Podcasts about jjjjjerome ellis

Welcome to the first new music show of 2026 – and thanks to Giulio aka Parcae for his great selections last week! We have a certain amount of catchup from last year, but we also have a surprisingly large amount of new music already, either released this week or last, or forthcoming. LISTEN AGAIN in a new year. Stream on demand from fbi.radio or podcast here. hidden_attachment – sorry this was just something i had to do [ky/hidden_attachment Bandcamp] hidden_attachment – in moncton i spent all my money on pinball and beer [ky/hidden_attachment Bandcamp] In November I played a track from Ky Brooks, the Montreal artist who recorded an album in 2023 called Power Is The Pharmacy for Constellation under the name Ky. They appear under various aliases, the most current of which is hidden_attachment, and they were previously known for making noise-punk with Lungbutter and freeform experimental stuff with Nag, among many others. The new hidden_attachment release is an EP described as “a tiny horrible opera”, which seems misleading – horrible is a matter of opinion, “opera” perhaps less so, but this is a small epic of practically ever genre other than opera. Jangling indie rock, electro-pop, bedroom drum’n’bass, bedroom punk, experimental ambient pop… ish. It’s weird & fun! Silvia Tarozzi – Lucciole [Unseen Worlds/Bandcamp] Silvia Tarozzi – Le ossessioni [Unseen Worlds/Bandcamp] When US label Unseen Worlds introduced us to Italian violinist/singer/composer and more Silvia Tarozzi, it was her first album Mi specchio e rifletto, an album that reflects her broad musical experience, from working with groundbreaking minimalist electronic composer Eliane Radigue to contemporary music with Ensemble Dedalus, to the folk music of her local region, improvisation, and playful studio experimentation. There was more than a hint of Penguin Cafe Orchestra. Then in 2022, Tarozzi released another extraordinary work, Canti di guerra, di lavoro e d’amore (“Songs of war, work and love”), with the cellist Deborah Walker, presenting a collection of music inspired by folk songs from rural Emilia which came from working class women involved with the partisan resistance in World War II, including songs sung by choirs of female rice field workers – music that the pair had grown up with. In April 2025, some of us were incredibly lucky, in Sydney and I think Melbourne, to witness Tarozzi & Walker performing these songs together, with just their instruments and voices – one of those occasions when musicianship seems like magic. So there’s a lot of anticipation with this new solo album from Tarozzi – or there would be, except that Lucciole appeared seemingly out of nowhere, available digitally on Bandcamp on December 12th. We’ll have to wait for April this year for the LP and CD, but the whole album’s there if you’re willing to stump up $10USD. Once again this is a wonderful tapestry of an album, with brass ensemble arrangements that set it somewhere between classical & folk music, along with synths, field recordings and turntables bringing modern twists. Her voice is lovely and some of the songwriting evokes the baroque pop of Sufjan Stevens in the best way. Winged Wheel – I See Poseurs Every Day [12XU/Bandcamp] Winged Wheel – Speed Table [12XU/Bandcamp] A US experimental rock supergroup, Winged Wheel began as a filesharing process between various musicians including violist Whitney Johnson aka Matchess, resulting in the 2022 debut album No Island. But for their new album Desert So Green, the band (expanded further to include, among others, Sonic Youth’s Steve Shelley) had toured extensively, and headed into the studio together. The result is an album with psych-kraut-rock intensity and rhythmic drive, blurts of postpunk harshness, shards of viola, and vocals at times. It’s a real surprise, and really worth digging into. Èlg & la Chimie – La ville cachée [Murailles Music/Bandcamp] I don’t speak much French, not well anyway, but there’s just scads of great music from France – and francophone artists from Belgium, Switzerland and Canada, not to mention other former colonies – and you know I’m happy to play music in any languages as much as instrumental music. But understanding the pure breadth of francophone music is still challenging, so I’m happy when French artists fall into my lap. The entity known as Èlg is Laurent Gérard, and he’s been involved in experimental rock, sound-stuff, weird electronic etc for a good couple of decades. La chimie (chemistry) was a project of his in 2013, made up of weird electronics and loops – but now it’s also his band, in which he plays amplified guitalele (ukulele/guitar hybrid) and keyboards, with Marie Nachury on bass, electroncis and percussion, and Johann Mazé on drums and drum triggers. All three also sing, and they make a righteous noise, sometimes starting off as normal-sounding songs until something super-weird happens; in particular, often magnificent grooves on booming, clattering drum kit, and thumping bass. No two tracks are anything like each other, but there’s a through-line of unchained inspiration. Truly something else. JJJJJerome Ellis – Evensong, part 3 (for and after Jessica Valoris) [Shelter Press/Bandcamp] This wonderful album came out in November, but I didn’t properly get to it until too late to include it last