French-Polish film director, producer, writer, and actor
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As we continue Season 5, Mike speaks with Alex Gibney (Agents of Chaos, Going Clear: Scientology and the Prison of Belief, Taxi to the Dark Side) about his documentary series for HBO Max, “Wise Guy: David Chase and the Sopranos”. If you are familiar with Gibney's work, you will know that his documentaries often have a political topic or a political edge, so it won't surprise you that while he doesn't overly focus on it, he does explore the ways in which the legendary HBO series was a commentary on America. But the true pleasure of this documentary is to witness the incredibly deep ways that Chase's own life informed his work and–this may actually be connected–the ways that Chase used techniques that he learned from directors like Polanski, Lucci, and Kubrick to shape his own cinematic language. Follow: @alexgibneyfilm on X @topdocspod on Instagram and X The Presenting Sponsor of "Top Docs" is Netflix.
Science fiction in the spotlight at this year's Anifilm festival, Czechia shows greatest growth in EU of sales of electric cars, Martina Skála on working with Forman and Polanski – and dancing with horses, news
Writer and artist Martina Skála grew up in Prague's picturesque Malá Strana district before leaving for France in the mid-1980s and eventually settling in California. Skála, who studied history and set design, has also had an unusually broad range of jobs, from acting as an advisor to the female leads on The Unbearable Lightness of Being to literally dancing with horses.
Science fiction in the spotlight at this year's Anifilm festival, Czechia shows greatest growth in EU of sales of electric cars, Martina Skála on working with Forman and Polanski – and dancing with horses, news
En ny avtale om EØS-midler med Polen er signert. Hva betyr det for KS og norske kommuner? Det er tema i denne ukens podkast.Hva tenker du på når du hører «Polen»? Piroger? Lech Wałęsa? En film av Polanski?Det er kortere vei fra polske til norske kommuner enn vi kanskje tror. Mange har innledet samarbeid, som skaper inspirasjon, lokalutvikling og langvarige vennskap.Elita Cakule, som er fagsjef for internasjonale prosjekter i KS, er vår gjest og forklarer på hvilken måte norske og polske kommuner har gjensidig utbytte av å samarbeide, og at det neste ikke finnes grenser for hva de kan samarbeide om.Snart vil KS publisere fire filmer og fire partnerskap mellom norske og polske kommuner. Blant dem er Alta kommune og Elverum kommune.Vi har snakket med kultursjef Tor Helge Reinsnes Moen blant annet om hvorfor han mener polakker i samarbeidskommunen Hajnowka forstår bedre folk i Alta enn folk i Drammen. Internasjonal rådgiver Daria Dyresen i Elverum kommune forteller om positive erfaringer fra samarbeidet med Hrubieszów, som har handlet om blant annet eldreomsorg. Begge to deler også tips til andre kommuner, som har lyst til å jobbe mer internasjonalt. Hosted on Acast. See acast.com/privacy for more information.
Charles Manson Now is a critical dissection of what happened forty-one years ago when Manson family members stormed the Polanski estate near Los Angeles and murdered five people, including one of America's most beautiful, beloved actresses, Sharon Tate.This book is also a collage of Charles Manson's own writing, a poetic, ironic, and disturbing account of his universe, from his childhood to his time in the 8x12 prison cell where he is condemned to stay forever. It is Charles Manson, uncensored, unedited, in his own words.When author Marlin Marynick was eight years old, he discovered a beat up copy of Helter Skelter - the bestselling true crime book of all time written by Vincent Bugliosi, the lead prosecutor at Charles Manson's trial. Bugliosi's portrait of Charles Manson as an icon of unbridled evil haunted Marynick for years, well into his career as a psychiatric nurse and ultimately culminated when he met Manson behind the tightly locked doors of California's Corcoran State Prison. In Charles Manson Now, Marynick challenges the official version of events.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
Charles Manson Now is a critical dissection of what happened forty-one years ago when Manson family members stormed the Polanski estate near Los Angeles and murdered five people, including one of America's most beautiful, beloved actresses, Sharon Tate.This book is also a collage of Charles Manson's own writing, a poetic, ironic, and disturbing account of his universe, from his childhood to his time in the 8x12 prison cell where he is condemned to stay forever. It is Charles Manson, uncensored, unedited, in his own words.When author Marlin Marynick was eight years old, he discovered a beat up copy of Helter Skelter - the bestselling true crime book of all time written by Vincent Bugliosi, the lead prosecutor at Charles Manson's trial. Bugliosi's portrait of Charles Manson as an icon of unbridled evil haunted Marynick for years, well into his career as a psychiatric nurse and ultimately culminated when he met Manson behind the tightly locked doors of California's Corcoran State Prison. In Charles Manson Now, Marynick challenges the official version of events.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
Los Angeles, 1969. The air hums with peace, love, and revolution—until it doesn't. A string of brutal murders rips through the city, orchestrated by a man with wild eyes and a twisted gospel: Charles Manson. The CIA. The FBI. MKUltra. Mind control. Cults. Conspiracy. These aren't just buzzwords—they're threads in a tapestry so dark, so tangled, it has haunted investigators for decades. We're revisiting the Manson Family Murders—not the story you know, but the one Tom O'Neill uncovered in Chaos. A story where evil walks hand in hand with something far creepier: the possibility that Manson wasn't just a madman, but a pawn in a mind-control game run by the U.S. government. Buckle up, folks. This one's going to get freaky. ------- TIME STAMPS: 0:00 - Good Luck, Christian 1:44 - Theme Music 3:04 - The Warm Up / Thanks For All The Reviews 4:56 - Manson, Mind Control & MK Ultra 5:31 - Polanski is a Pervert, No? 6:44 - Tex The Towering Texan & Folks 7:52 - Gonna Be One of Those Episodes, Nah Mean? 8:23 - No Trigger Warning For You. Enjoy. 11:27 - 3 Crimes, 7 Dead Under Manson's Command 11:57 - Enter: Author Tom O'Neill 12:13 - Vincent Bugliosi & Helter Skelter 13:58 - MK Ultra / Operation Midnight Climax 15:03 - San Francisco & The Summer of Love 16:13 - Jolly West aka Dr Jolly St Nick West 17:29 - Masonic Drive & The Joys of Paranoia 17:58 - The Sunken Living Room Tangent 20:23 - What Happened in that Jail Cell? 22:38 - Roger Smith 25:33 - The Straight Satans (or Straightans) 27:40 - Seeing a Pimp at a Vegas Gas Station 29:35 - I'm Tired of Pretending The Beatles Were Good.. 31:55 - Should We Bring Back The Death Penalty? 33:45 - Manson: Madman or Marionnette 33:55 - Did MK Ultra Pull Manson's Strings? 35:27 - Modern Day Equivalent to Hippies? 37:25 - Was Manson Controlled Op? 40:13 - Just a Bean in the Can 43:13 - Do We Have Manchurian Candidate Abilities? 45:38 - Misinformation Is EVERYWHERE (even here..) 49:57 - Who Made The Worst Music: Manson or The Beatles? 53:13 - Christian Takes FOREVER To Piece A Single Episode Together 55:34 - A Fitting Outro.. -------- If you want to become a producer, visit this link: http://bit.ly/3WZ3xTg Episode Producer: Eric Long -------- The Twilight Zone meets Mystery Science Theatre 3000 meets an uncomfortable Thanksgiving dinner conversation with your in-laws. TFD is a weekly paranormal comedy podcast featuring real ghost stories, Cryptid lore discussions, and true paranormal experiences catering to the week's theme. Fresh episodes drop every Thursday across all podcast platforms, and feature perspectives from both believer and skeptic sides of the aisle. So if you're a fan of haunted places, terrifying paranormal activity, and true ghost stories from real people, you're in the right place, friend. Recorded in an undisclosed location somewhere in the beautiful woods of Wasilla, Alaska. ++SUBMIT YOUR STORY FOR OUR LISTENER STORY EPISODES++ Email: thegang@thefreakydeaky.com Voicemail: 801-997-0051 ++WEBSITE & MERCH++ Website: www.thefreakydeaky.com Merch: www.thefreakydeaky.com/store ++FOLLOW OUR SOCIALS FOR EXCLUSIVES++ YouTube: https://bit.ly/3goj7SP Instagram: https://bit.ly/2HOdleo Facebook: https://bit.ly/3ebSde6 TFD Facebook Group: https://tinyurl.com/tfdfb TikTok: https://bit.ly/35lNOlu
Charles Manson Now is a critical dissection of what happened forty-one years ago when Manson family members stormed the Polanski estate near Los Angeles and murdered five people, including one of America's most beautiful, beloved actresses, Sharon Tate. This book is also a collage of Charles Manson's own writing, a poetic, ironic, and disturbing account of his universe, from his childhood to his time in the 8x12 prison cell where he is condemned to stay forever. It is Charles Manson, uncensored, unedited, in his own words.When author Marlin Marynick was eight years old, he discovered a beat up copy of Helter Skelter - the bestselling true crime book of all time written by Vincent Bugliosi, the lead prosecutor at Charles Manson's trial. Bugliosi's portrait of Charles Manson as an icon of unbridled evil haunted Marynick for years, well into his career as a psychiatric nurse and ultimately culminated when he met Manson behind the tightly locked doors of California's Corcoran State Prison. In Charles Manson Now, Marynick challenges the official version of events.
Sun, 06 Apr 2025 04:45:00 +0000 https://jungeanleger.podigee.io/2145-soulsurfing-podcast-s1-05-wie-fuhrung-gelingt-wenn-wir-bei-uns-selbst-beginnen-talk-mit-maria-heuberger-polanski-m-kletzmayr 4c0d18ba6cd33dbfd8ce666ffeb251cb In dieser Folge spreche ich mit Maria Heuberger-Polanski – Unternehmerin, Coach, Mama und Mentorin – über das Leben in vielen Rollen und die Frage, wie wir inmitten all unserer Aufgaben bei uns selbst bleiben können. Maria erzählt von ihrem Weg in die Selbstständigkeit, der Kraft bewusster Entscheidungen und wie sie Führung heute lebt: menschlich, klar und mit einem tiefen Gespür für das, was wirklich zählt. Themen dieser Episode: - Führung mit Haltung: Warum Leadership mehr ist als Management - Vereinbarkeit von Business & Familie – ehrlich, machbar, anders gedacht - Der Weg zur eigenen Essenz: wie Erfahrungen uns formen - Und: warum es nicht immer entweder-oder sein muss Ein Gespräch über Mut, Wachstum, Selbstführung – und das Vertrauen, dass sich Wege zeigen, wenn wir bereit sind, sie zu gehen. https://sara-coaching.at Jetzt reinhören & inspirieren lassen! Link zur allen Soulsurfing Folgen auf Spotify: https://open.spotify.com/playlist/2U4X77PYHRANlTvUMTxIMB https://ich-bin.at https://www.linkedin.com/in/monikakletzmayr https://www.instagram.com/monikakletzmayr About: Monika Kletzmayr 12/2023 als Podcastgast: https://audio-cd.at/page/playlist/5414 Der Soulsurfing Podcast erscheint auf audio-CD.at mit 8 Folgen in dieser Staffel jeden zweiten und vierten Sonntag im Monat. Bewertungen bei Apple (oder auch Spotify) machenFreude: http://www.audio-cd.at/apple http://www.audio-cd.at/spotify 2145 full no Christian Drastil Comm.
Part Two of The Roman Polanski discussion covers The Tenant (1976), Roman's 1977 arrest and trial, Tess (1979), Bitter Moon (1992), Death and The Maiden (1994), The Ninth Gate (1999), and Quentin Tarantino's Once Upon A Time in Hollywood (2019) Follow Cody LaDuke on X https://x.com/cladu33 For Premium Rare Candy episodes and written content head to our substack https://rarecandy.substack.com/ Follow Rare Candy on all platforms https://beacons.ai/rarecandy Time Stamps 00:00 intro 07:06 The Tenant (1976) 26:27 1977 arrest 57:30 Roman Polanski in Jail/Fallout 01:08:18 Tess (1979) 01:25:19 Frantic (1988) 01:31:56 Polanski's process 01:34:11 Bitter Moon (1992) 01:45:35 Death and The Maiden (1994) 01:53:18 The Ninth Gate (1999) 02:06:22 Once Upon a Time in Hollywood (2019)
Cody LaDuke joins the show to talk about the life and career of Roman Polanski. Part one covers Polanski's childhood in Poland, Rosemary's Baby (1968), the murder of wife Sharon Tate, all the way up to Chinatown (1974). Part 2 will come out later this week. Follow Cody LaDuke on X x.com/cladu33 Rare Candy Premium Episodes available here (40% off until 03/31/25) rarecandy.substack.com/ Follow Rare Candy on all platforms beacons.ai/rarecandy Timestamps 00:00 Intro 06:10 Polanski in The Holocaust 16:25 Polanski living under Communism 28:48 Knife in the Water (1962) 37:20 Repulsion (1965) 46:19 First Marriage 52:42 Rosemary's Baby (1968) 01:16:29 Murder of Sharon Tate 01:34:21 Macbeth (1971) 01:40:42 Chinatown (1974)
SPOILER ALERT.Mars & Geeg breakdown the 3 books from the Sky Ridge Hotshots series. It gets hot. We mix up Pulaskis with Polanski and talk in weird accents.FIGHT by Sloane St. JamesPROTECT by Paisley HopeHONOR by Danielle Baker
Aunque la piscología lleva tiempo intentando que nos libremos del sentimiento de culpa, seguimos escuchando la voz de la conciencia que nos dice que no somos cómo debieramos ser. Nuestro temor más profundo es que un día se haga evidente la realidad de todo aquello que logramos ocultar con nuestras palabras y disimulos. Jesús anuncia al final del capítulo 12 del Evangelio según Juan que ha llegado la Luz que pondrá en evidencia todo lo que está en tinieblas (vv. 44-50). Tras la sintonía de nuevo a cargo de Depeche Mode, el grupo británico que José de Segovia conoció cuando dos de sus miembros iban a un festival cristiano a principios de los años 80. Esta vez escuchamos su versión de Ruta 66 en vivo en Pasadena (California) en 1988. Otro de los grupos que unía los sintetizadores a las melodías pop en aquella época desde la fe cristiana era Vector. Formada en Sacramento (California) escuchamos la canción de su primer albúm, "La virtud del maniquí" (Mannequin Virtue 1983) que nos habla de la necesidad de esa Luz (All Around The Word). A ese momento de revelación se refiere también el granadino José Ignació Lapido, que después de 091 sigue escribiendo canciones tan sugerentes como ésta de su último álbum (Curado de espanto). José Moreno Berrocal habla de cómo el escritor checo Franz Kafka (1883-1924) "nos enseña la realidad de ser humano, que arrojado a la existencia en un mundo que no asimila, carece de rumbo". De Segovia habla a raíz de los comentarios de su amigo Moreno Berrocal, por el centenario de este escritor judío, sobre su libro "El Proceso", publicado de modo postumo en 1925 por su amigo Max Brod. Escuchamos escenas de la película de Orson Welles en 1962, después de la canción del grupo británico The Cure inspirada en su obra (At Night 1980). La música instrumental de fondo es de la película "Kafka" (1991) por Cliff Martínez y "El inquilino" (1976) de Polanski por Philippe Sarde. La canción de "blues" del Ciego Willie Johnson, "No es culpa de ningún otro, sino mía" (It´s Nobody´s Fault But Mine) en 1927 fue llevada al "rock" por el grupo Led Zeppelin. La grabaron varias veces. La escuchamos en la reciente versión que volvieron a hacer juntos, Jimmy Page y Robert Plant. No es tarde para el arrepentimiento. Vivimos todavía un tiempo de gracia. El guitarrista de Bob Dylan en la Rolling Thunder Revue, T-Bone Burnett, tiene toda una carrera en solitario y como productor, que une su fe cristiama a la música americana con raíces. El nieto del pator, secretario de la Convención Bautista del Sur, criado en la iglesia episcopal, nos dice que "No es demasiado tarde" (It´s Not Too Late) en el álbum en que confiesa ser "El criminal bajo su propio sombrero" (The Criminal Under My Own Hat 1992).
Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El 11 de marzo de 2004 una célula yihadista perpetró en Madrid el mayor atentado de la historia de España, asesinando a 192 personas. Hoy es el 21 aniversario. Hoy hace un año: El Papa Francisco pide la rendición de Ucrania y las reacciones no se hacen esperar. Hoy hace 365 días: Feijóo asegura que "la corrupción política y económica" son las "dos caras del sanchismo'" y augura la caída del Gobierno …y hoy hace un año: El Gobierno de España anuncia 30 millones de euros para trasladar a 470 menores migrantes de Canarias. Hoy se cumplen 1.109 días del cruel ataque e invasión de Rusia a Ucrania. Hoy se cumplen 3 años y 15 días. Hoy es martes 11 de marzo de 2025. Día Mundial de la Fontanería. Cada 11 de marzo se celebra el Día Mundial de la Fontanería, para homenajear la labor de los fontaneros y destacar la importancia de este oficio en la vida cotidiana, la salud y el bienestar de las personas, así como en el cuidado del medio ambiente. La creación de esta efeméride ha sido por iniciativa de la World Plumbing Council (Consejo Mundial de Fontanería). Es un organismo internacional de asociaciones e industriales de la fontanería, con miembros en más de 30 países a nivel mundial.v1482.- Tomás Torquemada nombrado primer Inquisidor General de Castilla y Aragón. Tal día como hoy, 11 de marzo de 1955, Sir Alexander Fleming recordado por su descubrimiento de la penicilina muere en Londres debido a un ataque al corazón. Años más tarde, 11 de marzo de 1977 el director de cine Roman Polanski es acusado con los cargos violación, sodomía, abuso de menores y dar drogas a un menor en el caso de violación de una niña de 13 años en casa de la estrella de Hollywood Jack Nicholson. A la espera del juicio, Polanski salió bajo fianza y huyó a Francia en febrero de 1978. 1985: en la Unión Soviética, Mijaíl Gorbachov llega a la presidencia. 2004: en las estaciones de Atocha-Cercanías, El Pozo del Tío Raimundo y Santa Eugenia de Madrid suceden los atentados del 11 de marzo de 2004, con un resultado de 192 muertos y más de 1800 heridos. 2020: La OMS declara al COVID-19 (Coronavirus) como una pandemia. En esa fecha se contabilizaba 118 000 casos en 114 países, y 4291 personas habían perdido la vida. Santoral del 11 de marzo. Santos: Cándido, Constantino, Eutimio y Ramiro. Ucrania acude a Arabia Saudí antes de la reunión de su equipo con el de Trump, que espera "grandes avances" esta semana. Mark Carney, elegido para remplazar a Justin Trudeau como líder del Partido Liberal y primer ministro de Canadá. El papa Francisco muestra una nueva mejoría tras 25 días hospitalizado y su pronóstico ya no es reservado. Sánchez y Díaz buscarán este martes una posición común sobre el gasto en defensa tras las reticencias de Sumar. Marlaska niega cesión de fronteras en el pacto migratorio con Junts: "La Policía Nacional será quien ponga el sello". Clavijo y Montero se dan una semana para cerrar el reparto de 4.400 menores migrantes. El Gobierno central presentará un informe garantizando la financiación del reparto, la fórmula legal para tramitarlo y el cupo de acogidas para cada territorio La ministra de Hacienda transferirá antes de finales de abril las partidas pendientes con Canarias. El Gobierno canario apoya también utilizar la RIC para construir vivienda para alquilar. Esta iniciativa requiere de la modificación del Régimen Económico y Fiscal del archipiélago. Los alemanes, a favor de la tasa turística en Canarias: casi el 70% la pagaría. La finalidad más elegida por la que los viajeros alemanes pagarían la tasa turística es para mejorar y proteger el medio ambiente, seguida de para cualquier fin del Gobierno y para mejorar las condiciones de vida en Canaria. La falta de trabajadores deja la tasa de paro extranjero en Canarias en la más baja del país. El porcentaje de desempleados entre los 116.000 extracomunitarios que se ocupan en las Islas es de un 14,7%, cuatro puntos inferior a la media nacional. La tasa turística diaria de Mogán entra en vigor este martes para 29.368 plazas alojativas Las personas que se alojen en establecimientos turísticos el municipio tendrán que pagar 0,15 céntimos diarios. La depuradora de Punta Brava en el Puerto de la Cruz (Tenerife) incumple la directiva europea. Esta instalación se encuentra al final de su vida útil. Salvamento rescata a 66 personas de un cayuco al sur de El Hierro. La embarcación fue localizada a 83 kilómetros del puerto de La Restinga, a donde serán trasladados los supervivientes Salvamento busca por segundo día un posible cayuco a 185 kilómetros de la costa de Dajla. Un mercante al que se le encargó una primera batida no consiguió localizar a la embarcación. 1940.- Nace el cantautor y poeta argentino Alberto Cortez, llamado en realidad José Alberto García Gallo. Graba más de 40 álbumes y convierte en éxitos a nivel mundial temas como "Alfonsina y el mar", "Gracias a la vida" y "Cuando un amigo se va".
Bienvenidos a La Diez Capital Radio! Están a punto de comenzar un nuevo episodio de nuestro Programa de Actualidad, donde la información, la formación y el entretenimiento se encuentran para ofrecerles lo mejor de las noticias y temas relevantes. Este programa, dirigido y presentado por Miguel Ángel González Suárez, es su ventana directa a los acontecimientos más importantes, así como a las historias que capturan la esencia de nuestro tiempo. A través de un enfoque dinámico y cercano, Miguel Ángel conecta con ustedes para proporcionar una experiencia informativa y envolvente. Desde análisis profundos hasta entrevistas exclusivas, cada emisión está diseñada para mantenerles al tanto, ofrecerles nuevos conocimientos y, por supuesto, entretenerles. Para más detalles sobre el programa, visiten nuestra web en www.ladiez.es. -Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El 11 de marzo de 2004 una célula yihadista perpetró en Madrid el mayor atentado de la historia de España, asesinando a 192 personas. Hoy es el 21 aniversario. Hoy hace un año: El Papa Francisco pide la rendición de Ucrania y las reacciones no se hacen esperar. Hoy hace 365 días: Feijóo asegura que "la corrupción política y económica" son las "dos caras del sanchismo'" y augura la caída del Gobierno …y hoy hace un año: El Gobierno de España anuncia 30 millones de euros para trasladar a 470 menores migrantes de Canarias. Hoy se cumplen 1.109 días del cruel ataque e invasión de Rusia a Ucrania. Hoy se cumplen 3 años y 15 días. Hoy es martes 11 de marzo de 2025. Día Mundial de la Fontanería. Cada 11 de marzo se celebra el Día Mundial de la Fontanería, para homenajear la labor de los fontaneros y destacar la importancia de este oficio en la vida cotidiana, la salud y el bienestar de las personas, así como en el cuidado del medio ambiente. La creación de esta efeméride ha sido por iniciativa de la World Plumbing Council (Consejo Mundial de Fontanería). Es un organismo internacional de asociaciones e industriales de la fontanería, con miembros en más de 30 países a nivel mundial.v1482.- Tomás Torquemada nombrado primer Inquisidor General de Castilla y Aragón. Tal día como hoy, 11 de marzo de 1955, Sir Alexander Fleming recordado por su descubrimiento de la penicilina muere en Londres debido a un ataque al corazón. Años más tarde, 11 de marzo de 1977 el director de cine Roman Polanski es acusado con los cargos violación, sodomía, abuso de menores y dar drogas a un menor en el caso de violación de una niña de 13 años en casa de la estrella de Hollywood Jack Nicholson. A la espera del juicio, Polanski salió bajo fianza y huyó a Francia en febrero de 1978. 1985: en la Unión Soviética, Mijaíl Gorbachov llega a la presidencia. 2004: en las estaciones de Atocha-Cercanías, El Pozo del Tío Raimundo y Santa Eugenia de Madrid suceden los atentados del 11 de marzo de 2004, con un resultado de 192 muertos y más de 1800 heridos. 2020: La OMS declara al COVID-19 (Coronavirus) como una pandemia. En esa fecha se contabilizaba 118 000 casos en 114 países, y 4291 personas habían perdido la vida. Santoral del 11 de marzo. Santos: Cándido, Constantino, Eutimio y Ramiro. Ucrania acude a Arabia Saudí antes de la reunión de su equipo con el de Trump, que espera "grandes avances" esta semana. Mark Carney, elegido para remplazar a Justin Trudeau como líder del Partido Liberal y primer ministro de Canadá. El papa Francisco muestra una nueva mejoría tras 25 días hospitalizado y su pronóstico ya no es reservado. Sánchez y Díaz buscarán este martes una posición común sobre el gasto en defensa tras las reticencias de Sumar. Marlaska niega cesión de fronteras en el pacto migratorio con Junts: "La Policía Nacional será quien ponga el sello". Clavijo y Montero se dan una semana para cerrar el reparto de 4.400 menores migrantes. El Gobierno central presentará un informe garantizando la financiación del reparto, la fórmula legal para tramitarlo y el cupo de acogidas para cada territorio La ministra de Hacienda transferirá antes de finales de abril las partidas pendientes con Canarias. El Gobierno canario apoya también utilizar la RIC para construir vivienda para alquilar. Esta iniciativa requiere de la modificación del Régimen Económico y Fiscal del archipiélago. Los alemanes, a favor de la tasa turística en Canarias: casi el 70% la pagaría. La finalidad más elegida por la que los viajeros alemanes pagarían la tasa turística es para mejorar y proteger el medio ambiente, seguida de para cualquier fin del Gobierno y para mejorar las condiciones de vida en Canaria. La falta de trabajadores deja la tasa de paro extranjero en Canarias en la más baja del país. El porcentaje de desempleados entre los 116.000 extracomunitarios que se ocupan en las Islas es de un 14,7%, cuatro puntos inferior a la media nacional. La tasa turística diaria de Mogán entra en vigor este martes para 29.368 plazas alojativas Las personas que se alojen en establecimientos turísticos el municipio tendrán que pagar 0,15 céntimos diarios. La depuradora de Punta Brava en el Puerto de la Cruz (Tenerife) incumple la directiva europea. Esta instalación se encuentra al final de su vida útil. Salvamento rescata a 66 personas de un cayuco al sur de El Hierro. La embarcación fue localizada a 83 kilómetros del puerto de La Restinga, a donde serán trasladados los supervivientes Salvamento busca por segundo día un posible cayuco a 185 kilómetros de la costa de Dajla. Un mercante al que se le encargó una primera batida no consiguió localizar a la embarcación. 1940.- Nace el cantautor y poeta argentino Alberto Cortez, llamado en realidad José Alberto García Gallo. Graba más de 40 álbumes y convierte en éxitos a nivel mundial temas como "Alfonsina y el mar", "Gracias a la vida" y "Cuando un amigo se va". - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Sección en el programa El Remate de La Diez Capital radio con el coordinador de la alianza de vecinos de Canarias, Abel Román. - Sección en el programa El Remate de La Diez Capital radio con el especialista en moda, Francisco Mercado. Nos cuenta su reciente viaje al Carnaval de Río de Janeiro. - En el episodio de hoy, titulado "El poder del movimiento: ejercicio y salud mental", exploraremos cómo mover nuestro cuerpo puede ser una de las herramientas más poderosas para fortalecer nuestra salud emocional y psicológica. ¡Porque el movimiento no solo nos mantiene en forma, también nos llena de energía, reduce el estrés y nos ayuda a vivir con más alegría y bienestar! -Entrevista en La Diez Capital radio a un grupo de vecinos que se han implicado en la recuperación de Costa del Silencio en el Sur de la isla de Tenerife. Olga Lvova y Wanda Ortiz-Maysonet. El grupo comenzó en septiembre del 2023 cuando Hannelore Ottevaere, nuestra ahora presidenta, hizo una publicación en el grupo de Facebook pidiendo ayuda para limpiar ciertas áreas privadas de Costa del Silencio. Ese primer día vinieron 3 personas y desde ese momento el grupo siguió creciendo y el área de limpieza también aumentó. El grupo se enfoca en las áreas privadas que sus propietarios no las mantienen y no son parte del área de limpieza del Ayuntamiento de Arona. Pero desde noviembre del 2023 contamos con el apoyo del Ayuntamiento especialmente para coordinación, el recogido de basura, materiales y ayuda profesional. Trabajamos muchos meses limpiando el área de Ten-Bel, área que tuvo su apogeo en los años 80s y 90s pero que a través de los años fue abandonada y estaba en completo estado de descuido. Este proyecto nace de una manera absolutamente espontánea - todos vivimos en Ten-Bel o alrededor y mucha gente estaba cansada de vivir en condiciones de abandono y desorden. Aunque la idea por la serie de los murales realizados nació de repente, es una conclusión lógica que "enmarca" todo el enorme trabajo que ha sido hecho por el grupo. Su objetivo más que artístico es informativo. Cada dibujo está basado sobre las fotos de archivo. Así podremos memorar la historia del lugar, subrayar su valor cultural, mostrarlo a la gente de fuera. Es importante seguir mejorando el área de Ten-Bel comunicando y pasando el afecto y amor a futuras generaciones! Actualmente los voluntarios estamos trabajando en la restauración del campo de mini golf con su reapertura programada para el sábado 15 de marzo a las 11h. - Entrevista en el programa El Remate de La Diez Capital radio al especialista en energías limpias, Juan Cabrera. Hoy nos ofrece 2 ofertas muy especiales para nuestros oyente.
