Podcasts about Poo Bear

Poo Bear joins #MostRequestedLive and answers your questions in this exclusive chat!▶️ Watch the full chat here!

Send us a textGavyn Rhone has worked with various artists, including Keyshia Cole on "Party Ain't A Party" (2014), Jordin Sparks on "No Restrictions Live" (2024), and contributed to the soundtrack for "The Proud Family" (2001).This holiday season Gavyn is spreading joy through his holiday single "Little Drummer Boy", a song that is close to his heart and has a powerful story behind the music, which he would love to share with you.About Gavyn Rhone:If you were to imagine an artist who epitomizes a unique fusion of elegance, refinement, smooth yet spirited vocal delivery, and a compelling stage presence that seamlessly blends gentlemanly sophistication with heartthrob charm, Gavyn Rhone would be the perfect exemplar.While Kansas City raised this undeniable talent through church and choirs, it was the impeccable ear of mega producer Babyface who took one listen to Gavyn's demo and immediately invited him to Los Angeles, California. He was to be the lead singer of a young R&B group that would go on to tour the world, be signed by J records, Def Jam records, enjoy thousands of fans worldwide and secure a #1 video on BET's top 10 countdown for 7 consecutive weeks for the song ‘Get With Me'.Following his very successful stint, Gavyn has thrived in the American music industry, having a reputation amongst industry insiders, producers and artists as the ‘go to' for many of their creative and artistic needs. He produced vocals for 8 songs on the 7X Grammy nominated, "11:11" album by celebrated R&B singer Keyshia Cole. He also featured on her hit single "Party Ain't A Party" which premiered on B.E.T. and took the #1 spot on the Billboard Hip-Hop & R&B chart. His charismatic vocals mixed with her impassioned tone continues to impact fans all over the world. Another accolade included Gavyn being hand-picked to be the new leader of the renowned Gap Band, previously led by the legendary Charlie Wilson. He continues to tour with the band satiating thousands of adoring fans.To date he has toured/shared the stage with: Drake, Justin Bieber, Paul Stanley of KISS, Pitbull, Nick Jonas, Stevie Wonder, Lady Gaga, Trey Songz, Justin Timberlake, Usher, Babyface, Jennifer Hudson and of course, Keyshia Cole on the epic Jimmy Kimmel show.Rhone's musical talents have led him to roles in both television & motion picture. Some of his credits include the theater hit, ‘Dirty Grandpa' with Robert De Niro, showtime series ‘Soul Food', a role on the Disney Channel cartoon, ‘The Proud Family' and box office hit, ‘Honey', starring Jessica Alba.Gavyn Rhone, someone who never initially sought the spotlight and never forgets his humble upbringing, loves giving back to his friends and supporters. Wanting to provide an increasingly needed service for artists, he founded an artist development company called ‘Amastar Entertainment Group'. Understanding that labels were no longer providing this, and more artists with so much potential were feeling lost and alone, Rhone and his team of writers, producers, choreographers and vocal coaches develop artists at any level. They also provide them a platform to display their honed talents for label executive and industry power players while continuously building their fan base.Gavyn has worked with some of the top producers in the industry from the likes of Diane Warren, Babyface, Paul Stanley, Poo Bear, Rodney Jerkins, Musiq Soulchild, LL Cool J, David Foster, Tank, Vincent Herbert, Tyrese, 50 Cent, J Moss, NeYo, Fabulous, Sean Garrett & Big Boi of Outkast to name a few. Industry legends and fans alike, will attest and express that Gavyn Rhone is one of the hardeSupport the showJoin this channel to get access to perks:https://www.youtube.com/channel/UCG261e_-_MmsxulLsGeakdQ/join

We crown the winner for the best coffee in the UAE Music Producer legend Poo Bear talks making Music with Justin Bieber plus Priti Malik found the best place to find a partnerSee omnystudio.com/listener for privacy information.

On this week's episode of The R&B Money Podcast, Tank and J Valentine welcome the prolific Poo Bear to the pod. This hitmaker behind some of R&B's biggest smashes opens up about his incredible journey, from his humble beginnings to crafting records that have shaped the genre. With unparalleled realness, Poo Bear shares never-before-heard stories about working with legendary artists and overcoming personal challenges in the industry. He reflects on how staying true to his sound and putting family first have been the keys to his longevity.Tank and J Valentine dive deep with Poo Bear for an intimate, eye-opening conversation full of wisdom and inspiration that no R&B fan will want to miss. Poo Bear's passion for the music and dedication to his craft shine through as he offers unprecedented insight into his creative process and the stories behind some of his biggest hits. Extended Episodes on YouTube: https://www.youtube.com/RnBMoneyPodcast Follow The Podcast: Tank: @therealtank   J Valentine: @JValentine Podcast: @RnbMoneyPodcast  See omnystudio.com/listener for privacy information.

A recording and mixing engineer who has worked with the likes of Justin Bieber, Snoop Dogg, Meghan Trainor, Poo Bear, and Kehlani, among others. Based in Los Angeles, his work has brought him all over the world and earned him multiple platinum records. He has not only worked with incredible talent in music but also run professional recording studios, worked for publishing companies, worked on shows for major television networks, worked on sports broadcast teams for ESPN, recorded hundreds of audiobooks, worked in live sound, and dabbled in just about every form of professional audio during his journey. He has been featured in Sound On Sound and Tape Op Magazine, among other industry publications. Send your questions or comments about this episode via https://featuredup.com/nhte

**The David RB Show Replay On www.traxfm.org. DRB Featured New Cuts From (Two From) AP Connection, Josh X, Poo Bear, Don E & Carl Macintosh. Plus Mr Belt & Wezol, Ronnie T, Jay Vegas, Bruce Grooves, Archie Hamilton, Kotch, Cyril, Tow Zone, Tears For Fears & More. The David RB Show Live Every Wednesday From 8PM UK Time The Station: traxfm.org #traxfm #davidrbshow #soul #funk #urban #hiphop #remixes #house #danceclassics #oldschool #nusoul #rnb #reggae Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

For the entire transcript of the interview, please ⁠click here. Shannon K, is an American-Indian singer and actress. She collaborated with Poo Bear on the song “A Long Time” in 2018, and her music video for this track has over 41 million views on YouTube. Shannon K also acted in the movie “The Big Feed” (2020) and is currently involved in the American drama series “Mystical Inheritance of Adina Hassan” and a short film called “Rolling,” which focuses on mental health awareness. Her versatility, passion, and dedication continue to make waves in the entertainment world. What You'll Learn In this episode, Shannon K shares about the enduring importance of authenticity, resilience, and commitment to positive influence. Her dedication to staying true to herself amidst the pressures of the industry serves as a powerful reminder that success is not just about fame or fortune, but about staying grounded in one's values and morals. Shannon's emphasis on maintaining a strong work ethic and embracing every opportunity, no matter how small, underscores the significance of perseverance and seizing moments for growth. Moreover, her belief in the responsibility of artists and creators to inspire change and influence others for the better highlights the transformative potential of art and the impact it can have on shaping society. Ultimately, Shannon K's story encourages us to strive for authenticity, uphold our values, and use our platforms to make a positive difference in the world. Things We Discussed Shannon K has released a recreation version of the iconic old disco classic song “Jimmy Jimmy.” Her voice adds an upbeat twist to this beloved track. So put on your headphones and groove to the beats! Connect with Shannon K Instagram Youtube IMDB Connect with Jason Tonioli Website  Facebook YouTube  Instagram Spotify Pandora Amazon Music Apple Music

With over 37 BILLION Downloads, join us as host, Mark Minard, sits down in The Elevating Beyond Studio, with Poo Bear, who's been writing and doing music since he was 12 years old with artists such as: Justin Bieber, Usher, 112, Jennifer Lopez, Pink, Method Man, Redman, Puff Daddy, Bob Dylan, and the list goes on! Poo Bear opens up to Mark about facing fear and doubt, being homeless, behind the scenes of how he formed the most unlikely bond with Justin Bieber, against all odds, which changed both of their lives, on every level. Mark and Poo Bear get deep into pursuing your dreams, how to follow your gut, struggles with religion vs finding a relationship with God, overcome adversity, failure, dealing with becoming insanely famous, learning to build bussiness, wealth, becoming a billionairre, crazy behind the scens battles Poo Bear went through in court with Usher, record labels, and how to pesevere and keep elevating beyond! Oh yeah, and Poo Bear talks about how he wasn't allowed to listen to music growing up - and why he still doesn't listen to music today, even know he's made hits that have been streamed over 37 BILLION times!! Connect with Poo Bear everywhere Poobear.com Elevating Beyond with Mark Minard Podcast #301 Guest Poo Bear |The Making of a Megastar: Poo Bear's Influence on Justin Bieber Thank you all for making our podcast Elevating Beyond with Mark Minard, in the top #100 on iTunes, Apple Podcasts, Spotify , and In over 52 difference countries :

Ebro and Rosenberg talk a little sh*t after the morning show wraps! The two talk about podcasts, the Oscars and more before Little Brother joins to talk about the documentary "May the Lord Watch: The Little Brother Story" and Poo Bear joins! Join the Conversation! Every Tuesday Ebro in the Morning will go live to discuss the biggest topics in hip hop with YOU the FOTS! Today we have Little Brother the conversation! Come hang out with us! See omnystudio.com/listener for privacy information.

Episode #184 GXTP is made up of Triple Sixx, Sasha Sirota, and fronted by Jason Paul, aka Poo Bear who released their album Smoke & Mirrors in 2023 that features Tommy Lee from Motley Crue on the song Contraband. GXTP stands for Guns & Toilet Paper which of course is a reference to the pandemic panic buying of both. Jason & Sasha checked in with Mistress Carrie to talk about working with Tommy Lee, the inspiration behind the project and songs, songwriting, their diverse musical backgrounds, their unbelievable roster of artists from all genres that they have engineered, produced, and written for including Justin Bieber, Pink, 112, Usher, Steven Tyler, Pitbull, Ty Dolla Sign, Yelawolf, Drake, Zac Brown Band, and so many more! We tackle whether Paul McCartney is an alien, why Tropic Thunder is a masterpiece, why tequila will get us locked in jail, and so much more!  Episode Notes Check out the custom playlist for Episode #184 here Watch the Contraband video feat: Tommy Lee Find GXTP online: Instagram Facebook X Website Youtube TikTok Find Mistress Carrie online: Official Website The Mistress Carrie Backstage Pass on Patreon X Facebook Instagram Threads YouTube Cameo Pantheon Podcast Network Find The Mistress Carrie Podcast online: Instagram Threads Learn more about your ad choices. Visit megaphone.fm/adchoices

Long before anyone was a Belieber and Justin Bieber became a household name, Shani Gonzales was already a fan. This instinctive foresight and her unwavering self-confidence have been the cornerstones of her illustrious career, culminating in her present positions. Shani holds the dual roles of Executive Vice President and Managing Director at Warner Chappell Music UK and the Head of International A&R at Warner Chappell Music. Her track record in the music business is distinguished by her knack for signing and guiding some of the most influential artists of our time, including DJ Khaled, Juice Wrld, and Bibi Bourelly, who has penned hits for the likes of Camila Cabello, Rihanna, and Selena Gomez. Among the high-caliber talents she has played a part in developing are Labrinth, Justin Bieber, MeLo-X, Nate Cyphert (famous for his work with Florida Georgia Line), Nic Nac (linked with Chris Brown and DJ Khaled), Poo Bear, P2J (producer for superstars like Beyoncé, Doja Cat, WizKid), Saint Jhn, Travis Scott, and WondaGurl, known for her production work with Drake and Rihanna.   In her leadership capacity at Warner Chappell Music UK, and in tandem with her A&R international duties, Gonzales is pivotal in broadening the publisher's UK roster. She selects artists with a focus on diversity and has been influential in acquiring talents such as BOJ, Central Cee, Daniel Blumberg, Emma-Jean Thackray, Legendury Beatz, P2J, and The Snuts. Her advocacy for international cooperation has been relentless, ensuring that Warner Chappell Music's global network of esteemed artists works together harmoniously, fostering cross-border artistic partnerships.   Shani's extraordinary career achievements, while a product of her relentless effort, are also a testament to the influence of her Jamaican and Trinidadian heritage, thanks to her parents' unwavering support, open-mindedness, and nurturing.   In this discussion, we delve into the nuances of managing one of the leading publishing divisions within a major music company. We explore how Shani synergizes her seasoned judgment with the fresh perspectives of her team, even in areas where she continues to grow. And, we'll uncover her three key strategic plays. You can follow Shani on IG: https://www.instagram.com/shani927/ Join the community and sign up to the newsletter at ⁠⁠⁠⁠www.meetpursuit.com⁠⁠⁠⁠ and don't forget to follow us on IG at @meetpursuit ⁠⁠⁠⁠www.instagram.com/meetpursuit/⁠⁠⁠⁠ This is an AiAi Studios Production - ⁠⁠⁠⁠www.aiaistudios.com⁠⁠⁠⁠ IG: @aiai.studios   This podcast was recorded in April 2023.