year. JJJJJerome Ellis is a composer, multi-instrumentalist, producer, academic, cross-media artist and more; they are of Grenadian-Jamaican-American heritage, and they’re a disabled person with a stutter – something that they’ve ingrained in their practice, including in the spelling of their first name. This album, Vesper Sparrow, draws from Black American and Caribbean culture as well as pop and experimental music, while being placed primarily in a composed jazz context. Most of the tracks are written for, and sometimes feature, fellow artists, poets and theorists. Alongside granular processing and sampling, Ellis’s stutter features and becomes a structural part of the music – but whatever the theoretical basis, this is beautiful and incredibly creative music. Toni Geitani – Ya Sah [Toni Geitani Bandcamp] Toni Geitani – Wasla [Toni Geitani Bandcamp] Originally trained in filmmaking, Lebanese musician Toni Geitani has since gained a Masters in live electronics in Amsterdam, where he is based now. His Masters thesis is titled “Sampling as a Political Medium”, which sounds fascinating. In his music, he melds Arabic vocals with classical instrumentation and experimental electronic production – the three preview tracks from his forthcoming album Wahj are stunning. “Wahj” (وهج) means “radiance”, and Geitani invites us to look through the collapse we see around, and seek that light. Obelisk – Salty Lemon Air [Geometric Corruption/Bandcamp] FBi’s own Ryan O’Rourke, presenter of Mithril for all things heavy & experimental, also makes music as Obelisk. It’s heavy and experimental for sure, but very electronic, very deconstructed club with aspects of breakcore, groaning distorted bass, trance keyboards and glitch. Obviously it’s awesome. Kloke – Silk [Subtle Audio/Bandcamp] Huuuuge jungle/drumfunk/drum’n’bass compilation incoming! Limerick, Ireland label Subtle Audio put out a series of great 2 or 3CD compilations in the mid-’00s with early drumfunk and jungle-inclined drum’n’bass – at the time it felt like the best source of really great beat production around. Many years later, here’s another 3CD set: Our Atmosphere has 2CDs of original tracks and tracks taken from label releases in a broadly “atmospheric” jungle, drumfunk and drum’n’bass, with a huge list of great producers, plus a DJ mix from label head Code on the 3rd disc. Oh – and the CDs arrived in the mail just as we hit the new year, but the digital version (without the 3rd disc) won’t be available until Feb 6th, so this is a sorta-kinda exclusive of Naarm’s own Kloke, one of many highlights here. Aftawerks & Earl Grey – Swingfunc Jungle [Earl Grey Bandcamp] Nathan Firman aka Aftawerks has been plying his trade in funky acid, IDM & jungle for over a decade, and Jim Earl Grey released an EP of his on his Hyperchamber Music label way back in 2013. I’m a pretty big fan of Earl Grey (in fact I first heard his stuff on those Subtle Audio comps back in the day!) and this collaboration between the two is just mad shit in the best way. Homemade Weapons – Leviathan (HW Remix) [Weaponist/Bandcamp] Seattle’s Homemade Weapons has his own particular take on the minimal/tribal drum’n’bass championed by Samurai Records, and as well as releasing on that label (and others) he runs his own label, Weaponist. The latest label release is the Bumura EP from the artist himself, with two new tracks and two remixes he’s made of tracks that were originally collabs – tonight’s cut was originally made with Sacramento’s Red Army. I do appreciate the way that elements of jungle are dropped into the very minimal d’n’b feel. BMA – Middle Age REFLEKT [Industrial Coast/Bandcamp] Moa Pillar – Fight Them Back [Industrial Coast/Bandcamp] The Industrial Coast label is based in Middlesborough, about an hour’s drive south of Newcastle, so fairly grim-up-north territory (I actually lovely Newcastle when I played there last year). The label is pretty dedicated to the cassette as a format, and generally most of the music on Bandcamp is unavailable digitally without the physical objects (set at £999) – but they do do retrospective compilations, and open up other releases briefly at times. So Deconstructed Reconstructed Retrospective is a double-compilation, in that it collects tracks from the labels Deconstructed/Reconstructed series of compilations in which industrial & experimental artists cover or remix artists such as Crass or music related to movements like anarcho-punk or Rock Against Racism. With 50 tracks, it covers plenty of ground. Sometimes you can immediately tell who the subject is, sometimes you have to try and look it up, and artists appear under various guises too – such as Iceman Junglist Kru (lo-fi industrial junglism), half of whom is also Stonecirclesampler (arcane ambient weirdness) aka Liquid DnB-like Ambient Grime 2… Unfortunately it’s long enough after it went up that it’s now priced at £999, but you can still stream the tracks. Tonight, US drum’n’bass producer BMA takes on hardcore punk originals Minor Threat, while London-based Russian deconstructed trance guy Moa Pillar does a tribute to Linton Kwesi Johnson. Travis Cook – fight_clown [Travis Cook Bandcamp] Adelaide’s Travis Cook, ex-Collarbones, continues releasing a track a week on his Bandcamp. This one’s all stuttery vocal samples and a smattering of beats. John Wall – Iconvt [John Wall Bandcamp] The ineffable John Wall stands somewhere between glitch & computer music, musique concrète, plunderphonics, and free jazz. Astonishingly, he didn’t start making music until he was 40 (in 1990). He’s worked with the cream of UK free jazz, and I’ve also featured a fair bit of his work with spoken word poet Alex Rodgers – here’s an example. He recently revisited his 1999 Constructions I-IV, which combined samples from live improvisers with samples of modern classical compositions, in order to remove the deliberate glitch-sound, which he now finds ugly (although I’m not the only one who likes that sound!) But now he’s put a single new track called “Iconvt“, which sounds like a command-line tool (iconv in Linux is a command that converts a string to a different character encoding). The source sounds here are not obviously revealed – it sounds mostly electronic; there are some fairly inscrutable quotes in the description, plus a reference to fellow avant-gardist Sunik Kim. But the music is some of the least-inscrutable stuff Wall has done, with rumbling bass, quite a bit of melody, and a fair bit of glitch, all things considered! Low Flung – Niksen [Low Flung Bandcamp] Eora/Sydney musician Danny Wild has been Low Flung for a long while now, and tends to lean more ambient than beat-driven. On his last release from 2025, Type-D we find him in a contemplative mood, but also in a dub techno mode – the first track has a super slow tempo with percussive chatter around the edges, but the other two tracks are faster but no less dubby. SAWT – Phase Collapse [Beacon Sound/Bandcamp] T. Gowdy – 00L00 [Beacon Sound/Bandcamp] Excellent Portland, Oregon label Beacon Sound enlists many brilliant friends to contribute to their important new compilation Gaza is the Moral Compass, benefiting on-the-ground mutual aid groups in Gaza. The organisers point out that Israel has violated the so-called ceasefire hundreds of times; Israel’s fascist government is joined by Donald Trumps’ fascist governmnent in trying to remake the Middle East while Australia’s Labor governments are falling over themselves to protect the interests of a foreign state, at least partially in the name of “Jewish safety” which as a Jew I categorically reject. Cultural practice is not neutral, the organisers remind us, and that includes what art/music/culture you consume and how you do so. So here we have many artists associated with the Constellation label, artists originally from Turkey, Lebanon, Iraq and Egypt, and indeed Japan – the quality is incredibly high throughout, and all the music is exclusive to the comp (for now). SAWT is Kamel Badarneh, based in Brussels, whose contribution is a nice piece of throbbing techno, while Constellation’s T. Gowdy does his shimmering sample-shifting thing but with an Arabic-sounding sound source. Filippo Ansaldi & Simone Sims Longo – +1 [Umor Rex/Bandcamp] Filippo Ansaldi & Simone Sims Longo – Illusione [Umor Rex/Bandcamp] A few years ago, Italian musician Simone Sims Longo released a brilliant electro-acoustic album called Paesaggi integrati (integrated landscapes) on the great Dutch label Esc.rec – still one of my favourites on the label. There, he processed the sounds of various acoustic instruments; on Solo Suono, Sims Longo is working with saxophonist Filippo Ansaldi, and it’s his instrument that he’s processing. At times we’re hearing the saxophone solo, or multi-tracking into beautiful chordal movement; elsewhere the instrument is splintered and looped. The saxophone is an instrument uniquely suited to experimental approaches, and Ansaldi and Sims Longo here go deep into some of its sonic possibilities. Dual Dialect – Conglomerate III – Meme-leak Mosaic [4000 Records/Bandcamp] Speaking of sax, Meanjin/Brisbane’s Dual Dialect feature Andrew Garton of Ghostwoods on “mutant saxophone” alongside Andrew Foley of Grids/Units/Planes, YEARNS etc, creating disintegrated beats and abstract pads according to their very accurate Instagram bio. But there’s some surprisingly blissful stuff here too – a kind of jazz fusion that hints at downtempo stuff from the ’90s, Jon Hassell’s fourth world work in the ’80s, and post-’00s glitchy electronics. Recommended. Aroma – After The Rain [Urban Trout Records/Bandcamp] And we finish tonight with a collaboration by an artist whose debut album with Eora/Sydney jazz piano quartet Aronas was a defining work for the early days of Utility Fog (you can stream Culture Tunnels on SoundCloud and elsewhere). Pianist & composer Aron Ottignon had moved to Sydney from New Zealand (his brother Matt still plays around this city in many ensembles), and the group embodied the post-jazz feel, at least on record, that sat perfectly with the UFog sound. Aron soon decamped to the UK & Europe, embedding traditional musics from around the world into his art (Aronas’ album Culture Tunnels was influenced by South Pacific rhythms). Now the Aroma project sees Aron playing the Osmose “expressive synth” alongside singer, sound-artist, label head & Afro-futurist Nina Kahle. This song, recorded in Senegal, is their take on the beautiful John Coltrane tune “After The Rain”, using the multiple gestures the Osmose adds to each individual key of the piano keyboard, with Kahle’s vocals and field recordings ebbing and flowing. Listen again — ~234MB

