Podcast appearances and mentions of Fredric March

"Actor's Blood," broadcast on Suspense on August 24, 1944, marks the second appearance of the distinguished actor Fredric March on the program. This gripping play is an adaptation of a short story by the acclaimed writer Ben Hecht, who also serves as the narrator, adding a layer of intrigue to the unfolding events. The narrative centers around a peculiar dinner party meticulously orchestrated as a trap to unmask the individual responsible for the murder of a celebrated actor's daughter. The premise evokes a compelling blend of the supernatural tension found in the tale of Banquo's ghost and the intricate whodunit mysteries characteristic of Agatha Christie's novels, all set against the glamorous backdrop of Tinseltown.Intriguingly, recordings from both the east and west network broadcasts of "Actor's Blood" have been preserved, offering a unique opportunity to compare the two presentations. A subtle difference exists in their closing remarks: the east network recording references "next Thursday," pinpointing a specific date, while the west network recording more generally mentions "next week." While the east recording is considered to have slightly superior audio quality, both versions are reported to be in good condition, allowing listeners to fully appreciate the performances and the atmospheric sound design that was a hallmark of Suspense."Suspense" was a radio drama series that captivated audiences from 1940 through 1962 during the Golden Age of Radio. Often subtitled "radio's outstanding theater of thrills," this program was a shining example of suspense thriller entertainment. It specialized in delivering heart-pounding stories, typically featuring some of the leading Hollywood actors of its era. With an impressive total of approximately 945 episodes aired over its lengthy run, "Suspense" remains an enduring classic, with over 900 episodes still in existence.TakeawaysTheater has a rich history of dramatic storytelling.Marsha Tilliou's legacy is intertwined with her father's.The concept of a ghostly banquet serves as a narrative device.Suspense is built through the gathering of suspects.The emotional weight of familial relationships is explored.The play critiques the superficiality of the theater world.Marsha's murder is a catalyst for the unfolding drama.The narrative reveals the complexities of love and betrayal.The ending challenges perceptions of guilt and responsibility.The story emphasizes the impact of unresolved grief.Actors Blood, Ben Hecht, Frederick March, theater, murder mystery, suspense, Marsha Tilliou, ghost, banquet, drama

fWotD Episode 2908: Dr. Jekyll and Mr. Hyde (1887 play) Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Monday, 21 April 2025, is Dr. Jekyll and Mr. Hyde (1887 play).Dr. Jekyll and Mr. Hyde is a four-act play written by Thomas Russell Sullivan in collaboration with the actor Richard Mansfield. It is an adaptation of Strange Case of Dr Jekyll and Mr Hyde, an 1886 novella by the Scottish author Robert Louis Stevenson. The story focuses on the respected London doctor Henry Jekyll and his involvement with Edward Hyde, a loathsome criminal. After Hyde murders the father of Jekyll's fiancée, Jekyll's friends discover that Jekyll and Hyde are the same person; Jekyll has developed a potion that allows him to transform himself into Hyde and back again. When he runs out of the potion, he is trapped as Hyde and commits suicide before he can be arrested.After reading the novella, Mansfield was intrigued by the opportunity to play a dual role. He secured the right to adapt the story for the stage in the United States and the United Kingdom, and asked Sullivan to write the adaptation. The play debuted in Boston in May 1887, and a revised version opened on Broadway in September of that year. Critics acclaimed Mansfield's performance as the dual character. The play was popular in New York and on tour, and Mansfield was invited to bring it to London. It opened there in August 1888, just before the first Jack the Ripper murders. Some press reports compared the murderer to the Jekyll–Hyde character, and Mansfield was suggested as a possible suspect. Despite significant press coverage, the London production was a financial failure. Mansfield's company continued to perform the play on tours of the U. S. until shortly before his death in 1907.In writing the stage adaptation, Sullivan made several changes to the story; these included creating a fiancée for Jekyll and a stronger moral contrast between Jekyll and Hyde. The changes have been adopted by many subsequent adaptations, including several film versions of the story which were derived from the play. The films included a 1912 adaptation directed by Lucius Henderson, a 1920 adaptation directed by John S. Robertson, and a 1931 adaptation directed by Rouben Mamoulian, which earned Fredric March an Academy Award for Best Actor. A 1941 adaptation, directed by Victor Fleming, was a remake of the 1931 film.This recording reflects the Wikipedia text as of 00:50 UTC on Monday, 21 April 2025.For the full current version of the article, see Dr. Jekyll and Mr. Hyde (1887 play) on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Ruth.

He had it all... just like Bogie & Bacall... except like Jekyll & Hyde.  (I hate writing these in case you haven't noticed yet.)  Eric & Serling take the time machine all the way back to the year that started American horror movies.Send us a text

Steve and fellow film historian Avie Hern discuss the staying power of the 1964 Cold War Thriller "Seven Days in May," which starred Burt Lancaster, Kirk Douglas, Fredric March, Ava Gardner, Edmond O'Brien, Martin Balsam, a solid all-star cast in a riveting story written by Rod Serling, based on the terrific novel by Fletcher Knebel and Charles W. Bailey II and directed by John Frankenheimer.

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In this episode, we review our 3rd-ranked film for 1964, “Seven Days in May,” a political thriller directed by John Frankenheimer and starring Kirk Douglas, Burt Lancaster, Fredric March, Edmond O'Brien, and Ava Gardner. Support this project on Patreon!

This Sunday on Vintage Classic Radio's "Sunday Night Playhouse," we kick off with a special Lux Radio Theatre presentation of "A Little Bit of Heaven," which first aired on December 30, 1940. This heartwarming episode tells the story of Mary, a young girl with a powerful imagination that transforms her difficult life in a New York tenement into a fantastical world of wonder and joy. The episode starred Gloria Jean as Mary, along with notable performances by C. Aubrey Smith, Robert Stack, and Margaret Lindsay, who each brought to life the vibrant characters populating Mary's world. Following this delightful tale, we continue with another Lux Radio Theatre classic, "Death Takes a Holiday," originally broadcast on March 22, 1937. This thought-provoking drama explores what happens when Death decides to take a break from his duties to understand human emotions better, particularly to grasp why people fear him so intensely. Fredric March reprised his film role as Death, joined by an impressive cast including Kay Hammond as Grazia, the woman who catches Death's interest, and Leslie Banks, who portrayed Duke Lambert, host to the enigmatic guest who turns out to be Death himself. Join us for these captivating stories from the golden age of radio, brought to life by a stellar cast.