On this week's episode of Can We Talk R&B, we have a legend on the show!!! Slim is a contemporary R&B singer best known as the frontman for the legendary R&B group, 112. With successes like “Only You,” “Anywhere,” and the Grammy Award-nominated tune “Peaches & Cream,” they achieved a lot of success in the late 1990s and early 2000s. Slim Looks Back on 112's early fame, ranking 112 albums, working with Diddy and why the group split and more.  Introduction: 0:00 - 2:35 The Beginning of 112: 2:35 - 4:30  Journey to being in the music business: 4:30 - 7:40 Being introduced to Diddy: 7:40 - 9:00 Navigating the sound of the Group: 9:00 - 11:58 The Culture of Bad Boy Records: 11:58 - 15:42 “Only You” - 15:42 - 16:30 112's X Factor: 16:30 - 18:40 Adapting and Adjusting the group dynamic: 18:40 - 20:55 Being produced by Tim and Bob: 20:55 - 22:15 Working with Boys to Men: 22:15 - 24:50 King of the Interlude: 24:50 - 29:10 Bad Boy being a dominant r&b label: 29:10 - 31:40 The second album with Poo Bear: 31:40 - 35:35 Progressing the sound of the second album: 35:35 - 37:50 “Anywhere” - 37:50 - 40:05 Working with Diane Warren: 40:05 - 40:55 8Ball &  MJG: 40:55 - 42:00 Pop groups competing against R&B Groups: 42:00 - 47:00 Performing overseas: 47:00 - 50:00 Jagged Edge: 50:00 - 52:50 Will groups come back? 52:50 - 54:00 What happened to the original 112: 54:00 - 59:14  

Recorded: August 16th 2023 | We are double dipping this week boys and in this episode we bring you the best safety in all of football, Derwin James. Derwin came straight from practice to hop on with the boys but it wasn't long before the whole squad was laughing it up, talking crazy hypotheticals, and discussing the Chargers expectations for the season. Derwin also gives insight on what kind of taste the Jaguars game left in their mouths, how he failed at trying to get Phillip Rivers to cuss and why he loves playing against Patrick Mahomes. We definitely have to get Derwin on the bus in Nashville next offseason for a longer pod. Don't forget to subscribe!! 0:00 Intro 2:00 Good news and bad news 6:00 Addressing tweets about Chris Distefano podcast clip 10:20 DERWIN JAMES INTERVIEW STARTS 11:53 Dealing with injuries 14:15 New pro bowl rules 15:30 Taylor talking trash to the Chargers in London 21:00 Jaguars game + Playing w/ Philip Rivers 25:10 Derwin's nickname is Poo-Bear? 28:00 Committing to Florida State as a Freshman 35:23 WILD Hypothetical questions SUPPORT OUR SPONSORS CHEVY SILVERADO: Head to https://barstool.link/ChevyBarstool and check out Silverado and all the Chevy Trucks Gametime: Download the Gametime app or go to https://gametime.co/, enter your email, and redeem code BUSSIN for $20 off your first purchase (terms apply). Georgia Boot: Use code BUSSIN for 20% Off at georgiaboots.comYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/bussinwtb

JUSTIN BIEBER, CHRIS BROWN, SAM SMITH, LUPE FIASCO, COMMON KINGS, TY DOLLA $IGN, POO BEAR, YOUNG MONEY, JAZZ LAZR & JR CASTRO ARE JUST A FEW OF THE ARTISTS THAT THE AUDIBLES HAVE PRODUCED FOR. JIMMY GIANNOS & DOMINIC JORDAN MET IN LAS VEGAS TO FORM THE INFAMOUS DUO KNOWN TO THE WORLD AS “THE AUDIBLES”! WITH NUMEROUS GRAMMY NOMINATIONS. THIS DUO HAS LEFT A IMPACT ON THE MUSIC SCENE & CONTINUE TO DO SO. ENJOY THEIR JOURNEY AND SEE HOW THIS ALL CALE ABOUT. AS THEY SIT DOWN WITH BIGBODYCISCO AND TELL THE STORY. SHARE, LIKE & SUBSCRIBE. THE AUDIBLES IG: https://instagram.com/theaudibles?igshid=MzRlODBiNWFlZA==

We're officially past the halfway point of the latest series of Selling Sunset, which means one thing - they're finally going to sell that sunset! Just kidding, these girls can't close a deal. Bre gives us the content gift of a lifetime in the form of a client called Poo Bear, Chrishell tries to claim the word 'brekkie' as an Australian term, someone leaves a singular Cheerio on Romain's decking and Mary, Nicole and Chrishell finally sit down to hash out their beef. Sounds delicious. Be sure to rate, subscribe and tell a friend about the show. Love you bye xx

