Welsh bassist and record producer from Cardiff
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5 episodes with Pino Palladino
4 episodes with Pino Palladino
4 episodes with Pino Palladino
2 episodes with Pino Palladino
3 episodes with Pino Palladino
2 episodes with Pino Palladino
3 episodes with Pino Palladino
2 episodes with Pino Palladino
2 episodes with Pino Palladino
Episode SummaryOn this episode of The Bandwich Tapes, I sit down with Liam Duncan, the Winnipeg singer-songwriter, producer, and bandleader better known as Boy Golden. Liam has been carving out a distinct lane in modern roots music through records like Church of Better Daze, For Jimmy, For Eden, and now Best of Our Possible Lives, his 2026 album released by Six Shooter Records. Along the way, he has earned major recognition in Canada, including a Juno nomination for For Eden and a Canadian Folk Music Award, while continuing to grow as both an artist and a producer. We begin with the new album itself, which feels relaxed on first listen but reveals a deeper level of craft the more time you spend with it. Liam talks about the balance between intentional songwriting and the freedom of a loose studio environment, and he explains how careful pre-production gave the band room to breathe once the red light was on. That combination of structure and openness runs through the whole conversation.We spend a good stretch of time on the making of Best of Our Possible Lives, including Liam's collaboration with co-producer Robbie Lackritz and a remarkable studio cast that includes Pino Palladino, Abe Rounds, Austin Parachoniak, FONTINE, Gabe Noel, and Joseph Shabason. Liam shares what it was like to sing and play inside a rhythm section that strong, how live the sessions really were, and why letting go of technical responsibilities helped him become a better performer in the room. The result is a record that feels warm, human, and deeply played. From there, the conversation opens out into larger questions about communication, collaboration, songwriting, and identity. Liam talks about learning to speak differently to different musicians, the value of being both a bandleader and a sideman, and why he does not feel especially tied to recreating his records onstage. We also get into the meaning behind the name Boy Golden, the freedom of writing through an alter ego, and the way fiction, metaphor, and autobiography all live together inside a song.What I love about this conversation is that Liam is thoughtful without sounding guarded. He is clearly serious about songs, sound, and arrangement, but he also leaves room for instinct, humor, and surprise. This episode is about more than one record. It is about what happens when an artist learns to prepare deeply, trust the people around him, and leave enough space for the music to become what it wants to become.Key TakeawaysLiam built Best of Our Possible Lives through a mix of deliberate songcraft and a relaxed, collaborative studio process.Working with players like Pino Palladino and Abe Rounds gave the music a rhythmic center that made everything else feel easier to sing and play over.Sharing production duties with Robbie Lackritz allowed Liam to step away from technical tasks and focus more fully on performance. He adjusts how he communicates musical ideas depending on the player, whether that means theory, feel-based language, or simply playing something through a few more times.The Boy Golden name gave Liam more artistic freedom than writing under his own name, especially in how he blends truth, fiction, and storytelling.He values live performance as an art form in its own right and is not especially interested in reproducing studio recordings exactly onstage.He is already thinking ahead creatively, including new writing methods and experiments with combining multiple song ideas into larger suites.Music from the EpisodeBoy Golden - You Got itBoy Golden - SufferBoy Golden - The Matter at HandBoy Golden - Best of Our Possible LivesBoy Golden - ChickadeeAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative thinkers for thoughtful conversations about craft, collaboration, career, and the deeper philosophy of making music. It is a space for stories, process, and the lived experience behind the work.Connect with the ShowEmail: contact@thebandwichtapes.com
On this episode of The Bandwich Tapes, I sit down with Billy Allen and Jay Burgess from Billy Allen + The Pollies for a conversation that feels less like an interview and more like hanging out with musicians who care deeply about feel: the kind of musical quality you can't really quantify. Still, you know immediately when you hear it.We start with a full-circle moment: the band was scheduled to play Smith's Olde Bar in Atlanta the night of our conversation, a venue I know well. That quickly turns into stories about the realities of life as a working band: stairs, load-ins, and the kind of shared touring experiences that musicians everywhere instantly understand.From there, we trace the long arc of how Billy and Jay's collaboration actually came together. Their connection began years earlier when Jay first heard Billy singing in a bar, but it took time for the right musical moment to develop. That theme of timing runs through the entire conversation, how artists grow into themselves, and how patience can be the difference between a short-lived project and something sustainable.One of my favorite parts of the conversation centers on their philosophy about recording. Billy and Jay talk about their love for capturing music as a band in the room, embracing the push and pull of human tempo and the small imperfections that give a track its life. Jay describes himself as a “perfectionist at imperfection,” and we unpack that idea through classic records that breathe, groove as personality, and what “Southern” really means musically, less about technical flash and more about emotional honesty.We close by talking about what's ahead: the creative pressure of follow-up releases, the temptation to chase past successes, and why the healthiest path forward might be to keep writing, recording, and trusting the process.Key TakeawaysFeel whether the foundation of great music — groove and emotion often matters more than technical perfection.Timing matters in creative partnerships — the right collaboration can sometimes take years to develop fully.Touring creates a shared language among musicians — the realities of life on the road shape the band experience.Recording together captures something unique — the push and pull of human tempo can't be replicated digitally.Imperfection can be musical strength — small flaws often give recordings their personality.Southern musical traditions emphasize soul and storytelling — emotional honesty over technical showmanship.Trusting the process is essential — the best songs often reveal themselves when artists give them time.Music from the EpisodeAll of Me - Billy Allen + the PolliesLady Luck - Billy Allen + the PolliesIf You Want Me to Stay - Billy Allen + the PolliesAbout the PodcastThe Bandwich Tapes is a podcast hosted by Brad Williams, featuring conversations with musicians, composers, producers, and creative thinkers about their musical journeys. Each episode explores the stories, influences, and experiences that shape a life in music—one conversation at a time.Connect with the ShowEmail: contact@thebandwichtapes.com
