Podcasts about monstrous men

Aunties on Air Episode 9: Exploring Identity, Exclusion, & Healing Summary: Listeners, you are in for a treat! This conversation with Morgan Talty will set you up for deep thinking, reflection and some laughter. Morgan, an indigenous (Penobscot) author, public speaker and an amazing Dada to his son, Charlie. He will share his works of art with you, describing his process for his newest book “Fire Exit”, a novel that tackles the complexities of living in a world where culture, blood quantum and colonization have had its impacts. The Aunties felt their hearts expand during this episode, cementing their commitment to healing, inclusion, and love. Please come back this Thursday for a special 10-minute episode where the Aunties celebrate Morgan and all his accomplishments! Morgan TaltyCurrent Books:Night of the Living Rez -Night of the Living Rez — Morgan TaltyFire Exit -Morgan TaltyFeatured In:Never Whistle at Night -Anthologies — Morgan Talty Morgan's Upcoming Non-Fiction:“Year of the Frog Clan” Morgan's Upcoming Fiction:“Doomsday”AndrewSockalexis (Inspiration for “Doomsday”) Wabanaki Words Used:Apc-oc (again in the future, parting, good-bye, farewell)  https://pmportal.org/dictionary/apc-oc Topics Discussed:UMaine -The University of Maine (umaine.edu)UMaine Professor - Morgan Talty - Department of English - University of Maine (umaine.edu)Native American Studies UMaine - Home - Native American Programs - University of Maine (umaine.edu)Native American Program Dartmouth- Home | Native American Program (dartmouth.edu)Eastern Maine Community College-emcc.eduThe Briar Patch - The Briar Patch BookshopLouise Erdrich- Louise Erdrich - WikipediaLouise Erdrich, “The Round House” -The Round House a book by Louise Erdrich (bookshop.org)N. Scott Momaday- N. Scott Momaday - WikipediaTommy Orange- Tommy Orange - WikipediaTommy Orange, “There, There”- There There a book by Tommy Orange (bookshop.org)Tommy Orange, “Wandering Stars”- Wandering Stars a book by Tommy Orange (bookshop.org)Jack Kerouac, “On the Road”- On the Road a book by Jack Kerouac (bookshop.org)Audrey Lorde - Audre Lorde - WikipediaKaren Russell, future release of work (March), “The Antidote”- The Antidote a book by Karen Russell (bookshop.org)MacArthur Genius Grant- Karen Russell - MacArthur Foundation (macfound.org)Oliphant vs. Suquamish Nation - Oliphant v. Suquamish Indian Tribe - WikipediaMaine Indian Claims Settlement Act- Maine Indian Claims Settlement Legislative HistoryBlood quantum/census- Blood Quantum and Sovereignty: A Guide - Native Governance CenterNew York Times Review-Book Review: ‘Fire Exit,' by Morgan Talty - The New York Times (nytimes.com)Morgan's Esquire piece about blood quantum -Blood Quantum: What It Means to Be Indigenous (esquire.com)Leslie Marmon Silko- Leslie Marmon Silko - WikipediaJohn Bear - https://umaine.edu/nativeamericanprograms/people/john-bear-mitchell/PTC Gluskabe Story- My Story is Gluskabe | Penobscot Theatre CompanyUniversityof Maine at Augusta- Augusta • Bangor • Online • Statewide - University of Maine at Augusta (uma.edu)Jennifer Shepard Penobscot Theatre -Jen Shepard | Penobscot Theatre CompanyCarol Dana - Carol Dana (dawnlandvoices.org)Geo Neptune- Geo Soctomah Neptune - WikipediaCarol & Kim Episode EPISODE 8 Aunties of AirPenobscot Youth Council - https://wabanakiphw.org/penobscot-nation-youth-council-recognized-as-2022-youth-council-of-the-year/Wells, Maine Mascot - https://www.wearethewarriorsfilm.com/Unity, Youth Council - https://unityinc.org/about-unity/Carmella Bear (25 under 25) -https://unityinc.org/united-national-indian-tribal-youth-announces-25-under-25-youth-leaders-2/Therese Marie Mailhot, “Heart Berries” -Heart Berries by Terese Marie Mailhot: 9781640091603 | PenguinRandomHouse.com: Books“Smoke Signals” - Smoke Signals (film) - Wikipedia“What do we do with the Art of Monstruous Men” - The Paris Review - What Do We Do with the Art of Monstrous Men?  Special Thanks/ Woliwon: Guests: Morgan Talty Producer: Gavin AllenPodcast Team: Becky Soctomah Bailey, Macy Flanders