The gaming industry is larger than music and film combined. We've seen big music collabs in Fortnite, Roblox, and more, but there's room to leverage music even more. That's been a big focus for Vickie Nauman, who works at the intersection of music and gaming. She consults for major record labels, game developers, and more through her company, CrossBorderWorks. She's also worked on big virtual concerts, like David Guerra and Saweetie in Roblox, and VR games like Beat Saber.  But there are plenty of friction points between music and gaming. As Vickie said, the music industry likes to get money upfront, whereas gaming is fine getting it on the back-end. Then there's the long process of clearing music from rights holders to even use in games. It makes it tough to move quickly It's even more challenging because of how fast technology is changing. New virtual experiences are being created daily, which adds pressure on the music industry to sort this out. Vickie and I covered all this and more. Here's everything we discussed: [1:40] What attracted Vickie to gaming[2:40] The gaming moment that finally struck a chord with the music industry[4:33] Similarities and differences between gaming and music industries[10:09] Why Travis Scott's Fortnite concert clicked but others haven't[9:53] Can gaming have its Kate Bush - Stranger Things moment [15:47] Why the music industry plays catch up to technology[21:33] Clearing 143 writer's share for David Guetta's Roblox concert[28:45] Dot-com bubble era of web3[30:45] Music will evolve differently in web3 experiences[36:17] What's slowing down virtual reality adoption?[41:26] AI is coming at the music industry like a freight train Listen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSS Host: Dan Runcie, @RuncieDan, trapital.coGuests: Vickie Nauman, @vnvnvnvnThis episode was brought to you by trac. Learn more about how artists can bring web2 and web3 together for their fans at trac.coEnjoy this podcast? Rate and review the podcast here! ratethispodcast.com/trapital Trapital is home for the business of music, media and culture. Learn more by reading Trapital's free memo.TRANSCRIPT[00:00:00] Vickie Nauman: There are not an enormous number of opportunities for music and games. It's gaming is similar to the music industry where there are a handful of huge, huge, huge gaming studios, and then there's an inordinate long tail of small to mid-size gaming companies and, you know, very, very similar to music.[00:00:19] So the few big studios, a lot of them are doing, you know, licensing and they get music in. But it's been much more common over the years to gaming studios just hire a composer and they just create a song that is right for the mood and the moment in the game, the gaming studio owns it and they're just done.[00:00:40] You know, they don't have to worry about licensing or business models to incorporate music into the games. But I think for the most part, the music industry always likes to get their money up front, and the gaming industry likes to get all the money on the back end[00:00:55] Dan Runcie Intro: Hey, welcome to the Trapital Podcast. I'm your host and the founder of Trapital, Dan Runcie. This podcast is your place to gain insights from the executives in music, media, entertainment, and more. Who are taking hip hop culture to the next level.[00:01:22] Dan Runcie: This episode is all about the future of gaming, and today we'll be breaking it down with someone who understands this space in and out. Vickie Nauman. She is the founder and CEO of CrossBorderWorks, which is her consulting and advisory firm, which works with some of the biggest major record labels, streaming services, and more on the intersections of word music meets technology, gaming, and several other emerging tech platforms.[00:01:47] We talk about what music and gaming's challenges and opportunities are in the future, how games are monetized versus music, some of the opportunities there. We also talk about the music industry itself and why the music industry often sometimes plays catch up with regards to emerging technology, how that impacts her work.[00:02:07] And what it can look like for gaming, to have that huge sync moment that Kate Bush running up that hill moment like we saw on Stranger Things. What could that look like for music in a video game? I think we've seen several successful examples over the past couple of decades, but we'll continue to see more as gaming in the Metaverse, Web three, and AI continue to intersect and influence this space.[00:02:29] Really great episode. It was great to have her share her insights here, and I hope you enjoy it. Here's our chat.[00:02:36] All right. Today we're here to talk about gaming music and so many of the intersections it has, and wanted to talk with someone who understands this space better than almost anyone that I could reach out to Vickie Nauman, who has consulted and worked with many of these companies in music and gaming.[00:02:53] Vickie, welcome to the pod.[00:02:54] Vickie Nauman: I am so happy to be here. I'm a huge admirer of your writing and your work and it's an honor.[00:02:59] Dan Runcie: Thank you. Appreciate that. So what is it for you that attracted you to this space? It's been an emerging space for some time, and it feels like the music industry is now starting to put more emphasis in, but you had been focusing even before the current wave has been there. What attracted you to it?[00:03:16] Vickie Nauman: Well, I've always looked at gaming and I'm one of these people who for years was telling the industry. Gaming is bigger than music and film combined, you know, it is a massive, massive industry and they're, you know, and almost all the monetization is built on low friction, high engagement in-app purchasing.[00:03:37] And so companies are releasing games that are free and they're making billions of dollars. There's, you know, there's lessons for the music industry. I feel like it all fell on deaf ears. People are like, yeah, yeah, yeah, you know, companies come to us and. We wanna license them our whole catalog, and they don't want it.[00:03:53] And so there's nothing for us to do. And then, Marshmello did a set in Fortnite and got 10 million people to listen to his music, and that struck a chord in the, you know, in the industry. you know, and importantly, it didn't necessarily resonate with the digital business people who were always, you know, under an onslaught of new companies coming to try to get rights.[00:04:19] But it was in marketing and a and. and then there was like, it was a moment where I think everyone started to realize the power of gaming and the hundreds of millions and billions of people who are playing games as a new platform in a new way for artists to reach, fans and to break artists.[00:04:37] And it was interesting too because at that time I was working with Beat Saber. and they were this was in 2019 that all of this happened. And, Beat Saber was still an independent studio out of Prague, brand new game. And we were trying to get some of first songs in to that game.[00:04:55] Vickie Nauman: We had worked with Monstercat before and we had these original soundtracks in there, but we didn't have any, huge major label acts and we were trying to license Imagine Dragons. And so I heard firsthand from labels and publishers all throughout that process of like, wow, you know, we really want to do more with gaming.[00:05:16] And I credit a lot of that to Marshmello.[00:05:20] Dan Runcie: And you talked a little bit about how gaming is just so much bigger than music, and part of it is because they're not necessarily selling the content itself. They are selling what you can do on top of it from things you can buy or other things that are less friction. The frictionless, as you mentioned.[00:05:38] Had any of that come up, especially after the marshmallow event? Did any of that come up in any discussions about like, Hey, could this be an opportunity to rethink monetization a bit more broadly? Or maybe think about the bigger picture? What have some of those discussions been like?[00:05:54] Vickie Nauman: Yeah, it's been really interesting actually because they're really in aggregate. There are not an enormous number of opportunities for music and games. It's gaming is similar to the music industry where there are a handful of huge, huge, huge gaming studios, and then there's an inordinate long tail of small to mid-size gaming companies and, you know, very, very similar to music.[00:06:18] So the few big studios, a lot of them are doing, you know, licensing and they get music in. But it's been much more common over the years to gaming studios just hire a composer and they just create a song that is right for the mood and the moment in the game, the gaming studio owns it and they're just done.[00:06:39] You know, they don't have to worry about licensing or business models to incorporate music into the games. But I think for the most part, the music industry always likes to get their money up front, and the gaming industry likes to get all the money on the back end. And so you know, there are these friction points that, you know, marrying a business model into a game is kind of an art because if you've already got an existing model and it's free, or there's, you know, in-game purchases, then how do, you know, do you try to incorporate music into that? Do you just pay the rights holders and get a deal for a certain period of time, or can you create a revenue share and some way to participate in the upside and, a lot of gaming companies are even huge companies are still new to this. And so they're kind of what I would call, like dipping their toes into the pool, you know, testing the waters and trying some small things. And then trying to figure out does this work for us?[00:07:44] Do we need to, you know, do we need to create a big stack of technology to manage the rights? Most of them do not have an appetite to do. They certainly have the skills, which is part of what's so fun working with gaming companies is they have amazing engineers and really great minds about problem solving and coming up with these ways to engage users.[00:08:06] But nobody really wants to dedicate engineers to building a rights management system. And so I think everyone is, you know, all the companies that I work with, they're trying to kind of simplify things with music, try it out, find out what their users want, what their gamers want, because that's another big thing is, you know, you have to ask, you know, gaming is such a culture and such a subculture and each game has kind of a different community in it and a different vibe, and so you really wanna make sure you're getting that. Your assumptions of what kind of music is going to work are in line with your user's expectations.[00:08:45] There was one company that I worked with that was like, had a lot of underground, you know, all, their users thought of themselves as very underground and they did a music thing that their users thought was too commercial, the gamers rebelled . So, so, the best thing is to ask the people who are gaming, ,you know, and your products.[00:09:02] Ask them what they want.[00:09:04] Dan Runcie: Yeah, that customer base, especially with gaming, I think is huge cuz it makes me think a lot back to that Travis Scott Fortnite integration, which was almost three years ago at this point, but it was the perfect combination of so many things. At the beginning of quarantines with the pandemic, but also there's such alignment between the type of person that's on Fortnite with the Travis Scott fan as well, which is why I think that one worked much better than some of the other A-list artist superstar artists collaborating in a digital gaming environment.[00:09:37] Vickie Nauman: Yeah, I think that's a great, I think that's a really great point, and you know, because of the dynamic of gaming and the kinds of things that we're seeing, you know, it's not like a service that has, it's just music and it's going to put out hundreds of thousands or millions and millions of songs and just saying, You know, something for everyone, you know, let the end users find the music that resonates with them with, when you're picking and choosing a couple of artists or a couple of songs, you know, you kind of have one shot. And it reminds me of, you know, I used to work in radio before I started doing all of this, and. there was so much science to the choices that we made in radio because we knew that you know, we had one signal and we had to choose artists.[00:10:24] You know, if we said our demographic is, you know, 18th to 34, urban men and women who are professional and make a hundred thousand dollars a year and above, if that's your demographic, then you have to say, what kind of music and what kind of programming and what kind of announcers and events. Gotta get it.[00:10:45] And that's very similar to the way things are when you're doing things in the metaverse or gaming where you're like, well, we're just doing, we're picking a few things and we really wanna light them up, but we need to get them right. We need to get the user experience, we need to get the right artist to fit with the right user base.[00:11:04] And then how we present it, how we monetize it has to also be something that fits within the gaming community.[00:11:14] Dan Runcie: That makes sense. And I feel like that lines up with something else you had said in recent interviews talking about gaming syncs and the potential there and how there may not be as much because a lot of the game developers are doing in-house music now, but it can grow in the future. And I'm thinking about, especially this past year, we saw the Stranger Things moment with Kate Bush running up that hill and I assume like it's only gonna be a matter of time until we see a gaming moment that is at that level or something like that, or maybe there already has been ones that have been at that level.[00:11:45] Vickie Nauman: No, I think it is a really good point there as well that, that I think with the Kate Bush moment or Fleetwood Mac with the skateboarder and the, you know, cranberry juice that we've had these cultural moments in social that have, Absolutely lit up music for a new generation, which I love.[00:12:05] I mean like kids bought tickets to see Fleetwood Mac in concert after listening to 20 seconds of one song. And that's so exciting and I think, it will get there with gaming. and I think when you think about the limited number of opportunities and then then the limited number of artists or songs that can be integrated into every game, I think that we are really, really at the early end of the early part of that spectrum.[00:12:34] I don't think we've even begun to really let the music industry and the gaming industry come up you know, with that Kate Bush moment or the Fleetwood Mac moment. and I think that, what I love about gaming as well as you know, other kinds of audio visual is that when you hear it, you know, you hear the music differently when you're gaming and you know, like Beat Saber, I've worked with them for many years.[00:12:58] Vickie Nauman: I also work with Niantic on, they have a new NBA game and you know, with Ubisoft and some early stage gaming companies but with Beat Saber there are certain songs. that I've always loved. Like there's a, you know, a bunch of Green Day songs that are some of my favorites that I've listened to for 20 years, but now I've, played them in Beat Saber, and now whenever I hear the songs, I hear them differently because of the experience of having this immersive gaming and this gaming experience.[00:13:30] So I think there's, I think there's just so much potential that we haven't yet been able to tap into. Some of it is also because there's been so much friction around licensing, and for the most part, I think sync licensing is the best way to do things in gaming because you want something specific and then you know, the artist and their team want to know how their music is being used and you know, you, take something to rights holders and if they're like, you know, we need more money or we don't like that rev share, or that artist has a conflict. And then you're like, okay, well, you know, we'll move on to something else. And then you know, ideally you get an artist and a label and a publisher and a writer and those teams that all say, wow, this is great. I would love to have my music in this game.[00:14:21] And that's really where I think that, you know, if we can get those, all of those things right. that's the start of it.[00:14:28] Dan Runcie: Yeah, and this conversation too is making me reflect on a few things. Cause I feel like music and gaming have gone through ebbs and waves like for instance, I know that there's always been music in games like Madden or like the NBA 2K series, for instance. But I think back to like Grand Theft Auto.[00:14:43] I know one of the things there, they always had music. So they had this Vice City game that came out 20 years ago and that was all eighties. So I feel like for a lot of people of a certain generation, that was like their thing to go to. And then a couple years later, Guitar Hero and Rock Band, huge. Right?[00:14:58] And then I think even those songs reintroduce, especially some of those classic rock song rock songs there. And you also had some of those Def Jam vendetta. video games as well. So now I think what's different of course is that these are more so, okay, how do we integrate them into these digital environments, the metaverse and things like that.[00:15:15] So I'm excited to see, I still think that there is huge potential to see one of those moments happen, and who knows? I mean, I feel like the Kate Bush moment was largely, I don't wanna say unplanned, cuz obviously people expected it, but no one would've anticipated that it would've taken off that way.[00:15:32] But that's how these things.[00:15:34] Vickie Nauman: Exactly. I know, I know. I love it. like a lightning in the bottle, you know, where you're just like, wow, you know, we didn't, we really couldn't quite anticipate that things would resonate like that and, and especially reaching a gen, a new generation that probably otherwise would've never heard of Kate Bush.[00:15:50] but I also think that with. you know, with music and gaming, what's, what's also so fun for me personally, is I've been doing music licensing and write based things for like 20 years now, you know? So I feel like an old lady when I say that, but I'm always the one chasing everyone, you know, I'm chasing labels and publishers and trying to put things in front of them, you know, what do you think of this? What about that? Have you thought about it? Is this approved? Is it not approved? Can we move forward? No, we can't. gotta start over. And this is the first time in my entire professional life where I. artists, publishers, labels, and songwriters coming to me now and saying, I wanna get my music in games, you know, and I wanna get my music in the metaverse.[00:16:36] Vickie Nauman: how can we get band in the Metaverse? And I love that because, you know, for me, like self selection in the industry is huge. It's really frustrating when you have to drag people kicking and screaming into the future and into experiences. So I love it when people contact me and let me know which of their artists on their roster are really interested or even better, which, artists are gamers themselves and then they are already part of the community but then they want to take it a step further with their music.[00:17:08] Dan Runcie: That's good to hear because I often feel like the music industry is playing catch up when it comes to emerging a new technology. In so many ways, dating back 20 plus years at this point. So the fact that people are coming to you now is good. Do you feel like that is true overall? Do you feel like the industry is at the moment, like right in step with where things are going?[00:17:29] Or do you still feel like there's a bit of catch up?[00:17:32] Vickie Nauman: I think there's always a bit of catch up, just simply because, you know, technology moves at such a pace. None of us can really quite keep pace with it. And then there's always these very similar dynamics where there will be some new technology that comes around, whether it's, you know, on demand streaming or live streaming or gaming or virtual reality, and now metaverse and NFTs and fractionalizing rights and all of those things in web three, and there's a very common pattern where these technologists, they look at music and they say, oh my gosh, this would be fantastic for my platform, you know, it will help me with adoption and relevance and get in, get some artists and some music in there, and fans will come and it'll all be great. And then they start talking to the industry and they learn about how music writes work, and that you usually can't just go to an artist and get what you need. They're usually signed or they have some management and they publishing is probably administered by someone and they all have their ways of doing business. And there's a moment where everybody then, you know, they have to decide, do we have an appetite to do this? Or should we just move on to something that isn't as complicated? Because music is great when you get it right, but not all companies really wanna do things right.,You know, and so, you know, we kind of go through this every time when there's new, you know, new user experiences that are emerging.[00:19:06] And I think that the music industry is always, you know, takes all these things in. and then they start thinking, number one, is this a fad or is this something that's going to last? Is it worth us spending time and cycles to really engage with the companies on this particular kind of experience? And then how can we extract value?[00:19:30] How can we make money? How are they making money? Is our deal going to outlive the the survival time of any given platform or company? There's a lot of people, I mean, it's very frustrating sometimes to do licensing, but I have empathy with all of the, with all of the rights holders, because I'm in the same boat where companies come to me and I have to just like, oh gosh, you know, it's a great idea, but you guys have never done anything before and, you know, can you build this? Can you execute you? Can you take it from a PowerPoint or a demo into a fully functioning product? And it's hard. And so I think that, you know, the labels and publishers they have assets to protect and they're, you know, and now increasingly artist management companies are also in the mix because a lot of things require artist name, image, and likeness rights.[00:20:26] And sometimes that can come from the label, but sometimes it. So they're all in a mode where they have something to protect, they want to exploit and, you know, make money, but they have a lot to lose if they do things wrong. And so there's this inherent mismatch between how quickly things move in technology and how slow and methodical the music industry is about deciding.[00:20:52] Whether they wanna move forward. And then there's the other issue, which we're faced with right now, which is all of these emerging use cases and people being kind of afraid of agreeing to the wrong terms and setting a precedent that they're later going to regret. And so, . when technologists complain about the music industry and they're like, they're so slow, they're so backwards, they don't understand our vision.[00:21:20] It's like, well, they have a lot to lose. You don't have a lot to lose cuz you're a startup and you have a big idea. But these guys have, you know, they've been, you know, 20 years of companies just like you that have come before. And so I always try to encourage, I always try to encourage people not to just, you know, get so frustrated with music that you know that they abandon it because a lot of great Id great ideas die on the vine because of these mismatches. But to be patient and to also, you know, maybe you think you need Jay-Z. But I would challenge most early stage companies, you're probably not ready for Jay-Z.[00:22:00] You know, like let's, you know, maybe find some earlier stage artists that might be more appropriate to your size and budget and a little bit more forgiving. And then you get product market fit and then start expanding and, you know, might end up with Jay-Z, but maybe you might find you don't need, you know, you don't need that to resonate with users.[00:22:24] Dan Runcie: Right. The break thing things fast mentality of startups just doesn't always line up. And that's a good point too. You get approached by so many companies, you don't know who's gonna be there. And obviously that probably requires some level of evaluating these startups to see what makes sense. That's just one side of it.[00:22:42] The other side of it is the patience to be able to see these things through. And I know you've seen this yourself with David Guetta and making sure his music can be cleared. Can you talk a little bit about that process?[00:22:54] Vickie Nauman: Yeah, it was really crazy. I mean this was a project I did with Warner Music Group and I love what they're doing cause they're really trying to create a pipeline to get their artists into metaverse and new web three based experiences. And so, this was a year ago, David Guetta was doing a DJ set as an avatar in Roblox, and he originally had chosen 26 songs and then we narrowed it down to 20 songs.[00:23:23] but you know, what I found was that those 20 songs represented 143 shares on the publishing Plus, almost all of them had shared masters. And what many people don't realize is when you're listening to music and you see, you know, here's a song featuring, you know, Shakira or somebody else, that featuring usually means that artist is probably on a different label.[00:23:50] Vickie Nauman: And so even the sound recording can end up having multiple owners. and there was a certain point in the process where I start looking at these songs and I quickly saw like, wow, there are, you know, 10 of the songs that had, you know, all these writers who are not on a PRO, so they're non society, they don't have a publishing administrator.[00:24:18] They may own one or 2%, which if you're in streaming and on-demand audio streaming, it doesn't really matter, the services can still use the music, even if you can't find the person who has one or 2% but if you're doing sync licensing, you need to have a hundred percent of the publishing at a hundred percent of the master recordings or the sound recordings cleared in advance.[00:24:42] So I chased down. All of these people, these writers and people who had small shares, you know, they weren't registered anywhere. I found them on social media and got everything, got everything in there and approved. But for me, it was kind of an exercise in how well prepared or how poorly prepared are we for the world that's coming, which is all of these metaverse, web three-immersive platforms that are building creator tools directly into the platform, assuming that artists can just be nimble. And then you look at this, it's like David chose these songs, he wanted to mix these songs. And that's so unsustainable to think of, you know, being able to harness innovation.[00:25:38] When you have 143 different rights owners that all have to be harmonized around the same deal, and then a third of them are people who are not even, you know, technically in the ecosystem of music, but they still have shares. And that's true for hip hop and electronic music. Pop music also has an enormous number of writers, but they tend to mostly be with pros and have publishing administrators. But in hip hop and electronic music, there's just a ton of people who are contributing to big songs, but they're completely outside of our ecosystem.[00:26:16] Dan Runcie: That point reminds me of the news that had came out when Beyonce released her album, The Alien Superstar song had 24 songwriters on, and people were like, oh, well how does this happen? And I think for some people it became a bit of an eye-opening. Well, this is how a lot of this music gets created, and these are the people that either had a hand or they helped sample.[00:26:35] There's so many things. And then if someone goes and samples, they only have superstar in the song that's gonna have all those same 24 writers, plus whoever helped them with that new song.[00:26:44] Vickie Nauman: Exactly. I know, and like when you watch the Grammys and they go through the , the awards for composers, you know, and there's a paragraph, all these names that have contributed to each of these songs. and I think about it a lot though, like, you know, we've kind of, if you go back in history to the olden days, you know, fifties, sixties, seventies, you know, like in the fifties and sixties, most artists, it was very common to have a songwriting group and then an artist, someone performed someone else's songs.[00:27:20] And then when the rock music came around, we had bands that it was like a big deal. Like we write our own songs. And so in that era, like if you're licensing rock music from the seventies, eighties, or nineties, it's great because there's like one or two writers on every song and it's usually the band and they've written every single thing.[00:27:43] So you, you know, you wanna license one Green Day song, you're pretty much going to have the same mix across all of their music. And then you fast forward to the way people create now, and we have this incredible fragmentation where we have on average seven writers per song, but it's outsized in electronic music and hip hop.[00:28:05] And so we have 10, 15, 20 writers on every song with these tiny shares and that just a trend of how people collaborate and how they create and samples and you know, people in the studio and people all, you know, collaborating all over the world. But I think a lot about where the industry is going. And Metaverse and NFTs and Web three and, you know, where you know, again, all of these platforms are assuming that you as an artist can come in and bring all the rights you need to be able to do something interesting with your fans and whether or not this is going to drive a different kind of creation because, it will definitely the artists who have just a one writer or a couple of writers.[00:28:55] And who really have tight control over everything are at a much bigger advantage to be able to be nimble in the, in this next iteration of music experiences than writers, than artists who have 20 writers. And some of them they don't even know. And so, you know, I'm going to watch this because like, there's a producer, Poo Bear, you know, contributed to a lot of big songs, but he's doing an NFT project and he's just made a decision. I'm gonna write, perform, do everything on these songs that I'm doing in the NFTs. Cause I don't want to, you know, have to pull in an entire army of people to get them to approve.[00:29:36] So I feel like, you know, thinking creatively about how you can take advantage of things without having all of this, administrative burden. It might drive and change some of how we see music being created.[00:29:50] Dan Runcie: That's a really interesting point because I think broadly, everyone's been trying to figure out specifically with Web three and what's ahead, how do we best make this work? How do we make this into a real business vertical that can drive real revenue. It isn't just a fad. And I know you've spoken about this in the past, how felt like we were at this .com bubble era of Web three and where things are now more proof of concept, but not actual businesses, like more features, not necessarily companies, but where do you feel like we are now and if any of the things that have been good examples, does anything stick out to you to be like, okay, like that's generally how this could be done and how we could approach Web three.[00:30:33] Vickie Nauman: Yeah, This does really remind me of the early two thousands, because. There are so many things that, like in back then, we would do things like order a pint of ice cream to be delivered by someone and no markup. And it's like, that's ridiculous. That's not a real business. But it was a proof of concept that you put your name in, put a credit card in, you order something and they promise to deliver it and it, comes to you.[00:31:02] And so, I feel like, you know, and then out of the ashes of all the companies that burn through venture capital, you know, inflamed out or had some great idea, but there was no business model to it. And somebody else then saw it and said, if we do what they did, but we do it this way, you know, we're in the midst of that process.[00:31:25] And back then out of the ashes of everything grew, companies like Amazon you know, and there were certainly lots of casualties, but I think we're kind of in that phase right now with Web three, and I'm still really bullish about it, but I think that we've, I think that we have now because of crypto and what people saw with FTX, you know, their eyes have been open a bit.[00:31:51] and a lot of the companies that have been doing things with music and NFTs and, you know, some of them have been really lucrative and successful, others haven't, but it's all part of the process. but I think that some of the things that I see I think that music is going to evolve slightly differently in all of these web three experiences than maybe, non-musical, activities.[00:32:14] Like, especially in NFTs. I think the dynamic of, you know, of buying and collecting. Visual art is going to have its own trajectory. But I think, music in token based communities, I mean, I think there will be a point where we'll probably look back and be like, damn, remember when we talked about NFTs, non fungible tokens?[00:32:35] Sounds this ridiculous name. But I think that what we will see is these artist communities that are artist centric, that are token based, and it's like fan clubs 2.0, you know, interactive fan clubs with different ways to, you know, limit membership. Maybe you can co-create with the artist. Maybe you are getting a access to ticketing or the artist in some way.[00:33:04] that there's benefits and ways to pull a small community of people around an artist together. And then We've had a lot of these artists direct to fan initiatives for many, many years that most have failed because they required the artists to do too much. The artists are artists, you know, they wanna be artists.[00:33:23] They don't want to spend all their time, you know, on 20 different platforms. But I think these are different because I think there's something inherent about, you know, artists and fans that is the most golden connection that you can possibly have in music. And we currently have artists and fans and then, all the different platforms and labels and publishers and, algorithms and transaction engines and, you know, followers and all of these things that are keeping many, many, levels separate of separation.[00:33:58] And now I think we can bring them much closer together. So I think that's one experience that I think is going to have an enormous and outsized, positive effect for music. And I think some of these will have music in them and some of them won't. And, some of them will be more about the artist's brand and their likeness and you know, their personality, their identity.And then I think another, use case in web three is, this fractionalizing rights and allowing users to invest in music. because this requires, you know, SEC, you know, this is like full investment, you know, you have to really, really get that right. I think there will be very few companies that end up in that space.[00:34:44] I think it's [00:34:45] Vickie Nauman: just you know, the lift is too much for the average, but I think there will be a really viable marketplace. And I've talked to writers and performers who are also even signed, cuz if you're signed to a label or a publisher, you know, you're not gonna fractionize their share.[00:35:01] Dan Runcie: Right.[00:35:02] Vickie Nauman: And that's also something I always have to tell the companies that want to do this.[00:35:05] Like I'm going to now tell you some really disappointing news. but they're interested in doing some fractionalization of maybe just their writer's share or their performers share. And that's super interesting. And so, you know, how can we make that another income stream.[00:35:22] And then I think the third area that I'm really bullish about is the experiential side of, you know, we, we've seen during the pandemic, you know, and starting with starting with these things in Roblox and you know, Fortnite and you know, having these kind of pop-up experiences. Again, that's a proof of concept that if you put an artist in as an avatar and create some sort of activation, that people will come and they will buy virtual goods and they will have a great time.[00:35:56] So I think you know, that's, again, we're just barely scratching the surface of where these more experiential things will go with AR VR. Just, you know, web-based and mobile-based and, you know, avatars, you know, live streams I think fit in there as well. And I also think that the way the internet and even websites, the way that they work now, where you are, kind of view, go to a menu and you click on things and you get a flat page that tells you this is, you know, who the people are, this is what the products are, you know, like even the most basic things about how we engage online I think are going to change. And so I think there's going to be much more, you know, immersion and interactivity and real, you know, real time engagement. And to me that's just feels like that's just so perfect for. You know, small artist, activations where you don't need 20 million songs.[00:36:52] You just need a couple of artists who really want to do it. And I think that we will have just a really, really wide range of ways for people to enact more meaningfully with artists performing online.[00:37:03] Dan Runcie: Yeah, I think the collectible piece was a key point, and I also think that artists just being able to have communities around this too. I think we probably overestimated the investing piece just because I don't think that the average fan is going to be as interested in that piece, and I think that was a big selling point.[00:37:21] It's almost in the same way that like we all may have Apple devices, but how many of us are owning stock in Apple as a result of us wanting to see the thing right. But I do think that the collectible piece is huge. Obviously you see it in people wanting to have physical media, whether it's cassettes or vinyls going up.[00:37:37] So there's an aspect there that I think will continue to be tapped into, but it'll be fascinating to see how that plays outthe other emerging technology space that I know you've done some work into is VR itself. And I know that one of the companies that you worked with extensively was acquired by Meta and although you know, from my purview, they seem to be one of the more successful companies in a landscape that I think has been a bit slower to have that mainstream adoption than a lot of people thought with VR more broadly. So where do you see with that space right now?[00:38:10] Vickie Nauman: Yeah, it, you know, VR at the beginning, you know, it had so much promise of, you know, being, you know, being transported to, other worlds and having, you know, having this 3D environment around you. But I always felt like it's going to be gaming, that would be the catalyst to this because I think there's also, you know, there's also something like how much time does anyone want to sit in a headset?[00:38:39] And you know, you generally, it's kind of like, you know, remember when 3D TVs, we're huge, and everyone's like, no, we're not gonna sit around our house with these funny glasses on for hours at a time. It's just not going to happen. But I think that gaming has really been an enormous entry point in, and, you know, Beat Saber is the VR game that was acquired by Meta and continues to do extremely well with this customized gaming rhythm But I think that, you know, part of it is we need the headsets and things to shrink and we need them to be, a little bit more, you know, a little bit more comfortable. We need to be able to spend more time in them, and we need to have more experiences than we have right now.[00:39:28] And I think that there are things, you know, there are lots of companies that are starting to build even like, you know, meetings and,you know, are we going to have meetings with people in the metaverse and in virtual reality? There are companies that are doing enterprise-based training for employees that are using VR you know, and using these technologies in ways that I think is not gimmicky, but it will actually lend, it will actually lend to human emotion and feeling close.[00:40:00] but I think with everything with web three, we're going to have a blend of, these things, you know, AR is generally considered to be more accessible than VR because you know, you don't need as much equipment. But I think as, all of these things grow and we start to get more platforms and you know, more variety of use cases that we'll probably see a blurring between AR and VR and lighter weight.[00:40:28] hardware and more cost effective hardware, and that will just help to grow. That'll help to grow the market.[00:40:36] Dan Runcie: Yeah, I think for a while VR kind of had a bit of that sharper image vibe, I would say where, Yeah, you know, you go in the store, there's these cool forward technology things, but not necessarily something that I would wanna have in my house, right? And I think over time, to your point, the headsets get smaller, gets a bit more accessible.[00:40:54] We'll eventually get there. It's just a matter of the use case said, Yeah, to your point, I think gamers, if anyone, you think about the people that are gonna be wearing a headset while they are playing Call of Duty or whatever it is, they're probably the audience that's more likely to have another device over their head as they are interacting with game.[00:41:13] Vickie Nauman: Exactly. Exactly. And I think, you know, fitness is another area that, with VR originally was like, oh yes, you know, are there ways to simulate, you know, downhill skiing and hiking and cycling and, you know, being in this expansive different world than being in your house. but you know, you don't really wanna just be sweating, you know, sweating in your, headset either. And so I think the only, like, there probably needs to be some evolution, if that's a big enough market to support specific hardware of fitness, you know, then there probably are people who really want to do that. but you know, we're still kind of trying to figure out what this entire next iteration of the internet is going to be, and I can't imagine that VR won't be a part of it.[00:42:05] Dan Runcie: And I think the other emerging platform that'll likely or emerging medium, that might likely be a part of it somehow is AI and that's the one thing we haven't talked about deeply yet today, but where are you at right now with AI and let's fast forward five years from now, 2028. What role does AI have with music, and specifically with what the major record labels and their artists are doing?[00:42:28] Vickie Nauman: I know. I mean, it's just like, I feel like web three is, we kind of have some time because I feel like you know, companies are building infrastructure, there's lack of, you know, horizontal integration and interoperability. We have time to kind of keep experimenting and figuring it out. AI is coming at us like a freight train right now, and I think maybe five or six years ago when.[00:42:54] AI and music first came on, the first came on the horizon. A lot of people were freaked out by it. Then they listened to the music and said, that's pretty bad, you know, now, we're not worried anymore. But now music's getting way better. and I think that, I kind of look at it in a couple of different, you know, avenues because I feel like the first thing that I see is artists. And artists are always the first to embrace any kinds of creator tools. You know, they're not afraid of technology, they're not afraid of tools, you know, you think back to drum machines, you know, my God, the drum machine's gonna eliminate drummers, you know, we don't need drummers anymore. Well, we didn't, you know, we still need drummers.[00:43:41] But it did serve a purpose. Practicing and, you know, don't need to have you know, a drummer there to practice your songs. Don't need to always take a drummer on tour if you're doing some sort of small, intimate shows, but we still need great drumm. so I think that artists are probably going to be the first ones to embrace and use technologies that are like, think of plugins to DaaS and, you know, and that you've got a writer's block and you want to have something kind of help pull some things out of your head and break through that.[00:44:13] So I think like that is going to be a really, really robust market. And those are still very much human creations. They're just tools that are now a little bit more advanced.[00:44:25] you know, the opposite end of it is text to music, [00:44:29] and that's where I think like, we have no idea how that is going to play out and who owns it either.[00:44:37] I think that electronic music is kind of the first use case because it's easiest to replicate and come up with, you know, a new electronic mix that's AI generated as opposed to something that is, you know, got, you know, 12 instruments in it. But, I still feel like there's a line there around what are the areas where it's, music is still kind of human created and you can never get it away.[00:45:03] Vickie Nauman: And live music for sure, you know, there's nothing that replaces being in a room and you're waiting for your favorite band to come on stage. And we're all human and we're all there in this shared experience. and I also think that there are things about human creativity and music that surprise you and that, you know, kind of, you know, a human can take you down an emotional path or a musical path that you never, ever would've anticipated.[00:45:32] And that's something that, that seems inherently human. But I think there's a lot of things, like a lot of background music. A lot of music that's kind of music for sleeping, music for concentration, you know, non-descript, you know, unknown artists production. I think that area is probably ripe for disruption by AI.[00:45:57] , you know, but it just still doesn't answer some of these fundamental questions about the copyrights of, if you fed an AI engine, millions of songs and it can now reproduce music based on a text command, you know, who owns that? You shouldn't t he music that was fed into the AI participate in that.[00:46:20] Dan Runcie: right. Because right now there's nothing that's necessarily pulling them, that they're pulling these from whatever, lyrics, websites that are there, but the lyrics, websites aren't, you know, pulling from those. So a lot of issues to sort through.[00:46:32] Vickie Nauman: Yeah. what do you think about?[00:46:34] Dan Runcie: I mean, I'm excited for the potential because I do think that if the industry is able to get it right in some way, if there's a way to fairly compensate people, like let's say that whether it's open AI or one of these companies has some way that they have a licensing agreement, no different than the record labels have licensing agreements with the streaming services or the dsbs. If you have something there that attributes some level of, okay, how much was pulled from here, and even if it ends up being some fractional aspect or whatever it is, obviously it would most likely all be some fraction, some way to attribute that back, especially if that becomes the next viral TikTok hit.[00:47:14] If that then spawns the journey for the next person to release the next big song, and you think about, whether it's the next Billy Eilish or whoever is creating music in their bedroom that's gonna release the biggest album of the year, like that's likely where this is gonna come from. I do think that's some of the things that we discussed in this conversation about how.[00:47:32] because the industry is more likely to not be in this break things fast mentality, to make sure that things are right. It's more likely to play catch up on some of those things, which I think, you know, could be frustrating to see it play out, but it's completely understandable just given how these things play out.[00:47:49] So maybe we'll see some more, of this happen from independent artists or those that are doing more things where they own everything themselves, kind of to your point with whether it's Poo Bear or other people like that, experimenting. Okay, what could that look like? So I think we'll probably see some type of innovation there.[00:48:06] Or maybe there's even a solution where some company has more rights to more of the royalty free or independent artist owned music where that can then be used as something derivative from where the OpenAI or chatGPT three or some of these companies can pull from. But I think we're a little ways away from that.[00:48:27] Vickie Nauman: But there's clearly no stopping it.[00:48:29] Dan Runcie: Yeah, no, this is a train that is gonna continue to go on for sure. But Vicki, this is great. I feel like we covered a bunch of stuff, especially with gaming and so many of its intersections. And if people wanna follow along with you and the work that you're doing, where's the best place that they should follow Thank you so much.[00:48:47] Dan Runcie Outro: If you enjoyed this podcast, go ahead and share it with a friend. Copy the link, text it to a friend, post it in your group chat, post it in your Slack groups. Wherever you and your people talk, spread the word. That's how Trapital continues to grow and continues to reach the right people. And while you're at it, if you use Apple Podcast, go ahead, rate the podcast, give it a high rating, and leave a review. Tell people why you like the podcast, that helps more people discover the show. Thank you in advance. Talk to you next week.