EPISODE 63 - “NOT EVEN NOMINATED: A DISCUSSION ABOUT CLASSIC CINEMA WITH AUTHOR JOHN DILEO” - 11/25/2024 Author JOHN DILEO, film historian and author, has just published his eighth book, Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances. This week, John joins Steve and Nan to discuss his book, as well as his origin story on how he got hooked on classic cinema. Join us for the fun, lively discussion about old Hollywood. And make sure you check out John's book.  SHOW NOTES:  Sources: 100 Great Film Performances You Should Remember — But Probably Don't (2002), by John DiLeo: Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances (2024), by John DiLeo; TCM.com; Wikipedia.com; IMDBPro.com; Movies Mentioned:  Dr. Jekyll and Mr. Hyde (1931); Fredric March & Miriam Hopkins; Mr. Deeds Goes to Town (1936), starring Gary Cooper & Jean Arthur; The More the Merrier (1943), starring Jean Arthur , Joel McCrea, and Charles Coburn; The Best Years of Our Lives (1946), starring Dana Andrews, Fredric March, Myrna Loy, Teresa Wright, Harold Russell, Cathy O'Donnell, Virginia Mayo, and Steve Cochran; Miracle On 34th Street (1947), starring Maureen O'Hara, John Payne, Edmund Gwynn, and Natalie Wood; The Treasure of The Sierra Madre (1948), starring Humphrey Bogart & Walter Huston; All About Eve (1950), starring Bette Davis, Anne Baxter, Gary Merrill, Celeste Holm, George Sanders, Thelma Ritter, and Marilyn Monroe; Ace In the Hole (1951), Starring Kirk Douglas & Jan Sterling; Strangers on a Train (1951), starring Farley Granger, Robert Walker, Ruth Roman, & Pat Hitchcock; Mr. Blanding Builds His Dream House (1948), starring Cary Grant, Myrna Loy, & Melvyn Douglas; Rope (1948), starring James Stewart, Farley Granger & John Dahl; They Live By Night (1948), starring Farley Granger & Cathy O'Donnell; From Here To Eternity (1953), starring Burt Lancaster, Deborah Kerr, Montgomery Clift, Donna Reed, & Frank Sinatra; The Bandwagon (1953), Fred Astaire & Cyd Charisse; Seven Brides for Seven Brothers (1954), starring Howard Keel, Jane Powell, & Russ Tamblyn; Elmer Gantry (1960), starring Burt Lancaster, Jean Simmons, & Shirley Jones; Judgement at Nuremberg (1961), starring Spencer Tracy, Maximilian Schell, Burt Lancaster, Marlene Dietrich, Montgomery Clift, Richard Widmark, & Jusy Garland; To Kill A Mockingbird (1962), starring Gregory Peck, Mary Badham, Philip Allford, Brock Peters; Whatever Happened to Baby Jane (1963);, starring Bette Davis, Joan Crawford, & Victor Bueno; Mary Poppins (1964), starring Julie Andrews, Dick Van Dyke & David Tomlinson; The Trouble With Angels (1966); starring Rosalind Russell, Hayley Mills, Mary Wickes & Binnie Barnes; The Graduate (1967), starring Dustin Hoffman, Anne Bancroft, and Katharine Ross; Wiat Until Dark (1968), starring Audrey Hepburn, Alan Arkin, Richard Crenna, Efram Zimberlist, Jr. & Jack Weston; That's Entertainment (1974); The Devil's Rain (1975), starring Ida Lupino, William Shatner, Ernest Borgnine, Tom Skerritt, Eddie Albert, Keenan Wynn, Joan Prather & John Travolta; That's Entertainment II (1976); Ordinary People (1980), starring Donald Sutherland, Mary Tyler Moore, Timothy Hutton, Judd Hirsh, & Elizabeth McGovern; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWILLIAM WYLER: PART 2 OF 4: THE DESPERATE HOURSPaired with last week's Detective Story, TGTPTU's Big Willie Winter continues with THE DESPERATE HOURS (1955), another black-and-white film adaptation by William Wyler and a rare feature from the director to not earn a single Academy Award nomination. Perhaps first home invasion picture, The Desperate Hours was adapted from a book that itself was inspired by tragic, real events (bonus fact: Richard Nixon would become involved in a lawsuit defending Time Magazine against the real-life victims who hadn't agreed to a photo shoot in questionable taste at their former family home). Playing the lead heavy, Humphrey Bogart who with his character's younger brother (played by Dewey Martin who, fun fact, was first married to a woman from Portland, Oregon and subsequently singer Peggy Lee) and a lug with more muscle than smarts on the lam take over a suburban home (bonus fact: the fictional house where the story takes place would later be used for the television show Leave It to Beaver) and soon butt heads with head-of-the household Daniel Hilliard, played by Fredric March, after seeing a bicycle left outside, a key indicator of a family with kids or, as those on the run know, prime hostage material. Wyler shows his mastery as a director getting an amazing performance from a child actor playing March's son and providing depth and gravitas to all the characters. Oddly cast from the script and the book, Bogart at age 56 was significantly older than the original story would have his Glenn Griffin (Paul Newman, who would play the role on stage before the film was released, was only 30 years old). But the performance is nuanced, perhaps measured by Bogart's at the time being diagnosed with the cancer that would soon kill him. During the course of The Desperate Hours (bonus snark: perhaps more accurately entitled The Desperate Afternoon Leading into that Night and on into Late the Next Day), Wyler ties in his recurring themes of pacifism, masculinity as performance, and the dangers of the police state in this film that, while feeling set-bound, it should be recalled that the play was written and performed after. All the same, a truck flips, a person is run over, and March has to pretend he's drunk to disgust a visiting schoolteacher and save his family. Good stuff.  So give up sixtyish minutes for respite, ours will discuss it: flowers for Wyler, service ages for WWII vets, the elusive reality that started the Boomer Generation, and perhaps try a Bogart impersonation or two.  THEME SONG BY: WEIRD A.I.Email: thegoodthepodandtheugly@gmail.comFacebook: https://m.facebook.com/TGTPTUInstagram: https://instagram.com/thegoodthepodandtheugly?igshid=um92md09kjg0Bluesky: @mrkoral.bsky.socialYouTube: https://www.youtube.com/channel/UC6mI2plrgJu-TB95bbJCW-gBuzzsprout: https://thegoodthepodandtheugly.buzzsprout.com/Letterboxd (follow us!):Ken: Ken KoralRyan: Ryan Tobias

This is our third bonus episode and our fifth review of the season! We are covering one of Dad's childhood favorites: Cecil B. DeMille's notorious tale of forbidden love and Roman Empire decadence, The Sign of the Cross. With scandalous scenes such as the Dance of the Naked Moon and an over-the-top extravaganza in the Roman Colosseum (naked women! elephants trampling gladiators! lions mauling Christian traitors!), Sara and Dad discuss whether this movie is a hidden treasure or a guilty pleasure.PLUS, our history timeline includes a perplexing moment where Albert Einstein is...a villain? Books mentioned by Dad:Louvish,  Simon. Cecil B. DeMille and the Golden Calf. Faber & Faber, 2007.Quirk, Lawrence. The Films of Fredric March. Citadel Press, 1971.Boller, Paul. Hollywood Anecdotes. William Morrow & Company, 1987.Please leave us a review wherever you are listening!Email us rants as well as raves: sheacinema@gmail.comYou can also find us on Instagram (and now Twitter/X): @sheacinema

