Podcasts about cremaster

Send us a textWelcome back Jam Fam!  We know you are going to love our chat with Andrea Kron.  Andrea is a wealth of knowledge, having been in the dance world as a performer, educator and choreographer.  Her credits speak for themselves, and you can see why we had her on the show.  Andrea received her Certificate of Dance from The Ailey School NYC where she was part of the Student Performance Ensemble and toured the New York metropolitan area. She has studied with the late Kevin Rotardier, the late David Howard, Milton Myers, Ann Reinking, the late Tony Stevens, Dorit Koppel, and Savion Glover.Performance credits include Radio City Music Hall, Helen Hayes Theatre, Hercules on Broadway at the New Amsterdam Theatre, the role of Arabian in The Nutcracker as a guest artist as well as dancing as a Rockette in Cremaster 3, an independent film at the Guggenheim Museum,  directed by Matthew Barney.  She has also premiered numerous dance works at the Two River Theater, Silk City Arts Festival and SUNY New Paltz.As a choreographer, Andrea has created over fifty repertory works for students and professional companies ranging in style from classical to Modern to Musical Theatre, including full length versions of ballets to full scale musicals.  Some of her favorite shows and performances include A Funny Thing...Forum, Chicago, and Guys and Dolls. Other regional productions include Grease,  Annie, Bye Bye Birdie, Godspell and Footloose.Andrea guest teaches ballet, Horton modern, theatre dance, audition technique, injury prevention and Pilates.  She has designed injury prevention programs that fuse dance, science and anatomy so that students have a better understanding of how their bodies work.  Teaching credits include Broadway Dance Center, Marymount Manhattan College, SUNY New Paltz, and Montclair State University. She coaches students and professionals in NYC for auditions and college bound performers.Today's episode is brought to you by the Commercial Dance Experience at Seton Hill University.  For more information or to apply, go to:  setonhill_dancedept and follow the link in bio on Instagram!Thank you for listening Jam Fam! Make sure you follow us across social media and don't forget to like and subscribe anywhere you listen to your favorite podcasts!Facebook: JAM Joe and Michelle's Dance PodcastInstagram: jam_dance_podcastTwitter: @jamdancepodcastEmail: jamdancepodcast@gmail.com

Today, Lauren and Traci are talking to Michael James O'Brien, a photographer, teacher, curator, activist, and writer.Michael is an acclaimed photographer and poet known for his wide-ranging work, from still lifes and portraits to commercial and fine art photography. He earned his MFA from Yale University in the 1970s, studying under Walker Evans, and later taught at Kenyon College and the New School. Currently, he serves as Chairman of the Photography Department at the Savannah College of Art and Design.In 1993, O'Brien began a collaboration with artist Matthew Barney, creating a photographic counterpart to Drawing Restraint 7 and the Cremaster cycle, exhibited at the Musée Moderne in Paris and the Guggenheim in New York. His work has been featured in The New Yorker, Rolling Stone, The New York Times, L'Uomo Vogue, and Elle Décor, as well as in campaigns for Bergdorf Goodman, Ralph Lauren, and Thierry Mugler.You can see Michael's years of incredible work on his website. Make sure to follow him on Instagram to keep up with his life and journey!If you would like to get involved with Focus On Women, you can review sponsorship and contribution options here, as well as become a member here.Remember to stay safe and keep your creative juices flowing!---Tech/Project Management Tools (*these are affiliate links)Buzzsprout*Airtable*17hats*ZoomPodcast Mic*

On this episode... let's learn about a very important part of our male anatomy that many guys probably aren't aware of. Plus we'll dispel the confusion around blue balls, with a more simple truth of what actually causes this discomfort.   For the blog, training, our free Brotherhood community, and more: https://www.holisticalpha.com Thank you for listening...please rate the show! Note: This show is best experienced on SPOTIFY. ----Let's connect: Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.holisticalpha.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Spotify: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://open.spotify.com/show/7naS5aTjRY5qpVHdaM7Qhb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@holisticalpha⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/stevenmathis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/stevenlmathis/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/steven-mathis3/message

