Podcast appearances and mentions of joe dart

Episode 65: Nate Smith. One of the greatest drummers in the game, a future member of the Hall of Fame—you already know it's Nate Smith! I had a great time hanging with Nate in this conversation. He's a brilliant musician, composer, thinker, and such a fun guy. We go deep on how he got the gig with Brittany Howard and his work with her, how the Fearless Flyers became a band and how they make records, his practice regimen, personal life, philosophies, working with Paul Simon, going viral, what drives his creativity, etc. Nate is the kind of guy you like even more once you talk with him, so I hope this interview makes you feel like you know him better—and become an even bigger fan. Much love! Here's my talk with Nate Smith. ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. (0:00:00) INTRO (0:03:06) L.A. (0:04:15) NEW FEARLESS FLYERS ALBUM (0:04:54) L.A. FIRES (0:05:59) THE FEARLESS FLYERS, ACE OF ACES (0:08:32) CREATING FEARLESS FLYERS SONGS (0:09:50) RECORDING SESSIONS, JOE DART (0:13:45) KICK, SNARE, HAT (0:16:35) STAYING MOTIVATED (0:18:12) DROPPING DRUM STICKS VIRAL CLIP, GETTING FOUND (0:22:22) EXPANDING CAREER (0:26:00) KINFOLK (0:27:14) BRITTNAY HOWARD (0:30:14) BALANCING BANDS (0:32:58) MUSIC BUSINESS, QUINCY, MICHEL MAYO, YEBBA, DANIELLE PONDER (0:38:01) POCKET (0:40:43) PRACTICING, STAYING INSPIRED (0:44:27) WRITING SOLOS (0:45:23) AARON SPEARS (0:47:04) PAUL SIMON (0:50:23) GREATEST LESSON FROM BRITTNAY HOWARD (0:51:49) BRITTNAY HOWARD'S METAL BAND, "KUMITE" (0:52:36) NATE SMITH'S ROUTINES (1:06:54) WATCHES Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated!   Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Nate Smith https://www.instagram.com/natesmithdrums/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano

On this episode Josh talks with Abby Dart, who is mother of Vulfpeck bassist Joe Dart and the daughter of legendary studio violinist Israel Baker. They talk about how Abby grew up with a professional musician as a father, how she was able to be a working mother with five kids at home, her husband's death and the how she and her kids were impacted by it, and being a fan of Vulfpeck, despite her son being part of the band. A Spotify playlist of most of the music you heard on the show can be found at https://spoti.fi/3P4qdMQ. (Interview recorded on November 18, 2024)

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This time on Wong Notes, Cory is joined by his Vulfpeck and Fearless Flyers copilot Joe Dart. Wong doesn't waste any time, diving in by asking Dart, by now renowned as a modern bass wizard with flawless fundamentals, how he developed he signature “voice” on the bass. As Dart explains, it came from listening to players who had their own distinct “voice,” who sound like “they're singing a part within the song,” he says. These “philosophers of the low-end,” like Flea, imprinted the value of total intention and feeling in every note, as if any single one could be your last.Dart throws it back to his first bass—a Samick—and remembers how it's ridiculously high action was like weight training for the rest of his career. He still likes his strings suspended up higher than most, which allows his “brute force” slapping. Wong and Dart trade notes on practice regimes, and Dart offers advice for young players: Learn your scales, sure, but most importantly, “play with as many different people as you can.” Plus, Dart breaks down his differing approaches to instrumental and vocal tracks.Later on, the bandmates ponder the mental trap of the social media comparison game, and wonder at how algorithms impact which music rises to the top of the heap. What does Dart hope to remembered for? With any luck, he'll have works as iconic as his grandfather's, Israel Baker, whose violin playing you'll recognize not just from collabs with Frank Sinatra and Ella Fitzgerald, but some of the most famous film scores and TV show theme songs.Listen to the full episode here: https://bit.ly/WongNotesGet 30% off your first year of DistroKid by going here: http://distrokid.com/vip/corywongVisit Joe Dart: Hit us up: wongnotes@premierguitar.comVisit Cory: https://www.corywongmusic.comVisit Premier Guitar: http://premierguitar.comTwitter: https://twitter.com/wongnotespodIG:

We had the pleasure of interviewing Rett Madison over Zoom video!One for Jackie, the new album from Los Angeles-based vocalist, songwriter and multi-instrumentalist Rett Madison, is out today via Warner Records/War Buddha Records and watch the video for new single “Flea Market” shot by Wes O'Connor at Sonic Ranch.“I made this album in memory of my mother and to honor my own grief,” Madison says. “I hope these songs will provide a moment of catharsis for anyone that's lost a loved one, especially those of us that have lost someone to suicide.”One for Jackie features a collaboration with Iron & Wine and previously shared singles “One for Jackie, One for Crystal,” “Skydiving” and “Fortune Teller,” which arrived alongside a video directed by Joelle Grace Taylor (Kaytranada, Ariana Greenblatt, Rob Lowe) and choreographed by Carlena Britch (Justin Bieber, Beyonce, Gwen Stefani) and inspired Madison's recently-launched Fortune Teller Arcana Tarot Card website.One for Jackie is a tribute to Madison's mom, who struggled with depression, PTSD and alcoholism for Madison's whole life before she passed by suicide in 2019, leaving her only child with the harrowing responsibility to try and better understand her mother while she mourned her. “Writing this album, I was moving through grief,” Madison says. “It was part of my healing process.”Recorded in Tornillo, Texas at the storied Sonic Ranch and produced by the Grammy Award-winning Tyler Chester (Madison Cunningham, Sara Bareilles, Watkins Family Hour), One for Jackie simultaneously borrows from legendary storytellers of the past like Bob Dylan and Bruce Springsteen while cementing itself as an American classic for fans of Phoebe Bridgers, Angel Olsen and Brandi Carlile. Between Madison's gutting lyrics, her singular voice and her exacting creative vision, One for Jackie immerses the listener in Madison's grief, relying on memory and raw emotion to paint a lasting picture of Jackie. Rather than flattening and sanctifying her mother in the wake of her death, Madison portrays Jackie in all her glory and complexity. The result is an album that brings Jackie to life.Originally from West Virginia, Rett Madison is a queer singer-songwriter and multi-instrumentalist based in Los Angeles. She has been featured in publications such as Billboard, American Songwriter and Rolling Stone, where her music was described as “simultaneously brazen and vulnerable,” giving her a place “in the new school of acclaim-worthy troubadours.” She has sung backing vocals for artists such as Lorde and Kate Nash and opened for artists including Melissa Etheridge, Sheryl Crow, Elle King and more. Having independently released a handful of singles ahead of her 2021 debut album, Pin-Up Daddy, she's worked with some of the most talented players today, including Theo Katzman, Brian Jones, Lee Pardini and Joe Dart.We want to hear from you! Please email Hello@BringinitBackwards.comwww.BringinitBackwards.com#podcast #interview #bringinbackpod #RettMadison #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/followFollow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

Thanks for checking out this podcast episode! Join our discord: https://discord.gg/kK4cyy7H We discuss:-Playing Bonnaroo -Wearing earplugs like Earasures-Bonnaroo Corey Wong Superjam-Fearless Flyers secret set with Joe Dart-Sheryl Crow is the GOAT-Noble Preamp (AS ALWAYS)-Country Jam-SVT buzzing-More flying with basses and a mono bag-Temple Boards-29 Pedals EUNA-Mono power supplies look interesting

Listen to an interview with Vulfpeck/The Fearless Flyers bassist Joe Dart and guitarist Cory Wong that took place aboard Jam Cruise on the latest episode of 'The JamBase Podcast.'

The boys get funky this week with the fantastic funky fellas of Vulfpeck!

**ENGLISH BELOW**In Basgasten interview ik, Hidde Roorda, bassisten over hun carrière, hun spullen en hun inspiraties. In aflevering 75, de eerste van seizoen 3, spreek ik met Joe Dart van Vulfpeck en Fearless Flyers over zijn spullen, zijn spel en zijn nek!Alle nummers die we bespreken staan in de Basgasten playlist op Spotify: https://open.spotify.com/playlist/6YOFD8pqFXK2OET1oupRpA?si=a9943b716bfb4914Basgasten steunen? Word Vriend van de Show op vriendvandeshow.nl/basgastenTips? Vragen? Opmerkingen? basgasten@hidderoorda.nl**ENGLISH**In Basgasten I, Hidde Roorda, interview bass players about their career, their gear and their inspiration. In episode 75, the first of season 3, I talk to Joe Dart of Vulfpeck and Fearless Flyers about his basses, his playing and his neck.Tips? Questions? Other remarks? basgasten@hidderoorda.nl