In this episode, we're taking a journey back to the eerie roots of horror cinema by exploring the thrilling world of Pre-Code horror films of the 1930s. Joining us is Leslie, a dedicated podcast host, photographer, and true horror fanatic, ready to share insights into some of the most iconic films that defined this genre before Hollywood's Production Code put restrictions on content. These pre-code films were daring, experimental, and unafraid to push boundaries, introducing audiences to terrifying monsters, dark themes, and twisted characters that would shape horror for generations. We begin by delving into the legendary classic Dracula (1931), where Bela Lugosi's portrayal of the Transylvanian vampire set the standard for cinematic horror. Leslie sheds light on how Dracula brought an air of sophistication and dread to horror, with its haunting atmosphere and Lugosi's unforgettable performance, making it a cultural icon and solidifying the vampire as one of horror's most enduring creatures. Next, we turn to Bride of Frankenstein (1935), James Whale's masterful sequel to the original Frankenstein, which brought a new level of emotion and complexity to the genre. Leslie discusses the film's exploration of loneliness and creation, its stunning visual style, and Elsa Lanchester's portrayal of the iconic Bride, who became a symbol of both beauty and horror. The Bride's brief yet powerful presence left a lasting impact on horror cinema and expanded the scope of what horror characters could represent. We also take a closer look at Dr. Jekyll and Mr. Hyde (1931), with Fredric March's Academy Award-winning performance showcasing the duality of human nature. This adaptation of Robert Louis Stevenson's story was one of the first to depict the terrifying transformation of a man into a monster, both physically and psychologically. Leslie shares thoughts on how the film's groundbreaking special effects and dark exploration of identity and morality pushed the boundaries of horror and captivated audiences with its chilling take on inner darkness. For honorable mentions, we discuss other unforgettable films from the era, such as King Kong (1933), a film that combined adventure with horror, captivating audiences with its impressive visual effects and tragic monster. The Black Cat (1934), starring horror legends Bela Lugosi and Boris Karloff, offered a disturbing tale of revenge and occult themes. The Invisible Man (1933) showcased Claude Rains' brilliant performance as the unseen terror, while Island of Lost Souls (1932) delved into themes of science gone wrong with its haunting depiction of genetic experimentation. In closing, Leslie reflects on how these films from the 1930s laid the groundwork for the horror genre, challenging societal norms and fearlessly exploring themes of the monstrous and the unknown. The legacy of these pre-code films lives on, inspiring countless filmmakers and horror fans today, as we continue to revisit these dark classics that dared to push the limits of cinema in a way that still resonates nearly a century later.

Lux Radio Theatre | The Outsider (Fredric March, Florence Eldridge) | September 20, 1937The Outsider was a 1931 British drama film directed by Harry Lachman and starring Joan Barry, Harold Huth and Norman McKinnel. The screenplay concerns an unorthodox osteopath who cures one of his patients, the daughter of a fellow Doctor. It was made at Elstree Studios and based on the 1923 play of the same title by Dorothy Brandon, previously made into an American silent film in 1926. The film's sets were designed by Wilfred Arnold.Film actor Harold Huth's performance was voted the best in a British film in 1931. The film was remade in 1939 as The Outsider with George Sanders and Mary Maguire in the leading roles.: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr#dramaclassics #oldtimeradio #otr #radiotheater #radioclassics #luxradio #cecilbdemille #gunsmoke #oldtimeradioclassics #classicradio #crimeclassics #duaneotr:::: :

In this episode, I spoke with John DiLeo about his latest book "Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performances" which is out on October 10, 2024.  John DiLeo's Not Even Nominated: 40 Overlooked Costars of Oscar-Winning Performancesputs the focus on some shockingly neglected achievements. James Stewart indeed won an Oscar for The Philadelphia Story (1940) while Cary Grant―every bit as funny as Stewart but in a different way―wasn't even nominated! Fredric March won his second Oscar for The Best Years of Our Lives (1946) while Myrna Loy, the other half of the film's peerless reunion scene, wasn't even nominated! From Charles Farrell in 7th Heaven (1927) to Tom Hanks in Bridge of Spies (2015), DiLeo grapples with why such exceptional performances didn't make the final ballots.Pre-order your copy today!

Return to the House of Franklin-Stein! Cindy and Chris kick off their 11th annual Halloween season series with the Oscar-winning 1931 classic, Dr. Jekyll and Mr. Hyde starring Fredric March as the man and the monster within! From the comic crypt comes Wonder Woman #153 (April 1965) where the Duke of Deception steals Wonder Girl's face, and replaces it with a monstrous Jekyll/Hyde version! It's as crazy as it sounds! Subscribe via iTunes. Or Spotify.. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: Dr. Jekyll and Mr. Hyde (1931) directed by Rouben Mamoulian Wonder Woman TV series theme by Charles Fox “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank https://www.facebook.com/rockSCMF

This Saturday's "Saturday Matinee" on Vintage Classic Radio begins with the beloved "Ozzie and Harriet" radio show in an episode titled "Ozzie is in a Rut," which first aired on November 7th, 1948. In this episode, the ever-relatable Ozzie Nelson finds himself feeling stuck in the monotony of his daily routine, prompting his wife Harriet and their sons David and Ricky to come up with various humorous schemes to help him break out of his dull patterns. The episode features the talents of Ozzie Nelson as Ozzie, Harriet Hilliard as Harriet, David Nelson as David, and Ricky Nelson as Ricky, with the usual charming family dynamics and witty exchanges. Following "Ozzie and Harriet," we transition to the "Theatre Guild On The Air" for a production of "No Time for Comedy," which was originally broadcast on March 9th, 1947. This engaging play captures the story of a comedic playwright who faces a crisis of conscience about his career, wondering whether he should continue writing comedies or switch to more serious, socially impactful plays. His dilemma is complicated by his relationships with his wife, his muse, and his producer, leading to a series of comedic yet thought-provoking interactions. The cast includes notable performers such as Fredric March, Florence Eldridge, and Burgess Meredith, who bring depth and humor to this reflective tale. The session concludes with the musical delight of the "Guard Sessions," a program sponsored by the U.S. National Guard. Featuring the incomparable Nat King Cole and the George Shearing Quartet, the episode is a mix of mesmerizing performances and light-hearted conversations. Host Martin Block guides listeners through the session, which not only showcases classic tunes but also includes discussions with the musicians about their current projects and upcoming albums. The combination of Nat King Cole's smooth vocals and George Shearing's innovative jazz compositions creates a memorable musical experience that encapsulates the era's vibrant culture. This episode of "Saturday Matinee" offers a delightful blend of comedy, drama, and music, capturing the essence of vintage entertainment through classic radio shows and timeless musical performances.