Episode 760: September 28, 2025 playlist: JJJJJerome Ellis, "Vesper Sparrow" (Vesper Sparrow) 2025 Shelter Press Stereolab, "Fed Up With Your Job" (Fed Up With Your Job / Constant And Uniform Movement Unknown) 2025 Duophonic Paul Jebanasam, "be earth now" (matr) 2025 Subtext Guided By Voices, "(You Can't Go Back To) Oxford Talawanda" (The Rich and Delicious) 2025 GBV, Inc Paul St. Hilaire, "Send Them On (feat. Priori)" (w/ The Producers) 2025 Kynant Taylor Mead, "Motorcycles" (The Dial-A-Poem Poets) 1969 Giorno Poetry Systems Rafael Toral, "Easy Living" (Traveling Light) 2025 Drag City Marta Forsberg, "Słowa (Not Saying a Word)" (Archaeology of Intimacy) 2025 Warm Winters Sergio Merce, "Un Faro (excerpt)" (Archipielago) 2025 Room40 Greater Than One, "Pagan Love" (21st Century Love Songs) 2025 DataFlow Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

This special summer episode includes a live recording of the Spring issue of Post/doc, co-published by Momus and the Vera List Center for Art and Politics. The collaborative issue of the VLC's biannual publishing series for discursive, speculative, experimental writing, and artistic practices features a new sound work by artist JJJJJerome Ellis and a new text by writer Diana SeoHyung, both reflecting on the theme of intervals—on languaging, language breaks, aphasia, riffing, and repeating. This recording of the launch, which took place in early May at Storm Books & Candy, in Brooklyn, includes SeoHyung's reading of her text 가는 길: Decision to Leave / On Leaving / Leaving, and Ellis's performance of Havensong. The episode is introduced by Lauren Wetmore in conversation with Re'al Christian, Assistant Director of Editorial Initiatives at the VLC, about originating Post/doc, and her own writing and editorial practice.Thanks to this episode's sponsors, Marian Goodman Gallery and The Blue Building, for supporting our work.Thanks to JJJJJerome Ellis, Diana SeoHyung, and Re'al Christian for their contributions to this season.And as always, many thanks to Jacob Irish, our editor, and Chris Andrews, for production assistance.

Best to have a telepathic microphone when searching for cryptid dragonflies. Sometimes the simple, straightforward solutions are the best option.Thanks to Luísa Black Ellis for this week's hidden lore poetry. Luísa is a Brazilian-American poet and self-taught ecologist methodically inspecting mosses in traditional Nansemond and Chesepian territory. She lives a quiet and devotional life in a monastery with her husband, renowned interdisciplinary artist JJJJJerome Ellis. Her loyalties lie with the lichens. Consider supporting her work with the Tidewater Solidarity Bail Fund by visiting 757bailfund.com. The CryptoNaturalist is written and read by Jarod K. Anderson. Preorders for Jarod K. Anderson's new memoir about loving nature and struggling with depression are now open. Visit JarodKAnderson.com for more information. To find bonus content and a variety of strange rewards, support our show by visiting Patreon.com/CryptoNaturalist. You can also help by rating, reviewing, and telling a friend. For books and poetry collections by Jarod K. Anderson and Leslie J. Anderson, visit CryptoNaturalist.com/books. You'll find information about submitting your poetry or prose for our hidden lore segments in the about section of our website at CryptoNaturalist.com. This show is produced and edited by Tracy Barnett. You can find them online, anywhere at TheOtherTracy or TheOtherTracy.com. Thanks to Adam Hurt for the use of his song Garfield's Blackberry Blossom from his album Insight. For more information on Adam's music, performances, and teaching, visit adamhurt.com.

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JJJJJerome Ellis describes himself as “a stuttering, Afro-Caribbean composer, poet, and performer.” His last album, The Clearing, was a brilliant mix of sax, electronic music, and storytelling, featuring his own, stuttering voice. But his new project doesn't involve speech – though it is inspired by prayer. It's called Compline, named after the old evening prayers of Western Christianity, and it's a series of contemplative works for solo piano. JJJJJerome Ellis plays improvisations on Compline, his new set of piano works, in-studio. Set list: Compline Improvisation No. 4, Compline Improvisation No. 2, Compline Improvisation No. 3 Compline in Nine Movements by JJJJJerome Ellis

Today's guest is multidisciplinary artist JJJJJerome Ellis. Through music, text, performance, video, and photography he researches relationships among blackness, disabled speech, divinity, nature, sound, and time. He has a remarkable new solo piano album out this December on NNA Tapes called Compline in Nine Movements. Recorded in one take back in 2017, it's a longform improvisation on a theme Ellis developed with longtime collaborator James Harrison Monaco. Listen in to hear Ellis discuss the new album, disability rights, time and the value of public school music education as well as music from the album. Learn more about your ad choices. Visit megaphone.fm/adchoices

JJJJJerome Ellis joins Chaya Goldstein-Schuff to talk about stuttering as an heirloom, something "precious and worthy of being cherished." Jerome shares how he came about reframing the inherited genetic trait from something negative to positive and how he makes space for stuttering when times get tough. Finally, Jerome shares some projects he is working on, including the coming of a fantastic book. JJJJJerome Ellis, an artist, and a proud stutterer. Jerome makes music and writes books. He lives in Tidewater, Virginia, with his wife, ecologist-poet, Luísa Black Ellis. They love walking in the woods, reading, and drinking tea together.  Links:   JJJJJerome's website   Instagram