John Alec Entwistle est un bassiste de rock anglais né le 9 octobre 1944 à Chiswick, dans la banlieue de Londres et mort le 27 juin 2002 à Las Vegas. Connu principalement, pour avoir été le bassiste du groupe mythique The Who, il fait partie de ces musiciens de légende dont la virtuosité et la créativité ont énormément apporté au monde de la basse. Cours de basse⎥Blog BassistePro.com – Cours de basse⎥apprendre la guitare basse avec un Pro⎥ ——->>>>>>> Partagez cet article sur les réseaux sociaux afin qu’il puisse aider d’autres bassistes motivés à progresser ! John Entwistle, sa carrière Enfant unique d’un père trompettiste et d’une mère pianiste, John a surtout été élevé par sa mère, à South Acton, suite à la séparation de ses parents. Dans les années 40, le divorce était une chose assez rare et cela a certainement contribué à façonner la personnalité introvertie et stoïque d’Entwistle. Il commence à prendre des cours de piano à l’âge de 7 ans, mais cette expérience ne s’avère pas très concluante. Il n’apprécie pas tellement cet instrument, et lui préfère la trompette. À l’âge de 11 ans, il intègre la Acton County Grammar School et se lance dans l’apprentissage du cor d'harmonie. Il joue alors dans l’orchestre symphonique de l’école, le Middlesex Youth Orchestra. C’est dans cette école, en deuxième année, qu’il rencontre Pete Townshend, avec lequel il va sceller une grande amitié. Les deux compères vont former un groupe de jazz, appelé The Confederates, mais après seulement un concert, ils vont décider de se tourner définitivement vers le rock. À ce moment-là, Entwistle a du mal à s’entendre sur scène avec sa trompette. Après avoir brièvement essayé la guitare, il est rapidement attiré par le son grave et puissant de la basse. Au début des années 60, John Entwistle est remarqué par Roger Daltrey, qui était aussi à la Acton County, une année au-dessus de lui, et qui avait depuis quitté l’école pour travailler dans la tôle. Ce dernier l’invite à faire partie de son groupe, The Detours, et Entwistle en profite pour convaincre Daltrey d'embaucher Pete Townshend. ——->>>>>>> Êtes-vous un fan de John Entwistle ? Dites-le moi dans les commentaire. Naissance de The Who En 1963, Roger Daltrey abandonne le poste de guitariste pour le confier à Pete Townshend et se consacrer pleinement au rôle de leader et de chanteur. C’est au cours de cette année qu’ils décident ensemble de rebaptiser leur formation The Who. Avec l’arrivée du batteur Keith Moon, en 1964, le groupe adopte alors sa forme définitive. En 1965, The Who sort un single, My Generation, qui va les faire connaître, ainsi que leur premier album du même nom. Ce morceau contient l’un des premiers solos de basse de l’histoire, dans lequel on peut y entendre toute la virtuosité et la créativité d’Entwistle. Il utilise une technique de son invention dite de typewriter (machine à écrire), qui lui permet de jouer des notes de façon percutante et très rapide. D’ailleurs, l’un des deux surnoms dont a été gratifié Entwistle au cours de sa carrière était « Thunderfingers », à cause de la rapidité de mouvement de ses doigts. Son deuxième surnom, « The Ox » (le bœuf), était dû à sa carrure, et sa tendance à boire et manger toujours plus que ses acolytes. Sa conduite sur scène en est aussi sûrement pour quelque chose. En effet, il jouait souvent de façon quasiment immobile, créant un contraste original avec la vélocité de ses doigts et le chaos provoqué par les autres membres du groupe. À ce titre, Bill Wyman, bassiste des Rolling Stones, le décrit comme « l’homme le plus silencieux en privé, mais l’homme le plus bruyant sur scène ». Entwistle est aussi l’un des premiers à utiliser des stack d’amplis Marshall afin de s’entendre par-dessus le tapage du groupe. En perpétuelle surenchère de volume sonore avec Pete Townshend et Keith Moon (qui a même utilisé des explosifs sur son kit batterie à l’occasion d’un show télévisé), The Who gagne rapidement sa réputation de « groupe le plus bruyant de la planète ». Il figure même dans le livre Guinness des Records pour avoir atteint 126 décibels lors d’un concert à Londres en 1976. Entre 1965 et 1982, The Who va sortir une dizaine d’albums qui vont connaître le succès. De Tommy (1969), à Quadrophenia (1973), en passant par Who’s Next (1971), ou The Who Sell Out (1967), tous leurs albums vont finir disques d’or ou de platine en Angleterre et aux États-Unis. Carrière solo En 1971, John Entwistle sort son premier album solo : Smash Your Head Against the Wall. En effet, en plus d’être un bassiste de génie et un multi-instrumentiste, Entwistle était aussi chanteur et auteur-compositeur. Il est ainsi à l’origine de nombreux passages chantés dans certaines chansons de The Who, notamment les parties de chant guttural que l’on peut entendre dans Boris the Spider par exemple. En 1990, John Entwistle part en tournée avec The Best, un super-groupe composé de Joe Walsh, Keith Emerson, Jeff Baxter et Simon Phillips. Vers la fin de sa carrière, il forme le John Entwistle Project, avec le batteur Steve Luongo et le guitariste Mark Hitt, qui deviendra plus tard The John Enwistle Band. Ils sont rejoints par Godfrey Townsend (qui remplace Mark Hitt à la guitare) et Gordon Cotton aux claviers. Le 27 juin 2002, un jour avant la première représentation de la tournée de The Who, John Entwistle est retrouvé mort dans sa chambre du Hard Rock Hotel & Casino à Las Vegas. D’après le médecin légiste, le décès est dû à une crise cardiaque suite à l’absorption de cocaïne. C’est le bassiste Pino Palladino qui le remplacera sur scène. ——->>>>>>> Partagez cet article sur les réseaux sociaux afin qu’il puisse aider d’autres bassistes motivés à progresser ! Influences de John Entwistle L’un des musiciens qui a le plus influencé Enwistle a été Duane Eddy. C’est en effet en écoutant les riffs que le guitariste jouait sur les cordes graves de sa guitare que John eut envie de jouer de la basse. Il s’inspira aussi d’autre guitariste de rock and roll comme Gene Vincent ou encore du bassiste de R&B James Jamerson. Instruments John Entwistle fabriqua sa première basse en 1960, inspirée d’une Fender precision. C’est à partir de ce même modèle de Fender et de l’alliage de quatre autres basses qu’il en fabriquera une autre en 1967, baptisé « Frankenstein ». Il utilisera ainsi au cours de sa carrière de très nombreux modèles de basses telles que la Danelectro Longhorn (que l’on peut entendre dans le morceau phare My Generation), des Gibson Thunderbird ou encore des basses Alembic. Mais c’est avec la marque Warwick qu’il va créer un modèle « signature » d’exception : la Status Buzzard Bass. Véritable collectionneur compulsif et concepteur d’instruments, John Entwistle possédait à sa mort plus de 200 basses et guitares. ——->>>>>>> Quelle est votre ligne de basse préféré de John ? Dite-le moi dans les commentaires. Blog BassistePro.com – Cours de musiqueAPPRENDRE LA MUSIQUE AVEC DES PROS PASSIONNÉSÉcole de musique GROOVE LIKE A PIG® : groovelikeapig.comLa Plus Grosse Communauté Francophone des Musiciens Motivés et Bienveillants qui Veulent Passer au Niveau Supérieur.