This week on Get In The Garage we each selected five of our favorite bass players of all time. From modern and contemporary players like Joe Dart and Pino Palladino, hardcore punk and heavy metal players like Kim Gordon and Lemmy Kilmister, to foundation layers like James Jamerson and Carol Kaye, we cover a bunch of the greatest gods of thunder! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Hailing from San Francisco and finding his musical roots in Texas, Mark Lettieri is no stranger to diversity when it comes to how he approaches the guitar. Throughout his career, he's released six solo albums, has been involved in countless recording sessions, and has toured with many well-known music acts. Since 2008, Lettieri has been involved with Grammy-winning Snarky Puppy and is also a member of The Fearless Flyers with Cory Wong, Joe Dart and Nate Smith. All of these experiences have helped to expand his musical diversity - including rock, pop, funk, soul, gospel, jazz, and even various styles of country. His new album, “Deep: The Baritone Sessions, Volume 2”, continues this exploration and includes a fusion of a variety of styles. Inside MusiCast is pleased to welcome Mark Lettieri.

Woody and Jeremy are on the podcast today! This episode has some serious dad talk, Vulfpeck, and their new self-released album "Gravy in My Coffee" comes out June 4th! Order here: https://woodyandjeremy.bandcamp.com/ Buy my new album "Mid-Century Modern Romance" on vinyl: https://www.bornlosersrecords.com/product/dante-elephante-mid-century-modern-romance-transparent-blue-vinyl MERCH: https://www.hellomerch.com/collections/dante-elephante Thanks for listening to the Dante Elephante Podcast. If you want to support the band go to www.danteelephante.com for merch and tour dates. Visit our Patreon and become a member to get exclusive podcast content, an all vinyl monthly DJ mix and more! Find Dante Elephante: www.danteelephante.com Facebook: https://www.facebook.com/DanteElephante/ Twitter: https://twitter.com/Dante_Elephante Instagram: https://www.instagram.com/danteelephante Spotify: https://open.spotify.com/artist/3RdlkFPALHduIIZSinXgJZ Patreon: https://www.patreon.com/danteelephante

In March 2020, just as the world was closing under the advancing cloud of Covid 19, I spoke to a handful of musician friends from around the world to hear how they were doing and to explore some of the pressing questions around the shutdown and the arts.  One year later, I check in with (almost) all of them to hear what the last year has been like for them, what were the challenges and opportunities of the first Covid year, and how they see the future.  Italian singer Gege Telesforo, saxophonist John Ellis, bassist Joe Dart (sort of), guitarist Adam Levy, trombonist Ryan Keberle, artist manager Andrew Leib, singer songwriter Victoria Canal, artist and advocate Ari Herstand, guitarist Lage Lund, mud trudging songwriter Joy Dragland and funk magician Charlie Hunter (in his way) all weigh in.  Thanks for listening. If you enjoyed it, please leave a review on iTunes and consider supporting the podcast on Patreon and following the podcast on Twitter, Instagram and Facebook.

Dave's favorites of Cory Wong includes:Hot Fav 1: “Golden” began as an instrumental but quickly morphed into a full track when Cory met Cody Fry on the internet, whom he refers to as his “German counterpart.” They became close friends and writing partners, doing both from different parts of the globe.Hot Fav 2: “Limited World” started as an instrumental, but wasn’t doing it completely for Cory. With his decision to add vocals, he sent it to Caleb Hawley and told him to go wild.Hot Fav 3: Cory was fiddling around on guitar, playing Eric Clapton’s “Change the World” when the first version “Meditation” came to him. While playing on Stephen Colbert’s Late Show, Cory and Jon Batiste combined forces to complete the song.Hot Fav 4: “Blackbird” is a song that Cory consistently puts on to calm his mind. He wanted to experiment with acoustic arrangements during quarantine and figured it was a great cover to start with.Hot Fav 5: “Cory Wong” by Vulfpeck solidified Cory as a mainstay in the band. The song was originally from a Vulfpeck tour vlog where Cory and Joe Dart improvised during a jam sesh. They couldn’t think of a name for the track and thus, “Cory Wong” was born.

