Podcasts about radio school aftrs

In this episode, Neil and Jason talk to emerging Australian sound designer Andrew Dean about his work, in particular the award-winning films ‘Mud Crab' (written and directed by David Robinson-Smith), ‘Gorgo' (directed by Veniamin Gialouris) and the forthcoming feature film ‘Salt Along the Tongue', (directed by Parish Malfitano), that Andrew sound designed and mixed. Andrew describes his journey from working in a Bathurst multi-screen cinema, then studying for a music degree, moving from recording studios to mixing television shows for SBS, and then studying sound design at the Australian Film, Television and Radio School (AFTRS). Andrew graduated from their Masters programme in 2022 and has subsequently pursued several creative endeavours with AFTRS alumni. About the presenters: Andrew Dean -  Web: https://www.andrewdeansound.com Films:  ‘Mud Crab', (2022), available at: https://youtu.be/hclZdRKflNw?feature=shared ‘Gorgo', (2023), trailer available at: https://vimeo.com/905788706 Neil and Jason - Details of Neil's 1-to-1 and Coaching Programmes for ambitious media professionals are available at https://www.drneilhillman.com and at https://soundproducer.com.au/coaching Details about Neil and Jason's work as dialogue editors and mixers is here: https://www.theaudiosuite.com AFTRS: Learn more about The Australian Film Television and Radio School here: https://www.aftrs.edu.au Technical notes:  Written, produced and presented by Jason Nicholas and Dr Neil Hillman Recorded using the Squadcast remote recording system Programme edited by Jason Nicholas

For Genevieve Ginty, the complex simplicity of colour and light has always captured her, takes her breath away, and propels her to create.   Combining her love, study, and practice of art, photography, and design with twenty years of media production, management, and educating, for Genevieve, this is  the perfect marriage of form and function. Clear communication and individual expression to create beautiful photographs or designs and/or a well-designed space in a website.   Amongst decades of work and life experience, Genevieve studied at the National Art School in Sydney, The Australian Center for Photography and The Graphic Design School. She started working with Photoshop in the 1990s and self-taught her way through the Adobe suite ever since. Genevieve worked in film and television production for 20 years and spent almost half of that teaching the same at the Australian Film Television and Radio School (AFTRS).   In this episode, Genevieve candidly shares her journey in the photographic field, from getting her first Polaroid camera as a child to building a career in landscape photography.    She discusses how growing up in a creative family, her love for art and the landscape have significantly influenced her work. Despite the challenges, Genevieve emphasizes how rewarding and important photography is to her, expressing that it not only serves as a form of communication but also contributes to personal well-being.   I hope you enjoy the show!   You can find Genevieve's work  here: Website: https://www.genevieveginty.com/ Instagram: https://www.instagram.com/genevieveginty/ Facebook: https://www.facebook.com/genevievegintyphotographer   Listen to this and other episodes wherever you find your podcasts or on https://grantswinbournephotography.com/lpw-podcast Or subscribe to my YouTube channel https://youtube.com/@grantswinbournephotography   Theme music: Liturgy Of The Street by Shane Ivers - https://www.silvermansound.com   #podcast #landscapephotography