EPISODE 49 - “Birthday Tribute to Classic Cinema Star Ann Blyth ” - 08/19/2024 ** This episode is sponsored brought to you by BetterHelp. Give online therapy a try at betterhelp.com/BENEATH and get on your way to being your best self.” ** With her crystal clear soprano voice, porcelain doll face, and fierce acting talent, ANN BLYTH became a much in-demand star in the 1940s and 1950s. While known mostly as a romantic musical comedy star in film such as “Mr. Peabody and the Mermaid” (1948), “Rose Marie” (1954), and “Kismet” (1955), she was also a deft dramatic actress when given the chance. Who can forget her as Veda, he daughter who made JOAN CRAWFORD's life a living hell, in “Mildred Pierce” (1945), or as the down-trodden alcoholic singer in “The Helen Morgan Story” (1957)? Blyth turns 96 on August 13th and is truly a living legend. Listen this week as we pay tribute with an episode about Ann Blyth's remarkable life and career. SHOW NOTES:  Sources: Ann Blyth: Singer, Actress, Star (2018), by Jacqueline T. Lynch; “Ann Blyth: Official Biography,” July 1956, Paramount Pictures; “Film Actress Breaks Back in Accident,” March 10, 1945, LA Examiner; “Actress Ready to Work After Skiing Accident,” January 18, 1946, LA Examiner; “Ann Blyth's Mother Dies,' July 23, 1946, Los Angeles Times; “Bright Future Visioned For Youthful Ann Blyth,” September 10, 1949, by Hedda Hopper, Los Angeles Times; “Angelic Annie,” September 27, 1952, by Richard G. Hubler, Collier's Magazine; “The Blyth Spirit,” October 12, 1952, by William Brownell, New York Times; “Ann Blyth: Bride of the Year,” June 1953, Photoplay Magazine; “A Blyth Spirit From An Earlier Error,” February 28, 1985, by Jack Hawn, Los Angeles Times; “She's Still Singing Just As Beautifully,” March 19, 1989, by Mitchell Smyth, Toronto Daily Star; “Looking Back: Ann Blyth” June 5, 1990, by Ann Blyth, The Hollywood Reporter; “Playing Thier Songs,” October 14,1994, by Libby Slate, Los Angeles Times; “Little Bit of This, Little Bit of That,” September 29, 1997, by Candace A. Wedlan, Los Angeles Times;  “Not Like Veda,” August 12, 2013, by Susan King, Los Angeles Times; TCM.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Chip Off The Old Block (1944), starring Donald O'Connor, and Peggy Ryan; Babes On Swing Street (1944), starring Peggy Ryan; Mildred Pierce (1945), starring Joan Crawford, Ann Blyth, Zachary Scott, Jack Carson, and Eve Arden; Swell Guy (1946), starring Sonny Tufts; Brute Force (1947), starring Burt Lancaster, Yvonne DeCarlo, and Ella Raines; Killer McCoy (1947), starring Mickey Rooney; A Woman's Vengeance (1948) starring Charles Boyer; Another Part of The Forest (1948), starring Fredric March, Florence Eldridge, Edmond O'Brien, and Dan Duryea; Mr. Peabody and the Mermaid (1948), starring William Powell and Irene Hervey; Top O' The Morning (1949), starring Bing Crosby and Barry Fitzgerald; Once More My Darling (1949), starring Robert Montgomery; Free For All (1949), starring Robert Cummings: Our Very Own (1950), starring Farley Granger; Katy Did It (1951), starring Mark Stevens; The Great Caruso (1951), starring Mario Lanza; Thunder On the Hill (1951), starring Claudette Colbert; All The Brother's Were Valiant (1953), starring Robert Taylor, Stewart Granger;  Rosie Marie (1954), starring Ann Blyth; The Student Prince (1954), starring Mario Lanza; Kismet (1955), starring Howard Keel; Slander (1957), starring Van Johnson and Steve Cochran; The Buster Keaton Story (1957), starring Donald O'Connor; The Helen Morgan Story (1957), starring Paul Newman; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Front Row Classics is paying tribute to the amazing Carole Lombard with one of her most hilarious comedies. Brandon is joined by film historian, Olympia Kiriakou to discuss 1937's Nothing Sacred.  Olympia is the author of Becoming Carole Lombard: Stardom, Comedy, and Legacy , the only scholarly study about Lombard's evolving star persona and career. Brandon and Olympia discuss Lombard's effervescent performance and chemistry with co-star Fredric March. We also discuss how modern the film still feels almost 90 years later.

Lux Radio Theatre || Under Two Flags (Herbert Marshall, Olivia de Havilland) || The Plainsman (Fredric March, Joan Fontaine) | May 24, 1937; May 31, 1937: : : : :My other podcast channels include: MYSTERY x SUSPENSE -- SCI FI x HORROR -- COMEDY x FUNNY HA HA -- VARIETY X ARMED FORCES -- THE COMPLETE ORSON WELLESSubscribing is free and you'll receive new post notifications. Also, if you have a moment, please give a 4-5 star rating and/or write a 1-2 sentence positive review on your preferred service -- that would help me a lot.Thank you for your support.https://otr.duane.media | Instagram @duane.otr

Front Row Classics welcomes Ryan Bijan this week. Ryan is founder and host of Cowtown Movie Classics which curates classic films for movie goers in Fort Worth, TX. Brandon and Ryan are discussing Cecil B DeMille's 1932 pre-code epic film, The Sign of the Cross. The film, starring Fredric March, Claudette Colbert and Charles Laughton, perfectly illustrates DeMille's penchant for storytelling and grandeur. The film also features several scenes that wouldn't have gotten past the Hays Code only a couple years later.

Sign of the Cross Front Row Classics welcomes Ryan Bijan this week. Ryan is founder and host of Cowtown Movie Classics which curates classic films for movie goers in Fort Worth, TX. Brandon and Ryan are discussing Cecil B DeMille’s 1932 pre-code epic film, The Sign of the Cross. The film, starring Fredric March, Claudette … Continue reading Ep. 221-The Sign of the Cross →

In recent years Wisconsin native Fredric March has been criticized for his participation in a questionable student organization at the University of Wisconsin. But in addition to being a brilliant […]

February 18th of this year would have been Lee Marvin's 100th birthday.ROGER EBERT'S 1973 REVIEW OF "THE ICEMAN COMETH""There isn't a bad performance in the film, but there are three of such greatness they mesmerize us. The best is by the late Robert Ryan, as Larry, and this is possibly the finest performance of his career. There is such wisdom and sadness in his eyes, and such pain in his rejection of the boy Don (who may possibly be his own son), that he makes the role almost tender despite the language O'Neill gives him. It would be a tribute to a distinguished career if Ryan were nominated posthumously for an Academy Award.Lee Marviv, as Hickey, has a more virtuoso role: He plays a salesman who has been coming to Harry's saloon for many years to have a "periodical drunk." This time he's on the wagon, he says, because he's found peace. We discover his horrible peace when he confesses to the murder. Marvin has recently been playing in violent action movies that require mostly that he look mean; here he is a tortured madman hidden beneath a true believer.I also liked old Fredric March as Harry Hope. He's a pathetic pixie who tolerates his customers for the security they give him. To be the proprietor of a place like this is, at least, better than being a customer. But not much better. And so for four hours we live in these two rooms and discover the secrets of these people, and at the end we have gone deeper, seen more, and will remember more, than with most of the other movies of our life."

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Episode 35 - Actor Fredric March's THE ICEMAN COMETH w/returning guest Jill Blake. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Episode 35 - Actor Fredric March's THE ICEMAN COMETH w/returning guest Jill Blake. Have a question or comment? Looking for more great content? E-MAIL: firewaterpodcast@comcast.net Follow FADE OUT on Twitter: @FadeOutPod Theme by Luke Daab: https://www.daabcreative.com You can find FADE OUT on these podcast platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/fade-out/id1536486950 Amazon Music Spotify Stitcher This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Thanks for listening!

Theater Guild on the Air "No Time for Comedy" March 9, 1947 ABC starring Fredric March

What would you do if you knew your spouse was a wanted criminal? To make matters worse, she was a fire starter and you were an insurance investigator? That's the dilemma of the protagonist in this story by the popular mystery writer we are featuring all this month on the podcast, Cornell Woolrich. We are pleased to be joined once again by radio researcher Dr. Joe Webb to discuss today's story from 1949, which stars Fredric March. Joe Webb's Blog Post: https://suspenseproject.blogspot.com/2023/03/1943-12-09-night-reveals.html   https://suspenseproject.blogspot.com/2023/07/1946-04-18-night-reveals.html   Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 If you don't do Facebook, we're also on Gab: https://gab.com/OldRadio  Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

Guest Mary Beth and Wendy talk about the classic film I Married a Witch, a cute comedy starring Fredric March and Veronica Lake. Find out about the "pranks" Veronica Lake played on Fredric March and why this film was before its time with certain cutting edge effects. So much great info - check out this episode! Don't forget to follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for cute outtakes and snippets of upcoming episodes. And don't forget to give us your feedback on the episode and let us know what films you'd like us to review! Speaking of reviews, we'd love if you could leave one on ITunes or any podcast sites that allows reviews! And if checking us out on Spotify - please fill out the poll for the episode! #podcasters #classicfilm #IMarriedAWitch

