Podcasts about fingerstyle

We didn't mean to go this deep—but here we are.This week, we cracked open the bass rabbit hole and just kept falling. What started as a casual chat about tracking techniques quickly turned into a full-on audio archaeology dig. Fingerstyle vs. pick. Flatwounds vs. roundwounds. Phase issues. Amp sims. DI regrets. When to tune your bass like it's a vocal. And why the right bass might be a $300 violin-shaped Epiphone that makes your P-Bass sound like a string bean.This is Part 1. Next week, we'll take all this nerdy goodness and show you how it interacts with everything else in the mix—drums, vocals, space, sub, punch, width, grit.Discover:Why we sometimes tune bass like it's a vocalThe $300 Epiphone that destroyed a Fender P-Bass in a shootoutHow adding chorus to bass can actually make it sound tighterThe reason your 808s keep disappearing—and how to fix itFingerstyle, pick, thumb, palm mute: how your hand technique makes the biggest differenceBen and Carl's Weekly Inspiration Playlist - https://open.spotify.com/playlist/1IpnxDVoTY44JBV1j19H4h?si=0f80e020d8ae497eLA Wildfire Relief:Musicares - https://donor.musicares.org/page/lafirereliefWAMTN - https://give.wearemovingtheneedle.org/campaign/654724/donateLearn more about StudioLand - https://www.welcometostudioland.com/a/2147995182/bmyFf8p5Download our free guide: "The Future-Proof Mixing Engineer: 8 Essential Skills for 2024 and Beyond" - https://mpe-ebook.benwallick.com/future-proof-mixingConnect with us:Secret Sonics - https://www.instagram.com/secretsonicsBen - https://www.instagram.com/benwallickmusic/Carl - https://www.instagram.com/carlbahner/Learn more:https://www.benwallick.com/https://www.carlbahner.com/This episode with edited by Gavi Kutliroff - https://www.instagram.com/pleasant_peasant_music/

In this episode I sit down with Reverend Peyton of the Big Damn Band. These guys are one of my all time favourite live bands. We catch up with Rev on tour in the U.S and just after releasing their new record 'Honeysuckle' Their new record, Honeysuckle, was released on February 21 and was mixed by six-time Grammy winner Vance Powell (Chris Stapleton, Jack White). The record features many special guests, including gospel music group The McCrary Sisters, Blues Music Hall of Famer and Grammy-nominated harmonica player Billy Branch, Grammy award-winning and IBMA's 10-time Fiddle Player of the Year Michael Cleveland and Colton Crawford from The Dead South. The band is critically acclaimed by Rolling Stone, Relix, Popmatters, Guitar World, American Songwriter, No Depression, Glide, Wide Open Country, Paste, American Blues Scene and many more!Become a plus member now: https://www.buzzsprout.com/950998/subscribe Download the Triad Method: https://thebluesguitarshow.com/the-triad-method/Support the showTo get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

Já imaginou o som de um produtor musical indicado ao Grammy dedilhando um violão como ninguém?De produção da Gabriela Rocha ao seu próprio sucesso em fingerstyle no YouTube, prepare-se para descobrir o universo musical de um artista que faz música boa vibrar!Instagram:@andrelrcavalcante

Fingerstyle guitarists Teja Gerken and Doug Young talk about their upcoming release, "The River Is Wide". They also discuss how the record was formulated and a very interesting bit about recording and working remotely. Here's a couple of links, to a pair of projects during COVID where they worked from three different locations. One link with Maurice Tani: https://youtu.be/tDMXRnrNngw And one with expodcast guest Charlie Rauh and Benjamin Guilet: https://youtu.be/pbmoutazFJg Hope you enjoy this informational and fun podcast.

Weil ihn klassische Gitarre langweilt, experimentiert Alexandr Misko schon als Teenager in seiner Heimatstadt Krasnodar mit Fingerstyle-Technik. Über You-Tube hat er mit kunstvollen Coverversionen von Popsongs bald weltweit Erfolg. Heute lebt Alexandr Misko in Deutschland und gibt international Konzerte.

If you want to get started playing acoustic fingerstyle guitar, you will benefit from private lessons with a teacher, online video courses, listening to fingerstyle recordings, and of course… books.  It is beneficial to mix and match all of these resources.  Remember that everyone's brain works differently, so you may gravitate more towards certain styles of learning / methods of presentation.  I love learning from books because I can read the text at my own pace and as many times over as I want.  Seeing the music written out is extremely helpful for me – I always had more difficulty keeping track of song forms or chord progressions without some sort of written reference. So, for those of you who want to utilize a fingerstyle guitar method book to beef up your chops, I've done my homework and I've distilled my favorites into this “greatest hits” list.  I'll try to be objective and describe who each book is best suited to. Best Beginner Fingerstyle Methods: Alfred's Beginning Fingerstyle Guitar (Lou Manzi): Great all-around book to learn solo fingerstyle guitar.  Beginner to intermediate.  Not specific to any one subgenre of fingerstyle.  Nice organization/flow of information with a decent difficulty progression.  Good finger exercises to build some dexterity or to use as warmups, decent explanations in the text (but not too wordy), and nice sounding original tunes.  There aren't any arrangements of famous tunes, but there are tunes “in the style of ___.”  I personally like working through this book with my students.  Additionally, many of this book's lessons have sparked creative ideas of my own.  First book in a three part series, so you can continue your studies!  Audio recordings are available. Travis-Style Guitar from Scratch (Bruce Emery): This book is a gem!  This is a method book for learning to play solo fingerstyle guitar using an alternating bass (in the Travis style).  This is one of the best books I've found for complete beginner to intermediate players who want to learn this specific style.  Even if you want to play other sub-styles of fingerstyle as well, this isn't a bad place to start your journey.  The material progresses logically with lots of exercises that build on each other and lead perfectly into performance pieces (old classics like Oh! Susanna, House of the Rising Sun, Jingle Bells, etc.).  Each time Emery presents a new concept, he incorporates it into updated arrangements of each tune.  Emery's sense of humor is infused into the text of the book, keeping detailed explanations lighthearted and entertaining without losing sight of the important information.  Audio recordings are available. Fingerstyle Guitar from Scratch (Bruce Emery): I don't love it as much as Travis-Style Guitar from Scratch, but it is still great general method book.  You will not learn to play solo fingerstyle guitar arrangements (other than a very brief introduction to the topic), but you will receive a great foundation if you are just starting out with fingerstyle.  Complete beginner to intermediate.  Emery's sense of humor is once again infused into the text of the book, keeping detailed explanations lighthearted and entertaining without losing sight of the important information.  The book is focused on fingerstyle accompaniment using arpeggiation and Travis Style / alternating bass patterns.  This book would make an excellent primer for either Alfred's Beginning Fingerstyle Guitar or any other fingerstyle guitar method.  Audio recordings are available. Hal Leonard's Fingerpicking Guitar (Doug Boduch): Short and sweet method to learn to play accompaniment and solo fingerstyle guitar through famous popular tunes.  Beginner to intermediate.  Guitar teachers may find this book to be a great teaching supplement.  The progression of topics is well laid out, the examples and arrangements are playable and sound good, and the text is concise.  This book is great if you just want to play arrangements of popular tun...