Today, Ali and Asif discuss the controversial topic of whether you can separate the art from the artist (3:05). They discuss various opinion articles on this subject and the 'cancelling' of historical figures such as Oscar Wilde and various politicians. They discuss how different types of art may allow this separation to be made easier or harder. They compare authors to actors/directors to stand up comedians and singers. They also discuss how weak versus strong apologies can change someone's viewpoint on an artist. The guys conclude by discussing the case of Michael Jackson and the sexual abuse allegations against him. Because Jackson suffered from vitiligo, in the second half the guys discuss this skin disease (38:36). Asif talks about the presumed cause as well as how it is diagnosed. Ali then asks Asif about the psychological toll the disease can take as well as the treatment and prognosis.    The opinions expressed are those of the hosts, and do not reflect those of any other organizations. This podcast and website represents the opinions of the hosts. The content here should not be taken as medical advice. The content here is for entertainment and informational purposes only, and because each person is so unique, please consult your healthcare professional for any medical questions.    Music courtesy of Wataboi and 8er41 from Pixabay   Contact us at doctorvcomedian@gmail.com   Follow us on Social media: Twitter: @doctorvcomedian Instagram:  doctorvcomedian   Show Notes: It's Okay to Like Good Art by Bad People: https://www.theatlantic.com/magazine/archive/2023/05/separate-art-from-artist-cancel-culture-monsters-book/673497/ Can You Love the Art and Hate the Monster https://www.newyorker.com/books/under-review/can-you-love-the-art-and-hate-the-artist This New Book Asks: Can You Separate the Art From the Artist? https://www.anothermag.com/design-living/14867/monsters-a-fans-dilemma-claire-dederer-cancel-culturehttps://www.nytimes.com/2021/11/03/opinion/music-pop-culture-justice.html Can We Separate Art from the Artist? Should We? https://observer.com/2023/01/can-we-separate-art-from-the-artist-should-we/ What do we do when the art we love was created by a monster? https://www.vox.com/culture/2018/10/11/17933686/me-too-separating-artist-art-johnny-depp-woody-allen-michael-jackson-louis-ck What Do We Do with the Art of Monstrous Men? https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/ Rihanna: I have forgiven Chris Brown, I truly love him: https://uk.news.yahoo.com/rihanna-chris-brown-112742317.html?guccounter=1&guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvbS8&guce_referrer_sig=AQAAAHQ_aSIGLrcQ0yotID_BwInwuH3Ebaz4Y2W_eqc6tfSey2PpDBXElC2YbC0tfdGCchWPoKs90wjV2aRkrvzLQKftF-gs-YXUQJmnuV0dTuQRUWG9g6EWkLmj5z-IjL-1QDDz4qrVz7rxLOXIR8C1jCG08XJ5Vhq8rsxUPT2yp4xj Jian Ghomeshi found not guilty on choking and all sex assault charges: https://www.cbc.ca/news/canada/toronto/jian-ghomeshi-sexual-assault-trial-ruling-1.3505446 Rob Ford on drug use: 'You name it, I pretty well covered it': https://www.cbc.ca/news/canada/toronto/rob-ford-on-drug-use-you-name-it-i-pretty-well-covered-it-1.2693774 Why are celebrities accused of sexual harassment so bad at apologies? https://www.salon.com/2018/01/06/why-are-celebrities-accused-of-sexual-harassment-so-bad-at-apologies/ I Made the Pizza Cinnamon Rolls from Mario Batali's Sexual Misconduct Apology Letter https://www.everywhereist.com/2018/01/i-made-the-pizza-cinnamon-rolls-from-mario-batalis-sexual-misconduct-apology-letter/  Aziz Ansari Is Guilty. Of Not Being a Mind Reader https://www.nytimes.com/2018/01/15/opinion/aziz-ansari-babe-sexual-harassment.html Shane Gillis was fired from ‘SNL' for racist and homophobic jokes. Now he's going to host: https://www.nbcnews.com/news/shane-gillis-saturday-night-live-fired-now-hosting-rcna137161 Winnie Harlow: Her Emotional Story With Vitiligo: https://www.healthinsight.ca/advocacy/winnie-harlow-her-emotional-story-with-vitiligo/ Bullies made Winnie Harlow suicidal but now Lewis Hamilton's stunning girlfriend loves the skin she's in: https://www.thesun.co.uk/tvandshowbiz/1752326/bullies-made-winnie-harlow-suicidal-but-now-lewis-hamiltons-stunning-girlfriend-loves-the-skin-shes-in/ Vitiligo: A Narrative Review: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9586189/ Vitiligo: https://www.ncbi.nlm.nih.gov/books/NBK559149/ Beyond skin white spots: Vitiligo and associated comorbidities: https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9995999/ Vitiligo, from Pathogenesis to Therapeutic Advances: State of the Art: https://www.mdpi.com/1422-0067/24/5/4910 Understanding the symptoms of vitiligo: https://www.medicalnewstoday.com/articles/245081#treatment