This week's Monster Mondays looks at a 1931 classic monster movie that is NOT from Universal. Join Geoff Arbuckle as he discusses Paramount's Academy Award-winning Dr. Jekyll and Mr. Hyde starring Fredric March. Find new episodes of the Film Seizure Podcast every Wednesday and a new Monster Mondays each Monday at www.filmseizure.com Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

EPISODE 27 - “Dona Drake: What Price Fame” - 03/18/2024 Latina star DONA DRAKE, who signed a contract with Paramount Pictures in 1941, was many things — singer, dancer, actress, bandleader, musician — but one thing she wasn't, as it turned out, was Latin! While Paramount promoted their new discovery as a spitfire Latina born in Mexico City, Drake was, in fact, an African-American woman from Florida who pretended to be Latin, going so far as to learn Spanish fluently, in order to have a better chance at a Hollywood career. Listen to this fascinating story of one woman who went undercover just so she wouldn't have to play the maid.  SHOW NOTES:  Sources: Biography of Dona Drake (Paramount Contact Player), September 1942, Paramount Studios; “Dona Drake Tells Marriage,” September 9, 1944, by Hedda Hopper, The Los Angeles Times; “Daughter Born to Dona Drake,” August 8, 1951, The Hollywood Citizen-News; www.swingcityradio,com; www.glamourgirlsofthesilverscreen.com; IMDBPro.com; Wikipedia.com; Movies Mentioned:  Strike Me Pink (1936), starring Eddie Cantor, Ethel Merman, Sally Eilers, and William Frawley; Aloma Of The South Seas (1941), starring Dorothy Lamour, Jon Hall; Louisiana Purchase (1941), starring Bob Hope, Vera Zorina, and Victor Moore; Road to Morocco (1942), starring Bob Hope, Bing Crosby, and Dorothy Lamour; Star Spangled Rhythm (1942), starring Bob Hope, Bing Crosby, Dorothy Lamour, Fred MacMurray, Paulette Goddard, Dick Powell, Eddie Bracken, Alan Ladd, Mary Martin, Betty Hutton, Marjorie Reynolds, and Veronica Lake; Salute For Three (1943), starring Macdonald Carey and Betty Jane Rhodes; Let's Face It (1943), staring Bob Hope, Betty Hutton, and Eve Arden;  Hot Rhythm (1944), starring Robert Lowery, Tim Ryan, and Irene Ryan; Without Reservations (1946), starring John Wayne, Claudette Colbert, and Don DeFoe; Dangerous Millions (1946), starring Kent Taylor; Another Part of The Forest (1948), starring Fredric March, Dan Duryea, Edmond O'Brien, Ann Blyth, Florence Eldridge, John Dall, and Betsy Blair; So This Is New York (1948), starring Henry Morgan, Rudy Vallee, and Virginia Grey; Beyond The Forest (1949), starring Bette Davis, Joseph Cotten, David Brian, Ruth Roman; The Girl From Jones Beach (1949), starring Virginia Mayo, Ronald Reagan, and Eddie Bracken; Kansas City Confidential (1952), starring John Payne, Colleen Gray, and Preston Foster; The Bandits of Corsica (1953), starring Richard Greene, Paula Raymond, Raymond Burr; Son Of Belle Star (1953), starring Keith Larsen, Peggie Castle, and Regis Toomey; Down Laredo Way (1953) starring Rex Allen and Slim Pickens; Princess of the Nile (1954), starring Debra Paget, Jeffrey Hunter, and Michael Rennie; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

EPISODE 25 - “Paul Douglas: Star of the Month” - 03/04/2024 In a new feature, we are highlighting a “Star of the Month” where we will dive into the life, career, and legacy of a single performer. To kick things off in this episode, we'll be discussing the great PAUL DOUGLAS. You may not know his name, but you certainly know his face. With his somewhat craggy mug that usually sported a hang-dog look, he made a career at playing gruff, tough guys who were usually softies underneath, as he does so perfectly as LINDA DARNELL's rough-around-the-edges businessman husband in “A Letter To Three Wives” (1949). So listen in and learn about this most excellent actor.  SHOW NOTES:  Sources: The Encyclopedia of Film Actors (2003), by Barry Monush; The Illustrated Who's Who of the Cinema (1983), by Ann Lloyd and Graham Fuller; Quinlan's Illustrated Registry of Film Stars (1986), by David Quinlan; “Paul Douglas, 52, Film Star, Dead,” September 12, 1959, The New York Times; IMDBPro.com; Wikipedia.com; Movies Mentioned:  A Letter to Three Wives (1949), starring Jeanne Crain, Ann Southern, Linda Darnell, Kirk Douglas, Paul Douglas, Jeffrey Lynn, Thelma Ritter, Connie Gilchrist; Born Yesterday (1950), starring Judy Holiday, Broderick Crawford, and William Holden; Adam's Rib (1949), starring Katharine Hepburn, Spencer Tracy, Judy Holiday, Jape Emerson, David Wayne, Jean Hagen, Tom Ewell; It Happens Every Spring (1949), starring Paul Douglas, Jean Peters, and Ray Milland; Everybody Does It (1949), starring Paul Douglas, Linda Darnell, Charles Coburn, Celeste Holm; The Big Lift (1950), starring Paul Douglas, Montgomery Clift, Cornell Borchers; Panic In The Streets (1950), starring Paul Douglas, Richard Widmark, Barbara Bel Geddes; Fourteen Hours (1951), starring Paul Douglas, Richard Basehart, Barbara Bel Geddes, Agnes Moorhead, Robert Keith, Grace Kelly, Debra Paget, Jeffrey Hunter; Angels In The Outfield (1951), starring Paul Douglas, Janet Leigh, and Keenan Wynn;  We're Not Married (1952), starring Ginger Rogers, Fred Allen, Paul Douglas, Marilyn Monroe, Eve Arden, Victor Moore, Eddie Bracken, Mitzi Gaynor, David Wayne, Louis Calhern, Zsa Zsa Gabor, James Gleason, Paul Stewart, Jane Darwell; Green Ice (1954), staring Stewart Granger, Grace Kelly, Paul Douglas, John Ericsson; Clash By Night (1952), starring Barbara Stanwyck, Robert Ryan, Paul Douglas, Marilyn Monroe, Keith Andes, J. Carroll, Naish; Executive Suite (1954), starring William Holden, June Allyson, Barbara Stanwyck, Paul Douglas, Fredric March, Walter Pidgeon, Shelley Winters, Louis Calhern, Nina Foch, Dean Jagger; The Solid Gold Cadillac (1956), starring Judy Holiday, Paul Douglas, Fred Clark, Neva Patterson, Arthur O'Connell; The Mating Game (1959), Debbie Reynolds, Tony Randall, Paul Douglas, Fred Clark, Una Merkel, Philip Ober, Charles Lane; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we have “Soldiers in Greasepaint,” a salute to the USO that aired over NBC on November 25, 1943. It stars some of the top entertainers of the day, including Bob Hope, Jack Benny, Fredric March and Al Jolson. Be sure to visit our website at BrickPickleMedia.com/podcasts for past episodes and more or find us on Facebook at facebook.com/ww2radio.