For our sixth episode, we speak with guitarist Eric Skye. Based in the Pacific Northwest, Skye occupies a unique niche between folk, jazz and blues; fingerstyle and flatpicking; and composition and improvisation. A lifetime spent pursuing eclectic interests and adventuresome explorations has yielded an instantly recognizable personal style and tone.  Our conversation winds its way through a variety of topics including: Letting go of the notion of being a good guitar player; being comfortable being yourself; and letting music be a form of self-expression. We also talk about how duos are the perfect band size for introverts and a lot more. To learn more about Eric and his music: https://www.ericskye.com Watch Eric's 30-day guitar challenge: https://www.youtube.com/watch?v=CJ8CCsFVWMs Guitar for Introverts is hosted by Jamie Stillway for the Fretboard Journal network of guitar podcasts. https://jamiestillway.com https://www.fretboardjournal.com  

Samael Pelletier- Cascadia. a Must listen record for guitarists.

In der letzten Folge aus der Mozartstadt Salzburg, nimmt ein Ausnahmemusiker am Gastsessel dieses beliebten Podcast Formates Platz. Christoph Mayerhofer, alias Chris May, ist musikalisch im Blues, Country und Folk zu Hause - der Singer/Songwriter spannt seinen musikalischen Bogen von impulsivem Fingerstyle, untermalt von Mundharmonika oder Didgeridoo bis hin zu melodischen Balladen über das Leben, die Liebe und sozialkritische Themen der Gesellschaft. Der Salzburger Gitarrist kreiert mit seinem Fingerpicking- und Slide-Stil sphärische Klänge und erdige Grooves, die an das Organische der Natur erinnern und direkt aus dem pulsierenden Kreislauf des Lebens zu kommen scheinen. In dieser 25igsten Episode spricht Chris May mit Günther und Krauli über die bevorstehende Tour, über sein Leben als Musikmanager auf einem riesigen Kreuzfahrtschiff und natürlich auch über sein privates Leben. Außerdem gibt "May" auch eine beeindruckende Hörprobe direkt im Podcast. Auch in dieser Folge gibt es wieder etwas zu gewinnen! Teilnahme: deinsenf@beimgast.at Dieser Podcast erscheint im 3 Wochen Rhythmus immer Mittwochs.Diesen "Podgast" gibt es in voller Länge auch visuell auf YouTube zu genießen! Feedback: deinsenf@beimgast.atGast: Hera LindStadt: SalzburgHost: Christoph Krauli Held & Günther Lainer

Retrouvez moi où vous voulez: https://linktr.ee/sebastienzuninoguitarschoolRetrouvez  @rooguitar  sur son site de cours en ligne: https://rooguitar.com/blues-aux-doigts-delta-blues/Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Text us about this show.Individually, Brad Bordini and Kurt Gunn are two of the best singer-songwriters you'll come across. Together as The Brothers Gunn, they take their craft to an entirely new level. What makes The Brothers Gunn who they are goes back a long time when they started their friendship as young men. Their friendship has weathered all sorts of good times and adversity over the years, so their bond as brothers is as solid as it gets. They both have been writing and recording their own material, so the time has finally come to release their very first single, "Receipts," as The Brothers Gunn. On hand along with Kurt and Brad is producer Marc Golde who knows them as well as anyone. Sit back and enjoy their story, their camaraderie, and their music."Receipts" performed by The Brothers Gunnwritten by Kurt Gunn and Brad Bordiniproduced by Marc Golde℗ 2024 The Brothers Gunn. Used with permission of Kurt Gunn and Brad Bordini.Support the showVisit Into The Music at https://intothemusicpodcast.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2024 by Project X Productions. All ...

Subscriber-only episodeSend us a Text Message.Today I'm taking you through a nice finger style arrangement of Let it Be by the Beatles. This has some tricky fingerpicking parts to it but its a great-sounding one to play and a campfire classic! Head to the folder for the tab and backing track downloads.https://drive.google.com/drive/folders/1_WwAzYBpLKQBRAz942uqQb4u-C3PcvYz?usp=drive_linkDownload the Triad Method: https://thebluesguitarshow.com/the-triad-method/To get your hands on THE TRIAD METHOD: https://thebluesguitarshow.com/product/the-triad-method/Become a Blues Guitar Show Member: https://www.buzzsprout.com/950998/subscribeHead over to www.thebluesguitarshow.com to subscribe to the mailing list

Christian Rosenau stellt sein neues Album vor, spricht darüber, wie seine Stücke entstehen und wie für ihn Literatur und Musik zusammenhängen.

Ein Gespräch mit dem Komponisten und Gitarristen Malte Vief über AC/DC, Klassik und einem magischen A-Dur Akkord!

Let's talk fingerstyle arrangements.   There's a secret to playing fingerstyle arrangements… Especially ones that sound great, but aren't painstaking to learn. In this episode, I'm sharing with you these secrets all broken down into three simple steps.   You'll discover some key advice the great guitarist, George Benson, once shared on a TV show called Guitar Star. Plus, I talk about what you can do today to start making more progress on the guitar, why listening to very experienced guitarists may not be such a good thing… …And you'll get to hear my brand new and exciting Travis picking arrangement of “You've Got to Walk That Lonesome Valley”, which I hope will bring a smile to your face today.   This episode will help you learn how to play fingerstyle arrangements and have more fun on the guitar.   You can get more tips, advice, and a powerful free eBook called 13 Ways to Escape the Acoustic Asylum from me, Dan Thorpe, by joining the email list here – https://acousticasylum.com/ Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!    

A major innovation for Montreux International Guitar Show aka the MIGS (migs.ch) is that this 2024 edition will be preceded by a guitar workshop with top Classical, Fingerstyle and Rock musicians! This is the MIGS Academy (migs-masters-camps.com) which will take place from Monday April 22 to Friday April 26 in Montreux. Here's an interview with

Grande nouveauté pour le Montreux International Guitar Show alias le MIGS (migs.ch) puisque cette édition 2024 sera précédée par un stage de guitare avec des cadors du Classique, du Fingerstyle ou du Rock ! C'est la MIGS Academy (migs-masters-camps.com) qui se déroulera du lundi 22 au vendredi 26 avril à Montreux. Voilà une interview avec L'article MIGS Academy : booster votre niveau guitare en Classique, Fingerstyle ou Rock à Montreux est apparu en premier sur La Chaîne Guitare.