Killing It is a satiric comedy on Peacock starring Craig Robinson as Craig Foster, an aspiring entrepreneur struggling to start his business. The show pokes fun at the absurdities of American capitalism, class, race, health care, and how it's all stacked against the little guy. Cinematographer Judd Overton shot all episodes of Killing It for both season one and season two. His approach to shooting the comedy has always been to keep it relatable and naturalistic, even though the characters are going through things that might seem ridiculous. With three cameras, it was also important to create a space for the actors to do their best work- they would often improvise and try to sharpen their jokes on set. Shooting with longer lenses gave them room to move. The composition and lighting also have to play together for the humor to hit. Each of the characters in Killing It have their own episode, and the lighting is influenced by the places they're in, such as a strip club or a huge mansion. Judd feels that planning is essential, and he had to think on his feet to be able to change blocking or the time of day a scene was shot. One scene in Killing It from season two required a lot of stunt work and fight scene blocking in an automotive chop shop, but the comedy beats weren't working. Without the comedy beats, the fight scene just wasn't going to play. They had to stop, reblock and shoot again to work out how to make it feel funny. Judd grew up in the outback of rural Australia, and his family would buy VHS movies for entertainment and watch them over and over. The kids would then reenact the movies, filming it with a camcorder, and edit them together. Growing up in the driest permanently inhabited place on earth meant that documentary crews would frequently come through, and Judd would go and watch them work. It inspired him to become a cinematographer, so he learned photography in high school and then became a camera assistant through the Australian Cinematography Society. He later attended the Australian Film Television and Radio School (AFTRS), won several awards for his student work and started getting offers to DP on larger films. Judd's next project is a feature film called Totally Killer, a slasher comedy that will be the closing night film at Fantastic Fest in Austin. It releases October 6th on Amazon Prime. You can watch Killing It streaming on Peacock. Find Judd Overton: www.juddoverton.com Instagram: @juddovertondp Sponsored by Hot Rod Cameras: www.hotrodcameras.com The Cinematography Podcast website: www.camnoir.com Facebook: @cinepod Instagram: @thecinepod Twitter: @ShortEndz

MumLife with Ruby Challenger and She Births - Award winning director shares the beauty, chaos and struggles of motherhood She Births® Birth Course: shebirths.com⁠ | ⁠Free Holistic Pregnancy Guide⁠ | She Births® Full Online Course Connect with Ruby: Ruby Challenger Instagram⁠ | Vimeo⁠ | ⁠IMDb⁠ | MumLife Trailer In my soon to be published book I am writing a lot about how screens and stories are creating subconscious wiring and belief systems about birth and motherhood. Through exposure we are all continually absorbing a culture, a set of beliefs. Culture eats birth plans for breakfast!  In other words, if you don't take charge of what culture and the narrative is doing inside your brain and body you will not get the birth you want.  Ruby Challenger⁠ is also on fire about this. It was a spark ignited at her She Births® course many years ago and now blazing through her work as a filmmaker.  Ruby's short film, MumLife, screened in official competition in the 2022 La Cinef section at Cannes Film Festival. Five weeks earlier she had given birth to her second baby, so she packed up her family of four and took them to the festival! MumLife is a 15 minute musical about postnatal anxiety and is now enjoying a festival run.    Ruby completed her Masters at the Australian Film Television and Radio School (AFTRS). She wrote her thesis on motherhood and the cinema, looking at mothers in front and behind the screen, which is being released on Instagram to further the discussion about mothers in film.  Ruby has been on film sets since she was born - legend has it her first trip after the hospital was a film set to visit her dad.  Alongside her award winning musical film, MumLife, her advocacy work for families will fill you with passion and purpose - to make all the places we go more inclusive and family friendly.  In our podcast today we discuss media and the common birth/parenting culture. Plus, look at what it's really like studying or working as a mum, in one of the most intense and male led industries, film. As Ruby says: It's important that we change these narratives. Most of the women that you see on film and TV or any media who are mothers, are not going to be a protagonist. Don't miss this latest inspiration and on fire conversation with Ruby Challenger  Please leave us a review of the She Births® Podcast if you are enjoying the show.

https://www.linkedin.com/in/siangard/ Sian Gard, Chief of Staff for Australian Broadcasting Corporation, Central Victoria joins Shaz Jones for a workshop on improving the BibleHax podcast - and podcasting in general. John starts his Gospel by describing Jesus as "The Word" (John 1v1). Content is a core part of His divine identity. Sian starts the conversation by getting Shaz under a doona - it's not what you think! We'll try and clear that up pretty quickly :) Later on Sian raises not one but both fists and aims right for Shaz's mouth. Don't worry - it's all part of how to improve content and storytelling in general, and podcasting in particular, so YOU can have lasting impact. Sian's expertise has been recognised with a position at Australian Film Television & Radio School (AFTRS) to train podcasters and broadcasters. This builds on her decades of media experience including projects like The Project (Channel 10, Australia), and Media in Action (BBC in Tunisia, Africa). One of Sian's passions is helping others to tell their own story, so whether you're an entrepreneur pitching for funding, making sales, or hosting your own podcast, you'll benefit from her expert tips... and be thoroughly entertained along the way. https://fb.me/biblehax You're invited! BibleHax host Shaz Jones and her guests help entrepreneurs apply pratical bible insights to boost their business. Join the community on Facebook to meet like-minded kingdom entrepreneurs from around the world. And don't forget to give us a rating and review wherever you listen to podcasts. It really helps other entrepreneurs find us and it's the best compliment you can pay us!