well, I polled our Twitter followers on which film they wanted us to cover next in our commentary series, and Polanski nation (Poland?) won out decisively, defeating other hot prospects such as Ridley Scott's The Counselor and the enticing "Extreme Prejudice ft. FFF" (the Fuckedman is in tow once again here, and will be joining us as an auxiliary member of the show for at least a majority of our commentaries). join us as we watch a very great film by a very bad man, and talk about important issues such as public ownership of utilities and the Chinese. as is now standard, I'll be posting (almost) the entire intro (plus, on this occasion, the outro) to our free feed [EDIT: this, the thing you are looking at now] as well as a video version of the commentary to this Patreon shortly. we'll be recording something else in the next few days, on which I'll give an update on the status of the podcast and why we've mostly just been doing movie commentaries and shit like that lately. but rest assured that we are deeply committed to building our "New RP Canon" of seminal motion pictures. LISTEN TO THE FULL COMMENTARY HERE - https://www.patreon.com/posts/123984352?pr=true&forSale=true - BY SUBSCRIBING AT PATREON.COM/REELPOLITIK [VIDEO VERSION COMING SOON]
Send us comments, suggestions and ideas here! In this week's episode we explore the world of haunted or otherwise cursed Hollywood films which are quite a bit more numerous, violent and even deadlier than you would first imagine. In the free section of the show we discuss the weird monsters hidden in Return to Babylon, Ti West's Innkeepers and House of the Devil, The Amityville Horror remake, the Dybbuk of The Possession and of course the grizzly deaths associated with the curse of The Omen. In the extended show we go for all the heavy hitters and tell the tale of the misfortune's associated with The Exorcism of Emily Rose, The Conjuring, Dark Water (along with some Los Angeles true crime history), the infamous tragedies that orbit Polanski's Rose Mary's Baby and of course the deadly controversies surrounding Spielberg's Poltergeist. Along the way we also speculate about the occult principles which make haunted movies and cursed films even possible in the first place. Thank you and enjoy the show! In this week's episode we discuss:Ghosts of Return to BabylonTi West's “Innkeepers”The Omen HexThe Dibbuk of The PossessionAmityville Horror RemakeThe Pimp Slap of Goodnight LaneIn the extended show available at www.patreon.com/TheWholeRabbit we go quite a bit further and explore the dark side of:The Exorcism of Emily RoseThe ConjuringDark Water and Elisa LamThe Secrets of Rosemary's BabyAndTHE POLTERGEIST! Where to find The Whole Rabbit:Spotify: https://open.spotify.com/show/0AnJZhmPzaby04afmEWOAVInstagram: https://www.instagram.com/the_whole_rabbitTwitter: https://twitter.com/1WholeRabbitOrder Stickers: https://www.stickermule.com/thewholerabbitOther Merchandise: https://thewholerabbit.myspreadshop.com/Music By Spirit Travel Plaza:https://open.spotify.com/artist/30dW3WB1sYofnow7y3V0YoSources: Available on our Patreon page. Support the show
Pepe Rubio y Sergio Castro plantean el mito de hoy... ¿Hay que separar la vida de la obra de los artistas? Si despreciamos a un creador o creadora por racista, machista, homófobo , incluso, delincuente ¿Podemos admirar su obra? Y es que la lista de personas en la que no cuadran la persona y su obra es interminable...todos sabemos hoy que Picasso era un machista terrible y que trató muy mal a las mujeres con las que tuvo relación ¿Pero dejamos de admirar el Gernika? O en el caso de "El pianista" de Roman Polanski, que en 2003 arrasó en los Oscar y ganó en varias categorías llevándose Polanski la de mejor director estando condenado en Estados Unidos... ¿Hoy le hubiesen premiado? Así pues, hoy se aborda el mito de si es posible diferenciar la vida y obra de un artista.
This part two of our discussion about a new left party. You can listen to part 1 here: https://novaramedia.com/2025/01/30/time-for-a-new-left-party/ James Schneider, Jeremy Corbyn's former Director of Comms, argues for a new party. But who would it speak to? Would it be democratic and in what ways? And what could it actually achieve in the volatile […]
The Metropolitan police launched an outrageous assault on Saturday's Gaza protest in London, presenting it as a threat to Jewish Londoners.The Green Party's deputy leader Zack Polanski explains why the narrative about the protests - and the police claims about what happened on Saturday - are entirely false.Press like, subscribe, comment share - and support us as we expand our challenge to our broken media here: https://www.patreon.com/owenjones84 or here: https://ko-fi.com/owenjonesSupport this show http://supporter.acast.com/the-owen-jones-podcast. Hosted on Acast. See acast.com/privacy for more information.
Roman Polanski adapts Ira Levin's 1967 novel into this 1968 film, though adapts may not be the right word. Transcribes, maybe? The original cut was a very faithful transference of the source material into the film medium, perhaps more faithful than any novel to film adaptation has ever been. Then he let someone else edit it down to a reasonable movie. Mia Farrow is great in it, perhaps because her personal life married to Frank Sinatra was pretty close to Rosemary's story. John Cassavetes is great in it despite Polanski's best efforts to reign him in. And I know have a least favorite cinematic satan to add to the list.
Insieme a Michela Gorini ripassiamo alcune delle parti più interessanti di un libro intitolato "L'occhio del regista" dove il critico cinematografico Laurent Tirard ha raccolto in una serie di interviste le rivelazioni e i consigli pratici di tanti importanti registi che hanno fatto la storia del cinema. In particolare parleremo di Martin Scorsese, Pedro Almodovar, Woody Allen, Sidney Pollack, Fratelli Coen, Win Wenders, David Lynch, Bernardo Bertolucci, David Cronenberg, Takeshi Kitano e Roman Polanski.
This one goes off the rails in a major way because I'm out of practice and it's been a very long month. We begin with an overview of where the main show is heading and our plans for the future, then we talk about (in no particular order here): poison eurodwarf Polanski, occultism and control, Aktion T4, Yorkshire Aunties, pandemics, apartments, left wing thinkpieces, serial killers, if Boris Johnson really had covid, exorcism, the Catholic Church, escaped nazis, lockdowns, American voters, generational warfare, Ira Levin, my Donald Trump impression, homeworking, Satanic panics, hippies, the importance of commute time, and more besides. I am running on fumes and I need sleep. I love you all. SUPPORT THE SHOW HERE: https://www.patreon.com/c/GhostStoriesForTheEnd BELGIAN X-FILES SOUNDTRACK AVAILABLE HERE: https://ghoststoriesfortheendoftheworld.bandcamp.com/album/the-belgian-x-files-a-soundtrack
Join us for the original And Soon the Darkness as we follow Pamela Franklin, a nurse on a bicycling vacation with her co-worker/friend who disappears seemingly into thin air. This solid little thriller set the stage for films like Polanski's Frantic and the Kurt Russell film Breakdown. However, did we like it? Did it scare Cyndi to death? Join us to find out.
Episode 118: Special guest Rémy Bennett joins us for One Fucking 'Tober, our month-long horror movie marathon with a deep-dive on Roman Polanski's masterpiece ROSEMARY'S BABY (1968). Editor's note: Marcus' video unfortunately recorded badly out of sync with his audio - we did the best we could salvaging it for the episode, hope it's not too distracting... will be fixed for the next episode! Sign up for the OFH Patreon to check out our exclusive bonus episodes and gain early access to all of our episodes before they drop! https://www.patreon.com/onefuckinghour
Joining Iain Dale on Cross Question this evening are Green Party deputy leader Zack Polanski, former Tory MP Anna Firth, long-time adviser to Nigel Farage Gawain Towler and Observer columnist Martha Gill.
Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski's 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands' death: […]
Original Release Date: Monday 7 October 2024 Description: Dean is in the process of re-examining the cinematic legacy of Roman Polanski, separate from his personal legacy. The timing is fortuitous as Phil re-watched Polanski's 1976 cult favorite The Tenant, which also inspired thoughts about The Shining. Phil also re-watched two masterpieces by John Cassavetes in the wake of the great Gena Rowlands' death: A Woman Under the Influence and Love Streams. Finally, Dean and Phil celebrate Paris, Texas at 40, discussing the role of the American Southwest in indie cinema of the early to mid 80s, and the way Paris, Texas points the way towards Wim Wenders' next masterpiece, Wings of Desire. Dean had to leave for London, so he drops out a few minutes early, but not before the return of “Lawsuit in the Week”, and how Netflix might be in financial hot water over its “Baby Reindeer”. At that point, Phil welcomes Marc Hershon back to the show to discuss last month's Emmy Awards and the possible forms the venerable awards show might take in the future. Such acclaimed current TV as “Shogun”, “Slow Horses”, “The Bear”, “Hacks”, “Reservation Dogs”, “Only Murders in the Building”, and the aforementioned “Baby Reindeer” get deep dive discussions.
DAINTY WILDER LIVE SHOW ON J*RKMATE THURSDAY SEP 26 10:00PM PST / (Friday Sep 27 1:00AM EST): https://linktr.ee/pillowtalkwithryanGet ready for a double dose of fun on this episode of Pillow Talk! Host Ryan Pownall is joined by not one, but two incredible guests—Dainty Wilder and Lena Polanski. These two bring their charm, wild stories, and a whole lot of laughs to the table. Expect jaw-dropping moments, hilarious conversations, and some unexpected surprises. This is one Pillow Talk episode you won't want to miss!Check out our sponsors:*RK WITH MATES - FREE $10 PROMO CODE:https://linktr.ee/pillowtalkwithryanGET FREE $10 TO PLAY WITHCREATORS! MAKE MORE MONEY WITH FANSREVENUE:https://www.fansrevenue.com/?r=325790JOIN OUR OFFICIAL DISCORD SERVER:https://discord.com/invite/kHXHhVtw23PILLOWTALK UNCENSORED:https://linktr.ee/pillowtalkwithryanSOCIALS:Dainty Wilderhttps://www.instagram.com/daintymilder/@dainymilderLena Polanskihttps://www.instagram.com/lenapolanski/@lenapolanskiRyan Pownallhttps://www.instagram.com/itsryanpownall/@itsryanpownallEpisode 173- Producer Terry
Calls and supers. Legitimate r—. DUIs. White kid in GA. Parents responsible? Wild Maze call. Hake, self-censoring or clean? The Hake Report, Thursday, September 5, 2024 AD TIMESTAMPS * (0:00:00) Start* (0:02:49) Hey, guys! * (0:04:31) Coffee: R-word, Todd Akin, RIP * (0:14:20) Coffee: Irish defense of Drunk Driving * (0:18:14) DAVID, FL: GA shooting; Madalyn Murray O'Hair; Polanski. * (0:25:31) DAVID: Obama. Kamala * (0:28:42) STEVEN, MD: white kid clues. Military. George Wallace. 87yo * (0:35:45) HADEN, TX: crime, race * (0:38:31) JOE: Haves vs Have Nots * (0:50:51) Coffee: DUI and whites * (0:53:18) Coffees: Parents responsible? * (0:57:11) Supers: Greggatron, Rumble * (0:59:25) MARK: Recession; DUI; Trump supporter attack * (1:06:37) MICHAEL, Canada: Appreciate Hake, clean. Rapping, ego * (1:14:14) MAZE: Trump admitted he lost; Hunter; Charge parents; Kyle R. * (1:26:00) BRANDON, KS: Self-censoring? Be Alpha * (1:31:06) JEFF, LA: Trump-Hunter, TDS, anger management * (1:34:15) FREDERICK: angry callers jumping to conclusions; Ignorant * (1:41:13) WILLIAM: white kid; 49ers robber; locking guns; word games * (1:47:16) JAIME: Schools, govt, responsibility * (1:51:46) Coffees: Trump, Responsibility, Emotional guilt-punishment? * (1:54:21) Jacky Cheung - 擁有 (Live) "Have" LINKS BLOG https://www.thehakereport.com/blog/2024/9/6/the-hake-report-fri-9-6-24 PODCAST / Substack HAKE NEWS from JLP https://www.thehakereport.com/jlp-news/2024/9/6/hake-news-fri-9-6-24 Hake is live M-F 9-11a PT (11-1CT/12-2ET) Call-in 1-888-775-3773 https://www.thehakereport.com/show VIDEO YouTube - Rumble* - Facebook - X - BitChute - Odysee* PODCAST Substack - Apple - Spotify - Castbox - Podcast Addict *SUPER CHAT on platforms* above or BuyMeACoffee, etc. SHOP Spring - Cameo | All My Links JLP Network: JLP - Church - TFS - Nick - Joel - Punchie Get full access to HAKE at thehakereport.substack.com/subscribe
Our new season begins with the start of the spooky season as we dive into some of the individual hosts personal horror blindspots. For our first episode, we are talking about the horror classic based on Ira Levin's novel ROSEMARY'S BABY. Please send any and all feedback to anotherlookpod@gmail.com. Please follow us on Instagram @anotherlookpod, and check us out on Facebook. Rate/review/subscribe where ever you get your podcasts.