Brent Mason has picked for the biggest and best names in country music: Alan Jackson, Willie Nelson, Shania Twain, Brooks & Dunn, Blake Shelton, and George Strait are just a few of the country stars on whose records you can hear Mason's Fender-on-Fender fretwork. But his solo on “Southbound Train,” the closing track on Travis Tritt's 2000 record Down the Road I Go, might be his hottest work of all. As Mason explains, the song scoots along at his favorite country tempo—a Cajun two-step, Mason says—which provides the rhythmic framework for his face-melter lead. Mason says the melodic and structural components came in part from his familiarity with jazz, and the mixing of jazz and blues with his usual twangy conventions. In fact, Mason's furious note barrages occasionally earned him some raised eyebrows (and some choice words from Conway Twitty) in the more traditionalist Nashville studio system. This might be the toughest solo our host has taken on so far on Shred With Shifty. The key to wrestling it? “You gotta keep playing [it] til you wanna pull out all your teeth and hair,” says Mason. Which Nashville producers and stars would let Mason off-leash in the studio? How does a session ace deal with hand injuries? Listen on, shredders. And if you're brave enough, send in your take on Mason's solo. Click below to subscribe to the podcast! Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudoin Video Editors: Dan Destefano and Addison Sauvan Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Is this one of the best or worst method books for acoustic fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. David Hamburger's The Acoustic Guitar Fingerstyle Method is a method book for learning to play solo fingerstyle (or “fingerpicking”) guitar in the American roots styles (folk, blues, ragtime, early jazz, marches).  The book becomes progressively more difficult – the early sections of the book are appropriate for beginner fingerstyle players who have some experience with open chords and the later sections of the book are more suitable for intermediate players.  Advanced players may still find some useful information, inspiration, or fun repertoire tunes.  This is a well-thought-out book with a great progression of information and fun arrangements of tunes. The book focuses on alternating bass (Travis picking) arrangements and steady bass arrangements (monotonic bass, walking bass, etc.). There are also brief chapters on Drop D and open D tuning.  The material flows in a sensible progression from chapter to chapter as you build skills and knowledge.  Each chapter includes text and playing examples that directly prepare you for a 1-2 page tune that showcases the techniques or concepts being taught.  The arrangements of the tunes are really nice (they sound good and are playable), although don't usually include any fingering (there is picking hand fingering notated in the examples, but not the full tunes).  The tunes are stylistically similar to those found in Stefan Grossman's “Complete Country Blues Guitar Book” and Mel Bay's “Complete Chet Atkins Guitar Method” although with a very different teaching approach. The book covers a lot of ground in only 74 pages – from beginning Travis Picking to steady bass blues to harmonized walking bass lines to alternate tunings, etc.  While the examples and tunes are of high quality, there aren't that many examples for each topic, so you won't get that deep of an understanding of how to apply some concepts to different situations.  One example of this is playing walking bass lines under your melody- you'll play a few tunes that include this, but you won't really learn how to build your own walking bass lines so that you can apply them to your own arrangements or compositions.  However, by the end of the book, you will have a firm grasp of the general approaches of playing using an alternating bass (Travis Picking) or a steady bass. There is not a lot of music theory in the book.  This may appeal to some readers.  However, it adds to the issue that you may not be able to apply a concept like walking bass lines to other situations. The text is descriptive and helpful.  However, I don't like how the publisher places the text as a continuous block at the top of the page with the examples clumped together at the bottom of the page.  Harder for my eyes to jump back and forth. The author includes great listening recommendations that are relevant to the tunes and topics at hand. The included audio (2 CDs) provides all examples and tunes played at full speed and slowed down.  The guitar playing is clean and the recording quality is high. All playing examples are provided in standard notation (treble clef) and tablature. You could use either a steel string acoustic or nylon string classical guitar to work through this book.  You shouldn't need to fret any bass notes using your thumb over the top. Published by String Letter Publishing (publisher of Acoustic Guitar Magazine) © 2007.  Distributed by Hal Leonard. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. My music is available on all streaming platforms: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, "Open Road," on YouTube here: https://youtu.be/uPBh8sZQsT4?

Is this one of the best or worst method books for fingerstyle guitar? You can learn to play music by simultaneously using a variety of resources including teachers, online resources, and books. Dan Thorpe's Fingerstyle 101 is a method book for learning to play fingerstyle (or “fingerpicking”) guitar.  The book is appropriate for absolute beginner fingerstyle players who have some experience with open chords.  Intermediate and advanced players will fly through this book and may find a few useful ideas but probably won't find any revelatory information or inspiring performance pieces.  The author has written this book with older adult students in mind, although any beginning students would certainly benefit from working through it.  The book contains lots of practical advice on fingerpicking technique, playing posture, and strategies for practicing and memorization.  It has sections including “Pro Tips to Make Your Fingerpicking Journey Easier and More Enjoyable,” “The 7 Most Deadly Fingerpicking Mistakes,” and “The 10 Steps for Getting the Most Out of Your Fingerpicking Playing.”  There is one section of the book (less than half the book) with actual playing examples, and these examples are great first fingerpicking patterns to learn along with some practical applications. There is lots of text in the book.  Fortunately, this text is informative without being bland.  Lots of lists, summaries, pictures, etc.  The text has a large font size so it is easy on the eyes.  Thorpe provides advice for avoiding guitar-related injuries – i.e. information about how to hold the guitar in the classical style to help older students avoid back pain.  There is some psychology about how to learn efficiently/effectively and how to make and set goals.  There is a chord reference guide as well as sections on understanding basic rhythms and reading tablature (TAB). The playing section in the middle of the book progresses at a reasonable pace for a beginner fingerstyle student.  Thorpe teaches ten fingerpicking patterns, and for each pattern there are three examples.  The first example is as basic as possible over a single chord shape.  The second example has you play the pattern over a simple chord progression (always C G D).  Since you always utilize the same C G D chord progression, you will be able to focus your brain power on your picking hand and the new pattern.  This is also very practical because if you want to fingerpick the guitar while singing, it is useful to try out a pattern over simple chord progressions that you might find in folk or pop songs.  Finally, the third example introduces a more complex chord progression, stylistic elements such as hammer-ons and pull-offs, and sometimes a (very simple) moving melody or bass line.  These third examples are not long enough to be performance pieces, but they may inspire you to add some flair to your accompaniment fingerpicking or to write your own compositions. The book doesn't progress far enough to establish a specific style within the umbrella of fingerstyle guitar.  You learn a few classical arpeggiation patterns, a few Travis picking patterns, and a few patterns that have some folk or blues flair.  The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. All playing examples are provided in standard notation (treble clef) and tablature.  Audio recordings are available for all playing examples. You could use either a steel string or nylon string classical guitar to work through this book. Published by Rockstar Publishing  © 2015, 2020.  Distributed by Hal Leonard. My eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. My music is available on all streaming platforms: Pins on the Map: my third fingerstyle guitar album will be released on January 19, 2024.

Tal Wilkenfeld is a singer-songwriter, bassist, and guitarist. She has performed with legendary artists including Jeff Beck, Prince, Incubus, Eric Clapton, Herbie Hancock, Mick Jagger, Rod Stewart, Hans Zimmer, Pharrell Williams, and many more. Please support this podcast by checking out our sponsors: - MasterClass: https://masterclass.com/lexpod to get 15% off - LMNT: https://drinkLMNT.com/lex to get free sample pack - Eight Sleep: https://eightsleep.com/lex to get special savings - Shopify: https://shopify.com/lex to get $1 per month trial EPISODE LINKS: Tal's Instagram: https://instagram.com/talmeastory Tal's Twitter: https://twitter.com/talwilkenfeld Tal's Facebook: https://www.facebook.com/talwilkenfeld/ Tal's YouTube: https://youtube.com/TalWilkenfeld Tal's Love Remains record: https://talwilkenfeld.lnk.to/LoveRemains Tal's Linktree: https://linktr.ee/talwilkenfeld Big thank you to Crossroads Guitar Festival and Jeff Beck Estate for the footage included in this podcast. Crossroads Guitar Festival: https://crossroadsguitarfestival.com/ Jeff Beck & Tal Wilkenfeld at Crossroads: https://youtube.com/watch?v=BVgUzUZeTw4 Guitar: Jeff Beck Bass: Tal Wilkenfield Drums: Vinnie Colaiuta Keyboards: Jason Rebello "Cause We've Ended As Lovers" is originally by Stevie Wonder PODCAST INFO: Podcast website: https://lexfridman.com/podcast Apple Podcasts: https://apple.co/2lwqZIr Spotify: https://spoti.fi/2nEwCF8 RSS: https://lexfridman.com/feed/podcast/ YouTube Full Episodes: https://youtube.com/lexfridman YouTube Clips: https://youtube.com/lexclips SUPPORT & CONNECT: - Check out the sponsors above, it's the best way to support this podcast - Support on Patreon: https://www.patreon.com/lexfridman - Twitter: https://twitter.com/lexfridman - Instagram: https://www.instagram.com/lexfridman - LinkedIn: https://www.linkedin.com/in/lexfridman - Facebook: https://www.facebook.com/lexfridman - Medium: https://medium.com/@lexfridman OUTLINE: Here's the timestamps for the episode. On some podcast players you should be able to click the timestamp to jump to that time. (00:00) - Introduction (06:51) - Jeff Beck (15:44) - Confidence on stage (32:23) - Leonard Cohen (40:23) - Taxi Driver (51:43) - Songwriting (55:23) - How to learn and practice (1:13:53) - Slap vs Fingerstyle (1:20:16) - Davie504 (1:24:36) - Prince (1:30:13) - Jimi Hendrix (1:32:27) - Mentorship (1:38:46) - Sad songs (1:44:43) - Tal performs Under The Sun (live) (1:50:00) - Tal performs Killing Me (live)