Episode 657: September 24, 2023 playlist: Yasmin Williams, "Dawning (feat. Aoife O'Donovan)" (Dawning) 2023 Nonesuch JJJJJerome Ellis, "Movement I" (Compline in Nine Movements) 2023 NNA Tapes Benoit Pioulard, "Seize" (Seize / Marre) 2016 Backwards Silver Apples and Makoto Kawabata, "Future Reminiscence" (Mirage) 2023 Important Flocks, "The Hunter" (Flocks) 2023 Zehra Jesus Guerrero, "Rondena" (Bolinus Brandaris: Flamenco from the Bay of Cadiz) 2023 Dust-to-Digital Infinite River, "Summer Session #3" (Space Mirror) 2023 Birdman Lorelle Meets The Obsolete, "Datura (Memorials Remix)" (Remezcla) 2023 Sonic Cathedral Skyphone, "Arbonought" (Oscilla) 2023 Lost Tribe Sound Forest Swords, "Caged" (Bolted) 2023 Ninja Tune Kamaal Williams, "Magnolia II - ft. Theo Croker" (Stings) 2023 Black Focus Marta De Pascalis, "voXCS60x" (Sky Flesh) 2023 Light-Years Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Recorded by JJJJJerome Ellis for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 6, 2023. www.poets.org

Er schreibt sich tatsächlich mit fünf «J», da sein Name eines der Worte ist, welches ihn am häufigsten stottern lässt. JJJJJerome Ellis ist Musiker und Autor und hat gelernt, seine Sprechstörung nicht nur zu akzeptieren, er erlebt sie als musikalisches Phänomen und Möglichkeitsraum für Begegnung. * Stottern kann stumm sein. * Zum Stottern braucht es zwei, denn Kommunikation ist geteilte Verantwortung. * Jerome Ellis sieht seine Sprechstörung als Chance. * Unflüssigkeit als musikalisches Phänomen. * Wie durchbricht Sprechfluss die Zeit. * Den Ideal-Speaker gibt es nicht. Im Podcast zu hören sind: * JJJJJerome Ellis, Multi-Instrumentalist, Autor und stolzer Stotterer * Prof. Wolfgang G. Braun, Logopäde und Dozent Bei Fragen, Anregungen oder Themenvorschlägen schreibt uns: kontext@srf.ch Mehr zum Kontext Podcast: https://srf.ch/audio/kontext

The past few days we've been talking about speakers using crutch words when we've got excess energy either from excitement or nerves. Today we're going to talk about filler words in a different way. Thanks to Maya Chupkov of the Proud Stutter podcast I've been learning a lot about stuttering specifically and speech diversity as a whole. Here are a few minutes from an interview I did with her recently on the Global Podcast Editors YouTube channel. NEED A PODCAST EDITOR: We can help! https://forms.gle/RDwMEVAr9XrhVyFp8Meet Your Podcast Editor newsletter: 1 tip every Friday: https://meetyourpodcasteditor.substack.com/Host: Stephanie Fuccio: https://www.stephfuccio.com/Maya: https://www.proudstutter.com/The Proud Stutter Podcast: https://www.proudstutter.com/-Maya's article: Tips For Verbally Diverse Podcast Industry: https://greatpods.co/blog/proud-stutt...-The Clearing by JJJJJEROME ELLIS: https://issueprojectroom.org/video/jj...Geopats YouTube channel is here: https://www.youtube.com/c/GeopatsPodcastWould love to hear from you: https://twitter.com/stephfuccio or https://www.linkedin.com/in/dstephfuccio This podcast was created with (affiliate links): Streamyard for recording, going live, and distributing FULL videos to LinkedIn, Twitter, Facebook, and YouTube: https://streamyard.com?pal=5673660346007552 Buzzsprout for podcast hosting: https://www.buzzsprout.com/?referrer_id=1907332 Acon Digital's DeVerberate to reduce echo: https://a.paddle.com/v2/click/11427/147398?link=3691 Tube Buddy to optimize YouTube: https://www.tubebuddy.com/globalpodcasteditors Stencil for YouTube thumbnail: https://getstencil.com?tap_a=9103-1801f8&tap_s=3091860-a222ae

The past few days we've been talking about speakers using crutch words when we've got excess energy either from excitement or nerves. Today we're going to talk about filler words in a different way. Thanks to Maya Chupkov of the Proud Stutter podcast I've been learning a lot about stuttering specifically and speech diversity as a whole. Here are a few minutes from an interview I did with her recently on the Global Podcast Editors YouTube channel. NEED A PODCAST EDITOR: We can help! https://forms.gle/RDwMEVAr9XrhVyFp8Meet Your Podcast Editor newsletter: 1 tip every Friday: https://meetyourpodcasteditor.substack.com/Host: Stephanie Fuccio: https://www.stephfuccio.com/Maya: https://www.proudstutter.com/The Proud Stutter Podcast: https://www.proudstutter.com/-Maya's article: Tips For Verbally Diverse Podcast Industry: https://greatpods.co/blog/proud-stutt...-The Clearing by JJJJJEROME ELLIS: https://issueprojectroom.org/video/jj...Geopats YouTube channel is here: https://www.youtube.com/c/GeopatsPodcastWould love to hear from you: https://twitter.com/stephfuccio or https://www.linkedin.com/in/dstephfuccio This podcast was created with (affiliate links): Streamyard for recording, going live, and distributing FULL videos to LinkedIn, Twitter, Facebook, and YouTube: https://streamyard.com?pal=5673660346007552 Buzzsprout for podcast hosting: https://www.buzzsprout.com/?referrer_id=1907332 Acon Digital's DeVerberate to reduce echo: https://a.paddle.com/v2/click/11427/147398?link=3691 Tube Buddy to optimize YouTube: https://www.tubebuddy.com/globalpodcasteditors Stencil for YouTube thumbnail: https://getstencil.com?tap_a=9103-1801f8&tap_s=3091860-a222ae