Join Seth Polanski, partner at Foundry General Counsel and owner of the Law Office of Seth Polansky, and video designer Luis Winters as they discuss the strategies behind the use of AI in video production, best practices and tools and the legal implications, including copyright issues. Polanski and Winters are also the faculty for Future Media Concepts' AI training courses.
Als Jugendspieler wurde Eugen Polanski bei Borussia ausgebildet. Als Profi absolvierte der heute 38-Jährige insgesamt 54 Pflichtspiele (1 Tor) für die FohlenElf. Und als Trainer war der im polnischen Sosnowiec geborene Polanski beim VfL zunächst für die Top-Talente zuständig, ehe er später zunächst die U17 und im Juli 2022 dann die U23 übernahm. Über all diese Stationen spricht Polanski nun in der 71. Ausgabe des „FohlenPodcast – Der Talk“ mit Moderator Torsten „Knippi“ Knippertz. „Für mich war Fußball immer eine Leidenschaft. Ich wollte immer raus auf den Platz. Fußballprofi zu werden, war dann so ab der U15 ein klares Ziel von mir“, erzählt Polanski und erinnert sich zudem an seine erste Trainingseinheit mit den Profis am Bökelberg: „Ich war U17-Spieler damals, und die Profis wollten unter Hans Meyer Elf-gegen-Elf spielen. Ich hatte etwas Glück, dass die Profis zu diesem Zeitpunkt zwei, drei Verletzte hatten und ich bei dem Spiel dabei sein durfte. Die B-Mannschaft hat tatsächlich 2:0 gewonnen und ich habe ein Tor gemacht. Für mich lief dieser erste Trainingstag demnach wie im Traum ab.“ Natürlich erzählt Polanski auch, wie es später dann dazu kam, dass er die Trainerlaufbahn eingeschlagen hat. Er verrät, warum der heutige Bundestrainer Julian Nagelsmann daran einen großen Anteil hatte und wie er sich selbst als Coach beschreiben würde. „Ich versuche, diesen Switch hinzubekommen vom ehemaligen Spieler zu einem guten Trainer“, sagt Polanski. Ob er ein Spiel lieber mit 4:3 oder mit 1:0 gewinnt, wie die Vorbereitung der U23 auf die Saison 2024/25 in der Regionalliga West läuft und wie er damit umgeht, wenn Spieler aus der Lizenzmannschaft der Fohlen für Spiele in die U23 rücken, erfahrt ihr ebenfalls in der neuen Ausgabe des „FohlenPodcast – Der Talk“. Hört jetzt rein!
A mediados de los 70, el llamado “nuevo cine americano” estaba en su punto más alto y el film “noir” se suponía muerto y enterrado. Pero no lo estaba. Solo había fingido su muerte y se había sumergido en la clandestinidad, ejerciendo influencia desde las sombras. En 1974, una película emergió desde esas profundidades como ejemplo culmine de lo que algunos críticos bautizaron como el “neo-noir”: “Chinatown” de Polanski, está cumpliendo 50 años.
This week I'm joined for another brilliant episode by deputy leader of the Green Party... Zack Polanski! I loved hearing about their story and hope you do too. Please subscribe, rate and review. Thanks, Suzi xxx And if you want to get in touch with me on the show, here's how... email: hello@outwithsuziruffell.com twitter: @outwithsuzi A 'Keep It Light Media' Production Sales, advertising and general enquiries: hello@keepitlightmedia.com Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome back to the LaunchLeft podcast. This week Rain welcomes her sister Summer Phoenix to the show. Summer shares about her new business venture with co-owner Stacey Mann, STAY. STAY is LA’s first alcohol-free, zero-proof bar. We talk about Summer’s relationship with music and how STAY is an extension of her commitment to center an alcohol free and vegan lifestyle. Summer launches Riley Polanski in this episode. Riley discusses what led him to music, and how he shifted his focus from business law to music, and how that decision has impacted his life. Tune in to hear his story and beautiful voice as he performs a live acoustic version of his song “Eloise”. ----------------- LAUNCHLEFT OFFICIAL WEBSITEhttps://www.launchleft.com LAUNCHLEFT PATREON https://www.patreon.com/LaunchLeft TWITTER https://twitter.com/LaunchLeft INSTAGRAM https://www.instagram.com/launchleft/ FACEBOOK https://www.facebook.com/LaunchLeft --------------------- LaunchLeft Podcast hosted by Rain Phoenix is an intentional space for Art and Activism where famed creatives launch new artists. LaunchLeft is an alliance of left-of-center artists, a curated ecosystem that includes a podcast, label and NFT gallery. --------------------- IN THIS EPISODE: [01:48] Summer discusses the genesis of STAY and what it means to her. [06:52] Did Summer use her background of interior design to decorate STAY? [07:58] Summer discusses the possibility of returning to film or TV. [10:07] How did music find Summer? [12:04] Who does Summer’s graphic design? [12:49] Summer shares some of her favorite female-run businesses. [15:59] Summer launches Riley Polanski and talks about how he brought her out of retirement. [18:58] How did music find Riley Polanski? [20:35] What led Riley to start creating music? [21:45] Riley shares the song he will perform live and the story behind it. [23:10] Riley’s song Eloise, performed live in the studio. KEY TAKEAWAYS: You can always try something new. You can learn the skills and put your heart into it and achieve your goals. Having a space to gather with friends and family or in creative community without the pressures of alcohol is important, and there should be more spaces like STAY. Never say never. Riley Polanski is a perfect example of someone who was going to go a very different direction in life, and then music found its way back and he is now a wonderful singer and songwriter. RESOURCE LINKS: LaunchLeft Podcast Smart Link Links for Summer Phoenix: Summer Phoenix's Instagram Stay Zero Proof Website Stay Zero Proof's Instagram Links for Riley Polanski: Riley Polanski's Instagram BIOGRAPHY: Summer Phoenix’s Bio SUMMER PHOENIX is a single mom of two sons, an actor, musician, animal rights activist, and environmentalist. She is the founder of both August Jude Design and Some Odd Rubies having created sustainability models in fashion and interior design for over two decades. She also served on the Board of River Phoenix Center for Peacebuilding and prioritizes being alcohol and drug free. She currently is half of STAY. - LA’s first zero-proof bar. Riley Polanski’s Bio Introducing Shadow Pop visionary Riley Polanski, LGBTQ+ and rooted in the vibrant cultural landscape of Los Angeles, Polanski's musical palette draws from the rich tapestry of folk and alternative pop. In an industry often defined by its rigidity, Polanski's emergence is nothing short of extraordinary. At the heart of Polanski's artistry lies a profound desire to serve those who feel “othered.” His lyrics, born from the crucible of personal struggle with addiction and abuse, bleed with raw authenticity, inviting listeners into an intoxicating journey of self-discovery. In both his recorded works and electrifying live performances alongside his bandmate, Distant Cowboy on cello, Polanski curates an immersive sonic experience that transcends mere entertainment. Complemented by the visual artistry of Rion Ezra and the insightful docuseries crafted by Serena Jewel, Polanski uses multimedia as a multi-dimensional glimpse into the creative Mind behind his emotionally-charged soundscapes.
Today on Macrodose Election Economics, James is joined by Zack Polanski to talk through the Green Party's current campaign, and their ideas for economic, ecological and social futures. Zack has been the deputy leader of the Green Party since September 2022. He is a Londonwide member of the London Assembly, where he is chair of the Environment Committee, and the national spokesperson for the Green Party for Democracy & Citizen Engagement. TICKETS to our MACRODOSE LIVE event on July 26th: https://unionchapel.org.uk/venue/whats-on/versothe-dig-live-podcast-with-jeremy-corbyn-laleh-khalili A massive thank you to all of our existing Patreon subscribers. You can support the show at: patreon.com/Macrodose We want to hear from you! Leave a comment or get in touch at macrodose@planetbproductions.co.uk
Hace 50 años se estrenaba “Chinatown”, película dirigida por Roman Polanski y obra maestra del cine negro americano que cambió las luces y sombras, los callejones y el blanco y negro característicos del género por el color, las mansiones californianas y un sol radiante. Os lo contamos todo sobre esta película protagonizada por Jack Nicholson y Faye Dunaway. También vamos a recordar a una actriz que fue una de las favorit as del público en los años 80 pero cuya estela se fue apagando poco a poco: Katheleen Turner. Hemos charlado con la actriz Ana Fernández sobre los derechos de imágenes de los intérpretes, y en “Cuando el cine rompe los límites” traemos esta semana una película española de viajes en el tiempo: “Los cronocrímenes” de Nacho Vigalondo.
Joining Iain Dale on Cross Question this evening are Green Party deputy leader Zack Polanski, Lib Dem Munira Wilson, the Telegraph's Annabel Denham and Polly Toynbee from The Guardian.
Join us on this powerful and eye-opening episode as we welcome a very special guest, Samantha Geimer. Samantha's story is one that has echoed through the years, marked by a highly publicized and deeply painful encounter with Roman Polanski when she was just a teenager.In an exclusive and heartfelt conversation, Samantha opens up about the events that changed her life forever, detailing her experiences with candor and bravery. She shares her journey of survival, the emotional and legal battles she faced, and the resilience she discovered within herself.Samantha also delves into how she has coped with the long-term impact of the case, both personally and in the public eye. Her insights offer a poignant look at the challenges victims of high-profile cases endure and the strength required to reclaim their narrative.But this episode isn't just about the past. Samantha speaks passionately about her hopes for the future, particularly for women and survivors of sexual assault. She discusses the progress made in advocating for victims' rights and what still needs to change to ensure a safer, more just world for all.Don't miss this compelling episode as Samantha Geimer shares her unbelievable story, her path to healing, and her vision for a better future. It's a conversation that promises to inspire and provoke thought, shedding light on issues that are all too often kept in the shadows.Tune in to hear Samantha's powerful testimony and her message of hope and resilience.All this and more on No Holding Back with Susan Estrich.Sign up to receive updates by email when a new episode drops at: www.noholdingback.fm/Produced by 1985 Productions
durée : 00:48:47 - Affaires sensibles - par : Fabrice Drouelle, Franck COGNARD - Aujourd'hui dans Affaires sensibles, Roman Polanski face à la vague #metoo. - réalisé par : Stéphane COSME
In 1974, Chinatown - now widely considered to be among the greatest films ever made - was nominated for 11 Oscars. Despite the creative confidence and freedom of the era, the 1970s were a time of tolerance for the morally questionable, or even downright illegal, behaviour of some of the powerful men creating these movies.Chinatown's director, Roman Polanski, is the most totemic of those figures. His 1977 indictment for drugging and raping a 13 year-old led the director to flee the United States and seek legal and creative sanctuary in France, where he has remained and continued to make celebrated movies such at The Pianist, for which he won the Best Director Academy Award in 2003. Fifty years on from Chinatown's release, Mark Kermode and Ellen E Jones ask how we can appreciate cinematic masterpieces like Chinatown which have been made by very problematic people? Ellen gets about as close as it's possible to get to the creators of Chinatown - Hawk Koch worked with Roman Polanski on the set of Rosemary's Baby and, as the First Assistant Director on Chinatown, he was deeply connected with the movie and its director. In a wide ranging interview, he shares his memories from the set, discusses his friendship with Polanski and reflects on remaining in love with a movie despite its troubled past.Claire Dederer's Monsters: A Fan's Dilemma is a highly personal account of her own relationship with the works of film-makers like Roman Polanski and Woody Allen, and the questions of how knowledge of an artist's personal life does or doesn't change the way we feel about their art. Mark talks to Claire about the ethical and emotional issues of separating the art from the artist.Produced by Freya Hellier. A Hidden Flack production for BBC Radio 4
Kevin & Chris conclude their Women's History Month film series with Chloe Okuno's haunting paranoia-thriller Watcher (2022). The 'mos talk the fabulous Maika Monroe, Hitchcock and Polanski influences, slowburn thrills and severed heads, gaslighting, language barriers, and more. Bonus topics include thoughts on Immaculate, Stopmotion, Madame Web and various other topics as usual. Connect with us on Patreon and social media for updates! Patreon (on hold): https://www.patreon.com/homosonhauntedhill Instagram: https://www.instagram.com/homosonhauntedhill Facebook: https://www.facebook.com/hohhpodcast X/Twitter: https://twitter.com/hohhpodcast
Roman Polanski and his avoidance of justice is the epitome of Hollywood privilege. For decades the movers and shakers in Hollywood abused people with impunity, knowing that they had a firm grip on not only the industry, but those who enforced the law. Now, after decades of avoiding transparency, more details are becoming available about how Polanski was able to get out of the country just ahead of his arrest. (commercial at 6:00)to contact me:bobbycapucci@protonamail.comsource:https://www.msn.com/en-us/movies/celebrity/roman-polanski-fled-after-u-s-judge-hinted-he-would-renege-on-rape-plea-deal-unsealed-transcript/ar-AAZHa9z?ocid=msedgntp&cvid=3c661648dc164de58b0fda43dd7f69f7
