My Music

In this episode of My Music, Graham Coath sits down with London-born singer-songwriter Col Gerrard for a conversation that moves well beyond the usual music interview.Col's approach to music is grounded in something increasingly rare—classic songwriting, emotional honesty, and a deep respect for real musicianship. Influenced by soul, classic pop and timeless artists, his work reflects a life shaped by movement, experience, and reflection. The discussion weaves through the making of his self-titled debut album—an introspective twelve-track record that explores the complexity of relationships, miscommunication, longing, and the quiet weight that love can leave behind. As Col shares, these songs were written in hindsight—an attempt to make sense of moments that didn't fully land at the time.Recorded across iconic London studios including Abbey Road Studios, Metropolis Studios and Kore, the album was produced by Grammy-nominated Chris Potter (known for work with The Rolling Stones, U2 and The Verve). Together, they've created a piano-led, emotionally charged sound—blending soulful vocals, organic instrumentation, driving guitars and a subtle sense of nostalgia that feels both cinematic and accessible.Alongside the album, Graham and Col explore:Why true musicianship still matters in a world of AI and samplingThe irreplaceable energy of live performance and imperfectionThe tension between technology and human expressionHow songwriting often reveals meaning long after the moment has passedThere's also a strong thread throughout the episode about creative identity—why artists shouldn't feel boxed in, and how the best music often comes from allowing space for instinct, experimentation and even the unexpected.Having recently toured with Boyzlife and building momentum following radio support and a sold-out Camden headline show, Col Gerrard is carving out a space that feels both grounded and quietly confident.At its core, this episode is about rediscovering the human side of music—where feeling, craft and lived experience still lead the way.

There's something quite fitting about a band forming just as the world was coming back to life.In this episode of My Music, Graham Coath sits down with Rodrey and James from The Rogues — a band shaped by lockdown reflection, long-standing friendships, and that familiar pull back to music when everything else stops.Starting life in the aftermath of COVID, The Rogues found their sound not through strategy, but through instinct. Years of playing, stopping, starting again… and then finally coming together at the right time.What comes through in this conversation is honesty.About the reality of being a band now.About balancing creativity with the pressure to be “strategic.”About chasing that 20-second hook without losing the soul of the song.Their sound sits somewhere between indie roots and pop sensibility — melodic, simple in the best way, and full of those little earworms that stay with you longer than you expect.But beyond the music, this is a conversation about building something properly:A loyal audience.A real community.Not just followers… people who actually care.From newsletters and Instagram groups to upcoming tours across the UK and Ireland, The Rogues are doing the work — quietly building momentum, one connection at a time.There's also talk of:– The strange shift from albums to singles and strategy– Why simplicity in songwriting is often the hardest thing to achieve– Misspelling their own band name more times than seems possible– And the ambition to step onto bigger stages… without losing what makes them workWith a new EP landing on 24th April and more music already waiting in the wings, this feels like a band on the edge of something.Not forced.Not manufactured.Just… ready.If you're interested in how modern bands are navigating music, audience, and identity — this one's worth your time.

My Music Podcast – Graham Coath with Rick McMurray (Ash / Burned As Witches)In this episode of My Music, Graham Coath sits down with Rick McMurray to explore the raw, personal journey behind his solo project Burned As Witches.Best known as the driving force behind Ash, Rick steps out from behind the drum kit and into a completely different creative space—writing, performing, and producing every note of a record that leans heavily into darker tones, big riffs, and uncompromising honesty.What begins as a conversation about the album quickly opens into something deeper. Graham and Rick reflect on:The meaning behind Burned As Witches—less about history, more about judgment, metaphor, and modern-day “crucifixion”The influence of classic rock and metal—from Led Zeppelin to Black Sabbath—and why that sound still mattersRecording instinctively and resisting overproduction in an age of AI and digital perfectionThe emotional thread running through the album, shaped in part by loss, memory, and creative independenceThere's also a candid look at what it feels like to front a band for the first time—juggling vocals, guitar, and presence—and the strange, almost out-of-body experience of stepping into that role after decades as a drummer Beyond the music, the conversation moves into something Graham often returns to—communication. Together, they explore truth, perspective, and why real human conversations still matter in a world increasingly shaped by algorithms, noise, and one-way thinking This is a conversation about music, yes—but also about identity, creativity, and staying connected to something real.Burned As Witches is available digitally, with a limited vinyl run handled personally by Rick himself—keeping the DIY spirit firmly intact.

My Music Podcast – Graham Coath with Joan As Police WomanIn this episode of My Music, Graham Coath sits down with Joan Wasser — a quietly influential force in modern music whose work has always lived somewhere between intimacy and experimentation.Twenty years on from her debut Real Life, Joan returns with Real Life Evolution — not a nostalgic revisit, but a living document of how songs grow, shift and deepen over time. As she explains in the conversation, this new record captures “how the music has changed over the last 20 years… a continuation of the same dialogue.” What unfolds is less an interview and more a shared exploration of music as a form of communication.Graham and Joan talk about:Music is an ongoing conversation with yourself and the worldThe tension between autonomy and community in modern lifeWhy live performance still feels like one of the last true shared human experiencesThe discomfort (and necessity) of looking back at your own workHow stepping away from noise and platforms can protect creativityThere's a noticeable thread throughout — that everything Joan creates, whether solo work or collaborations with artists like Iggy Pop or Damon Albarn, is part of one continuous expression rather than separate projects.The conversation also touches on the making of Real Life Evolution, including the stripped-back, intimate recordings of Flushed Chest and The Ride, where Joan's vocals — often recorded at home — bring listeners closer than ever to the source of the songs.At its core, this episode reflects something Joan puts simply:Music is connection.Not performance.Not content.Connection.

My Music Podcast – Graham Coath with Bea Elmy MartinIn this episode of My Music, Graham Coath sits down with one of the UK alternative scene's most quietly compelling voices, Bea Elmy Martin.London-born and carving her own lane, Bea's music doesn't shout for attention. It draws you in. Ethereal vocals, brooding electronics and a kind of emotional precision that feels less like performance and more like presence. As Graham puts it early on, it's the kind of music you find yourself returning to when you need to feel grounded… or just a little more at peace What unfolds is less an interview and more a conversation about feeling.They talk about:– Growing up on soul greats like Stevie Wonder and Aretha Franklin, and how that shaped Bea's ear for emotion– Writing as a form of journaling… turning overwhelming moments into something tangible– Festival memories, community, and why music still feels almost spiritual when it's shared live– The reality of finding your voice as an artist… including the very honest truth that the first songs are usually terrible– The balance between creating for yourself and not getting pulled off course by outside noiseThere's a warmth to this conversation that mirrors Bea's music. Moments of humour, stories about early gigs and Glastonbury, and reflections on what it actually takes to keep creating when everything around you is pushing for speed, visibility and instant results.Bea also opens up about her recent work, which includes  Anouk — a deeply personal track that captures friendship, distance, and emotional growth in a way that feels both intimate and expansive.This is an episode about patience. About trusting your own process. And about the kind of artistry that doesn't rush… but stays with you.A thoughtful, human conversation with an artist who is building something real, one song at a time.