Since the 2013 album Journals, Poo Bear and Justin Bieber have collaborated on hits including "Intentions," "What Do You Mean?" and "Yummy." Poo Bear even says that Bieber has picked up on his vocal style. You can hear those smooth, soaring vocals on his latest album The Book of Nabeel. It's his first LP since Bearthday Music in 2018. While that release was more of a project, The Book of Nabeel is a true solo album made with love. Fans will recognize tropical-inspired arrangements with a vibe similar to some of Bieber's hits. Poo Bear talks to Jordan Edwards about the new album and contributing to the Justin Bieber musical legacy.

Artist/Songwriter Poo Bear sits down with Ebro in the Morning to discuss topics such as his weight loss, the process behind writing some of his biggest songs for Chris Brown, Daddy Yankee, 112, Justin Bieber, and many more, how he got into writing, owning his own publishing, and what he believes is the biggest cheat code in music. His new project 'The Book Of Nebil' is due to be released Friday. See omnystudio.com/listener for privacy information.

James gives us his top fantasy football waiver wire pick ups of the week (4:11), Tradon drops his top "Oh Puck" topics from the NHL (19:03), and Alex discusses the biggest storylines from the NBA (59:51).

Rob Late is an electronic pop producer and songwriter from London, UK. Having amassed a loyal social media following and industry recognition by posting intricate breakdowns of his production techniques, over the past year Rob has gone from producing with bedroom artists to working with big names such as The Chainsmokers, Sasha Sirota (credits include Justin Bieber, Poo Bear, Skrillex) and has gained sponsorships from major brands including Universal Audio, Hedd Audio, Novation, Arturia, and many others. Follow Rob Late below: RobLate.com Instagram @RobLate TikTok @RobLate * Episode Sponsored by LANDR * Whether you're a bedroom beat maker, a seasoned veteran, or a dreamer who is ready to take the first leap, LANDR's suite of tools will guide you through every stage of the journey. LANDR Studio provides access to the entire LANDR platform which includes plugins like Vocalign Project 5, and the LANDR FX suite, monthly mastering and sample credits, unlimited distribution, unlimited file storage and remote collaboration tools. LANDR Studio starts at just $12.50 a month. Get 15% off 12 months of LANDR Studio or LANDR Mastering with coupon code GETLANDRLIVE15OFF. CLICK HERE or visit LANDR.com Join the newsletter and be the first to receive new podcast episodes, and more: liveproducersonline.com/newsletter Purchase the latest version of Ableton Live: liveproducersonline.com/buyableton Join the Discord community: discord.gg/ceb9CgAFFj

Presented by Full Send, multi-platinum & Grammy award-winning songwriter, producer, & singer Poo Bear welcomes the MBH Boys to his luxurious Miami residence to chat his journey from homelessness to the top of the music industry, getting his first record deal at 12, growing up in Atlanta & falling in love with music,  trailblazing exposure through songwriting, becoming Justin Bieber's go-to man, collaborating with the likes of Usher, DJ Khaled, Chris Brown, J Balvin, Mariah Carey, messed up industry & award show systems, slavery publishing deals, rapper stigma with writers & MORE!USE CODE MBH15 WHEN YOU PURCHASE FULL SEND SUPPLEMENTS FOR 15 % OFF YOUR ORDER: http://supplements.co/discount/MBH15?redirect=%2F%3Fafmc%3DMBH15%26utm_campaign%3DMBH15%26utm_source%3Dleaddyno%26utm_medium%3DaffiliateSUBSCRIBE HERE: https://www.youtube.com/channel/UCcQijWgy0S1vyfPm_BhYNPwLISTEN ON:APPLE: https://podcasts.apple.com/ca/podcast/money-buys-happiness/id1513827461SPOTIFY: https://open.spotify.com/show/4DzyFZDvEHVT8ArGusePGs?si=38129137034440ecHOSTS INSTAGRAM:ERNESTO: https://www.instagram.com/Ernestogaita/ANTHONY: https://www.instagram.com/Anthonysorella/PODCAST: https://www.instagram.com/Thembhpodcast/GUEST INSTAGRAM:Poo Bear: https://www.instagram.com/poobear/SUBSCRIBE TO HAPPY DAD: https://youtube.com/channel/UCRVEzpUv...SUBSCRIBE TO NELK: https://youtube.com/user/NelkFilmz?su...

Big Night Radio featuring Gryffin - Aired on 4/29/22

The 60th episode of The Pregame Series features the best dance, house, and EDM music of the month mixed by Trademark. Hear new tracks from Trademark, Nitti Gritti, Sonny Fodera, Joel Corry, David Guetta, Eden Prince, Diplo, The Chainsmokers, Poo Bear, Tom Ferry, Galantis, and more.