This week's episode is all about the musical magic of the ‘No Chord Fingerstyle' method and Christmas songs. Today, we are looking at the main reasons why you should learn a couple of Christmas songs and how you can do this.   Apart from the wonderful joy and cheer of being able to play a Christmas carol, it's also a great way of measuring your progress each year when Christmas rolls around. It can be hard sometimes to see your progress day-to-day, but dusting off the old Christmas songs is a great way of seeing how far you've come.   In today's episode, I talk about what Christmas songs to learn and how to learn them, the benefits of measuring your progress, where to start if you're a beginner, and how to “embellish” your Christmas tunes if you can already play them. I also talk about the histories of some famous Christmas songs, the new course I'm releasing called Christmas Crackers, and I'll play a little medley of the songs in the course for you. To round off the episode, I reveal “The Gatekeeper's” favourite Christmas song, so take a listen to find out which one it is.   This episode will help you realise the benefits of tracking your progress, how Christmas carols can help you do this, and where to start if you want to learn some holiday tunes.   You can get more tips, advice, and a powerful new free eBook on the 13 Ways to Escape the Acoustic Asylum from me, Dan Thorpe, by joining the email list here – https://acousticasylum.com/   Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!  

Video Podcast and Show Notes: https://ukuleleunderground.com/2023/10/fingerpicking-fingerstyle-chord-melody-oh-my-tuup91/ What is the difference between Fingerpicking, Fingerstyle and Chord Melody? With Fingerpicking being thrown around as a catch-all term, we ask Aldrine what his definition of Fingerpicking is and how is it different from Fingerstyle? The guys go deep with the definitions of these terms, and where the terms may have originated as trends. Wanting to break into ukulele, someone asks Aldrine what size they should start with. Aldrine then gives his list of Do's and Don'ts for Private Lessons. The team explains the New Private Lessons, and the changes to Live Coaching. At the end of the podcast, a Songwriting Challenge Winner is picked.

Vi fortsätter vår intervju med Emil och kommerdjupare in på hur det faktiskt gick till närhan gick från Bengtsfors till Pro Guitar.Emil åker på ”10 snabba med Christopher”, eller blevdet 19? Oavsett får vi reda på hur han förhåller sigtill bland annat Tracks, 8-strängat och Nervositet.Vad var också den oväntade hemligheten bakom ett av hans mestvirala klipp på Instagram?Sen spelar han 2 otroligt vackra låtar Live för oss i studionoch vi blir givetvis helt tagna.Vi är återigen mycket tacksamma för att ha en såntrevlig och glädjespridande person som Emil hos oss.Välkomna!www.emilernebro.comwww.proguitar.comhttp://www.dalaguitar.sehttps://www.youtube.com/@EmilErnebroGuitarStudio, Artist, Live, Musiker, Scen, Låtskrivning, Ai, AI, Fingerstyle, Musik, Kultur, TikTok, Instagram, Facebook, Youtube, Fingerpicking,Billboard, Hip Hop, Rock, Soul, Jazz, Gospel, Pop. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Michael Grabner is back on the show with a brilliant brand new single called "Off The Path." Michael is an open book and through his music he conveys his life's journey complete with highs and lows. His performances echo this and, because of the intimacy of a live show, give even deeper meaning to his songs. "Off The Path" is stripped down and heavy both in feel and subject matter, but it's a fantastic song and shows a ton of growth in this outstanding singer-songwriter."No Way Out" written and performed by Michael Grabner℗ 2022 Michael Grabner. Used with permission of Michael Grabner."Off The Path" written and performed by Michael Grabner℗ 2023 Michael Grabner. Used with permission of Michael Grabner.• • • • • • •SUBSCRIBE to INTO THE MUSIC: https://www.buzzsprout.com/2128759/supportSupport the showSupport the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Producer: Rob MarnochaRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie AngelThis podcast copyright ©2024 by Project X Productions. All rights reserved.

C'est grace au luthier Franck Cheval que j'ai été en contact avec le musicien Patrice Jania (patricejania.com). Au fil de mes visites à son atelier de lutherie, Franck m'avait souvent évoqué son grand ami. Ainsi, c'est avec une grande joie que j'ai accueilli Patrice dans le showroom pour une interview où la guitare était au L'article Patrice Jania, Partie 1 : virtuose Fingerstyle et grand pédagogue est apparu en premier sur La Chaîne Guitare.

Is this one of the best or worst method books for fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Miggs Rivera's Fingerstyle Blues is an inspiring, well-graduated method book for learning to play fingerstyle blues.  It is aimed at intermediate and advanced fingerstyle players.  Each chapter ultimately provides a full performance tune, but starts by describing a new concept or technique (or two) and providing examples that prepare you for the performance song.  As advertised, this book is focused entirely on fingerstyle blues with deep dives into various substyles including delta blues (Robert Johnson), boogies (John Lee Hooker), slide blues (Son House), and Texas blues (Lightning Hopkins).  There is even a tune that has a modern character with some jazzier chords. I love how in each chapter the book provides technical exercises that directly prepare you for the upcoming performance tune.  Often the author will simplify a section of the performance tune and then provide more complexity with each subsequent example.  The first chapter of the book presents a somewhat basic 12-bar blues, then provides 5 separate 12-bar variations that each focus on adding a new technique (hammer-on grace notes, slide grace notes, rubato bends, chords fragments, rubato bends on the higher and lower strings), and finally culminates in an all-inclusive performance tune.  Mr. Rivera really hit the nail on the head with his teaching approach. The author provides some music theory, but only that which is immediately applicable to an upcoming performance tune.  You will spend much more time playing music than analyzing music theory.  The book includes access to private/un-searchable YouTube video lessons through QR codes.  You will need a cell phone that can pull these up.  These videos are extremely helpful as they include explanations and demonstrations by the author.  These are particularly useful as they show you the proper rhythms and feel. One thing to note about this book is that it doesn't emphasize improvisation which is a huge part of blues music.  However, you could learn about improvisation elsewhere (with a private teacher or with a book like Joseph Alexander's Fingerstyle Blues Guitar) and then implement it into the tunes of this book. Authentic sounding fingerstyle blues tunes. Excellent difficulty graduation – examples build off each other and get gradually more complex and difficult.  Cohesive feel throughout the book, especially as the final performance tune pulls from the earlier tunes. Not much emphasis on improvisation. Online video lessons are extremely helpful – difficult rhythms and feel are much easier to learn with the videos. The book does introduce some modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  You will learn to play thumb slaps and various percussive hits on the guitar body. I would recommend that you use an acoustic steel string or electric guitar.  You could use a nylon string classical guitar if absolutely necessary, but I wouldn't recommend it. Independently published by Miggs Rivera.  © 2020 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms. Pins on the Map: my third fingerstyle guitar album will soon be released.