Claire Dederer talks about her new book, "Monsters: A Fan's Dilemma," a blend of cultural criticism and memoir in which she thinks deeply about the work of great artists who were also horrible people.Recorded July 24, 2023.Follow Culturally Determined on Twitter @CulturallyDetLINKSClaire's new book,"Monsters: A Fan's Dilemma"https://www.amazon.com/Monsters-Fans-Dilemma-Claire-Dederer/dp/0525655115Claire's 2017 essay, "What Do We Do with the Art of Monstrous Men?"https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/Follow @aryehcw Follow @ClaireDederer Hosted on Acast. See acast.com/privacy for more information.

In the midst of the #MeToo movement in 2017, Claire Dederer posed a difficult question in The Paris Review: "What Do We Do With the Art of Monstrous Men?" From that viral essay comes her new book, Monsters, which examines how we morally engage with – or don't – musicians, authors and actors whose work we love, when we condemn their personal actions. In today's episode, Dederer tells NPR's Ayesha Rascoe how this question first arose for her around Roman Polanski movies, and how complex and personal it is to try to separate the art from the artist.

What do we do when an artist we love does something monstrous? Constance Grady, a culture writer at Vox, talks with Claire Dederer, the author of Monsters: A Fan's Dilemma. They discuss how to reckon with the facts and feelings of consuming art by someone who's done something bad, if it's possible to separate the art from the artist, and what responsibility — if any — comes with being a fan. Host: Constance Grady, (@constancegrady), culture and gender writer Guest: Claire Dederer, author of Monsters: A Fan's Dilemma  References:  Monsters: A Fan's Dilemma by Claire Dederer (Penguin Random House, 2023) “What Do We Do with the Art of Monstrous Men?” by Claire Dederer (The Paris Review, 2017) Dept. of Speculation by Jenny Ofill (Penguin Random House, 2014) Mad at Miles: A Blackwoman's Guide to Truth by Pearl Cleage (Cleage Group Publication, 1990) Enjoyed this episode? Rate The Gray Area ⭐⭐⭐⭐⭐ and leave a review on Apple Podcasts. Subscribe for free. Be the first to hear the next episode of The Gray Area. Subscribe in your favorite podcast app. Support The Gray Area by making a financial contribution to Vox! bit.ly/givepodcasts This episode was made by:  Engineer: Patrick Boyd Editorial Director, Vox Talk: A.M. Hall Learn more about your ad choices. Visit podcastchoices.com/adchoices

Can we still love the work of Hemingway, Polanski, Naipaul, Miles Davis, or Picasso? Should we love it? In this unflinching, deeply personal book that expands on her instantly viral Paris Review essay, “What Do We Do with the Art of Monstrous Men?” Claire Dederer asks: Does genius deserve special dispensation? Is male monstrosity the same as female monstrosity? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? She explores the audience's relationship with complicated artists, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? In a more troubling vein, she wonders if an artist needs to be a monster to create something great. And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art. Claire Dederer is a bestselling memoirist, essayist, and critic. Her books include the critically acclaimed Love and Trouble: A Midlife Reckoning, as well as Poser: My Life in Twenty-three Yoga Poses, which was a New York Times bestseller. Poser has been translated into eleven languages, optioned for television by Warner Bros., and adapted for the stage. Sonora Jha is the author of the memoir How to Raise a Feminist Son and the novel Foreign. After a career as a journalist covering crime, politics, and culture in India and Singapore, she moved to the United States to earn a PhD in media and public affairs. Dr. Jha's op-eds, essays, and public appearances have been featured in the New York Times, on the BBC, in anthologies, and elsewhere. She is a professor of journalism at Seattle University. Her new novel, The Laughter, has opened to rave reviews from The New York Times, Washington Post, Kirkus Reviews, and others.  Angela Garbes is the author of Essential Labor: Mothering as Social Change, called “a landmark and a lightning storm” by the New Yorker. Essential Labor was named a Best Book of 2022 by both the New Yorker and NPR. Her first book, Like a Mother, was also an NPR Best Book of the Year. Her writing has appeared in The Atlantic, The New York Times, New York Magazine, and featured on The Daily Show with Trevor Noah and Fresh Air with Terry Gross. A first-generation Filipina American, Garbes lives with her family on Beacon Hill. Monsters The Elliott Bay Book Company