In this bonus episode from Russell Pearson's podcast, The Marketing Report, I get close and personal, welcoming you into my career story, taking you behind the scenes to learn about my winding business journey; from my early career teaching Speed Reading, then high school English, to graduating from the Australian Film TV and Radio School (AFTRS) and working in television, before founding my training company in 1990, rebranding as Brainpower Training in 2001. TALKING POINTS Russell asks, "Nina, you've got scalability, you've got trainers in different areas, you can supply training clients need, in-person or virtual, and it allows you the opportunity to still play, learn and grow. You've got stories on stories; history in different areas of business that you've been a part of over the years. I thought I need to get you to discuss lessons about constant reinvention. Where did you start?" To view the video version go HERE What I learned along the way Which skills and mindset have been important for success How to move from ‘do it yourself' to having a team do it for you? Russell Pearson's "The Marketing Report" podcast can be accessed via your favourite podcast app e.g. Apple, Spotify, etc. or HERE ===  ABOUT HOST, NINA SUNDAY CSP Invite Nina Sunday CSP and Certified Virtual Presenter as a speaker for your conference, virtually or in-person, on Positive Workplace Culture and Co-creating Team Working Agreements. Contact: nina@ninasunday.com or info@brainpowertraining.com.au Visit https://ninasunday.com or https://www.brainpowertraining.com.au/ As Founder/Owner of Brainpower Training Pty Ltd you can arrange for Nina or one of her Facilitators Australia-wide to deliver a face-to-face customised program on Communication, Productivity, Leadership or Teamwork. Author of ‘Workplace Wisdom for 9 to thrive; the 12 soft skills everyone needs to know for workplace success' The Manage Self, Lead Others podcast is mainly for experienced and aspiring managers to explore ways to elevate and transform team culture. Nina Sunday speaks with key experts from Australia and across the globe who share their insights in self-leadership and leading people. Learn more about your ad choices. Visit megaphone.fm/adchoices

Emily Dean is an Asian-Australian writer, director, and artist living in LA. Emily holds a BA (Honours I), History and English Major, from the University of Sydney. Following her academic studies, Emily pursued a career in animation first at the Australian Film TV Radio School (AFTRS) and earned a Graduate Certificate in Animation Directing, then further at the California Institute of the Arts (CalArts). Following training at Pixar in the Story Department, Emily has worked as a Story Artist and Visual Consultant for Warner Bros and Animal Logic on films such as THE LEGO BATMAN MOVIE (2017), THE LEGO MOVIE 2 (2019); Lionsgate's sci fi thriller HOTEL ARTEMIS (2019) starring Jodie Foster; and on Sony Picture Animation's Oscar Award winning HAIRLOVE (2019) from creator/director Matthew A. Cherry. In 2012, Emily's animated short film FORGET ME NOT was nominated for an Australian Academy Award (AACTA), and in 2018 her first live action sci fi short film ANDROMEDA played and was awarded at numerous genre fests including the Trieste Science Fiction Festival.  In 2019, Emily was awarded Variety Magazine's Top 10 Animators To Watch; and in 2021, Emily was named one of Piaget's Extraordinary Women. Emily is also currently serving a term on the inaugural Alumni Advisory Committee for the Australian Film, Television and Radio School (AFTRS) for 2022-2023. Emily recently directed THE VERY PULSE OF THE MACHINE, written by Philip Gelatt and based on the Hugo Award -winning short story by Michael Swanwick for Volume 3 of the Emmy-award winning Netflix R-rated animated series LOVE DEATH + ROBOTS, under the creative leadership team of Tim Miller, David Fincher, and Jennifer Yuh Nelson. Emily currently writes, directs and executive produces content for film and television under her production banner Grade 8 Productions. In this Podcast, Allan McKay interviews Director, Writer and Artist Emily Dean about her experiencing directing THE VERY PULSE OF THE MACHINE for LOVE DEATH + ROBOTS, directing her first short films, the lessons and mindsets for filmmakers, starting her own production company and importance of supporting up-and-coming artists. For more show notes, visit www.allanmckay.com/374.