John Dorsch... As a teenager, using pennies to slow down his vinyl records to try and get "that sound" on his Les Paul, led him to Van Halen, Led Zeppelin, Rush, The Beatles etc. Fast forward after 45 years of electric / acoustic guitar and drum playing, John Dorsch's passion for music has expanded to include Fingerstyle guitar. Inspired by his mentor Tommy Emmanuel, exposure to Jerry Reed and Merle Travis, the challenge of moving strings to a different sound is exhilarating! After decades of playing lead electric guitar in local bands, John shifted gears and began an acoustic duo and stepped into singing lead. His musical journey into songwriting and recording now focuses on acoustic fingerstyle guitar and electric guitar. Currently, his wife Dani accompanies him on African Djembe drum and percussion with blended harmony vocals. John and Dani's motto : "Let's put smiles on faces!" Ottawa Valley, Ontario, Canada is where John has spent most of his life, and he continues to make the Rideau Lakes area his home. “Peaceful summer nights and loon songs paired with winter travel to other parts of the world provide great inspiration for songwriting,” John says. John's passion is to play his instruments with unrestricted flare using Fingerstyle, Jazz, Pop and Rock influences to bring a special sound to music, rarely duplicated. His current collection includes an autographed Tommy Emmanuel 2018 CGP Maton "808" acoustic, 2018 Gibson J45 acoustic, Manouche "Django" Gypsy Jazz acoustic, Gold Tone "Paul Beard" Resonator acoustic, 2013 Custom Fender Telecaster and 1989 Gibson Les Paul Custom electric guitars Elevation Album 15 Original Songs composed by John Dorsch. John Dorsch: lead and harmony vocals, acoustic guitars, electric guitars, slide resonator guitar, bass guitar and drum tracks. All recordings Produced and recorded by John Dorsch at JDM Studios, Rideau, Ferry, Ontario, Canada. Dani Baribeau: production assistant, percussion, djembe and harmony vocals The track, “Save Just One More Life”, additional appearing artists Paul Johnson on mandolin and bouzouki, and Bonny Skiffington for harmony vocals. The Elevation Album was mixed and mastered by Dave Draves at Little Bullhorn Studios, Ottawa, Ontario, Canada. https://johndorschmusic.com/ https://www.facebook.com/profile.php?id=100042844695074 https://www.youtube.com/@JDM2112 Check out our sponsor DUBBY energy at dubby.gg and use promo code SCREAMINGCHUYSH for 10% off on all products!** For more Episodes and Platforms https://linktr.ee/ScreamingChuyShow. *For cool merch https://my-store-10115944.creator-spring.com/?*

John Dorsch from Rideau Ferry is a talented singer, songwriter, guitarist, and recording artist with a lifelong passion for music. As a teenager, he experimented with using pennies to slow down his vinyl records, seeking to capture "that sound" on his Les Paul guitar. This led him to discover influential bands such as Van Halen, Led Zeppelin, Rush, and The Beatles. Over the course of 45 years, John honed his skills on both electric and acoustic guitar, as well as drums.His musical journey took an exciting turn when he discovered Fingerstyle guitar, inspired by mentor Tommy Emmanuel and influenced by the likes of Jerry Reed and Merle Travis. The challenge of creating a different sound by manipulating the strings exhilarated John, and he delved into acoustic duets, stepping into the role of lead singer.John's deep connection to his local music scene led him to shift gears from playing lead electric guitar in bands to focusing on acoustic fingerstyle and electric guitar. His wife, Dani, now accompanies him in live performances, adding African Djembe drum beats and percussion while blending harmonious vocals. Together, their motto is "Let's put smiles on faces!"Based in Ottawa Valley, Ontario, Canada, John has spent most of his life in the region and considers the Rideau Lakes area his home. The serene summer nights and the haunting call of loons, combined with his winter travels around the world, serve as great inspirations for his songwriting. Writing, recording, and promoting his original music are his primary focuses.Exciting news awaits as John proudly announces the upcoming release of his first full-length album, "Elevation," on July 14th, 2023. This 15-song collection features a blend of fingerstyle instrumentals, pop, and rock songs with captivating melodies. The entire album was recorded in John's personal studio, with mastering done at Little Bullorn Studios in Ottawa.John's musical style is unique, blending Fingerstyle, Jazz, Pop, and Rock influences to create a sound that is rarely duplicated. His collection of instruments includes an autographed Tommy Emmanuel 2018 CGP Maton "808" acoustic, a 2018 Gibson J45 acoustic, a Manouche "Django" Gypsy Jazz acoustic, a Gold Tone "Paul Beard" Resonator acoustic, a 2013 Custom Fender Telecaster, and a 1989 Gibson Les Paul Custom electric guitar.Currently, John performs live as part of an acoustic duo, where he sings and plays acoustic guitars, while Dani provides harmonies and accompanies him on the djembe drum and other percussion instruments. They have found success performing at various indoor and outdoor venues, including restaurants, patios, and pubs. Their repertoire encompasses popular rock and pop hits, fingerstyle arrangements, and original compositions.https://johndorschmusic.com/

You've never heard a tale like that of guitarist Rick Deitrick. A product of the '60s, Rick went from playing the accordion as a kid in Ohio to joining a rock band and performing at love-ins throughout Southern California. Once he found a $100 Yamaha acoustic at a pawn shop, his life took a new turn: He'd take his guitar (sans case) out on hikes and create acoustic instrumentals influenced by his surroundings. The byproduct of these hikes was a series of self-released albums, now reissued as a boxed set by Tompkins Square Records. Quirky backstory aside, it's gorgeous music that has stood the test of time.  This interview has it all: 1960s love-ins, a cranky John Fahey, a two-foot-tall chipmunk, a guitar sacrificed in a fit of rage, and a musician who continues to march to the beat of his own drummer. Learn more about Rick Deitrick's 'The Unguitarist: Complete Works, 1969-2022' here:  https://tompkinssquare.bandcamp.com/album/the-unguitarist-complete-works-1969-2022 Follow Jason's new Substack here for behind-the-scenes FJ content: https://substack.com/@fretboardjournal Subscribe to the Fretboard Journal and start with our new, 52nd issue: https://shop.fretboardjournal.com/products/fretboard-journal-annual-subscription Register for the Fretboard Summit (August 24-26, 2023 at Chicago's legendary Old Town School of Folk Music): https://fretboardsummit.org Our podcast is sponsored by Mike & Mike's Guitar Bar, Deering Banjos; Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); and Stringjoy Strings (get 10% off your order with the FRETBOARD discount code). This episode is also supported by Native Instruments, iZotope, and Plugin Alliance. Check out their Summer of Sound, the best-ever savings on ALL software, with 50% off products, updates, and upgrades, plus special hardware and software bundle deals. 