You love their work, but are seriously disturbed by what you've learnt about the person - can you separate an artist's work from their personal life? It's a question explored by New York Times writer, essayist and critic Claire Dederer in her book Monsters: A Fan's Dilemma. In the collection of essays Dederer discusses the link between genius and monstrosity in the age of #MeToo. Dederer talks personally about her own dilemmas in admiring problematic artists such as Hemingway, Polanski and Picasso, and how best to navigate the uncomfortable collision of art, ethics and personal values.

When the Lavendars sought to settle on new lands, they were warned that the surrounding moors were haunted by strange creatures. Genre: Horror, Mystery   Excerpt: Nisha knew what was in the basket though she could no longer see it and could barely hear it. The “allfeistus” they were called once. Strange creatures who were thought to have died out until someone rediscovered them. Uncle Nestor said they might still die out. And that's why people like him were trying to capture them. Not just to study them. But also to try and preserve them. Perhaps even try to teach them. “Be mindful, niece. The gift is not the creature. The gift is his future friendship…a thing, I admit, neither you nor I can predict.”   Storyfeather-themed merchandise New Creature designs for October 2022!T-shirts, mugs, stickers, notebooks, and more. (Does anyone need a baby onesie with a ghoul on it?) STORYFEATHER TEEPUBLIC STORE.   CREDITSStory: “The Monstrous Men of the Moors” Copyright © 2018 by Nila L. Patel Narration, Episode Art, Editing, and Production:  Nila L. Patel   Music: “Trip-Hop Lounge Abstract Background” by Digital Emotions (Intro/Outro)   Music by Nicholas Jeudy (Dark Fantasy Studio)* “Creatures of the night” “Witches” “Ancient gods” “Orbs” “Once” “Omen” “The 4th world” “The ritual” “Horns” “The forest” “Eternal life”   *These tracks were part of a music and sound effects bundles I purchased from Humble Bundle and sourced from GameDev Market.   Music by Nicholas Jeudy is licensed from GameDev Market Sound effects from AudioJungle and GameDevMarket   Find more music by Digital_Emotions at audiojungle.net Find more music by Nicholas Jeudy at gamedevmarket.net Find more stories by Nila at storyfeather.com   Episode Art Description: Digitally colored ink drawing.  At left, a girl with a bow in her hair, seen from waist up and her right profile. Her right arm is bent, hand perched on the edge of a basket that sits at center. A small scaly tail curves over the edge inches from the girl's hand. A scaly arm reaches up from a bundle of blankets. The hand is reaching toward the girl's left hand, which is stretched over the basket, holding a cricket.  A watermark of the word “Storyfeather” lies over the image.   The Storyfeather site was recently renovated. Do visit, won't you?The all new START HERE page will guide you through all things Storyfeather. Sign up there to receive the monthly Storyfeather Gazette in your inbox. It's a round-up of the latest stories, podcast episodes, and trailers, news about upcoming events (like the start of a new podcast season), and other stuff.