On this week's episode, we have actor Jamie Kaler (My Boys, Tacoma FD, Robot Chicken and many many more) and we talk about his career path as well as his experiences doing stand-up. There's so much more so make sure you tune in.Show NotesJamie KalerIMDB: https://www.imdb.com/name/nm0435695/Jamie Kaler on Wikipedia: https://en.wikipedia.org/wiki/Jamie_KalerJamie Kaler on Instagram: https://www.instagram.com/jamiekaler/?hl=enJamie Kaler on YouTube: https://www.youtube.com/user/jamiekalerA Paper Orchestra on Website: https://michaeljamin.com/bookA Paper Orchestra on Audible: https://www.audible.com/ep/creator?source_code=PDTGBPD060314004R&irclickid=wsY0cWRTYxyPWQ32v63t0WpwUkHzByXJyROHz00&irgwc=1A Paper Orchestra on Amazon: https://www.amazon.com/Audible-A-Paper-Orchestra/dp/B0CS5129X1/ref=sr_1_4?crid=19R6SSAJRS6TU&keywords=a+paper+orchestra&qid=1707342963&sprefix=a+paper+orchestra%2Caps%2C149&sr=8-4A Paper Orchestra on Goodreads: https://www.goodreads.com/book/show/203928260-a-paper-orchestraFree Writing Webinar - https://michaeljamin.com/op/webinar-registration/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Newsletter - https://michaeljamin.com/newsletterAutogenerated TranscriptJamie Kaler:He goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag. I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever because this is the craziest thing. He goes, I know. He goes, what are you going to do with tv? I go, all, whatever. And I moved on and I was like, couldn't care less. ButMichael Jamin:You are listening to What the Hell is Michael Jamin talking about conversations in writing, art, and creativity. Today's episode is brought to you by my debut collection of True Stories, a paper orchestra available in print, ebook and audiobook to purchase And to support me in this podcast, please visit michael jamin.com/book and now on with the show.Hey everyone, welcome back to another episode of What the Hell is Michael Jamin talking about? Well, today I'm talking about acting with my guest, Jamie Kaler. This guy, before I bring him on this guy's credits are crazy. He works a lot and so I'm going to blow, yeah, blow through. I'm going to do the abridge version. If not, we'll be here all day, but I'm going to go way back. I'm on IM db now. I'm only doing the ones that I decide are highlights. But Jag, he's been on Fringe Friends. Suddenly. Susan Carnival, third Rock in the Sun, king of Queens, grounded for Life, married to the Kelly's Arrested Development, Spanglish, seventies show. What else Will and Grace, the Family Stone? Who remembers that? Monk New Adventures of Old Christine Sons and Daughters. How I Met Your mother, my boys. We know 'em from that. And then did I say Parenthood? Did I say shake it up? Did I say Austin and Allie? Did I say Teachers of the Year? I don't remember. I'm skipping crazy Ex-girlfriend. Jesus, dude. It doesn't end the middle Dads in Parks. Oh, we'll talk about that. Heather's robot Chicken. American Housewife. Most recently Taco fd where my partner and I created the character of Polanski. Jamie, that was exhausting. Are we done with the interview now?Jamie Kaler:Honestly, it was so much fun being here, man. All right, everybody, take care. See you later.Michael Jamin:That was such good advice. Sorry, you guys all missed it. Dude, you've been around. How did you get into acting? How does someone get into acting? By the way,Jamie Kaler:People ask me nowadays, and I go, dude, it's nothing. I mean now it's like don't even move to la just start a YouTube channel in upstate Minnesota and try to blow up. And then once you have a following, then you're set.Michael Jamin:But we were talking about on your podcast, the parent lounge, but I know you think it's like a burden, but I think it actually works in your advantage to you, to your advantage because you're really good at it. You're good. You have a great social media presence. You're quick on your feet. It seems to me this, even though it requires more work for you, it actually works in your favor. No,Jamie Kaler:You mean social media doing it this way? Yeah, of course it is, but I already did it. So now I'm kind of the same way that I used to go buy wigs and glue on mustaches and actually lit myself on fire on stage at Acme Comedy Theater when I was doing crazy shows on Friday and Saturday nights in the nineties with that fervor of what are we doing today? We're going to Goodwill, we're going to get some costumes, here we go. And I remember renting equipment, trying to shoot shorts and trying to clerks, and Ed Burns had made the brothers McMullan or whatever, and it was like, come on, we're making film. It was super hard and it was painful and it was costly. And nowadays you can do it with your phone. But I'm older, I don't quite have the drive. I also am watching two little kids.So the time in the day is where I used to go, this is my day. I'm going to go do this now. I'm like, I dropped the kids at school. I had to go to the cleaners. I taking care of the two kids. I got to pick them up. I'm coaching soccer today. So yes, I will say though, especially watching you and you're a writer, but now you have to become a social media guru to get people to see what you've created and you're an artist. But nowadays, gosh, I was posting something this morning about the pregnant pause is gone pretty soon. Humans are going to evolve where the eyes instead of side by side are over the top of each other because horizontal's over everything's vertical. We need to flip our eyes. And years from now, no one will take a breath because we've dictated that. The breath makes people lose attention though. You can take a pause. People goMichael Jamin:Done. IJamie Kaler:Can't. He took a breath. I can't.Michael Jamin:Yeah, I mean, here's the thing. So I just had this conversation yesterday. I dropped an audio audiobook, and so some woman said I was doing a live, she goes, oh, I bought your audiobook. I love it, but I listened to it on one and a quarter speed. But I'm like, but when I take a pause, it's because I want to put a pause there. I want to give you a moment to soak it in. It's not arbitrary.Jamie Kaler:I wanted to take a Richard Pryor act from his comedy special and cut all the air out of it. And so you would take a 50 minute, one hour special where there's a groove. He's in the moment. It would be like if you took Buddy Rich and you took all the space between the drum beats out. You're like, a lot of the art is in the space, and we have forgotten that. And now it's like it's a machine gun or people's brains shut off.Michael Jamin:This is something when we're shooting a sitcom, often, we'll tell the actor, make sure you hold for a laugh here. Hold for the laugh. You will get one. Yeah. What do we do about this?Jamie Kaler:Well, I don't know because I was watching, have you watched Show Gun?Michael Jamin:No. Am I supposed to watch that?Jamie Kaler:It's new. It's based on the book. Oh my gosh, it's glorious. I had never read the book. 16 hundreds. Futile Japan, A simple, brutal, vicious life of it's gorgeous. They had a full society. It's like the 16 hundreds. Wait,Michael Jamin:Where am I watching this? What can I get?Jamie Kaler:It's on FX and on Hulu and Portuguese and Portugal and England are the two powerhouses on the earth, and they are at war, and they're basically fighting for ownership of the east, even though the east are, they're like, wait, we're here. No one's going to own us. So it's all about that, but it's just this beautifully, I mean, it's like art. It's like going to the museum, seeing this story unfold, but people's brains nowadays, some do just riddling. 30 seconds of garbage on TikTok will get a gillion times more views than that. Because I talked to somebody who said, Hey, have you seen Shogun? Someone's like, oh, it just seems slow. And I was like, it's one of the greatest stories of all time. It's one of the bestselling books of all time. It's history and gorgeous and art, and it's beautifully shot. And they're like, ah, boring. I don't have time for that crap.Michael Jamin:We have, right? So what do we doJamie Kaler:If everything accelerates? There has to be a point where the human brain, it's like when they go, oh, this TV's 4K, and you're like, dude, I'm in my fifties. I can't even see 5K. I can't see any K anymore. It's like so resolution. It doesn't really matter. At some point your brain can't acceptMichael Jamin:It. Well, worse than that, so my TVs, I have a nice plasma plasma, but it's probably 15 years old at a cost a fortune when I got it. But the new ones, the resolution's so clear, it kind of looks like you're watching a bad TV show. You know what I'm saying? You watch a expensive movie and it looks like it's bad TV because I'm seeing too much.Jamie Kaler:The human face is not supposed to be seen with that much resolution. You see people and you're like, oh, that dude had a rough nightMichael Jamin:Where youJamie Kaler:Used to be able to hide it, and now you're like, no, no, no, no.Michael Jamin:Right? But then now have you had these conversations with your agent and your managers, or is this just when we were talking about building your social media following, are they telling you this or are you just like, your friends are doing it now? I got to do it too.Jamie Kaler:You mean why try to build this? Well, it's also, listen, it's funny because my wife will give me grief sometimes, and she goes, your stories are too slow. Which is crazy because I'm one of the fastest speakers who's ever lived. Sometimes when I'm working, people go, you need to bring it down a little bit. But on social media, if I don't want to sit and take a 92nd video and edit it down to a minute to take out the 30 seconds of pauses, because some guy, but that's the dilemma. Everything's the lowest common denominator. The jokes are I see something that blows up and I go, that was a great joke when George Carlin told that in 1972, and it was really well written and scripted, and now you've kind of bastardized it and you've put it into a ten second with no, your speaking voice is intolerable. But I get it, that's what people want. They're scrolling through and you're like, that's how it works. So I'm also a dinosaur man. It's like my daughters are 10 and they're already do flying through stuff. I mean, I don't know how to stop it.Michael Jamin:Do you know people, I mean, obviously back in the day when you'd go to auditions now everything's you submit. But back in the day, I'm sure you were going to audition and they're the same 10 actors that you would see trying out for the same part. Do you think they're doing the same thing that you're doing building of social media presence?Jamie Kaler:Well, I think you have to. Nowadays, honestly, I see that the social media presence, it is number one, you don't have to go learn how to act. You don't have to learn how to be a standup comic. You don't have to learn these skills and slowly build your way up the top. You do it because you're a personality. People are intrigued, not by people who are, they're intrigued by humans. It's a voyeuristic thing, I think, where people are like, you'll see somebody and they're just talking to camera. They're not even good speakers. There's something off. There's a crazy story. And maybe they've just been doing it for 15 straight years and built up a following and put some money behind it, put some ads, made sure they got some clicks. Maybe they bought a few followers, and you're like, but the craft, the art of what you do as a writer. I mean, is it slowly falling? But that's the problem nowadays with my kids, we just got the report cards and really good grades, but you can see on the standardized test, they're reading is starting to slip because kids don't read. It's too slow for them. Their brain is like, well, they just can't slow. People cannot slow down anymore. And it's Where does it goMichael Jamin:From here? I dunno, but I have to say that. So a lot of this is, I don't think this is coming from producers. I was on a show a few years ago, maybe let's say 10 years ago, and the studio or the network rather wanted us to cast a guy with a big social media following for this role. And I'm like, wait, really? Why? What about an act? Can we just get an actor? This Hollywood? Aren't there actors everywhere? And it's because networks are having a hard time marketing their show. And these people with followings, they can market their own show.Jamie Kaler:Kevin Hart. I mean, I remember something. They were like, well, you're going to post about the movie. And he's like, if you pay me, and they were like, why would we pay you? You're in the movie. He goes, yeah, you paid me for my acting services now you want me to be your publicist. If you want me to publicize this film, you will pay me for it because I accumulated these 50 million followers on my own. Why would I just give it to you?Michael Jamin:But here's where I'm curious about that though. I'm not sure if he doesn't post, I get his point, why should I do the marketing as well? But if he doesn't do the marketing, it'll hurt him for his next movie because it won't perform as well in the box office. You know what I'm saying?Jamie Kaler:Yes. It's a double-edged sword. But I also think he doesn't care.Michael Jamin:HeJamie Kaler:Doesn't care. He doesn't care because he has that following. He will, and they'll put it into the budget. I'm sure the agents and managers are like, all right, so this is his money that you're going to pay him. This is part of the marketing fee you're going to. And listen, I totally understand it. I'm sure I've lost parts because people have gone over to go, his following is not as big as this guy. At the end of the day, could a ton of other people played Polanski? Absolutely. Would they have huge followings? Yes, of course. So I feel lucky anytime I get a job to promote it, I feel like I'm qualified for that job. But I also know it's, you look back at the history of film and Philip Seymour Hoffman died, the five projects he had ready to go, they just replaced him.He's arguably one of the greatest actors of our generation. Nobody missed a beat. So are we all replaceable? Absolutely. Are we lucky to be in the business? Yeah. I mean, I would argue writers are more necessary because you're creating the project to start with. But as an actor, unless you're Daniel Day Lewis or somebody who's that crazy of a craft, then it's about chemistry, I think. Anyway. But you have to, those people are trying to get their films out, and so there's so much white noise on a daily basis that to cut through that, they're like, well, if this guy has 5 million followers and he puts up one post, what they don't see is that only 3% of those 5 million people even see. But thisMichael Jamin:Is where I think the studios and the networks have really screwed up royally, is that they haven't figured out a way to build their own brand. So my wife and I will watch a movie or a TV show, we'll get halfway through it and all the night, we'll say, let's watch the rest tomorrow. Almost all the time. I forget where I watched it, and now I have to search, was it on Netflix? Did I watch it on Amazon? Where did I watch this? Because there's no brand anymore without a brand. They can't market their shows. They have to rely on other me and you to market their shows. It puts us in the driver's seat, not them. This is like a major blunder on their parts, I feel.Jamie Kaler:It's not just them. I'd say standup clubs, back in the day, you did a bunch of shows. You finally put a tape together, you sent it to a club. The club had a following, the club had the following. And you knew if you went to that club, you were going to see Richard, Jenny, Brian Regan, Jerry Seinfeld, you knew these guys. Whatever show you went to, you were going to be surprised, but you'd be like, man, those guys are really funny. Nowadays, the club is literally a rental space that you bring the following to. That's why they book influencers who have millions of followers, and then they get on stage. And I guess some are good and some maybe don't have, it's a different skill levelMichael Jamin:When you go, do you still perform comedy standJamie Kaler:Up? I do. I used to tour a ton before the kids, and I was on the road all the time. And then once the kids were born, I didn't really want to do that as much. So now I stay home. So I kind of cherry pick gigs to go out for. And the road's a lot different, I feel like, than it used to be.Michael Jamin:So do you feel the quality of the standups, they're not quite as good anymore? Some people are, would you sound like old men? Which one is it?Jamie Kaler:Absolutely. And I say that all the time. I'm a dinosaur. But I will say that maybe the skill nowadays is not being a standup comic, but being a social media manipulator. And I mean that it's always been the skill. People used to hire publicists even back then, and I never did. And they'd be in People Magazine and I'd be like, what's the point of all that? And then as I got older, I was like, oh, fame allows you to do the jobs you want to do. That's really the trick. But I mean, to be Tom Cruise, I never wanted that because that dude can't leave his house. He can't just go to the supermarket, can't go to a park. I never wanted that. But that makes him and DiCaprio, those are the guys that are Johnny Greenlight. They get the first choice of scripts. And so they are allowed to do these amazing jobs that because how many people do you think nowadays can sell a picture?Michael Jamin:Oh, yeah. I mean, that's the whole thing. Or can open, I don't know. Do you think it's more or less, I guess I would imagine it's probably less now. I mean, because celebrities changed. What do you think?Jamie Kaler:I think the era of the movie Star is over. IMichael Jamin:Think Tom CruiseJamie Kaler:And Brad Pitt and DiCaprio, are they going to be the end of, and Damon are going to be the end of it? I mean, no. You see one of her on Netflix and it's like a TikTok, Charlie Delio. I haven't seen it. Maybe she's a wonderful actress. I don't know. But you go up through that ranks and all of a sudden you have 12 million followers or whatever, and then you could sell, I mean, it's Kardashian really was, we all gave her