Welcome to this week's "Saturday Matinee" on Vintage Classic Radio, where we celebrate Thanksgiving radio shows. Thanksgiving is just around the corner, folks! First up is "The Jack Benny Show" in the hilarious episode "Jack Cooked the Turkey," originally broadcast on November 28, 1937. In this Thanksgiving special, Jack Benny, played by Jack Benny himself, decides to cook the turkey for his friends, leading to a series of comedic mishaps and laughter. The episode features Mary Livingstone as herself, adding her witty banter; Eddie 'Rochester' Anderson as Rochester Van Jones, who skeptically observes Jack's cooking antics; Don Wilson as the announcer, adding his booming voice to the mix; and Phil Harris as himself, bringing his musical charm. The episode is a delightful mix of humor, friendship, and Thanksgiving spirit. Next, we bring you the laughter and antics of the "Laurel and Hardy" radio show in their episode "Circus Music." In this episode, the iconic duo, played by Stan Laurel and Oliver Hardy, find themselves accidentally enlisted in a circus band. Their lack of musical talent leads to a series of uproarious events, turning the circus upside down. This episode is a testament to Laurel and Hardy's timeless comedy, filled with slapstick humor and their famous comedic timing. Finally, we dive into the dramatic world of the "Screen Guild Theater" with the radio play adaptation of "The Best Years of Our Lives." This poignant drama, originally a successful film, is brought to life on the radio with a stellar cast, including Myrna Loy, Fredric March, Dana Andrews, and Teresa Wright. It tells the story of three World War II veterans adjusting to civilian life and the challenges they face, offering a touching and insightful portrayal of post-war America. Join us on Vintage Classic Radio this weekend for a journey back in time with these three exceptional shows. Relive the golden age of radio with "The Jack Benny Show", "Laurel and Hardy" and "The Best Years of Our Lives" as we celebrate the season of gratitude and joy with classic entertainment. Tune in, relax, and enjoy the nostalgia of some of radio's finest hours.

This week we have a look at the 1942 film I MARRIED A WITCH. This is Episode #418! I Married a Witch is a 1942 American supernatural romantic comedy film, directed by René Clair, and starring Veronica Lake as a witch whose plan for revenge goes comically awry, with Fredric March as her foil. The film also features Robert Benchley, Susan Hayward and Cecil Kellaway. The screenplay by Robert Pirosh and Marc Connelly and uncredited other writers, including Dalton Trumbo, is based on the 1941 novel The Passionate Witch by Thorne Smith, who died before he could finish it; it was completed by Norman H. Matson.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4268760/advertisement

Deborah Levin is Having the Time of her Life Deborah Levin appeared three times on "Star Trek: Voyager" as Ensign Lang in the episodes "Blood Fever," Displaced," and "Year of Hell," but her career has some other fun Star Trek connections throughout it. Deborah explains how she found her way into acting and Hollywood, her longtime friendship with Harlan Ellison, a heartwarming story about her hilarious time on "Married with Children," becoming a bad guy in "How To Get Away with Murder," working with William Shatner on his sitcom "S**t My Dad Says," and a whole lot of nerdy chat about classic movies with Jimmy Cagney, Humphrey Bogart, Fredric March, and other actors from the Golden Age of Cinema. Plus, what it was like being the only ensign on a Starfleet bridge defending it from attackers, working with Robert Beltran, more stories from VOY, and if there were more plans for Ensign Lang after these three episodes.  NOTE: This interview was conducted before the SAG-AFTRA Strike of 2023. No performers were interviewed during the strike unless they were discussing the strike itself. Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There, you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. 

Deborah Levin appeared three times on "Star Trek: Voyager" as Ensign Lang in the episodes "Blood Fever," Displaced," and "Year of Hell," but her career has some other fun Star Trek connections throughout it. Deborah explains how she found her way into acting and Hollywood, her longtime friendship with Harlan Ellison, a heartwarming story about her hilarious time on "Married with Children," becoming a bad guy in "How To Get Away with Murder," working with William Shatner on his sitcom "S**t My Dad Says," and a whole lot of nerdy chat about classic movies with Jimmy Cagney, Humphrey Bogart, Fredric March, and other actors from the Golden Age of Cinema. Plus, what it was like being the only ensign on a Starfleet bridge defending it from attackers, working with Robert Beltran, more stories from VOY, and if there were more plans for Ensign Lang after these three episodes.  NOTE: This interview was conducted before the SAG-AFTRA Strike of 2023. No performers were interviewed during the strike unless they were discussing the strike itself. Please subscribe to our YouTube channel: www.youtube.com/@trekuntold . It includes video archives of all of our episodes in video format, as well as shorts and more exclusive content. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

Join hosts Nathan and Ryan as they journey back in time to the early days of cinematic horror with "Dr. Jekyll and Mr. Hyde" (1931). Directed by Rouben Mamoulian, this iconic film adaptation brings to life the classic tale of a scientist, Dr. Jekyll, whose experiments lead to a terrifying transformation into the monstrous Mr. Hyde. Explore the groundbreaking special effects, Fredric March's Oscar-winning performance, and the film's exploration of the duality of human nature. Learn how this film left an indelible mark on the horror genre and continues to be celebrated for its timeless themes. Get ready for a chilling discussion as we delve into the dual nature of horror in "Dr. Jekyll and Mr. Hyde."

On this episode of GEORGE KENNEDY IS MY CO-PILOT our merry trio is diving into the fiery drama TICK, TICK, TICK from 1970 starring Jim Brown, Fredric March, Clifton James and - of course - George Kennedy! Brown stars as the newly elected Sheriff of a very, very racist southern county, while Kennedy is the now ex-Sheriff who is semi-committed to keeping him alive. Spoiler: it's not easy! Before that we discuss another George Kennedy commercial (for California-based tech company TOTLCOM), and try our darndest to make it interesting (did we succeed? listen and find out!) The post Episode 189 – George Kennedy is My Copilot – Tick, Tick, Tick (1970) first appeared on Cinema Smorgasbord.

RMR 0228: Special Guest, John Cornelison, from the Classic Film Review Podcast joins your hosts Lizzy Haynes and Dustin Melbardis for the Retro Movie Roundtable as they revisit Inherit the Wind (1960) [PG-13] Genre: Biography, Drama, History Starring: Spencer Tracy, Fredric March, Gene Kelly, Dick York, Donna Anderson, Harry Morgan, Claude Akins, Elliott Reid, Paul Hartman, Philip Coolidge, Jimmy Boyd, Noah Beery Jr., Norman Fell, Gordon Polk, Hope Summers, Ray Teal, Renee Godfrey, Florence Eldridge   Director: Stanley Kramer Recorded on 2023-08-09

Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“Nobody's job is safe with all these servicemen crowding in.”Struggles of All Types for Post-War VeteransThe end of World War II brought a wave of veterans back to American society and an array of challenges as they tried to reintegrate and reconnect with family, friends, jobs and a society that struggled to fully understand their war experience. William Wyler's 1946 multiple Oscar winner “The Best Years of Our Lives” tackles this subject with grace, nuance and warmth through the stories of three veterans returning to the fictional town of Boone City. Join us – Pete Wright and Andy Nelson – for an in-depth conversation about this magnificent film that details the post-war life of a trio of servicemen - each a different rank and from varied socioeconomic backgrounds - as they try to reestablish their lives and rediscover purpose with loved ones as we continue our 1947 Academy Award Best Writing Screenplay nominee series with a look at Wyler's 1946 classic The Best Years of Our Lives.Here's a hint at what we talk about:The film begins with our three protagonists – Fred, Al and Homer – meeting by chance on a flight home, immediately establishing the camaraderie and connection that comes from shared experience. However, their stories quickly diverge as each tries to reintegrate into society and reconnect with jobs, family and partners with varying degrees of success.Fred was a captain and bomber pilot but now finds himself unable to get a job despite his officer status. Al is a married sergeant and banker struggling with alcoholism and a family dynamic that shifted in his absence. Homer, who lost his hands in combat, worries that his girl won't still love him with prosthetic hooks.The performances are extraordinary, led by Best Actor winner Fredric March along with Dana Andrews and real veteran and double Oscar winner Harold Russell in his film debut. The women – Myrna Loy, Teresa Wright, Cathy O'Donnell, and Virginia Mayo – each play their roles with nuance, rounding out the principal cast.Beyond the acting, William Wyler's direction is exquisite, with cinematographer Gregg Toland delivering long, deep focus shots that enhance storytelling and emotion. It's a searing, humanistic look at the complexities of war's aftermath and the resilience of the human spirit.We unpack this layered, resonant story and Wyler's masterful direction. It remains painfully relevant today and delivers a complex, poignant punch. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Watch Diary of a Sergeant featuring Harold Russell Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • The Best Years of Our Lives (01:55) - Initial Thoughts (04:59) - Harold Russell (10:09) - Homer's Story (18:16) - Al's Story (32:11) - Fred's Story (37:48) - Hoagy Carmichael (38:28) - The Women (46:30) - Gregg Toland's Cinematography (51:53) - Airplane Graveyard (55:03) - The Title (58:40) - William Wyler (59:30) - Getting It Made (01:02:23) - Credits (01:04:09) - Other Adaptations (01:05:16) - Awards (01:08:23) - The Box Office (01:10:05) - Last Thoughts (01:10:32) - Coming Next Week • Brief Encounter (01:12:51) - Letterboxd (01:14:35) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.

Visit our WATCH PAGE to rent or purchase movies we've talked about on the show. By doing so, you get to watch the movie and help us out in the process as a portion comes back our way. All of the movies from our current season are in there, and we're continuing to add more from our back catalog. Enjoy!Want to upgrade your Letterboxd account? Use our promo code to get a discount and help us out in the process!“Nobody's job is safe with all these servicemen crowding in.”Struggles of All Types for Post-War VeteransThe end of World War II brought a wave of veterans back to American society and an array of challenges as they tried to reintegrate and reconnect with family, friends, jobs and a society that struggled to fully understand their war experience. William Wyler's 1946 multiple Oscar winner “The Best Years of Our Lives” tackles this subject with grace, nuance and warmth through the stories of three veterans returning to the fictional town of Boone City. Join us – Pete Wright and Andy Nelson – for an in-depth conversation about this magnificent film that details the post-war life of a trio of servicemen - each a different rank and from varied socioeconomic backgrounds - as they try to reestablish their lives and rediscover purpose with loved ones as we continue our 1947 Academy Award Best Writing Screenplay nominee series with a look at Wyler's 1946 classic The Best Years of Our Lives.Here's a hint at what we talk about:The film begins with our three protagonists – Fred, Al and Homer – meeting by chance on a flight home, immediately establishing the camaraderie and connection that comes from shared experience. However, their stories quickly diverge as each tries to reintegrate into society and reconnect with jobs, family and partners with varying degrees of success.Fred was a captain and bomber pilot but now finds himself unable to get a job despite his officer status. Al is a married sergeant and banker struggling with alcoholism and a family dynamic that shifted in his absence. Homer, who lost his hands in combat, worries that his girl won't still love him with prosthetic hooks.The performances are extraordinary, led by Best Actor winner Fredric March along with Dana Andrews and real veteran and double Oscar winner Harold Russell in his film debut. The women – Myrna Loy, Teresa Wright, Cathy O'Donnell, and Virginia Mayo – each play their roles with nuance, rounding out the principal cast.Beyond the acting, William Wyler's direction is exquisite, with cinematographer Gregg Toland delivering long, deep focus shots that enhance storytelling and emotion. It's a searing, humanistic look at the complexities of war's aftermath and the resilience of the human spirit.We unpack this layered, resonant story and Wyler's masterful direction. It remains painfully relevant today and delivers a complex, poignant punch. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!Join the conversation with movie lovers from around the world on The Next Reel's Discord channel!Film SundriesLearn more about supporting The Next Reel Film Podcast through your own membership. Watch this on Apple or Amazon, or find other places at JustWatch Watch Diary of a Sergeant featuring Harold Russell Script Options Theatrical trailer Poster artwork Flickchart Letterboxd (00:00) - Welcome to The Next Reel • The Best Years of Our Lives (01:55) - Initial Thoughts (04:59) - Harold Russell (10:09) - Homer's Story (18:16) - Al's Story (32:11) - Fred's Story (37:48) - Hoagy Carmichael (38:28) - The Women (46:30) - Gregg Toland's Cinematography (51:53) - Airplane Graveyard (55:03) - The Title (58:40) - William Wyler (59:30) - Getting It Made (01:02:23) - Credits (01:04:09) - Other Adaptations (01:05:16) - Awards (01:08:23) - The Box Office (01:10:05) - Last Thoughts (01:10:32) - Coming Next Week • Brief Encounter (01:12:51) - Letterboxd (01:14:35) - Wrap Up Learn more about the WGA strike here. Learn more about the SAG-AFTRA strike here.

Book Vs. Movie: The Best Years of Our Lives The MacKinlay Kantor Novel Vs. the 1946 Classic FilmThe Margos continue their journey through post-WW2 America with one of the most celebrated movies of the 20th Century--The Best Years of Our Lives. The film was based on the novel Glory for Me by MacKinlay Kantor, who wrote the story of wounded GIs dealing with trauma in blank verse form. He started as a war correspondent in London and flew in some bombing missions. Glory for Me was an unglamorous look at what war makes people do to survive the experience and struggle to live a “normal” life afterward. He based his characters on real soldiers he had met while on his assignments and was passionate about telling the truth. Kantor eventually won the Pulitzer Prize in 1956 for Andersonville, a Confederate prisoner-of-war camp. He was unhappy with director William Wyler's take on his work which he felt was sanitized and disrespected actual war veterans. Wyler had flown in combat missions over Europe on the Memphis Belle and had his ideas on how to tell the story he set in fictional Boone City. He hired top actors Dana Andrews, Myrna Loy, Teresa Wright, and WW2 veteran Harold Russell, who suffered a debilitating injury while serving in WW2. The movie would go on to win a slew of Academy Awards (including two for Russell!) and is considered a classic. So between the book and movie--which did the Margos like better? In this ep the Margos discuss:The backstory of MacKinlay KantorLiterature surrounding WW2The legacy of the movieThe cast of the 1946 film: Myrna Loy (Milly Stephenson,) Frederic March (Al Stephenson,) Dana Andrews (Fred Derry,) Teresa Wright (Peggy Stephenson,) Virginia Mayo (Marie Derry,) Hoagy Carmichael (Butch Engle,) Harold Russell (Homer Parrish,) Cathy O'Donnell (Wilma Cameron,) Roman Bohne (Pat Derry) Marlene Aames (Luella Parrish,) and Gladys George as Hortense Derry.Clips used:Fred leaves (opening clip)The Best Years of Our Lives original trailerHomer comes homeVirginia Mayo as Marie DerryHoagy Carmichael as Uncle Butch“And for what?”The BIG wedding sceneMusic: Hugo FriedhoferBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comPlease email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