MyMusic Podcast – Graham Coath in conversation with Dean Connelly (Directed By Dean)What happens when you turn the tables on a podcast host?In this episode of MyMusic, Graham Coath sits down with Dean Connelly, the voice behind the Directed By Dean podcast, to explore the stories behind the storyteller.Dean is used to asking the questions. This time, he's answering them.From his early love of film (sparked by watching Alien far too young) to building a podcast that has quietly become one of the highest-rated in its category, this conversation moves through creativity, curiosity, and what it really means to stay consistent in a noisy world.Along the way, they explore:Why Dean started podcasting—and why he almost didn'tThe evolution from scripted interviews to natural, unscripted conversationThe role of film history in shaping modern storytellingSoundtracks, composers, and the emotional weight of music in filmThe balance between professionalism and personality when interviewing guestsWhy the best conversations often happen when the plan disappearsThere's also a deeper thread running through this episode…A shared understanding that great conversations—whether about music, film, or anything else—aren't about ticking boxes. They're about creating space.Space for stories.Space for craft.Space for people to be heard properly.If you're interested in film, podcasting, or simply how good conversations are built, this one is worth your time.

What happens when an album refuses to stay in the past?In this episode of MyMusic, Graham Coath sits down with Jonny Collins of Modesty Blaise to explore the 25-year anniversary reissue of Melancholia — a record that never quite had its moment in the UK… until now.This isn't just a re-release. It's a restoration.Jonny shares the story behind bringing Melancholia back properly — returning to the original analogue tapes, remastering with modern clarity, and finally presenting the album as it was always intended. What emerges is something unusual: a record that feels both of its time and strangely current.The conversation moves through:The idea of albums as complete journeys, not just collections of songsWhy some records get lost… and why they deserve another lifeThe tension between perfection and humanity in music productionThe role of imperfection — broken strings, analogue limitations, and “happy accidents”Whether AI can ever replicate the meaning behind music, not just the soundThere's also a deeper thread running through it all — legacy.This is about unfinished business. About giving a body of work the space it never had. And about what it means when music reconnects with people decades later, in a completely different landscape.If you care about albums, storytelling in music, or the difference between something made… and something meant — this one's worth your time.Melancholia (25th Anniversary Reissue) is released April 24th on streaming platforms, with additional releases to follow.

This episode of MyMusic introduces an artist whose journey into music feels both familiar… and refreshingly grounded.Skylar Herter joins Graham to talk about growing up surrounded by performance, creativity, and music — with a childhood shaped inside her mother's theatre and dance school, and a natural pull towards singing from an early age. What unfolds is a conversation that moves beyond the usual “becoming a pop star” narrative.Skylar shares how her relationship with music has evolved — from early inspirations like Somewhere Over the Rainbow to writing her own songs, often drawn from personal experiences and everyday emotions. But what stands out is her perspective.Rather than chasing a single outcome, she talks openly about building a portfolio life — where music sits alongside teaching, photography, design, and creativity in its widest sense.In this episode, you'll hear:How growing up in a creative environment shaped her approach to musicThe shift from “big pop star dreams” to a more balanced creative lifeWhy songwriting is more about understanding yourself than impressing othersThe difference between writing on guitar vs piano — and how it changes the feel of a songThe reality of creating in a world driven by social media (and how she navigates it)The story behind her latest release, inspired by changing friendshipsThere's also a thread running through the conversation around creativity without pressure.Not everything needs to become a career.Not everything needs to scale.Sometimes it's about building something that fits your life — not the other way around.A thoughtful, honest conversation with an artist who is still early in her journey, but already clear on what matters.

MyMusic with Graham Coath | The Fini Tribe Anthology (with Dave Familler and Chris Connelly)This episode takes a different turn.Graham is joined by Dave Familler and Chris Connelly, two musicians whose story doesn't follow the usual script. This isn't about chasing charts, building audiences, or “making it.” It's about what happens when music comes first… and everything else is secondary.At the centre of the conversation is the release of the Fini Tribe anthology—a body of work that captures a time when music was created without templates, expectations, or much in the way of resources.What unfolds is a reflection on a very different kind of creative environment.A time where bands rehearsed relentlessly, built instruments from whatever they could find, and treated music less like a product and more like an occupation. Where ideas were explored for hours, not optimised for algorithms. Where community existed in shared rehearsal spaces, not online platforms.There's humour throughout—stories of ponies in gardens, chaotic recording setups, and pushing boundaries (sometimes too far). But underneath it is something more considered.A question about what has changed.When did music become more structured, more commercial, more defined by outcomes?And what might have been lost along the way?This conversation explores:The difference between creating music and building a music “career”Why limitations often lead to more originalityThe role of community in shaping sound and identityHow spontaneity and experimentation created something lastingWhether modern music culture leaves enough space for discoveryIt's not nostalgic for the sake of it.It's reflective.And for anyone making music—or creating anything—it offers a reminder that sometimes the most important work happens when no one is watching, no one is measuring, and no one is telling you how it should be done.

This week on MyMusic, Graham Coath is joined by Las Vegas–born artist and producer Sylvaner for a conversation that moves as freely as his music.What starts with a chat about German white wine quickly opens into something deeper — how music becomes a first language, a way of understanding the world, and a way of connecting with people long before words fully land.Raised around record stores and vinyl, Sylvaner grew up surrounded by sound. From Miles Davis playing before he was even born, to early hip hop shaping how he listened, his relationship with music has always been immersive rather than passive.That comes through in this conversation.They explore:The difference between hearing music and actually listeningWhy mistakes and “human feel” still matter in a world leaning towards perfectionThe tension between control and letting go in the creative processAnd how modern audiences engage with music in fragments rather than full experiencesAt the centre of it all is “Plastic Love” — a track that began as something atmospheric and introspective, before evolving into a darker, dance-driven piece built for movement as much as reflection.But underneath the groove sits something more uncomfortable.A conversation about desire without commitment.Connection without depth.And the quiet emptiness that can sit behind both.Sylvaner talks openly about where that idea came from, how it shaped the sound, and why he wants people to feel his music first… and only fully understand it later.This is not a conversation about chasing perfection.It's about process.Instinct.And building something that lives both on the dancefloor and long after the night ends. Listen now and discover “Plastic Love” — the track that might hit you at 2 am… and make more sense the morning after.

Graham Coath chats with Katrina-Marie Howson, known simply as Katrina, about a life shaped by big pop dreams, creative ambition, and a determination to make music on her own terms.In this episode, Katrina shares how she grew up in a music-loving household, why Girls Aloud made such an impact on her, and how performing has been part of her life since she was six years old. She talks openly about studying performing arts, never really having a Plan B, and why music has always felt like the thing she was meant to do.The conversation moves through early influences, family support, auditioning for The X Factor as part of a girl group, and the reality of trying to build a music career in a world now driven by TikTok, numbers, visibility and constant content creation. Katrina also reflects on the double workload of being an independent artist, where writing songs is only one part of the job.There is plenty of personality here, too, from touring fantasies involving pets with their own security to thoughts on social media, online shopping, manifestation, and the dream of one day collaborating with Nicki Minaj.Katrina also talks about her single Pick Me Girl, her upcoming album, and the themes running through the new music, including self-belief, taboo subjects, honesty, emotion and writing songs that listeners can truly see themselves in.It is a fun, warm and honest conversation about pop, purpose, ambition and what it takes to keep going when the dream still feels bigger than the moment.