The past few days we've been talking about speakers using crutch words when we've got excess energy either from excitement or nerves. Today we're going to talk about filler words in a different way. Thanks to Maya Chupkov of the Proud Stutter podcast I've been learning a lot about stuttering specifically and speech diversity as a whole. Here are a few minutes from an interview I did with her recently on the Global Podcast Editors YouTube channel. NEED A PODCAST EDITOR: We can help! https://forms.gle/RDwMEVAr9XrhVyFp8Meet Your Podcast Editor newsletter: 1 tip every Friday: https://meetyourpodcasteditor.substack.com/Host: Stephanie Fuccio: https://www.stephfuccio.com/Maya: https://www.proudstutter.com/The Proud Stutter Podcast: https://www.proudstutter.com/-Maya's article: Tips For Verbally Diverse Podcast Industry: https://greatpods.co/blog/proud-stutt...-The Clearing by JJJJJEROME ELLIS: https://issueprojectroom.org/video/jj...Producer, Host, Editor: Stephanie Fuccio: https://www.stephfuccio.com/contact.html Geopats YouTube channel: https://www.youtube.com/c/GeopatsPodcastThis podcast was created with (affiliate links): Streamyard for recording, going live, and distributing FULL videos to LinkedIn, Twitter, Facebook, and YouTube: https://streamyard.com?pal=5673660346007552 Buzzsprout for podcast hosting: https://www.buzzsprout.com/?referrer_id=1907332 Acon Digital's DeVerberate to reduce echo: https://a.paddle.com/v2/click/11427/147398?link=3691 Tube Buddy to optimize YouTube: https://www.tubebuddy.com/globalpodcasteditors Stencil for YouTube thumbnail: https://getstencil.com?tap_a=9103-1801f8&tap_s=3091860-a222ae

Blackness, stuttering, music, and religion are all complex topics in their own right. Yet, Jerome Ellis combines them beautifully in his work, like when he uses academic and theoretical language to parse out the relationship between blackness and music.In the second part of our interview with Ellis, we talk more about his album, The Clearing, and how he draws out the beauty of stuttering through various mediums – history to show the connection between music and blackness, and comparing waiting birds and trees to the unknowingness of stuttering.“If I were...if I were repeating the first syllable of a book title than they…then [people] would be less likely to hang up because they would hear like, and they might be like – Oh, he's stuttering right now – but, because [my] glottal block so often sounds silent…people don't know what's happening, and…it's been so painful for so many years, but I gradually I've been able [to see there is something important there] in the not knowing.”Other topics include:How Blackness and stuttering play next to each otherHistorical knot of blackness and music Mosaics of differenceVoluntary and involuntary stutteringHerons and stutteringHonoring the mystery and beauty of the stutterStuttering and the state of unknowing Tress and stutteringGlottal block stuttering vs. repeating syllables in TV and film“Stuttering is an occasion to be present in complex thought”Mentioned in the episode:“We do not live single-issue lives” - Audrey LordeHistorian Saidiya HartmanTrack 1, 2, 4, 6, and 8 of The ClearingHistory of the word grallatorialThis American Life episode featuring Jerome“The Cloud of Unknowing”Jerome's forthcoming projectsUpcoming Live Performances:April 10, 2022: Rewire Festival in The Hague, NetherlandsMay 7, 2022: XJAZZ! Festival in Berlin, GermanyJuly 2022: Performances at Haus Der Kunst in Munich, GermanyBE PART OF THE SHOW:Rate this pod - https://ratethispodcast.com/proudstutter Have a question or comment - Leave a voicemail for Maya & Cynthia at (415) 964-0140 - this is a voicemail-only line, so we promise you won't have to talk to someone in person!Be a guest on the show - we would love to talk with you! Send us an email at info@proudsutter.com.FOLLOW PROUD STUTTER & ITS CREATORS:Maya's Instagram - https://www.instagram.com/mayasharona Cynthia's LinkedIn - https://www.linkedin.com/in/cynthia-l-chin/ Podcast website - https://www.proudstutter.com SUPPORT US:Donate - https://www.buymeacoffee.com/proudstutter Buy cute merch - https://www.proudstutter.com/shop Sign up for Proud Stutter updates, news & eventsSupport this podcast at — https://redcircle.com/proud-stutter/exclusive-content

