Podcasts about elizabeth cotton

Listen to some great blues, soul and rock n roll here. Just click on the link and enjoy Shemekia Copland, Elizabeth Cotton, Andy Santana, Bobby "Blue" Bland and more. Thank you for listening. 

I talk to actress/musician Simone Tang about her life in music. Simone Tang was born in Korinth, Denmark. She is an actress and composer known for Kærestesorger (2009), Murder in the Dark (2013) and Sorrow and Joy (2013). Simone kicked off her solo career in 2019 with the debut single Shame. Tang started writing the songs for her debut album 1.5 years ago, in a new and more acoustic sound, cut to the bone on guitar and vocals, inspired by artists such as Paul Simon, Elizabeth Cotton, Édith Piaf, and more. We talked about the album Things I Remember and why she chose to write such a stripped-back, emotional album. #Interview #ContentCreation #Conversations

Enneagram teacher and psychotherapist Beatrice Chestnut has a rich conversation interviewing an Enneagram Social Four, Elizabeth Cotton. As a SO4, Lizzy shares her experience using the Enneagram with her clients as a psychotherapist and how she sees the power of this ancient tool, especially when working with couples. She also opens up about how understanding her own Enneagram subtype helps her dissolve her attachment to sadness and reside in her deeper nature of pure joy.  You can learn more about the 27 Enneagram subtypes. https://cpenneagram.com/subtypes Like learning about the Enneagram from Bea and Uranio? Join a community of Enneagram enthusiasts and participate in live monthly webinars and Q&As with Bea and Uranio. Sign up for a FREE trial of CP Online membership at ⁠⁠⁠⁠⁠⁠https://learn.cpenneagram.com⁠⁠⁠⁠⁠⁠⁠ Want to discover which Enneagram type you could be? Visit our webpage ⁠https://cpenneagram.com/compass ⁠to learn about the Enneagram test they created, CPS Enneagram Compass. Please subscribe and share this podcast with others. It will help us out a lot! Subscribe to our Youtube channel: ⁠https://www.youtube.com/@ChestnutPaesEnneagramAcademy⁠ Follow us on Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/cpenneagram/⁠ Sign up for our newsletter ⁠https://cpenneagram.com/newsletter⁠ Questions? ⁠hello@cpenneagram.com⁠

A TALKING HEADS Day sponsor inspires this THs' sandwich bookending the ride, with some interesting and poignant messages in the songs making up the meat and cheese. Now Serving: Kerry Lash, Purple Mountain, Barclay James Harvest, Allison Russell, Elizabeth Cotton and NFL MVP, Taylor Swift (you read that right).

Is this one of the best or worst method books for fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. Ken Perlman's Fingerstyle Guitar is a method book for learning to play solo fingerstyle guitar in the folk, blues, fiddle tune, Celtic, and ragtime styles.  The book becomes progressively more difficult – the beginning is appropriate for beginner fingerstyle players, and the end is challenging for intermediate and even advanced players.  The book is extremely long (232 pages) and extremely detailed with sections of dense explanatory text.  While I enjoy many of the tunes in this book (especially the Irish, English, and Scottish fiddle tunes), some of the arrangements are clunky, difficult, and not worth the effort.  While I'm happy to have worked through Fingerstyle Guitar, I would not recommend this to most players unless you are specifically interested in older styles of music and you've already exhausted other options. The book quickly introduces alternating bass (Travis picking) arrangements and gradually presents standard guitar techniques including hammer-ons, pull-offs, slides, etc.  I like that Perlman provides exercises and lots of short, accessible tunes like Elizabeth Cotton's Freight Train to build your technique.  The tunes and arrangements are stylistically similar to those in Stefan Grossman's Complete Country Blues Guitar Book and Complete Celtic Fingerstyle Guitar Book but with more technical explanations.  The book also provides types of tunes similar to those found in Mel Bay's Complete Chet Atkins Guitar Method although with a very different teaching approach. While the first five chapters of the book are accessible with some fun 20 second tunes, the book's difficulty increases starting in Chapter 6.  The tunes move higher up the fretboard, utilizing alternate tunings, and requiring much more fretting with your thumb over the top.  These are important things to learn and prepare you for the fun repertoire-heavy chapters at the end of the book. The final four chapters of the book provide repertoire tunes organized into categories: “Southern Fiddle Tunes,” “Old-Time Songs and Ballads,” “Irish, English, and Scottish Fiddle Tunes,” and “Rags.”  There are some nice arrangements in these chapters, but I found that many of the arrangements seem to be especially difficult.  I believe that a good arrangement should find a balance between the complexity of the tune and playability, and many of these arrangements just feel clunky to me.  Lots of difficult passages and fingerings even after putting in serious practice.  There are detailed explanations of techniques (hammer-ons, slides, etc.), but little explanation of how to actually play through an individual tune with a smooth performance.  Other books like Richard Saslow's The New Art of Ragtime Guitar provide smoother arrangements and much more tune-specific help. If you are a performing musician, you will find that most of these tunes are too short to actually play out at gigs without coming up with your own variations.  The exceptions are the rags in the final chapter which are quite lengthy and difficult.  For the shorter tunes throughout the book, there is no discussion about how to go about extending them for performance. Perlman provides some cool background information on styles and specific tunes.  The Celtic fiddle tune chapter has great information on the differences between single jigs, double jigs, slip jigs, set tunes, reels, hornpipes, and slow aires, with great examples of each. The book provides examples in both TAB and standard notation (treble clef).  Each tune/example is presented in its entirety in TAB, and then again in standard notation.  This is great in that it minimizes page turns if you are reading the tune.  It is also highly annoying because all of the fingering details are only included in the standard notation,