Today on What's My Frame? I'm joined by director and writer Laura Scrivano. I had the joy of meeting and working with Laura earlier this year on the set of WEDDING SEASON. Laura began her career in theatre; that ease of communicating with actors along with her composure and attention to detail while filming in an electric and at moments wild active casino was nothing short of impressive! Today we'll dive into what intrigued Laura about the HULU & Disney+ genre busting series as well as some behind the scenes stories. Laura is an Italian-Australian filmmaker now based in London. She shares details of her journey to become a working director. She speaks honestly about the challenges and limitations female creatives often face and what can be done to create an equal playing field going forward. Outside her work on WEDDING SEASON, Laura also directed two episodes of sci-fi drama THE LAZARUS PROJECT, and is also working on her debut feature as writer/director. She began her career in theatre, directing productions at Belvoir St, Australian Theatre for Young People and Opera Australia; and creating digital content for Sydney Theatre Company under the artistic directorship of Cate Blanchett and Andrew Upton. Laura's work has been described as ‘beautifully honest' (The Guardian), ‘mind blowing' (The Times), ‘groundbreaking' (Sydney Morning Herald), and ‘inspirational' (PromoNews). She was named as "Ones to Watch" for the Edinburgh TV Festival 2020-2021. A graduate of the Australian Film, Television & Radio School (AFTRS) in both directing and screenwriting, her shorts have screened at festivals internationally, including BFI Flare, Sundance, Oberhausen, Aesthetica, Cyprus Film Days, Cinema des Antipodes at Festival de Cannes and New York Fashion Week. LauraScrivano.com --- If you're not already please join us on Instagram @whatsmyframe --- Support this podcast: https://anchor.fm/whats-my-frame/support

Today on 10 Minute Mindset, Kelly Glover gives her best advice for polishing your pitch and presenting your brand in a way that gets you booked on more podcasts. Kelly Glover is a radio host with a 20-year track record in media and entertainment. She started out interviewing celebs on the red carpets in Hollywood, worked for Miramax in London, and graduated from the Australian Film Television and Radio School (AFTRS) prior to hosting the Love Song Dedication show on 105.3 NEW FM. Kelly began podcasting in 2007 and was the first Senior Podcast Producer at Mamamia where she produced the award-winning podcast, Hello Bump (Best Branded Podcast – Australian Podcast Awards). You can learn more about Kelly at http://thetalentsquad.com/ See omnystudio.com/listener for privacy information.

Today on 10 Minute Mindset, Kelly Glover shares how she stayed focused on things she was passionate about and failed her way to success. Kelly Glover is a radio host with a 20-year track record in media and entertainment. She started out interviewing celebs on the red carpets in Hollywood, worked for Miramax in London, and graduated from the Australian Film Television and Radio School (AFTRS) prior to hosting the Love Song Dedication show on 105.3 NEW FM. Kelly began podcasting in 2007 and was the first Senior Podcast Producer at Mamamia where she produced the award-winning podcast, Hello Bump (Best Branded Podcast – Australian Podcast Awards). You can learn more about Kelly at http://thetalentsquad.com/ See omnystudio.com/listener for privacy information.

