist System” from I Hate the Capitalist System (1973) on Paredon Records/Smithsonian Folkways Recordings 2. Laura Nyro “Save the Country” from Eli and the Thirteenth Confession (MP3) 3. Laurie Anderson “O Superman” from Big Science (MP3) on Nonesuch (USA) 4. Ani Difranco “Play God” from Binary (2017) 5. Aretha Franklin “Do Right Woman, Do Right Man” from 30 Greatest Hits (MP3, 1967) 6. Nina Lee “Freedom” from Freedom 7. Joan Baez “Plane Wreck At Los Gatos (Deportee)” from Blessed Are... (Bonus Track Version) (1971) 8. Buffy Sainte-Marie “The War Racket” from Medicine Songs (2017) on True North Records 9. Sharon Jones & The Dap-Kings “This Land is Your Land (From the Motion Picture "Up in the Air")” from This Land Is Your Land (From the Motion Picture "Up in the Air") on Daptone Records 11. Beyoncé “Run the World (Girls)” from 4 (Expanded Edition) (2011) 02:44PM-02:47PM (3:00) Nina Simone “Mississippi Goddam (Live) [Remastered]” from Miss Simone: The Hits (2015)
Letting the women do the talking (or singing) this week Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Double Down by Slothrust on The Pact (Dangerbird Records) 4′22″ New Year's Eve by Mal Blum on Every Time You Go Somewhere (Don Giovanni Records) 10′26″ Little Sadie by Hedy West on Hedy West Accompanying Herself On The 5 String Banjo (Vanguard) 13′23″ Let The Sun Shine Down On Me by Jean Ritchie on Mountain Hearth & Home (Elektra) 15′50″ Windy City Blues by Ruth Ladson on Chicago Blues Vol. 2 (Document) 18′40″ Let Me Down Easy by Bettye LaVette on Nearer To You (n/a) 21′52″ High & Wild by Angel Olsen on Burn Your Fire For No Witness (Jagjaguwar) 25′43″ Are you Looking After yourself by Courtney Barnett on A Sea of Split Peas (Marathon Artists) 31′05″ Wayside/Back in Time by Gillian Welch on Soul Journey (Acony Records) 34′52″ One Way Street by Ann Peebles on I Can't Stand the Rain (Hi Records) 37′48″ Sweet Little Angel by Big Mama Thornton on Ball And Chain (Arhoolie Records) 45′05″ When You Die by Lala Lala on The Lamb (Hardly Art) 48′21″ Heartache by The She's on All Female Rock and Roll Quartet (Empty Cellar Records) 52′02″ Cinnamon by Girl K on Cinnamon (n/a) 56′31″ New Red Pants by Slothrust on The Pact (Dangerbird) 59′06″ Sing Sung Saing by Penny Honeywell on Faint Humms (n/a) 62′31″ Treat Me Right by Norma Tanega on Walkin' My Cat Named Dog (Rhino) 65′34″ Babe, I'm Gonna Leave You by Joan Baez on In Concert (Vanguard) 69′13″ People Talkin' by Lucinda Williams on World Without Tears (Lost Highway) 75′11″ Just a Heart by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 77′53″ Last Kind Words Blues by Geeshie Wiley on American Primitive Vol. II: Pre-War Revenants (1897-1939) (Revenant) 80′35″ Livin' With The Blues by Odetta on Odetta Sings (Universal (MT)) 83′14″ Nine Hundred Miles by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 86′07″ In My Own Dream by Karen Dalton on In My Own Time (Paramount Records) 90′48″ Careless Love by Madeleine Peyroux on Careless Love (Rounder) 94′19″ Wandering Star by POLIÇA on Give You The Ghost (Mom + Pop) 99′50″ Pantheon Punk by Idgy Dean on Ominous Harminus (n/a) 104′03″ Born, Never Asked by Laurie Anderson on Big Science (Warner Brothers) 109′42″ All Apologies by Sinead O'Connor on Universal Mother (Chrysalis Records) 113′12″ Motion Sickness by Phoebe Bridgers on Motion Sickness (Dead Oceans) 115′18″ Sextet in C Minor by Louise Farrenc (n/a) Check out the full archives on the website.