SIDE HUSTLE 13. Norman Mailer: TOUGH GUYS DON'T DANCE and CREMASTER 2Every ranking must have its worst, and this week's episode aims to shoot to the bottom of the Season X bucket with Norman Mailer as our chosen actor-director. TGTPTU welcomes back its junior cohost Jack after a long hiatus to join us on this atrocity to good sense as we cover two unwatchable films: the first, TOUGH GUYS DON'T DANCE (1987), nominated for four Independent Spirit Awards and seven Golden Raspberries and unwatchable for its wildly shifting tones throughout melodramatic flashbacks within flashbacks, and the second, CREMASTER 2 (1999), the gorgeously shot fourth entry in artist Matthew Barney's five-part Cremaster Cycle unwatchable as its viewing restricted to art museums and its limited series DVDs selling for $100k. Shot on location in Provincetown, the occasionally great Ryan O'Neal (Barry Lyndon, Paper Moon) plays Tim Madden in the Mailer written and directed, Golan-Globus production of Tough Guys Don't Dance. The 80's fever dream makes both St. Elmo's Fire and The Bonfire of the Vanities feel rewatchable as protagonist Tim Madden parades through amnesia, flashbacks, adultery, and homophobic reactions in a convoluted plot involving alcohol, triple-crosses, swingers, murder, cocaine, psychics, swingers, alcohol, cocaine, tattoos, cocaine, and swingers with a little sex and booze and Columbian marching powder sprinkled in. While Mailer had directed three improvisational movies in the 1960s (including that one where Mailer bit off a piece of Rip Torn's ear), Tough Guys Don't Dance demonstrates why it was Mailer's first and only narrative film to direct. Also bypassing narrative conventions, Björk's ex- (their breakup the subject of her 2015 album Vulnicura) a.k.a. artist/director Matthey Barney's filmic work traverses worlds alchemic and ordinary and was well worth the plane ticket to bring TGTPTU's three hosts back together for a screening of the film at the museum where it was showing that one time around when the recording happened and definitely not a pirated copy of this impossible to rent or purchase film. Follow our hosts' dulcet voices as we recount the film's nearly wordless journey from séance to bees covering in a woman in a plexiglass corset penetrated by a large phallus to a death metal drummer covered in bees on the phone with a gas station attendant the latter of whom will be killed by Gary Gilmore (played by Barney, subject of Mailer's Executioner Song) before the camera heads to a chanting city and a rodeo before heading into a warehouse for a magic show. Norman Mailer plays Harry Houdini and his performance, well, we'd normally ask you to judge for yourself but there's no way in hell you're ever seeing this film, so your loss.  So listen along as we describe one film you don't want to—and another you can't—watch. This week's show will leave you yelling heavenwards alongside Tim Madden in Tough Guys Don't Dance after he discovers his wife is having an affair: “Oh Man! Oh God! Oh Man! Oh God! Oh Man! Oh God! Oh Man! Oh God! Oh Man! Oh God!”THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Twitter: https://twitter.com/thegoodthepoda1YouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralJack: jackk1096

Instagram updates, 1984, porn (*an X rated talk), then we start the Balenciaga talk at the 40 minute mark: Bears, Eyes Wide Shut, BAAL, Moloch, Duggars, religious violation and abuse vs fashion industry, photo symbolism, Epstein, Cremaster art and more!—You can now sign up for our commercial-free version of the show with a Patreon exclusive bonus show called “Morning Coffee w/ the Weishaupts” at Patreon.com/BreakingSocialNorms -Check out the index of all supporter ad-free episodes here: https://www.patreon.com/posts/55009895-Follow Josie Weishaupt on IG for dogs, memes and show discussions: instagram.com/theweishaupts2 (*now under new management- Josie's running it and reading all the comments!)Want more?…—Sign up for the free email newsletter for updates at BreakingSocialNorms.com—Index of all previous episodes on free feed: https://breakingsocialnorms.com/2021/03/22/index-of-archived-episodes/—Leave a review or rating wherever you listen and we'll see what you've got to say!Follow us on the socials:-instagram.com/theweishaupts2/ Check out Isaac's conspiracy podcasts, merch, etc:-AllMyLinks.com/IsaacW-Conspiracy Theories & Unpopular Culture (on all podcast platforms or IlluminatiWatcher.com)-Isaac Weishaupt's book are all on Amazon and Audible; *author narrated audiobooks, get free first month Audible.com/Illuminati