In this episode of My Music, Graham Coath is joined by Will Preston, who connects from Atlanta, Georgia, for a rich and thoughtful conversation about soul, songwriting, faith, voice, and why music still deserves more than a few seconds of attention.Will reflects on a career that began with his debut release in 2005 and has continued to grow through constant change in the music industry. From the days of Tower Records, cassette tapes, and CD collections to streaming, singles culture, and short attention spans, this is a conversation about what has been gained, what has been lost, and why the full-album experience still matters.Graham and Will talk about how music discovery used to feel in record shops. They discuss why voice and tone matter so much in great music. They explore the influence of church, gospel, and faith on singers and songwriters. They also reflect on the value of staying true to yourself rather than chasing trends. The conversation touches on why independent artists need to understand both the business and the art. It also looks at the changing way audiences consume music and the dream projects still to come, from orchestral collaborations to R&B and country crossovers.There is plenty of warmth and humour too. From talk of Luther Vandross's stage outfits and giant shoulder pads to the confusion caused by a name that keeps bringing up Billy Preston in search results, the episode is full of personality.Above all, this episode is a reminder to slow down and really listen.Will also shares details of his upcoming project Erratic Heartbeats, his new single Don't Like Falling in Love, and picks Never Knew Love as the song for listeners to start with.This is a soulful, honest, and wide-ranging conversation with an artist who believes in craft, patience, passion, and making music that lasts.Listen now, then go beyond the single and take the full journey.

This episode of My Music brings the energy of Liverpool's live scene straight into the room as host Graham Coath sits down with rising band SevenStreets — Owen, Sean, Ant and Niall — for a conversation that moves as quickly as their sound.From the first moment, it's clear this is a band built on chemistry. What starts with a light-hearted debate about guitar picks (hard vs soft… make of that what you will) quickly opens into a deeper discussion about how the band formed, the challenge of finding the right musicians, and what happens when everything just clicks.SevenStreets describe their sound as throwback but different — a nod to the past with something firmly rooted in the present. Across the conversation, you'll hear influences ranging from Squeeze and Paul Weller to Motown, Pink Floyd and beyond, all shaping a band that's trying to balance storytelling, melody and raw energy.Graham and the band also get into the realities of modern music:Why original music is harder than ever to get heardThe shift from albums to streaming — and whether anything has been lostThe quiet return of vinyl, merch and fans actually supporting artists againThe decline of grassroots venues… and why that mattersThere's humour throughout — from misheard lyrics to ABBA mishaps — but underneath it is a serious point about music, community, and what's missing in a world where everything has become more individual and disposable.You also get a glimpse into how SevenStreets write their music — with a strong focus on storytelling and meaning — and where they want to go next, from local gigs to much bigger stages.It's honest, it's relaxed, and it captures exactly what My Music does best: real conversations with artists figuring it out as they go.If you're interested in new music, band dynamics, or just how musicians actually think… this one's worth your time.Keep on. Don't stop.

On this episode of My Music, host Graham Coath sits down with rising Welsh pop artist MACY for a lively conversation full of energy, ambition, and plenty of laughter.MACY shares the surreal moment she discovered her music would be played on BBC Radio 1 — an email that led to tears, celebrations with her parents, and a moment she says she'll never forget. The conversation explores how her journey began long before that milestone. From performing “Price Tag” by Jessie J at a school talent show at just 10 years old, to performing at The O2 Arena at 11 through a national singing competition, MACY talks about the early moments that convinced her music was the path she wanted to follow. Along the way, Graham and MACY discuss:Growing up in a small Welsh town and chasing big musical dreamsThe importance of supportive parents when pursuing a creative careerThe realities of building a music career as an independent artistThe challenges of booking gigs and building momentum without a large teamWhy a TV or film sync — perhaps even on Love Island — would be a dream moment for her music.They also dive into musical influences, pop culture, and some entertaining “what if” scenarios — including the possibility of MACY performing “Price Tag” with Jessie J one day, and why a Christmas duet with Harry Styles might be the perfect future collaboration.The episode wraps up with MACY talking about her latest single, “Please Keep Talking,” and the new EP she's currently working on.If you enjoy discovering emerging artists and hearing the stories behind the music, this conversation captures the excitement, humour, and determination of a young artist carving her own path in the pop world.

On this episode of My Music, host Graham Coath sits down with Houston-based singer-songwriter Mark Winters for a conversation that blends science, songwriting, and the pure joy of making music.Mark's path into music is anything but conventional. Before stepping onto stages and writing songs, he worked as an aerospace engineer — a background that still quietly shapes his music today. From tracks inspired by physics concepts like “Fake Gravity” to a philosophy of spreading positive energy through his performances, Mark's approach to songwriting mixes curiosity, creativity, and optimism. During the conversation, Graham and Mark explore:How a single anniversary song for his wife sparked a musical journey that began later in lifeThe surprising crossover between science and creativity in songwritingMusical influences ranging from John Mayer and Vance Joy to Tom PettyThe magic moment when musicians stop thinking about the mechanics and start playing purely from feelingWhy the shared energy between performer and audience — that unspoken “nod” — is one of the most powerful experiences in live music.Mark also reveals details about new material he's working on, including an unreleased song called “Shine With Me,” designed to capture the uplifting connection between artist and audience during a live performance. This episode is a thoughtful look at how music can emerge from unexpected places — and how creativity often sits right alongside science, curiosity, and the human desire to connect.If you enjoy conversations about songwriting, creative process, and the stories behind the music, this is one not to miss.

In this episode of My Music, host Graham Coath sits down with rising actor Enzo Dearing to discuss the relationship between music, film, and performance.Although Enzo is best known for his work on screen rather than as a musician, music plays a central role in his experience of storytelling. From his admiration for film composer Hans Zimmer to the influence of the Pirates of the Caribbean soundtrack on his early love of cinema, Enzo explains how powerful scores shape emotion, tension, and character on screen. The discussion moves through several themes, including:How film soundtracks help actors connect with the emotional rhythm of a sceneThe role of music in Bollywood productions and why those films feel so distinctiveEnzo's disciplined approach to acting, including detailed script preparation and performance notesHis experience playing a darker character in the vertical series Alpha Stepbrothers Bite MeWhy breaking into acting often depends as much on business skills and persistence as talentEnzo also reflects on the moment he realised acting was the path he wanted to pursue, inspired by a childhood fascination with pirates and the cinematic world of Pirates of the Caribbean. The conversation even touches on dream roles, from portraying Jack Sparrow's son to potentially playing a young Elvis.Along the way, Graham and Enzo explore the realities of building a career in film, the importance of audience reaction for performers, and how music quietly underpins some of cinema's most powerful moments.If you enjoy conversations about film, performance, and the creative forces behind storytelling, this episode offers a thoughtful look at how music and acting intersect.Follow Enzo's journey on Instagram and keep an eye on his growing film career, with his latest project already surpassing 2.6 million views.