Bonus episode fourteen features the award-winning Lightnin' Lickers* Jay and Deon sharing what they've been sonically f#@%ing with as of late. A field trip to their record store of choice, Electric Kitsch, finds them seated in conversation with super special not-so-secret friend Trevor. Trev discusses then submits a LLR all-time record of FIVE (5) choice cuts to this month's mixtape. Five? You give an inch… Sonic contributors to the fourteenth bonus episode of Lightnin' Licks Radio include: Townes Van Zandt, the Jesus and Mary Chain, James Todd Smith, Supertramp, Wolf Alice, Jordana, Ohio Players, Arthur Brown, Liquid Mike, Arc of All, Jay Dilla, De La Soul, Madlib, A Tribe Called Quest, Flea, Nada Surf, Illuminated Hotti, Bonnie Hayes, Nic Cage & Deborah Foreman from Valley Girl, The Payolas, The Plimsouls, Yard Waste, John Fahey, Elizabeth Cotton, Sandy Bull, Bert Janache, Davy Graham, Quelle Chris, Aceyalone, Christopher Cross, Dave Coulier, Pesky Kid, The Meters, Elton John, The Neville Brothers, The Wild Tchoupitoulas, Adrian Young, Ali Shaheed Muhammed, Chico Hamilton, Yesterday's New Quintet, Ronnie Laws, Flying Lotus, Kendrick Lamar, Haim, Gorillaz, Buffalo Springfield, Lee Hazlewood, The Walker Brothers, Josh - Jordo - Deon, Rilo Kiley, Plains, Alabaster DePlume, Led Zepplin, and Kenny Beats. For the mix…Jay brought to the dining room table the musical stylings of:  FAZERDAZE, Pom Pom Squad, Gary Myrick, The Bambi Slam, and Gion Piero Reverberi. Deon suggested cuts from:  Slum Village, Suitcase, and Jenny Lewis. Our super special not-so-secret friend Trevor likes:  Leo Nocentelli, Gary Bartz, Thundercat, Neil Young, and Scott Walker. The wait is over, here's your gawl dang mix tape: [SIDE A] (1) The Bambi Slam – Long Time Coming (2) Thundercat – Friend Zone (3) Pom Pom Squad – Second That (4) Leo Nocentlli – Your Song (5) Slum Village – Look of Love (remix) (6) Gary Myrick – Time To Win [SIDE B] (1) Suitcase – Save Me Some Gravy (2) Scott Walker – It's Raining Today (3) FAZERDAZE – Winter (4) Gary Bartz – Spiritual Ideation (5) Jenny Lewis – Psychos (6) Gion Piero Reverberi – Cat Casanova (7) Neil Young & the Santa Monica Flyers – Mellow My Mind (live) [END] Q: Is there any bass better than dinosaur fart bass? *Review Magazine's Reader's Choice 2023. Thanks to whomever nominated and voted. You are appreciated. Coziness :) --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