Me-Lee Hay is a musician and composer, and has written scores for various television series, documentaries and commissioned work for Sydney Dance Company and Sydney Theatre Company. In 2017, Me-Lee won a Screen Music Award for her composition in Last Tree Standing. Despite the awards and experience working alongside household names (Geoffrey Rush, Sigrid Thornton, Luke Nguyen), it is not the extraneous recognition that drives Me-Lee, but internal gratification and a genuine love for her craft. “I always try and ground myself by remembering that feeling – from before I started writing music for a career – where I just loved music, for music's sake,” Me-Lee Hay said. “Just trying to remember that passion…there was a reason why I came into this profession.” Born in Malaysia, then moving to Sydney's Inner West as a 5-year-old, Me-Lee learned classical piano from a young age and went onto Newtown High School of the Performing Arts for her final secondary school years. Later on, Me-Lee further honed her craft at Australian Film Television and Radio School (AFTRS) and developed a strong practical understanding of musical composition for the film and television industry. “It helped me with the nuts and bolts of the business…learning to read a contract, understanding how films are made. It showed how a film gets off the ground and actually gets funded,” Me-Lee said. Find out more in the latest episode of the Passion & Perspective Podcast, hosted by Jonathan Robinson-Lees. Instagram: @passionperspectivepodcast Music Credit: "Friendship" - Annie Burbank

Dylan Logue grew up in Wentworth Falls and attended Blue Mountains Grammar School. Through his upbringing and schooling years, Dylan developed a passion for creativity and spent countless hours exploring and experimenting with screen writing and film making. After high school and despite initial rejection, Dylan was accepted into the Australian Film, Television and Radio School (AFTRS) to study Screen Production. The experience, whilst challenging at times, helped refine Dylan’s craft and instilled a sense of resilience and promoted the importance collaboration in screen production. “I remember getting knocked back by AFTRS for their main course – it left me in the position of not doing a whole lot (straight after high school)”, Dylan said. “Once accepted, I learnt a whole lot from AFTRS, especially about teamwork and how much effort goes into getting a project made”. Beyond screen production, Dylan has also adopted fiction writing and is in the draft stage of his maiden novel, a process which started organically. Becoming an author has created an additional creative outlet for Dylan, with an element of independence and freedom channelled into his work. “I started writing the book when my friend gave me a notebook as a gift”, Dylan said. “Every morning I would get up and write a page or so. As I started writing I thought, ‘There is actually a story here’, and that became Chapter One of the novel”. Learning and personal growth remain important for Dylan and it is a sense of self-awareness, alongside theory, that he feels is key to the continual development of his creative work. “Reflection is going to be the way you learn. Once you do something sit back and think, ‘Am I happy with that? How could I do that better?’”, Dylan said. “You will learn by doing, reflection and perseverance. Those are the three things that will get you across the line”. Find out more in the latest episode of the Passion & Perspective Podcast, hosted by Jonathan Robinson-Lees.

Dylan Logue grew up in Wentworth Falls and attended Blue Mountains Grammar School. Through his upbringing and schooling years, Dylan developed a passion for creativity and spent countless hours exploring and experimenting with screen writing and film making. After high school and despite initial rejection, Dylan was accepted into the Australian Film, Television and Radio School (AFTRS) to study Screen Production. The experience, whilst challenging at times, helped refine Dylan's craft and instilled a sense of resilience and promoted the importance collaboration in screen production. “I remember getting knocked back by AFTRS for their main course – it left me in the position of not doing a whole lot (straight after high school)”, Dylan said. “Once accepted, I learnt a whole lot from AFTRS, especially about teamwork and how much effort goes into getting a project made”. Find out more in the latest episode of the Passion & Perspective Podcast, hosted by Jonathan Robinson-Lees. Instagram: @passionperspectivepodcast Music Credit: "Friendship" - Annie Burbank

ACMA has found Ray Hadley breached decency rules by making threats against an individual during a broadcast in May 2019, Russel Howcroft has been re-appointed as the Chair of the Australian Film, Television and Radio School (AFTRS), International Sales Guru Pat Bryson says it's time to get those advertisers in for a chat about restarting their marketing. See acast.com/privacy for privacy and opt-out information.

Cinematographer Dion Beebe grew up watching subtitled films at a small foreign cinema in South Africa before moving to Sydney and studying at the Australian Film, Television & Radio School (AFTRS). Since then, Dion has made a name for himself working on Chicago, Green Lantern and Memoirs of a Geisha. Host Jenny Cooney chats with Dion about the pivotal people in his career and what it was like working with his wife, Unjoo Moon, on their upcoming film I Am Woman.