Meg discovers Crazy Eddie wasn't quite what he seemed. Jessica discovers Karen Finley's yam situation was exactly what it seemed.

Aimee Mullins is a true polymath. Her passions and professional pursuits are as varied and boundless as the awards and groundbreaking strides she's achieved within her many chosen fields. She broke new ground in athletics as the first amputee in history to compete against able-bodied athletes in the NCAA's Division 1 track and field events. She went on to set records in the 100 and 200 meter races and the long jump. Her poise and athleticism led to a career in fashion as a runway model for Alexander McQueen and as a global ambassador for L'Oreal. She then added acting to her portfolio with roles in wildly varied projects ranging from artist Matthew Barney's Cremaster series to Netflix's Stranger Things. Through it all, Aimee has continued to make sense of the many trails she's blazed in a series of influential TED talks that have been viewed by millions and translated into 42 languages.  It was her paradigm-shifting talk on the “opportunity of adversity” that offered a veritable proof of concept for the ideas we're exploring in this season of Change Lab. Her powerful argument for the creative leaps that result only from the hurdles we face resonated deeply with the idea that the human imagination feeds on challenge and uncertainty – a familiar concept to regular listeners of this podcast.  Aimee contends that we meet and exceed our goals because of—not despite—each obstacle we encounter. An insight she's earned the hard way navigating the world as a double amputee. Her insistence that “good enough” isn't good enough has led to advances in prosthetic design that would never exist without her. In fact, Aimee contends that disability itself is a misnomer better attributed to a broken piece of machinery than a human being whose differences are the source of their strength. We all have much to learn from Aimee's self-determination, curiosity and wonder. Learn more about your ad choices. Visit megaphone.fm/adchoices

The premiere episode of 8111 with Kim Bromley. Kim worked as a Visual Effects Producer at ILM for 14 years. Her credits include, Willow, Back to the Future 2 and 3, Hudson Hawk, Hook, The Nutcracker, Disclosure, Twister, Speed 2: Cruise Control, Small Soldiers, Saving Private Ryan, Cremaster 2, and Galaxy Quest. She has also worked in documentary film and as a highly successful theatre director. I've always looked up to Kim and learned so much from her. She is the first guest I wanted to talk to. 