Negra, pobre, mujer y zurda: Elizabeth Cotton tenía todos los obstáculos por delante. Sin embargo, aprendió a tocar la guitarra como pudo, creó un estilo muy particular y a partir de una sucesión de hechos fortuitos y casi mágicos, se transformó en una referente de la música blues y folk de los Estados Unidos. Y hasta Bob Dylan y Joan Báez cantaron sus temas. Apertura de Pablo Marchetti del programa 767 de AUNQUE ES DE NOCHE (7-2-2023) AUNQUE ES DE NOCHE. De lunes a viernes de 2 a 5 AM (hora Argentina) por Radio AM 750. Conducción: Pablo Marchetti. Con Rama Preckel y Laura Szerman. Operación técnica: Charly Escalante. Mensajes a nosoypablomarchetti@gmail.com Mirá, escuchá y leé todo lo que hago, acá www.pablomarchetti.com

Listen on Apple, Google, Spotify, and other platforms. Elizabeth gives an overview of what Black Tech Link is [02:25] How did Elizabeth get into the tech industry? [04:38] Elizabeth shares what it was like working at the California Science Center [08:43] How did Elizabeth start her own organization? [11:57] Elizabeth shares what she learned from joining blacks in techs and working with other people [15:30] Elizabeth talks about what she's been doing during the pandemic, including hosting events [18:30] How can people support Black Tech Link? [24:38] Elizabeth shares why she thinks there needs to be more support in building more programs [26:17] Elizabeth shares her favorite taco spot, El Serrano's [31:27]   Follow Elizabeth online LinkedIn   Black Tech Link Website | LinkedIn

Welcome to Roadcase, a podcast exploring the live music experience!!  Join us for this conversation with the amazing and extraordinarily talented guitarist, Yasmin Williams, whose unique fingerstyle and percussive techniques on guitar is a sight to behold.  Yasmin began playing guitar early in her young life, tapping and plucking the guitar strings while tapping her feet as well to keep the rhythm. It's a stunning demonstration of virtuoso playing, fully demonstrated on her most recent album, Urban Driftwood, released in 2020. Yasmin recently performed at Newport Folk, and at the Ryman Auditorium, and was featured on a recent episode of Tiny Desk Home Edition.  Yasmin is also up for Grammy consideration as Best New Artist and the Urban Driftwood album is up for Best Contemporary Instrumental Album, among other categories.  Yasmin is as engaging and fun to talk to as she is talented.  So hop aboard the Roadcase bus for this wonderful episode with Yasmin Williams.  It's gonna be a great ride!!For more information: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene" (Instrumental)" by Waltzer

The Standells "Dirty Water"Lucero "The Devil And Maggie Chascarillo"Ted Hawley and Weldon Bonner "Trying To Keep It Together"The Lostines "Playing the Fool"Billy Bragg "The Saturday Boy"Langhorne Slim & The Law "The Way We Move"Margo Price "Sweet Revenge"Slim Harpo "Rainin' in My Heart"Fleetwood Mac "Oh Well"Fats Domino "The Big Beat"The White Stripes "Dead Leaves And The Dirty Ground"Warren Zevon "Carmelita"Two Cow Garage "Movies"fIREHOSE "In Memory of Elizabeth Cotton"John Prine "Yes I Guess They Oughta Name a Drink After You"Eilen Jewell "Boundary County"Billie Holiday "Sugar"Guitar Slim "The Things That I Used to Do"Elizabeth Cotten & Brenda Evans "Shake Sugaree"Bonnie Raitt "You Got To Know How (Remastered Version)"Slim Harbert & His Boys "Brown Bottle Blues"John R. Miller "Motor's Fried"Tommy Tucker "High Heel Sneakers"The Jam "Life from a Window"Oscar Brown, Jr. "But I Was Cool"Make Up "International Airport"Oscar 'Papa' Celestin And His New Orleans Band "Lil' Liza Jane"Madonna Martin "Rattlesnakin' Daddy"Thelonious Monk & John Coltrane "Blue Monk"Shovels & Rope "Pretty Polly"Jessie Mae Hemphill "Run Get My Shotgun"Bob Dylan "Delia"Lefty Frizzell "No One to Talk To (But the Blues)"Merle Travis "Blue Smoke"Tyler Childers "Play Me A Hank Song"John Prine "Killing the Blues"Lucero "Darken My Door"Buddy Guy "I Smell A Rat"Nina Simone "Blues for Mama"Dale Hawkins "Suzie Q"The Replacements "Here Comes a Regular"Bonnie "Prince" Billy "Death In the Sea"Hank Williams "Men With Broken Hearts"Valerie June "Summer's End"Louis Armstrong "Do You Know What It Means to Miss New Orleans?"