Welcome back for another episode of Vacation Fright School! We're celebrating Pride here in San Diego! Joshua starts to talk about his Pride plans, but gets sidetracked talking about Rebel's Refinery Skull lip balm. Thankfully, we have the Goth Industrial Complex to make sure Joshua never has to use any product that isn't black and goth as fuck. We catch up on the week's viewing with AMERICAN HORROR STORIES and THE MISFITS. Joshua is reading Grady Hendrix's THE FINAL GIRL SUPPORT GROUP. Joe got a subscription to FANGORIA and we chat about the latest edition's CANDYMAN articles. MORBID ANATOMY is going to be hosting an online lecture for Thomas Harris' THE SILENCE OF THE LAMBS with true crime essayist Harold Schechter. This week we get in to some tough topics with JEEPERS CREEPERS (2001). This film really encapsulates the Art of Monstrous Men conversation we have had several times on the show. We examine the Queer coding of both Darry and The Creeper, the very real monster that is director Victor Salva, and the confusing messaging of the film. Recommended Reading/Viewing: Original trailer JEEPERS CREEPERS (2001) Compare/Contrast the opening scene of UNSOLVED MYSTERIES March 1990 and JEEPERS CREEPERS opening Jeepers Creepers and Victor Salva's Confession by Isabelle Arf Dennis DePue: True Story of the Real-Life Killer That Inspired Jeepers Creepers These two readings were also very helpful with this episode, but are part of text books not easily linked here: Creeper Bogeyman: Cultural Narratives of Gay as Monstrous by Sergio Fernando Juárez My Brother's Creeper: Towards a Queer (Re)Reading of Victor Salva's JEEPERS CREEPERS (2001) by John Edgar Browning Jackie Beat at Gossip Grill San Diego Check out the new collection CREEPY BITCHES: Essays on Horror from Women in Horror! Joe clack-clack-clack-clacked his way onto THWORP! A Podcast for Big Fans! We popped up on EVERY MONTH MADNESS to discuss Queer Coded Cartoon characters! Episode 2 is HERE! Episode 1 HERE! FOLLOW US! Facebook Twitter Instagram LinkTree EXTRA CREDIT: WE HAVE ALL NEW TEES AND MERCH AVAILABLE! WE KNOW PODCASTING! There would be no Fright School without the incomparable assistance of one Matt Kelly. Now you can benefit from his and co-founder of WE KNOW PODCASTING Chris Fafalios' 25+ years of combined experience to take your show to the next level. They want to share their experience with you, giving you a leg up on the competition. In a world of run-of-the-mill podcasts, you can stand out from the crowd with a professional and engaging show! WE GOT OUT OF BED TODAY John and Jasmine speak with one of Piti's most famous residents and Academic Challenge Bowl legend (and Fright School co-host!) Joe Fejeran! Fright School Recommended Texts: NEW RECOMENDATION: Monsters in the Closet: Homosexuality and the Horror Film by Harry Benshoff The Monster Show: A Cultural History of Horror by David J. Skal Men, Women, and Chain Saws: Gender in the Modern Horror Film by Carol J. Clover Horror Noire: A History of Black Horror by Robin R Means Coleman Projected Fears by Kendall R. Phillips The Horror Genre: From Beelzebub to Blair Witch by Paul Wells Support FRIGHT SCHOOL by contributing to their Tip Jar: https://tips.pinecast.com/jar/fright-school Find out more at https://fright-school.pinecast.co This podcast is powered by Pinecast.

Are you always choosing other people over your own life's work? Whether it's art or entrepreneurship or simply doing whatever you damn well please for a day, how often do you refuse yourself and honor other people, instead? Do you actually need to neglect somebody else to get your real life's work done?? Is co-dependence a spiritual or energetic imbalance that once you correct it, you can tend to your life's dreams and also be respectful of other people's needs?Riffing on this idea, after a bad week of giving myself away, and then reading an article by Claire Dederer in The Paris Review, “What Do We Do With the Art of Monstrous Men?”, we go a bit into rant mode about putting yourself first. (I mispronounce "Dederer" in the podcast, please forgive me, Claire, I'm a huge fan and I have learned!)How do we find our way back to ourselves? Are you ready to do whatever it takes?More about Maia at maiawilde.com.Orig. Aired 5/30/2019

Natalie Carnes is an associate professor of theology in the religion department at Baylor University and an affiliate faculty member in women's and gender studies. She and Elise discuss Natalie’s latest book, Motherhood: A Confession. They talk about Natalie’s love of Augustine and Gregory of Nyssa, how to approach art made by terrible people, and why beauty is often seen as a frivolous topic.   What is beauty?   Beauty and moral depravity   Witness as an approach to art   Gregory of Nyssa on beauty   An Augustinian take on “slacktivism”   Womanist theology   Raising white daughters   Mothering language for God   Links: Beauty: A Theological Engagement with Gregory of Nyssa Motherhood: A Confession Image and Presence: A Christological Reflection on Iconoclasm and Iconophilia The Life of Moses by Gregory of Nyssa The Life of Macrina by Gregory of Nyssa Carolyn Forché “What Do We Do with the Art of Monstrous Men?” by Claire Dederer “Ferguson Mother of God: Our Lady against all Gun Violence” by Mark Dukes Emilie Townes Karen Baker-Fletcher Shawn Copeland Amey Adkins-Jones Kelly Brown Douglas Creation and the Cross by Elizabeth Johnson