grief, but in retrospect, they were the smartest people in the room. They saw it coming to their credit and made a gillion dollars off of it, whether that's what you want to do with your life. But my kids kids want to start a YouTube page and a TikTok, and I'm like, she's 10. She's 10 years old. That'sMichael Jamin:Too soon.Jamie Kaler:Yeah. I mean, can everyone on earth just be, can we keep an economy running if everyone's just an influencer? I don't know.Michael Jamin:Well, there's the big question, right? If everyone's trying to, yeah, IJamie Kaler:Mean, look at what you're doing. You wrote a book, you sat down, probably took quite a while. It's a very good book. Thank you. I've read it and it's like, but the point is, almost everybody's wrote in a book now, and everybody's a standup comic and everyone's a performer. And back when I did it, it was like people were like, oh my God, you do standup. I'm would never do that. I'm terrified now. I'll be it like a supermarket. And some woman's like, some grandma's like, oh, I do stand up every Tuesday night at retirement home. And you're like, it'sMichael Jamin:Not. But I also feel like you're reinventing yourself, though. I mean, that's got to be exciting and interesting. No, orJamie Kaler:Of course it is. Of course it is. I do listen. I love doing it. And everyone else, it's a love hate relationship because I'll think of something immediately, I'll put together a little funny bit that I, it's like a standup bit or something, and then I'll be able to share it with all my fans and they will respond accordingly. And you're like, oh yeah, this actually is a pretty good, I just also think we're the learning curve. We're the first generation to go through all this.Michael Jamin:Wait, let me tell you how I hoard myself out this morning. So I wondered, because I'm posting a lot to promote my book. I'm doing a lot of lives, and I'm like, I see other people do lives, and I'm not sure what that magic is. They're cooking eggs or whatever. Are we watching this person cooking eggs? Is this right? So I'm like, all right. I told my wife, today's pushup day. So I'm like, all right, I guess maybe I'll just do pushups and people will that work. And I did pushups on live and I don't know, 20 people watched. And I was like, I felt kind of stupid about the whole thing, but people were watching, I don't know, is this what I got to do now,Jamie Kaler:Pushups, I fear it is. If that's what you want to do for a living, I think this is, if you want to be in this business, I think that's the necessity of it. To be honest, I'm not sure I would've ever signed up for this if I knew, although when I was younger, I probably would've like, Ugh, I would've been Truman shown the wholeMichael Jamin:Thing, right? But you wouldn't.Jamie Kaler:I do wonder, my kids, I think they were at their friend's house or something, and they Googled me. They told me, and they're getting to that age, and I'm like, uhoh, what did you watch? And they watched some crazy video I did where I said something stupid or whatever. And I don't know if every moment of our lives is supposed to be captured. I don't know what the answer is. I have such a love hate certain days. I wake up and I go, even this morning I was telling you I was writing a bit about something or other. And then another day I'll wake up and I go, I don't want to do any of it. I just want to go golf. And that was the beauty. I became an actor because it was the easiest thing. I worked hard to become a good actor. I took classes, worked on my craft, but I wasn't, I wasn't on 24 7 trying,Michael Jamin:Tell me if you feel this way, because if I don't, I try to post almost every day. And if I take one or two days off, that turns into three or four. You know what I'm saying? It gets easy not to do it.Jamie Kaler:Of course, of course. But do you feel guilty after those two or three days? Do you have any guilt or do you actually go, oh, what am I doing? This feels great.Michael Jamin:Yeah, it is mixed like you're saying, but a lot of it is like, this is my job. This is how you get a book out there. This is how you can, I work so hard not to work. You know what I'm saying?Jamie Kaler:I'm working harder now than I ever did when all those credits were being made. Yeah,I would bust my ass. I would get ready. And also acting is about physicality. I would make sure I was in shape. I'd work out, I'd do all this stuff, and then I would go either do an audition and then there'd be downtime, and you'd be like, all right. All right. And then you'd kind of ramp it up again. Now it's like just constant blinders on of, and then the problem also I see is the follow-up. When you performed on stage, you either got to laugh right then and there, and you moved on. But now my wife, we have long conversations on Instagram as well.Michael Jamin:What does she do? What does she do on Instagram? What does she, I don't even know what does, sheJamie Kaler:Works in the pharmaceutical industry.Michael Jamin:So why is she, oh, I think you told me. Why is she on Instagram? Oh, does she post on Instagram?Jamie Kaler:She posts, but she has her own page, and then so she's very specific about it. She'll edit and quiz me and I go, do you want to hear my, I don't care. Nobody cares. Just post it. But it's like, well, what do you think this picture or this? I go, nobody cares. What song do you think this song? Is this song saying too much about me? Or should I feel like maybe I should use it? Should it just be instrumental? I go, okay, I don't care. The trick is to post and walk away. And then people will, for the rest of the day, scroll, because it's the dopamine of like, oh, so-and-So ooh, did you know? So-and-So just like that post I put up this morning, I don't know where this ends, but I find that some days if I just do something physical where I'm digging in the garden in the backyard, it's the greatest three hours of my life where I'm like, I didn't think about anything. I don't know. I don't know where it ends, but yeah. But we're also too, get off my lawn old guys who are like, why? You might have kids,Michael Jamin:But how much time do you think you put on social media every day, either way that you're working on or thinking of working on it or whatever?Jamie Kaler:Well, so I wasn't really, I never cared. I never cared. It was just recently that I've started to make an effort during the pandemic kind of destroyed me. I stayed with two kids. I had a kindergartner and a second grader, and my wife was working 12 hours a day. We have an office in the house where she was gone. Oh, wow. We didn't see her for 12 hours a, and I think part of it, she was hiding because it was the pandemic. We also having construction done on the house, it was arguably the worst time in my life. So I was trying to maintain the kids. So I printed out schedules. I made them put their school uniforms on. I took two desks. I set them up on opposite ends of the house. They were doing it on Zoom, but one's in kindergarten and one's on second grade.So they weren't old enough to really go. I got it at nine 40. They'd be released for recess. I'd have to get them snacks at 1130. It was lunch at two 50. School ended, and then we were trying to maintain sanity. So I started this kind of parental mental health zoom at night. And obviously we were drinking extensively pandemic mental health, but drinking, it was mental health, and we were sipping hardcore and sharing horrible stories. And so it grew into this. I started this thing called the Dad Lands, and it just grew. It was just Zoom. It wasn't even a podcast or anything. And that kind of caught on. I mean, there were guys, I was like, dude, don't kill yourself. We're going to get through this thing guys. Were hanging on by a thread. And we made ourselves all feel better because we were seeing that everyone else was going through this nightmare.And that eventually grew into the Parents Lounge podcast with my other buddy who was in it. He was doing Dad Apocalypse. I was doing Dad Lands. We started a podcast. I'm not a promoter, so I really love doing the podcast. We were doing it live. You've come and done it. The parents lounge, it's super fun. It's a parental mental health night. I've kind of laid off the sauce since then, and all of a sudden it kind of grew into this thing, but we never marketed it. We would just throw it out there and then the other dude would put it up on iTunes, but we wouldn't even put a post of like, Hey, Dave Ners on this Monday. Nothing. Just threw it in the ocean, because I don't want to be a marketer. I didn't move to Hollywood to be a publicist. It's not what I do.So finally, we're at the crap or get off the pot phase of look, we have a pretty good following, considering we haven't put one ounce of work into the promotional part of it. And so finally, everyone's like, look, dude, you either have to become a promoter or you are wasting your time. You need to monetize. We could do some live gigs here and there, but all of a sudden ruffle came in, Justin ruffle was our partner in this thing. And all of a sudden everyone's like, all right, so I committed. I'm committing to trying like you with a book where I feel like we have a really great product. How do we get people to see it? And you're like, this is the way to do it. So we went out and I enjoy stuff like this where we have conversations and we get in depth on stuff. But as far as just constantly putting up a story with a link to the podcast to do this and stuff, well,Michael Jamin:That you can outsource, that's easy. We'reJamie Kaler:Outsourcing it. And so we finally started outsourcing it, and I hadn't outsourced it at all, but it's like I equate it to the Gold Rush. It's like the people who really got rich during the Gold Rush where Levi Strauss and Woolworth and the guys who sold the Pickaxes. So at some point, I should become the outsource guy or something. But yeah.Michael Jamin:Do you see, okay, what are your aspirations with the show? What would you like it to become, if anything?Jamie Kaler:So I love doing the show. I would love a strong following where we've kind of branched off to do other stuff. But honestly, live shows. We have done a few and we're starting to book more. And then to monetize it to a degree, once you start putting all the work into it, you're like, well, maybe we should at least see something. But theMichael Jamin:Live show, you have to produce, you got to bring in equipment mics, you've got to mix it. No, justJamie Kaler:Literally as comics, we show up. I can't tell you the last time I soundcheck, ohMichael Jamin:Wait, wait,Jamie Kaler:We're doing the podcast live. You're talking about, but we do it as here's the beauty of what we do. We're already standups. That was a headline in comic touring the country. I did Montreal Comedy Festival. I've been on late night tv. So for me, that's the easy part. When I used to do standup, it was never about the show. It was more I would peek out and go, is anybody here? And the smartest guys on earth were s, Agora Rogan, Cher Joe, coy, who not only were great comics, but they were also really good at marketing themselves. And so those guys were doing mailing lists for 30 years and building, and I wasn't. I would go sets went great, crush it, and then go have a couple cocktails at the bar. I didn't have kids either. I didn't really care about trying to blow it up. So it was never about the show. It was about getting eyes on it. And I feel like that's where we're at now. We have such a strong, every time we go do it, we crush live. And the question is, how do we get other parents and people to go? This would be a great show to come to. That's really the marketing part of it.Michael Jamin:The tour as Right? Is it all, so it's improv or is it scripted, or what is theJamie Kaler:Show? We have acts, I have two albums on iTunes.Michael Jamin:Oh, okay. So it's a comedy show show.Jamie Kaler:It's a standup comedy show that the Skis is a podcast, really. And we would bring our guests with us, maybe we talked about having Lemi and Heffernan come out and do the podcast live with those guys, but it would be billed as the parents lounge live with these special guests. But it's really a standup show for the audience with under the guise of a podcast. And we have bits and we would do improvisational stuff set up and questions with the audience, for the guests and for everybody else. But we just did, and we did it in Sara, Pennsylvania in the fall. And it was like two hours of just, I'm not even sure I touched that much of my material. We were, we were riffing hard, but we always had the material to step back on. It's like that's my favorite is you have these tracks, but you get off the tracks, you fool around. And if all of a sudden it starts to lag a little bit, you go, all right, here's some bits and then bring 'em back in.Michael Jamin:You are listening to What the Hell is Michael Jamin talking about? Today's episode is brought to you by my new book, A Paper Orchestra, A collection of True Stories. John Mayer says, it's fantastic. It's multi timal. It runs all levels of the pyramid at the same time. His knockout punches are stinging, sincerity. And Kirks Review says, those who appreciate the power of simple stories to tell us about human nature or who are bewitched by a storyteller who has mastered his craft, will find a delightful collection of vignettes, a lovely anthology that strikes a perfect balance between humor and poignancy. So my podcast is not advertiser supported. I'm not running ads here. So if you'd like to support me or the podcast, come check out my book, go get an ebook or a paperback, or if you really want to treat yourself, check out the audio book. Go to michael jamin.com/book. And now back to our show.I mean, I don't know. I see people doing it online. I'd be doing exactly what you're saying. They take their podcast on the road and somehow, how do you think they're selling tickets though?Jamie Kaler:Because their followings are so strong that people, a lot of times also, I see these shows, and to me, the shows, I go, there's no show here. It's just this guy showed up. It's basically a two hour meet and greet. But honestly, that's what some people love. They don't even care. They just want to be in the same room. The guy will tell a couple stories, they'll play some bits on, they'll play bits on a screen and make it a show and they'll record the podcast live. But people are so enthralled by people chatting, I really missed my window. It really was my strong suit back in the day of just riffing and going along with stuff and being in the moment and chatting. But podcasts wasn't happening. And at the time when podcasts started, I was like, are we going back to radio? Why would people listen to podcasts? I was shocked. And yet offMichael Jamin:They were. But your brand is, you're trying to aim it towards parents or men dads, is that right?Jamie Kaler:Well, it's all parents and no, we've toured with moms. We usually take out moms. We've had Tammy Pesca, Kira svi on the show, Betsy Stover. We just had Nicole Birch. I mean, I think you need a mom's point of view. So when we do live shows, we typically bring out a mom as well with us.Michael Jamin:But you're talking, but is the focus basically on kids and parenting?Jamie Kaler:It is to a degree. But I also, sometimes we'll watch some of those shows and it's like sometimes parents don't want to talk about kids, so we kind of go where we go, and it's about life. The whole thing was trying to get people to understand that you see Instagram and you think your life. You're like, why isn't my life like that? The point of our podcast is really to go, nobody's life like that, dude. I mean, when's the last time you met someone who just was not absolutely full of shit? Have you met anybody who's not just full of shit? Anyone? Well,Michael Jamin:The thing is, especially in Hollywood, a lot of people were trying to hype themselves up. And I discovered early on, this is 30 years ago, that was the people who