JJJJJerome Ellis talks with Maya and Cynthia about the intersections of being a black person who stutters and a musician, how his views of his disability evolved since childhood, and why it was so important for him to connect his stutter to his ancestral history of slavery in his work. He also highlights how the stage is a safe space for stuttering and music is a source of healing the pain he experienced as a child.“Growing up I felt so much of the pain and also the beauty of the stutter. Over time I've come to feel the stutter alters time, and music is another way that we can alter time. Part of what I was trying to do with The Clearing is to try to undo some of the things that have been told to me about stuttering and to transform the stuttering narrative through poetry, music, history, and philosophy.”Other topics include:Stuttering easily with animalsIntersectionalityPain in not being able to connect with peopleThe stage as a safe space Comparing stuttering to being frozen in timeMusic as a source of healingBeing at odds with languagePoetry allows for so much freedom to explore languageGetting through interviews with a stutterLINKS FROM THE EPISODE:Jerome's album The ClearingJerome's accompanying book to The ClearingThe Guardian article, Artist and stutterer JJJJJerome Ellis: ‘So much pain comes from not feeling fully human'More about the collaboration between James Harrison Monaco and Jerome EllisPerformance at the Metropolitan Museum of Modern ArtBrittany Cooper's Racial Politics of Time TED TalkJoshua St. Pierre, Canada Research Chair in Critical Disability StudiesJerome's upcoming live performances:April 10, 2022: Rewire Festival in The Hague, NetherlandsMay 7, 2022: XJAZZ! Festival in Berlin, GermanyJuly 2022: Performances at Haus Der Kunst in Munich, GermanyBE PART OF THE SHOW:Rate this pod: https://ratethispodcast.com/proudstutterHave a question or comment - Leave a voicemail for Maya & Cynthia at (415) 964-0140 - this is a voicemail-only line, so we promise you won't have to talk to someone in person!Be a guest on the show - we would love to talk with you! Send us an email at: info@proudsutter.comFOLLOW PROUD STUTTER & ITS CREATORS:Maya's Instagram - https://www.instagram.com/mayasharonaMaya's Twitter - https://twitter.com/MayaSharonaCynthia's Instagram - https://www.instagram.com/cynthstaPodcast website - www.proudstutter.comSupport us:Donate: https://www.buymeacoffee.com/proudstutterBuy cute merch: https://www.proudstutter.com/shopShare Proud Stutter with your friends: https://pod.link/1588336626Support this podcast at — https://redcircle.com/proud-stutter/exclusive-content

Listen to London's Afrofuturist jazz masters Sons of Kemet, New York-based poet, composer, and stutterer JJJJJerome Ellis, and the custom baritone guitar of South African Guy Buttery. AND you must see and hear the prepared guitar of Sardinian composer, ethnomusicologist, and instrument builder Paolo Angeli, who filmed a beautiful remote session on the shores of Sardinia. Grammy-winning diva Angélique Kidjo brings a super-charged performance to The Greene Space and puts an exclamation point on 2021. - Caryn HavlikSet list: Sons of Kemet – "Hustle"JJJJJerome Ellis – "Bend Back The Bow and Let the Hymn Fly," excerptPaolo Angeli – "Jar'a Suite," excerptGuy Buttery – "Kya Baat"Angelique Kidjo – "Mother Nature" Watch the Best of 2021 performances for the Soundcheck Podcast: 

Clint gives his final performance for Zemo, and the future of the Kingdom changes hands. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Ash escapes Clint's tent, but is too late to save a dear friend. Raven takes Max under her wing. Zemo arrives at the circus. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

With her target finally in sight, Ash sets out for revenge despite warnings from both Junior and Max. Destiny warns there is danger ahead. The Ringmaster tries to delay Zemo's visit. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Ash confronts Junior, and is met with an unexpected surprise. Clint's plan for his ultimate revenge begins to crystalize. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Kate and Ash finally confront the past, while Clint and Bobbi argue about Ash's future. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Poet, sax player, electronic music producer, storyteller, and composer JJJJJerome Ellis is a stutterer. On his 2021 album The Clearing, he takes speech disfluency and considers how it affects one's experience of time. He explains “The Clearing” as that sense of unknowing in the moments where he is stuttering. It's a space, a pause of suspension that opens up unexpectedly – "like when you're hiking and suddenly you come to a clearing. You see the sun and take it all in, the light conditions, the plants, and how you might lose your path." The music on The Clearing uses hip hop drum sounds, deep bass, and experimental electronics, setting his 2020 essay, “The Clearing: Music, dysfluency, Blackness and time.” JJJJJerome Ellis' extraordinary achievement is in using the involuntary nature of The Stutter and then shaping his music to how “The Stutter presents him with a score.” In conversation, Ellis contrasts this 2021 release, The Clearing, with his series of sound installations, his “Fountains” – where he creates his own alternate time world in which there is a sense of relief, a respite from the interruption of flow. JJJJJerome Ellis offers live performances of works from his new album The Clearing, and shares how to say “I stutter” in Portuguese.  – Caryn Havlik Set List: “Loops of Retreat,” “Bend Back the Bow and Let the Hymn Fly” Watch "Loops of Retreat": Watch "Bend Back The Bow & Let The Hymn Fly":

Kate and Bobbi join forces to bring Ash back from the circus. After a visit with Raven, Ash catches Junior in a lie. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Senior proposes that the circus stay in the Kingdom permanently, while Bobbi gets a surprise visitor from the past. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Clint finally agrees to teach Ash how to fight. With the news of King Zemo's visit to the circus, Clint begins to plot his ultimate revenge. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

Ash meets Pyro and Destiny, and is brought deeper into the strange world of the Ringmaster's circus. Clint makes a failed attempt to talk Ash out of seeking vengeance for her friend Max. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

The Brotherhood Traveling Circus, Carnival and Ringmaster's Road Show arrives at the Kingdom, where their star attraction, a surly and disgruntled Hawkeye, performs nightly in a dramatized re-creation of The Day The Villains Won. Broken from reliving his personal trauma night after night, Hawkeye retreats to his tent after the show where he self medicates with booze. This is where his 17-year-old daughter Ash finds him, and approaches him with one simple request. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