Vi går in i en värld av Biopics. Johnny Cash, Michael Jackson, Ray Charles, Bohemian Rhapsody, Elvis Presley och många fler.... men också dom vi önskar men kanske inte får se?Prince? Pino Palladino? Whitney Houston? Madonna? Jaco Pastorius?I detta späckade avsnitt går vi också igenom "A hard day's night"-ackordet av Beatles,Zara Larssons trummis, Amerikanska Bröllopsband, Don Blackman, Hip-Hop på gatan,Brasset på The Beach Boys och låtar som slutar på 4:an (Subdominanten)Gick vi OCKSÅ igenom nu äntligen vad ”Rock and Roll” faktiskt betyder?Du hör ju själv hur maxat detta avsnitt är.Förbannat kul att just du lyssnar!Vill du ha din låt uppspelad direktmed tillhörande analys.Maila oss låtlänk + info om projektet till: Musiksnacket@iwm.seLänk till Spellista:https://open.spotify.com/playlist/25dSufz7mpKXI0vbMclpgz?si=77c7b74518db43fdYoutubekanal:https://www.youtube.com/channel/UCRWilvJuy0i6VnwoPj2mjjAoch Patreon:www.patreon.com/musiksnacket#recension #analyser #musik #analys #spotify #Podcast #podd #musiksnacket #Artist #Musiker #scen #studio #AI
My first guest to kick off our 2026 season is Zach Williams, frontman and founder of Americana band The Lone Bellow, to discuss D'Angelo's 2000 neo-soul classic album 'Voodoo'. We chat about Zach's origin story with this album, how growing up in Georgia he would offset his love of listening to country music with a secret passion for R&B, the incredibly moving 2026 Grammys in-memoriam tribute to D'Angelo led by Lauryn Hill, the unusually long process of making 'Voodoo' at Electric Lady Studios in New York City, the artist's reluctance to be branded as a sex symbol despite the record label's insistence, D'Angelo's collaboration with Quest Love and Pino Palladino, and the way the fearless spirit of 'Voodoo' inspired Zach to be at his bravest and most honest when creating his own music.
What if a simple walk could unlock the secrets to your creativity? Join host Buzz Knight on takin' a walk as he delves into the enchanting world of singer-songwriter Boy Golden, whose new album, Best of Our Possible Lives, is a beautiful fusion of indie rock and roots music inspired by Buddhist philosophy. In this captivating episode, Buzz and Boy Golden explore how the act of walking has profoundly influenced his songwriting process, serving as a meditative practice that clears his mind and sparks inspiration. As they stroll through the themes of presence and vulnerability, Boy Golden shares the stories behind his poignant tracks like "Matter at Hand" and "Like a Child," revealing how the teachings of Thich Nhat Hanh resonate in his music. This episode is not just about music; it’s about the journey of being present and embracing each moment, a theme that echoes through the heart of takin' a walk. Discover the collaborative magic between Boy Golden and producer Robbie Lakritz, along with the contributions of legendary bassist Pino Palladino, as they bring his artistic vision to life. Buzz Knight, known for his insightful music history podcasts, guides this conversation with a warmth that makes you feel like you’re part of their walk, discussing the intricacies of the music-making process and the emotional healing that comes from it. As the episode unfolds, listeners will gain music history insights and witness the personal stories behind Boy Golden's artistic reinvention. From his musical influences to his upcoming tours, this episode is packed with inspiring music stories that highlight the resilience and creativity of indie artists. Boy Golden even shares a heartfelt moment reflecting on his late grandfather, expressing a deep desire to walk with him again, reminding us all of the profound connections that music can foster. If you're a fan of legendary musicians and the stories behind albums, this episode of takin' a walk is a must-listen. Join Buzz Knight as he navigates the music journey of Boy Golden, offering listeners a blend of music history, songwriter stories, and the magic that happens when you take a moment to walk and reflect. Tune in for an episode filled with laughter, inspiration, and the joy of music storytelling that you won't want to miss! #indie music journey #career breakthrough #viral music success #music history on foot #buzz Knight Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Best Of 2025 (Part 2 of 4). Continuing to celebrate the quality tracks from the past year. Broken Beat from WheelUP & Sean McCabe, Breakfast Triple and Alexander Flood. Jazz from The Circling Sun, Kassa Overall & Lance Ferguson. Rap from MIKE and Venna, Little Simz, A Tribe Called Quest remixed by The Creators & Mark Pritchard Remix feat Pino Palladino. Drum & Bsss from Kampinos, Leaf & Hexa, Zero T's Remix of Bruk Rogers. A brilliant track from Derya Yildrim and Grup Simsek. Plus plenty more music treats.