Episode 36 is here! The Rabbits are back with their unique blend of silliness, stupidity and skitsThis week, Adam has gone rouge but can a magic remote save face because the new Mach 23 certainly won’t! Benson tries to peddle his putrid bath water while investigating some Chocolate rain and Sam’s wizardly ways lead to some interesting conspiracy theories ‘Fact Hunt’ comes readily assembled and is all about everyone’s favourite foot destroyers, Lego AND ‘Quiz On Your Face’ pits wits and words together as Benson tries to get a foothold in the series.Music this week comes from the Irish/US collaboration ‘The Olllam’ With thanks to our guest voiceover, Irish favourites ‘The JamCast’ WARNING: STAMP COLLECTORS... PHILATELY WILL GET YOU NOWHEREIf you like what you hear, check out our Patreon here....www.Patreon.com/killerrabbitpodCome join the discussion on our Facebook page:www.facebook.com/killerrabbitpodGet your ‘Tweet’ on right here:www.twitter.com/killerrabbitpodAnd for more exclusive content, visit our Instagram page here:www.instagram.com/killerrabbitpodOr...If you’d rather not look at our ugly mugs but still want to join in, you can e-mail us at:killerrabbitpodcast@gmail.comAND...You can even feature on the show by sending us a voice message by What’s App or txt to the KRP phone on...+44 (0)7933 570500RELATED LINKS:FEATURED ARTIST: The OlllamWEBSITE: https://www.theolllam.com/TWITTER: https://twitter.com/theolllamKICKSTARTER: https://www.kickstarter.com/projects/theolllam/the-olllam-album-twoGUEST VOICEOVER: The JamCastWEBSITE: https://linktr.ee/jamcastTitle Music provided by Free Vibes: https://goo.gl/NkGhTgRock Thing by Creo: https://soundcloud.com/creo/rock-thingCreative Commons - Attribution 4.0 International (CC by 4.0): https://creativecommons.org/licenses/by/4.0/Support the show (https://www.patreon.com/killerrabbitpod)

On this episode of MIND BACON, Chris invites Ryan on the show for an intense game of "Earth Wind and Fire Lyric? Or Trump Quote?". The 2 music geeks show their love for Vulpeck and bassist Joe Dart, while talking about some honest facts for any aspiring musicians. CHYLD Masks available now. http://chyldmusic.com/shop The new CHYLD single "ur a puzzle" is out now! Listen to Mind Bacon on your favorite streaming platform, today. Spotify: https://open.spotify.com/show/5AKKbHlqNY2T9fYRwkvkyx?si=bfMW-Ye3R-GFleWU3Q_kew Anchor: https://anchor.fm/mindbacon Pocketcasts: https://pca.st/v454crbj Visit Anchor.Fm to start your own podcast today --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mindbacon/message Support this podcast: https://anchor.fm/mindbacon/support

My guest today is Packy Lundholm a Chicago-based multi-instrumentalist, songwriter, and producer/engineer. He plays the guitar with Nintendo rock band I Fight Dragons, who just released their third LP "Canon Eyes" and celebrated their 10th anniversary. Packy runs his recording operation out of the B-room at Sound Vault Studios in Chicago, where he records various artists, and works as a session musician at Rax Trax Recording and Gravity Studios as well.  In recent years he has collaborated on several projects with Vulfpeck keyboardist Woody Goss, sharing credits with Vulf members Theo Katzman and Joe Dart. Outside of the studio he performs live in different contexts, from jobbing bands and bar mitzvahs to improv-heavy tributes to Traffic and the Grateful Dead. Packy writes and records his own music from time to time, his most recent full-length release being 2016's American Soccer. His music draws heavily from early power pop influences with touches of psychedelic rock and Americana. He is slowly brewing plans to release more singles over this year, hopefully culminating in another full-length record in the nearest possible future. Recently I saw a new video that Packy posted recording the song Don’t Leave A Thing Behind in his studio and I knew he would be great to have on the show to talk about recording yourself in the studio as well as playing with and producing other artists. Thanks to our sponsors! OWC: Other World Computing: https://www.OWC.com JZ Microphones: https://usashop.jzmic.com Spectra1964: https://www.spectra1964.com Presonus Studio One: https://www.presonus.com API Audio: http://www.apiaudio.com/ RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/257

