Podcast appearances and mentions of michael carvin

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In this episode: Listen to conversation between your host Vivienne Aerts and Australian drummer Jodie Michael, as they talk about the Berklee Global Jazz Institue, Arabic music, gender equality and community About Jodie Michael Jodie Michael started her music career in high school, she attended the Wollongong Conservatorium Of Music (WCOM) until 2007, where she was able to gain valuable experience playing in different ensembles including a big band. Jodie Michael is an accomplished drummer and student of music. She has had the privilege of playing with the following world-class Australian musicians: James Muller, James Morrison, Dale Barlow, Bobby Gebert, Katie Noonan, Carl Dewhurst, Craig Scott, Sandy Evans, Matt McMahon, Mimi Jones (USA), Camille Thurman (USA), Ingrid Jensen, Will Vinson (USA) and more. Jodie has obtained a Bachelor of Music (Jazz Perf.) from the Sydney Conservatorium Of Music. In 2011, she traveled to New York, to study with world-class international drummers, including Michael Carvin. Jodie was the recipient of the 2013 Jann Rutherford Memorial Award. The Award is named in honour of the late jazz pianist Jann Rutherford.Jodie continues to further her career in Australia and overseas, predominantly in New York, where she has stayed for stints of varying lengths, in 2013, 2014 and 2017 to accumulate performance experience and continue her study and with Carvin, as well as, Greg Hutchinson, Billy Hart and Bernard Purdie. In Fall 2018, Jodie was accepted into Berklee College of Music's Global Jazz Masters program, class of 2019, mentored by Danilo Pérez and Marco Pignataro. In October 2018, with Perez and a group selected from the Global Jazz Institute, she was invited to partake in a tour of New Orleans, and later on, during stints at the 2019 Panama Jazz Festival and as part of the inaugural collaborative GAIA ensemble in Amsterdam, The Netherlands, March 2019. Jodie moved to New York City from Boston in September 2019, continuing to work as an active improvising musician, bandleader and educator before returning to Sydney, Australia in March 2020 (where she currently resides). ⁠⁠⁠Instagram⁠⁠⁠ / ⁠⁠⁠Facebook⁠⁠⁠ / ⁠⁠⁠YouTube⁠⁠⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠⁠⁠⁠⁠ ⁠⁠ Stream⁠⁠⁠⁠⁠⁠⁠⁠ the Album or ⁠⁠⁠⁠⁠⁠⁠⁠Buy it on Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠ and get the chocolate! ⁠⁠⁠⁠⁠⁠⁠⁠More about Vivienne here.

Tom Jorgensen is an active and highly-requested drummer, session musician, composer, and mixing engineer based in New York City, currently on the first national tour of the Beetlejuice Broadway musical. Tom is a graduate with a BFA from The New School for Jazz and Contemporary Music in NYC, where he studied with jazz legends such as Reggie Workman, Charli Persip, and privately with Master Drummer Michael Carvin, with whom a mentorship continues to this day. Tom frequently performs with the internet sensation Post Modern Jukebox, having toured with the group extensively in the United States, Canada, Europe, New Zealand, and Australia. His career has also taken him abroad throughout Europe, South America, French Polynesia, and the Caribbean while acting as Music Director onboard Holland America Cruise Line. In this episode, Tom talks about: The broad range of genres and drumming styles in the “Beetlejuice” show Auditioning for a Broadway tour vs. being offered the gig outright The “authenticity meter” in relationship building What it means to have a sound-oriented approach His experience studying with Michael Carvin at The New School in New York What good relationships look like - if one person wins, we all win “Go, do, be, have” in that order