Letting the women do the talking (or singing) this week Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Double Down by Slothrust on The Pact (Dangerbird Records) 4′22″ New Year's Eve by Mal Blum on Every Time You Go Somewhere (Don Giovanni Records) 10′26″ Little Sadie by Hedy West on Hedy West Accompanying Herself On The 5 String Banjo (Vanguard) 13′23″ Let The Sun Shine Down On Me by Jean Ritchie on Mountain Hearth & Home (Elektra) 15′50″ Windy City Blues by Ruth Ladson on Chicago Blues Vol. 2 (Document) 18′40″ Let Me Down Easy by Bettye LaVette on Nearer To You 21′52″ High & Wild by Angel Olsen on Burn Your Fire For No Witness (Jagjaguwar) 25′43″ Are you Looking After yourself by Courtney Barnett on A Sea of Split Peas (Marathon Artists) 31′05″ Wayside/Back in Time by Gillian Welch on Soul Journey (Acony Records) 34′52″ One Way Street by Ann Peebles on I Can't Stand the Rain (Hi Records) 37′48″ Sweet Little Angel by Big Mama Thornton on Ball And Chain (Arhoolie Records) 45′05″ When You Die by Lala Lala on The Lamb (Hardly Art) 48′21″ Heartache by The She's on All Female Rock and Roll Quartet (Empty Cellar Records) 52′02″ Cinnamon by Girl K on Cinnamon 56′31″ New Red Pants by Slothrust on The Pact (Dangerbird) 59′06″ Sing Sung Saing by Penny Honeywell on Faint Humms 62′31″ Treat Me Right by Norma Tanega on Walkin' My Cat Named Dog (Rhino) 65′34″ Babe, I'm Gonna Leave You by Joan Baez on In Concert (Vanguard) 69′13″ People Talkin' by Lucinda Williams on World Without Tears (Lost Highway) 75′11″ Just a Heart by Hurray For The Riff Raff on My Dearest Darkest Neighbor (This is American Music) 77′53″ Last Kind Words Blues by Geeshie Wiley on American Primitive Vol. II: Pre-War Revenants (1897-1939) (Revenant) 80′35″ Livin' With The Blues by Odetta on Odetta Sings (Universal (MT)) 83′14″ Nine Hundred Miles by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 86′07″ In My Own Dream by Karen Dalton on In My Own Time (Paramount Records) 90′48″ Careless Love by Madeleine Peyroux on Careless Love (Rounder) 94′19″ Wandering Star by POLIÇA on Give You The Ghost (Mom + Pop) 99′50″ Pantheon Punk by Idgy Dean on Ominous Harminus 104′03″ Born, Never Asked by Laurie Anderson on Big Science (Warner Brothers) 109′42″ All Apologies by Sinead O'Connor on Universal Mother (Chrysalis Records) 113′12″ Motion Sickness by Phoebe Bridgers on Motion Sickness (Dead Oceans) 115′18″ Sextet in C Minor by Louise Farrenc
The beginning! We're gonna have a new start, a new beginning, we need a change, it can't wait. The time has come - Moonlight Mile radio. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Let's Start by Fela Kuti & Ginger Baker on Fela With Ginger Baker Live! (Knitting Factory) 8′35″ I'm Ready by Muddy Waters on The Chess Box (Chess Records) 11′30″ New Amsterdam by The Love Language on New Amsterdam (Merge Records) 15′40″ Right Now, Right Now by Al Green on Gets Next to You (Hi Records) 18′30″ Wake Up Jacob by Pete Seeger on Frontier Ballads (Folkways) 18′49″ New Morning by Bob Dylan on New Morning (Columbia) 22′55″ Good Morning Little School Girl by Mississippi Fred McDowell on I Don't Play Rock N' Roll (Capitol Records ) 27′19″ Surprise by Lukas Nelson & Promise of the Real on Something Real (Royal Potato Family) 31′46″ I Hope the Crowd Is Great by Nate Bargatze on Yelled At By A Clown (aspecialthing) 33′02″ New Paint by Loudon Wainwright III on Album III (Sony Records) 36′50″ Starting Over by Black Lips on 200 Million Thousand (Vice Records) 40′46″ Wednesday by Carlie Mari on Bitch Like Me - EP (Self Release) 45′38″ The Bright New Year by Bert Jansch on Birthday Blues (Sanctuary Records) 47′12″ Early in the Morning by Harry Nilsson on Nilsson Schmilsson (BMG) 50′08″ Can't Wait No Longer by Otis Rush on Mourning in the Morning (Atlantic Records) 54′11″ Slipping (Into Something) by The Feelies on The Good Earth (Bar/None Records) 60′05″ Morning Light by The Tissues on Veil (Independent) 62′43″ I Think I See The Light by Cat Stevens on Mona Bone Jakon (Island Records) 66′36″ Hello-Goodbye by George Carlin on Playin' With Your Head (Atlantic Records) 70′49″ Nothing Left to Lose by The Spiral Electric on Ask the Sky (Self Release ) 74′27″ New For You by Hinds on I Don't Run (Mom+Pop) 80′45″ Turn! Turn! Turn! by Pete Seeger on Best of (Smithsonian) 83′53″ (Where Do I Begin) Love Story by Shirley Bassey on 70s Soul (Warner) 87′30″ I'm On My Way by Barbara Dane on Livin' With the Blues (Fresh Sound Records) 90′43″ Hey Dude by Justin & The Cosmics on Perf (Independent) 95′30″ Time Has Come Today by The Chambers Brothers on The Time Time Has Come (--) 101′17″ Early In The Mornin' by Alan Lomax on Negro Prison Blues and Songs (Legacy Records) 107′01″ New Coat of Paint by Tom Waits on The Heart of Saturday Night (Island) 110′43″ Brand New Sun by Jason Lytle on Yours Truly, The Commuter (Anti) 115′50″ You'll Never Know by The Redwalls on Universal Blues (Self Release) Check out the full archives on the website.
In collaboration with Smithsonian Folkways Kyle presents a special two part episode of Cultural Manifesto featuring the words and music of American folk music legend Barbara Dane. Bob Dylan on Barbara Dane, "The world needs more people like Barbara, someone who is willing to follow her conscience. She is, if the term must be used, a hero."
In collaboration with Smithsonian Folkways Kyle presents a special two part episode of Cultural Manifesto featuring the words and music of American folk music legend Barbara Dane. Bob Dylan on Barbara Dane, "The world needs more people like Barbara, someone who is willing to follow her conscience. She is, if the term must be used, a hero."
In collaboration with Smithsonian Folkways Kyle presents a special two part episode of Cultural Manifesto featuring the words and music of American folk music legend Barbara Dane. Bob Dylan on Barbara Dane, "The world needs more people like Barbara, someone who is willing to follow her conscience. She is, if the term must be used, a hero."
In collaboration with Smithsonian Folkways Kyle presents a special two part episode of Cultural Manifesto featuring the words and music of American folk music legend Barbara Dane. Bob Dylan on Barbara Dane, "The world needs more people like Barbara, someone who is willing to follow her conscience. She is, if the term must be used, a hero."
In collaboration with Smithsonian Folkways Kyle presents a special two part episode of Cultural Manifesto featuring the words and music of American folk music legend Barbara Dane. Bob Dylan on Barbara Dane, "The world needs more people like Barbara, someone who is willing to follow her conscience. She is, if the term must be used, a hero."
In collaboration with Smithsonian Folkways Kyle presents a special two part episode of Cultural Manifesto featuring the words and music of American folk music legend Barbara Dane. Bob Dylan on Barbara Dane, "The world needs more people like Barbara, someone who is willing to follow her conscience. She is, if the term must be used, a hero."
The Intercept’s Ryan Devereaux talks about his recent reporting in the border state of Arizona and paints a harrowing picture of the human toll of family separations by ICE. Alice Speri lays out her investigation of sexual abuse by ICE officers and contractors in immigration detention centers. Sohail Daulatzai discusses his new book," With Stones in Our Hands: Writings on Muslims, Racism and Empire," and explains why the film "The Battle of Algiers" is still relevant more than 50 years since its release. The legendary resistance singer Barbara Dane shares stories from her 91 years on earth fighting militarism, racism, and economic injustice. Plus, Homeland Security Secretary Kirstjen Nielsen competes on Jeopardy! and we hear a cover of “The Partisan” from composers and musicians Leo Heiblum of Mexico and Tenzin Choegyal of Tibet.