In this episode of MyMusic, host Graham Coath is joined by London-based artist JudeS, whose music blends cultures, languages and personal storytelling.Originally from Naples, JudeS talks about moving to London and how the city shaped her as both a person and an artist. What began as an attempt to distance herself from her roots eventually became a powerful part of her sound, with JudeS now combining English and Neapolitan to create music filled with emotion and authenticity. During the conversation Graham and JudeS explore:• The story behind her artist name and how JudeS came to be• How living between Naples and London influences her songwriting• The role of culture, language and identity in music• Her creative process using tools like GarageBand, Logic and Ableton• Writing songs that turn personal experiences into artJudeS also talks about her track "Game Over, Ovèr", a song inspired by a breakup that ultimately became a story about personal growth and becoming a stronger version of yourself. Along the way, the conversation moves from songwriting and Neapolitan culture to tambourines, festival memories and the unexpected influence of Neapolitan ice cream.It's a warm, humorous and thoughtful conversation about music, identity and finding your voice as an artist.Listen now and discover the story and sound of JudeS on MyMusic.

Podcast DescriptionOn this episode of MyMusic, host Graham Coath sits down with singer-songwriter Amy Fox for a thoughtful and personal conversation about music, vulnerability and the long road to finding confidence as an artist.Based near Southampton, Amy talks about the supportive grassroots music scenes in places like Southampton, Andover and Salisbury, and how open mic nights and local venues have played an important role in helping musicians develop their craft.The conversation then moves into the heart of Amy's songwriting. Her upcoming EP of four deeply personal songs explores themes of healing, leaving a toxic relationship and learning how to rebuild self-worth and self-love. Writing these songs became an important part of her own healing process, turning difficult experiences into something creative and meaningful.Amy also reflects on the challenges many musicians face: stage fright, self-doubt and the long journey towards believing in your own voice. From writing songs in private as a teenager to finally performing at open mic nights after becoming a parent, her path into music has been one of gradual courage and growth.Graham and Amy discuss why imperfect voices often connect more deeply with audiences, the psychology of singing, and the communal power of live music.The episode also looks ahead to Amy's next steps as an artist, including the release of her EP and a live EP launch show at The Dusty Barrel in Hythe, where she hopes to continue building her confidence and sharing her music with a wider audience.This is an honest conversation about music as a tool for expression, healing and connection — and a reminder that sometimes the most powerful songs come from the most difficult places.If you enjoy discovering emerging artists and the real stories behind their music, this is an episode you won't want to miss.

On this episode of MyMusic, host Graham Coath sits down with Dave Balfe and Dave Hughes, part of the creative partnership behind Late Transmissions.The conversation traces their long musical journeys from their early days in bands and the wider music industry to their reunion decades later to create something entirely new together. Drawing inspiration from the grand orchestral pop of the 1960s, the cinematic power of classic film soundtracks, and the storytelling tradition of timeless songs, Late Transmissions set out to build music that feels both dramatic and emotionally rich. Dave Balfe explains how their shared love of artists like Scott Walker and the sweeping arrangements associated with composers such as John Barry helped shape the project, while Dave Hughes discusses the production side—blending orchestral textures, modern studio tools, and his experience in film composition to create a wide sonic palette. They also talk about discovering vocalist Eve, whose powerful voice brought the songs to life and influenced the music's direction, giving the project its distinctive emotional centre. Along the way, the conversation moves through stories from the music business, reflections on how the industry has changed, the realities of making orchestral-scale music today, and the possibilities of where these songs could travel next—from film and television syncs to perhaps even a stage musical.It's a thoughtful, often humorous discussion about songwriting, collaboration, and the enduring power of songs that aim to tell a story and leave a lasting impression.

In this episode of MyMusic, Graham Coath sits down with Sam Kellner, best known for his recurring appearances in major productions including Percy Jackson and the Olympians, Everybody Still Hates Chris, Young Royals, The Woman in the Wall, and Bunk'd, to talk about his love for and his career so far in music.Born and raised near Hamburg, Germany, Sam taught himself guitar at eleven, began producing at fifteen, and has since released more than twenty self-produced singles on Spotify. Several of those tracks have gone on to become theme songs for feature films, reflecting an artist who understands both storytelling and sonic atmosphere.As described in his IMDb mini biography by Craig Rogalski, Sam's creative journey spans acting, music and modelling, including walking at New York Fashion Week in February 2024 and appearing in a promotional campaign for Yves Saint Laurent.But this conversation goes deeper than credits.Graham and Sam explore:Growing up inspired by Michael Jackson, and why he would still choose him as his ultimate studio collaboratorEarly pop influences like Justin Bieber and how that shaped his songwriting instinctsWhy he values personal honesty over technical perfectionThe reality of being a young artist navigating TikTok, streaming culture and creative pressureHow messages from listeners studying, revising, or finding comfort in his songs keep him motivatedThere is humour too, including a confession about being spectacularly bad at archery and reflections on identity, insecurity, experimentation, and the desire to write something even more personal in the next phase of his career.From indie-leaning folk ambitions to Latin and early 2000s R&B influences, Sam is still exploring, still refining, and still open.This is a conversation about momentum, maturity, and what it means to stay curious while the spotlight grows.Listen in. Add a track to your playlist. And discover where Sam Kellner's music might take him next.

In this episode of My Music, host Graham Coath sits down with Brian O'Glanby, the creative force behind The Deep Hour. Brian shares insights into his "man cave" studio, the evolution of his music from solo songwriting to a band concept, and the epic, cinematic quality of The Deep Hour's latest album.They delve into the challenges and triumphs of the music industry, discussing the impact of technological shifts from analogue to digital, the rise of streaming, and the evolving landscape of music production. Brian reflects on the enduring influence of classic artists and the importance of preserving artistic integrity amid rapid change and the rise of AI. The conversation also touches on the vital role of music in society and the struggles artists and studios face today.Join us for a deep dive into Brian's musical journey, his inspirations, and his vision for the future of music.

In this episode of MyMusic, Graham Coath sits down with London-based violinist Julia Brüssel for a conversation that moves from childhood practice rooms to avant-garde stages and electronic live sets.Julia began playing violin at just six years old, an instrument that, as she openly admits, is far from beautiful in its early days. What follows is a thoughtful exploration of discipline, muscle memory, and the slow transformation from “screeching” beginner notes to expressive, emotionally charged sound.Growing up in Cologne, later moving to Berlin during the pandemic, and eventually relocating to London on an artist visa, Julia's path has been shaped by risk, curiosity, and instinct. Berlin introduced her more deeply into the experimental and free-improvisation scene — music that initially confused her as a teenager but later became a vital part of her voice.Graham and Julia dive into:Why the violin demands years of physical and emotional patienceThe freedom — and vulnerability — of improvised musicHow experimental sound can move audiences even when they “don't get it”The contrast between groove-based electronic influences and abstract expressionRecording for film and shaping emotion through sound rather than strict notation Building a live electronic setup with loopers, pedals and AbletonThe tension between writing music and actually finishing and releasing itThere's talk of drum & bass parties, minimalism, Berlin's underground scene, and the possibility of collaborations that bridge cinematic tension with melodic beauty.More than anything, this episode captures a musician in motion — not fixed in one genre, not chasing one label, but continually exploring where expression can go next.As always on MyMusic, the conversation reminds us that “my music” isn't about ownership... it's about connection.If you've ever wondered what happens when classical training meets electronic experimentation… or how it feels to stand in front of an audience playing something that doesn't yet have a name, this one is worth your time.Listen, expand your ears, and maybe — just maybe — let a little discomfort turn into curiosity.