Un año después de su primera visita, regresa a los micrófonos de Ars Sonora el improvisador y compositor catalán Ferran Fages, nacido en Barcelona en 1974. En activo desde finales de los noventa, Fages ha publicado más de cincuenta referencias discográficas en sellos nacionales e internacionales, y ha presentado su música en conciertos y talleres por diferentes países de Europa y América, así como en Japón. Si bien su instrumento principal es la guitarra, también emplea diferentes dispositivos electrónicos analógicos y -como nos cuenta durante esta conversación- el tocadiscos acústico, instrumento para el cual ha desarrollado técnicas específicas. Ferran Fages es un miembro destacado de la escena de música improvisada de la ciudad de Barcelona, y precisamente en este segundo programa dedicado a su trabajo nos centramos en este aspecto, a través de la escucha de varios de sus trabajos colaborativos. Comenzamos presentando su labor dentro de Atolón, trío formado por Ruth Barberá (trompeta y objetos amplificados), Alfredo Costa Monteiro (acordeón y electrónica) y el propio Fages (electrónica y tocadiscos acústico). La longeva existencia de esta agrupación nos permite, al repasar su evolución, examinar también algunos de los cambios acontecidos en la escena de la música improvisada -tanto en Barcelona como en el ámbito internacional- desde los años noventa del pasado siglo hasta la llegada de la crisis iniciada en 2008. Seguidamente escuchamos el trabajo desarrollado por Cremaster, dúo electroacústico de improvisación formado en el año 2000 por el antes mencionado Alfredo Costa Monteiro (responsable aquí del uso de objetos sobre guitarra eléctrica) junto con nuestro invitado (que en este contexto manipula una mesa de mezclas con retroalimentación, entre otros elementos). Otras sonoridades, tal vez más cercanas al 'free jazz', protagonizan el trabajo de Phicus, trío formado por Àlex Reviriego (contrabajo), Vasco Trilla (percusiones) y Ferran Fages (que retoma aquí la guitarra eléctrica). El tránsito entre todas estas escuchas, que nos trasladan desde ruidismo hasta la improvisación electroacústica, pasando por las resonancias del jazz, permite que este diálogo aborde las reflexiones de Fages sobre las implicaciones artísticas de los cambios económicos y sociales de los últimos años y sobre los cada vez más frecuentes procesos de espectacularización del fenómeno musical, así como sus críticas hacia la tendencia de amalgamar diversas manifestaciones artísticas y sus opiniones acerca de la necesidad de mantener "lugares de resistencia" donde se pueda practicar una escucha serena y profunda. Escuchar audio

  We survived the election to bring you in-depth analysis of the Season 7 Finale. Join us for a look at the season’s themes, Empire Strikes Back vs Barbarella (only one of them has Terence Stamp playing Dildano) and a whole lot of Guild of Calamitous Intent ritual borrowed from the Masons. Steven explains who the fuck is Saphrax (and also who’s Hank & Dean’s mom!) and we get into the twin’s psychology again (Jungian and otherwise). Fair warning: Elana’s knowledge of the Masons largely comes from watching avante-garde filmmaker Matthew Barney’s Cremaster cycle and we both geek out about Alan Moore’s From Hell (which are probably Hammer and Publick’s sources on The Masons anyway).  

Today we watched the Art21 website and we both picked an artist to view and we discussed these artists. Mark went for the work of Matthew Barney who made a film series called "The Cremaster" which he started in 1995. I believe he made 4 movies based on his study of Male Sexuality.  We also watched Liz Magor talk about her gloves that she is casting and we saw an aluminum house on stilts in Coal Harbour British Columbia. Amazing work. Matthew Barney's work, I must admit to not understanding and it almost seems like the biggest extension of a man's ego I have ever seen, short of the Trump Tower... but maybe I am missing the point. Who knows? Opening Theme: Blink 182 I miss youImage: Liz Magor Being this 2012 http://catrionajeffries.com/artists/liz-magor/works/#25

Abstractions, Fake Shootings, Cops, Media Manipulation and Coordination, Americanism, 4th of July, American Flag Psyop Symbolism, Freemasons, Dallas Shooting, Crisis Actors, NDAs, Hollywood, Unrealistic Presentations, fakehatecrimes.org, Captian Amrica: Civil War, Newburgh Sting, Perception Management, Hoax Buddies Summit in Operation Gladio, Northwoods, Austin,TSA,Bohemian Grove, Cremaster, Matthew Barny, (Caller Inners:Sean, Jay Dyer, Paul from NY, John Adams )â?¦.hoaxbusterscall.com