Radiokultura, par le biais de cette chronique, vous propose de découvrir un musicien, tant dans son parcours de vie que dans son univers musical et artistique. Plongez avec nous à la rencontre d'êtres de musique passionnants! Zik'onfinement #4: Joe Dart Musika: Vulfpeck, Theo Katzman tour Jatorria: Radiokultura

Show Notes  Jazz Bass Vs P Bass. We have all heard them, but do we know the difference?  This week is a deep dive into the differences between the two iconic instruments. Where do they come from? Who plays them? What do they sound like? Which one should I play?  All that and more this week on Just the Bassics.  P Bass  P Bass was the de facto, go to instrument for bassists in nearly every style of music. It is making it’s comeback now because of its full, fat sound without piercing highs. The bread and butter of the P Bass is it’s ability to “sit in the mix” and serve the music. It is popular with round wound or flat wound strings, though a good sets of flats is particularly desirable on a vintage P Bass. Typically, they have slightly wider necks and lighter bodies, giving them that full sound. This is partially due to the fact that the players using P Basses were switching from Upright Bass.  The Precision Bass gets its name from the pickup, a precision pickup. 1951 single coil The design of the pickup was created to get rid of the signature hum that was heard from a J Bass. Visually the difference is very obvious. The P Bass is centered in the body of the bass and has two offset coils 1957. They slightly overlap in the middle. They are the original “humbucker” pickup and they work by having one of the two coils magnetized north and the other magnetized south. Then, they were wound in opposite directions (clockwise v counter clockwise) and run in series (they work together, but not at the same time. Power goes from one to the next). The offset overlap actually helps to widen the tonal range of the pickup (more bass but also more treble).  It is perfect for Rock and R&B, but can be used in nearly any style of music. Some Artists that are known for using a P Bass are James Jamerson, Carol Kaye, Duck Dunn, Sting, and Duff McKagan.  Jazz Bass  The Jazz Bass is the tool of legends like, Marcus Miller, Jaco Pastorius, Geddy Lee, and fFea . It is known for a scooped sound that has a big bottom end and clear highs. It doesn’t not sit in the mix like a P bass does, rather it cuts through more aggressively. This makes it the perfect tool for a bassist that wants to be heard or play intricate lines that can become muddy if the tone is too warm. J Basses are known for having thinner necks and slightly heavier weight bodies, making them more accessible for guitarists to switch over to or for players with smaller hands.  Jazz Basses do not use a single offset pickup like the precision bass does, but instead it uses two separate pickups, one on the neck and the other on the bridge. The have a brighter sound due to 1) being single coil pickups tuned to pick up higher frequencies and 2) the bridge pickup being located, well, close to the bridge. The strings are tighter there and therefore have a brighter sound than at the neck.  Which One Should You Play?  If only the answer were that easy. It boils down to two major things: What sound do you need? What is your preference?  I personally prefer the sound and feel of a J Bass. Something about it makes me feel different that a P Bass does. The crispness and sharpness of the sound speaks to me and the way I want my music to sound. However, I generally find myself playing a P Bass lately.  The P Bass has the sound that checks all of the boxes for my current projects. The Jazz Bass didn’t fit into the music the way that P Bass does. The warmth and fullness is what I need for the right sound. In my case, my needs trump my preference.   Are There Other Options?  Of course! The most common alternative is the Musicman style pickup. This has a more growly sound and is used by Joe Dart.   There are also new pickups out that use infrared lasers instead of magnets to read the string’s vibration. The advantage is near infinite sustain because the magnetic field doesn’t slow down the string. The drawback is that it picks up every overtone, harmonic, ring, or accidental touch. Because of that, if you choose to play this style instrument you will need to perfect your muting technique (though, you should probably do that anyways).  One of our favorite options is the P/J Style. It is exactly what it sounds like: A Precision neck pickup and a Jazz bridge pickup. This provides one of the largest tonal varieties that you can ask for.  The most common options are P and J basses because of their versatility and familiarity. Either way, you can’t go wrong as long as you use the sound that will serve your music.  Links  Seymour Duncan on Pickup Styles: https://www.seymourduncan.com/?post_type=post&s=Jazz+Pickup Fender on Jazz Bass vs P Bass: https://www.fender.com/articles/how-to/precision-bass-or-jazz-bass-which-is-right-for-you Spotify Playlist: https://open.spotify.com/user/bpelkdoz61rtjou6fivwjuq1u/playlist/0Y3sjgSWWZQjZUBFUZy0Tp?si=XGIHrisfT629iz__t6xz0Q  Reddit: https://www.reddit.com/r/JustTheBassics/  Patreon: https://www.patreon.com/justthebassics  Other Episodes: justthebassics.com/podcast  Blog: justthebassics.com/blog    The post Jazz Bass Vs P Bass appeared first on Just the Bassics.