Text the showAsh is a drummer based in Norfolk. His credits include artists like Adele, Trevor Horn, Tori Amos and Robbie Williams.Amongst many other things we discussed finding Jazz early on, having Pino Palladino as a neighbour, and using instagram as a professional tool.I hope you enjoy our conversation as much as I did.(Recorded 4th December 2025)Support the showFollow me on Instagram - @nategrooveSubscribe to support the show - https://www.buzzsprout.com/2058148/supportAny questions or guest suggestions, please email nwinsessionwith@gmail.com
Fosforo 1919: I brani della striscia numero 3 della settimana: Tandem Playlist; Kauan - Arrive resolve; Donna Regina - Whole World In My Town; Joni Mitchell - Sex Kills (2025 Remaster); Makaya McCraven - Choo Choo; Pino Palladino and Blake Mills - Somnambulista; Paul Weller - Hopper; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Fosforo 1920: I brani della striscia numero 4 della settimana: Tandem Playlist; Juan Hundred - No pares, Juanito; Jah Wobble - Stratford; Skyline - Tashiro; Cécile McLorin Salvant - Take this stone (feat. June McDoom and Kate Davis); David Byrne - I Met the Buddha at a Downtown Party; Pino Palladino and Blake Mills - Contour; Climaco Sarmiento Y Su Orquesta - Guiro Y Guacharaca; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Dijon es un aventurero del R&B y el neo-soul para quien la escena underground ya se ha quedado corta. Tras colaborar este mismo año en los discos de Bon Iver y Justin Bieber, su identidad sonora se expande en Baby, un segundo álbum doméstico, íntimo y paternal. Arropado por Mk.gee, Tobias Jesso Jr. y Pino Palladino, teje un disco que funciona como un collage emocional e irreverente.Además, Enrique Lavigne responde a nuestro cuestionario cultural en FAQ! Y en un Punto de Encuentro cruzamos los caminos de Ede y Miren Iza (Tulsa) que han buscado en el teatro la fuerza para impulsar en directo sus últimos trabajos.Playlist:Charli xcx - party 4 uFKA twigs - EusexuaJamie xx, Romy - Loud PlacesBeach House - MythStereolab - Aerial TroublesWolf Alice - Bloom Baby BloomHAIM - Take me backDehd - Bad LoveWet Leg - Chaise LongueLos Campesinos! - Knee Deep at ATPTurnstile - UNDERWATER BOIMJ Lenderman - WritswatchBlack Country, New Road - BestiesSabrina Carpenter - JunoKakkmaddafakka - BirdsongGeese - Au Pays du Cocainemori - Lovers to StrangersJustin Bieber - DAISIESDijon - Yamaharusowsky, Ralphie Choo - BBY ROMEORodrigo Cuevas - VelenoMaria Rodés - Quiero ControlarROSALÍA - ReliquiaWater From Your Eyes - Playing ClassicsCORTE! - La canción de los días felicesParquesvr - Rizo de gitanaTurnstile - I CAREHofe, InnerCut - R.A.Barry B - Monster TruckFKA twigs, PinkPantheress - Wild and AloneDanny L Harle, Oklou, MNEK - Crystallise My TearsBad Bunny - DtMFJulieta Venegas - Tiempos DoradosCA7RIEL & Paco Amoroso - GIMME MOREFred again.., CA7RIEL & Paco Amoroso - Beto’s HornsNatalia Lacunza - SABES QUÉ???Alavedra - Dame un segundoCarolina Durante - Probablemente Tengas Razón Sabrina Carpenter - ManchildCMAT - EURO-COUNTRYMitski - Washing Machine HeartEscuchar audio
Manuel Comesaña nos deleita con Pino Palladino y Miguel del Pino nos presenta a las rapaces nocturnas y su misterio.
Manuel Comesaña hoy nos descubre la historia del bajo Pino Palladino, un músico magistral. ¡No te lo pierdas!
In onda Fabio Barbieri. Musiche: David Gilmour, Pino Palladino and Blake Mills, Jeff Tweedy, Autumn Defense, Emma Pollock, Madi Diaz, Joan Baez, Ustad Shaukat Hussain, Anouar Brahem and Jan Garbarek, Steve Tibbetts.
In onda Fabio Barbieri. Musiche: Yasmine Hamdan, Cate Le Bon, Joni Mitchell, Dave Bixby, Shrunken Elvis, Pino Palladino, Blake Mills, Eiko Ishibashi, Jim O'Rourke, Wolfgang Muthspiel, Scott Colley, Brian Blade, Steve Tibbetts
In light of D'Angelo's passing, we're replaying our episode on Voodoo from June 2025. This Grammy-winning, genre-defying album changed the sound of R&B, soul, and hip-hop forever. And it has seriously influenced the playing of so many musicians, including our own Adam Maness. From Questlove's behind-the-beat drumming to Roy Hargrove's horn arrangements, Voodoo is packed with the kind of deep musicality that jazz musicians truly connect with.Twenty-five years later, Voodoo still hits harder than many albums of its generation. We've heard from so many of you in the comments on Spotify and YouTube about what this album, and D'Angelo's music, means to you. Tell us how D'Angelo has influenced you in the comments on Spotify or YouTube: https://youtu.be/AYqmFNF2s0U Watch Open Studio perform D'Angelo's "Spanish Joint": https://youtu.be/CG5yqmkj0G4
Fosforo 1890: I brani della striscia numero 2 della settimana: Tandem Playlist; Pino Palladino and Blake Mills - Heat Sink; Marvin Pontiac (John Lurie) - Now I`m Happy; David Byrne - My Apartment Is My Friend; Joni Mitchell - Hejira (Live at the Santa Barbara County Bowl, September 9,; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
durée : 00:59:07 - Chris Thile & Brad Mehldau / Blake Mills & Pino Palladino - par : Sébastien Llinares - Entre mandoline, guitare et jazztronica, nous vous entraînons dans une traversée électrique avec la virtuosité de Chris Thile et Blake Mills à l'énergie libre de Gabriel Gosse, figure montante du jazz français. - réalisé par : Patrick Lérisset Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Fosforo 1885: I brani della striscia numero 1 della settimana: Elvis Presley - Love Me Tender; John De Leo Jazzabilly Lovers - Love Me Tender; Prince - Take Me With U; Chicago Underground Duo - Click Song; Trio of Bloom - Eye Shadow Eye; Joni Mitchell - At Last (2025 Remaster); Pino Palladino and Blake Mills - I Laugh in the Mouth of the Lion; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Fosforo 1882: I brani della striscia numero 2 della settimana: Tandem Playlist; Marc Ribot - Map of a Blue City; Robert Plant - Come Into My Life; Joni Mitchell - If; Pino Palladino and Blake Mills - That Was a Dream; Takuya Kuroda - Bad Bye; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
2025年第三辑《扭扭爵士 New Nu-Jazz》，为您盘点第三季度全球范围内发行的精彩新派爵士乐作品。 从带着浓厚 spiritual jazz 色彩的两支乐团 The Sorcerers 和 The Circling Sun 启程，我们将听到 Qur'an Shaheed 和 Oren Ambarchi 的氛围与即兴之声，Pino Palladino 与 Blake Mills 的王牌过招，Linda May Han Oh 和 Lingyuan Yang 的学院派实验，Kassa Overall 逆转采样溯源、以爵士乐翻玩 old-school 嘻哈经典，还有永不冷场的英国 Nu-Jazz 场景，Ebi Soda 和 Kokoroko 带来欢乐与趣味。 这一季更多的精彩爵士乐专辑，你可以在这份歌单中找到。 曲目单： (00:44) The Sorcerers - Abandoned Satellites (03:55) The Circling Sun - Seki (08:08) Ferenc Nemeth - Just Relax (feat. Dayna Stephens & Massimo Biolcati) (13:24) Glass Museum - III (19:13) Qur'an Shaheed - Variation 3 (24:13) Pino Palladino, Blake Mills - Taka (feat. Chris Dave) (28:44) Shuteen Erdenebaatar, Nils Kugelmann - Mirror Under Water (33:30) Aki Rissanen - For E (37:31) Ebi Soda - when pluto was a planet and everything was cool (42:44) 草田一駿 - Metamorphosis (47:57) Oren Ambarchi, Johan Berthling, Andreas Werliin - Seh (51:12) Kokoroko - Da Du Dah (55:08) Linda May Han Oh - Living Proof (feat. Ambrose Akinmusire & Tyshawn Sorey) (59:46) Lingyuan Yang - Moondial (01:06:07) Kassa Overall - C.R.E.A.M. (CASH RULES EVERYTHING AROUND ME) (01:12:01) Andrii Pokaz - Helix M81 《周末变奏》开通豆瓣页面，欢迎标记、点评。 → 选曲/撰稿/配音/制作/包装：方舟 → 主题音乐：Yu Su → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight
Fosforo 1877: I brani della striscia numero 1 della settimana: Daoud - Plato`s twins; Pino Palladino and Blake Mills - Taka; Sorcerers - The Great Belt; Robert Plant and Alison Krauss - Your Long Journey; Robert Plant and The Sensational Space Shifters - Arbaden (Maggie`s Babby); David Byrne - A Door Called No; Anais Drago - Passio; Jim Black and The Schrimps - Extra Acid; Fosforo va in onda ogni giorno alle 01:20 e alle 18:00. Puoi ascoltare le sequenze musicali di Rufus T. Firefly sulla frequenza di Radio Tandem, 98.400FM, o in streaming e anche in podcast.Per info: https://www.radiotandem.it/fosforo
Featuring killer new music from a variety of artists including Rachel Eckroth and John Hadfield, Jesse Harris, Samara Joy, and Pino Palladino and Blake Mills; + recent releases from Todd Clouser, John Medeski and JT Bates and Fred Hersch and his trio; and finally more music from the brilliant reissue of John Cale and Terry Riley's duo outing Church of Anthrax.