Aboriginal and Torres Strait Islander people have many ways of finding a connection to their culture and identifying in today’s Australia. Being grounded with community and connecting to your identity can happen in unique and numerous ways. Awareness to land, air, sea and your role creates a sense of place. Who are we; who might that animal be? Sometimes we all just need to listen. Learn more about the Australian Film Television and Radio School (AFTRS) ↳ https://www.aftrs.edu.au (https://www.aftrs.edu.au/) Learn more AFTRS Indigenous ↳ https://www.aftrs.edu.au/aftrs-indigenous (https://www.aftrs.edu.au/aftrs-indigenous/) Connect with AFTRS ↳ Facebook: https://www.facebook.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Facebook: https://www.facebook.com/aftrsindigenous (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Twitter: https://twitter.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs) ↳ Instagram: https://instagram.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs)

There has been an unbroken connection to country for First Nation peoples of Australia. Over time there has been a shift in how we as Australians describe ourselves and view our past with each other. The interest in First Nations culture and story is seen and felt on a national level. Together we can walk forward with understanding and wisdom. Learn more about the Australian Film Television and Radio School (AFTRS) ↳ https://www.aftrs.edu.au (https://www.aftrs.edu.au/) Learn more AFTRS Indigenous ↳ https://www.aftrs.edu.au/aftrs-indigenous (https://www.aftrs.edu.au/aftrs-indigenous/) Connect with AFTRS ↳ Facebook: https://www.facebook.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Facebook: https://www.facebook.com/aftrsindigenous (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Twitter: https://twitter.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs) ↳ Instagram: https://instagram.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs)

Storytelling informs, engages and challenges culture. Australia has a shared history. Australia’s First peoples are integral to the story of how we got to the Nation we all live on today. Right now is an exciting time to see and hear all of the lived experiences by so many who walk this country together. Learn more about the Australian Film Television and Radio School (AFTRS) ↳ https://www.aftrs.edu.au (https://www.aftrs.edu.au/) Learn more AFTRS Indigenous ↳ https://www.aftrs.edu.au/aftrs-indigenous (https://www.aftrs.edu.au/aftrs-indigenous/) Connect with AFTRS ↳ Facebook: https://www.facebook.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Facebook: https://www.facebook.com/aftrsindigenous (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Twitter: https://twitter.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs) ↳ Instagram: https://instagram.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs)

Join us for an insightful discussion about how language and Indigenous knowledge is being used today. First Nation Australians are a diverse group of peoples who use story in daily life. Enjoy the wisdom from Uncle Bruce Pascoe as he imparts his thoughts on our shared nation. Learn more about the Australian Film Television and Radio School (AFTRS) ↳ https://www.aftrs.edu.au (https://www.aftrs.edu.au/) Learn more AFTRS Indigenous ↳ https://www.aftrs.edu.au/aftrs-indigenous (https://www.aftrs.edu.au/aftrs-indigenous/) Connect with AFTRS ↳ Facebook: https://www.facebook.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Facebook: https://www.facebook.com/aftrsindigenous (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Twitter: https://twitter.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs) ↳ Instagram: https://instagram.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs)

Listen as respected Elder Uncle Bruce Pascoe ruminates on people’s responsibility to be knowledge keepers. An opportunity to hear understandings of the responsibility as being part of the oldest living culture. There are numerous languages spoken in Australia but there were once hundreds spoken by the Indigenous Peoples of Australia. Culture is passed on through story, language and in this episode, you can hear how this has occurred over time. Learn more about the Australian Film Television and Radio School (AFTRS) ↳ https://www.aftrs.edu.au (https://www.aftrs.edu.au/) Learn more AFTRS Indigenous ↳ https://www.aftrs.edu.au/aftrs-indigenous (https://www.aftrs.edu.au/aftrs-indigenous/) Connect with AFTRS ↳ Facebook: https://www.facebook.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Facebook: https://www.facebook.com/aftrsindigenous (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Fwww.facebook.com%2Faftrs%2F) ↳ Twitter: https://twitter.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs) ↳ Instagram: https://instagram.com/aftrs (https://www.youtube.com/redirect?v=uWeucuwo7lk&event=video_description&redir_token=erwy7tqd6KTGfY1sWVGbo3DNPBJ8MTU2MzU5MTE4M0AxNTYzNTA0Nzgz&q=https%3A%2F%2Ftwitter.com%2Faftrs)