In this bonus episode, we talk with memoirist and essayist Claire Dederer about the role of ambition in a writer’s life. She also discusses the different ways she responds to rejection, and how it differs when it comes from a professional source versus from a reader. She also talks about the writer’s imperative to write about difficult subjects, why it’s important it is to have clarity and distance before sharing difficult personal stories, how domestic labor can affect a writer’s work life and how devoting time to her work has, at times, made her feel monstrous. Claire Dederer (photo courtesy Claire Dederer)Claire Dederer’s essay “What do we do with the Art of Monstrous Men?”Claire Dederer’s essay “Eclipsed: In our two-writer household, my husband's literary star shines all too brightly” This is a public episode. Get access to private episodes at emergingform.substack.com/subscribe

“We’re sorry, your work does not suit our needs at this time.” These words are so common. Rejection is a difficult reality for most (all?) writers and artists. So how do we handle rejection? Can we use it to improve our work? What does it have to tell us and teach us? In this episode, we talk about a useful phrase in the face of rejection, Christie’s Southeast Asia Problem, and one of the poetry worlds’ best rejection letter writers. Then we’ll talk with memoirist and essayist Claire Dederer and ask her two questions: 1) How do you process rejection, especially when it’s a work that feels very personal? And 2) What have you learned from rejection? We’re interested in your feedback on these answers, too! Episode Notes:Halcyon Poetry PrizeChristie’s article on mammography in Mother JonesChristie’s report for the Pulitzer Center on Agent Orange in VietnamColorado’s New Poet Laureate Bobby LeFebreMost Rejected Books of All TimeClaire Dederer (photo courtesy Claire Dederer)Claire Dederer’s essay “What do we do with the Art of Monstrous Men?”Claire Dederer’s essay “Eclipsed: In our two-writer household, my husband's literary star shines all too brightly”**Tim Green’s Outstanding Rejection Letter Dear Rosemerry— Thanks for sharing this. The subject matter is perfect for the series, but we receive over 100 poems every week, and I can only pick one (or occasionally two). This week I ended up choosing something else—check our website tomorrow morning to read it. This decision is, of course, no reflection on the importance of the event you were writing about, or of your response. It's great to read poets reacting in a meaningful way to current events, and very difficult to choose just one. I'm sorry that I can't reply individually, though many poems make me want to—reading all these every Saturday morning is a lot of work! We do have a closed Facebook group, where you can safely share your poems with each other, if you'd like—just join: https://www.facebook.com/groups/poetsrespond/Anyway, don't hesitate to try again whenever you have another timely one—or to send general submissions any time. Best, Tim This is a public episode. Get access to private episodes at emergingform.substack.com/subscribe

One of Australia's most successful genre filmmakers Leigh Whannell talks about his new film The Invisible Man, an allegory on gaslighting with Elisabeth Moss in the lead.

One of Australia's most successful genre filmmakers Leigh Whannell talks about his new film The Invisible Man, an allegory on gaslighting with Elisabeth Moss in the lead.

One of Australia's most successful genre filmmakers Leigh Whannell talks about his new film The Invisible Man, an allegory on gaslighting with Elisabeth Moss in the lead.

One of Australia's most successful genre filmmakers Leigh Whannell talks about his new film The Invisible Man, an allegory on gaslighting with Elisabeth Moss in the lead.

One of Australia's most successful genre filmmakers Leigh Whannell talks about his new film The Invisible Man, an allegory on gaslighting with Elisabeth Moss in the lead.

Welcome distinguished ladies, refined germs and people of all genders who are of a worldly disposition! Join Taylor & Curtis as we discuss a topic of much pomp and esteem (I don't know why I think it's so fancy, but I'm the one writing the episode description so let me be) - the National Film Registry! Specifically, two of the twenty-five or so (out of 775) horror films in the prestigious registry. Join us as we discuss thrilling topics such as: the male gaze, the greatest monsters to grace the medium of film, what is and what it means to be on the National Film Registry, and our depression in recalling the infamous Dave&Busters Reddit story (see below...). CW ON THE POD: DISCUSSION OF SEXUAL ASSAULTWant to learn more? Check out some of the sources we used for this episode:"What Do We Do with the Art of Monstrous Men?," https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/"Has Roman Polanski Ruined Rosemary's Baby's Legacy? No.," https://www.refinery29.com/en-us/2018/06/201484/rosemarys-baby-themes-roman-polanski-me-too-misogyny"The Devil Inside: Watching Rosemary’s Baby in the Age of #MeToo," https://www.vanityfair.com/hollywood/2018/05/watching-rosemarys-baby-in-the-age-of-metoo"Great Movies: Rear Window," https://www.rogerebert.com/reviews/great-movie-rear-window-1954And, finally, the Dave and Busters story... only read if you're prepared to be sad: https://twitter.com/redditships/status/1152957799623745537?lang=enPlease connect with us on Twitter: @ahhreelfilms or Instagram: @ahhrealfilms, or drop us a line to let us know how we're doing, or to suggest a future topic or film to discuss: ahhrealfilms@gmail.com. Please remember to rate, review, and subscribe!You can also now find us both on Letterboxd! Follow us on our horror journey and occasional forays into romcoms (because let's be real).Taylor: @happydeathtayCurtis: @let5groove2nit3Films Covered: Rosemary's Baby (1968), Rear Window (1954), Gretel and Hansel (2020), Mayhem (2017), Ju-On: The Curse (2000, YouTube Link: https://www.youtube.com/watch?v=zx1O_OHTQwY&t=5s), The Golem (2018), Attack the Block (2011)TV Shows Covered: You (Season 2)Books Covered: Something in the Water, by Catherine Steadman