Enjoy a playlist packed with unbridled joy and energy! The playlist features Till Brönner [pictured]; Aki Rissanen; Pino Palladino, Blake Mills; LaMP feat. Russ Lawton, Scott Metzger, Ray Paczkowski; Jake Breaks feat. Gregory Howe, Erik Jekabson, Mads Tolling, Ben Davis; Shawn Lee, Kelly Finnigan; and Frida Touray. Detailed playlist at https://spinitron.com/RFB/pl/21173273/Mondo-Jazz (from "Il trucido e lo sbirro" onwards). Happy listening!
What happens when you pair a great guitar player with a badass bassist? You get mind-bending sounds from gifted producer and multi-instrumentalist Blake Mills — known for his work with Alabama Shakes and Bob Dylan — and Grammy-winner Pino Palladino who has reshaped how we hear the bass. See: Palladino’s collaborations with everyone from Erykah Badu to Nine Inch Nails. “Taka” is hard to pin down, but easy to take in. And you can take it in IRL, because Pino Palladino & Blake Mills are hitting The Ford on Friday, Sept. 26.
In deze aflevering ontvangt Eva Koreman bassist en songwriter Xander Vrienten (https://www.instagram.com/xandervrienten/). Xander speelt momenteel in Hadestown (https://carre.nl/voorstelling/hadestown), daarnaast is er net een nieuwe single uit met zijn band Cindy (https://open.spotify.com/artist/4IBfgHz5w50nCCqVxtbViI?si=Ve8rXIuGT8-eYc03F2PNWQ). Xander deelt zijn cultuurtips met Eva en de luisteraar. De tips van Xander: Muziek: Are You looking Up (https://open.spotify.com/track/1sWYVBg7ix2WAq43J9nY7E?si=e8b104d81eef4b3f), Life according to Rachel (https://open.spotify.com/track/1zU45TRmsHZPvGUA9ofg3N?si=22f5e21fc9ab4e72) Concert: Blake Mills & Pino Palladino (https://www.tivolivredenburg.nl/agenda/89530725/blake-mills-pino-palladino-ft-sam-gendel-chris-dave-08-10-2025) Kindercultuur: Buurman en Buurman de musical (https://www.buurmantheater.nl/) Podcast: Hard Gras (https://open.spotify.com/show/40vVHkQeaDvpUCuVctkSNu?si=2b160a4bd0464e00) Boek: Het archief (https://dasmag.nl/product/het-archief/) Toneel: Beetje Vies (https://deparade.nl/programma/beetje-vies/) Dans: If you know what I mean (https://theaterinsblau.nl/programma/17535/If-you-know-what-I-mean) Musical: Hadestown (https://carre.nl/voorstelling/hadestown) Cabaret: Tim Franssen (https://www.timfransen.nl/) Tentoonstelling: Toorop in Kröller-Müller (https://krollermuller.nl/?gad_source=1&gad_campaignid=176038112&gbraid=0AAAAADobj8gC5pyUnoh3O18DDKkeJAYeD&gclid=EAIaIQobChMIjNSh5KeejwMVhtJEBx1YQy7FEAAYASAAEgIJH_D_BwE) Museum: Van Gogh Museum (https://www.vangoghmuseum.nl/nl?gad_source=1&gad_campaignid=22011105824&gbraid=0AAAAADhviGUe9E-dudzXUp4cF-5jXNGC_&gclid=EAIaIQobChMIkonx6aeejwMVEdBEBx15agLMEAAYASAAEgJIffD_BwE) Openbare Kunst: Het mannetje bij cafe het mannetje (https://indebuurt.nl/amsterdam/gids/cafe-t-mannetje/) Festival: North Sea Jazz (https://www.northseajazz.com/nl/) Film: Gladiator 2 (https://www.imdb.com/title/tt9218128/) Serie: Say nothing (https://www.imdb.com/title/tt31122777/) Docu: Swamp Dogg gets his pool painted (https://www.imdb.com/title/tt30835291/) Club: Super sonic (https://www.supersonicjazz.nl/), warm bad (https://www.instagram.com/warm.bad.amsterdam/) Heb je cultuurtips die we niet mogen missen? Mail de redactie: eenuurcultuur@vpro.nl
From the shapeshifting subleties of his spiritual practices in sound, tonal texture, and electrifying emotion, to the carefully cinematic essence of his eager expressions behind the scenes, there isn't much the West Coast-based, multi-instrumentalist, producer, and composer Blake Mills can't do. He's come a long ways since his classic 2010 debut "Broken Mirrors," while simultaneously capturing the critical chemistry of some of your favorite artists in between his sonic shifts and radical responsibilities in the studio. On this episode of The Self Portrait Gospel Podcast, we sit down with Mills for a long-awaited chat to discuss his most recent effort with legendary bassist and all-around master of melody, Pino Palladino, "That Wasn't A Dream." A breathtaking entry into the fundamentals of fusion, ritualistic rhthms, and lucid language between two incredible artists, Mills take us on a journey through his unique process, atmospheric approach, and tonal theories, while we kick back and marvel at the totality of his techniques, amighty attention to detail, and much more.