Malina Moye is the spiritual, musical great/granddaughter of Elizabeth Cotton and Sister Rosetta Tharpe, the two great female Black pioneering musicians and guitarists who lit the Rock Torch that Malina carries today. Malina continues to create and break down the barriers of rock music, of what seven notes of music coming from a Black woman should be. Malina is those notes and she plays them as she wishes: The way her sisters did before her and because of Malina's grit, talent, and determination, the way they will be played after her. Malina is featured on Bella Thorne's new single called Phantom coming out March 26th. On March 20th, she will be performing in John Oates Song Festival in partnership with Feeding America. https://secure.feedingamerica.org/site/Donation2;jsessionid=00000000.app20020b?idb=1132190517&df_id=29510&mfc_pref=T&29510.donation March 27th, Malina is on the round table for Black Women in Rock for WLP and Rock & Roll fantasy camp LA. Malina's new album is slated for a summer release.

In this episode of Otis Brown Podcast, I explore the African American folk tradition through versions of John Henry and reflect on what they have to say about labor. Through a reading of Mississippi John Hurt's 1928 "Spike Driver Blues," and Jacob Lawrence's Migration Series of paintings (stopping along the way with Elizabeth Cotton, Zora Neale Hurston and Toni Morrison), I try and get beneath the surface of the John Henry myth. I hope you enjoy this podcast. Thanks so much for the support! Keywords:John HenryPaul Bunyan Johnny Appleseed Piedmont Blues Mississippi John HurtElizabeth CottonBlind Lemmon JeffersonPete SeegerMa Rainey Bessie SmithIda Cox Zora Neale Hurston Mules and MenToni Morrison Beloved Eldridge Cleaver Soul on Ice Sterling Allen BrownJacob LawrenceTom Hoskins Sherman James “John Henryism” Jimmy Reed "Big Boss Man" "Blackjack County Chains""Spikedriver Blues"

A few of the old standards but some new discoveries too. All them witches (thanks bFM Drive), Adam Hattaway & The Haunters (Thanks Pennie from the monday 1-4). A sweet Creedence cover from WIllie & Paula Nelson (Thanks TV show soundtracks). And topping up the dose of Drive by Truckers and Purple Mountains. (Thanks collapse of civilisation in the United States). And more from Sammy Brue, Hayley Thomas King and a beautiful Elizabeth Cotton version of Shake Sugaree.

Its an imaginary train journey on my part. West to east across the USA, from San Francisco to Hagerstown in Washington County and this is some music to accompany the journey.  Two Choo, choo songs to start: The Merry Macs with Choo Choo Polka and a crazy track from Winifred Atwell, Choo Choo Samba. A double sided train record from Michael Holliday, 10 Thousand Miles and The Run Away Train. Remember the latter from Junior Choice, a BBC radio children's show in the 1960s.  Hutch sings Over the hill. Okay its not about trains but you'll understand the reason and it is Hutch! Trains in the title or train type music: Honky Tonk Train- Meade Lux Lewis(1935 recording), Munson Street Breakdown- Lionel Hampton, PDQ Blues- Fletcher Henderson and Red Nelson- Streamline Train. We take a break from the dusty travel to clean up. So its The Rhythm Maniacs and Singing in the bath tub. Back on the train and Sleepy Town Train from the Milt Herth Trio, some early Hammond Organ from 1942.  George Chisholm next and another non train song but the title says it all- Lets go!  Freight Train, Chas McDevitt and Nancy, excellent track and big hit from 1962. Wrongly credited and copyrighted to Williams and James for many years. It was in fact written by Elizabeth Cotton, around 1908. My favourite of the day, When the sun goes down. Lonnie Donegan at his best. Billed as Skiffle, its blues though. We finish with Ted Heath and his music and Grand Central Station. It's not even about the station or trains!