In this episode of MyMusic, Graham Coath sits down with Sierra Veins for a conversation that moves far beyond genre and into identity, intensity and what it really means to evolve as an artist.Broadcasting from France, SIERRA VEINS reflects on her transition from SIERRA to a new name rooted in blood, inheritance and self-definition, a change that mirrors the core themes of her latest work. As she explains, the shift wasn't just practical or aesthetic. It was personal. It was necessary. Together they explore the emotional architecture of her music, the tension between aggression and vulnerability, how sound can rewrite parts of your story, and how identity is shaped by both what we inherit and what we choose. The conversation touches on:Why did the themes become central to her artistic direction..Reconnecting with the “little girl” who first played the synthesiser at two years old.Touring major stages while remaining intensely inward.Why scoring a dark, dystopian film remains her biggest dreamThere's humour here too, from VR mishaps to merch ideas, but at its heart, this is a discussion about intensity, reinvention and accepting that some parts of us never truly disappear.As Graham asks in his closing question:If identity is written in the blood… can we ever really become someone new?Listen now to MyMusic with Graham Coath, then sit with the music in full.

Coming all the way from Gaithersburg, Maryland (self-proclaimed “most exciting city in the world”… briefly), Adele Marie joins Graham for a conversation that moves effortlessly between playfulness and depth.Adele describes herself as a multimedia artist — but that only scratches the surface. Classically trained in voice, working full-time as a music therapist with traumatised teenagers, improviser at heart, disco-egg enthusiast, rescuer of mannequins from the patriarchy — she is the very definition of creatively unboxed.In this episode, they explore:Why improvisation feels like meditationThe tension between structure and freedom in musicBurnout, creativity, and laying under treesWhether great songs only exist because of one exact moment in timeThe strange pressure artists face in the social media ageAnd why sometimes limitations are the birthplace of originalityThere's talk of jazz brain scans, Kurt Cobain, Lego, Daniel Johnston, and the myth that artists must neatly categorise themselves for platforms that prefer tidy labels.Adele reflects on the way songs evolve once they're shared — how audiences can sometimes be “where you were three months ago,” and how art changes forever once it leaves you.As always, Graham brings curiosity, gentle provocation, and the reminder that music doesn't just appear from a box in the corner of the room — real people make it, in real moments, from real experience.If you've ever wondered how spontaneity, therapy, seriousness, silliness, and vulnerability can all live inside one artist… this conversation is for you.Listen. Support independent musicians. Buy them a coffee. Or at the very least, a can of Goya.Welcome to My Music.

A shared determination to make something happen.In this episode, Graham sits down with Harrison, Jake and Ben from Isolation to talk about how a modern band forms, survives line-up changes, finds momentum and begins building an audience in one of the UK's most competitive music cities.It starts with an online advert for bandmates and quickly becomes a conversation about ambition, belonging and why guitar music might be swinging back into view.They get into:building a group from scratchthe leap from bedroom practice to live stageswriting about division without preachingcreating atmosphere at gigsfinding community in a crowded sceneand the graft required from emerging artists right nowThere's humour, honesty and plenty of practical thinking about what actually helps new bands move forward.If you care about grassroots music, the future of live performance, or how young artists organise themselves in a DIY world, you'll enjoy this one.

Cormac had a start to his career that artists would die for....But in this conversation, we leave it at the door.No looking backwards. No nostalgia tour. No easy headlines.Instead, Graham sits down with a young musician in the middle of becoming — working out who he is, what he wants to sound like, and how to stay motivated when the early spotlight fades and the real graft begins.They talk about:Moving on from the classical labelNavigating a changing voice and identityThe pressure of expectationwriting from teenage experienceCollaboration vs going it aloneAnd why finding your people mattersThere's humour, honesty, practical advice, and a refreshing look at what it means to start again while everyone else keeps talking about yesterday.If you're interested in artistic reinvention, creative confidence, or the messy reality of growing up in public, this one will stay with you.

In this episode of My Music, Graham Coath is joined by Atlanta-based songwriter and multi-project musician Kyle Gordon for a thoughtful, wide-ranging conversation about creativity, truth, and learning to get out of your own way.Kyle reflects on making music in a noisy, algorithm-driven world and why integrity matters more than output or attention. From pastoral soundscapes and field recordings to the value of collaboration, restriction, and trusting other musicians, this is a deep dive into what happens when ego steps aside and the music is allowed to breathe.They talk about growing up on The Beatles, early '90s hip-hop, Nirvana, and the quiet influence of nature; about why not every song needs to fit a project; and how Kyle's current work under his own name has become a space for the in-between moments — the musical equivalent of candid photographs between life's big events.There's also talk of XTC, Peter Gabriel, recording limitations, romantic comedies, churches with good acoustics, and why happiness might be the most underrated artistic goal of all.A gentle, honest conversation about music made for the right reasons — and why that still matters.

In this episode of My Music, Graham Coath is joined by the full band BRSR (aka Bruiser) for a lively, honest, and often hilarious deep dive into how bands are really made.Broadcast from their Glasgow practice space (“it's not a house — it's a building”), the band talk about long musical friendships, failed projects, rushed first gigs, and the chaos that sometimes leads to your best work. What started as a few songs written under pressure quickly grew into a full album — recorded with a raw, live-first mindset inspired by classic live records and a love of melody as much as power.The conversation explores:How BRSR came together after years of shared history across different bandsWriting songs under extreme time pressure — and why it workedRecording live to capture energy, weight, and honestyBalancing heaviness with melody and pop sensibilityInfluences ranging from punk, shoegaze, and power pop to live rock classicsWhy Germany and the US are paying attention — and what's nextTouring ambitions, remix ideas, and the realities of being a modern bandThere's talk of Europe, America, Bandcamp, gifting albums for Valentine's Day, and why making music you actually enjoy still matters more than algorithms, aesthetics, or trends.Warm, funny, and refreshingly real, this episode is for anyone who loves bands with substance, stories, and songs that hit hard and stick in your head.

In this episode of My Music, host Graham Coath sits down with London-based singer-songwriter Anna Bea for an honest, thoughtful, and wide-ranging conversation about life as an independent artist in today's music industry.Discovered via TikTok (a first for Graham), Anna talks about growing up in London, gigging across New York, finding her voice as a songwriter, and how a bit of sibling rivalry kick-started her writing journey. From Bob Marley and Billy Joel to modern pop culture and sync work, Anna shares what inspires her music — and what it really takes to keep going when the internet's attention span is measured in seconds.The conversation dives into:Writing songs that are almost too honestThe pressure (and promise) of TikTok for musiciansDealing with online negativity and protecting your mental healthSync opportunities, collaboration, and creative controlWhy shorter songs are winning — and why longer ones still matterAnna also discusses her latest release, “A Song From a Scorned Woman”, the realities of balancing multiple jobs alongside music, and her dream of supporting artists she genuinely admires.A warm, funny, and refreshingly real chat about creativity, resilience, and making music on your own terms.