Book Vs. Movie: The Best Years of Our Lives The MacKinlay Kantor Novel Vs. the 1946 Classic FilmThe Margos continue their journey through post-WW2 America with one of the most celebrated movies of the 20th Century--The Best Years of Our Lives. The film was based on the novel Glory for Me by MacKinlay Kantor, who wrote the story of wounded GIs dealing with trauma in blank verse form. He started as a war correspondent in London and flew in some bombing missions. Glory for Me was an unglamorous look at what war makes people do to survive the experience and struggle to live a “normal” life afterward. He based his characters on real soldiers he had met while on his assignments and was passionate about telling the truth. Kantor eventually won the Pulitzer Prize in 1956 for Andersonville, a Confederate prisoner-of-war camp. He was unhappy with director William Wyler's take on his work which he felt was sanitized and disrespected actual war veterans. Wyler had flown in combat missions over Europe on the Memphis Belle and had his ideas on how to tell the story he set in fictional Boone City. He hired top actors Dana Andrews, Myrna Loy, Teresa Wright, and WW2 veteran Harold Russell, who suffered a debilitating injury while serving in WW2. The movie would go on to win a slew of Academy Awards (including two for Russell!) and is considered a classic. So between the book and movie--which did the Margos like better? In this ep the Margos discuss:The backstory of MacKinlay KantorLiterature surrounding WW2The legacy of the movieThe cast of the 1946 film: Myrna Loy (Milly Stephenson,) Frederic March (Al Stephenson,) Dana Andrews (Fred Derry,) Teresa Wright (Peggy Stephenson,) Virginia Mayo (Marie Derry,) Hoagy Carmichael (Butch Engle,) Harold Russell (Homer Parrish,) Cathy O'Donnell (Wilma Cameron,) Roman Bohne (Pat Derry) Marlene Aames (Luella Parrish,) and Gladys George as Hortense Derry.Clips used:Fred leaves (opening clip)The Best Years of Our Lives original trailerHomer comes homeVirginia Mayo as Marie DerryHoagy Carmichael as Uncle Butch“And for what?”The BIG wedding sceneMusic: Hugo FriedhoferBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/Twitter @bookversusmovie www.bookversusmovie.comPlease email us at bookversusmoviepodcast@gmail.com Margo D. @BrooklynMargo www.brooklynfitchick.com brooklynfitchick@gmail.comMargo P. @ShesNachoMama https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine

"The Desperate Hours," a 1955 film directed by William Wyler, the Hilliard family is taken hostage by three escaped convicts, led by the ruthless and dangerous Humphrey Bogart. As the family struggles to survive and escape, tensions rise and relationships are tested, exploring themes of family, survival, and morality. With an outstanding cast, including Fredric March, Martha Scott, and Arthur Kennedy. With Anthony Arkin and Matthew Arkin. arkinbros.com Producers: Alexis Rosinsky and Sofia Rosinsky, https://stellalunafilms.com, Instagram: Stellalunafilms Elia Baitel: YouTube: https://www.youtube.com/@ElixirTV Instagram: Elixirhere

A Star is Born (1937). Directed by William A. Wellman. Starring Janet Gaynor and Fredric March. Born to Kill (1947). Directed by Robert Wise. Starring Lawrence Tierney and Claire Trevor. Born on the Fourth of July (1989). Directed by Oliver Stone. Starring Tom Cruise.   Please review us over on Apple Podcasts. Got comments or suggestions for new episodes? Email: sddpod@gmail.com. Seek us out via Twitter and Instagram @ sddfilmpodcast Support our Patreon for $3 a month and get access to our exclusive show, Sudden Double Deep Cuts where we talk about our favourite movie soundtracks, scores and theme songs. We also have t-shirts available via our TeePublic store!

For this bonus episode, we're celebrating "Noirvember" with five tales from crime fiction master Cornell Woolrich. His stories inspired movies like Rear Window and Phantom Lady and dozens of old time radio shows. First, Nancy Kelly is out to save her husband from a date with the executioner in "Eve" (an AFRS rebroadcast from October 19, 1944). Then, Lee Bowman stars in the search for a missing woman in "I Won't Take a Minute" (originally aired on CBS on December 6, 1945) and Robert Young hunts for his missing wife in "You'll Never See Me Again" (originally aired on CBS on September 5, 1946). Finally, Henry DeSilva and Jack Webb play cop and criminal in "You Take Ballistics" (originally aired on CBS on March 13, 1947) and Fredric March is an arson investigator whose latest case strikes close to home in "The Night Reveals" (originally aired on CBS on May 26, 1949).

Join Jim and special guest David Ullman as they take a deep dive into this pre-code classic from Warner Brothers! This movie packs a major punch, still even today and absolutely pushes the limits with violence and sex. Made the same year as Dracula, this movie earned Fredric March an Academy Award for best actor. So grab your favorite elixir, and listen to the show as you stare into the mirror to watch yourself transform into a hideous alter ego! 

Warner Bros executive George Feltenstein is joined by horror expert and filmmaker Constantine Nasr to discuss the October 2022 Blu-ray releases from the Warner Archive.  We kick off the discussion with a revisit of the 1957 Hammer Horror classic  THE CURSE OF FRANKENSTEIN" starring Peter Cushing, Christopher Lee, and directed by Terence Fisher.  Constantine Nasr reviews the extras he produced for this release during the height of COVID and George explains the reason for the 2-disc Special Edition.Next, we discuss the restoration of the 1935 horror classic "Mark of the Vampire" starring Lionel Barrymore, Lionel Atwill, Bela Lugosi as the Vampire, and directed by Tod Browning.  This film has been described as a remake of Brownings lost 1927 silent film "London After Midnight."  And finally, we discuss the restoration and historical importance of the pre-code horror classic "Dr. Jekyll and Mr. Hyde" (1931) starring Fredric March who won an Oscar for his portrayal of both Jekyll and Hyde, Miriam Hopkins, and Rose Hobart. George provides background on the restoration and history behind the film, including the ground-breaking direction by Rouben Mamoulian.  Film historian Constantine previews his audio commentary with Dr. Steve Haberman, which is new to the release and provides fascinating revelations about missing scenes, risqué visuals actually cut from the film for many years, and the importance of this film along with Dracula and Frankenstein, in ushering in a new age of horror to the talkies.Purchase on Amazon:Dr. Jekyll and Mr. Hyde (1931) Blu-rayMark of the Vampire (1935) Blu-rayThe Curse of Frankenstein Blu-rayOtaku Media produces podcasts, behind-the-scenes extras, and media that connect creatives with their fans and businesses with their consumers.  Contact us today to see how we can work together to achieve your goals.  www.otakumedia.tv

Director William Wyler’s film tells the stories of three men returning home from World War II and the impact on their lives, their families and their careers. Great performances from Fredric March, Dana Andrews, Teresa Wright, Myrna Loy and acting newcomer Harold Russell. Lesser-known faves of mine, Gladys George and Cathy O’Donnell are also great to see. Released a year after war’s end, this is the winner of many awards. Wyler served in the war, and I think it shows in the way he made this film.** Shelly Brisbin with Micheline Maynard, Erika Ensign and Randy Dotinga.

This week, Gavia and Morgan discuss the delightful Pre-Code romantic comedy "Design for Living," directed by Ernst Lubitsch and starring Miriam Hopkins, Fredric March, and the incomparable Gary Cooper in a hopeless love triangle. Topics include the film's startling candid approach to sex, the contrasting star personas of its actors, and director Lubitsch's famous je-ne-sais-quoi.