After spending a couple of weeks basking in the sound of our favorite tracks of the year, it's time to catch up with the tidal wave of new releases we've been saving up. This week's episode is packed with global grooves—join us as we dive back into the pulse of now. The playlist features Jasper Høiby; Ella Feingold, Charlie Hunter [pictured]; Pino Palladino, Blake Mills; Majid Bekkas, Nguyen Le, Hamid Drake; Aki Takase Japanic, Nils Wogram; Landæus Trio; Skullcap. Detailed playlist at https://spinitron.com/RFB/pl/20978795/Mondo-Jazz [up to "Journey to the Sunset"]. Happy listening!
Ever wanted to sound just like your bass heroes? We all have those iconic players who shaped the way we hear and play bass. For me, it started with revisiting Voodoo by D'Angelo and getting lost in Pino Palladino's buttery tone. That led me down the rabbit hole of dialing in his sound—and others—using the HX Stomp. The result? A custom collection of 5 HX Stomp presets inspired by five of the greatest to ever do it: Marcus Miller, Pino Palladino, Tim Lefebvre, John Patitucci, and Victor Wooten. These players have shaped entire genres—and my own musical path—with tones that are instantly recognizable yet always evolving. Rather than chase every tone they've ever played, I zeroed in on some of their most iconic recorded moments. These presets are my best attempt to capture those sounds—the ones that made me stop and rewind.Check out all the HX Presets I have in the store, including this new collection of Bass Legends. They're designed as a starting point for your curiosity, and I highly recommend diving deeper into each artist's discography to better understand their origin story. As the years unfold, the fascinating part for me is where they've all ended up on the journey. With John Patitucci you might be a huge fan of the 80's/90's Ken Smith/Yamaha records, but haven't explored the recent albums with the hollow body instruments. Marcus Miller might mean SLAP to you, but perhaps you missed his incredibly melodic finger style playing on fretless on records like Tales and Marcus. Wherever you're at in your listening and discovery, just remember that curiosity is key, and these sounds could open up a whole new world of music. More soon, Janek Get full access to Janek's Newsletter at janekgwizdala.substack.com/subscribe
The track from supermodel* (which has been getting a lot of love). Rap from K!MMORTAL, Roots Manuva and The Chosen Few. Broken Beat from Oliver Night remixing Jerk Boy, Marcel Vogel feat Million Miles. A classic from SBTRKT and Sampha. The brilliant tune from Joshua Idehen. New music from Taka, Pino Palladino, Blake Mills. Big dancefloor vibes from Disclosure feat Dur-Dur Band. Jungle from Potential Badboy, Blackout JA, Talisman & Coozie Mellers on Tru Thoughts. A live Prince song. Plus plenty more music treats.
Soul from Kokoroko and Annahstasia. A previously unreleased but officially commissioned remix of A Tribe Called Quest by The Creators & Mark Pritchard feat Pino Palladino. A track in tribute to Lalo Schifrin (Rest In Peace). A new track from corto.alto on Ninja Tune. Rap from Westside Gunn & Doechii, BexBlu & Paul Stephan & t.o. Broken Beat from Sticky Dub, a classic from DKD remixed by Matica, NameBrandSound feat Reek0. A great track from the Somewehre Soul compilation. 3iO cover Born Slippy Jazz style. A tune from Macka B from the 1989 asking Who Are The Terrorists? which is about the situation in South Africa back then. A classic from Nina Simone. Drum and Bass from Rezilient & Sydney Bryce. Plus plenty more music treats.
We're finally digging into “Voodoo” - D'Angelo's Grammy-winning album that changed the sound of R&B, soul, and hip-hop forever. And the album a young Adam Maness had on repeat, seriously influencing his playing as well as countless musicians since.With Questlove's “Dilla-drag” drumming, Pino Palladino's funky bass lines, Roy Hargrove's jazzy horn arrangements, and Charlie Hunter's chicken-picking guitar, Voodoo is packed with the kind of cross-genre musicality that makes jazz musicians lose their minds.Twenty-five years later, Voodoo still grooves harder, hits deeper, and sounds more human than many albums of its generation.In this episode, you'll hear:What makes D'Angelo's groove so unique (and hard to imitate)Isolated tracks, rare demos, and interviews with the artistsHow “Spanish Joint” came together in a single takeWhether “Feel Like Makin' Love” tops the Roberta Flack originalAnd whether “Voodoo” is even an R&B album at allABOUT OPEN STUDIO------------------------------------------------------------------------------------------------------------------------------------------------------------As the premier online jazz education platform, with an ever-expanding course library and 20,000+ members, Open Studio (OS) has everything you need to excel and thrive on your jazz journey.Featuring everything from beginner to advanced lessons, engaging courses from A-list instructors, step-by-step curriculum, real-time classes and a thriving and incredibly supportive community, OS is the perfect platform to level up your jazz playing, whether you're a total beginner, or an advanced pro-level improvisor.
Ever look back and cringe at your early bass choices? Scott and Ian swap stories about the mistakes they made chasing speed and flash — including the time they dismissed players like Pino Palladino, Michael League, and Jonathan Maron as “boring.” They break down how your ear (and your priorities) change over time — and why it matters.
Ever look back and cringe at your early bass choices? Scott and Ian swap stories about the mistakes they made chasing speed and flash — including the time they dismissed players like Pino Palladino, Michael League, and Jonathan Maron as “boring.” They break down how your ear (and your priorities) change over time — and why it matters.
Taking a look at Gary Numan's third single from I, Assassin - the moody 'White Boys and Heroes' featuring Pino Palladino's fretless bass and Wham-style music video.