My Music Podcast – Graham Coath with Beth & Clinton (Ma Polaine's Great Decline)This episode of My Music is proudly (and unapologetically) West Country–biased, as host Graham Coath welcomes Beth and Clinton from Ma Polaine's Great Decline, joining him from just down the road in Frome, Somerset.What starts as a neighbourly catch-up quickly turns into a warm, funny, and music-nerdy conversation about how the duo met (a late-night London band audition that accidentally became something far stranger), why their songwriting doesn't feel particularly “UK” despite their roots, and how a shared love of American blues, soul and jazz helped shape the sound they've become known for.You'll hear:How Beth and Clinton met — and why some songs simply don't belong in a midnight Soho setThe pull of Cornwall, the pace of London, and why Frome feels like the right kind of “slow”Growing up with record collections, noisy rehearsals, folk clubs, and proper gig cultureWhy they record live in a room together (and why perfection can ruin the magic)A deep love for intimate venues where the audience is close enough to feel like familyTheir plans for 2026: gigs, festivals, album shows — and keeping it all workable with family lifeThere's plenty of laughter, a few brilliant gig stories, and a real sense of two artists who care more about feel, connection, and the song itself than chasing trends.

My Music Podcast – Graham Coath in conversation with Gina ZoIn this episode of My Music, host Graham Coath is joined by LA-based artist Gina Zo for a thoughtful, funny, and refreshingly honest conversation about music, identity, and finding your own voice.Broadcasting across continents (with coffee firmly in hand), Gina reflects on her journey from growing up as a musician, to appearing on The Voice at just 17, navigating record deals, rock bands, and the pressure to be “something she wasn't” — before finally landing in Los Angeles and embracing her authentic solo sound.Together, Graham and Gina talk candidly about:Life after The Voice and why reality TV doesn't always create real artistsThe struggle (and relief) of stepping away from other people's expectationsAuthenticity, imposter syndrome, and learning when less is moreWhy being liked by everyone isn't the goal — and never should beWriting new music at her own pace and building genuine connections with listenersIt's a conversation full of humour, self-reflection, and real insight into what it actually takes to grow as an artist — not just musically, but personally.If you're interested in the real stories behind the songs, the messy middle of creative careers, and what happens after the spotlight fades, this one's well worth your time.

My Music – Millie Manders (Millie Manders & The Shut Up)In this powerful and unfiltered episode of My Music, host Graham Coath sits down with Millie Manders & The Shut Up frontwoman Millie for a conversation that goes far beyond songs and setlists.From decaf Earl Grey and dry January to punk, politics, mental health and the realities of being a woman in the music industry, Millie speaks with honesty, humour and razor-sharp insight. She reflects on how global unrest, genocide, misogyny, ageism and social injustice shape her songwriting, why she struggles to write “happy” songs, and how music becomes a place to process anger, grief and truth.Millie also opens up about:The pressure placed on women's bodies and ageing in musicMental health breakdowns and surviving creative vulnerabilityOnline abuse, cancel culture, and finding power through humourThe dangers of AI in music, media and creative livelihoodsWhy supporting independent artists has never mattered moreIt's a raw, funny, deeply human conversation about art as resistance, honesty as a survival tool, and why sometimes the loudest voices are the ones we most need to hear.

In this episode of My Music, Graham Coath sits down with POLA — a musician, songwriter, and creative spirit with one of the most distinctive voices (and stories) we've featured on the show.From growing up in a deeply artistic family to stepping away from music entirely, POLA opens up about doubt, identity, and what it really means to return to your calling. The conversation explores creativity, faith, fame, authenticity, and the cost of making meaningful music in a world driven by algorithms, image, and noise.We talk about:Growing up surrounded by extraordinary musicians and feeling the weight of expectation.Walking away from music, working in marketing, and what that break taught her.Why today's music industry demands artists be everything at once.Writing songs that go deeper than romance and surface emotionWorking with legendary collaborators, including John Altman and @andysummers_official Faith, spirituality, creativity, and the courage to speak openly about personal transformation.Why POLA avoids celebrity culture, TV, and AI and what she chooses instead.This is a conversation about purpose over performance, substance over surface, and making music that means something to the artist first, and then to the listener.Thoughtful, honest, and refreshingly unfiltered, this episode is for anyone who believes music should still have soul.

Graham Coath sits down with singer-songwriter Julia Traser for a wide-ranging, curious, and genuinely human conversation about music, identity, timing, and community.Julia talks about her journey from a small mountain village in northern Italy to the UK music scene, why the baritone ukulele became her instrument of choice, and how practicality, sound, and storytelling all collide in her songwriting. Along the way, we hear about busking across Europe, confusing passers-by with unusual instruments, and why sometimes the best creative decisions are the ones that just feel right.There's also a brilliant detour into names and identity — from Julia Pedrana to Julia Traser — inspired by artists she loved growing up, a nod to Pink Floyd, and an unexpectedly perfect ukulele-shaped full circle involving Sam Brown.As the conversation unfolds, Julia opens up about turning 30, the pressure (and nonsense) of musical timelines, and why her debut album is really about letting things arrive when they're meant to. Together, Graham and Julia explore the idea that music works best not as a solo sprint, but as a shared experience — built on collaboration, community, and stories that actually mean something.Expect laughs, tangents, food-based merch ideas, gentle industry hot takes, and a reminder that music doesn't need to shout to be powerful.If you love thoughtful songwriting, unusual instruments, honest conversations, and the belief that art finds its moment in its own time — this one's for you.

My Music with Graham Coath – Gabrielle OrnateIn this episode of My Music, host Graham Coath sits down with singer-songwriter and visual artist Gabrielle Ornate for a rich, thoughtful conversation about creativity, identity, and carving your own artistic path.Broadcasting from Suffolk, Gabrielle invites us into her ethereal, bohemian world — where music, visual storytelling, and personal mythology intertwine. From childhood songwriting and classical influences to genre-bending production, analogue synths, and festival ambitions, this episode explores what it really means to build an authentic musical universe.They talk inspiration (The Beatles, Radiohead, Jeff Buckley, Muse), the courage to resist trends, the power of escapism, and the joy of finding beauty in unexpected places — from burial mounds and ruined castles to chance encounters with dog walkers who change the course of a music video.It's a conversation about sound, style, self-expression, and trusting your instincts — with warmth, humour, and genuine curiosity throughout.Perfect for anyone who loves music with depth, atmosphere, and heart.