GIL EVANS – GIL EVANS AND TEN Hackensack, NJ, September 6, 1957Remember, Ella speedJohn Carisi and Jake Koven (tp) Jimmy Cleveland (tb) Bart Varsalona (b-tb) Willie Ruff (fhr) Lee Konitz (as) [as Zeke Tolin (as) ] Steve Lacy (sop) Dave Kurtzer (bassoon) Gil Evans (p,arr,cond) Paul Chambers (b) Jo Jones (d) Hackensack, NJ, September 27, 1957Nobody's heart, If you could see me nowLouis Mucci (tp) Nick Stabulas (d) replace John Carisi, Jo Jones DICK KATZ QUARTET – PIANO & PEN New York, December 17, 1958TimoniumDick Katz (p) Chuck Wayne (g) Joe Benjamin (b) Connie Kay (d) New York, January 23, 1959Aurora, Afternoon in ParisJimmy Raney (g) replaces Chuck Wayne, rest same CECIL BRIDGEWATER – I LOVE YOUR SMILE Brooklyn, NY, 1992Sophisticated lady, Magic, Waltz for Duke PearsonCecil Bridgewater (tp,flhrn) Steve Turre (tb) Earl McIntyre (b-tb) Mark Taylor (fhr) Roger Byam (sop,ts) Antonio Hart (as) Sir Roland Hanna (p) Tyrone Brown (b) Michael Carvin, Max Roach (d) Continue reading Puro Jazz 01 enero 2024 at PuroJazz.

Allison Miller is a New York-based drummer, bandleader, educator, and producer. She studied with Michael Carvin and Lenny White and went on to play with Dr. Lonnie Smith, Ani DiFanco, Brandi Carlisle, and many others. She's active as an educator in many capacities including at The New School in New York, and her new album, Rivers In Our Veins is out now. In this episode, Allison talks about: Getting started with big bands in DC, and studying classical percussion in college The role that traditional bepop vocabulary plays in developing a modern jazz drumming voice The importance of experiencing jazz in a live setting Her new record and raising awareness about the role and health of America's rivers How her jazz credentials and experience led to pop opportunities Playing with Dr. Lonnie Smith

We had the great fortune of meeting saxophonist Keith Loftis when he was playing with The Baylor Project this spring at Earl Klugh's 20th Weekend of Jazz at The Broadmoor. We knew then that we wanted to continue our backstage conversation in a formal ATJ episode.     Over the course of his musically wide-ranging career, Keith's performed with the likes of Benny Carter, Cedar Walton, Nancy Wilson, Frank Foster, Alvin Batiste, Clark Terry, Bobby Shew, Joe Williams and Ray Charles; he's traveled extensively around the globe performing regularly throughout Europe, Asia, Africa and parts of the Middle East with legendary South African Jazz pianist Abdullah Ibrahim; master drummer Michael Carvin; the Roy Hargrove Big Band and the Frank Foster Loud Minority Big Band. As we found out when we met him, he's also a main fixture in the 6x Grammy nominated The Baylor Project featuring other great friends of ours, Jean & Marcus Baylor. And if that weren't enough, Keith's also a touring member of 4x Grammy award winning bassist Christian McBride's A Christian McBride Situation and The Christian McBride Big Band.     We talk with Keith not only about his eclectic and fascinating background, but about one of our personal favorite albums, his 2021 release ‘Original State'.

George Coleman Jr. was born into a musical family. As a drummer, producer, composer, filmmaker, and son of two musical jazz greats, saxophone legend George Coleman Sr. and organist, composer and vocalist, Gloria Coleman, he was seven when master drummer Max Roach gave him his first set of drums. George studied with master teachers including Sam Ulano, Michael Carvin and Billy Higgins. In 2019, George took on the role of film producer and released a documentary entitled “Another Kind of Soul: The Coleman Family Legacy”. The film chronicles his family's personal and musical histories and includes concert footage as well as interviews with his family and other iconic jazz figures including Branford Marsalis. Another Kind of Soul is available on various streaming services including Amazon, iTunes, Google Play, and Tubi TV. He has also released a new record as a leader entitled Resurgence. In this episode, George talks about His dad's jazz legacy that began in Memphis The influence of his mother who was a bassist and organist Being surrounded by Latin music in his childhood neighborhood in the Upper West Side Making his album a culmination of all his mentors What he learned about music from his dad vs. his mom What he learned and continues to learn from Michael Carvin How music has served as a between him and his dad later in life