B. Cox returns with a look back at Common's landmark fourth album, Like Water For Chocolate as it turns 25.After his breakthrough sophomore album 1994's Resurrection and his acclaimed third album 1997's One Day It'll All Make Sense, the Chicago emcee picked up his roots and moved to New York City and linked up with Questlove, The Roots and other creatives who were working within the Electric Lady Studios. There he collaborated with the aforementioned, D'Angelo, super producer DJ Premier, musicians such as keyboardist James Poyser, famed bass player Pino Palladino and horn legend Roy Hargrove among others. The catalyst for this collaboration, however, came from producer Jay Dee (bka J Dilla) who produced the lion's share of the album's tracks.The album was widely acclaimed up on release. It is has been RIAA certified gold and is considered along with 2005's BE as is his best work.Visit The Vault Classic Music Reviews Onlinewww.vaultclassicpod.comBuy Exclusive The Vault Podcast Merchandise!www.vaultclassicpod.com/storeSupport The Vault Classic Music Reviews on Buy Me A Coffeehttps://www.buymeacoffee.com/vaultclassicpodBuild Your Own Amazing Podcast Website In Less Than 5 Minutes!https://www.podpage.com/?via=ivecre8Show NotesAlbumism: Common's "Like Water For Chocolate" Turns 25 | Album Anniversary https://albumism.com/features/common-like-water-for-chocolate-album-anniversary#google_vignetteStereogum: 'Like Water For Chocolate' Turns 20https://www.stereogum.com/2077724/common-like-water-for-chocolate-review/reviews/the-anniversary/Grammy | Q&A: Common Tells Stories Behind 'Like Water For Chocolate'https://www.grammy.com/news/qa-common-tells-stories-behind-water-chocolate-its-20th-anniversarySupport this podcast at — https://redcircle.com/the-vault-classic-music-reviews-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Paul Young has carried on a deceptively diverse solo career since he first broke out in 1983. He's had many big hits - especially the #1 "Everytime You Go Away - but his work has never fit nicely in one box. Whether it's his work with Pino Palladino or his TexMex band, he does what he wants and his talent carries him through. He's about to embark on a UK tour singing and telling stories about his first two albums. And this summer he's touring the US with Rick Springfield. And he put out a new album in 2023. He's been busy! He joins us this week to discuss all of it including his recent marriage, Band-Aid, his early punk days and a ton more. He's a total pro and one of the great soul singers of the era. Enjoy! Home - Paul Young The Hustle Podcast | creating podcasts | Patreon
Some of today's most compelling European players in a playlist which is topped off with Takuya Kuroda's latest album for the newborn PPK record label co-founded by legendary bassist Pino Palladino. The playlist features Matteo Bortone [pictured]; Simon Spiess; Marius Neset; David Ferris; and Takuya Kuroda. Detailed playlist at https://spinitron.com/RFB/pl/20247670/Mondo-Jazz (from "Tosh" onwards).
Send us a textPart 2 of TrackTalk with legendary drummer, Dave Mattacks! In Part 2, we do a deep-dive into more of Dave's iconic tracks from XTC, Paul McCartney, Jethro Tull and more! Come along for ride for Part 2, thanks for watching and listening! Please subscribe! Be sure to check out Part 1! https://youtu.be/pDT7hrn0k1k?si=Acyd2jlMNC0O0845 Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!Exciting news! 100% of the proceeds from Live From My Drum Room T-shirts goes toward a newly created Live From My Drum Room Scholarship with the Percussive Arts Society! https://pas.org/pasic/scholarships/ Live From My Drum Room T-shirts are made of soft 60%cotton/40% polyester. Available in XS-2XL. $25 includes shipping in the contiguous US. Payment with Venmo: @John-DeChristopher-2. Be sure to include your size and shipping address. Email: livefrommydrumroom@gmail.com. Thank you to everyone who's bought a shirt to help support this endeavor!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
Send us a textMy guest is returning champion, legendary drummer, Dave Mattacks for a special episode of TrackTalk! In Part 1, we do a deep-dive into some iconic tracks from Fairport Convention , Joan Armatrading and XTC, with Dave giving us incredible insights into how the songs were created. The show aired LIVE on Facebook for over two hours, so I split this into two episodes. So come along for ride for Part 1, thanks for watching and listening and stay tuned for Part 2! Please subscribe!Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://linktr.ee/live_from_my_drum_roomwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom
Bassist Neil Stubenhaus was a key member of that pool of exceptional talent in LA in the 70s and 80s that were first calls to play on the great albums made during the era. Neil stood shoulder to shoulder with the likes of Nathan East, Lee Sklar and Pino Palladino (among many) to make good music even better. Included on his resume are people like Billy Joel, Lionel Richie, Al Jarreau, Anita Baker, Rod Stewart, Barbra Steisand, the Temptations and tons of others. In fact, we both had nothing else going on so we talked for 3 hours about these and dozens of others. For the last couple decades he's mainly lent his talents to movie soundtracks which is an entirely separate conversation. Strap in and enjoy a masterclass in being good at your instrument. Enjoy! www.patreon.com/thehustlepod
After Pink Floyd delivered The Final Cut, the 1983 album which would be Roger Waters last with the band, David Gilmour found himself at an impasse. While he had some music ready for a new album as Roger had domineered the writing in Pink Floyd for the last 5+ years, he was unsure of the band's future. And since Roger was working on a solo concept album (The Pros and Cons of Hitchhiking) David decided it was time he find out if he could make it outside of Pink Floyd. So he enlisted some heavy hitters like Bob Ezrin (producer), Jeff Pocaro (drums), Pino Palladino (bass), Jon Lord (keyboards), Steve Winwood (keyboards), and Pete Townshend (lyrics) to help him create a solo album for 1984. The result was About Face with some statements on the death of John Lennon (Murder), the US putting missiles in the UK (Cruise) and his relationship with Roger (You Know I'm Right) which would continue to be a source of lyrics for the next two Roger-less Pink Floyd albums - A Momentary Lapse of Reason (reviewed on UAWIL #69) and The Division Bell (UAWIL #168). We're not sure if David was truly looking to break away from the band and become a big solo act or just had pent up anger and music that had to get out. The tour to support the album was more successful than the album itself and it may not be our favorite but there are some bright spots and some riffs that would foreshadow things to come in Pink Floyd. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
After Pink Floyd delivered The Final Cut, the 1983 album which would be Roger Waters last with the band, David Gilmour found himself at an impasse. While he had some music ready for a new album as Roger had domineered the writing in Pink Floyd for the last 5+ years, he was unsure of the band's future. And since Roger was working on a solo concept album (The Pros and Cons of Hitchhiking) David decided it was time he find out if he could make it outside of Pink Floyd. So he enlisted some heavy hitters like Bob Ezrin (producer), Jeff Pocaro (drums), Pino Palladino (bass), Jon Lord (keyboards), Steve Winwood (keyboards), and Pete Townshend (lyrics) to help him create a solo album for 1984. The result was About Face with some statements on the death of John Lennon (Murder), the US putting missiles in the UK (Cruise) and his relationship with Roger (You Know I'm Right) which would continue to be a source of lyrics for the next two Roger-less Pink Floyd albums - A Momentary Lapse of Reason (reviewed on UAWIL #69) and The Division Bell (UAWIL #168). We're not sure if David was truly looking to break away from the band and become a big solo act or just had pent up anger and music that had to get out. The tour to support the album was more successful than the album itself and it may not be our favorite but there are some bright spots and some riffs that would foreshadow things to come in Pink Floyd. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices
One of the greatest bassists ever joins Questlove Supreme in the studio for a special interview. Pino Palladino discusses his journey from working on hit songs in the 1980s to joining Questlove, D'Angelo, Erykah Badu, and others as a critical figure in the Soulquarians sound in the late 1990s. In the 2000s, he toured with The Who, and continues working with the best in music. Pino discusses his playing style on the fretted bass, his move from Wales to the United States, and some stolen guitars. This episode is for lovers of innovative musicians discussing their craft.See omnystudio.com/listener for privacy information.