We answer your questions about crossovers and The Johnlock Conspiracy, and discuss the third episode of Season 1 of Hannibal. Feel free to use the chapter markers to jump around if you just totally don't care about TJLC (which is a fair viewpoint to have!)Topics:Hannibal S01E03, “Potage”The Johnlock Conspiracy at the Fail Fandom Anon WikiSherlock 221b Con Wank at the Fail Fandom Anon WikiOn the Subject of Noncon Fanworks: Thoughts of a Reader, Writer, Survivor by AnarfeaWhat Do We Do with the Art of Monstrous Men? by Claire DedererA Mental Disease by Any Other Name by Susie NeilsonWhat we’re readingAssorted fics by berlynn_wohland built a little house that we could live in by coloredink

When should we "cancel" an artist? And how long should we put up with the negatives of social media? [18:57] This week, Aaron and Joey talk about Michael Jackson, redirecting royalties, Picasso, Facebook moderators, flat-earthers, and internet librarians. They don't talk about how "cancelling" by this use has not yet made it into Merriam Webster. references Clips from Leaving Neverland (and presumably, much more to come on the internet). What Do We Do with the Art of Monstrous Men? Claire Dederer on the Paris Review. The Verge on Facebook content moderators. r/eyebleach for your eyebleaching needs.

The GHOULS get monstrous in more ways than one. OH BOY! --- Send in a voice message: https://anchor.fm/black-tribbles/message

For the New Year, New Me series, on episode 43, the Ghouls (definitely them and their identity shouldn't be questioned) have dived deep into male puberty and the monstrous man. They're talking about the differences between monstrous men and monstrous women, discussed earlier in the month. How are men potrayed when they go through their bodily changes? Why are they usually goddamn heroes? Didn't you want to be a werwolf? The Ghouls watched I Was a Teenage Werewolf and the Eli Roth show, Hemlock Grove to explore this topic. Talking Points: Monstrous Men, Goop Everywhere, Hair Everywhere, Voice Deepens, Science is the Enemy, Frankenstein, Male Puberty, Ejaculation, Vampires, Werewolves, Hemlock Grove, Gabe's Husband Eli Roth, Romani, Gypsy slurs, Werwolf Transformation, Loss of teeth, new eyes, Shirtless Skargards, and All Skarsgards are Vampires. Check us out on iTunes, Stitcher, Spotify, and Google Play!! Rate, Subscribe, Comment. You know the drill. --- Support this podcast: https://anchor.fm/the-ghouls-next-door/support

This week's show is a double dose of schadenfreude! The gang compares the dueling documentaries Hulu's "Fyre Fraud" and Netflix's "Fyre," which tell different versions of the tropical shit show that landed its mastermind Billy McFarland behind bars. All Abouts Wynter is all about Crashing and True Detective. Margaret is all about the memoir Love and Trouble: A Midlife Reckoning by Claire Dederer, who you may recognize from her article in the Paris Review What Do We Do with the Art of Monstrous Men. Karen is all about CATWALK: Tales from the Cat Show Circuit on Netflix, and the rivalry between a “well-muscled” Turkish Angora named Bobby, and a voluminous Red Persian named Oh La La . Guy is all about Sex Education on Netflix. That's My Jam Wynter: Phil Collins - I'm Not Moving (Idjut Boys remix) Karen: Queen - Play the Game Margaret: ROSALÍA - MALAMENTE Guy: Mark Ronson (feat. Miley Cyrus - Nothing Breaks Like a Heart With Guy Branum, Karen Tongson, Margaret Wappler, Wynter Mitchell-Rohrbaugh Did you know that you can now call and leave voicemails for the show? You can! If you want to comment on an episode, give us any feedback or just call to get advice from a panel member, the number is: (530) 237-4108. You can let us know what you think of Pop Rocket and suggest topics in our Facebook group or via @PopRocket on Twitter. If you haven't already, follow us on Instagram. Produced by Laura Swisher for MaximumFun.org. Edited by Shana Daloria.