Refugees in Australia will be given a chance to tell their stories more creatively.UNHCR Australia, in partnership with Australian Film Television and Radio School(AFTRS), launched in new scholarship for refugees already settled in Australia.The scholarship is worth $72,000, and it also covers the living expenses during the completion of the program,This scholarship will be a full-time study program.Israr Khan from UNHCR Australia says this is part of the ongoing efforts to settle refugees in Australia.Speaking to SBS Pashto, he said, Applicants will be required to demonstrate their interest in creative arts. Any previous work in the field of tv, radio or film will be advantageous.We spoke to Israr Khan on the eligibility and other criteria, please listen to the full interview in Pashto. - اسټراليا کې د ملګرو ملتونو کډوالو ادارې يا UNHCR د ۷۲،۰۰۰ ډالرو په ارزښت د زده کړې بورس اعلان کړی.ياد زده کړې بورس له مخه به کډوال يا پناه غوښتونکټی د Creative Art چې ډيره کې ژورناليزم سره تړلې ده زده کړې چانس ورکول کيږي ترڅو پدې برخه کې خپلې لوړې زده کړې وکړي.دا زده کړې دا بورس اسټراليا کې ميشتو کډوالو او پناه غوښتونکو لپاره دی.د UNHCR اداره وايي، په ياد زده کړې بورس کې د ورځني ژوند لږښت او هم په UNHCR اداره کې کاري تجربې ترلاسه کول شامله دي.اسټراليا کې د UNHCR ادارې کارکوونکي اسرار خان سره مو مرکه کړې، لا ډيرو معلوماتو لپاره بشپړه مرکه واورئ.که غواړئ چې نوم ليکنه وکړئ نو لاندې لينک کليکاږئ.https://publiceducationfoundation.org.au/australia-for-unhcr-beddie-scholarship/

Fyona Smith is Head of Radio at The Australian Film, Television and Radio School (AFTRS), responsible for the development and delivery of AFTRS Radio and Podcasting courses.She is EP of AFTRS Audio Boom Channel showcasing student work and industry research and holds a Graduate Certificate in Tertiary Teaching.Prior to AFTRS, Fyona produced and presented SCA’s national top rated School of Rock radio show, hosted Southern Cross Television’s, Australian music TV show ‘School of Rock Oz Made’ and held the position of Network Music Director for Triple M Localworks.Listen out for Fyona's top 5 tips on gaining entry into this great industry.

A few months ago, I had the pleasure of spending a few hours in a coffee shop with one of the most brilliant minds in podcasting. Seriously, with over 17 years experience in media and has worked with some of the biggest brands in TV and Radio Kelly is an expert in what I call finding the “damn” factor in people through her ninja-like interviewing process. In this episode, Kelly and I cover tools, tactics and practical strategies you can leverage to pitch your story to hosts with higher success rates, land big-name guests for your show and get more media exposure. How? As Kelly shares today, everyone has a story it's just how you present it and position it, Start landing more interviews and getting more press today with Kelly’s expert insights. About Kelly Kelly Glover (http://thetalentsquad.com/staff/kelly-glover/) is a Podcast Talent Booker and award-winning podcast producer with 17-years experience in media, entertainment, radio, and podcasting. Based in New York, Kelly books high-profile and fascinating guests across multiple podcasts. With a media career launching in 2001 as an intern at Miramax (Los Angeles & London), Kelly worked her way up the entertainment industry ladder earning her stripes as an entertainment reporter on the red carpets in Hollywood (Zap2it) and talent agent (Mollison Keightely). She started podcasting in 2006 prior to attending The Australian Television and Radio School (AFTRS) and landed her own syndicated radio show (New FM/ Super Radio Network). Before launching The Talent Squad podcast agency, as the Senior Podcast Producer at Mamamia Women's Network, Kelly produced six shows including two branded podcasts (Westpac/ Philips Avent). Time Stamps 4:00 The next level podcast marketing tool you aren’t using.. 9:24 Simple proven effective ways to help podcasters grow their show 12:05 The most common mistakes podcasters make when building a podcast website 14:01 Expert best practices to get people to listen to your show 15:09 The #1 hack to hook people to listen more of your show 18:02 Is  C - T - A an absolute must for every podcast…. 21:04 What makes one a great guest….do you have these critical elements? 33:15 How to make a killer one sheet and how to make one and why is it essential for every podcaster. Resources Direct Heroes (https://www.directheroes.com/) ManyChat (https://manychat.com/) Connect with Kelly Website (http://thetalentsquad.com) Podcast Guest Kit (https://www.podcastguestkit.com/) Instagram (https://instagram.com/thetalentsquad1/) Connect with Luis Website (http://podcastdomination.co/) Instagram (https://www.instagram.com/luisryandiaz) This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy

We may not watch them on the box in the living room anymore, but the show runners, writers and directors behind great Australian TV are creating some of the best screen-based entertainment around. What’s the secret to creating and pitching a great TV show in 2018, when the gatekeepers are platforms like Netflix or Stan (or gone entirely)? Hannah Lehmann (The Out There) and Chloe Rickard (Jungle Entertainment) share their secrets. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film, Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

Sink deeper into the world of immersive storytelling—now that we know an immersive story, well told, can make us feel ‘present’, can these stories bring us closer to each other? Can experiencing a story using immersive technology increase our empathy for people with stories very different to our own? Scott O’Brien thinks so, he’s the founder of VR and AR company Humense, and sees this emerging tech (when used well) bringing us closer together. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

The way stories are delivered and experienced is changing, becoming less linear, more interactive. But even in these new forms, there are good stories and bad ones. What sets a story apart, keeps someone turning the page, watching the TV show or answering their smart speaker? Nicky Birch from BBC R&D has found that even the weirdest of interactive experiments need a few storytelling essentials at their core. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

Can artificial intelligence create art that’s as good as a humans? And if they could - would we even care about it, without that beating heart, that authentic human experience at its core? Professor Toby Walsh from UNSW and CSIRO’s Data61 explores the capabilities of AI-composed stories, and whether we will care about them when they get here. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

The story is all around us—more than ever before we have the power to make stories that engage multiple senses, and toss the audience into a whole new world where they feel they’re part of the action. But does immersion using technology like binaural audio, virtual reality or augmented reality lead to a great connection to story? Chris Panzetta from S1T2 explains the difference between a gimmick and an engaging immersive reality and Screen Audience Research Australia measures audience reaction to immersive experiences. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

Do machines have what it takes to create music that taps into human emotion? Tech is increasingly aiding human creativity, but is there an x factor to great stories and art that machines can’t replicate? The team at Uncanny Valley shows us how they’re teaching computers to understand human emotion, and Peter Clay tells us about the human intuition at the heart of programming feel-good station smoothfm, where he’s head of programming. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

Since the first time someone told a story around a campfire a lot has changed about how we tell stories to one another. In this first episode of Lumina, Fenella Kernebone talks to two creatives rethinking the way we tell stories; Tea Uglow, Creative director at Google’s Creative Lab in Sydney and Mikaela Jade, CEO and founder of augmented reality company InDigital. Both think screens are just a stepping stone on the way to a world full of interactive stories we can barely conceive of yet. Lumina is a podcast about how tech innovations challenge and shape the way we share stories, produced for the Australian Film Television and Radio School (AFTRS) by Audiocraft. See acast.com/privacy for privacy and opt-out information.

Recently, I recorded a speed pitching event at Australian Film Television and Radio School (AFTRS). You'll hear several minutes of pitch by Screenwriting students followed by several minutes of assessment by Producing students.  The first Producer was Dominic Hart.  Pitchees are: Keaton Stewart Dave Bloustein Stephanie Basile Luke McKenzie Gareth Richards Sarah Emery The second Producer was Sarah Bassiuoni. Pitchers are: Suzanne Slack-Smith Tasman Porter We then got some professional assessment of the pitches by Andrew Gregory, Development Manager/Executive Producer at the ABC and Home & Away screenwriter Nick King.