How is the Coronavirus impacting the creative class? What happens when musicians lose their primary income overnight? What opportunities are there for creativity in this moment of social distancing? What is the conversation for performing musicians, online creators, and artists? How is it different in countries with a social safety net?  Victoria Canal, Jack Conte, Joe Dart, Joy Dragland, John Ellis, Ari Herstand, Ryan Keberle, Andrew Leib, Adam Levy, Lage Lund, and Gege Telesforo all weigh in. Original Music by Charlie Hunter (from his Instagram Livestream on March 13).  www.third-story.com www.patreon.com/thirdstorypodcast  

This week, Tori and Indy do a deep dive on arguably the best bass player of today, Mr. Joe Dart!Support this podcast at — https://redcircle.com/the-conscious-club-podcast/donations

Dr. Morris “Mushy” Krongold's live interview opening for The Cooties in LA and we talk Joe Dart's fame. Please be advised that this is a Fan-made Podcast. Even though we would love nothing more, we are not associated with Vulfpeck, Vulf Records LLC., Vulf Productions Inc., or any associated acts tied to the greater Vulf … Continue reading #1 Mushy Krongold's Reputation TARNISHED | TCCP →Support this podcast at — https://redcircle.com/the-conscious-club-podcast/donations

Joe Dart was on his way to Boston. He had enrolled in the Berklee College of music - a somewhat inevitable step for the young, very talented bass player from rural Michigan who loved funk and soul music. Although he had already been performing regularly in and around his home of Harbor Spriannngs, Michigan, he knew he would have to get out of town to achieve his goal of being a touring and recording bass player. But he didn’t go. Something kept him in Michigan and at the last minute he changed his plans and decided to move to Ann Arbor to attend the University of Michigan instead. Any guesses what that one thing might have been? You’re probably right. Anyway, it didn’t take him long to meet the musicians who would change his life and trajectory. Within weeks of moving to Ann Arbor, a jam session with Jack Stratton reoriented both of them. Along with Theo Katzman, Woody Goss, and a continually expanding collection of regular players (including Cory Wong, Antwaun Stanley and Joey Dosik) and special guests (like drummers James Gadson, Bernard Purdie, Michael Bland, and Louis Cole) Joe Dart became both the backbone and the bottom end of Vulfpeck. Through their youtube videos, Vulfpeck has become the subject of enormous fanaticism and enthusiasm for a new generation of funk loving hipsters. And Joe Dart has inspired a special kind of fervor from fans, fed in part by the band’s own Jack Stratton who seems committed to making sure Joe Dart becomes a household name among the internet connected backbeat illuminati. Joe and I got together last month in an Airbnb in Paris to talk about how “the way you groove has power”, why the magic of Vulfpeck is in the freshness of the music, what it means to “play every note like my life depends on it”, if his vigorous head bobbing influences his groove, and where he learned to play bass “like a drummer”. Thanks for listening. If you enjoyed it, please leave a review on iTunes and consider supporting the podcast on Patreon! And now you can also listen to the podcast on Spotify!

The one and only Joe Dart, from Vulfpeck, The Olllam & more, tells me about his favourite song, plus new music from Slow Skies, Royal Yellow, Frankie Cosmos, The Goon Sax, Katie Dey, Stella Donnelly, Talos, Gaze is Ghost, plus some classic Looper, and as it's the 10th anniversary of Alopecia, a bit of Why? including a brand new Boards Of Canada remix of Good Friday. Every Thursday night at Róisín Dubh, Galway, Ireland and every Friday at 9pm & Saturday at 7pm on 8radio.com. Strange Brew : Songs Of The Day playlist - https://open.spotify.com/user/gugai www.strangebrew.ie www.facebook.com/strangebrewgalway www.twitter.com/@strangebrewirl gugai@strangebrew.ie