Welcome to Episode 3 of Life on the Fretboard: A series of face-to-face conversations between British guitarist, writer and filmmaker Michael Watts and exceptionally talented individuals who live a life on the fretboard.  For this episode, Michael's guest is the frighteningly gifted Australian fingerstyle guitarist Alan Gogoll, whose gentle, whimsical music is given voice via one of the most intriguing, perplexing and musical techniques developed for the acoustic guitar in recent years...bell harmonics.  With an audience that numbers over a million subscribers worldwide and celebrity fans clamoring for the chance to collaborate with him, Alan Gogoll decided to start a new chapter in his life by moving to Berlin for inspiration and a new and calmer state of mind.  This podcast was recorded in Alan's apartment - some six weeks after he made this leap of faith. He discusses the joy of luthier-made guitars, those trademark bell harmonics, protecting innovation and creativity from the acceptance of plagiarism in other cultures, the writing process, and how to add other artistic disciplines to a guitar piece...as well as his recent ban from the social media platform TikTok. Scandal right here!  To contribute directly to Life on the Fretboard please use this Tip Jar link https://michaelwattsguitar.com/tip-jars/4745 This episode of Life on the Fretboard is brought to you by the kind sponsorship of Microtech Gefell Microphones https://www.microtechgefell.de/ and the Fretboard Journal magazine https://www.fretboardjournal.com/.  Thank you to Alan Gogoll - please do visit alangogoll.com and enjoy his music on YouTube, Spotify and Instagram. (But not TikTok.)  https://www.youtube.com/@AlanGogoll https://www.instagram.com/alangogoll/ https://open.spotify.com/artist/7MOxmVjcx5HWoEu9pBWXT3?si=-BhBJIbrRjKHkL7uoh1bGg Next month's guest is legendary guitarist and founder of Windham Hill Records Will Ackerman - it's an astonishing conversation that we look forward to sharing with you.   

You can learn to play music using a variety of resources including teachers, online resources, and books. Hal Leonard's 100 Most Popular Songs for Fingerpicking Guitar is a repertoire book filled with solo fingerstyle guitar arrangements of popular songs from mostly the 1960s through present day.  Genres covered include classic and modern rock, pop, folk, jazz, theme songs, Spanish classical, and more.  There are songs from the Beatles, Ed Sheeran, Duke Ellington, Metallica, Aerosmith, Imagine Dragons, Bob Marley, Stevie Wonder, etc.  Most of the tunes are suitable for intermediate fingerstyle players, although there are some easier tunes for late beginners as well as some tunes that are significantly more difficult.  If you are looking to build out your repertoire for local gigs, this book is incredible!  Overall, the arrangements are in guitar-friendly keys, they stay below the 5th fret, and they sound good.  You can always simplify or add to the arrangements to suit your tastes and skill level.  Most tunes are in standard tuning, although there are some tunes that use drop D tuning.  Tunes are arranged utilizing a variety of techniques including simple melody and bass, alternating bass, and arpeggiation. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. Although this book is a repertoire book and not a method book, there is a single page in the back providing an “Introduction to Fingerstyle,” which is probably worthless to anyone who is attempting to play the tunes in this book.  The rest of the book is just filled with song arrangements in alphabetical order, and there is no background information for any of the tunes.  The music is presented as a treble clef lead sheet with the main melody and the harmonizing chords written above, and the solo guitar arrangements are presented in treble clef and tablature.  Occasional left-hand fingerings are provided. Although this book has great tunes for your gigs, it would be difficult to bring the book to a gig and play from the pages.  The book is 430 pages and has a softcover binding, so you need binder clips to hold the pages open.  Most tunes require multiple page turns, which is a disaster if you are holding the pages open with binder clips.  Your only options would be to photocopy pages or memorize the tunes. For most of the tunes you could use an acoustic steel string or classical nylon string guitar since most arrangements don't require using your fretting hand thumb over the top. Extensive song selection.  You are bound to like at least a few of the tunes if you like popular or rock music. Great arrangements that generally feature melody and bass, alternating bass, and/or arpeggiation. Provides treble clef lead sheets (melody with harmonizing chords written above) as well as treble clef and TAB guitar arrangements. Some fretting hand fingering is included, but there isn't any picking hand fingering. Hard to hold pages open, lots of page turns. No audio access.  However, arrangements generally sound similar to the original tunes. Published by Hal Leonard.  © 2019 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.

You can learn to play music using a variety of resources including teachers, online resources, and books. Joseph Alexander's Fingerstyle Blues Guitar (published by Fundamental Changes) is an excellent book for learning the fundamentals of fingerstyle blues guitar with either a monotonic or alternating bass.  While this book does have some beginner friendly material, it will especially resonate with intermediate or advanced players.  It is also great for non-fingerstyle blues, rock, or jazz guitarists looking to cross over into fingerstyle blues.  The first half of the book is focused on improvising lead melodies over a monotonic bass (mostly E minor pentatonic over an open 6th string), and the second half of the book is focused on blues chord progressions and picking patterns, soloing over blues progressions, turnarounds, bass lines, and two short studies. This book presents lots of licks to teach you how to play over a monotonic bass line.  If you haven't ever improvised using pentatonic scales, then you may find yourself just learning and memorizing cool blues licks.  If you really want to get the most out of this book, then you need to spend time incorporating the phrases into blues progressions and improvising your own blues phrases over blues progressions.  I suggest mastering each example with the monotonic bass (open 6th string) and then playing it over a 12-bar blues progression.  For each technique presented in the book, I suggest coming up with your own phrases using that technique – if the book presents examples using slides, then improvise using slides.  Then improvise using slides over an entire 12-bar blues progression.  A great practical goal would be to play actual blues tunes with some improv in the middle. The second half of the book provides a bunch of accompaniment patterns over the I, IV, and V chords, and it provides some melodies on top of the chords.  There is a section on turnarounds, a short section on bass lines, and a final section with two short “studies.”  By the time you get through all of this you should have a decent idea of how to play a generic or improvised fingerstyle blues with a variety of feels in the keys of E and G.  Aside from the studies, there aren't any actual tunes in this book, but you'll have the tools to learn them from other sources. Authentic fingerstyle blues lines and grooves Good difficulty graduation – examples build off each other and get gradually more complex and difficult.  Cohesive feel especially to the first half of the book. No actual fingerstyle blues tunes to learn other than two short studies. Online audio access is really helpful – difficult rhythms and feel are much easier to learn with the audio tracks. No fingerings for right or left hand for much of the book.  Chapter 1 and Chapter 7 do have some picking hand fingering. Some examples are difficult to play on an acoustic guitar because of whole step bends.  You can always substitute slides for these big bends. The book doesn't get into the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. For most of the tunes you could use an acoustic steel string or electric guitar.  You could use a nylon string classical guitar if necessary, but I wouldn't recommend it. Published by Fundamental Changes.  © 2015 eBook: Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook. Riding the Wave: my second fingerstyle guitar album is available on all streaming platforms.