This week's Deadpod starts out with a sweet rendition of the Elizabeth Cotton classic 'Oh Babe, It Ain't No Lie' - the only electric version the Dead ever played and the last time they would ever play it. This is just one of the pleasures of the second set from the first Rex Benefit that took place back on March 28th, 1984 at the Marin Veterans Auditorium in San Rafael, California. The set proper follows, with a flat out rockin' version of 'Hell In a Bucket' (aside from Weir getting a bit lost in the lyrics :). They follow with an energetic version of  'China Cat Sunflower>I Know You Rider', in a rather early location in the set list. They're in fine form here, and the transition into Rider is wonderful. Jerry gives us a 'wish I was a headlight' for the ages. 'Playin' follows, and builds to some interesting spacial explorations. Jerry leaves , and Brent breaks out 'Don't Need Love' for the first time, with Bobby on lead. I'm always a bit melancholy when I hear these kind of Brent songs.. Drums leads into a cool if short Space, and the post drums segment is pretty solid if standard fare. The boys close with a nice 'Touch of Grey' encore..     Grateful Dead Marin Veterans Memorial Auditorium San Rafael, CA 3/28/84 - Wednesday Two Oh Babe It Ain't No Lie ; Hell In A Bucket ; China Cat Sunflower > I Know You Rider ; Playing In The Band > Don't Need Love > Drums > Space > The Wheel > Truckin'> Spoonful > Around And Around > Johnny B. Goode Encore Touch Of Grey   You can listen to this week's Deadpod here: http://traffic.libsyn.com/deadshow/deadpod030819.mp3   Thank you so much for your support of the Deadpod.   May the four winds blow you safely home..      

Show 29 – Recorded 3-3-19. This podcast provides 12 performances of blues songs performed by 12 blues artists or groups whose tremendous talent is highlighted here. Performances range from the 1960 up to the early 2018.  These blues artists are: Muddy Waters, Sue Foley and Billy Gibbons, Jimmy Reed, Eric Clapton, Elizabeth Cotton, James Cotton, […]

Show 29 – Recorded 3-3-19. This podcast provides 12 performances of blues songs performed by 12 blues artists or groups whose tremendous talent is highlighted here. Performances range from the 1960 up to the early 2018.  These blues artists are: Muddy Waters, Sue Foley and Billy Gibbons, Jimmy Reed, Eric Clapton, Elizabeth Cotton, James Cotton, Johnny Winter, Carey Bell and Louisiana Red, Lillie Hill, Lightnin Hopkins, Victoria Spivey, Booker T Laury  

Elizabeth Cotton and Doug Segal join Mirren Gidda and Josh Lowe to discuss how governments across the world should be treating mental health. Democratic presidential nominee Hillary Clinton is turning mental health into a core part of her campaign platform. She wants, she says, those who have a mental illness to get the same standard of treatment as those who have a physical one. But nice as it sounds, how can they actually make it happen? And beyond the politicians, when many ordinary people remain confused about mental health, or feel unable to discuss their own problems, what cultural change is needed to get to the goal? Doug Segal is a stand-up comedian who talks about mental health, and Elizabeth Cotton is a writer and educator in the field of mental health who runs the organization Surviving Work. Newsweek's Foreign Service is recorded and edited by Jordan Saville. See acast.com/privacy for privacy and opt-out information.

Throughout the month of February 2014, WUMB will celebrate Black History Month. All month long on 91.9 FM, WUMB will be spotlighting the artists that changed music, including Elizabeth Cotton.

North Carolina’s Elizabeth Cotton shows off how to play a guitar upside down and backwards, New Orleans chanteuse Lizzy Miles asks “Who's sorry now?” and Lucinda Williams mourns a one-night stand.