#02 - Matthew Barney and “The Cremaster Cycle” w/Lucia Simek of The NasherThe “What is Cinema?” podcast presents Episode 2: Matthew Barney and “The Cremaster Cycle”. In this episode we discuss and break down the cinematic and visual arts career of American artist, Matthew Barney and his art film series, “The Cremaster Cycle”, a five-chapter series meditating on America’s occult and Masonic roots, as well as themes of masculinity, the inter-sectionality of film and sculpture, and audience endurance.We are delving into Barney’s work as a precursor to Texas Theatre’s newest partnership with The Nasher Sculpture Center, bringing art films to be screened at the theatre. Barney’s newest film, the five hour, “River of Fundament” is the newest film to be screened as part of this series.Continuing on our mission to build cultural bridges, we invited Manager of Communications at The Nasher, Lucia Simek as our guest for this episode. Simek is a writer, critic, and artist living and working in Oak Cliff. We speak to Simek about her love for her neighborhood, the new collaboration between Texas Theatre and The Nasher, and the idea of film as sculpture.Hosts, Lee Escobedo and Patrick Patterson-Carroll also list their top five favorite art spaces in Dallas! Take a listen and enjoy episode two! Download Link: https://archive.org/download/WIC002_201603/WIC002.mp3

Paco and George welcome the multi-talented Sam McPheeters. They discuss the 2011 documentary Samsara, a non-narrative film directed by Ron Fricke and produced by Mark Magidson, who also collaborated on Baraka (1992), a film in a similar vein. Samsara was filmed over five years in 25 countries around the world. It was shot in 70 mm format. Sam McPheeters is an American artist, journalist, novelist, and performer. Raised in Albany, New York, he became a published author at age 12, with Travelers' Tales,a collection of regional folklore. In 1985, McPheeters grew active with the hardcore punk scene, producing several fanzines and organizing local concerts. After moving to New York City in 1987, he co-founded Born Against in 1989 and the Vermiform Records label in 1990. In 1993, he co-founded the Virginia-based band Men's Recovery Project, and in 2003, he co-founded the Los Angeles-based band Wrangler Brutes. Starting in 2005, McPheeters has written for a variety of national magazines, including the Chicago Reader, Huffington Post, the OC Weekly, and the Village Voice. He is a frequent contributor for Vice. In 2012, his first novel, The Loom Of Ruin, was published through Los Angeles-based Mugger Books. He has a new split short story paperback with Jesse Michaels, available now. Follow us on:Twitter: @supdocpdocastInstagram: @supdocpodcastFacebook: @supdocpodcastsign up for our mailing listAnd you can show your support to Sup Doc by donating on Patreon.

Keith Vincent, John Holt, Mary Varn, are excited to be joined again this week by Julien Koetsch. This week we present a pair of picks that fall under the theme "Parental Influence."  ___________ Segment 1: "Book Of Dreams" by The Steve Miller Band (album) John's pick for parental influence is a classic rock record from the late seventies that he found in his parent's vinyl record collection. A blend of the contemporary electronic musical instruments that were becoming popular with the classic rock/jam band sound, this album takes a number of surprising turns. Book of Dreams is available on Amazon and iTunes.  _________________ Segment 2:  Matthew Barney and the Cremaster Cycle (artist) Jules' influence comes from his father, an artist and university art professor, in the form of the artist Matthew Barney. The Cremaster Cycle is a series of 5 films, produced out of order over the course of about a decade. Barney explores themes of violence and sexuality, biology and structure, using film as a medium to present sculpture and to present film. You can learn more about Barney and the Cremaster Cycle through a number of art sites and art reviews. You can often find the full Cremaster films streaming on sites like Youtube, and sometimes they will be screened in art house and museum theatres. ______________________ You can follow us on twitter @newtoyoushow and you can leave comments down below! You can follow Jules on twitter @beautifuljules You can follow John on twitter @lordjoho You can follow Mary on twitter @maryvarn Join us next week as we continue our theme of "Parental Influence."

Masculinity, penetration, escape, ego, transcendence and metamorphoses are just some of the concepts investigated in Matthew Barney’s Cremaster Cycle film series.

Ryan Sheely and Matthew Wrather overthink the season finale of Gossip Girl and the Joss Whedon/Neil Patrick Harris episode of Glee. Episode 17: The Cremaster Field (or, Chuck Dies) originally appeared on Overthinking It, the site subjecting the popular culture to a level of scrutiny it probably doesn't deserve. [Latest Posts | Podcast (iTunes Link)]