For guitarist Don Ross, the past few years have been a time of real creative growth. He went back to school... finished his masters in orchestration, recorded a new solo album and now he's back on tour. He's one of the best fingerstyle guitarists out there and he spoke with Jeanne Armstrong.

Video Podcast & Show Notes: https://ukuleleunderground.com/2023/05/sammy-six-fingers-tuup74/ Meet the Ukulele Player with Six Fingers (not really), Sammy Turton. Sammy is a "Magical" Ukulele Player who specializes in Harmonics and Fingerstyle. Being a fellow Video Game lover, the guys talk about Legend of Zelda, Final Fantasy, Persona 5, and Video Game music in general. We also get a look into how Sammy got into Ukulele, his next album, future travel plans, and his approach to playing with a Felt Pick. Check out more of Sammy at 4stringboy.com

An inspiring and virtuosic fingerstyle player, Matt Thomas is also deeply knowledgeable and passionate about the world of boutique luthier-built guitars. He may even be considering a move into building himself! All told, he's the perfect non-luthier guest for this luthier series, able to nerd out about music and guitar craft in equal measure. In our chat, he shares his musical history and inspirations, from his wins at the Walnut Valley International Fingerstyle and Home of the Legends International Thumbpicking competitions; his long-running musical partnership with Dustin Furlow; to sharing the stage with legends like Tommy Emmanuel, Michael Kelsey, Stephen Bennett, among others. Through our discussion of his collaboration with Jeff Jewitt for his signature OM-C, we explore how our relationship to the instruments we play shapes our musical experience, and discuss the value of partnering with a great luthier to create your perfect guitar. Learn more about Matt: https://themattthomas.com/home Follow Matt on Instagram Matt's videos on YouTube Matt plays his arrangement of "Ashokan Farewell" on his custom Jewitt OM-C Cocobolo, and his original "Sky's Eyes" on a Skytop Grand Concert Maple. Jewitt Guitars at CVE

In this episode we are talking songwriting and specifically chord progressions. In case you don't know, in the Fingerstyle 101 Facebook Group we are doing a songwriting challenge which is going to be lots of fun. The key of our song is G Major, but “where do you begin with writing songs?” you might wonder. Well, I often like to begin with a solid chord progression. So in today's episode, I'm sharing with you the chords in the key of G, and a whole bunch of chord progressions for you to try, plus some tips on jamming them. Remember, creativity is good for the brain, soul, and fingers, so let's get to it! I hope you enjoy it. You can get more tips and advice from Dan Thorpe by joining the free email list here - https://acousticasylum.com/ Like this episode? Your reviews for this podcast mean the world to me so please let us know what you thought about the Acoustic Asylum!

Show Notes and Video Podcast: https://ukuleleunderground.com/2023/04/a-serious-ukulele-podcast-tuup72/ A Serious Ukulele podcast for Seriously Serious people. NO jokes, NO 90's cartoon references, NO video games, and definitely NO wrestling. This week, we are only answering the most serious questions like modifying your uke for strings, plugging in to speakers, playing the proper D7, and the difference between Chord Melodies and Fingerstyle? The guys also discuss mango ukuleles, damaging ukes with the sun, leveling up your playing, and the MOST SERIOUS UKULELE QUESTION WE'VE EVER HAD!

KCSU's Local Music Director Marie Pohl sits down with Cameron Olver for KCSU's bi-weekly Live In-Studio performance. 

Tab and tutorial now available in the Breakthrough Banjo course for fingerstyle banjo: https://fingerstylebanjo.com/coursetour

The Fretboard Journal is proud to welcome you to the very first episode of Life on the Fretboard, a new podcast hosted by British guitarist, filmmaker, and writer Michael Watts.  For his first episode, Michael talks with the astonishing Scottish guitarist Tony McManus. Described by the late John Renbourn as “The Best Celtic Guitarist in the World,” McManus has toured the world delighting audiences with a combination of extraordinary musicianship and a deep connection with the music of Scotland.  The conversation flows from an impromptu meeting with the most famous man in Scotland; to heroes such as Renbourn, Bert Jansch, and Isaac Guillory; taking the stage after John McLaughlin and Carlos Santana; adapting Scottish bagpipe pieces for solo guitar; the unforeseen effects of meeting Pat Metheny; and what it means to live a Life on The Fretboard. Life on the Fretboard is sponsored by The Archtop Foundation www.theblueguitars.com and Microtech Gefell Microphones www.microtechgefell.de and brought to you by the Fretboard Journal magazine. https://www.tonymcmanus.com/ www.michaelwattsguitar.com  https://www.fretboardjournal.com/  

For today's discussion we'll focus on some of our favorite fingerstyle albums. If you're thinking about recording your own fingerstyle album & need the perfect Martin or Blueridge guitar for the task, please contact us today - or visit us online at https://www.maurysmusic.com This podcast features the conversation and opinions of musician T Spoon Phillips. A writer by trade, Spoon's longtime association with professional musicians, luthiers, and music historians affords him a richly unique perspective on all things acoustic guitar. This includes decades of close friendship with executives and employee at C. F. Martin & Company, past and present, and the host of this podcast, Maury Rutch of Maury's Music. Visit Spoon at TSPguitar.com AND at http://onemanz.com/ Visit Maury's Music at https://www.maurysmusic.com Howard Emerson - https://www.howardemerson.com/ Leo Kottke - https://www.leokottke.com/disc ElMcMeen - https://elmcmeen.com/ Mark Goldenberg - https://markgoldenberg.com/ Eric Skye- https://ericskye.com/ Woody Mann - https://woodymann.com/ Stefan Grossman - https://www.guitarvideos.com/ Laurence Juber - https://laurencejuber.com/ Doug Young - https://dougyoungguitar.com/ Teja Gerken - http://www.tejagerken.com/ Have a suggestion or request? Email us today at Support@MaurysMusic.com We're proud to be a certified online dealer for Martin Guitar, and we'd love the chance to earn your business. If you found value in this podcast, consider sharing it with your friends.

In this episode we are joined by Sherry Mumford, one of Kris' earliest and greatest influences. Join us for a trip down memory lane and a whole lot more as we sit and chat with Sherry. Dr. Mumford holds degrees in Child and Youth Care, Criminology/Criminal Justice as well as in Counselling. She received her Ph.D. in 2015. She was awarded the Kaiser 2011 National Award for Excellence in Leadership. Sherry has worked positions as a front-line worker and also a clinician for more than 12 years in withdrawal management, day treatment, outpatient services and residential services with youth, adults and young adults. She worked for 17 years for Fraser Health Authority, retiring in 2017 as a Director in the MHSU portfolio, overseeing all substance use services in that geographical area. Her experience in planning, implementing, evaluating, policy development, operations etc. has led to local, national and international work including the national Needs Based Planning project with Dr. Brian Rush.