Dr. Marshall Ganz is now a senior lecturer in public policy at Harvard University. But he spent almost 30 years as an organizer with the Civil Rights Movement, United Farmworkers Movement, and more. When Marshall joined the Mississippi Summer Project in 1964, he faced a powerful turning point that called him to find his own courage. We talk about uncovering the hope you need to turn threats into challenges, and about the ongoing practice of leadership, which Marshall defines as: "taking responsibility for enabling others to achieve shared purpose under conditions of uncertainty." BONUS: The Sources of Hope reflection guide is at www.kamararose.com/resources. You can find Marshall at www.marshallganz.com References: "Freedom Is A Constant Struggle," Barbara Dane & the Chambers Brothers https://www.youtube.com/watch?v=1OXxCc-Lw88 Maimonides https://en.wikipedia.org/wiki/Maimonides Georg Simmel, "The Stranger." https://www.infoamerica.org/documentos_pdf/simmel01.pdf Rabbi Hillel https://en.wikipedia.org/wiki/Hillel_the_Elder Moses and Jethro, Exodus 18 Carol Dweck, on growth mindset versus fixed mindset https://www.ted.com/talks/carol_dweck_the_power_of_believing_that_you_can_improve Zeynep Tufekci, "Twitter and Tear Gas: The Power and Fragility of Networked Protest." https://yalebooks.yale.edu/book/9780300215120/twitter-and-tear-gas Judy Collins, "Pass it On." https://www.youtube.com/watch?v=FbLa9SftNto
Nu handlar det om kampsångens triptyk! I sedvanlig ordning avslutar Journalistpodden säsongen med ett musikavsnitt som räddar semestern! Den här gången blir det en personlig betraktelse av poddgeneralen Jonas Nordling angående kampsångens treenighet; vemod, kraft och hopp. Med allsång! Trevlig sommar! Medverkande: Jonas Nordling. Vinjett: Hergé/M. Ashraf. Musik: "Rädda jobben" med Nationalteatern, "Working class woman" med Barbara Dane och "Lied vom Ende das Kapitalismus" med PieterLicht.
What the second major fire in a year means for residents of Lake County.A conversation with local folk, blues and jazz legend Barbara Dane. A remembrance of Bay Area vibraphonist Bobby Hutcherson.
"hvis man har en kortere arbejdstid, så har man muligheder for at bruge sin tid også på familie og relationer, altså de ting der betyder noget!" - Vi har talt med Josephine Fock fra Alternativet om arbejdstid. "Der er 35.000 danskere der er sygemeldt dagligt pga stress!" "Er 37 timer et helligt tal?" programmet handler om balancen mellem arbejdsliv og fritid og babyen er med i studiet ;) ..Vi har Cohnny Jazz i røret!, Barbara Dane - "I hate the capitalist system" -ta en taxatur på Radiooooo.com!, Dragons' Den, Og vi hører den nye banger fra Ukendt Kunstner! /RadioPosten
Pour la dernière de la saison, une émission consacrée au soul, funk, R&B avec Pat Hervey, Blanche Thomas, Betty Everett, Rose Mitchell, Barbara Dane, Betty Davis, Candi Staton, Wendy Rene, Irma Thomas, Lil Ann, Anna King, Marva Whitney...
Pour la dernière de la saison, une émission consacrée au soul, funk, R&B avec Pat Hervey, Blanche Thomas, Betty Everett, Rose Mitchell, Barbara Dane, Betty Davis, Candi Staton, Wendy Rene, Irma Thomas, Lil Ann, Anna King, Marva Whitney...
A talk with the superintendent of SFUSD, San Francisco Trolley Dances, and local musician Barbara Dane.
This show is built around the song “The Ink is Black” or “Black and White” by David Arkin, Alan Arkin’s father and Earl Robinson, who for a time was the music teacher at Michael’s school in New York City. Written on the occasion of the 1954 de-segregation decision by the Supreme Court of the United States, it epitomizes the sensibility that segregation is inherently evil. Smithsonian Folkways: Sounds to Grow On is a 26-part series hosted by Michael Asch that features the original recordings of Folkways Records.
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