In her summer cover story for the Scholar, “In the Labyrinth of #MeToo,” Sandra M. Gilbert looks at how far the newest feminist movement has come—and how far we have to go yet to achieve feminism’s goals. Her essay places the latest wave in the mythic feminist tradition, expresses her qualms about certain directions the movement has taken, and asks how we should regard the work of artists whose offensive behavior has been revealed. On our podcast, she these questions and much more.Go beyond the episode:“An Open Letter from Dylan Farrow,” and her first television interview detailing her sexual assault allegations against Woody AllenThe full letter that the survivor in the Stanford rape case read at Brock Turner's trialRoxane Gay, “Can I Enjoy the Art but Denounce the Artist?”Hadley Freeman, “What does Hollywood’s reverence for child rapist Roman Polanski tell us?”A. O. Scott, “My Woody Allen Problem”Claire Dederer, “What Do We Do with the Art of Monstrous Men?”Jason Farago, “Gaugin: It’s Not Just Genius vs. Monster”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie BastekSubscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. See acast.com/privacy for privacy and opt-out information.

In her summer cover story for the Scholar, “In the Labyrinth of #MeToo,” Sandra M. Gilbert looks at how far the newest feminist movement has come—and how far we have to go yet to achieve feminism’s goals. Her essay places the latest wave in the mythic feminist tradition, expresses her qualms about certain directions the movement has taken, and asks how we should regard the work of artists whose offensive behavior has been revealed. On our podcast, she these questions and much more.Go beyond the episode:“An Open Letter from Dylan Farrow,” and her first television interview detailing her sexual assault allegations against Woody AllenThe full letter that the survivor in the Stanford rape case read at Brock Turner's trialRoxane Gay, “Can I Enjoy the Art but Denounce the Artist?”Hadley Freeman, “What does Hollywood’s reverence for child rapist Roman Polanski tell us?”A. O. Scott, “My Woody Allen Problem”Claire Dederer, “What Do We Do with the Art of Monstrous Men?”Jason Farago, “Gaugin: It’s Not Just Genius vs. Monster”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie BastekSubscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

Hello lovely listeners. This podcast comes from the bed of self-confessed theatre womble James Baker, James is a theatre maker, academic and artist. He is Co-Artistic Director of Bootworks Theatre Company and host of the Bootworks theatre talkshop podcast. In this episode we talk about the multi- award winning film American Beauty, and the themes it presents against the backdrop of current issues and the political climate, in a post Weinstein era and with the allegations made against Kevin Spacey and the implications which the work has now become framed within. Again we need you to bear with us and our funky robot noises, also it does get a little quiet in places so please keep listening, we are still trying to learn as we go and we promise it will get better. Thank you so much for listening and hope you enjoy the show. Website - http://www.bootworkstheatre.co.uk/ Podcast - http://www.bootworkstheatre.co.uk/?page_id=1115 or alternatively find it on iTunes by searching for Bootworks Theatre Talkshop Twitter - @Bootworks Instagram - @bootworkstheatre What Do We Do with the Art of Monstrous Men? - https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/ Support In Bed with Too Many Pillows by donating to the tip jar: https://tips.pinecast.com/jar/in-bed-with-too-many-pillows Find out more on the In Bed with Too Many Pillows website. This podcast is powered by Pinecast.

Maren-Anne Melvik, Ida Sofia Vaa og Ida Jahr diskuterer kvinnelige og mannlige monstre i Ilana Glazer og Abby Jacobsons Comedy Central-serie Broad City, Marjorie Liu og Sana Takedas tegneserie Monstress og Claire Dederers Paris Review-blogartikkel "What Do We Do With the Art of Monstrous Men?" i denne desemberutgaven av Popkulturtantene.

Toni and Mike discuss the value of critical thinking skills and how to measure success before getting to the heart of this week’s episode: getting started, showing up (even when you don’t want to), and envisioning your own version of the finish line. Show Notes: Power Causes Brain Damage What Do We Do with the Art of Monstrous Men?