Nasheet Waits, drummer and music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits, who played with such legendary artists as Ella Fitzgerald, Stevie Wonder, Marvin Gaye, Sonny Rollins, Lee Morgan, Max Roach, Cecil Taylor, McCoy Tyner, and countless others. While attending Long Island University, Nasheet studied privately with renowned percussionist Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach and percussionist Fred King. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.  Nasheet's recording and performing discography is a veritable who's who in Jazz. Waits has boasted stints with jazz notables Antonio Hart, Jackie McLean, Wadada Leo Smith, Dave Douglas, Mark Turner, Bunky Green, Kurt Rosenwinkel, Eddie Gomez, Steve Coleman, The New Jersey Symphony Orchestra, Greg Osby, Wallace Roney, Jacky Terrason, and The Mingus Big Band. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. In this episode, Nasheet talks about: Learning from Christian McBride's "played with everybody" experience, and high level consistency as a performer The early influence of his father, musically and culturally How friends and colleague of his father like like Michael Carvin and Max Roach stepped in to mentor him after his father died Lessons from Carvin His experience attending an HBCU in Atlanta

Elastic and versatile multi-instrumentalist talks about leaning into the dark and light of all music and how he was affected by spiritual drummers like Steve McCall and Michael Carvin.

Allison Miller & Carmen Staaf, Freddie Hubbard, Alex Louloudis, Trombone Shorty, The Heavyweights Brass Band, Denin Stage-Koch & Bobby Wiens, Spencer Zweifel Seth Lewis & Bobby Wiens, Kevin Hays & Bill Stewart, Kneebody, Billy Mohler, Elsa Nilsson, Esthesis Quartet, Kate Wyatt & Way NorthPlaylist: Allison Miller & Carmen Staaf - New York LandingFreddie Hubbard, featuring Michael Carvin, George Cables and Kent Brinkley - Sky DiveAlex Louloudis, featuring Rafael Statin & Dean Torrey - Expedition in NOLATrombone Shorty, featuring New Breed Brass Band - Everybody in the WorldHeavyweights Brass Band - Fake ItDenin Slage-Koch, Bobby Wiens - Canadian Bacon GreaseSpencer Zweifel, Seth Lewis, Bobby Wiens - Fiesta de BaileKevin Hays, Bill Stewart - OpeningsKneebody - Spectra (Live)Billy Mohler, featuring Chris Speed, Nate Wood & Shane Endsley - NightfallElsa Nilsson, featuring Jon Cowherd - Catching DropletsEsthesis Quartet, featuring Dawn Clement, Elsa Nilsson, Emma Dayhuff & Tina Raymond - CricketKate Wyatt, featuring Jim Doxas, Lex French & Adrian Vedady - Short StoriesWay North, featuring Petr Cancura, Rebecca Hennessy, Michael Herring and Richie Barshay - I'm Here to Stay

Brian Steever is a drummer on a mission to inject joy into every musical situation that he finds himself. One of the most in-demand drummers on the Kansas City scene, the drums have been his passion since he was born. He began his studies with Loyd Warden in Columbia Missouri and is an alumnus of UMKC where he studied with Doug Auwarter, Brandon Draper, Curtis Lundy, Michael Carvin and Bobby Watson. Brian enjoys many performance opportunities in the Kansas City area and beyond. He can be seen around town with Mike Metheny, Matt Otto, Bob Bowman, Jeff Harshbarger, and Hermon Mehari. Brian has also had opportunity to play with musicians from all over the world including Ben Allison, Javon Jackson, Deborah Brown, Bob Sheppard, Tony Tixier, Shunzo Ohno, and Sam Newsome among others. In this episode, Brian talks about: Having the three strong influences of a mentor, a peer, and a community all before he left high school How the Kansas City jazz scene is supportive of everyone's unique voice His experience at University of Missouri-Kansas City The influence of Matt Wilson - being effortless and intentional Exploring sounds and ideas vs. practicing drums The never-ending matched vs. traditional conundrum 

8e émission de la 52e session... Cette semaine, freebop et free-jazz! En musique: Tomas Fujiwara's Triple Double sur l'album March  (Firehouse 12, 2022); Resilient Vessels sur l'album Live at the Cell  (RRGems, 2021); Jackie McLean & Michael Carvin sur l'album Antiquity  (Steeplechase, 1975); A Pride of Lions sur l'album No Questions - No Answers  (RogueArt, 2022); John Edwards, N. O. Moore, Eddie Prévost, Alan Wilkinson sur l'album EMPoWered  (577, 2021)...