were talking most about their career really had nothing going on. And the people who didn't talk about it, they didn't talk about specifically, they didn't want people to hit 'em up for a job.Jamie Kaler:Know what I'm saying? And I said that exact 0.2 days ago, I was talking to Lori Kmar and she was just saying the same when I got here, if you were the one who were like, look at me, look at me. People were like, that guy's a loser.It was almost, and then all of a sudden, humble, I blame it on humble brag, humble brag. Do you remember hashtag Humble brag? That was the first one where people, it's really just a brag. You see humble, but you're really just bragging. But back in the day, I remember doing Friends and Will and Grace, and it was big. It was big. And I really didn't tell anybody. People would come in and talk to me and go, dude, were you weren't friends last night. And I was like, I was. And they go, why wouldn't you tell us? And I go, it seems dirty. I felt dirty bragging about what I was doing. But nowadays, if you're not constantly brag, brag, brag, brag, brag. People are like, well, I guess he doesn't have anything to promote.Michael Jamin:Yeah, I remember even just people, I'm in the business, they'll say, so humble to accept this. I'm so humbled to accept this award, whatever, where they might've been in sales or whatever. It's like, but you're using the word humbled wrong. That's not what humbled humble means. You're literally bragging.Jamie Kaler:I feel that way every time when I'm acting and the director goes and cut, that was perfect. We're going to do it again. And I go, you're using the word perfect improperly. Perfect means there's nothing better. I think that's exactly the meaning of perfect. And you're not using it correctly. I knowMichael Jamin:One of the things that I always get, this is my pet peeve about being a writer. You'll turn in a draft of a pilot you've been working on for months, and you just turn it in and then they'll say, great. We're setting up a notes call for Wednesday. Isn't it possible you love it? You know, don't like it? You already know there's something you want change. It's likeJamie Kaler:You didn't even read the title and you're like, I have notes.Michael Jamin:I have notes. Of course you do.Jamie Kaler:Well, listen, if they didn't have notes, they wouldn't have a job. And so I think they're like, well, I mean, we have to find something wrong with this thing. They would get the screenplay for the sting and go, I mean, does the guy have to have a limp? I don't get the Robert Shaw limp. It's like, dude, can you just go, this is pretty great. And also you're not a writer. It's not what you do.Michael Jamin:It's hard to, now you're killing me.Jamie Kaler:I did a show one time, I won't say the name of the show, but I did a show. It didn't go anywhere, but my character is a car salesman. I see these two guys come into the showroom and I want to sell them a car, and I think they're gay, so I pretend to be gay. This is of course, back in the time when I guess you could do that without being canceled. So I act gay to them to get them to buy the car, and we're going to be friends and stuff. And at the end of the episode, my character then kisses a woman who's another salesperson as the reveal. He's not gay. He was doing it to do that, whatever. So all week, all week, the studio execs keep coming over and they go, dude, you got to gay it up. You got to amp it up. We are not getting the joke. You have to play this extremely gay. And then they would walk away and the showrunner would walk over and go, dude, I want you to play it dead straight. I don't want you to play gay whatsoever. So after every take two people kept coming over, giving me completely opposite notes, and I didn't know who.Michael Jamin:Wait, I a little, go ahead, finish your story because I want toJamie Kaler:Jump on it. So I'm in the middle. I'm doing it. I'm not pleasing either of them, right? I'm right in the middle of guess, maybe a little after. I don't know. And I have played gay characters numerous times in tv, and usually I don't do anything. It doesn't have to be that way. And so I would play it dead straight. And so the show goes, it's a train wreck of a week. I'm just getting eviscerated on both sides of like, I'm not pleasing anybody because I'm trying to ride the line in the middle of between these 2 180 degree notes, whatever. It's a train wreck. We finished the shoot, I'm miserable. I run into the showrunner maybe three months later and he tells me, oh, he goes, Hey, just so you know, when you do watch it, we were running long for time. So we cut the tag.I go, you mean the reveal where I kissed the woman? He goes, yeah, we ran out of time and we cut it. I go, then everything I did up to that moment has no justification whatsoever. I goes, this is the craziest thing. He goes, I know. He goes, what are you going to do? It's tv. I go, all right, whatever. And I moved on and I was like, couldn't care less. But you're like, again, art, you wrote something. Your brain had this beautiful story you wanted to unfold. And then commerce and everybody has to prove that they're part of the mix and they can't be hands on.Michael Jamin:I'm very surprised that you got notes directly from a studio executive. That's inappropriate. They're supposed to go through the director. IJamie Kaler:Thought the exact same thing. And people, it's not how it worked. They came right up to me. Oh, I've had that many times. I've had studio people talk to me all the time. Yeah, well, also, I wasn't a star. I was a guest.Michael Jamin:Yeah, but still you're not, first of all, the DGA can file a grievance over that if they were to complain the DGA, I think that's part of the thing. But here's how I would've, if I were you, this is what I would've done. I would've done one take over the top and one place straight. Okay, I'm going to do two different takes, two different. And you decide later which one you want to use.Jamie Kaler:I think I did do that to some degree. I don't think I said it out loud about you have fun and edit, and also you as a guest star. It's the greatest job, but it's also the worst job. It is. These people have been locked and loaded. I did friends the week I did it, they were on the cover of Rolling Stone. They'd been burned in the press when they spoke. They weren't outwardly mean to me, but they also weren't like, Hey, welcome to the, they spoke to each other in hushed tones away from, and I didn't blame them. They couldn't go to a supermarket. They were just famous beyond belief. But the set was tense, super tense because a lot riding, not a lot of money on this thing. The shoot was eight hours long after four, they got rid of the first audience, brought a whole nother audience in, and you start to watch the sausage get made and you're like, this is supposed to be fun and comedy, but sometimes these things are super tense.Michael Jamin:Yeah, yeah. So interesting. Do you have any experiences that were great sets that you love working on?Jamie Kaler:So many and listen, even that set the cast was great and friends was great. It was here was the greatest thing about doing friends, or even honestly Will and Grace. I watched Will and Grace, I watched the four of them. Dude, they were a machine combined with the writing staff and Jim Burrows directing. It was like a masterclass, the four of them. And they would rewrite on the fly, they'd do one take and almost rewrite the entire scene. And then you would, they'd go, Jamie, here's your new lines. And I did six episodes over the years and each time I went back it was like, you better bring your A game. Because they would change the whole scene. And they go, so you enter here now you say this and then he's going to say this and you're going to go and you're playing spinning at the four of them. Man, they were honestly maybe the best cast I've ever seen. Really. It was like a Marks Brothers. They just were so perfect in their timing. It was pretty impressive.Michael Jamin:I had Max Nik on my podcast a few weeks ago talking the showrunner. The funny thing is I was touring colleges with my daughter years ago, not that long ago, whatever. We were touring Emerson. And the tour guy goes, oh, and this is the Max Munic building. He goes, anyone know who he is? I'm like, max gave you a building. Yeah. Does anyone know who he is?Jamie Kaler:They were both great. And again, I was overwhelmed because I was so new. And my very first one, gene Wilder, played the boss. I'm the dick in Will's law firm, and I had only done a sitcom or two. And then I got Will and Grace out of nowhere on a crazy afternoon. It was supposed to be another big name guy. And he fell out at the last second. And I got cast and was shooting in the morning and I was terrified. And then I show up in Gene Wilders playing my boss, and I had to do a scene with Willy Wonka. I was like,Michael Jamin:No kidding.Jamie Kaler:By the way, I didn't start acting until I was 30. I was a Navy lieutenant.Michael Jamin:Oh,Jamie Kaler:Really? I was the US Navy. Yeah. That's why I played cops a lot. I was a Navy lieutenant. I got out at like 28. I hung around San Diego. Bartended had fun.Michael Jamin:Why did you get it so early? I think you're supposed to stay in forever and get a great pension.Jamie Kaler:Oh my God. It's like I'm talking to my father. My father banged me. I still have the letters. He and I wrote back and forth where I told him I was getting out and he was so pissedMichael Jamin:BecauseJamie Kaler:He was a pilot. My dad flew in World War ii, my brother was an admiral, and I got out to become an actor, and my father was just furious.Michael Jamin:Whatcha doing? You can one time.Jamie Kaler:Then I booked Jag. One of my first TV shows was, well actually my first show was Renegade with Lorenzo Alamas and Bobby Six Killer though, whatever his name is.Michael Jamin:I know I'm jumping around, but did you know Kevin and Steve before you got booked on? Yes. Yes you did. From whatJamie Kaler:I had done, we bumped into each other once a couple times doing standup. I was doing Thema or something, and then I forget how it's all blurry. I did their podcast, chewing it, and then just kind of hit it off with them. And then they came and did mine. And you talk about sets My boys was my greatest four years of my life. It was just, I met my wife, I bought a house. I was on a billboard on Times Square. We traveled the world. We shot on Wrigley Field in Chicago. I mean, it was glorious. Because of that, I started a headline clubs. It was just this like, oh, here we go. And it wasn't until Tacoma FD where I was on a set where, oh, people came early, people stayed late. You were almost going. It was like it brought you back. A kid being going to theater camp, going, well, here, I'm making a show. But again, as you know, it goes by the eps and number one on the call sheet and that dictates the tenor of the show tone. And they wereMichael Jamin:Both the same. Yeah,Jamie Kaler:Yeah. And those guys, that sets a family, literally everybody. And that's why you also have to be really careful. You can't say anything because everybody's related to everybody and they're all friends. And then Soder came and played Wolf Boykins. And I will tell you, I was super, I love those guys. But there's also a little jealousy of, I've always been a team sport guy. I love Sketch probably more than I like standup because there was something about being on stage with other humans and this chemistry. And then you would get off stage and you're like, can you believe how great that just went? There was this, when you would do standup, it's just you. And when you walk off stage, if you bomb or you crush, you own it. But when you are with a group, I love the group dynamics. Interesting to those guys credit the whole broken lizard.I wish I had the state. I'm jealous of those guys a little bit. Kids in the hall, when I first got out, I had an improv group in San Diego and we ended up doing, we got on the front page. I had been out of the Navy like a year. It was in this crazy improv troop, had no idea what I was doing. And there was three other dudes in it. And the comedy club, the improv, started to hire us to be the feature act. And we would get up. We had no mic, so we'd kind of eat it and then the headliner would come out and go, what the blank was that jackasses? And then do his standup act. But I always wanted that group. You have a comedy partner, you write, you partner. I like that more than the solitary thing. And honestly, to go back to the podcast really quickly, the parents lounge, we didn't have a team.We had no team. And so it wasn't until I brought Phil Hudson and Kevin Lewandowski and then Justin Ruppel and his guy Taylor. And all of a sudden I had a group of people behind me who were like, Hey man, this is a really great product. Let's go. So I guess I'm just a team guy. And when I got to that set at Tacoma fd, I'm so sad it's gone because I just, that and my boys are probably the two highlights of my career, really, personally of joy, of going to work, not feeling pressure like Man Will and Grace. It was fun. It was invigorating, it was exciting, scary. It's a little scary, man. You're like a lot of money. There's a huge audience. There's superstars who are making a million dollars a week. I'd leave the table read and go, that dude just walked with 200 k Monday.Thank you. Monday, 200 K what it must be, same on basketball teams where it's like LeBron James and then that dude from Australia. There's a dynamic there where you're like, yeah, you're not flying home in a jet, my friend. I am. It was weird. So Tacoma fd, those guys never once ever made you feel bad about trying stuff, doing a take where you just explore and you could be funny and you let it rip. I equate it back to Seinfeld. I don't know what it was like on the set, but Seinfeld was one of the few shows where they let the guest stars actually get sometimes bigger laughs than the main cast, which I always find in shows to be the true genius of a show where everyone's there, it's a play. Let it rip. I've been on shows where they, I'll blow it up. I was on the seventies show and I had a couple scenes, and I played this goofy guy with a wig on or whatever, and crushed. I mean, I was a nerd. I was a comic book nerd. Huge laughs. And they took me aside and were like, Hey man, just so you know, you will never get a bigger laugh than the main cast,So you might want to tone it down or we're going to be here all day shooting. And I go, really? And they go, I thought they were joking. And they were like, nah. Yeah. Wow. I probably shouldn't say I'm the worst too. I'll burn myself to say stuff. Well, it's interesting. This business is crazy, man. And you sit there and you think we're just making comedy, but people are,Michael Jamin:Yeah, some people are like that.Jamie Kaler:Yeah. People get their feelings hurt. Those little memos where it's like, don't look so and so in the eye. And you think they're joking. They're not joking.Michael Jamin:You've gotten those memos.Jamie Kaler:I haven't personally. Well, I worked on some big movies where it was like, but I also am not the crazy person who walks up to Christian Bale on Vice and goes, Hey man, dark Knight. Huh? You crushedMichael Jamin:It.Jamie Kaler:I sat next to Christian Bale for a day shooting and he was Dick Cheney unrecognizable. By theMichael Jamin:Way, this guy might be theJamie Kaler:Greatest actor who's ever lived. And he leaned over and he was so nice. Everyone was super kind, but he was nice to meet you. And he talked like Dick Cheney. He goes, nice to meet you. I'm Christian. I go, it's nice to meet you too. But I'm kind of laid back and I try not to, but other people will walk up to Bruce Willis on a set some extra and be like, Hey man, can you read my screenplay? And you're like, dude, read the room. What are you doing?Michael Jamin:What are you doing? What are you doing? PeopleJamie Kaler:Are crazy. That's the problem. And crazy people are