The Brotherhood Traveling Circus, Carnival and Ringmaster's Road Show arrives at the Kingdom, where their star attraction, a surly and disgruntled Hawkeye, performs nightly in a dramatized re-creation of The Day The Villains Won. Broken from reliving his personal trauma night after night, Hawkeye retreats to his tent after the show where he self medicates with booze. This is where his 17-year-old daughter Ash finds him, and approaches him with one simple request. MARVEL'S WASTELANDERS: HAWKEYE starring Stephen Lang as Hawkeye and Sasha Lane as Ash and featuring performances by Jess Barbagallo (Max), Michelle Hurd (Bobbi), Bobby Moreno (Junior), Joe Morton (Ringmaster), Tracie Thoms (Kate), and Lea DeLaria (Raven). Directed by Rachel Chavkin. Original sound design by One Thousand Birds. Original score by James Harrison Monaco and JJJJJerome Ellis. Written by J. Holtham.

 Forty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. Marvel's Wastelanders: Hawkeye is the second installment in the Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Forty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. Marvel's Wastelanders: Hawkeye is the second installment in the Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Forty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. Marvel's Wastelanders: Hawkeye is the second installment in the Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Forty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. Marvel's Wastelanders: Hawkeye is the second installment in the Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Forty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. Marvel's Wastelanders: Hawkeye is the second installment in the Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Forty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. Marvel's Wastelanders: Hawkeye is the second installment in the Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Thirty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. When the Brotherhood Traveling Circus, Carnival, and Ringmaster's Road Show arrives at the Kingdom (in the territory formerly known as the southwest desert), Hawkeye gets an unexpected visitor, his estranged 17-year old daughter Ash (Sasha Lane). On her own mission for vengeance after losing her best friend, Ash insists on following Hawkeye on his secret mission. In a world without heroes, Ash learns what a true hero can really be. Marvel's Wastelanders: Hawkeye is the second installment in Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Thirty years ago, the villains of the world rose up and killed all the heroes. Well, all the heroes that mattered. The sole survivor of the Avengers, Hawkeye (Stephen Lang) is now a sideshow freak, re-living the worst day of his life for paying audiences. He's surly, broken, and losing his sight, but there's still that fire in him to be a hero, to avenge his friends. And he's ready to do what needs to be done: killing every last person responsible for the deaths of those he loved the most. When the Brotherhood Traveling Circus, Carnival, and Ringmaster's Road Show arrives at the Kingdom (in the territory formerly known as the southwest desert), Hawkeye gets an unexpected visitor, his estranged 17-year old daughter Ash (Sasha Lane). On her own mission for vengeance after losing her best friend, Ash insists on following Hawkeye on his secret mission. In a world without heroes, Ash learns what a true hero can really be. Marvel's Wastelanders: Hawkeye is the second installment in Marvel's Wastelanders audio epic. Written by J. Holtham (Supergirl, Jessica Jones), directed by Rachel Chavkin (Hadestown), with sound design by One Thousand Birds and an original score by James Harrison Monaco and JJJJJerome Ellis. Learn more at marvel.com/wastelanders.

Podcast número 20 que Joan Cabot ens ofereix per fer un tomb dins l'avantguarda sonora més interessant.

JJJJJerome Ellis used to think his stutter was his fault. But he's done blaming himself. This is the story of how he took his time back – and how disability, gender, and race all affect our access to time. Guests: cultural critic, academic, and activist Brittney Cooper, linguist Deborah Tannen, and composer, performer, and poet JJJJJerome Ellis. Part 5 of 6. Hosted by Rebecca Asoulin and Eoin O'Carroll. Visit csmonitor.com/time for the full transcript, episode art, and links to the research and performances mentioned in this episode.

JJJJJerome Ellis used to think his stutter was his fault. But he's done blaming himself. This is the story of how he took his time back – and how disability, gender, and race all affect our access to time. Guests: cultural critic, academic, and activist Brittney Cooper, linguist Deborah Tannen, and composer, performer, and poet JJJJJerome Ellis. Part 5 of 6. Hosted by Rebecca Asoulin and Eoin O'Carroll. Visit csmonitor.com/time for the full transcript, episode art, and links to the research and performances mentioned in this episode.

JJJJJerome Ellis used to think his stutter was his fault. But he's done blaming himself. This is the story of how he took his time back – and how disability, gender, and race all affect our access to time. Guests: cultural critic, academic, and activist Brittney Cooper, linguist Deborah Tannen, and composer, performer, and poet JJJJJerome Ellis. Part 5 of 6. Hosted by Rebecca Asoulin and Eoin O'Carroll. Visit csmonitor.com/time for the full transcript, episode art, and links to the research and performances mentioned in this episode.

On today's episode I'm joined again by my flatmate Grace Vooght, except I'm asking the questions this time. Art is such a huge part of both of our lives and we discuss how much of a positive impact creating art has had on our mental health this past year.  The specific artists that Grace mentions are-Marina Abramovic, Montell Fish and JJJJJerome Ellis.  As always please rate and review on iTunes and give me a follow on Insta at @thebestwecanpod.