DJ Spider connects with prolific songwriter and producer Poo Bear on "The 20 Podcast." Best known for co-writing hits for Justin Bieber, Poo Bear began his career over two decades ago. His credits include club anthems like 112's "Dance With Me," Usher's "Caught Up," Chris Brown's "I Can Transform Ya," Jack Ü and Justin Bieber's "Where Are Ü Now," and Luis Fonsi's "Despacito" remix featuring Justin Bieber. On the episode, Poo Bear discusses how DJs influence his writing, what it's like working with Bieber, plus more. See acast.com/privacy for privacy and opt-out information.

We had the pleasure of interviewing Poo Bear over Zoom video! At just 14-years-old, he co-wrote “Anywhere” for multi-platinum R&B powerhouse 112, which opened the floodgates for so many more opportunities for him. Collaborations with everyone from The Rolling Stones, Whitney Houston, Mariah Carey, Pink, and Faith Evans to Dr. Dre, Lupe Fiasco, Drake, Snoop Dogg, Yo Gotti, and Rick Ross followed. Since then, he's written blockbuster smashes such as Justin Bieber's “What Do You Mean?”, Usher's “Caught Up,” Dan + Shay's “10,000 Hours,” and Chris Brown's “I Can Transform Ya” [feat. Lil Wayne & Swizz Beatz] as well as the 13-times platinum “Despacito (Remix)” [feat. Justin Bieber] for Luis Fonsi and Daddy Yankee. His catalog includes sales of over 350 million records worldwide, dozens of multi-platinum certifications, and 100 billion streams and counting, as well as two Grammy nominations. At the same time, his entrepreneurial portfolio consists of owning the restaurant Black Star Burger, as well as co-owning hydrogen-infused water manufacturer HFactor, among others. Most recently, Poo Bear signed a joint venture agreement with Def Jam Recordings for his own label, Bearthday Music. He's credited on Justin Bieber's newest album, Justice, and has just finished music directing on NBC's new show, Kenan.Simultaneously, he emerged as a dynamic and diverse artist himself. He lent his voice to Skrillex's “Would You Ever,” racking up over 200 million Spotify streams. In 2018, he unveiled his full-length debut Poo Bear Presents Bearthday Music, featuring guests such as Jennifer Lopez, Anitta, Zara Larsson, Jay Electronica, Justin Bieber, and more.In October, he released his latest single, “Distant Shore." The track encapsulates that of a siren's call, instantly pulling you in with it's electronic, upbeat energy and his entrancing vocals. It's the perfect song to get lost to as you dance all night long. This is the first track of many, as an album is on its way. We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #PooBear #JustinBieber #zoomListen & Subscribe to BiBFollow our podcast on Instagram and Twitter! 

TracklistMoney In The Grave (DJ Tao & DJ AI 2021) - DrakePlain Jane x Black Horse (NOHA Bootleg) - ASAP Ferg, Jumodaddy, Dr. FreschRun It - DJ Snake feat. Rick Ross & Rich BrianDo It To It - ACRAZE feat. CherishMy Humps - Lee Foss & JoshwaSicko Mode (Rivas 'The Night' 2021 Edit) - Travis Scott ft Drake vs NuBass & MPHHigher - Jenil, Darren & CashwellHustlin' (Angelo The Kid 'Won't Stop' Edit) - Rick Ross vs. KitoneNew Level (Justin Caruso Edit) - ASAP Ferg x Future x Tujamo x Sidney SamsonCrank That (KIDY Edit) - Soulja Boy vs Kanye West vs FlosstradamusAlone (SAMME Remix) - MarshmelloNo Problem (JΛMØ Remix) - Chance the RapperStraightenin (Nick Bike's Grove St. Edit) - MigosSharing Locations - Meek Mill feat. Lil Baby & Lil DurkKnife Talk - Drake Feat 21 Savage And Project PatMaybach - 42 Dugg feat. FutureWhats Poppin - Jack Harlow vs Kura & VedenzoKush - Ferreck Dawn & GuzBoy Oh Boy (Eryk Gee & Camps 2021 Remix) - Diplo & GTALevels (Sir Gio 2021 Remix) - AviciiAm I Wrong (Beatz Freq 2021 Remix) - Nico & VinzWould You Ever Speak To Me - Skrillex & Poo Bear x Porter Robinson x Anki x Ekali x QUIXEveryday We Lit (DJ Scene Bootleg) - YFN Lucci feat. PnB RockBroccoli (Even Steve 'Dollars' Bootleg) DRAM & Lil Yachty vs CrankdatBugatti (Smassh 2021 Trap Edit) - Ace Hood ft Rick Ross, Future vs JayyOut The Mud - Lil Baby feat. Futureall good - Roddy Ricch feat. FutureWhat A Life - Big Sean, Hit-BoyWhat That Speed Bout!? - Mike Will Made-It ft Nicki Minaj & YoungBoy Never Broke Again

Welcome to the newest and last episode of 2021! A new year and new beginnings and freshness for everyone is right around the corner! Wishing you guys nothing but greatness! In this show I am bringing you new tunes and remixes from Oliver Heldens, Shane Codd, Diplo, DVBBS, Poo Bear, ZHU, Meduza, KREAM, and much much more! Hope you guys enjoy and thank you for all your continued support! @DJINZO

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SUMMARYOur guest on this episode of Songcraft is Poo Bear, who is known for his extensive collaborations with Justin Bieber, including the multi-platinum hits “Where Are U Now,” “What Do You Mean,” and “Despacito (Remix),” as well as for hits such as “Caught Up” by Usher, “I Can Transform Ya” by Chris Brown, and “10,000 Hours” by Dan + Shay. He joins us i to chat about his multi-platinum career as a behind the scenes writer, and his recent work as an artist. PART ONEScott and Paul chat about their elevator encounters with Ice Cube, Common, Kenny Loggins, Kelly Rowland, and Jermaine Jackson, and why random run-ins don't always result in amazing songwriting partnerships. PART TWOScott's in-depth interview with Jason "Poo Bear" BoydABOUT POO BEARSong of the Year Grammy nominee Poo Bear is perhaps best known for his collaborations with Justin Bieber, including the multi-platinum hits “All That Matters,” “Where Are U Now,” “What Do You Mean,” “Company,” “Yummy,” and “Intentions,” as well as “Despacito (Remix)” (with Luis Fonsi and Daddy Yankee) and “I Don't Care” (with Ed Sheeran). Other hits from the Poo Bear songbook include “Anywhere” and “Peaches and Cream” by the R&B group 112, “Caught Up” by Usher, “My Petition” from Jill Scott's Grammy-winning Beautifully Human album, Chris Brown's “I Can Transform Ya” and “She Ain't You,” and Dan + Shay's “10,000 Hours.” His catalog has registered sales of over 350 million records worldwide, dozens of multi-platinum certifications, and 100 billion streams and counting. He has collaborated with The Rolling Stones, Whitney Houston, Mariah Carey, P!nk, Faith Evans, Dr. Dre, Lupe Fiasco, Drake, Snoop Dogg, Yo Gotti, Rick Ross, Skrillex, DJ Khaled, Mariah Carey, Billie Eilish, Steven Tyler, and many others.Not limited by any one genre, Poo Bear's songwriting can be found on everything from J Balvin's Latin Grammy award-winning Energía to Zac Brown Band's #1 country album The Owl. As an artist, he co-founded the rootsy project Bear and a Banjo, which released a self-title debut in 2020 that was produced by T-Bone Burnett. Further stepping out from behind the scenes, Poo Bear's most recent release is the single “The Day You Left.” 

As a producer, writer, recording artist and entrepreneur, Poo Bear is always searching for collaborators who bring out the best in him, and vice versa. "Do you believe in me?," he'll ask an artist who wants to record one of his songs, because for him, the best work arises when there is that mutual passion for each other's work. He's definitely found that zone with Justin Bieber, his most extensive song partner over the past several years. But his prolific work includes hundreds of tunes, for artists as varied as Jill Scott, the Zac Brown Band, J. Balvin and FKA Twigs, to name just a few. In this conversation, we talk about his earliest projects (as a kid, singing in R&B groups in Atlanta, and writing professionally from the time he was 16), how he has evolved his songwriting formula, where he sees pop music going in the future, and more. --- Support this podcast: https://anchor.fm/jennylsq/support

Today's guest greets everyone by saying, “Happy Birthday.” For as unexpected as it may be, it always incites a smile. Then again, everything about the two-time GRAMMY® Award-nominated singer, songwriter, producer, and entrepreneur is just as unpredictable. His gracious demeanor belies a downright unbelievable career. Earmarked by blockbuster smashes such as Justin Bieber's “What Do You Mean?”, Usher's “Caught Up,” Dan + Shay's “10,000 Hours,” and Chris Brown's “I Can Transform Ya” [feat. Lil Wayne & Swizz Beatz] as well as the 13-times platinum “Despacito (Remix)” [feat. Justin Bieber] for Luis Fonsi and Daddy Yankee, his catalog has registered sales of over 350 million records worldwide, dozens of multi-platinum certifications, and 100 billion streams and counting. Our guest has worked with artists ranging from 112 and Lupe Fiasco, to Jack Ü (Skrillex & Diplo), J Balvin, and DJ Khaled, from J-Lo, Mariah Carey and Billie Eilish, to Ed Sheeran and Zac Brown, among many others. At the same time, his entrepreneurial portfolio includes Black Star Burger, HFACTOR water, Wonderbrett dispensary, gaming team 100 Thieves, and his own Bearthday Music record label. As of late, he signed a joint venture agreement with Def Jam Recordings and released his latest single, “The Day You Left” on June 11 via BMG! And The Writer Is… Poo Bear!Artwork: Michael Richey White See acast.com/privacy for privacy and opt-out information.

In this week's episode Lindsay sits down with 3-time NBA Champion and Grammy nominated producer, Denver Nuggets center, JaVale McGee; 4-time Grammy award-winning songwriter & producer to the stars, Poo Bear; and prolific composer for film, television, and now podcasts, Jared Gutstadt aka Jingle Jared, as they discuss collaborating on Justin Bieber's hit "Available," working with 2 Chains, Bob Dylan and Steven Tyler, the DNA of Lebron's Lakers and Steph Curry's Warriors teams, Kanye West, The Clash, and the Nuggets push for a 2021 championship run. Learn more about your ad choices. Visit megaphone.fm/adchoices

Poo Bear charts his journey to becoming one of the most in demand and successful songwriters in pop music, and discusses his friendship and collaborations with Justin Bieber. This episode is brought to you by Modal Electronics, who make beautiful, innovative and powerful synthesisers. You can enjoy vibrant wavetable patches with their ARGON8 series. You can produce state-of-the-art analogue-style synth textures with their COBALT8 series. Go to modalelectronics.com to check out their incredible array of synthesisers.

Poo Bear , Christopher Robbin and Cleveland Brown, want to know what that honey pot really is. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jerry-hash/support

Twitch has TWO toilet stories... One involving a toilet snake that turned out to be something else... And the other is the story of a woman who got her ass attecked on the crapper!   See omnystudio.com/listener for privacy information.

Micah Booze has been fighting wildland fires for 15 years all over the U.S. and for the past five years he has been working as an assistant captain on a suppression module in Alaska where he lives with his family. He is a firm believer and practitioner of networking, and the art of it. You can find him and his fire photography on instagram @booze_and_fire He also founded The Anti-Surface Shitting Movement aka The A.S.S. Movement in early 2020 to help with the Surface-Shitting and Tissue-Issue crisis on our Public Lands. The aim of the A.S.S. Movement is to spread awareness, education, and cleanup of this irresponsible act. He is currently working on an illustrated children's book to help educate the younger generations. You can find The A.S.S. Movement on Instagram @the_a_s_s_movement His website www.thefirewild.com has A.S.S. Movement and Poo Bear merchandise available which helps the cause Wild. Please subscribe to the podcast and leave a review were ever you listen to your podcast. If you like the podcast please share the show and join the online community at www.instagram.com/enduringthebadgepodcast or I can also be reached at 801-376-7124 or email at enduringthebdage@gmail.com. --- Send in a voice message: https://anchor.fm/endurngthebadge/message Support this podcast: https://anchor.fm/endurngthebadge/support

Sometimes being fake is a good thing. Will humble brags about high school. New Orleans is calling. Keeping it G, whatever that means. Fast twitch or nah? We compare finger wiggling. “My hair is my best natural ability.” RIP Avicii. LIP Charlie Puth, Justin Bieber, Billie Eilish, & Poo Bear. Instagram here. Youtube here. Bad Brothers Podcast Michael and Will Browning Port Orchard, Washington

Jason Boyd aka Poo Bear is one of the most successful songwriters working in the modern US pop music industry.During a storied and Grammy-winning career, he's written and/or produced tracks for the likes of Pink, User, Lupe Fiasco, Chris Brown, Mariah Carey and Ty Dolla Sign. He's perhaps best known as a long-time collaborator of Justin Bieber, for whom Poo Bear has co-written hits like What Do You Mean?, Where Are U Now? (with Jack U) and Yummy, as well as working on Bieber's record-breaking remix of Despacito in 2017.Poo Bear is now readying his own new solo album (set to be released via Platoon), Bars & Guitars – a follow-up to 2018's Poo Bear Presents... Bearthday Music, which featured the likes of Bieber, Jennifer Lopez and Zara Larsson.We talk songwriting, the pandemic, Black Lives Matter, getting ripped off by the music business and much more.