My Music Podcast: Graham Coath with Felipe from Wild VioletsOn this episode of My Music Podcast, host Graham Coath sits down with Felipe from Wild Violets for a wide-ranging conversation about music, identity, creativity, and the stories that sit behind the sound.They talk about how Wild Violets came together during lockdown, why disco-era music still feels so alive today, and how style, visuals, and shared values matter just as much as technical talent when building a band. Felipe opens up about musical influences that stretch from Jamiroquai and Sister Sledge to Colombian rhythms, sampled classics, and the joy of tracing modern tracks back to their roots.The conversation also wanders into podcast ideas, auditions gone wrong, the strange intimacy of music-making, and thoughtful reflections on AI, authenticity, and why human effort still matters in art.As always, My Music isn't about hype — it's about connection, curiosity, and the moments that shape how musicians find their voice.

In this episode of My Music, Graham Coath sits down with Mina Walkure, the voice behind epic heavy metal band Bronze, for a wide-ranging and refreshingly honest conversation about music, identity, creativity, and staying human in a noisy world.From discovering Iron Maiden as a teenager to fronting a band rooted in myth, metal, and DIY artistry, Mina shares her journey into music — including perfectionism, the pressure to perform, and the importance of remembering that music is meant to be fun.The conversation dives into:Growing up metal in a world that didn't always understand itGender, image, and the sexualisation of women in heavy musicWhy “epic” doesn't have to mean long (and her mission to finally write a 6-minute track)Live performance, community, and the importance of supporting artists properlyHealth, resilience, and how creativity changes when your body pushes backThere's humour, passion, a few rants (the good kind), and even an unexpected detour into medieval brass rubbings — because this is My Music, after all.If you love heavy metal, thoughtful conversations, or hearing artists talk honestly about the realities behind the riffs, this episode is for you.

My Music Podcast – Katie NicollIn this episode of My Music Podcast, host Graham Coath is joined by Scottish singer-songwriter Katie Nicoll for a thoughtful, honest, and uplifting conversation about growing up with music, finding your voice, and staying grounded in a fast-moving industry.From picking up a guitar at the age of ten, inspired by Taylor Swift, to playing pubs every weekend as a teenager and finding her feet during lockdown, Katie reflects on what it really means to build a life in music. They explore Scotland's vibrant grassroots scene, the importance of community, and why live performance remains such a powerful force for connection.The conversation also dives into the realities of being a young independent artist today – navigating social media pressure, writer's block, and the tension between creating for joy versus creating for algorithms. Katie shares how podcasts, documentaries, and simply listening differently have helped her reconnect with songwriting as a craft, not a commodity.Along the way, Graham and Katie discuss:Starting young and learning in publicWhy pop music can be both meaningful and funWriter's block, creative lulls, and trusting the processThe value of collaboration, curiosity, and lived experienceBig plans for 2026, including new recordings and major live showsWarm, reflective, and quietly inspiring, this episode is a reminder that music isn't just about success metrics – it's about community, expression, and remembering why you picked up an instrument in the first place.

In this episode of My Music Podcast, host Graham Coath sits down with singer-songwriter, pianist, and musical polymath Caro Kelley for a wide-ranging, funny, and thoughtful conversation about life in music.From the story behind her name (and why she can't always pronounce it herself), to growing up classically trained on piano, Caro shares how music became second nature before language ever did. The conversation explores teaching, musical “genius", practice versus talent, and why great teachers matter more than perfect technique.Caro also dives deep into her ambitious project of listening to 1,000 albums a year. What it's taught her about taste, nostalgia, noisy music, and why not liking something doesn't mean you're “not listening”. Along the way, Graham and Caro unpack modern music culture, streaming habits, live performance, social media burnout, and the reality of being an independent artist in 2026.Expect reflections on:Learning instruments later in life (including Caro's brand-new guitar)Why albums still matter in a singles-driven worldThe difference between hearing music and truly listeningFinding joy (and sanity) while creating content as a modern musicianPlaying live, making records, and staying curious as an artistWarm, honest, occasionally opinionated, and full of laughter, this episode is a reminder that music isn't about perfection – it's about curiosity, connection, and showing up.

Reflecting on 2025's Best Music with Mylla Issues & Simone Insights, Witchy Vibes, and Global ReachIn this episode, we wrap up 2025 and dive into an insightful conversation with Mylla Issues and her BF, Simone Mancinelli. Mylla shares her musical journey, her love for 'witchy' vibes, and her inspirations from the 80s, including Kate Bush. The discussion touches on how Mylla integrates gothic and witchy elements into her music and on the significance of this for her and her fans. Simone translates and tells us how he provides honest feedback on her work. They also discuss the future of radio, the role of streaming platforms, and plans for international tours. A must-watch for fans of unique, genre-blending music and an understanding of independent music scenes.

Host Graham Coath is joined by Alex and Jane from Imperial Age, broadcasting straight from London, where boxes, merch, CDs surround them, and the very real pressure of getting thousands of orders out the door in time...What follows is a wide-ranging, brutally honest, and often hilarious conversation about life in music, building something epic from the ground up, and what it really takes to survive — and thrive — as a modern independent band.Alex and Jane talk about the long road to becoming Imperial Age, the origin (and non-origin) of the band's name, growing up together, getting into trouble at school, and why independence wasn't a romantic choice — it was a necessity after years of rejection from labels, managers, and industry gatekeepers.This episode dives deep into:Running a band like a business (whether you like it or not)The myth of the “glamorous independent artist”Fans vs clients — and why real fans matterCrowdfunding, merch, burnout, and buying your time backSongwriting, creative instincts, and knowing when a song is finishedWhy honesty, resonance, and value matter more than hypeAlong the way, there are stories about Travelodge disasters, Age of Empires, Palpatine impressions, shower-written hit songs, Reddit trolls, music “gurus”, and why success isn't about pretending — it's about showing up and doing the work.As always on MyMusic, this isn't just about the music. It's about the people behind it, the thinking that drives it, and the reality of creating something meaningful in a noisy world.Imperial Age don't just make epic, cinematic metal — they live it.

In this episode of My Music, join us as we welcome special guest Sydney Elliott, also known by her artistic name, FRANK. We kick off with a light-hearted discussion on the quirks of attending a school nativity play and the unexpected difficulties of voice control in young children. Sydney shares her personal journey from a chatty, inquisitive child to finding her artistic identity and the impact of iconic artists like Ella Fitzgerald. We explore the importance of space in music creation, the interplay between music and visuals, and Sydney's own evolution with her short hair and tattoos. Dive deep into the creative process, the influence of jazz, and the aspirational dream of scoring a film. This episode is brimming with insightful anecdotes, practical advice for budding musicians, and a heartfelt conversation on artistic expression. Don't miss out on the inspirations behind FRANKS innovative music and her thoughts on future collaborations.

In this episode, Katie from the band TAHM joins Graham to discuss the journey and evolution of their music career. From their early days as Stream in the late '90s, signing with Roadrunner Records, to their present-day endeavours as TAHM, Katie shares insightful anecdotes about the music industry.They delve into the creative process, the challenges of producing social media content, and the importance of quality control. The conversation also touches on humorous viral moments, the peculiarities of human behaviour, and the influence of cultural shifts on music.Join them for a delightful conversation filled with laughter, nostalgia, and a look at what's next for TAHM, including new music releases and aspirations for the future.