Friends, please join us as Kris sits down with Jacob Seyer! Jacob answers our Masterclass 10 Questions segment.You can find all of Jacob's links here : https://linktr.ee/jacobseyerguitarSergio Assad (Brazil) - Seis Brevidades “Chuva” https://youtu.be/BRONjN6Cu3wDusan Bogdanovic (Serbian-American) - Sonata Fantasia https://youtu.be/gSRGLuGOWrITigran Hamasyan (Armenia) - Naidarian Odyssey (Clip w. Drums)https://youtu.be/QM56ohiFCLEBooks:- Theory— Brent Vaartstra - Visual Improvisation for Jazz Guitar— Adam Cadman - Guitar Grimoire - The Exercise Book— Tom Kolb - Hal Leonard Music Theory for Guitar- Methods — Aaron Shearer - Classic Guitar Technique — Scott Tennant - Pumping Nylon — Charles Duncan - A Modern Approach to Classical Guitar— William Leavitt Modern Method for Guitar 1-3— Hal Leonard Guitar Method Books 1-3— Hal Leonard Fingerstyle Guitar Method— Mark White - The Practical Jazz Guitarist— Mark Lettieri - Neo-Soul Guitar Book- Lifestyle, Science, Philosophy— Glenn Kurtz - Practice: A Musicians Return to Music— Oliver Sacks - Musicophilia: Tales of Music and the Brain— Victor Wooten - The Music Lesson: A Spiritual Search for Growth Through Music — David Baylis and Ted Orland - Art & Fear  

For more on how to apply neuroscience to practice smarter, check out the book The Laws of Brainjo: The Art & Science of Molding A Musical Mind Click here to join the Banjo For Adult Beginners Facebook Group.   To learn more about music courses based on The Brainjo Method, head to brainjo.academy

This time it's your turn on Guitar Talk! Let's have some fun sharing what makes the guitar exciting for you. This week: fingerstyle and arpeggios. Get Great on Guitar in 20 Minutes a Day: https://www.playguitaracademy.com/get-great-on-guitar Beginners - Click Here - https://www.playguitaracademy.com/starthereguitar Play Guitar Academy: https://www.playguitaracademy.com/ 1 on 1 Coaching - https://www.playguitaracademy.com/play-guitar-coaching Become a VIP Supporter: https://playguitarpodcast.com/vip-patron/ Show notes at: https://playguitarpodcast.com/guitar-talk-fingerstyle-and-arpeggios-283/ Copyright ©2022 Play Guitar Academy

Modern fingerstyle guitar is, quite possibly, the greatest extension of the instrument — an orchestral sound contained within one instrument. But there's so many modern fingerstyle guitarists out there. Where do you begin? On this episode of Acoustic Tuesday, you'll hear about 15 modern fingerstyle guitarists you need to check out. From commercially successful artists to up-and-coming Youtubers, you're going to see some incredible guitarists. What I love about this style is that it pushes the guitar to new heights. It's not just about mastery of the guitar. It's about pushing the limits of what playing a guitar means. From the percussion to the harmonics and sweep picking, there's some incredible techniques to check out from all these guitarists. You'll notice there is a percussive and rhythmic quality to all these guitars. That's just part of the beauty of this style. If you want to hear more of this style, be sure to check out all of the artists featured in this episode. There's something for everyone, whether you've heard modern fingerstyle guitar before or not! Featured in this episode... - Kelly Joe Phelps Tribute   - Western AF   - Mule Resonator Guitars   - Willi Carlisle  

Jazz musician Snoozer Quinn (1907 - 1949) is one of the guitar world's great enigmas. In his prime, he performed alongside Paul Whiteman, Bix Beiderbecke, the Dorsey Brothers, Louis Armstrong, and others; lore has it that even Les Paul even learned how to hammer-on and pull-off from Snoozer. But today Snoozer is largely forgotten because his only attempt at solo studio recordings completely disappeared and he died young after a long battle with tuberculosis. To add insult to injury, the only surviving film footage of Snoozer playing guitar has no audio and the only solo recordings we have of him were literally taped from his deathbed. On this week's Fretboard Journal Podcast, we take a look at Snoozer's life and legacy with Katy Hobgood Ray and Dan Sumner, who just co-authored a book entitled Snoozer Quinn: Fingerstyle Jazz Guitar Pioneer (Out of the Past Music). Half of the book features Katy's exhaustive biography on Quinn (one of her distant relatives) with rare photos, while the other half features Dan's transcriptions of eight Snoozer Quinn arrangements. Over the course of our interview, we learn about Snoozer's troubled life, how he got his name, his reputation among his peers, his Gibson instruments, and more. Then Dan sheds light on the Herculean task of transcribing the complex work of Snoozer from the available fragments and breadcrumbs, the guitarist's unique technique and tunings, and a lot more. Snoozer Quinn: Fingerstyle Jazz Guitar Pioneer is available here.  The Fretboard Journal is a reader-supported magazine. If you'd like to subscribe, support what we do, and get our 50th issue (now mailing), simply click here. We're throwing a 2022 Fretboard Summit in Chicago, where for three days you can attend workshops, panel discussions, live podcast tapings, and try out rare and priceless guitars with the staff of the FJ. Click here for ticket information.  This episode is sponsored by Peghead Nation (use the promo code FRETBOARD and get your first month free or $20 off any annual subscription); Retrofret Vintage Guitars; Izotope (use the discount code FRET10 to save 10% off your Izotope purchase); and Calton Cases.

Le jeudi 24 mars 2022 Hugo Martin (coursdeguitaremoderne.fr) a donné un magnifique concert en direct Fingerstyle depuis le showroom de La Chaîne Guitare. Comme le veux la formule, nous avons fait une interview débrief à chaud juste après en répondant en direct aux questions des abonnés. Si vous souhaitez vraiment bosser votre guitare je ne L'article Hugo Martin, interview débrief suite à son concert en direct du showroom est apparu en premier sur La Chaîne Guitare.

Summary Episode 23: Muriel Anderson is one of the more multi-dimensional guitarists on the scene today. She plays primarily nylon string but also plays a 20-string harp guitar in her concerts, frequently accompanied by a backdrop of visuals by photo-artist Bryan Allen. Her current program includes a virtual re-enactment of the solar eclipse, with music and images from around the world. She is host of the renowned Muriel Anderson's ALL STAR GUITAR NIGHT and is the first woman to have won the National Fingerstyle Guitar Championship and has performed/recorded with Chet Atkins, Les Paul, and Victor Wooten among others. She is currently working on a music and cookbook project, and is dedicating this year to working more on behalf of the charity she founded, The Music for Life Alliance, to support music education for kids. Show Highlights 01:35 Welcome Muriel!02:21 Muriel talks about her new project - A cookbook with music to go with each recipe04:32 Early Inspirations - Doc Watson, Muriel's Family and moving to Nashville11:45 More Influences. Paul Winter, Pat Metheny and studying classical music18:00 Muriel's Charity facility the "Music for Life Alliance"21:50 Muriel Anderson's All Star Guitar Night26:02 Music - Muriel plays her composition "A Bakers Dozen"28:51 CD Projects - "Eclipse" and "Nightlight/Daylight"32:40 The Harp Guitar and travelling with it36:38 Muriel and Adam geek out about various types of guitars40:35 Online Teaching - truefire.com and picking techniques49:28 Murial talks about her future ideas - traveling to europe51:55 A Muriel Anderson Live Concert experience - Visual Concepts53:30 Muriel Shows the Visual Effekt on her physical CD "Nightlight/Daylight"54:19 Ending credits & podcast contact info57:09 Music - Muriel plays her composition "Nightlights" Muriel's LInks: Website: https://murielanderson.com/Muriel on YoutubeMuriel on FacebookMuriel on Twitter https://www.youtube.com/watch?v=g1Hb-yYzaQc Muriel Anderson plays "A Bakers Dozen" Never Miss an Episode - Subscribe NOW!