When I met Drummer Michael Carvin at APAP he was sitting in the hallway outside one of the performance venues waiting to go on. We started talking and he began telling me about his career as a  Drummer and then about the relationship singers have with band members musically. After about 10 minutes I decided we should continue the conversation on “tape”. Join us in mid-conversation! Learn more about Michael Carvin and his music at www.michaelcarvin.com 

Deep Jazz Beats from Emanative & Liz Elensky. Classic UK Street Soul from Courtney Buchannon. The new single from Tru Thoughts signing Tiawa (sung in Portuguese). Bacao Rhythm & Steel Band return with a cover of Jay Z. Broken Beat from Swell Session featuring Yukimi Nagano (Little Dragon) on vocals. Soulful UK Garage from WTS. Instrumental goodness from the new Hemai album. Breakbeats and Soul samples from Lay Far. The new single from Sampology. A great re-issue of the Jackie McClean & Michael Carvin dancefloor Jazz drums epic on Floating Points label. New Funky Disco from The Fantastics. Some quality early 90’s Hip Hop from Kool G Rap & DJ Polo, Souls Of Mischief and Roxanne Shante. Plus plenty more musical treats.

Houston is the city where the shuffle beat came from. When you play the shuffle with a back beat or a double back beat, that’s what I grew up playing. ​Houston also created a great tenor-sax sound. We came out of marching bands and we had to learn how to project our sound. We’re not talking sound, we’re talking projection, which is a difference. In Texas everybody had a strong sound, so they could play slower notes. Horn players today don’t work with those long tones. If you don’t have long tones, then you have to play a lot of notes. That’s why The Crusaders had that open sound. They were spreading sound over the rhythm. ​What I loved about growing up in Texas in the late 1940s and early 50s was the love. There was so much love, so there was so much music. I would lie in my yard at night and stare up at the big sky. I would dream about what was around the world and I would tell my parents, “One day I’m going to go around the world.” ​My uncle was Don Robey, who managed Jesse Belvin and Bobby “Blue” Bland. He had Sam Cooke when he was singing gospel with Lou Rawls and Isaac Hayes singing background. My father was the studio drummer. ​When I heard Bobby’s “In the Ghetto,” that to me was bebop. It was the sound of his voice and how his voice would ride the rhythm like a wind blowing across the Texas plain. ​Music is understanding the space of the beats, letting it breathe. Bird didn’t let the music breathe, so if I’d listened to him, I would have killed myself, because I couldn’t take a breath. It was moving too fast and it didn’t touch me, because it didn’t have earth connected to it. ​I hadn’t seen New York then and I didn’t realize that New York was cement and steel and little vegetation, so there was no oxygen. You had to move fast or you’d suffocate. --- Support this podcast: https://anchor.fm/jake-feinberg/support

Michael Carvin, founder and CEO of SmartAsset, joins us to share their approach to equipping users with the necessary tools for navigating personal finance decisions. Also, we talk to the founder and head of product at Sketchbox, Joe Connolly, about implementing virtual reality employee training that eliminates the need for an in-class presence. Plus, Fortune's Editor-in-Chief, Clifton Leaf, discusses their newly-released digital series on climate change — produced in collaboration with Bill Gates. In Socially Speaking, we consider the need for simplicity in tech and lament its ongoing challenges despite how much tech is integrated into our daily lives.  Find out more information from our guests here: smartasset.com sketchbox3d.com fortune.com You can also find both AmberMac and Michael B on Twitter.