Reflecting on Six Years of Music: An In-depth Chat with Janelle of GENNIn a candid conversation, we discuss their experiences and evolution over six years in the music industry, nurturing the band 'GENN' and reflecting on the profound changes they've witnessed. From humble beginnings in Malta to relocating due to Brexit, Janelle provides a fascinating look back at her music journey, the band's influences, and the challenges they faced along the way. Additionally, we delve into the supportive sisterhood within the band, the evolving music scene in Malta, and the challenges of maintaining authenticity amidst industry pressures. Don't miss this engaging discussion that not only tracks the band's roots but also explores cultural influences, favourite obscure bands, and the aspiration to resonate authentically with their audience in 2026.#NewMusic #Alternative #PopArt #Sisterhood #Malta #Songwriting

In this episode of My Music, Graham Coath sits down with rising rock artist Venus Blake for a lively, funny and deeply insightful conversation. From sneaking backstage to hug Alice Cooper to navigating the chaotic world of social media, Venus brings honesty, humour, and authentic rock energy to the mic.Venus talks about her journey from classically trained pianist to hard-edged rock performer, her move from London to Italy, and the artists who shaped her — including Ozzy Osbourne, Lady Gaga, and of course, Alice Cooper himself. She opens up about the challenge of staying authentic online, redefining content creation as an art form, and building a community through her new Patreon for her “Rock Soldiers”.Graham and Venus dive into everything from exploding microwaves to the future of live music, the rising cost of gigs, and what it really takes for a young independent artist to break through today. And yes — there's even a discussion about air fryers, Christmas songs, and how rock musicians can take over TikTok without losing their souls.Venus also shares exciting hints about her upcoming 2026 album — describing it as “what would happen if Alice Cooper and Lady Gaga had a baby.” Expect theatre, grit, huge melodies… and a new wave of unapologetic rock.It's bold, funny, heartfelt, and full of creative sparks — the perfect episode for anyone who loves music, rock culture, or raw artistic honesty.

My Music with Graham Coath — Georgia & Amelia of Wednesday's ChildIn this episode of My Music, host Graham Coath sits down with Georgia and Amelia from the boundary-pushing, fiercely creative London ensemble Wednesday's Child.From the moment the conversation begins, it's clear this isn't just a band — it's a sisterhood, a communion, and a brave creative force exploring the shadows and the light of being human.Together, they dive into:the magic and theatricality behind Wednesday's Child's soundhow silent movies, clowning, and dramatic expression inform their artcreativity, curiosity, and resisting the pull of a “20-second attention span” worldthe deep, vulnerable relationships that drive their musicreclaiming darkness, navigating your twenties, and using discomfort as an artistic catalystThe making of their upcoming single and the emotional architecture behind itThis is a conversation about art, friendship, self-reckoning, and the urgent need to learn how to listen again. Whether you're already a Wednesday's Child fan or discovering them for the first time, you'll walk away inspired, challenged, and maybe a little more curious.

My Music with Graham Coath — featuring Grace Cooper-HallIn this episode of My Music, Graham Coath sits down with UK-born, Massachusetts-based singer, songwriter, and piano-playing genre-shapeshifter Grace Cooper-Hall. From her pop-punk teenage beginnings in Grimsby to the thriving US wedding and events circuit, Grace shares her journey through music, love, and the discovery of her voice.Graham and Grace dive into everything from cover-band culture and reinventing popular songs to the raw honesty of artists like Amy Winehouse, Lily Allen and Charlie XCX. Grace also gives us a first look at her upcoming original work — including her debut track Boys With Guitars — described as a mix of hyper-pop energy and rock intensity (or as Graham and an AI model dub it: electro-metal-core).They talk about navigating the modern music landscape, AI's impact on creativity, building a band for 2026, and the joy of finally releasing music that reflects who you really are.A warm, funny, and heartfelt conversation with an artist on the rise — and a must-listen for anyone who loves real musicians, real stories, and the graft behind great music.

Drum Machines, Cocteau Twins & Christmas Albums for 2025In this episode of My Music, host Graham Coath hangs out with Kate Ramsey, the creative force behind The 'Rose Haze'. Expect drum machines, dream-pop, grief, Rubik's Cubes, AI, and a whole lot of heart.Kate talks about ordering a new drum machine to finish the tracks that she's been sitting on, and how the creative process can feel exactly like trying to solve a Rubik's Cube – easy on the first side, maddening on the last few. She shares the deeply personal story behind The Rose Haze's bold cover of “Heaven or Las Vegas” by Cocteau Twins, created with her late collaborator Ruben, and how that track has become a kind of headstone and hymn for him.Graham and Kate dive into:

My Music – Graham Coath talks to Balderdasch (Jess Matthews)In this episode, Graham Coath sits down with alt-pop artist Balderdasch — also known as Jess Matthews — for a colourful, funny, and candid conversation about creativity, identity, and the messy magic of making music.Jess talks about her ever-changing visual eras (including the famous knitted balaclava crafted by her mum), the club culture influences that seep into her left-field pop sound, and why her violin may make a scratchy cinematic comeback. She opens up about the tension between artistry and the pressures of promotion, how collaboration fits into her future, and the politics of where her music shouldn't end up.Graham digs into the craft: Jess's inspirations from St. Vincent to Kim Gordon, the joy and pain of songwriting, and the realities of being an independent musician in a digital age. They explore themes of emotional inheritance that are shaping Jess's next body of work — and her ambition to take her time and create an album with depth and intention.The episode is packed with stories, humour, and raw insight: festival supergroups that could've been, obscure Christmas songs, the chaos of TikTok virality, and the strange intimacy between artists and the audience.Jess also shares details of upcoming live shows in London — including Montez Press Radio's fundraiser and her own headline gig at The Victoria, Dalston.A thoughtful and vivid conversation with an artist forging her own path.Tune in, discover Balderdasch, and add her music to your playlist — your ears will thank you.

Clara Lars: Finding Her Unique Sound and Musical JourneyIn this engaging episode, we sit down with Clara Lars, a talented musician studying at NYU's Clive Davis Institute. Clara shares her musical journey, from her early days experimenting with melodies on the piano to mastering Ableton during the COVID lockdown. She discusses her challenges in finding her unique sound and voice, inspired by artists like Lana Del Rey and experiences from her life. Clara also opens up about the creative process behind her songwriting and her ambitions to connect deeply with her audience. Additionally, she talks about the importance of visual storytelling in her music, her upcoming projects, and shares some interesting insights into her life and inspirations. Don't miss this insightful conversation about the making of a modern-day artist!

MyMusic with Graham Coath — In Conversation with Chellcy Reitsma: From Professional Dancing to Retro-Inspired MusicJoin host Graham Coath for a captivating conversation with the multi-talented Chellcy Reitsma, as she shares her remarkable journey from California to Malta, her early career as a professional dancer, and her evolution into a genre-blending music artist.Chellcy opens up about the life experiences that shaped her, the creative spark behind her retro-inspired sound, and the artistic vision that drives her work. She also takes us behind the scenes of her double album Memento Mori and Carpe Diem, revealing the stories, emotions, and inspirations woven into each project.This episode offers a rich and engaging insight into Chellcy's life, artistry, and creative process — complete with thoughtful reflections and a few entertaining anecdotes along the way.