 This week I’m talking with my old friend Eric Hurt who has spent over 20 year as a song plugger, publisher and A&R rep working with some of Nashville’s biggest music companies and songwriters. We are discussing what it takes to work as a song plugger and publisher. Setting yourself apart so that people find value in who you are and will want to work with you. The importance of showing up and giving your all so that industry people will start noticing you. Plus, two of the most important ingredients to be successful in the music industry.Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. Talking Points:*The people who are most successful are the ones who don’t give up.*Find ways around “no.”*Went to Belmont University for composition and arranging. Although I wasn’t required to have an internship with my degree, I realized the importance of having one so I could network and get to know people.*I got an internship at a publishing company called Almo/Irving which is the best thing I have done in my career to set up me for success.*Laws have changed and it has become more difficult to get an internship if you aren’t in school.*You can still get an internship without going to college and going through an internship program, but you will probably work with a small company instead of one of the larger companies.*I ended up at Forefront Records for a while, but stayed in touch with the people at Almo/Irving and they recommended me for a position as a song plugger for producer Joe Scaife at Cal 4 Entertainment. That happened because I maintained my relationships with people at Almo/Irving.*Be patient, not pushy.*A song plugger is someone who maintains relationships with all the labels and A&R teams. They also build relationships with all the publishers. You keep up with all the artists in town that are working on records and the kind of material they are looking to record and when your client (songwriter) has a song you feel works for that artist’s project, then you take that song to the record label or producer or artist and play it for them to try to get them to record it on their album. You try to get the songs into as many hands as possible.*A song plugger also sets up co-writes with other writers or artists.*Song pluggers can work for a company or independently.*Liz Morin and Ronna Reeves are great independent song pluggers. But they don’t work with just anybody. It has to be artists they feel like has a home somewhere.*If you hire an independent song plugger, make sure they have good relationships with the people in the industry.*If you want to be a song plugger, you have to be very outgoing, social and love meeting new people. Be comfortable in a lot of different scenarios, one-on-one or with a room full of people. You need to look for companies that have success because they are going to help set up initial meetings for you as a song plugger so you can get to know the high up people at labels and publishers, etc.*After a while I decided to go back to making music and stepped away from the business side, but after a few years I realized I preferred the business side of music.*I came back and worked at Brentwood Benson Publishing as creative director basically doing the same thing I had done as a song plugger with the other companies, but on a larger scale.*Whether you’re an artist or want to be on the business side there are 2 things that there are no substitutes for: Patience and hard work.*Don’t compare your journey to someone else’s.*For the past few years I worked for Black River Entertainment doing publishing and setting up co-writes, looking for songs, etc. I signed an artist named Willie Jones to a publishing deal which led me to working with my current company EMPIRE.*If you are in a creative position at a publishing company, you are setting up co-writes, pitching songs, dealing with A&R on signing new talent to pub deals, etc.*Most people think of A&R as being only on the record label side, but there is that same element when signing writers to a publishing deal.*I’ve been diligent learning multiple sides of the industry, broadening my web of contacts so that I can move in different areas and genres and pivot as needed which has created value over time and led to multiple opportunities so that people are always reaching out to me for a position, not me seeking out new positions for myself.*When I sign a writer for EMPIRE I look for people that already have a team around them and they have some momentum at what they are doing currently.*At Black River Entertainment it could be a brand new writer that had no cuts but was could at tracking and producing.*Sometimes it’s knowing when to sign new young writers and knowing when to sign anchor writers that have had hits over their career.*At EMPIRE I am the VP of A&R launching the Nashville division. They’ve had lots of success in the urban space including Kendrick Lamar, Cardi B, Snoop Dogg, etc.*They wanted to get into country music so I am spearheading that by offering something with an urban philosophy and mindset on how we partner with artists and put music out.*When you’re married you have to have a supportive and understanding spouse. It’s a lot of odd hours. You have to have a balance and make sure you have family time. When your off, be off.*Learn the power of “no.”*If you learn when to say “no” that can make you more valuable and more respected to people.*If you want to work for a label, publisher, etc. or get signed to one as an artist or writer, you need to move to a music town that does those things and immerse yourself in the genre and the side of the business you want to be on.*Find out where things are happening, where the influencers are, where people in the music community hang out so you can show up be around it.*In Nashville every Monday is Whiskey Jam where a lot of artists perform and every Tuesday is Tin Roof Revival. Show up and be there because industry people go to those events and you can rub a lot of elbows and start building relationships in a really authentic way.*Don’t be pushy or try to rush anything.*Find people you connect with.*Just show up in everything you do.*Show up to the city you want to be in, the events you want to be at, to work, your co-writing session on time and early and people will start noticing. With over 20 years experience in Nashville's music industry, Eric Hurt is the first official team member of EMPIRE Nashville as their VP of A&R, spearheading EMPIRE's Country initiative around Willie Jones with one of his first EMPIRE signings being iHeart Media podcast & soundtrack Bear and a Banjo; produced by T Bone Burnett, narrated by actor Dennis Quaid, and written by Grammy winning producer/writer Jason Boyd aka Poo-Bear and Jared Gudstadt. The project features Zac Brown as well as a song co-written with Bob Dylan. Previously, he was Sr. Director of Creative at Black River Publishing in Nashville representing 5x #1 hit writer/producer Josh Kerr, Black River artist Abby Anderson, producer Bobby Huff, among many others. 

What if we told you the same guy who helped put together R&B group 112 was also the same guy who played a role in putting together fellow Atlanta quartet Jagged Edge? What if we told you the same guy discovered Justin Bieber's songwriter, Poo Bear, and that he co-owns Crip-A-Cola with Killer Mike? Well, that "same guy" is this week's guest on Day 1 Radio and his name is Courtney "Big Bear" Sills. If you want some history, kick your shoes off and listen to this episode.    2:30 - Bear gets into growing up in College Park and coming up as a barber. He went to the same high school as Dallas Austin and came up around other Atlanta music names like Jermaine Dupri, Devyne Stevens and T-Boz from TLC. Seeing his peers get into the music industry inspired him to find a way to get into himself and see where he fit. He also reveals how cutting hair for Boyz II Men and Another Bad Creation allowed him to be a fly on the wall and absorb information.   10:00 - Bear walks us through the chain of events that saw him cutting hair for "a guy named Puffy who just lost his job" at Uptown Records and talking with producers Tim & Bob that led to him putting together the R&B group 112 and getting them signed to a new label called Bad Boy Records...and how that actually stemmed from wanting to build a group around a singer named Richard Wingo who wound up joining Jagged Edge.   16:00 - Bear was there when Bad Boy was getting built. He was there when Craig Mack's "Flava In Ya Ear" blew up and when Biggie was becoming a star. He talks about what it was like being from Atlanta with an Atlanta group, moving around in New York City trying to make a name for themselves. You've got to hear him tell the story about their experience at the "One More Chance" remix video shoot.    21:40 - In addition to being nice with his hands as a barber and martial artist, Bear also has a mean pen game. He actually wrote the hook to a lot of people's favorite 112 song, "Cupid." Listen as he tells the story of how that happened.   26:30 - After launching 112, Bear found himself playing a role in putting together Jagged Edge around the same time. He talks about watching both groups rehearsing together before they even had the group names. He jokes about how after Jermaine Dupri signed JE their first music video looked almost identical to 112's. He talks about the differences between working with the two groups. He was also eventually asked to road manage JE as they went on tour with who he refers to as "this girl group called Destiny's Child." You can look up an episode of "Unsung" to see how that turned out.   31:00 - Bear talks about how even though he worked with R&B groups, it wasn't always sweet, especially since they were signed to rap record labels. Especially in the case of 112 who found themselves being bystanders in the Bad Boy vs Death Row beef in the mid-90s. He gets into how he had to learn how to move around in different cities because of that ever since.    37:40 - Bear had a relationship with Nipsey Hussle and often served as his look out when he came to Atlanta. He talks about the harsh reality of having to understand why someone like Nipsey could be taken out in his own hood and how that unfortunate event isn't all that rare.   45:00 - Bear has co-founded a new label named No Face No Case and aims to build and develop songwriters, producers and artists. He talks about how he hopes to bring development back to a game where instant stardom is the norm.   49:30 - Bear wrote a poem for his wife and that poem wound up becoming a song on Justin Bieber's new album called "I Know What Love Is." He also talks about how he discovered Bieber's primary songwriter Poo Bear who also happens to be his younger cousin.   54:00 - Bear gives Hip Hop Trivia a shot and argues us to death that he's right on most of them. We also close the show talking about his co-ownership in Crip-A-Cola that was made famous on Killer Mike's Netflix show "Trigger Warning." Day 1 Radio podcast is available on Apple Podcasts, Google Play, IHeartRadio, Spotify, Stitcher, Radio Public, and CLNS Mobile Media app. Follow us on Twitter, FB, and IG at @day1radio

Bear and a Banjo was listed as one of the best music podcasts of 2019 by Variety. This bonus episode features an intimate performance from the Winston House in Los Angeles. Hear the first ever live performance of the music from the podcast plus a Q and A with series creator Jared Gutstadt and his musical partner / imaginary bandmate Poo Bear, moderated by Winston House founder Corey McGuire. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

The song (co-written by Bob Dylan w Poo Bear and Jingle Jared) stitches together the entire series in the form of a lyrical puzzle. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Dennis Quaid, Poo Bear and Jingle Jared discuss how this project was created. They examine the story, music and their fateful meetings, which lead to them bringing this concept to life. Dennis recounts a last minute invitation to pitch this concept with Jingle Jared in Las Vegas... and Poo Bear explains how Justin Bieber should take some credit for this project. Learn more about your ad-choices at https://news.iheart.com/podcast-advertisers

Vapes, teeth falling out, and music with songwriter Jessie Jo Dillon and The Ballroom Thieves' Martin Earley. Martin shares some political views and new music, "Love Is Easy". Jessie is the writer behind Dan+Shay's, "10,000 Hours", Cole Swindell's, "Break Up In The End", and Maren Morris', "Rich".   The Ballroom Thieves are Callie Peters (vocals, cello), Martin Earley (guitar, vocals), and Devin Mauch (percussion, vocals). Mixed with lush reverbs, strings and melodic harmonies you can easily go down the rabbit hole and forget that there are bigger themes in their music. In our conversation, we tap into the transition from Paper Crown to their latest music, "Tenebrist" and "Love Is Easy". But tap most importantly why it's important to point out the obvious and some times the not so obvious light vs. the dark of humanity. For tour dates and updates visit and follow them @ballroomthieves.    Jessie Jo Dillon is a songwriter from Nashville that writes exclusively with Big Machine Publishing. Dillon earned a Grammy nomination in 2011 in the Best Song Category for her first-ever cut, George Strait’s “The Breath You Take,” a song she co-wrote with Casey Beathard and her father, Nashville Songwriters Hall of Fame inductee, Dean Dillon. Jessie co-wrote “Girl Next Door,” “Daughter” and “You Can Come Over” with Brandy Clark for her latest album as well as “Rich” with Maren Morris for her album Hero. She also has broken records with penning Cole Swindell's "Break Up In The End" and the Dan+Shay, Justin Bieber, Poo Bear hit, "10,000 Hours". George Strait, LeAnn Rimes, Luke Bryan, Jennifer Nettles and more. In our talk, we cover growing up in a family with a legendary songwriting father and feeling that looming shadow of a career. How when to and not to be so hard on yourself when comparing yourself. Choosing your path and taking the leap, changing life up, discovering yourself are a couple of other themes. We also tap into her writing style and how much she loves words. Even her discovery process to some of your favorite songs as a life exercise. To follow Jessie give her a follow @jessiejodillon.

Dynamite Dylan is making a name for himself in the music scene as he continues to release track after track. His latest “NUMBERS UP” is Dylan’s fourth release and his most mature yet. Written by acclaimed producer Poo Bear (Justin Bieber, Big Sean, Chris Brown, and Usher) and produced by Poo Bear’s 15-year-old protege, KidCulture, Dylan shows he is beyond his 13 years as a businessman and music artist. Referring to the recording studio his “second home,” Dylan devotes much of his time to digging into obscure music, discovering new beats, and creating sounds of his own with the help of his Midi Fighter. With his favorite artists ranging from Gorillaz to Ed Sheeran to 1940s doo-wop group The Ink Spots, he’s also constantly coming up with song ideas, touching on everything from bullying to black holes.Listen to Dynamite Dylan:https://open.spotify.com/artist/5hmJ3DqZwkYDk0qGHsO14N?si=JbWcf57qQWSHWLOZTawa_QFollow Sidewalk Talk:https://twitter.com/sidewalktalkshw (all updates)https://instagram.com/sidewalktalkshow See acast.com/privacy for privacy and opt-out information.

Canadian Music Week review part 2 with guests Esma, Tamara Maddalen and Donald Plant from Encore who report on their CMW experiences and what they learned from the various workshops.

This week's guest has a portfolio that contains some of the hottest names in music including Justin Bieber, Skrillex, J Balvin, Chris Brown, and more. Please welcome to The Place, Poo Bear.

This week's guest has a portfolio that contains some of the hottest names in music including Justin Bieber, Skrillex, J Balvin, Chris Brown, and more. Please welcome to The Place, Poo Bear.

Featuring: Tiesto, Dzeko, Arty, Bryant Powell, Corey James, David Pietras, Skrillex, Poo Bear, Mike Candys, Galantis, 9Lives & Arsen, The Aston Shuffle, Jac & Harri, Martin Garrix & Justin Mylo, AK9, Archie, Audien, Max, Alex Clare, Don Diablo, Niall Horan, TONG APOLLO & Nicole Chen, White Azz Suckers, Neil Bronson & Axeonic, Captain Cuts & Zookeper. Youtube: www.youtube.com/c/YannickBurky Twitter: twitter.com/yannickburky Instagram: www.instagram.com/yannickburky/ On iTunes: itun.es/i6SD5y2 iTunes Artist Page : itun.es/ch/5Guteb Spotify Artist Page : open.spotify.com/artist/5OPvFCttzbQKvibqELl3vd Spotify Personal Page : open.spotify.com/user/1111668183 Take care.