This is a re-release of Micahel’s original episode from 2014 (episode #55). I’m re-releasing it because it stands as one of the most downloaded episodes of all time and still receives a large amount of feedback. We’ve come a long way since episode 55 so I wanted to re-release this episode in case you haven’t […] The post 472 – Michael Carvin: Finding your true, inner-self (re-release) appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

Michael Carvin's musical training began at age six with his father, one of the top drummers in Houston. By the age of twelve, Carvin began playing professionally and won what would be the first of five consecutive Texas rudimental championships. Joining Freddie Hubbard's band in 1973, Michael moved to New York where he quickly gained a reputation as one of the most formidable drummers on the jazz scene while working with Dizzy Gillespie, Dexter Gordon, Hank Jones, McCoy Tyner, Hampton Hawes, and singers Ruth Brown and Johnny Hartman. Michael has established himself as one of the world's most respected drum teachers and clinicians. The alumni of the Michael Carvin School of Drumming in New York are among the elite drummers in music today. carvin@gmail.com http://www.michaelcarvin.com Website             Newsletter         Become a Patron

List: Discurso Mussolini 1934 Nick Cave & the Bad seeds – Stagger Lee The Doors – Not to touch the earth Jackie McLean & Michael Carvin – De i comahlee ah Krash […] O conteúdo Segundo Contentor #12 aparece primeiro em Engenharia Rádio.

On September 27, 2016, the Georgetown Student Chapter of the Federalist Society, in conjunction with the national office's Faculty Division, held an event on Supreme Court advocacy and the Affordable Care Act cases. -- Featuring: Prof. Josh Blackman, Associate Professor of Law, Houston College of Law; Mr. Michael Carvin, Partner, Jones Day; Prof. Martin Lederman, Associate Professor of Law, Georgetown University Law Center; and Ms. Erin Murphy, Partner, Bancroft, PLLC. Moderator: Mr. Adam Liptak, Supreme Court Correspondent, New York Times. Introduction: Mr. Michael Munoz, President, Georgetown Student Chapter.

In this podcast I share the most recent Drummer’s Resource Pro Q&A session, featuring the legendary drummer, Michael Carvin. Michael has been on the podcast before and his interview was easily one of the most talked about interviews I’ve ever done. As a master player Michael has performed with legends including: Jimmy Smith, Freddie Hubbard […] The post 159: Michael Carvin – Effective Practice Techniques appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

In this podcast I talked to the legendary Michael Carvin who has performed with a slew of A-list artists such as Dizzy Gillespie, Dexter Gordon, and Freddie Hubbard and has played on over 250 albums. Not only has Michael played with A-listers, he also developes them as  teacher. Michael has taught some heavy hitters such as Billy […] The post 055 – Michael Carvin: Meeting Your True, Inner-Self appeared first on Drummer's Resource: Conversations with the world's greatest drummers and music industry pros..

In Halbig v. Sebelius, four individual taxpayers and three employers are challenging a seemingly obscure IRS decree. The IRS claims the authority to issue hundreds of billions of dollars in subsidies to health-insurance companies, and to impose penalties on individual taxpayers and employers, in the 33 states that have refused to establish a health insurance "exchange" under the Patient Protection and Affordable Care Act (PPACA). The Halbig plaintiffs assert this decree would penalize them in violation of the clear, consistent, and unambiguous language of the PPACA, as well as congressional intent. The Congressional Research Service writes that Halbig "could be a major obstacle to the implementation of the Act." Law professor Michael Greve writes, "all of ObamaCare hangs on the outcome." The lead attorney in Halbig, Michael Carvin, and three other panelists will discuss the legality of the IRS's decree and the implications for the PPACA. See acast.com/privacy for privacy and opt-out information.

Decisions like buying a home trip up even the smartest minds. There are so many variables, so many moving parts - it's real hard to wrap your mind around it. Today's guest on Tradestreaming Radio (http://www.tradestreaming.com ), Michael Carvin, founded a company to assist with just that problem. His recently-launched firm, SmartAsset (http://www.smartasset.com ), provides a next-generation toolset to clearly answer tough problems like buying a home and the decision to buy versus rent. Michael joins us to discuss his move from private equity into entrepreneurship, why people have such a hard time making tough financial decisions, and how SmartAsset solves these problems. ***Thanks for joining us on Tradestreaming Radio -- I'm very grateful for your time. It's awesome learning about these new tools and technologies together. If you're listening to this episode on iTunes, please give it a ranking and rating so that others know of the value you're finding in it. Thank you ahead of time.****