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Jess Gillam meets with the conductor Nicholas Collon to share some of the music they love. Today their musical journey takes in the harmonic genius of Jacob Collier, glorious choral music by Poulenc, a youthful Octet by Mendelssohn, a dreamy song from Sibelius, Britten's iconic Young Person's Guide to the Orchestra, some grooves from Pino Palladino and Taylor Swift visits The Lakes. Playlist: Felix Mendelssohn – Octet in E flat major, IV. Presto [Academy of St Martin in the Fields Chamber Ensemble] Pino Palladino & Blake Mills – Ekute Francis Poulenc – Figure humaine, VIII. Liberte [Tenebrae, Nigel Short] Benjamin Britten - The Young Person's Guide to the Orchestra [London Symphony Orchestra, Benjamin Britten] Taylor Swift – The Lakes Sibelius - Lieder No. 4 Op 37 - Was it a Dream [Kari Lövaas, Berliner Symphoniker, Eduardo Marturet] Jacob Collier / Henry Mancini – Moon River Carl Nielsen - Symphony No. 4, Op. 29 (FS76) 'The Inextinguishable'; 1. Allegro [Danish National Symphony Orchestra, Fabio Luisi]
#908 - Steve Jordan The Steve Jordan Interview is featured on The Paul Leslie Hour. Are you here? Are you with me? Are you with us, listening in to The Paul Leslie Hour? Thank you for tuning into our interview from the archives with Steve Jordan. This was a phone interview and listening to this landline telephone sound just may make you feel nostalgic. Now who is this guest we're about to hear from? Steve Jordan is a drummer, composer and record producer. Now, Steve Jordan is frequently known for accompanying well known artists both on stage as a sideman and in the recording studio as a session player. He has backed artists like Eric Clapton, Stevie Wonder, and the Rolling Stones. Along with Pino Palladino, Jordan performs with the John Mayer Trio. He was a founding touring member of the Blues Brothers featuring Dan Aykroyd and the late John Belushi. Also of interest, Steve Jordan was a founding member of The World's Most Dangerous Band, which backed Paul Shaffer on Late Night with David Letterman on NBC from 1982 to 1986. Now, keep in mind ladies and gentlemen, that we appreciate every like, share and comment, but one big deal is every contribution. Just go right here. You can give yourself and others the gift of stories. Thank you! I think it's time to hear that phone call with the legendary Steve Jordan. Let's listen. Together.
Join our Discord! https://discord.gg/MRXdE5qh Thanks for watching! In this episode Nick and Carson chat about:5:50 Carson's love of the Union Tube and Transistor LAB Compressor9:30 Preparing for Bonnaroo11:10 SVT backline and bad GK rigs18:30 Aguilar20:00 Amp cases22:40 Apple VR30:00 Nick's rack and radial recommendation33:00 Curious about the 29 Pedals EUNA34:00 Pino Palladino's latest bass rig 37:00 EHX Bass Clone/Alchemy Audio39:00 Nick is a felon
This week, Jim DeRogatis and Greg Kot dissect D'Angelo's masterpiece album Voodoo. They chat with author Faith Pennick about the record's context, impact and more. Then, the hosts will talk with the bassist who played on that album, among many others, Pino Palladino. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:D'Angelo, "One Mo'gin," Voodoo, Virgin, 2000D'Angelo, "Playa Playa," Voodoo, Virgin, 2000D'Angelo, "Chicken Grease," Voodoo, Virgin, 2000D'Angelo, "Brown Sugar," Brown Sugar, EMI, 1995D'Angelo, "Devil's Pie," Voodoo, Virgin, 2000D'Angelo, "Untitled (How Does It Feel)," Voodoo, Virgin, 2000D'Angelo, "Africa," Voodoo, Virgin, 2000D'Angelo, "The Root," Voodoo, Virgin, 2000Pino Palladino & Blake Mills, "Just Wrong," Notes With Attachments, Verve, 2021Pino Palladino & Blake Mills, "Off The Cuff," Notes With Attachments, Verve, 2021Paul Young, "Come Back and Stay (Extended Version)," No Parlez, Columbia, 1983D'Angelo, "Send It On," Voodoo, Virgin, 2000D'Angelo, "Feel Like Makin' Love," Voodoo, Virgin, 2000The Who, "Baba O'Riley (Live at the Hollywood Bowl 2002)," Who's Next, Decca, 1971The Who, "My Generation," My Generation, Brunswick, 1965Pino Palladino & Blake Mills, "Soundwalk," Notes With Attachments, Verve, 2021Pino Palladino & Blake Mills, "Ekuté," Notes With Attachments, Verve, 2021D'Angelo, Femi Kuti, Macy Gray, and the Soultronics, "Water No Get Enemy (feat. Nile Rodgers and Roy Hargrove)," Red Hot + Riot: The Music and Spirit of Fela Kuti, MCA, 2003John Mayer Trio, "Who Did You Think I Was (Live at the House of Blues, Chicago, Illinois, September 22, 2005)," Try! Live in Concert, Columbia, 2005Low, "Long Way Around the Sea," Christmas, Kranky, 1999
On this Wayne Krantz Interview: Wayne talks about playing with Donald Fagen, Pino Palladino & Vinnie Colaiuta… moving to NYC, having faith he had something to say with his playing… big lesson he learned from watching Mike Stern book a gig… how he developed his improvisational style of playing, pizza, family, relationships, respecting your needs and more cool stuff Cool Guitar & Music T-Shirts, ELG Merch!: http://www.GuitarMerch.com A solo artist with 10 LPs, Wayne's also been a successful sideman playing with Donald Fagen, Steely Dan, Michael Brecker, Billy Cobham, Chris Potter, David Binney, Carla Bley. Featured on his own records are people like Pino Palladino, Dennis Chambers, Keith Carlock, John Patitucci, Tal Wilkenfeld, Vinnie Colaiuta, Anton Fig Subscribe & Website: https://www.everyonelovesguitar.com/subscribe Support this show: http://www.everyonelovesguitar.com/support
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