1. Amerie - Why Don't We Fall In Love (Baby Yu Remix) 2. Jeremih & Ty Dolla $ign - The Light 3. Rae Sremmurd feat. Juicy J - Powerglide (PetDown Club Edit) 4. Poo Bear feat. Zara Larsson - Either 5. HoodCelebrityy feat. Fabolous - Walking Trophy (Remix) 6. Backstreet Boys - Don't Go Breaking My Heart (Baby Yu Remix) 7. bulow - Not A Love Song 8. Kanye West - Lift Yourself (Baby Yu Edit) 9. Horace Brown feat. Jay-Z - Things We Do For Love (Baby Yu Remix) 10. Childish Gambino - Summertime Magic (Baby Yu Remix) 11. 50 Cent - If I Can't (Baby Yu Remix) 12. Donell Jones feat. Lisa 'Left Eye' Lopes - U Know What's Up (Mozes & DJ Homewreckr Remix) 13. Dua Lipa - New Rules (DJ Politik Remix) 14. City Girls - I'll Take Your Man 15. Halsey feat. Big Sean & Stefflon Don - Alone (Baby Yu Remix) 16. Taylor Swift - Delicate (Baby Yu x Tall Boys Club Remix) 17. SOB x RBE feat. Kendrick Lamar - Paramedic (Baby Yu Remix) 18. DJ Jazzy Jeff & The Fresh Prince - Summer Time (Baby Yu Remix) 19. Drake - In My Feelings (Mr. Collipark Remix) 20. Jennifer Lopez - Get Right (Mr. M!x Remix) 21. DJ Megan Ryte feat. Tory Lanez & HoodCelebrityy - On & On 22. Lil' Dicky feat. Chris Brown - Freaky Friday (Baby Yu Remix) 23. Tyga feat. Offset - Taste (Childsplay Remix) 24. Busta Rhymes - Put Your Hands Where My Eyes Can See (Baby Yu Remix) 25. Justin Bieber & BloodPop - Friends (dvsn Remix) 26. Brian McKnight feat. Mase - You Should Be Mine (Baby Yu Remix) 27. Drake vs. Lauryn Hill - Nice For What (Baby Yu Remix) 28. A Tribe Called Quest - 1nce Again (Baby Yu Remix) 29. Ella Mai - Boo'd Up (Baby Yu x Mozez & JUN-ILL Remix) 30. Tinashe feat. Ty Dolla $ign & French Montana - Me So Bad (DJ rocco & DJ Ever B Remix) 31. Stevie Wonder - Superstition (Baby Yu x Yann Muller Remix) 32. Post Malone fet. G-Eazy & YG - Same Bitches (Baby Yu Remix) 33. Dan & Shay - Tequila (R3hab Remix) 34. Mary J. Blige - Family Affair (The Niceguys 2018 Remix) 35. Nicki Minaj - Chun-Li (Baby Yu Remix) 36. Rich The Kid - Plug Walk (SH8K Remix) 37. Bazzi - Mine (Jengi Remix) 38. Snakehips feat. St Rules - Cruzin' 39. Eve feat. Alicia Keys - Gangsta Lovin' (Baby Yu Remix) 40. Tory Lanez & Ozuna - Pa Mi (PeteDown Remix) 41. Major Lazer feat. PartyNextDoor & Nicki Minaj - Run Up (Baby Yu Remix) 42. Tyga - SWISH 43. YG feat. 2 Chainz, Big Sean & Nicki Minaj - Big Bank (Baby Yu Remix) 44. Nate Dogg - Just Another Day (Baby Yu Remix) 45. Foster The People - Sit Next To me (Baby Yu x PeteDown Remix) 46. Sweetie & Lodon On Da Track feat. G-Eazy & Rich The Kid - Up Now (Baby Yu Remix) 47. Ella Mai - Trip (Funk D & Waldo Remix) 48. Clean Bandit feat. Demi Lovato - Solo (Baby Yu x PeteDown Remix) 49. Swae Lee feat. Slim Jxmmi - Guatemala (Baby Yu x DJ Mozes Remix) 50. DJ Khaled feat. Justin Bieber, Chance the Rapper & Quavo - No Brainer (Baby Yu x Kidd Spin Remix) 51. Sabrina Carpenter - Almost Love (R3hab Remix) 52. Maroon 5 feat. Cardi B - Girls Like You (Baby Yu x CRAY Remix) 53. Janet Jackson - The Pleasure Principle (Alpha One Remix) 54. Zaeden feat. Rupee - Tempted To Touch 55. Swae Lee feat. Rae Sremmurd - Hurt To Look (Baby Yu Remix) 56. Camila Cabello feat. Young Thug - Havana (Baby Yu Remix) 57. Drake feat. Michael Jackson - Don't Matter To Me (Baby Yu Remix) 58. Lil' Duval feat. Snoop Dogg & Ball Greezy - Smile (Baby Yu Midnight Star Remix) 59. Amindi K Fro$t feat. Tessellated & Valleyz - Pine & Ginger (Baby Yu Remix) 60. Bruno Mars feat. Cardi B - Finesse (Baby Yu Remix) 61. The Game feat. YG, Ty Dolla $ign & Jeremih - DTF 62. Years & Years - If You're Not Over Me (NOTD Remix) 63. Ella Mai - Makes Me Wonder (Baby Yu Remix)

If you don't know Poo Bear by face or even by name, you definitely know his words. The writer and producer turned artist's work has sold over 350 MILLION records worldwide. After years of making other artists shine and a couple well received mixtapes, the veteran writer dropped his debut album Happy Bearthday earlier this year.  We get into his past, as well as his take on the state of R&B, plus which songs he wishes he had written in this candid convo. Listen up and spread the word.  Day 1 Radio podcast is available on Apple Podcasts, IHeartRadio, Spotify, Stitcher and CLNS Mobile Media app. Follow us on Twitter, FB, and IG at @day1radio

My guest today is Gemini is the ultra talented songwriter and producer. Gemini has worked with so many legends in the business Poo Bear, Justin Beiber, Mario, Christina Milan, Snoop Dogg, Taboo and many more.  In this episode we delve in to what makes him tick and how he has defeated all obstacles in his rise to success. Gemini does not make excuses, he takes action. There is something to be said about having a winning personality and being likeable to defeat your competition. This is something we can learn from him. His aha moment come after getting his music on the radio in Israel as a teenager.  From there he had massive success in his home country but then decided to go all the way and journey to LA to make his mark on Hollywood. When you lisen to his interview you will be inspired and relealize you have no excuses either. Ladies and Gentlemen and Gemini,==WELCOME TO SWAGGER SWERVE  ===COMING at you from LA                                                      Thank you for joining me, now lets officially Swagger then SwerveCheck out Gemini's Links @https://www.instagram.com/geminimuziq/https://twitter.com/geminimusiq?lang=enhttps://soundcloud.com/geminimusiq Get in tune with your inner creativity with Swagger Swerve Here =  https://swaggerswerve.squarespace.com/ ----Let me know what you think as well by subscribing on social mediaYou can follow Geoff from Swagger Swerve at:Website: http://swaggwerswerve.com/Instagram: https://www.instagram.com/swaggerthenswerve/Facebook: https://www.facebook.com/swaggerswerve/----- Geoff's New Program on how to release 1 song a month for the next 12 months - Music GSD (Get S Done)  https://swaggerswerve.squarespace.com/store/ 

On this episode WLPWR, Tai Saint Boogie, and Brian Onrea interview Multi-Platinum and Grammy Award winning songwriter Jason “Poo Bear” Boyd (Justin Beiber, Usher, Chris Brown, 112, etc) to the show. In this exclusive interview they discuss:The trial and error process of learning how to write a good songThe Producer/Songwriter relationship and its importance How producers can structure their beats best for the songwriterWriting the “Despacito” remix for Justin BeiberThe concept behind his “Poo Bear Presents: Bearthday Music” project which available on all outlets NOW!His desire to make important records in each genre of music simultaneously Getting a lyrical rapper like Jay Electronica to gel on a record with Justin BeiberWhat does it take for international artists to break in the United StatesWhat’s next for Poo Bear?Also on today’s episode the team discusses:Is Nas’ Nasir really coming out? They wait patiently for album to drop while recording this last Thursday (steam didn’t start in time). They did discuss their expectations for the project. Follow us! @freegamepodcast @wlpwr@SaintBoogie @BrianOnrea This episode was sponsored by @yumpanadas and @mcbridesisters recorded at @graymattercollective mixed by @checkmatecreative and produced by @londonelixirxl

On this episode WLPWR, Tai Saint Boogie, and Brian Onrea interview Multi-Platinum and Grammy Award winning songwriter Jason “Poo Bear” Boyd (Justin Beiber, Usher, Chris Brown, 112, etc) to the show. In this exclusive interview they discuss:The trial and error process of learning how to write a good songThe Producer/Songwriter relationship and its importance How producers can structure their beats best for the songwriterWriting the “Despacito” remix for Justin BeiberThe concept behind his “Poo Bear Presents: Bearthday Music” project which available on all outlets NOW!His desire to make important records in each genre of music simultaneously Getting a lyrical rapper like Jay Electronica to gel on a record with Justin BeiberWhat does it take for international artists to break in the United StatesWhat’s next for Poo Bear?Also on today’s episode the team discusses:Is Nas’ Nasir really coming out? They wait patiently for album to drop while recording this last Thursday (steam didn’t start in time). They did discuss their expectations for the project. Follow us! @freegamepodcast @wlpwr@SaintBoogie @BrianOnrea This episode was sponsored by @yumpanadas and @mcbridesisters recorded at @graymattercollective mixed by @checkmatecreative and produced by @londonelixirxl

Thoughts? Comments? You can contact me by calling or texting 201-429-0274. If you leave a voicemail please be aware, you only have 3 minutes. Email me at improveandhavefun@gmail.com ..Join the conversation on the blog (and find the full show notes)by going here  https://bit.ly/2xh3iZF  ..Thanks for watching/listening! Happy Memorial Day 2018. I'd like to give a big shoutout to the U.S. Armed Forces on this national day of remembrance. This mixtape has some hip hop, afrobeat, soca, dancehall and more. Inbetween the segments I will quote some motivational words I've put together. Inspired by self-help books, videos, and podcasts I've consumed. Tracklisting. 1. 'On the Low' Tove Stryke 2. 'Differently' Marian Hill 3. 'One Track Mind' Thirty Seconds to Mars 4. 'Lost In Japan' Shawn Mendes 5. 'Way Too Much' Chromeo 6. Motivational quote: 'Mindset is everything. You are your own best friend and worst critic. You control your mindset.' 7. 'Medication(remix)' Damian Marley 8. 'Skanking Sweet' Chronixx 9. 'Morning is Coming' Shaggy & Sting 10. 'Indecente' Anitta 11. Motivational quote: 'My best ideas come after sleep. Recharge your willpower as well.' 12. 'Push Back' Ne-Yo 13. 'My Lover' Notes 14. 'Package' Lowkey 15. 'Fake Love' Starboy 16. 'Science Student' Olamide 17. Motivational quote: 'Life happens. Enjoy the experience. Rejection, mistakes, failures, are all lessons. They are all precious.' 18.'Womp Womp' Valee 19.'Solitaire' Gucci Mane 20.'Family' Morten 21.'Everyday Struggle' Phryme 22.'Laugh Now Cry Later' Black Milk 23.Motivational quote: 'Exercise the body daily. Exercise the brain by reading and learning daily.' 24.'Fast Wine' Machel Montano 25.'Hello' Kes 26.'Brave(remix)' Dynamite 27.'NSFW' Cheat Codes 28.'S&H Disco' Boys Noize 29.'Ultimatum' Fatoumata Diawara 30.Motivational Quote:'Be you. Own that shit! No one is like you.' 31.'Donde Estaras' J. Balvin 32.'La Ex' Maluma 33.'Perdido' Poo Bear 34.'2 Can' Dy Dy 35.'Love Yuh' Tommy Lee Sparta 36.'Richness Come A Mi Foot' Praj X 37.'Fi Di Dolla' Rickey Teetz 38.'Life Yourself' Kanye West ​ ​Social Media Instagram: https://www.instagram.com/paul_pvp_perez/ Facebook: https://www.facebook.com/pvpluvzlieff   Twitter: https://twitter.com/Paul_PVP_Perez   Rate, like, leave a review! I will shout you out for sure!   If you've enjoyed this, please support this podcast by doing any, all your shopping through my affiliate links:   my eBay link: eBay http://ebay.to/2e5mvmj   or my Amazon link: http://amzn.to/2dRu3IM   Any shopping through these links will be at no extra cost to you. Thank you!    Subscribe/watch/listen here:   iTunes http://apple.co/2pnmMqa   Android http://bit.ly/2p5fgQx   YouTube http://bit.ly/2ixiRo4   iHeartRadio http://bit.ly/2oBLZdX   Stitcher http://bit.ly/2p8oTi2   TuneIn http://bit.ly/2oE6xUQ   Google Play http://bit.ly/2oEizNZ   SPOTIFY http://spoti.fi/2ALfgHr  

ISSA Vibe!!! still putting out that feel good VIBE to keep you moving... full of new #rnb #hiphop #latin #top40 #reggae #afrobeat This one is all clean versions so kid friendly!!!   TRACK LIST 1 Olha a Explosão (Remix) by MC Kevinho, 2Chainz, French Montana & Nacho 2 GPS (Uptempo Redrum) by Maluma ft French Montana 3 I Like It by Cardi B ft Bad Bunny and J Balvin 4 Stuck With Me by Tinashe ft Little Dragon 5 Down by Mýa 6 Home With You - dEVOLVE Remix by Madison Beer 7 Perdido by Poo Bear ft J Balvin 8 Familiar by Liam Payne & J Balvin 9 One Way by Busy Signal 10 Whine Up Fimi by Charly Black and Chris Martin 11 They Dont Know by Masicka 12 On and On by DJ Megan Ryte ft Tory Lanez and HoodCelebrityy 13 Keep It All Real by Prince Sole 14 Chun-Li by Nicki Minaj 15 Lift Yourself by Kanye West 16 Beg (Extended Hip Hop Refix) by Jack and Jack 17 Serious by Colonel Loud & Ricco Barrino 18 Sin Pijama by Becky G and Natti Natasha 19 Te Bote by Nio Garcia ft Caper Magico y Darell 20 Hands On Me by BURNS ft Maluma & Rae Sremmurd 21 Guatemala by Swae Lee ft Slim Jxmmi 22 Icy Grl - Bea-Mix by Saweetie ft Kehlani 23 Barbie Tingz by Nicki Minaj 24 Can I Get Your Number by Anne-Marie 25 Church (Party Pupils Remix) by Alison Wonderland 26 2 Souls on Fire by Bebe Rexha ft Quavo 27 The One by Eva Simons 28 Wakanda Jam (Clean Intro Edit) by Mr. Vegas 29 Fresh (Clean Intro Edit) by Mr. Vegas 30 44/876 by Sting & Shaggy ft Morgan Heritage & Aidonia 31 Love Struck by WSTRN Ft Tiwa Savage and Mr Eazi 32 Feeling You by Sona 33 Shade by Poo Bear ft Elvana 34 Move My Body by Bridget Kelly 35 Carry Feelings by Yanique Curvy Diva 36 Drogba (Joanna) by Afro B 37 Sexo by Residente & Dillon Francis ft iLe 38 Carnaval - Remix by Claudia Leitte ft Pitbull & Machel Montano 39 Tip Pon It by Sean Paul & Major Lazer 40 Spin It by Sean Paul 41 Up Top by Charly Black 42 Light Flex by Tone Stith ft 2 Chainz 43 Break Free by Fabrikate ft Aiza & justmuGz 44 Mathematics by J-Max 45 Normal Girl by SZA 46 Old School by Arin Ray 47 Cards Right by Jeremih

#SomethingBIG – EP #249: STAFFORD BROTHERS – 2017 YEAR MIX 01: Would You Ever [Original Mix] – Skrillex & Poo Bear 02: Go Bang (Original Mix) – PNAU 03: Feel It Still (Coldabank Remix) – Portugal. The Man 04: Dreamer (Extended Mix) – Tommy Trash x DENM 05: Attention (Bingo... Read More →

Gary Gray is a physical therapist and educator who has spent the better part of his long and illustrious career helping clients to move better and teaching Chain Reaction Biomechanics to fitness professionals around the world. On this episode of All About Fitness Gary and I discuss the best techniques for exercising your muscles along with how Poo Bear can teach us about exercise (seriously)! One of the programs promoted by Gary is 'Free to Play' to help kids develop physical literacy through play and movement. To learn more about Gary and how he helps change lives through movement go to the Gray Institute website. To learn more about his 'Free 2 Play' program, check here.   If you want to learn more about his unique approach to exercise and what you can start doing right away to move better then visit: Gary is ALWAYS in his element as a teacher serving others. Please visit the sponsor of All About Fitness: Terra Core by Vicore Fitness - better results from better products. Use code AAF to save 20% on the purchase of a Terra Core! Thank you for tuning in, if you'd like a question answered on an upcoming Quick Fit Tip segment, please e-mail me: Pete@petemccallfitness.com Social media: Twitter: @PeteMc_fitness Instagram: @PeteMcCall_fitness www.petemccallfitness.com  