drawn to this business. So yeah, I mean, if I was Tom Cruise, I might be the guy who look, just keep everyone away from me. I'm trying to get my job done here.Michael Jamin:Well, you know what though? I mean, I was working in Paramount doing a show and they were shooting, I guess some scenes from Mission Impossible. And he had his trailer, Tom Cruise had his trailer, a giant trailer, and then he had a whole tunnel that he would walk through from his trailer to go to the sound stage because he didn't want people in on the lot looking at him when he walked to the set or bothering him, I don't know. Which I thought was very strange. I was like, but we're all even on Paramount in the business. I guess were bothering would harass him. I'm like, Jesus, this is supposed to be a set studioJamie Kaler:People. And it's even worse now. You go to a broad, remember when people dressed up to go to Vegas? I remember going to Vegas in the eighties and nineties and we brought a sport coat right now it's like cargo shorts, flip flops and beer hat or something. And you're like, there's just no decorum anymore. And people are so, and they're trained by their videos that they can yell and do whatever they want. People go to Broadway shows and just yell out and you're like, what are you doing, man? It's a plane. WhatchaMichael Jamin:Yeah? What are you doing? PeopleJamie Kaler:Are horrible. I know when people, I always laugh when people are like, no, I think deep down people are good. Some, I would argue a good hunk not no have no manners.Michael Jamin:That's probably a remnant from social media where they feel like they can just comment and be mean because they're anonymous, I guess.Jamie Kaler:Well, I think the good thing about social media is that everyone can have their opinion heard. But the worst thing about social media is that everyone can have their opinion heard. Yeah.Michael Jamin:Yeah.Jamie Kaler:I love when people like they're uneducated. They've never left their small town America. And they're like, no, no, I am 100% certain this is a fact. And you're like,Michael Jamin:Yeah,Jamie Kaler:When's the last time anyone has said you've raised some really strong points. I'm going to rethink my position.Michael Jamin:When you do see that, it always stands out to me. It's like, wow, look at you and humble. It does stand out. We'll doJamie Kaler:That. Listen, we're all guilty of it. Even just recently, my wife said something to me, I can't remember exactly what it was, and I think your spouse is the one who can really cut you to the bone. And she said something and I was like, what do you know? And then later I thought about it and I was like, no, she's right. I have been, oh, here's what she said. Here's what she said, something about a post I had. And she said, you just come off angry. And I said, no, no. I'm a comic. I'm pretending to be angry. And I think I went back and I watched the Post and it reminded me back to early on at Acme Comedy Theater, I had this sketch where I was with woman and we were on a date, and it was very Jerry Lewis props humor where I kept getting hurt.I kept getting hurt. The window smashes in my hand, it ends by me lighting a candle and I actually lit my arm on fire and then would roll it out as the lights came down or whatever, and it crushed. It did so well. And one night it just absolutely bombed, just bombed. And I kept pushing harder and harder and it was bombing, and I got off stage and I talked to the director and I was like, dude, terrible audience. Tonight goes, no, no. He goes, your problem was you didn't play frustrated, you played and it didn't work. And I go, what a specific note. And I've always thought about that because me personally with my angular features, you have to go with what you look like as well. And if I play frustrated, I'm super funny, but if I play angry, I come off angry. And so she was right and I had to go. I think maybe in life everybody needs a director because you forget. It's really hard to self-direct yourself because you get lost in these megaphones of your own things that you're like, no, no, I'm on track. This is going great. Instead of going, I wonder how the outside world perceives me.Michael Jamin:That's exactly right. Yeah. When I recorded the audio book for my book, I needed to be directed. Even though I direct, I don't know how I'm coming off. Yeah, I mean that's actually probably the most profound thing I've heard today. Well, the day just started, but everyone needs to have a director.Jamie Kaler:Yeah, it is kind of crazy. Yeah, it's weird because we also get caught up in our own, listen, I will say the world is, and I know I'm an older cat and I look back at simpler time. I don't want to be that guy. I was like, it was easier, but it was easier. I equate it to even crosswalks lately when you were younger, if you were going to take that right turn and the dude was crossing the crosswalk, everyone would make eye contact and they'd hold their hand up and then they might even jog a couple steps to go like, no, no, we're in this together. We're a team. No. And nowadays I go, dude, are you trying to get hit by a car? You didn't even look up? Didn't even look up deliberately, and it feels like you're slowing your walk down. It's so odd what's happening. But I do think, listen, back in the day, people used to, if you were in front of somebody's house and you were waiting for them, you'd pull your car over and slide it up, maybe a few cars up. Now they just put it right in the middle of the street, hit their hazard lights and just wait. And you'll be behind them and they go, I don't care. I don't even know why they sell cars with rear view mirrors. They should just get rid of it. No one's looking behind them. Nobody cares about anybodyMichael Jamin:Else. That's so interesting. Yeah, I mean, you're right about that lot people crossing the, I always think that, boy, you really are trusting of me. You really trust me not to hit you with my car. Jesus. Isn't thatJamie Kaler:Crazy?Michael Jamin:Yeah, sure you get a payday, but I might kill you.Jamie Kaler:I think it was safer back then too because you knew, listen back in those days, you knew to be off the road between 10:00 PM and 2:00 AM when everyone was drunk. Right. You knew it and everyone was like, oh, drunk driving was terrible. Nowadays, 10:00 AM yesterday morning the dude next to me getting high on his phone, so now it's like twenty four seven. That's why I can't believe people, I never crossed the street without making eye contact and going, dude, are you on your phone or are you going to hit me?Michael Jamin:Yeah, you got to look for yourself.Jamie Kaler:Exactly. But again, I'm old, so what do I know? It is weird trying to teach my kids and I mean, we've talked because your kid's a little older, but trying to impart knowledge of the world to them to be aware of their surroundings. I always say they're probably years from now, they'll go, like my father always said, read the court. You got to have full court vision. I see it in cars. My wife will be behind one car and I'll go, you can't see that three cars up. That dude stopped. You are changing lanes. I'm looking five cars ahead.Michael Jamin:ButJamie Kaler:People nowadays, it's just this one little, they just keep their heads down and you're like, pick your head up, man. But people don't.Michael Jamin:Yeah, be careful. I need to know. So I want to know business right now I'm jumping around, but business is still slow for you in terms of acting gigs because from what I see, they're not shooting a lot. Is that what you were seeing?Jamie Kaler:That is true, and I've had a handful of amazing auditions lately. Oh, you have? Okay. So yeah, a ton. Not a ton, but here's the dilemma is they're all self-tapes, right? And I'm pretty good at self-tapes. You can see there's the lights behind me. There's a curtain right above me that comes down, and then I shoot it that way and they're pretty great. And I'm again about trying to be directed. I've asked my agents and my managers and been like, Hey, am I self taping these? Right? And they're like, dude, your self tapes are solid, but even there's no feedback. And I do think back in the day, I got a lot of jobs because I was great in the room. I was probably better in the room than I was as an actor. You could take it. I would get hired because a lot of acting is chemistry, and you want to see that the person you're working with is going to be cool and able to hang and alsoMichael Jamin:Take a note. Can you take a note?Jamie Kaler:It's so funny you say that, dude. So lately I was, for a while I was just putting the one take on where I was like, this is how I see this part. But this one I had the other day, it was so good, dude. It was handsome. Adjacent was the breakdown, which I was like, all right, because I've always been, I'm lumberjack good looks. I'm like, I know I've walked into rooms, I've seen Brad Pitt in a room, and I've been like, yeah, that's beautiful. I'm a little al dente. That guy is so gorgeous. I'm on the cover of a paper towel roll. I get it. I know. I'm Portland. I'm Portland. I'm a Portland 10. Portland. I'm a Portland nine maybe. So it's handsome adjacent, early fifties jerk cop. I go, dude, this should be offer only. Why am I reading for this?Michael Jamin:Right?Jamie Kaler:So I did the first take. I submitted one where I was like, more Tacoma fd, I was. I go, well, maybe that's why I got in here. They know me from that. And then I was going to just submit that one and I said, you know what? Because you can't go in a room, dude, the casting directors are so good that I've had the pleasure to work with Wendy O'Brien who did that one is one of my faves. She'll give you notes that will kind of give you a nuanced performance where you're going, oh, I see the change. Yes, yes, yes, yes. Because hard. And so I did a totally separate take. I had a friend over here and I did another take that was so the opposite extreme of he wasn't big at all. He was very underplayed in tone. And when I sent them in, my agent said, he goes really great that you did two separate takes.And I said to him, it's a new show. I've never seen it. I don't know what the tone is. There's no direction. You're literally reading this hoping that your take jives with the guys who are going to hopefully see this tape or not. I don't know. And I also submitted it. The audition came out on Monday. It was due Thursday. I memorized it submitted on Tuesday. The other thing they tell you, they go early, bird gets the worms. So the business has changed so much. You're working really hard to pump these things out, but you're like, is anyone seeing any of it? It would be nice if somebody once just called and was like, Hey man, you're not getting it, but I got to tell you, you did a really good job, man. You what you get in a room or if sometimes you don't, sometimes. Yeah.Michael Jamin:So interesting. The life of an actor. So what is left for you as you wrap up, what is left for you today? What does your day look like today, an average day for you?Jamie Kaler:So we are relaunching the podcast. We have an advertiser that's just come on board. We are currently on Buzzsprout, but we're going to jump to megaphone and we're actually, we're still doing the live ones on Tuesday nights 7:00 PM Pacific Time. It's on right now. It's everywhere. Facebook, Instagram, Twitch, YouTube, it goes out live. We're going to slowly bring that back in and we are jumping to Patreon. So come find us. The parents lounge on Patreon, and then we are, so we're doing all the marketing right now, and then I'm still working with the same guys you work with who have been eyeopening. It's like a master's class in this business of social media about getting people on. Because again, I feel like we have a really solid product that people not onl
On this episode, librarian and show superfan Heather Gunnell joins Aaron and Derek to discuss 1968's psychological horror film "Rosemary's Baby" written and directed by the very problematic Roman Polanski and adapted from Ira Levin's 1967 novel. Trigger warning: there is discussion about Polanski's 1977 sexual abuse case and other allegations. As far as the movie goes, they talk about the fears of pregnancy, loss of control, gaslighting, and isolation. They also get into differences between the book and movie, art vs. the artist, women's liberation in the 60s and other aspects of the flick. Pain, begone, Derek and Aaron will have no more of thee! Heather told me to make sure and tell you: the name is an anagram. Heather's links! Etsy: thepatchworkwitch.etsy.com (special coupon code WATCH for 15% off) Instagram: @patchworkwitchquilts TikTok: @patchworkwitch Facebook: https://www.facebook.com/ThePatchworkWitch Support us on Patreon: https://www.patreon.com/WatchIfYouDare We are on PodBean, Apple Podcasts, Podchaser, Goodpods, Amazon Music, Google, Stitcher, Spotify, and CastBox. Please rate, review, subscribe, and share our show. Also, check out our Spotify Music playlist, links on our Twitter and Podbean page. Our socials are on Facebook, Twitter and Hive @WatchIfYouDare
A rare book dealer, while seeking out the last two copies of a satanic text, gets drawn into a supernatural conspiracy. Directed by Roman Polanski. Screenplay by Polanski, John Brownjohn and Enrique Urbizu. Based on the 1993 novel El Club Dumas by Arturo Pérez-Reverte. Starring Johnny Depp, Frank Langella, Lena Olin and Emmanuelle Seigner. Listener Request courtesy of Aaron. Thank you so much for listening! E-mail address: greatestpod@gmail.com Please follow the show on Twitter: @GreatestPod Subscribe on Apple Podcasts / Podbean This week's recommendations: On Cinema
This is no dream. This is really happening! Join us as we move into the Bramford building and get to know the new neighbors. In this episode, we're investigating the history and impact of Rosemary's Baby. Topics include: the state of the horror genre when this movie was released, why there was initially some resistance to the idea of hiring Roman Polanski to direct this, their atypical choices for the two lead roles and the more conventional names that were considered, how the decision to make the supernatural elements more ambiguous created multiple ways to interpret the film, the less successful follow-ups, the degree to which Polanski's controversial legacy hangs over all of this, and much more! Facebook | Twitter | Instagram Apple Podcasts | Stitcher | Google Play | Spotify Chris's Instagram & Twitter | Kristen's Instagram Chris & Kristen's Web Series: The Strange Case of Lucy Chandler
Welcome to another episode of the Plant Based News podcast! Today we're joined by a very special guest, Zack Polanski, a UK politician and deputy leader of the Green Party of England and Wales. Zack has also been a member of the London Assembly for the party since 2021. In April of this year, Zack made headlines after writing an open letter to London mayor Sadiq Khan urging him to make veganism more accessible in the city. Zack also stressed the importance of plant-based diets for addressing the “climate and ecological emergency.” Host: Robbie Lockie Editor: Polly Foreman Audio Editor: Phil Marriott Social Media: Darrell Sawczuk Producer: Xisca Taylor 00:00:00 An introduction to Zack Polanski 00:03:14 The beginning of Zack Polanski's vegan story 00:08:00 The importance of a plant-based food system 00:12:08 The National Food Strategy - an independent study of the UK food system 00:14:35 Behavioral change on a mass scale 00:22:45 Getting into politics with the Green Party 00:27:48 This Is How The Greens Can Win: Aaron Bastani Meets Zack Polanski Clip (Interview for Novara Media) 00:28:48 The Importance of being involved in Politics 00:37:45 An open letter to The Mayor of London 00:51:19 What are food subsidies? 00:56:47 The Transfarmation Project: helping farmers transition from industrial animal agriculture 01:02:38 Artificial Intelligence 01:07:34 Stranded on a desert island
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