Enjoy a brand new episode of #DJKAYC #Radio. Tracks from #Avicii, #Macklemore, #MichaelJackson and much more. Subscribe: http://bit.ly/15XUILD1. Without You (Aventry Remix) - Avicii2. All My Love (Sagan Remix) - Cash Cash ft. Conor Maynard3. Alive (Holl & Rush Remix) - SICK INDIVIDUALS4. Parallel Lines (Extended Club Mix) - Jewelz & Sparks feat. Catze5. Wait For The Night (Suyano Edit) - RIVERO & Wasback6. Open (Afrojack Remix) - Yellow Claw (feat Moksi And Jonna Fraser)7. Show Me Love (Jewelz & Sparks Bootleg) - Robin S8. Would You Ever - Skrillex & Poo Bear9. Glorious (Komes & Jolyon Petch Club Mix) - Macklemore ft. Skylar Grey10. P.Y.T. (Pretty Young Thing) - John Gibbons11. Young [KO:YU Remix] - The Chainsmokers12. There For You (Madison Mars Remix) - Martin Garrix & Troye Sivan13. Lady (Luca Debonaire Remix ) - Austin Mahone Ft  Pitbull14. Mi Gente (Digital Junkiez Remix) - J. Balvin, Willy William15. Hometown (Jack Wins Full House! Mix) (Out Now!) - Jack Wins feat. RAPHAELLA16. Billie Jean (Dj Dark & MD Dj Remix) [Extended] - Michael Jackson17. Think About You (Horny Dave Remix) - Tom Martin18. Freed From Desire (Bootleg) - Leandro Da Silva, Jude & Frank19. do re mi (Tarro Remix) - blackbear

Tracklist01. Lauv – I Like Me Better (Spectra Remix)02. Savi ft. Ida Da Silva – Losin' Myself (Extended Mix) [Enhanced]03. CMC$ feat. Stevie Appleton – Those Lights [Spinnin]04. Dillon Francis, The Chain Gang of 1974, Sultan & Ned Shepard x Warez – When We Were Young Fanfare (Savi Mashup)05. Skrillex & Poo Bear – Would You Ever (Jpan Remix)06. The Chainsmokers – Honest (Savi Remix) [Extended Mix]THE FUSE07. Grace VanderWaal – Moonlight (BKAYE Remix)08. Illenium, Annika Wells – Crawl Outta Love (Original Mix)09. Cedella Marley x Savi & Bankay – Could You Be Loved (Original Mix) [Armada]10. NERVO ft Chief Keef – Champagne (Original Mix) [Spinnin]BASSBREAKER11. Tommy Trash & D.O.D – Don’t Wait [DOORN]12. Freischwimmer ft. Dionne Bromfield – Ain't No Mountain High Enough (Calvo Remix)13. Paul Oakenfold ft. Angela McCluskey – You Could Be Happy (Future House Mix)14. Ummet Ozcan x KSHMR x DV&LM & Steve Aoki – Feel Free Dead Man's Hand (Savi Edit)15. DV&LM & Steve Aoki x Ummet Ozcan – Melody Together (Savi Mashup)16. Skrillex & Vindata – Favor (Maazel Remix)17. No Riddim & Megan Lee – Young & Broken (Original Mix) [Trap City]18. BONNIE X CLYDE – Bass Jam (CONVEX remix)#HustleDoesntSleep19. Lema ft. XOV – King (Extended Mix) [Enhanced] See acast.com/privacy for privacy and opt-out information.

Tracklist:01. Savi ft. Ida Da Silva – Losin' Myself (Original Mix) [Enhanced]02. LIT x DirtyPhonics – My Own Worst Enemy Fuck It Up Right Now (Savi Bootleg)03. La Roux, Declain & V.Y.C. vs. Matroda x BROHUG – Bulletproof Brohug Wrong (Savi Mash)04. Chris Brown – Questions (DJ Smerk Hype Edit)05. Alina Baraz – Electric feat. Khalid (R3hab Remix)THE FUSE06. Crankdat – Dollars (Original Mix)07. Rachel Platten – Broken Glass (Original Mix)08. Lauv – I Like Me Better (Nico Saphores Remix)09. Grace VanderWaal – Moonlight (BKAYE Remix)10. Showtek – Amen (Original Mix)11. The Chainsmokers – Honest (Savi Remix) [Sony]12. Rojdar – Ignition (Original Mix)THE BASSBREAKER13. Carta – Kartel (Original Mix) [Spinnin]14. Marshmello – Silence (Original Mix)15. Skяillex & Poo Bear ft. Kid Travis – Would You Ever [Goshfather x DJCJ Remix]16. Martin Garrix vs Coldplay – Pizza vs Paradise (TALO Mashup)17. Pendulum x SAVI x Tritonal & Adam Lambert – The Island Broken (Savi Bootleg)18. Boston x DRKLight x Shanahan – More Than A Feeling Wasting Time (Savi Mashup)19. Sia ft. Sean Paul x Martin Garrix x Dzeko – Cheap Thrills (HMC ‘Martin Garrix’ Bootleg)#HustleDoesntSleep20. TELYKast – There For You (Original Mix) See acast.com/privacy for privacy and opt-out information.

Enjoy a brand new episode of #DJKAYC #Radio. Tracks from @Skrillex, @Hardwell, @MajorLazer and many more. Subscribe: http://bit.ly/15XUILD 1. Would You Ever - Skrillex & Poo Bear2. Symphony (Cash Cash Remix) - Clean Bandit ft. Zara Larsson3. Creatures Of The Night (Charming Horses Extended Remix) - Hardwell (and Austin Mahone)4. Calling (Zonderling Remix) - DJ Licious5. Something Just Like This (Don Diablo Remix) - The Chainsmokers & Coldplay6. Glory (Young Bombs Remix) - Bastille7. Exhale - Redondo & Junior J8. Something Special - Felix Leiter x Tank & Cheetah9. Unforgettable (Dzeko Remix) - French Montana ft. Swae Lee10. Crying In The Club (Dan Judge & Jordan King Remix) - Camila Cabello11. Know No Better (feat. Travis Scott, Camila Cabello & Quavo) - Major Lazer12. Friends (it's different & Drama B Remix) - Justin Bieber & Bloodpop13. My Love [Joe Maz Remix] - Wale ft Major Lazer, Dua Lipa, Wizkid14. I Like Me Better (Cheat Codes Remix) - Lauv15. Now Or Never (Joe Maz Remix) - Halsey16. Shape Of You [Joe Maz Remix Chorus Only JM Edit] - Ed Sheeran17. Wild Thoughts (NOTD Remix) - DJ Khaled ft. Rihanna & Bryson Tiller18. Say It (Illenium Remix JM 16 Edit) vs THIEF vs Ride - Flume vs Twenty One Pilots vs Ookay

#SomethingBIG – EP #232: STAFFORD BROTHERS – ARTIST SPOTLIGHT BROHUG 01: Would You Ever [Original Mix] – Skrillex & Poo Bear 02: You Found Me (Landis Remix) – The Fray 03: Feels Pivo Rosario (Marafini Mashup) – Calvin Harris ft Pharrell Williams Katy Perry Big Sean 04: On My Mind... Read More →

This week on Jacked Radio, Afrojack plays new tracks from Laidback Luke and Made In June, Martin Solveig, and BROHUG, before ramping things up with heavy hitters from MAKJ and Michael Sparks, Skrillex and Poo Bear and TJR. He also premieres the DubVision remix of Afrojack and David Guetta ‘Another Life’, before rinsing his remix of David Guetta and Justin Bieber’s hit ‘2 U’. Let’s get Jacked!

 TRACKLIST01. The Chainsmokers – Honest (SAVI Remix) [Sony]02. Skrillex & Poo Bear – Would You Ever (Jpan Remix)03. Kygo & Ellie Goulding – First Time (R3hab Remix)04. Borgeous & tyDi – Wanna Lose You (Savi Remix)05. Kygo & Selena Gomez – It Ain't Me (Codeko Remix)THE FUSE06. Illenium, Annika Wells – Crawl Outta Love (Original Mix) 07. KYLE ft. Lil Yachty – iSpy (Two Friends Remix)08. Kodak Black vs. Showtek vs. Mister Gray x Crespo – Tunnel Vision On Our Own (Mr Gray Re-Boot)09. Cash Cash x Savi x Tritonal – Take Me Home Broken (Savi Bootleg)10. Afrojack & Steve Aoki – No Beef (All Gold Remix)11. Nervo & Savi ft. Lauren Bennett – Forever Or Nothing (Skinny Kidz Remix)12. Rufus x Duke Dumont x Snavs – Lika An Animal Murda x Ocean Drive Murda vs 2 (Savi Bootleg)BASSBREAKER13. JAUZ, Crankdat & Slushii – Hold Still (Original Mix)14. Smack – Give It Up (Original Mix) [WALL]15. R3hab ft. VERITE – Trouble (Mike Williams Remix)16. BROHUG – On It (Original Mix)17. Savi & Tori ft. Kait Weston – Time After Time (Cut18. Bob Marley x Vicetone x R3hab – Is This Tiger Love (Savi Bootleg)#HustleDoesntSleep19. Anevo ft. Heather Sommer – Waking Up (Original Mix) [DIM MAK] See acast.com/privacy for privacy and opt-out information.

For this dreary Tuesday, (At least if you are in Florida) we have fiery musick from some fiery personalities. A sizzling R&B baby-making slow-jam awaits at the end from DJ Carisma & JR Castro, as well as musick from two people who have experience in that clink clink (Gucci!). Happy Tuesday: You're Still Alive! Today! 1. Novocaine Heart - Kandace Springs - Vocal Jazz - Blue Note (Vivendi) 2. Never Been Told - Ezzy, Machine Gun Kelly - Hip Hop - Mass Appeal 3. Ball Of Confusion - Leon Bridges - Soul - RCA (Sony) 4. Longer & Stronger - Sharon Jones & The Dap Kings - Soul - Daptone (Re-Issue) 5. Come Down Is Real- Belly - Hip Hop - Roc Nation (Vivendi) 6. Governance - Neil Cowley Trio - Contemporary Jazz - Hide Inside 7. Raggedy & Dirty - Annika Chambers - Blues - UTR Worst. Bling Blaww Burr - Gucci Mane, Young Dolph - Hip Hop - Atlantic (Warner Music Group) Best! Cupid - JR Castro, Poo Bear, DJ Carisma - R&B - PMG Leaderboard: Artist - Die Antwoord (3)* Genre - Hip Hop (32) Label - 4-WAY TIE Island/Armada/Zef/Mass Appeal (3) Conglomerate/Parent - Vivendi (12) *As 'Worst New Song'

2015 aura été propice aux crooners, à commencer par le phénomène The Weekend mais aussi Ty Dolla $ign, Jeremih et Justin Bieber. Emplis d’une mauvaise foi de circonstance, nos experts décryptent le succès de ces stars antipathiques et mal coiffées, qui plaisent tant à la gent féminine.La playlist de l'épisode 22 de NoFun, animé par Mehdi Maizi avec Raphaël da Cruz (@RphlDC), Nicolas Pellion (@PureBakingSoda) et Aurélien Chapuis (@lecaptainnemo).RÉFÉRENCES CITÉES DANS L'ÉMISSION :Abel Makkonen Tesfaye (aka The Weeknd), Ty Dolla $ign, Jeremih, Justin Bieber, Barry White, Beauty Behind Madness (The Weeknd, 2015), Michael Jackson, Tom Cruise, Jimmy Fallon, Cinquante Nuances de Grey (Fifty Shades of Grey - Sam Taylor-Johnson, 2015), Take Care (Drake, 2011), Illangelo, R. Kelly, Prince, Max Martin, Taylor Swift, Katy Perry, American Psycho (roman de Bret Eston Ellis, 1991), House of Balloons (The Weeknd, 2011), France Gall, 808s & Heartbreak (Kanye West, 2008), My Beautiful Dark Twisted Fantasy (Kanye West, 2010), Cruel Summer (Good Music, 2012), Trilogy (The Weeknd, 2012), Bruno Mars, Beach House mixtapes, Free TC (Ty Dolla $ign, 2015), Kendick Lamar, Wiz Khalifa, Fetty Wap, Rae Shremmurd, Future, Babyface, Jagged Edge, YG, Brandy, James Fauntleroy, Nate Dogg, Diplo, Jaheim, TQ, Tray Songz, Chris Brown, Frank Ocean, Cameron Giles (aka Cam'ron), Al Green, Ottis Redding, Justin Timberlake, Sa-Ra and PJ, P. Diddy, The Game, Journals (Justin Bieber, 2012), Purpose (Justin Bieber, 2015), NSYNC, Timbaland, Justified (Justin Timberlake, 2002), The Neptunes, Skrillex, Ed Sheeran, Jason Derulo, Ne-Yo, Poo Bear, Big Boi, 112, Usher, DJ Mustard, The Roots, Taylor Swift, Huis-clos (Virus, 2015), Bladadah (Mozzy, 2015), Husala, Lil Ru, K-MAJOR, DJ SpinzCOUPS DE COEUR DE LA SEMAINE :Raphaël Da Cruz : Huis-clos, EP de Virus https://itunes.apple.com/fr/album/huis-clos-ep/id1055748662 Nicolas Pellion : Bladadah, EP de Mozzy, 2015 https://itunes.apple.com/us/album/bladadah/id1018959475Nemo : All That, morceau de K-MAJOR PLAYLIST DE L'ÉMISSION :https://www.youtube.com/playlist?list=PLGt4caHD8XatbFsP7lUjU61A1VfcsykjK https://open.spotify.com/user/nofunpodcast/playlist/1JcOFVgmqyVSFeirsFbfvhRETROUVEZ NOFUN SUR LES INTERNETS :www.facebook.com/NoFunShowtwitter.com/NoFunShow www.dailymotion.com/nogameshowwww.youtube.com/channel/UCOQc7plmG6-MlPq7-CD3T7Awww.mixcloud.com/NoFunShow/www.deezer.com/show/13867www.stitcher.com/podcast/nofun/CRÉDITS :Enregistré le 3 décembre 2015 au Tank à Paris (11ème). Moyens techniques : Le Tank. Production : Joël Ronez - Iris Ollivault / TempsMachine.NET. Réalisation : Jules Krot. Générique : extrait de "Tyra Banks" de Nodey (Atrahasis EP) réalisé par Nodey. See acast.com/privacy for privacy and opt-out information.

The Times’s pop music squad on the unlikely songwriter behind “Where Are Ü Now” and “What Do You Mean?”

Masterful music producer Jason "Poo Bear (MDMA)" Boyd gives me the low-down on working with the industry’s top r&b hit-makers and taking the reigning "Prince of Pop" Justin Bieber to new levels on his latest album. "Poo Bear" also shares his expectations for his upcoming original projects. (Original Airdate 1/10/2014)